#anywho I'm done rambling

[momentomori24]

Long-ass fandom rant because I need to scream into the void to find a reason to live let's gooooo

[For context I wrote most of this last friday which I thought was good to mention so the timeline makes a bit more sense. I really held off on this one XD Welp, let's start this trainwreck.]

Ok, I know I have other long posts I should be paying attention to (*cough* Keiji's shady shenanigans rant *cough*) among other probably more important things, but quickly wanna get this off my chest because it's kinda started to bug me and add even more concerns about the yttd fandom than I already have. This is specifically going to be about soushin-- yeah, yeah, I know-- but also bleed into something more... broad. Or broader. Idk, I'm a Tumblr user not a grammar teacher.

While browsing through Twitter I've been noticing a little spike in popularity for yttd with more fans and soushin shippers emerging as well. Which is cool, the game deserves all the praise and popularity it can get. And as someone whose been here for years, I'm glad that the fandom is slowly and steadily grown more accepting of soushin compared to the attitude around it way back when. There's been some genuinely really cool stuff that really does the ship justice from a lot of talented artist and writers that I absolutely love (will link some later), but something I've also been seeing a lot of from fans is what I can only describe as a "sanitisation resurgence" (but not really. kinda). A week or two ago on Twitter I stumbled across some soushin discourse where some people were sharing the sentiment that "if soushin end up being related and/or have a big age gap the ship is ruined". That they can only be two years apart max or else Nankidai has "fumbled them".

And the only response to that I had is "what". Like, how is that a deal breaker to you lot? How did you even get into the ship without accepting that those things could very likely end up being canon? How are you here and not ready to ship them no matter what's revealed about them after everything we've learned about them? Midori and Shin possibly being related was always on the table, and Midori potentially having already been an adult when Shin was in high school was always a very real possibility ever since we learned that he was never actually a student at his school. This is literally what soushin shippers got harassed by antis for years ago. Soushin is "problematic", and that's why people who shipped them where treated so badly in the fandom or just excluded all together. I can't count how many timed I've come across a "soushin shippers dni" or "soushiners are freaks and I hope you all have a bad day" or soushin fanfics/art with "I DON'T ACTUALLY SHIP IT BTW" and "not a ship" and "actual soushin shippers dni" attached to it. I can't recall how many times I had to explain myself with the "I ship but I don't condone it irl" or explain why I shipped them to not be labelled as a freak as if you need an excuse to ship anything fictional to begin with. I still remember soushin artist @uououoon and how they ended up deleting their Twitter account years ago because of the harassment and slanderous comments they were receiving for ships the fandom deemed problematic. When a person was saying their goodbyes to them on reddit and made some goodbye art (which is now deleted), some assholes in the comments were calling them weirdos and pedophiles for how they explored fiction and "glorified abuse" (which are the usual comments to uououoon's art posted on reddit unfortunately). I only caught wind of this one because back when they were still active in the fandom they were my favourite soushin artist and I went through their stuff almost every day and was tipped off when I randomly couldn't find their account anymore. They were such a nice and incredibly talented person too so the fact they essentially got bullied by a flock of stupid western fans seriously irritates me thinking about it again. This is why we cannot have nice things.

Soushin is "problematic". It's toxic and subtly abusive and important to the characters in question, but that didn't stop people from going after people who wanted to explore a dark, canon relationship (romantic, platonic or otherwise). How the actual hell did we go from "soushin has very toxic and problematic elements and you shouldn't be shipping it, you fucking freaks" to "you can ship it but don't make it actually problematic, you fucking freaks" like what is happening right now???? The worst part is that this is coming from other soushin shippers. The fact that there's actually soushiners with "proshippers dni" or "soushin is not for proship" genuinely makes me want to bite someone. Like, you horrible summer child-- not only are you demonstrating that you don't even know what "proship" actually means, but you're also spitting in the face of the people in our community that have CARRIED this ship for us for years. Why throw them under the bus to be one of the “good ones” in the eyes of antis when they hate us all anyway?

This brings us back to the sanitisation point: I feel like soushin is slowly being "sanitised" to fit the sensitive palette of antis by trying to make them as "morally acceptable" as possible. It's a worry I’ve had for a long time that once the fandom grows more accepting of the ship we'll be seeing more people basically scrubbing soushin of everything that made, well, soushin, to justify enjoying it. I've seen a bit of it already with a few people trying to say it's "not abusive" or just erase Shin's very obvious trauma by Midori all together for quite some time. Guess it's starting to happen on a bigger scale sooner rather than later. Maybe. Personally I don't think soushin having a big age gap or being related would ruin the ship. It just adds another layer of fucked up to their already fucked up relationship (I already hc Midori to be significantly older anyway so maybe I'm just biased). It doesn't really matter. I came here for toxic yaoi. I want nuclear waste level toxicity, not nuclear waste level toxicity presented in the most conventional and moral way possible. What would the point even be? It’s like packaging poison in a grape juice box. Like, it might be harmless to look at and more justifiable to think of as delicious, but it’s still poison. You making it look all cute and innocent isn’t going to change that. It's kinda funny and by that I mean not really that people will talk about wanting more "toxic yaoi" but when the yaoi is actually toxic and messy and horrific they will cry about it being "bad" or "ruined". You don't actually want dark dynamics, you want dark dynamics stripped of everything that makes them uncomfortable and dark so it's digestible to your tastes that don't even align with said dynamics in the first place. The worst part of this whole "soushin isn't proship so it's fine" bullshit is that it relies on trying to make the ship more "morally acceptable" or "legal" than other ships. Dawg, we are talking about abuse. You shouldn't be minimising that to say "well it's not [insert other terrible thing] so it's fine!!" That's not the "gotcha" you think it is. It’s one of the reasons why antis being into soushin made me feel weird cuz like you can’t ship it and then turn around to insult someone else, man (I’ve seen so many soushin defenders bash other “proships” to justify theirs like what are you doing--).

Realistically, the simplest and smartest thing to do when I see someone mischaracterise or butcher my faves is to either block or ignore and pretend to not care so I don't act on my sixth sense telling me to off them and myself. Realistically, this shouldn't be a big deal or anything that important, but this attitude is usually weaponized to harm and harass people who don't conform to their purity crisis over fiction. I'm in the unfortunate position of being not only a Your Turn to Die fandom dweller, but a Hazbin Hotel and The Coffin of Andy and Leyley one too. I'm used to being labelled a rapist and incest apologist irl who's delusional and deserves to be harassed and insulted by virtue of the media or ships I like (probably not a good thing). But people who are more active in these fandoms than me have it much worse as they get this shit directly waaaay more often while I mostly get called these things indirectly, which is what motivated me more to make this post.

So a couple days ago someone made some art of Monika from ddlc, Nikole (don't know the game sorry) and Ashley from Tcoaal. A lot of people on Twitter, unsurprisingly, bashed it for including Ashley to the point where some felt the need to clarify that they like her as a character but her actions (for some reason I do not understand like Monika has also done some seriously evil shit why are you not applying that logic to her too?). What struck me the most is that a yttd fan-- a self proclaimed "Midori enthusiast"-- ALSO quoted it to bash having Ashley in it. A freaking Midori fan. I told them to mind their business and start separating fiction and reality and to stop being a hypocrite, and thus ensued the most hilarious and stupidest convo I've had in a while:

You can literally count the seconds it takes for these guys to start throwing predator accusations and slurs at people. So "not exploring fiction correctly" makes me weird, but harming or putting real people on blast for nothing is free game, apparently. They're not the worst, both in this instance and in general, but it just stuck with me. Which is impressive, cuz I normally don't have much emotions to spare aside from general mild irritation for things like this. Maybe it's the Sonic feet.

But it ties into my issue. Midori's an absolute piece of garbage, yet some people will convince themselves that his actions are in some way justifiable to justify their hatred of something else (that is a lot less severe in this case) rather than love and let love. Tcoaal is not an "incest game" and if you describe it like that unironically you are not ready to be on the internet. No, it doesn't condone or glorify incest-- it literally does the opposite. If you need the characters to look into the camera and say "what we're doing is wrong and immoral" before doing something bad, I think you're the problem at that point. For the same reason you liking Midori (probably) doesn't mean you support human experimentation and torture, someone liking Tcoaal doesn't mean they support incest and someone shipping soushin doesn't mean they support abuse. These things are dark and shouldn't be condoned irl, but this is fiction. We can do whatever the hell we want. Being into darker themes and media doesn't have to reflect your real world views, but the inability to grasp that sentiment leads people to make their interests as moral and sanitised as possible and, feeling morally superior, will go after people who don't do that. This person deadass said that "incest is not morally grey and absolutely unjustifiable" (didn't even say that it wasn't btw) as if their blorbo hasn't committed so many atrocities for kicks that I personally find more unjustifiable. That line implies that they think that everything else Ashley has done and everything Midori has done can be justified because it wasn't incest specifically, which I find is a WILD thing to insinuate XD But it really does encapsulate the hoops antis will jump through to defend their likes while attacking yours despite the fact that it's literally the exact same as theirs. Rule of thumb: if someone accuses you of condoning something immoral because you like it in fiction, apply that logic to them, look at what they like and if their wet little meow meow is the Joker, Eren, Killua, Makima, Midori or whatever other morally bankrupt character you can come up with, take that as a confession and run. Cuz half the time these guys are actually nuts. While quote tweeting someone to shit on their art isn't the worst thing, considering how twitter has treated tcoaal artists the fact that they'd potentially open them up to harassment pissed me off, which is probably evident from my tone.

[Hi hi, this is me from the present right now cuz a more recent development came up so I’m using it as an example here too.]

While most of the things listed here have all been happening online, this attitude can come up in the real world as well.

As OP states, a bunch of hellaverse cosplayers were targetted at a french convention by haters of the show trying to ruin their cosplay. This is already completely unacceptable but the thing I can’t for the life of me get over is torching their costume while they’re still wearing it. Literally attempting to set someone on fire. All over a fucking show. It’s baffling how people can justify actions like this because they think your taste in fiction is so disgusting it’s Ok for them to hurt you. Not just online, but outside as well. It’s not the first time a hellaverse cosplayer has been harassed (last time it was a Valentino cosplayer but then again Val fans get shit from all sides all the time), and while I’m pretty sure these will remain as isolated cases it’s still scary to think about. What’s even more scary to think about how people think that their opinion on hazbin hotel has any relevance to the situation. So many of the comments in that post are just “I hate Hazbin Hotel, but—” or “I hate the fandom, but--” or “I hate Vivzie, but—” and I’m literally here ready to start pouncing like SHUT UP. No buts. That is not in any way important here. You not liking the show or the creator should not be important to the situation of cosplayers being actively harmed. You don’t have to signal your allegiances before showing basic human empathy, goddamnit. And what’s even worse is that some people have just turned this into a “b-but the hazbin fandom!!” issue, which is insulting. For example:

The “Hazbin fans do blackface and disrespect black people daily” is a reference to ONE Alastor cosplayer that nobody had defended. Not even fans. At least no one I can find. Yet they are using this one bad apple to generalise the whole fandom as "bad" and down play the amount of bullshit the hatedom does to fans on a regular. It kinda makes me feel sick that someone would look at a situation like this and spin this into a “fandom thing” rather than focusing on the victims. That they don’t deserve to be taken as seriously just because of the fandom their in. Some lunatic in the comments was literally completely minimising this whole thing saying “some red paint (fake blood capsules) isn’t nearly as bad as lynching and what black people have gone through in America” before calling anyone who called out that that’s completely irrelevant racist for liking Hazbin Hotel like are you kidding me. My homies in Christ, someone almost got lit on fire can everyone please stay on the goddamn topic. This is one of the rare moments where I was kinda proud of twitter as the majority of the comments and quotes where calling out their bullshit, but the amount of likes and some of the comments are still disappointing.

So what points am I trying to make here? This was very spontaneous and rushed so apologies if it feels messy cuz it very much is messy. But my main points boil down to this: Purification, sanitation and the “fiction equals reality” and "your fictional tastes reflect on you morality irl" arguments need to die. They just have to. While petting Shin on a daily basis gives me enough serotonin to find the will to live, the only true solace I will find is when people start being normal. People shouldn’t be getting harassed or labelled as freaks for fiction you don’t like both online and real life. People are not less worthy of basic human decency and empathy solely based on their fictional interests. People should be able to explore fiction however the hell they want without worrying about there being made a call out post on them somewhere. I search Tcoaal on twitter and there’ll always be a bunch of posts with over 10k likes calling all fans annoying weirdos or say it’s an “incest game” even tho it literally isn’t. I will try looking for some Valangel art on tumblr and see some loser use the tag to basically shit on everyone who ships it and lying about the treatment these shippers get while defending Charlastor or just shit on the ship in general. I just exist on the twitter side of the HH fandom chilling with other Val fans and literally every single one of them has either received death/rape threats or told to kill themselves, got ratio’d by a bunch of haters, had a call out post saying not to follow dedicated to them, had their art reposted and Val scribbled out, repeatedly accused of ““romantising a rapist””, or all of the fucking above. Valentino’s VA gets asked if he’s actually like the character he plays in real life or a fan being “relieved that he didn’t abuse them like Valentino” when they met (kudos to Joel for being chill about it btw I would be fuming this fandom does not deserve this man). I type in a certain controversial yttd ship to search and most of the latest posts are just people being rude, saying that if Nankidai makes them canon they’ll drop the game, calling the man himself a freak, calling other shippers freaks, shitting on soushin as well and then having soushiners defend their ship while also shitting on said controversial ship. It genuinely feels like fanbases are circuses and we are the clowns 💀

I could list other examples people being weirdos but I can't do that without breaking the momentum of this post even more than I already have. I guess what I wanted to vent about is how these attitudes regarding fiction and the way people police how others engage with it and how people think of you based on what you like can go from just annoying to downright dangerous more often than you’d think. That belief that you are morally superior to someone else based on the fact that you ship or like things the “legal” and “pure” and “healthy” way (which is never actually the case btw) can lead to you being really disrespectful or a complete asshole and not feeling bad about it at all, which does more harm than good. Which is why I thought it was important to bring up more extreme cases to empathise how this obsessive gatekeeping of fiction can and does hurt real people, who should be more important to you than fictional characters.

All of this is very likely going to sound very aggressive in tone and I want to quickly clarify that this is not meant to be an attack towards anyone in particular. I'm just tired and recalling all this stuff is making my mood sink like a stone lmao. Who knows, maybe I'm just overexaggerating and things won't get worse when the game gets more popular. This is just what I've been witnessing both in and out of my side of the moon. The amount of yttd fans I've seen act like this are a lot tho. No fandom is perfect obviously, and this one is the farthest from it, but with new people coming in and this weird attitude and need to sanitise not only towards soushin, but other "problematic" ships and media as well growing more prominent (mostly on Twitter and Tiktok) my biggest worry is that the hostility in this fandom will just... increase? Roulettefeel made pretty good posts about it-- my favourites being this one, also this one and this one's pretty short and sweet, summarising most of my soushin points a lot better and shorter than my trainwreck of a post so I recommend checking them out. If you like soushin, go check them out. If you don't like soushin, go check them out anyway. They make stuff outside of soushin too. They're pretty cool.

[I also want to add that the whole sanitisation thing in the yttd fandom is nothing new. It’s been a thing for longer than I have been here. I’ve just been seeing it again with soushin, which is was what made me want to do this in the first place. There’s another dynamic the fandom obviously does this for, but uttering it would not only get me flamed but straight up burned at the stake of bad takes so I’m saving that for a rainy day.]

Aaaaannd, I'm done, I think. I didn't have a good conclusion for this in mind. Idk, just be nice? You don't have to like "proships" (or what the fandom has defined as proship cuz that's not the actual definition), but that's what the block buttons for. Don't like, don't read, I say. Fandoms are for everyone and as long as what the person is doing is harmless, let them feel safe being themselves without having to worry about someone coming after them. Real life cops already suck. Let's not bring them into our collective escapism. And something you personally don't like ending up canon doesn't mean the game or ship is "ruined". That doesn't just go for soushin. That goes for other things too. To tie up loose ends, soushin having an age gap or being related has always been on the table and fits with other themes in the narrative. That does not count as "bad" if it makes sense. Soushin is not "Ok to ship" because it's "not an illegal ship" (whatever tf that means) and it's not "bad to ship" because it's "romanticising abuse". It's fine to ship because it's fictional. You don't need a moral justification to ship anything. That goes for all ships. That's why NOTPs exist. And "proship" doesn't and has never meant "shipping problematic pairings". It's a stance on shipping. It means being pro people being allowed to ship whatever they want. That includes being cool with problematic pairings, but is not limited to those. It means not being a fandom cop. Please stop saying otherwise, I cannot keep living this way--

Soooouuu, to end off on a more positive note and finally put this whole thing to bed I'll link some of my fav newer soushin accounts for anyone who's interested:

Hyo (orewagahai on ao3 check that out too): They are an amazing, amazing writer. If you're into dark, abusive co-dependent, complicated soushin with beautiful characterisation I would highly recommend. They just posted another soushin drabble on twitter and it's great.

jinn: They've been putting out banger after banger ever since getting into the game. Their art is absolutely stunning and they upload frequently, so go check 'em out if you can! It's actual medicine for the soul, I promise. They also draw for dead plate, so if you're into that go ahead too.

angel: Also cool. They're soushin art is hilarious and cute. As much of a sucker as I am for toxic, abusive sludge, they give thses two idiots a silliness that I enjoy. Also if you like trans!Shin content they're pretty good.

欣武 (my dumbass forgot to add them the first time sorry): They are INCREDIBLE. Extremely incredible artist. Their art is so, so freaking good. Not checking them out is absolutely your loss, ngl.

Be nice to them. If I catch anyone attempting to annoy them I'm coming after you and your entire family. Let's be better and not chase new comers off this time :3 Thanks for listening to my incoherent venting. This is mostly for me to feel a bit better, but anyone is free to read. If anyone's got an opinion or observation, feel free to offer it. I need coffee. Coffee sounds good.

[only-in-december]

I just rewatched the Star Trek: Strange New Worlds episode "Tomorrow, and Tomorrow, and Tomorrow". And oh by golly do I have a ton of headcanons and ideas regarding what happened in the Other-Jim's timeline, as well as how that affects La'an when she gets back to her own timeline. And since you obviously want to know about all of my thoughts on this, I will share them.🙂

This is gonna be a long one, lads and lasses. So buckle your seatbelts.

Also, Spoilers for season 2 of Star Trek: Strange New Worlds below the cut.

All ideas I'm about to talk about stem from the fact that I am convinced that the first thing to convince Jim to help La'an get her timeline back, was the fact that in her timeline, Sam was still alive. He would risk his entire universe, just to know that his brother was still there. (Just to be 100% clear, I do have eyes and can see that he and La'an developed feelings for each other. Obviously. I'm just talking about before that happened. The look on his face when she said that she knew Sam. Getting his brother back was a first priority, I think.)

There are two main ideas that I have. I'll start with the first one I came up with:

George Samuel Kirk, and James Tiberius Kirk were both born on the SS Iowa. Three years apart.

Growing up during an intergalactic war wasn't easy, and at some point, they made a pact to keep each other safe. No matter what.

Sam learned at a young age how to do whatever it took to keep himself and his brother safe. Even if that meant killing someone.

Sam joined the fight first. He was a soldier and a protecter. And that's what Jim thinks of first when he thinks of his brother.

Sam dies in some sort of suicide mission in order to save the Enterprise. To save his brother.

When La'an and Jim first meet, it's been a minimum of five years since that day. Maybe more.

At some point, Jim asks La'an about what his brother is like in her timeline, which leads to them comparing and contrasting about Sam Kirk, and learning that the two were very VERY different.

The Sam that Jim knew would never shave his face because "The Romulans aren't going to leave us alone for a minute because we need a shave." And he barely if ever would even trim the hair on his face. (La'an laughs at the thought of her timeline's Sam with a shaggy beard.)

Jim's Sam knew how to shoot to kill. He would run first into the fight, just to make sure that everyone made it out alive. And La'an almost wishes she could've met that Sam.

When Jim mentions that he always thought of his brother as a peacemaker and a pacifist that never had the chance to learn what peace was, La'an is glad to be able to tell him that in her timeline, Sam isn't a fighter. He doesn't know how to aim to kill, and would rather run than fight. And Jim smiles at hearing that.

When they think that maybe Jim can come to La'an's timeline, he stops to himself and thinks about seeing Sam again.

It wouldn't be his Sam.

It wouldn't be the same Sam that taught him how to play chess so that he wouldn't hear the sounds of war outside the window.

It wouldn't be the same Sam that would smack him on the back of the head when he ran into a firefight, only to do the same thing almost immediately after.

It wouldn't be the same Sam who wished for a time where he didn't have to fight to keep them safe.

It wouldn't be the same Sam that he watched die.

But for all their differences, the two Sams were very much alike.

Both enjoyed studying biological sciences. (That was one thing that made Jim's Sam so deadly.)

Both Sams had the same Kirk stubbornness, which meant they would never back down.

They both had an annoying habit of saying the wrong things at the worst possible times.

Most importantly, both Sams loved their "idiot" younger brothers.

La'an found all of the differences amusing, and I think she probably wondered just how different the Jim in her own timeline was, from the man that was sitting next to her. The man that she was starting to fall for.

And when things went wrong, his last words were, "Tell Sam I said 'hi'." Even at the end, he thought about his brother.

And La'an went home, alone.

She was told that she wasn't allowed to discuss what happened with anybody. Ever.

She probably avoided Sam for a while. Because even though she never met the Other Sam, she didn't have to.

Sam and Jim look just enough alike for it to be painful. They have the same look in their eyes. Even though Sam's are dark and Jim's are hazel, the light in them is the same.

They also talk in the same way. La'an didn't know that until she got back, but Sam and Jim both use their hands in the same way when they talk. And the way that they shrug with one shoulder, the way they move their mouths when they're thinking. The little things add up.

So La'an just avoids Sam like the plague.

Until eventually, when she's had time to properly process everything that happened. (Sometime post "Subspace Rhapsody" I think would be best.)

She finally catches Sam alone in a turbolift.

She doesn't look at him, and he thinks that he must have done something wrong.

And she just says three words. "Jim says 'hi'."

She fulfills her friend's dying wish. And then she doesn't say anything else, and just gets off as soon as the doors open back up.

Sam knows that something else is going on for two reasons:

One, he just spoke to Jim less than five minutes before.

And two, his Big Brother Instincts were blaring red alert. She was a little sister that needed help.

I don't know if he acted on the Big Brother Instincts or not, but that can be left open to interpretation.

The other concept that I have, follows the same as the first one for the first few bullet points, with one major big change: Other Timeline Sam was closer in additude to Main Timeline Sam.

Instead of being a fighter, Sam was always the one that would hide from the fight. This is partly what prompted Jim to be the one to fight in the war.

Despite his own self-proclaimed cowardice, Sam worked hard to try and protect his brother. Which is what led to his untimely demise.

Instead of dying in a suicide mission to protect the Enterprise, it was something more like a Romulan got on board and was trying to get to Jim

So Sam did what any big brother would in that moment. He kept his baby brother safe.

Claiming to be Jim (or something. Details aren't specific right now.) Sam ends up dying. He managed to kill the intruder too.

Jim doesn't get to his brother in time. By the time he gets there, Sam's dead. And that moment shapes him.

It's still around five years after that, that La'an and Jim meet.

They still end up comparing Sams, but this time, they're surprised by how much alike the two are.

The biggest difference that the two can find is that Jim's Sam was clean shaven.

Jim this time is more hopeful about seeing his brother again. He's sure that there are tons of differences between the two that they don't know about. (La'an and Sam aren't exactly close.)

But what matters to him is that the two Sams are similar enough.

When Jim dies, this time, La'an avoids Sam even harder. She can't bear to look at the man that Other Timeline Jim wanted to see so badly.

The similarities between the brothers are too much. It makes her angry, just as much as it makes her sad. So she avoids Sam.

She walks out of the room as soon as he walks in.

She doesn't even look at the turbolift if she can hear him talking.

Sam's starting to think that he's done something to make her mad at him. It's not like they ever talked much before, but now? Something definitely happened.

In this version of events, she avoids talking to Sam for way longer than she did in the other one. Even after she sorta comes to terms with everything that happened.

It takes some sort of outside intervention to get them talking. (Idk what though. An away mission or something like that maybe? It's not like anyone is shoving them in a room together or anything like that. Aside from the two of them, I don't think anyone else really notices or cares all that much.)

When she does finally say her three words to him, it's a little more angry. They got into a fight because Sam made a comment that his brother doesn't care that much about him. (Don't ask me why that would even come up. It just does. Go with it.)

She yells at him, telling him what Jim's last words were.

She doesn't want to even look at him. Because looking at the Sam that Other Timeline Jim would have been so excited to see hurts, especially when that same Sam is claiming that his brother wouldn't care if anything happens to him.

Maybe it all spills out. Well, not all of it. But some of the big parts. The part where a different version of Sam's brother died in her arms.

The part where the last thing he said was to tell Sam he said hi.

The part where Other Timeline Jim missed his big brother so much that he was willing to destroy the entire life that he knew just to see him again.

By the end of that, she's sobbing. And so is he, really.

Sam apologizes for saying what he did. He didn't know how it would hurt her. (He still doesn't quite believe everything she said. But he really didn't mean to upset her.)

La'an doesn't respond to him, and just walks away.

She doesn't avoid him as much after that.

[maniacace]

I WAS FUCKING TRYING TO CONCENTRATE ON MY HOMEWORK AFTER SPENDING LIKE AN HOUR WATCHING GOOD OMENS MEMES ON PINTEREST AND I DIDN'T WANT TO PLAY ANY MUSIC THAT REMINDED ME OF THEM SO I SHUFFLED A STUDYING PLAYLIST I MADE AGES AGO BUT APPARENTLY I HAVEN'T CHECKED IT IN A WHILE BECAUSE THE FIRST SONG THAT CAME ON WAS FUCKING BOHEMIAN RHAPSODY

[nyxqueenofshadows]

well there's the plot done FINALLY

[happi-tree]

soooooo i don't have much new to post for wipweds this week so i thought i'd grab a little something from my archives! a ton more people were curious about The Raven and The Dove than i expected, so here's a little excerpt from my amphibia school for good and evil au! in which marcy learns a tiny bit of archery and sasha has some Feelings about it 💗💚

[darkficsyouneveraskedfor]

Come Out and Play 1

Warnings: this fic will include dark content such as non/dubcon, age gap, cheating, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your mom welcomes an old friend back into her life that brings chaos with him.

Characters: Thor, Loki

Note: Two silverfoxes for the price of one

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. Thanks to everyone who reads this one and thank you for all your energy.<3

Love you all like Thor loves thunder. Take care. 💖

Your mother’s singing along to her favourite Donna Summer classic as you come through the front door. She doesn’t hear you as you drop your bag and your boots at the door. You cluck and shake your head as you tiptoe down the hallway and peer into the kitchen. All this just because you’re staying the night? 

You tilt your head and squint at her diligent fingers. She roles the filo around the filling and places each little pocket on a pan. The warmth of the stove radiates through the space and beckons you in. After the frigid chill of your apartment, it’s a relief. 

You waft over to the counter with the smell of baking pastry and chopped peppers. You stand beside your mom quietly and smile at her work. Her arm collides with yours and she looks down at you. She squeals and tosses one of the uncooked hors d’oevres. It sticks to the wall before falling apart. 

“Oh, my!” She puts her hand to her chest and raises her voice, “Alexa, lower volume.” The music recedes and you back up with an apologetic bow. “Hon, I didn’t know you were here. Oh, I hate when you sneak up on me like that.” 

It’s not intentional, more a bad habit. You’re a bit too quiet for your own good sometimes. And hers.  

“Sorry,” you mutter and turn your attention back to the pan, “...lotta food...” 

“Yes, I—I'm so sorry, I didn’t mention. I forgot.” She rambles as she does. Where you’re quiet and reserved, she often talks in streams of nervousness. “When you called, I was so busy and I had so much going on in my head. Sometimes it feels like there’s a hamster in there running on its wheel.” She throws her hands up in emphasis, “anywho, I’m so sorry to hear about the building, did the landlord say when the heat will be fixed?” 

“...dunno,” you shrug and sway. “...the food?” 

“Oh, right, yes! I was saying, dear, I have an old friend coming over. He’s just moved to town and I was so excited to hear from him. We went to college together! I last saw him when I was probably your age. He’s so nice, you know? And we kinda found each other online when I was looking up fake flowers for the new door wreath. I was thinking pinecones would be seasonal but then it occured to me I could get some real ones from the part--” 

“Mom,” you rein her in with a dulcet drone. 

“Ah, my friend, I know! He’s so lovely. You’ll like him. I figure, we can have dinner and some drinks. You’re welcome to join.” 

You nod and peek over skeptically at the bottle of wine, “wouldn’t wanna invade. Should’ve said something.” 

“You know you’re always welcome here,” she reaches for you and you catch her wrists, keeping her sticky hand from touching your cheeks. “Oops!” She giggles and recoils. She turns and rinses her hands off. “Sorry, hon.” 

“I’ll stay out of the way,” you assure her. 

“Don’t be shy. Oh, and make sure you at least get some food.” She flutters around and dries off with a hand towel. “You’ll like him. Thor is super nice! He knew your dad too.” 

You nod and don’t comment on the last part. You never really knew your father yourself. He left when you were young. He didn’t go very far but you see your half-sibling in passing at the mall or even a few times at college. Thankfully, you’re all done with classes. 

“Alright,” you agree. “I’ll put my stuff away.” 

She hums and tells the smart speaker to turn it back up. You leave in the blare of disco music and grab your bag from the entryway. You wish you’d known she was having company. You would have just made do with some extra blankets. 

As if to blow away that thought, the wind whistles and shakes the windows. You go upstairs and put your knapsack on the wooden chair by the narrow desk against the wall. You stretch your arms and yawn as you pace around. Your stomach growls as the aromas in the kitchen follow you up. 

You go back down, hoping to assuage your appetite with some water, and as you get the bottom step, the doorbell chimes. You stop and wait, staring at the door. You mom sings along to Lipps, Inc and you sigh. 

You hop down and shuffle to the door. You pull it open, hiding behind it shyly. The man on the other side searches over your head before he thinks to look down. As you peek around wood, he smiles.

He’s tall. Very tall. And his shoulders are as wide as the large oak in the front yard. His hair shines beneath the light hung beside the door as his eyes sparkle. 

He holds a cone of flowers, the petals bristling in the fall wind, as shadow dims their colour.  

“Hm, I must have the wrong address,” he leans back on his heel and reads the numbers on the siding. “You wouldn’t happen to know where Selina lives?” 

“Here,” you squawk awkwardly. 

“Oh? You’ve shrunk... but you’ve aged well.” He tilts his head but his lips suggest he’s joking. 

“She’s in the kitchen. Wait.” 

You close the door in his face. It’s only as you go to get your mom, that you realise how rude you must have seemed. You didn’t invite him in or introduce yourself. Well, he isn’t here for you, is he? 

You go to the smart speaker and tap the button to pause the music, “he’s here.” 

“Oh!” She squeals and bounces, “already?” 

“Mmhmm,” you nod and back out of her way as she hurries to the door.  

She sweeps through and swings the door open. A gust of wind blows in and you peer around the door frame. The man’s deep voice booms out. 

“Selina! You look just as young as the day we met!” 

“Oh you!” She chirps. “You always were the worst liar.” 

“Mm, I am very honest, Seli,” he rumbles. “And who was that little mouse that was scurrying around? She fled so fast, I did not get a name.” 

“Oh, that’s my daughter,” she explains. “I told you about her. Her radiator broke so she’s here for the night. Always nice to have a full nest!” 

“Of course, of course,” he agrees. “Well, I wish I’d known. I’d have brought two bouquets.” 

“These are so lovely. When did you get so sweet, Thor?” 

“I’ve always been sweet, you were just too distracted to notice,” he retorts. 

She laughs and titters around, “I need a vase. Oh, these are beautiful! Ooh, and a much needed pop of colour. I do hate the winter and it’s coming so fast. Please, come in, come in! You must be freezing.” 

He chuckles, amused by her chatter, “you know I always liked the cold.” 

“Mm, you would. Well, not all of us can bear it. Honey! Oh, there you are,” she pokes her head out from the dining room. “Come, meet my friend.” 

You reluctantly come forward. You fold your hands together and drag your feet. You should’ve stayed upstairs. 

“This is Thor. We both took architecture together!” 

You nod and look at her wide-eyed. You can’t bring yourself to meet his gaze but you know he’s watching you. You rock and twine your fingers between each other. 

“She just finished her own degree. She took literature! Isn’t that so lovely?” 

“Literature? Ah, my brother was always a fan,” he muses. “I do like some good story telling but I could never pick up much on the symbolism.” 

You slant your lips, “oh, cool.” 

“Anyway, I have some wine, why don’t you have a glass while I finish dinner? Hon, you want some too?” She stops beside you with the cluster of flowers. You shake your head. 

You flit up around the staircase, crowded by Thor as he lurks there, and you quickly flee. You don’t look back as you turn down the hall and barrel into his room. You can’t make out your mother’s words as she speaks but his laughter thunders up after you. 

You hide in your room and harrumph. You don’t know why you’re like this. Even at work, you can’t help but try to blend into the wall. It’s not hard to do in the stock room. 

You take out your laptop and resign yourself to a night of Netflix. You’re a bit disappointed. You were hoping to spend some time with your mom but she deserves a life of your own. For all the years she spent making sure you got this far, she’s earned it. 

You turn the speakers up until they hurt your ears. You can still hear their voices below. The savoury scent of your mother’s cooking rise with their conversation. You didn’t realise how much you missed her dinners until now. Those frozen dinners and fast-food deliveries can’t compare with the real thing. 

You hunker down in bed and try not to think of your growling stomach. You’ll wait to reheat some once that guy leaves. You sink down further and further, basking in the warmth of blasting from the vents. You dread going back to your apartment, even after the heat is fixed. 

Your eyelids begin to itch but before you can drift off, there’s a knock on your door. You get up and open it for your mom. The plate in her hands has your mouth watering as you get another whiff of her handwork. 

“Here ya go, hon,” she holds it out. “I’m sorry it’s a full house.” 

“It’s okay. Didn’t have to.” 

“You need to eat,” she insists. You take the plate. “We’ll try to be quiet. You know he’s so loud. He always has been. He makes me seem tame, doesn’t he?” 

You smile at her yapping. She’s so vibrant and chatty. You never could be even when you try. You envy how bright she can be. You feel so dull next to her. Sometimes you feel like you’ve disappointed her. 

“Thanks," you murmur.

“No problem! Love you.” 

“Love you too.” 

You wait for her to go before you close the door. You might not have a dad but you’re lucky to have her. You put the plate on your desk and move your laptop. You eat as you watch the show that isn’t as good as the internet suggested. 

The food is delicious. The little stuffed pastries are a bit spicy and you regret not grabbing a glass of water earlier. You got so distracted by that man. You think of sneaking down but you can just drink from the bathroom sink when you finish. A little tap water won’t hurt. 

You clear your plate quicker than you mean to and go back to the bed. The moonlight wavers outside your window as the night ware on. You yawn and make yourself get up. You can’t leave your dirty plate in here. 

You don’t notice the quiet in the house until you open the door. You listen at the top of the stairs before you descend. Slowly and silently, you make your way to the bottom and curve around to the kitchen. You rinse your plate off and grab some water while you have the chance. 

Your pulse builds as the house remains still. Strange. How did you not realise earlier? Well, you had your laptop cranked up. You can hear it from down there. 

You head back upstairs, balancing the glass in the dark, and as you pass your mom’s door, it opens. You yipe as a large figure collides with you. It’s him. Thor. 

You spill the water down your front and whip around to face him. He steadies you with his hand on your shoulder, “so sorry, mouse. I didn’t mean to--” 

His flannel shirt is undone and the soft glow of a lamp limns him from behind. Oh no! You pull away from him and skirt down the hall. Embarrassment nips at your ears and cheeks. You knew you were intruding on your mom’s night. 

You try not to think of what you interrupted as you dip into the spare room and snap the door shut with a kick of your foot. You stay near the door, breathless, until you hear the bathroom door squeak on its hinges. You shake your head and growl. 

You hope you didn’t ruin it. As awkward as it is to think of your mom in a relationship, she’s been alone for so long and you know you’re part of the reason why. Next time, you won’t go running back to mommy. It’s best for both of you that you grow up. 

[some-pers0n]

Demoman is one of the characters in the fandom I feel most people straight up ignore or don't know how to write. Blunt, sure, but I do stand by it. Demoman is such a fascinating, intriguing character with the most fleshed-out backstories, yet is oftentimes relegated to being Soldier 2.0, only now with poorly written phonetics.

In other words, hey! I'm a fanfic writer who has a ton of opinions as well as a neurotic need to analyze every character they come into contact with. Pleased to see you're reading this. I've already done a little doohickey essay like this with Medic a while back. The purpose of these long rambles is half of me combing through every instance of the character and pulling them apart to see how their character works...and also me not-so-subtly venting and complaining about mischaracterization. Shocking how a fandom where the main characters are all very clear-cut stereotypes with some slight subversions here and there can't seem to get them.

This essay will go through Demo's beginning and all the way to his latest appearance in the 6th comic. I'll touch on how his character shifts and is expanded upon. I doubt he changes as much as Medic has over the years, but I think it will be interesting to see. I'll just go over bits of characterization, try to rationalize it, and then try my best to sum up all of the traits by the end and try to describe his character in the most canon-compliant way.

With that preamble out of the way, let's begin. This is also 7k words btw just...be aware of that, okay?

Before we actually get into proper character stuff, I wanna lay the groundwork first by exploring the types of characterization I see from Demo. Pick them apart. See what they're really like.

So, of course, there's the popular Redditor opinion of Demo that's mainly shaped by the way people play him in the game. There, people will describe Demo as being generally a bumbling drunkard. It's not too uncommon to see people say that he's an angry drunk. A man who is more concerned with alcohol and drinking himself into a stupor than anything else. I've also seen people say that Demo straight up can't read, which...euhhhhggg. He feels more like an alternative version of Soldier at times, which, again, isn't accurate to his character.

I don't care at all for this characterization. I do think a good chunk is rooted in racism and it's generally very uncomfortable for me to look at for too long. This characterization is pretty shallow and empty, which makes for a boring and offensive caricature. Reddit moment.

The second one is more interesting and the version you'll see more on Tumblr. It's this...odd version of him. I can't exactly put my tongue on what is off about it. It seems more accurate to his character. He's a foil for Soldier a lot of the time (Boots n' Bombs is his most popular ship let's be real) and generally isn't exactly seen on his own. Sure yeah there's the oddball art of him and him only, but let's be real most of his tag is mainly just him being in the background or saying a jokey-joke.

I actually fell back into Ao3 for a bit to skim over some fics to see what kind of characterization there was of Demo there to refresh my memory, and some of the common throughlines was shockingly that he doesn't drink a lot. "He rarely drinks!" I remember reading once. That's not right, no. He's an alcoholic. Like that's a core part of his character. Another fic had him being called "Cyclops" as a pet name. Ew. Anywho, other than that it's Demo being pretty into cryptids, having the Eyelander as a buddy guy, etc and etc. It's fun, but also it's missing...something.

Then, it hit me: Demo rarely is seen as an individual. He reminds me of Heavy in that regard, where most of his appearances have him be the straight-man to another character. Most of the time he's secondary and just a folly for the other characters. It's disappointing in that regard. Like you see a lot more stuff for characters like Scout, Medic, etc and etc with their own unique characterization stuff and getting their own attention.

So...then what is Demoman's character, exactly? Well, that's what we're here to see. It'll be pretty interesting, no?

----

So, funny thing is that Demo didn't change nearly as much as Medic has over the years. Sure yeah, the concept art of Demo was more of the generic stereotypical Scotsman. White, ginger, sideburns, that whole thing. Cartoony and fun design, but eventually they went with the Demo we all know and love today.

Looking at the concept art, it all seems pretty standard for the tone that Invasion was going for at the time. Nothing really to note there other than Demo's face being a stock angry grr grr expression. It is interesting to see how the idea of him wearing an eye was a constant even from the beginning though.

This then brings us to the voicelines. Ahh, good ol' characterization. Demo here is characterized as being jovial and having fun. He's throwing out insults left and right, damning them to hell and laughing at them as they die. Usual typical mercenary stuff. This is just personal headcanon material, but I always rationalize the way the mercs act on the battlefield as being a result from adrenaline and generally being drunk on blood. They aren't as mean when off the clock, but it's worth noting that these are how these characters act when a gun's in their hands and they're exploding people left and right.

TF2 really likes basing the characters off of the class they play as and how they act. Scout is fast moving and his gameplay is oftentimes getting right in someone's face and bolting, which is reflective in his hotshot personality. It's only reasonable that Demo is an explosive, fun, and generally cocky guy when out and battling. He's lobbing grenades and sticky bombs left and right. He isn't afraid to yell to the Medic he just blew up that he's been shagging his wife and calling the Scout he just chopped the head off "twinkle-toes". He teases and such when it comes to the other team.

However, the voicelines also very curiously give us a really fascinating look into his character. He's an alcoholic. He loves his scrumpy, which is not whiskey, shockingly. I thought it was whiskey for the longest time, but no! It's a cider! His stock melee is the bottle he uses to drink, now turning it into a quick weapon. His model in the main menu is him holding up the bottle itself. His default melee taunt is him taking a swig from the scrumpy bottle. It's a core part of his identity, let's be real. It's a part of the whole Scottish stereotype he has going on.

The game of course follows this. There's a lot of lines where he's slurring and babbling in a cartoony drunken way. A good portion of it is just him making vague threats...but a lot of it is also sad. He calls himself a one-eyed bloody monster. He weeps and cries. When jeering, he says he's hit rock bottom here. Interesting new development.

Apologizes for pausing to ramble, but I don't get why people try and sand down the edges to Demoman's character by making him out as though he isn't an addict. He is. That's something that is made abundantly clear. The iconography of alcohol follows him like his own damn shadow. I dunno. It bothers me.

I digress. There's some other bonus stuff I think is quite interesting. Most of his battle charges involve the other team. "Let's gettem lads!" and all. I think it's neat how he views his teammates as just that. Teammates. Those he fights alongside with. Another thing of note is how he occasionally has lines that are...odd in a way. Poetic and dramatic. Something that subverts the typical characterization. When he loses at rock paper scissors, there's a chance he'll say "Oh, 'tis a dark day", which. well then okay buddy.

So to recap: for characterization in-game, Demo is an alcoholic Scotsman who is generally pretty witty and functioning despite the incredible amounts of booze he drinks. He is energetic, bombastic, and generally hearty and having fun. He's not taking things terribly seriously and is generally just going about and blowing stuff up. However, there is a very noticeable streak of sadness to his character. When drinking, he reveals undertones of self-deprecation and hatred. Why? How?

...well, you just need to take a gander at his character card.

Erm excuse me what the fuck.

I honestly do not understand the logic behind this backstory. Like in a practical sense. Like, yeah!! obviously this backstory is sad and such! I really actually like this backstory and honestly I love writing him in the context that this happened to him. It's just that...I can't wrap my head around the idea of this being Demo's backstory given that everyone else has pretty silly little blurbs here. I think the darkest it gets is Soldier going to Germany years after WWII ended to kill people.

This??? Sure yeah TF2 gets a lot sillier and more cartoony comedic as time goes on, but even with the current tone where is the funny? I ain't complaining, I love me my angst, but this is so jarring to see. I suppose that explains why they retcon it later, but I'm getting ahead of myself.

Hey, at least it gives us an explanation to why Demo is sad. We can pretty easily gleam a reason for his current behaviour in the game from this: his messed up childhood. To begin, Tavish Finnegan DeGroot was abandoned by his parents and left to live in an orphanage. Eventually, he was adopted and brought up by some foster parents, who he then murdered in an attempt to blow up the Loch Ness monster. This was when he was six years old. Actual child. 

He then went back into the orphanage, where he would tinker with bombs. Why? Insert whatever headcanon here, but for me I think it's a feeling of fascination, yet also heavy guilt. Perhaps revenge. Either way, he loses his eye from these experiments. Eventually however, he's brought back into the family when word spreads of his excellence when it comes to manufacturing bombs. The use of the word "lovingly" feels exceptionally sarcastic, but that could be in part to how his parents are later characterized. Either way, this is a result of the DeGroot tradition, which, and I quote, is wholly unnecessary and cruel. It even cites it as him being reintroduced into his family as the "end of his unhappy childhood".

...so yeah. Pretty safe to say the reason for his alcoholism is to cope with that. He feels the guilt over that and will breakdown into sobs over it even. Yikeesss... It can also mean that he feels as though he's held up to incredibly high expectations, having the entire DeGroot family lineage to live up to. Again, later on he's being nagged at for not being as hard-working as his father, who, in good ol' TF2 fashion, blew up the Queen for a nickel. It does certainly feel that way, no?

So this introduces a new wrinkle to Demoman's current characterization: he's an alcoholic who is happy and has an upbeat and fun personality (at least on the battlefield), but underneath it he's hurting and feels ashamed of who he is. He drinks to cope and manage it, yet it only seems to exasperate problems at times.

Can I safely say that Demo is the merc with the most fascinating and intriguing backstory and personality thus far? Sure yeah I love Engie a lot as well, but Demo's character actually feels like it is a result of the backstory written for him. Like all of the other mercs sure you can go on and on about stuff with them, like Scout and Spy and their whole deal, Sniper and his parents, everything with Heavy, etc. Demo?? Right off the bat there's something to chew on in terms of actual character writing.

What an interesting character! I sure hope later installations of the story will follow through on this and give him ample screentime!

Anywho, time for the Meet the Demo video. Again, a departure from the Meet the Medic video and how I rambled on and on about that one, but it was mainly due to MtM being something to mark a drastic shift in Medic's character from serious and angry to more silly and mad scientist-esque. Meet the Demo, due to it being one of the Meet the Team videos made so early on, doesn't really get the benefit of a short with a story, but I digress.

This one is stylized more like an interview, which, in canon, means he's telling this all to The Director and all. It opens with the title screen before the horns section seep in, cutting to a clip of Demo running while explosions go off behind him. A freeze frame cut before a voice-over of Demo comes on with the iconic line "What makes me a good Demoman? If I were a bad Demoman, I wouldn't be here discussing it with you, now would I!?"

Okay so just more confirmation and all of Demo's personality in-game. According to his bio, he has a short temper and all, which could explain him getting louder when asked that question. I don't think it's a joke or him exaggerating, since he seems genuinely pretty upset by the suggestion. He would have to be good at his job in order to be telling you this, yeah? Why even bother asking? It's an interesting bit of characterization that somewhat expands on that short temper.

More generic footage of him running about while explosions go off before coming back to the interview of him explaining a bomb in its simplest form. "One crossed wire, a wayward pinch of potassium chlorate, one errant twitch... and kablewie!!" Seems like filler dialogue, but I always like taking note of the fact he uses the chemical compound term as opposed to something more colloquial. It's just headcanons, but I really enjoy thinking that Demo is pretty damn smart and really gifted when it comes to making bombs and general chemistry. It's a clear passion and love of his and I like touching on it when I can.

The next couple seconds are shots between him taking a good swig of his scrumpy and then blowing up a level three sentry. It's just showing off his capabilities as a class. Nothing special (other than being cool and showing he's competent at his job). The real interesting part is his breakdown where he's on the verge of tears, exasperatingly telling the camera that he's...off. He knows it. There's not too many black Scotsmen, especially ones with a busted eye. "They've got more fucking sea monsters in the great Loch Ness than they got the likes of me" he says.

But, he perks up! He talks over a clip of him baiting a group of BLU mercs into a sticky trap. The voiceover is also really fascinating here. The way Demo talks reminds me something out of an Aesop fable. It's a very curious and fascinating way of talking. I wish this bit of characterization stuck around since it's pretty fun. "Come and get me I say! I'll be waiting on ya with a whiff of the ol' brimstone. I'm a grim bloody fable...with an unhappy bloody end!" is really cool.

The video ends with him taunting the mangled corpses followed by a rendition of the main theme with bagpipes. I should probably also mention Drunken Pipe Bomb, his theme song. It's an upbeat and fun piece with a mixture of the typical TF2 sounds (funky jazzy drums and bass guitar) as well as a Celtic flair, what with bagpipes, whistles, etc and etc. There's also a kickass surf rock section. It's quite the battle theme and definitely reflects a lot of Demo's character as being an energetic, explosive type of character who is proud of his Scottish roots.

So that's pretty much it for SFM bits for now. How about we take a step back and look at the first-ever actual TF2 comic: WAR!, where Demo really gets a big break for his characterization. We don't care about the Saxton Hale or Jarate ones. WAR! my beloved...

But first, the actual WAR! update. It was the sixth major content update released back in 2009. Remember when this game got actual content updates? Me neither. The update was based around the rivalry between the RED Demo and the BLU Soldier to excuse why they were adding new items for the both of them, with Soldier in the end winning the little contest and getting the Gunboats.

For canon lore, the update serves to introduce the idea that the RED Demo and BLU Soldier had a comradery at first. Friends! Interesting piece of characterization to have Demo explicitly go against RED and become friends with Soldier. The two of them do bounce off of each other quite well when they're paired up, I will say. They're both heavy-hitters in terms of gameplay and their personalities are quite loud at times.

For added voicelines, there's a bunch of the Administrator denouncing their friendship as well as domination lines for both Solly and Demo whenever they kill each other. Demo pretends he hates Soldier, but asks if he's okay, tells him that he loves him, and generally is like "but we're still friends though, aye? :]" He does care a lot about their friendship, which is pretty sweet and cute. Sure hope that lasts.

In the WAR! comic, we see Demo in a mansion. He's loaded! It's also confirmation that the mercs are given quite a lot of money, but apparently not enough for Demo's mother. She's nagging him about not working and saying that he should be ashamed for being so lazy, to which he rebuttals, saying he has three jobs and has made millions annually. Apparently not enough for his mother, since Demo's father worked twenty-six jobs.

She also brings up an interesting piece of information. "No demoman worth his sulfur ever had an eye in his head past thirty!" which implies that missing an eye is a family tradition to lose your eyes when working this job. Would this also imply that Demo is not thirty by this point, since he still has the one eye? Eh, whatever. 

Demo taking care of his mom in this old, nagging state is pretty neat characterization, as well as him holding down two other jobs besides mercenary work for RED. He's very capable and talented! He's also extremely caring and sweet. Even when his mum is complaining and griping about him not living up to his father, he gets her tea and takes care of her. He does respond with a lot of "I know mum" when it comes to that. He's heard it all before. She keeps saying the same stuff. I like thinking he knows fully well he can't live up to the extreme work ethic his father had or truly impress his parents and is pretty bummed out about it, but that's just headcanons.

Anywho, Pauling's there. She's there because the Administrator wants to break up the friendship between Demo and the BLU Soldier and instead have them be pitted against each other. While Soldier needs to be tricked and insulted by Demo and told that he's a civilian (something that he hates apparently), Demo is more coerced and convinced.

He's still loyal to their friendship, but, aye, there's something different about that sword there. Here's an interesting bit of characterization: Demo being a sword guy. There's a lot of medieval stuff relating to Demo, what with DeGroot's Keep, the Eyelander, his general way of speaking at times, etc and etc. It's fun and I think he takes great interest in medieval-period stuff, but, again, headcanons.

Demo feels conflicted. How could she make him choose between his best friend and this cool ass sword?? He doesn't give an answer, but Miss Pauling further pushes him to choose violence when leaving even more stuff for him as well as telling him that Soldier said that he'll join the fight. It's then assumed that Demo agrees by that point.

It's interesting to compare and contrast Demo and Soldier. Soldier, despite hearing all of these mean things, still wants to be friends with Demo. It's until "Demo" calls him a civilian, something personal and sensitive to him, is when he decides to betray him. Demo meanwhile is more swayed by things that he loves, but the final push is that betrayal. He only acts when he's finally told that their friendship has been severed. Curious how their loyalty is strong in those ways.

...I should probably sometime mention the actual retconning of his backstory however. Hoouhhh boy let's go. So, for the 2011 Halloween update, there was a comic alongside it. This comic had some cute gags, like Heavy giving a little boy he scared seven grand. However, the main attraction is the rewritten backstory for Demo.

I mentioned earlier, but I honestly can't blame them for maybe trying another crack at a Demo backstory that isn't as bleak and miserable. I do really like the original one because I'm a sucker for angst, but this backstory does work a lot better tonally when you're just trying to write some goofy stuff, especially if it involves Merasmus at some point.

The story retcons the whole thing and seemingly makes it so that Demo has always been with his parents and the reason he lost his eye was not because of some brutal accident but rather a currrseeee ooohhhh spookyyy. He's hired by Merasmus to sweep up the place a bit, with him being exceptionally clear to young Tav to not touch any of the accursed tomes. He does, of course. Nothing too much in terms of characterization. It's more just saying "Hey Demo's eye is cursed and that's why he lost it but! hey! it comes back once every Halloween!!"

Again, I can't really knock this version of events. They're simple, but goofy and fun. It's all up to whatever you're trying to accomplish with Demo methinks. If you want silly and whimsical stories, you can have that backstory. If you want gut-wrenching angst, probably should take the initial one.

Aanndd that's virtually it for Demo being important. Demo doesn't get too much plot relevance later on. He's just kinda done with. He shows up in Expiration Date for a quick gag where he returns with a bunch of beer, shouting and cheering while being unaware of how they all just learned they're going to die in three days. He then shows up again during the bucket scene and doesn't do much other than mouthing somethin' (I can't tell you want tbh). A new thing is that he plays piano! That's fun! He then kinda watches Scout try and ask out Pauling and he yells for him to describe what she looks like, which is just what Demo currently sees her as (drunk, blurry, etc). He then fights in the big battle yada yada and shows up at the end with the beer again.

The MVM trailer I suppose is a thing to be noted. Here, he's a BLU Soldier and is playing cards with the Soldier of the same team. Seems like regardless of teams, there's some sort of bond between the two of them. All that happens is that Demo is down to bust up robots with the rest of the RED mercs. Pretty much it.

It is quite unfortunate to see Demo relegated to a role so passive in the story and comics. I've mentioned it before, but I do have an ever so slight grudge against Soldier for taking up the majority of the screentime when it comes to the comics. Yeah, he's really fun to write about, I can't blame the writers for doing so, but also like...c'mon... In the end, we're left with a good chunk of the mercs being underdeveloped in exchange for a ton of Soldier trivia. Props if you like Solly though; your fave got the best treatment.

Ah, but still! Demo has some moments in the comics! Let's go through them! 

Uh. Upon checking most of the comics before the mainline ones, it appears he does not say even a single word. Or even show up in a good portion. Well that's disappointing. I thought he at least said like...one thing. The most he does in terms of characterization is put on a crown in A Fate Worse Than Chess, and even then that's just a silly cosmetic. Damn.

It's fine though! Because now we have the mainline comics! Hot damn finally some actual casual Demoman TF2 writing! Let's get a look and see what his normal usual personality is like! I wonder what fun shenanigans he's been up to.

The first time we see Demo he's babbling about his job being replaced by robots and looking utterly dishevelled and depressed.

Okay. That's...yeah pretty in line for his character thus far. An alcoholic who is struggling with some stuff and oftentimes will have a very vocal breakdown in front of others.

The way that he's characterized here is rather fascinating though, I'll say. He's depressed. From what we can glean, this is what his life has been like since the layoffs. He's gained weight (what with Soldier's very blunt "Hello fat Demoman!"), hasn't shaved, his clothes are dirty, and beer bottles are scattered in the living room. Even the Eyelander is like "dude you need to let it go" when Demo mumbles about robots replacing jobs. He's presumably lost his two other jobs and has just been laying on this couch, drinking booze and watching TV and nothing more, despite his mum's nagging.

This is a side of Demo we don't really see. Sure, yeah, we see the hot and tempered side (ex: Meet the Demoman and the general game) as well as the sad and weepy side, but it's never to this degree. Like full on depressive episode. Yikes. Sure yeah he gets dragged back into the plot and instantly gets back to himself (albeit more orange than actually black)(I keep forgetting how whitewashed Demo was in these first few comics), but it's played for laughs and gags.

What an interesting piece of characterization, no? I've seen a fair amount of major depressive disorder, BPD, PTSD, and or bipolar headcanons slapped onto Demo and tbh I can't blame them. I'd be really interested to see some fic explore that in greater detail. I'm too busy writing Engiemedic yaoi to do anything for now though. Womp womp.

The ending bit of the comic has Demo and Pauling mainly chat with each other. Oh yeah!! Demo and Pauling! They've got a couple pretty neat lines. For the usual contract it's just jokes about his alcoholism, his eye, and a couple about his mom and just general gags. In the Tough Break update, she's out drinking with Demo and nearly spills the beans about her job. Fun. I really like the Miss Pauling characterization where she regularly hangs out with the mercs. It's cute.

In the comics, she talks to Demo more like an actual equal than, say, Pyro or Soldier. She talks to them like they're children roughhousing in the backseat. Demo sits up front and the two go back and forth. Demo is the more mature and reasonable one here. Another thing that's a common bit of characterization in the comics is that Demo isn't...drunk. He's not slurring nor acting in a way that makes it immediately clear he's inebriated. He's pretty lucid. This can be from the fact that he's a very high-functioning alcoholic, but it also makes him out to be actually pretty all-there for most of the time. I've seen far too many fics where Demo is in a perpetual state of shitface drunk so that was a nice refresher.

Demo reappears in the second comic, where we get some pretty neat characterization. He's out on the town in disguise. I keep forgetting about that "What do you see?" "Not a damn thing. Let's switch places" gag that's so funny. Whatever. He is the voice of reason when it comes to Soldier. The straight-man character. He's not really...drunk here. He's not slurring his words nor is he exactly doing anything. He steps in front when Soldier starts yelling at an elderly woman, instead approaching her with a calm and kind demeanour. He holds Soldier back when he goes to strangle Scout for. I guess just being there.

So there's Demo when he's just doing stuff normally, I suppose. He's generally pretty level-headed, albeit because he's up there with Soldier. He's the Normal One when posed next to a guy like Solly. A little disappointing, but there's probably more in comic 4.

Ah the Swordvan comic. Demo and Pauling head over to Sniper's house to retrieve him. An odd bit of characterization is that Demo just takes one look at Snipes' house and goes "Welp, nobody's here. Let's get out". He doesn't seem terribly thrilled to be here, further backed up by him saying that there's just gonna be fingernails and jars of piss and he straight up says "good riddance" like what is his issue with the bushman??

Now that's kinda interesting. Demo sees Snipes as being kinda just gross and a raving lunatic. He could easily be in-place for the audience and just saying what we're thinking, but I think it's interesting to see that Demo, the guy often portrayed as being the weirdo party guy, being very straight-forward. He think Sniper is some sadistic madman and just wants out. Unfortunately, he's given a neckfull of Sniper's homemade family moonshine, so he can't get out quite yet.

A very common thing in these comics it seems is Demo being the voice of reason, which is pretty interesting. The straight man to everyone. When he wakes up to Pauling spitting on him to wake him up, he goes "eughhh gross, but, hey, it worked!!" before then is knocked out. He then stays quiet for the rest of the scene, unless of course you're counting the deleted pages. There's no dialogue, but Demo breaks free from the ropes binding him, yells at Sniper, then pushes past before then inserting three syringes-worth of the moonshine into himself and passing out. Alcoholism joke as per usual. Shockingly the first one we've gotten so far.

In the submarine ride down, Demo's passed out with his scrumpy in hand. Again just a gag about him drinking a lot. He then kinda stays in the background for the rest of the comic, only appearing really once to hold a vat of liquor, before then coming to in the final shot where he holds Sniper's dead body. Heyyyy Demo I thought you thought Sniper was a weirdo freak.

Nothing too much to say from this comic then. It's just establishing more and more that Demo plays a very...straight-man character role when it comes to the comics at least. He's reasonable, level-headed, and often just says whatever comes to mind. He's kind and will instantly rush to someone's aid when they're hurt as well as just generally being pretty good-hearted. Nice!

Comic 5 mainly just features a gag with Demo's liver being so overworked that he starts turning his other organs into alcohol distilleries. The whimsy. The line that I find most fascinating from this comic is from Spy.

Like oh okay so he straight up doesn't eat anything other than alcohol and aspirin. Water literally poisons him. Probably just a throwaway gag, but geez. It does say that he is kinda in pain all the time, at least to the point where aspirin is one of the few things his body can handle. Someone out there can probably work with that and make it angsty. Other than that, not much else for Demo.

Comic 6! The final one! Home stretch here folks before I can wrap this up and give a thesis on whatever the heck Demo's character is. Demo, again, is mainly just here for gags. It's the one thing I do really wish that the comics did more: explore Demo's backstory. Like you don't even need to keep the original one, but it's still fascinating to bring up the fact he has a family lineage at all. Instead, he's mainly just a straight-man character. But, hey, whatever. I'm just the one analyzing these silly comics and jokey joke characters for gay melodramatic yaoi fanfiction.

There's a gag about Demo's liver coming back to him after leaving. These soap opera drama scene could parallel the type of shows that he was watching when having that depressive episode, but that's maybe a bit of a stretch. He then gets included in that fun group shot, where his pose mimics that from the Meet the Demo, before then gets a one-on-one scene with Medic. 

These two are such a fun duo I wish Jaggerbombs was a more common pairing. Ah well. Medic catches Demo up on everything whilst he's stitching up wounds. The medi-gun is broken so they're doing this the old-fashioned way. Demo has a gag where he's still drinking, only that it's hydrogen peroxide instead. This then leads to a scene where Demo asks why Medic never gave him an eye. Reasonable methinks. Medic responds saying he did.

Demo gets upset. He raises his voice for the first (official) time in the comics. Again, his temperament. I think it's a reasonable thing to be upset about tbh. Like imagine being told after all this time you could've had your eye back. He then learns that, no, the procedure has been done before, but rather that it never sticks because of how his eye socket is cursed. Demo asks how he can't remember this, to which Medic goes "Hooh :] It's because I scooped out a part of your brain" because of course he did. He then forgets the entire conversation + probably Medic entirely.

Aaannnddd that's pretty much it for Demo. That's his last speaking role. Just a quick, simple gag about his eye being cursed, his alcoholism, and generally being the straight-man for others, even if he does have a couple silly gags too. Seems like a culmination of everything he is in the comics.

To conclude: Demo is a character I feel can take on two main roles depending on what kind of tone you're going for. If you want angst, you've got a character who carries the guilt of murdering his foster parents as well as the burden of being a DeGroot, turning to alcohol to cope with his sadness and general inability to deal with it all. If you want silly goofy stuff, you have Demo being a straight-man or a neat party guy if you like the bit from Expiration Date where he brings back beer and such. Of course there's nuance. I find it best to try and find a balance between these two opposing sides. It just takes time and practice to really get a hold of his personality methinks.

I do wish he was more in the comics though as his own person, y'know? He's very reliant on others in order for his character to function, whilst most others have scenes where it's just them doing something. I wish he was used more than being the guy who drags the others back to reality. Damn it sucks to see that the fics where he's mainly just the straight-man are kinda right in that regard.

But for character traits? Hm, let's see. I find it's just trying to make sense of what's given to you and seeing what best fits for the tone of story you're trying to go for. However, for me trying to write him? Well...

His alcoholism is a central character trait. He is definitely 100% an alcoholic, regardless of however people try and sand him down. I personally really like sticking to the idea that he straight up can't eat anything but booze and aspirin because I think it's funny but also sad, but that's me. I think him having a flask of scrumpy on his person at all times is a neat headcanon as well.

Another big trait with Demo is his frequently shifting mood when drunk. He can swing from loud to weeping in a couple moments. I wouldn't say he's particularly angry nor aggressive, no more than any other character at least. He's most volatile on the battlefield, but otherwise at the base I feel it wouldn't be an uncommon sight to see Demo partying until dawn or holed up in the living room and sobbing. Poor guy.

In spite of what many think, Demo is certainly not lazy. He's a workaholic is anything. He holds down three jobs and rakes in a lot of money in order to live up to his name as a DeGroot. It could be because he likes working that much or that his mother just nags him to push himself that far. That also ties into his self-deprecation, another core trait of his, but that's pretty obvious to see.

His heart is another big trait. The guy loves. He cares for his mother even when she nags at him. He sticks by Soldier's side until he feels as though he's been betrayed. He takes care of the Eyelander and treats it like a pal. He generally cares a whole heck of a lot about people and other things. He wears his heart on his sleeve and says what he means. He doesn't feel a need to really hide who he is as a person. He's loud, fun, and just naturally pretty sweet and kind. I don't think he's ever really "mean" outside of the game stuff. There's also the whole "being hired to explode people" part but ehhh that's just the silliness in him :]

Demo also being generally pretty...normalish. He's a guy who's really just going through it when you take the angst option. He oftentimes will try and hold back others from doing something stupid when sober. I feel like when he's drunk he's more willing to get in on dumb shit, but still. However, this doesn't mean he's wholly a normal person. I think you can do a lot of headcanons here where you bring out some traits that are otherwise not talked about too much.

There are a lot of liberties to be taken with Demo's character as per usual. A ton of writing a character to be, well, in-character is just getting down their voice and mannerisms. Understanding their personality and motives is just half the battle. Demo sometimes speaks like an old-timey medieval knight or poet or whatever. He's generally pretty well-spoken and whatever. For the love of god if you want to write him, you don't need to include phonetics constantly. Please. It's so much better that tu'try toh spell everay whurd like tis. Oftentimes people will just know what the character sounds like regardless. Just try and mimic his way of speaking more and you'll do wonders for actually making that character sound like, well, that character.

I've neglected to mention Demo being a black man a lot because, well, it never really pops up a lot in canon. I think the most recognition we get for Demo being black is him just saying that he's black. He's a black Scotsman and that's about it. It's curious since I've seen a number of fics where it's all period-typical racism angst and whatever, with Demo being used as a way for the author to get up and proudly say that they think that racism is bad by having Demo being called a slur and getting upset. How progressive. 

I dunno. I never really personally touch on period-typical bigotry stuff myself due to the fact that this is Team Fortress 2. Rocket jumping was invented before stairs. Besides, this is the late 60s/early 70s. The civil rights movement happened by this point. Not everyone walking the streets is gonna be some abrasive bigot. I don't know why people want to try and make it "historically accurate" to begin with since this series has never been period-accurate to begin with. I don't particularly think TF2 is a great series to go on about tackling period-typical bigotry either. Literally if you want Demo angst you've got the actual mountain load of angst with his backstory right there. Obviously of course people are allowed to write what they want and I do fully believe that sharing stories and portraying bigotry is important, but why with TF2??? Do people just really look at a POC and think their existence is inherently political and they need to make it clear they think Racism Bad, even though the tone of canon really doesn't match that?? Ah well. I'm just rambling.

Regardless, Demo is just a character where you can take a lot of different avenues with. Maybe you can explore his trauma and try and write about how he feels trying to live up to his family name. What about his issues with his now-deceased father? Maybe you can forgo that and have him be a partner in crime to Solly or whomever else, with the occasional glimpse into his more sensitive self. Really, it all just depends on the story you're trying to tell. Ultimately, writing Demo with a healthy mix of comedy and angst is probably what is best done if you just want a pretty in-character version. He can be out on some grand adventure to take down Nessie with a merc or two AND have it be a story about him coming to terms with his past. That's just a me thing though lol.

Demo, like the rest of the cast, is an easily moldable piece of clay. All of the mercs at their very core are just funny character archetypes. They can be whatever you want them to be. It's just best to work with their original characterization and personality in mind, y'know? Fanfic writing is mainly about having fun anyway.

Speaking of which, enough procrastinating for me. I need to get back to writing my yaoi...

[yuurivoice]

We've hit the stage of Echoes of Evalas' creation that I'm spending a lot of my quiet time with scenes and characters, including time that is usually occupied by...well, nothing creative. At least, it hasn't been creative time in a long while.

Some of the dearest and most important moments of my young creative daydreaming was before bed. If I might overshare, it was specifically as I lay in bed and tried to drown out unpleasantness I'd hear from other rooms of the house. I'll spare you the details.

I didn't even have music at the time, though in later years as I became a depressed teen, I'd throw some music on my computer to fantasize and fall asleep to.

Oftentimes, these stories and characters I'd contemplate were favorites from various things I enjoyed. In time they'd adapt and evolve into something of my own, in worlds and stories of my own making.

Sometimes it wasn't so grand. There were no sweeping narratives or adventures. Just some self insert character being comforted by a friend or a lover.

Recent nights, I've thrown on my EoE playlist and let my mind wander. I haven't really done that in a long time. Haven't had the need to these days. I'm not running from much. Life is quiet. But as I start to turn over more stones and find what's beneath some of the characters and themes I'm exploring, I've found myself here again.

I don't know if anyone will love what I am making, and I never have. Every person who has let my characters and stories into their hearts means a whole lot to me, though. I've not forgotten when all of this was nothing more than a comfort to myself to soothe away all my fear and loneliness.

As it all starts to come together I'm seeing a stark difference between where I am at as a writer and creative in general in comparison to BitterSweet Chapter 1, as I've revisited it recently.

The pieces were there but it's so clear to me that I didn't have the conviction that I do now. I didn't have the comfort or security of knowing that I can take chances and be bold. I thought I had to color within the lines, and lacked the confidence to really let it rip.

So as much as I've been looking forward, I've also looked back. Further back than I typically like to.

When Charlie said he never thought he'd be this old, that was real shit man. I was a morbid kid. I have a crystal clear memory of being on a school bus in Washington state. Blink 182 just dropped an album. I hate Blink 182, but I listened with a friend whose face I can barely remember. As the high schoolers got on the bus I remember thinking...damn, I'll never be that old.

Not sure what could possess a child to feel that way. Or how that feeling could linger for years. It took a long time to find enough faith in myself to live. Now that I've got it, I think I'm encouraged to give breath to those lost dreams and wandering fantasies. Echoes of Evalas is an exploration of that.

I can't even grasp what that really means yet.

Things like faith, anger, insecurity, and longing for change. I've rattled a lot of locked doors while digging up this story and putting it together.

I am uneasy. That's probably how I've ended up writing this essay in bed, and boy is it a rambling one.

There was a point somewhere. I am excited for what's to come, but uneasy. Not out of fear that anyone will like it or content brained thinking like that. More like...a reverence for this magical thing I've found. Storytelling is magical for me. And that's not me waxing poetic, I think there's something terrifying and beautiful about it. It is the thing I was made to do, and the actual experience of crafting a story like this isn't just fun. I'm removing chains from my soul.

If that ain't magic, I don't know what is.

Anywho, I need to sleep. If you read all that, thank you for putting up with my yapping. 💖

[reidsaurora]

You Are Invited To:

It's time!!! It's officially my third birthday celebration, so I think that makes it a tradition officially 🥹

As always, I wanna say ahead of time, thank you to all the friends and mutuals have sent me things in the mail or even just sent me a happy birthday message. You guys truly are the sweetest people and the greatest gift I could ever receive 💗

Anywho, now that I'm done rambling, onto the challenge!

The Concept/Rules:

So, this is very heavily inspired by this challenge by @carolmunson that I totally meant to write a fic for but it never got finished bc ✨️writer's block✨️ lol

Anyway, the concept is:

I'm going to give you some phrases and props that you must include in the fic.

If you can't fit them all in, it's totally fine! I know I'm including kind of a lot!

These items and phrases can be depicted however you'd like! Whether they're just mentioned in passing or if they have a deeper meaning is totally up to you!

Your fic can be however long or short you want, however fluffy or angsty you want, with any Criminal Minds muse(s) you want!

Whether it's Character x Character or Character x Reader is totally up to you!

It doesn't have to be birthday themed, but can be if you'd like since this is all in celebration of my birthday!

There will be prizes! More to come on that later 🫶🏻

I will start taking submissions on August 1st, and submissions will close August 31st! If for some reason, you find yourself struggling with the deadline (girl me 2), just send me a DM!

Make sure to tag me in the fic and use the hashtag #reidsaurorabdaychallenge so i can see it!

The Props:

A Bottle of Wine/Champagne, or a Wine/Champagne glass

Candle

Card (any type! birthday card, credit card, playing card, etc)

Piece of Cake (can be the item or as a phrase!)

The Prompts:

"Hand it over."

"Are you happy now?" "Very."

"Best. Day. Ever!"

The Prizes:

First Place - a personalized fic written by me OR a fic of your own beta read by me! (up to 5K words)

Second Place - a fic of your own beta read by me! (up to 3K words)

Third Place - icon pack with a Criminal Minds character + episode of your choice!

The Thank Yous:

As always, I could never get through the year without my besties and mutuals, so to go without tagging you guys would be a shame!

@dungeons-are-too-cold @rupsmorge @reidsbookclub @sadgirlml @writer-in-theory @serenity-lattes @reidselle @broken-stardust @gay-prentiss so many others! I love you all so so much, thank you all for being the absolute best people in the world 🫶🏻💗

[lizzyscribbles]

I felt like being emotionally destroyed today, so I watched the dub of episode 151 of MHA. I don't know what it is about Izuku's face when he comes careening out of the sky like a fucking warhead and sees the state of the fight but it gets to me every single time in both languages. He looks positively haunted and it makes me want to cry, my poor son. Anywho, to recover, I decided to go rewatch 136 and 137, which are my favorite episodes of the entire goddamn series and I realized it's high time I do a little rant about them.

This is mostly for me because, again, I don't have anyone to rant about this with and I have got to get these emotions out of me somehow, but I hope someone else finds it enjoyable!

Welcome to Lizzy's MHA Evening Ramble: Why MHA episodes 136 (Deku vs. Class A) and 137 (A Young Woman's Declaration) are what really show us the impact Izuku has had on the people around him (specifically Class 1-A).

Honestly, I don't have much science to back up this post. There's not really a psychological reason behind why these episodes slap, but they do and I'm gonna talk about it.

You see, for better or for worse, everyone in Class-A has a different and unique personality. That much is obvious, I know, but that also means each of them have different things that impact them. Think about it, what means a lot to one person doesn't so much to another.

And yet, despite that, every single one of them had something to say to Deku. Every single one of them. For some of them, it was as simple as helping them organize their notes. For others, it was something he said or did that has followed them through the entire show.

"Meddling where you don't technically have to is the essence of being a hero, right?"

Izuku said that one time to Tenya. One time. But that, accompanied by his actions that night, became the corner stone of what Tenya strove to become.

They all voted to go after Izuku–not even voted, they all just got up and went. No second thoughts, no questions, they just went. They literally slapped a GPS out of Endeavor's hand so they could find him. They were not about to take no for an answer, not even from Izuku himself. It's insane, honestly, that one person managed to impact a group so deeply they'd risk everything to bring him back to their class.

I think a lot of the time, we think of difficult or unhealthy relationships as those where you give and give and give and the other person refuses to the same. No one really tells you what to do when someone you love dearly is giving so much it's hurting them, but they refuse to receive. It's an odd situation, but one I love seeing explored.

Could they have just let him go on his own? Fight by himself because that's what he wanted? Yeah, they totally could've. But they didn't, because they knew if the roles were reversed, Izuku wouldn't have thought twice about hunting them down. They weren't victims, they didn't want to be protected, they wanted to kick ass at his side.

They didn't do it out of heroism or even necessity I'd argue, they did it because that was their friend and they'd be damned if they let him suffer alone.

Still, despite that, Izuku wanted to protect them and he was so, so scared to lose them. It makes sense, in a sad, twisted way, that he would rather keep them locked away behind a wall and fight alone than let them stand at his side. He was haunted by the shit the people around him went through because of Shigaraki and AFO. It's far easier to blame yourself for things than it is to admit that it wasn't your fault and, sometimes, nothing could've done would've changed the outcome. I have no doubt it would've felt like he killed them himself if he went back and something happened, and the thought of that was far more terrifying than any threat to his own person. Of course he wanted to fight alone, he didn't want to fathom the possibility someone else would get hurt because they were around him.

But that wasn't for him to decide.

Sometimes, we forget a relationship goes two ways. It was dangerous for them to be there, sure, but that was a choice they made. A choice they wanted to make. They couldn't make him let them help, but he couldn't make them go away either. I have no doubt that if he got away that day, they'd have followed him to the ends of the earth until he gave in.

It's also easy to forget Izuku is just a kid. He's sixteen, barely in high school. Ochaco says as much when she pleads with the crowds to let him in. Her voice cracks as she begs this group mostly made of ADULTS to let a boy rest inside the walls of his own school. He probably doesn't physically know how to deal with these kinds of emotions yet (the frontal lobe, responsible in part for our emotional reactions to situations, doesn't fully develop until around 25/26, and even then research suggests it's never really fully done). It probably makes perfect sense to him that the best course of action is to be alone, even if it seems stupid to us.

We all need support at any age, but especially during those teenage years. Those are vital years of development as the mind develops and starts to take shape. Izuku has been beaten, traumatized, and terrified, it's no wonder he seems to be making such irrational decisions.

No kid should be carrying the weight of the entire goddamn world on their shoulders at that age and, of course, no one could've predicted that AFO was going to accelerate the process and force Deku to face him, but that doesn't make it any better.

However, that's the great thing about having friends, families, and partners, they come alongside you in those times and help you navigate this crazy new situation. They pick up the things you can't handle because they want to. Sometimes, they just stand next to you. Sometimes you have them lean on you for support. And, sometimes, they shoulder up next to you and carry you for a bit so you can catch your breath.

Because that's what you'd do for them.

Whenever I watch these episodes, I'm reminded of that scene in Lord of the Rings where Frodo thinks he can't go on and Sam says, "I can't carry the ring, but I can carry you!" I think this has similar vibes.

They couldn't carry One for All, but they could carry Izuku, and they were determined to do at least that.

[apollos0moon]

I finished The Secret History and I have thoughts.

Hi, me again here with another ramble to put into the void - yes I could use my diary but I like the allure of Tumblr. Anywho!

Okay first things first; I adored this book. I've had it recommended to me for years so I'm glad I finally read it.

The presentation of Camilla as 'a deer' is something I could write essays on. Even Richard our narrator acknowledges her place as the only woman in 'a boys group' romanticizes and de-personifies her just as much as the other men in the book he criticises. Camilla, however, is not free from criticism even as a victim of her circumstances. (I won't continue because I seriously want to write an essay on this and I'm not trying to get done for self-plagiarism).

I really want to re-read the book at some point with the knowledge that Richard is a SUPER unreliable narrator. I almost want TSH from Camilla or Francis' perspective but I think it could ruin some of the mystery. (haha get it?)

I also really like that until a certain point I think Henry is a really likable character. Again, this could be Richard's romanticisation of the group but...

Bunny's presentation is also super interesting - especially the fact that he SUCKS! I seriously wonder if he is truly as awful as he is painted to be? (Richard being unreliable n' all). However, I guess because the book exists in a void he is awful because that's the only way the character exists? It's made me think about character representation in writing a lot.

Anyway, if you have any thoughts you wanna share please do!

[vampirekangaroo]

So five thousand years later, for those who follow me, here is my Daredevil duo op. Life happened and I haven't been able to be around outside of basically liking posts here and there until today.

I'm kind of posting these completely backwards. Like when I tell y'all my nerves were SUPER high knowing I was going to meet Charlie, it was ridiculous. Like even talked to this guy in line about it and he was like you'll be fine. He was right. I was fine. Mostly. I met Jon Bernthal a couple of years ago, a super nice guy as well if you haven't met him. And I told him, they are gonna stand on the opposite side of their characters, I can feel it in my soul. Which I think is hilarious cause Jon's hand is covering up Daredevil's head a bit, which is slightly amusing as well.

But anywho. This is the photo I sent my friends like I SURVIVED, SEE. Well, I sent a picture of me holding the photo all SEE. I might see if I can find that to post here too lol. But here is my more in depth story about this. I walked in and Jon put his hand on my arm and leaned down and said, "Hey it's so nice to meet you, thank you for coming." And then was like okay you get here between us. And I legit was like OMG I CANNOT in my head. 1) because hello clearly the Punisher haircut. and 2) my mind was very OMG IT'S CHARLIE still. I've only ever had that experience one other time and it was with Garrett Dillahunt and Jenna Elfman. I might just start having random posts about my con experiences and tell these lovely stories after this. But for now, I'm gonna try to concentrate on this one and tell you this story.

Now let me explain my con experiences. I normally NEVER get two pictures with the same person at the same con. I've done maybe 5 group ops total ever, and I told myself don't buy this, you have the solo. But then I told myself, maybe you need the buffer between actually meeting him and the solo op and autograph line. Which y'all, I did. I really did. I'm not sure I would have been able to talk to him at his table if not. But I'm now rambling and telling mini stories throughout the actual big story moment.

The picture was taken of course and I was like okay I need to exit. Well, that is when Charlie did the same thing as Jon and took a second to put his hand on my arm. He also leaned down to thank me for being there and said, "It's so nice to meet you." And it was in that moment we are all lucky my ass didn't pass out. Cause I was thinking, "Holy shit your face is so close to my face and your accent and your eyes and Jesus please let me remain upright and not faint." And then of course I tried to exit the wrong way and I was like, "Oh right. Of course." I've always prided myself on following the arrows and whatnot but yeah I was too flustered, which I said out loud. And the photographer said, "I get it" and I said "it's hard not to be flustered around them? I mean my god." They laughed and smiled because of it but I was like OH MY GOD WHY DID YOU ADMIT THAT OUT LOUD? as I went to get the picture. And to answer that it's cause it's me and I'm too honest for my own good lol.

Meeting them both reminded me of meeting Jeffery Dean Morgan in all honestly. He too took time in both the ops I've had with him (though the one is with him and Norman). It's really special though when the person you're getting an op with takes the time to say those things. Mainly because those photo op lines are crazy so the fact they each took a second to say thanks just meant a lot. It always does, because at the end of the day it really is about the little things.

[oneluckydragon]

got hit with the echo+sora brainrot so i am once more rambling in your askbox about it. because reasons.

anywho i think there is something truly saddening about echo's struggles to make peace within herself and how she truly finds it hard to find that peace when she is so certain that if the truth about her origins were to be revealed to the world, much less to *sora*, everything she achieved, everything she worked for, all of which matters to her most, will crumble away in a moment's notice.

but the fear of losing all your life's work is none compared to the fear of losing sora. the feeling of poison that settled itself within themselves and between each other out of fear and tragedy of what had happened to them is familiar. echo's resemblance to dusknoir was already enough to set the two off because of how much it had all hurt to see someone you love and yourself turn into a mockery and a splitting image of someone who had pretended to care yet showed he never did at all, but this poison is louder. it hurts to bare, to carry, and to have none but yourself to be its sole holder.

but this poison, this feeling of heartache is different. because whereas the previous pain was something both of them felt, sora was lucky enough to not have known the truth about the person who she cares for so dearly.

echo knows that she used to be darkrai. and it haunts her to have known that her previous incarnation was so *cruel*, all for the sake of it just feeling right. wishing to engulf an entire world in darkness, solely for whatever desire she used to have.

and for how much she knows, how much she will hammer it into her own head that she is *not* like that anymore, that she looks at her past with sneer and disgust and that she will not be the barer of evil anymore, it will not matter in the slightest when she will have to look at sora if she were to ever find out.

how afraid, angry and dejected she would look when finding out, and how she will go on the defense/offense because of how much this will overwhelm her.

because when echo looks at her own shadow, she sees herself for what she is. she knows what she is, be it out of shame or guilt.

but when sora will look at it, she will see a tall, contorting and menacing shadow, towering over with a bright cyan eye doing nothing but looking at her, as if tempting her to make the next move.

and she defends herself. from someone she knows will not harm her. she raises her arms up in self defense from a hand that would never hurt her more than the world has already did.

she knows echo will not hurt her. and thats why she is afraid.

Oh my oh my OH MY, Sinnoh!!! YES YES YES!

HOW!!! IN THE WORLD!!! Are you so good at crawling into my head and creating these vivid analysis/snippets on my OCs??? I've barely shared ANY information about Echo and Sora because I've been wanting to hoard most of my stuff for when my fic is finally finished... but... I think you've broken my resolve a bit, if I'm entirely honest.

You know what? I'm so inspired by your accuracy and eagerness to talk about my girls that I'm gonna forgo my crippling anxiety regarding my writing skills and instead post a snippet of my WIP fic here as a treat for you. A teaser, if you will. Since I have no idea when the fic in question will actually be done and ready (or when I will be satisfied with it, cause the thing is currently 36,000 words and still slowly climbing). And now you've got me eager to share SOMETHING of my fic with you and anyone that might want to take a peek at it.

Please enjoy this conversation between Dusknoir and Echo. The topic deals a lot with what you'd described up above!! c:

[Note: this is an unedited part of my fic because I am still in the process of writing and it may change in the future, so please be gentle w/ me but I'd love to read any thoughts/comments that pop up while reading!! pls send asks or replies or anything really cause I love you guys]

+++ +++ +++ +++ +++ +++ +++ +++ +++ +++ +++ +++ +++ +++

“I’m going to tell you something now, and you are going to listen.” Echo commands with a sharp bite in her voice that Dusknoir cannot fathom ignoring. He pauses and then offers a slow nod, waiting, wondering what she could possibly desire to tell him at a time like this, of all things.

Minutes pass as Echo remains rooted in place, still as her own shadow, and her eyes dart around as she stares at the patches of dry grass and sand beneath her paws. Her claws clench and unclench, digging into the earth like daggers as the wind of the forest (it’s trees so close, just behind them, a looming sort of presence that could engulf them whole) whistles through the surrounding branches, carrying stray leaves of many bright greens through the chilling breeze. Dusknoir watches them dance around Echo, twirling, floating down, down, down… but it’s quiet, too quiet, and Dusknoir feels a shiver pass through him when Echo’s voice finally rings out through the silence.

"When I evolved, Sora was petrified," She says, nearly a whisper, an admission that melts away her confidence and appears to bring her a flood of both shame and regret. Her face twists up then, strangely, like she’d felt a twinge of pain from somewhere deep inside the very fabric of her own soul and was unable to quell it. "She couldn’t even bring herself to look at me most days. At first, my appearance… well, it reminded her too much of you. And eventually of someone I used to be.”

Someone I used to be. At that, Dusknoir’s immediate reaction is to recall Echo’s previous life as a human, as the miserable shell of a creature surviving alongside Grovyle that he’d relentlessly hunted in the dark future. A human made of contempt and anger and apathy, who never smiled or laughed or cried or screamed like the old legends said humans would-- an entity that simply existed rather than lived. An echo of a life long dead and buried. But, judging by her tone, by her voice, by some uneasy intuition itching in the back of his mind like a swarm of pestilent Ninjask… he knows that she means something else entirely. Something that she isn’t willing to share. And frankly, that concept utterly terrifies him.

Someone I used to be. Dusknoir wants to speak, to break his own silence, wants to ask the myriad of questions bubbling up in his throat because this isn't the first time she's hinted at another life beyond being human, but those questions die at the source like a flame doused in water. And always the coward, coward, coward, instead he takes the easy way out by doing nothing at all. Whether Echo notices his surge of inner conflict or not-- the nervous wring of his hands and the tremble in his spine that he cannot control under her gaze-- she does not react.

“I’d take a step and Sora would flinch away.” Echo confesses, her markings flickering with light before going dark and dead, as if her body wished to snuff them out entirely, a deep seated rejection, a self-loathing so strong that Dusknoir cannot help but recognize it and empathize, and his heart aches, “It took ages for her to stop shaking when I’d speak. To stop looking at me like-- like I was going to…” 

Echo grimaces like she’s enduring waves of grueling torture and doesn’t finish that string of thought, but it’s not hard to make an educated guess on what went unsaid. Like I was going to betray her. Hurt her. Break her heart. She’s been through so much already and I couldn’t bear to be another influence in the history of her suffering. I hate myself because of how I made her feel. When her eyes went wide in fear and through them I could see myself staring back like some sort of burden, some sort of curse.

“I am not my past.” Proud and true, Echo straightens up and holds her head high, a spark igniting in her eyes, a glint of determination, a will to keep going and going despite such circumstances and strife, despite this horrid, unspeakable past that haunts her so, “And I am definitely not you. It’s taken a while, but I know that much now. I’ve accepted it.”

I am not my past. And I am definitely not you.

A sigh, a breath, and Echo glances at him with a certain sorrow that cannot be described, a sorrow that lingers even through the veil of her tenacity, "But no matter how I feel, no matter my conviction, my shadows still find ways through the cracks. Every time I think I'm getting a grip and that I might finally understand myself… I change all over again." She admits, sounding more angry and tired than defeated now-- like a mirror of her old self, her human self that had clawed and damned and cursed him, despised him more than anything. "I hate it. I hate that I never truly know who I am. That I have to learn about my past through stories others tell me, or through fragments of twisted, broken memories that I wouldn't wish on anyone. Through conflict and pain and… and..."

"Echo," Dusknoir murmurs her name softly, an offering, a potential escape if only she would wish to drop the subject and forget this conversation had ever happened-- if she'd overstepped and needed an excuse to back out, a diversion, an understanding. And briefly, Dusknoir wonders why she is opening up about this particular information, why she would delve into something so vulnerable, so personal. Why she would bring up this hurtful history when it obviously brings her great discomfort.

And then, he gets an answer.

“You’re lucky, Dusknoir." There it is, that wildfire burning in her eyes again. A spark that’s new and bold and startling. But lucky? No, never. He'd have to disagree, accounting the mountain of evidence that was his life and regrettable deeds.

"You already know exactly who you are and what you’ve done, and most importantly why. You have more than a tattered picture of yourself that reflects broken answers. And you can change with that knowledge. I see you trying.” She tells him, searching, looking for something so deeply and Dusknoir wishes he knew what it could be so that he could give it to her, because he would, he would gladly give it to her without a second thought if it meant they could be close again. But he isn’t a fool, and he’s wise enough to know they’ll never be like they were before. “And if somehow I could change, even as half-assed as I have. Well, then what’s your excuse?”

You can do it, say her unspoken words, I believe in you.

[tommycorriander]

Open your... Erm... Engine? Sorry guys I can't make a funny enough joke 😔

Wips + alt + ramble under cut

METAL SONIC RAHHHHHH he is my favourite sonic character, tied with E-102 Gamma. Which is a bit funny to me because I'm not usually super into robots. Just a strange coincidence this happened with this series.

Anywho! This was a relatively easy piece, but I had a lot of fun with it. Never tried to render metal before, but I think the airbrush here worked out pretty nicely actually! As usual the sketch and lineart were done traditionally, lineart was scanned in and cleaned up, and then the colouring and shading in digital. The background is just the SA1 background, just googled that and stuck it on here lol. First image here is without the background, second image is of the inked lineart (I forgot to get a pic of the sketch and flat colour stage, my bad gang)

[muirmarie]

mcspirk month mYEAR planning post

idk if anyone likes these (these being planning posts), but here, it feels weird to have it tucked away in my notes when my BTHB and mcspirk bingo planning posts are on here, so. anywho. you know the drill: this is just me rambling, feel free to ignore!!

the bolded are those i still don't have a plan for <3 - as per my usual these are all tos unless otherwise noted

Day 1: Forced Proximity (“this isn’t a blessing,” mccoy hisses. “one day,” the king says, “you’ll see that is it.” - the one where spock and kirk cannot get more than an arm's length away from mccoy for 30 days w/o causing him debilitating pain)

Day 2: Touch-starved (spock and kirk cuddle mccoy out of touch starvation - this is like 75% done, I just need to finish it)

Day 3: Only One Bed (established mckirk to mcspirk. um. very nsfw. by far the most nsfw i’ve ever even considered writing lmao. currently sitting at almost 12k, probably will be around 15-17k all told. i don't even know how to describe this. kirk aggressively helping spock play gay chicken with mccoy until mccoy finally believes spock wants both of them, idk.)

Day 4: Hand Holding (maybe the one where spock & kirk slowly gaslight mccoy into holding hands with them - yes the tags are spones but i am very certain kirk would be very happy to gaslight mccoy into hand-holding as well)

Day 5: [hurt comfort or against a wall (no story planned)]

Day 6: Protective McCoy (no story planned *eta - actually i think i am going to take the one elian assigned me w/o even asking me lmao, where mccoy drinks the poison meant for kirk, but don't tell him that)

Day 7: Hand Kink (the one where spock is cucked w/ hand sex lmao)

Day 8: Public Display of Affection (would you still love and/or employ me if i was a worm?)

Day 9: Spock is a Hopeless Romantic (the flirty spock one probably?)

Day 10: [Hands or a bonus (no story planned)]

Day 11: Fuck or Die (vulcan sex magic hanahaki, this is, like. I have elements of it, but it’s not nailed down yet quite how it works. it's a vulcan disease but naturally mccoy's the one who gets it.)

Day 12: Aliens Made them Do It (the plato’s stepchildren one - i've been poking at this one since. like. january lmao. it's maybe 30% done, but it's not gonna be super long, i'm just slow with it. it is. hm. not a fluffy story. the platonians decide that mccoy simply needs to learn to say yes to them. how helpful they have spock and kirk around to help underscore the point.)

Day 13: [time loop or sex in a three way body swap or a bonus (no story planned, BUT do I really wanna write another time loop fic and/or can I really handle writing another smut fic lmao. If I did do time loop tho it would be the one where Kirk refuses to leave the time loop until he can solve the no-win scenario, i just don’t know how that goes yet. The sex in a three way body swap would be the AOS mcspirkura one, probably. Or the tos spones to mcspirk one. idk idk.)]

Day 14: Tarsus IV (kirk: i always knew i’d die alone. this is....jim character study, i think? I do need to come up w/ a happy (or at least: not sad) ending for it tho. So I’m still Thinking about this one.)

Day 15: Fake Dating (the one where the royal is trying to marry mccoy in order to keep him, and spock and kirk independently decide to fake date him to save him. also sarek loves trashy romance books. background uhura/scotty.)

Day 16: Lost the Ability to Speak (bones and uhura signing in federation common sign language - yes that's vague but all i need is something to center around tbh)

Day 17: McCoy Hurt w/ Spock & Kirk Comfort (this is like 95% of what i write lmao but i don’t have a specific plot yet)

Day 18: [Jealous Bones OR Oral Fixation (no story planned but it it’s jealousy it’s not gonna be traditional jealousy, bc I’m generally not a fan of jealousy storylines (unless all parties are unaware that they’re jealous - those I find VERY funny)]

Day 19: [Kirk is Missing, Presumed Dead or a bonus - probably a bonus (no story planned)]

Day 20: Accidental Voyeurism (okay the one where mccoy wakes up and his arm is trapped underneath kirk’s head and spock’s holding that hand as he’s laying on top of kirk and making out with him. I will have to find a plot tho. a reason. a Reason. It’s not established spirk either)

Day 21: Bondage (heh established spirk discovering mccoy’s penchant for getting tied up and/or tying others up and then literally not able to shut up about their platonic friends private habits for like a solid three months. they only care platonically of course. you don’t need those other ppl to tie you up bones you’ve got us. this one’s about 10% started.)

Day 22: Mirrorverse (mirrorverse katra sharing, it’s a whole thing, this is out of my wheelhouse but i have some Ideas, but this one isn’t going to be anytime soon)

Day 23: [reunion or teasing or a bonus (no story planned) - *eta actually for teasing i could maybe do the one where spock conducts an "experiment" in a private lab where he has mccoy & kirk work on a project for him while he gets extremely handsy w/ them - he's doing a study ("study" - they're all aware this is just spock's ideal version of foreplay) about human arousal in a working environment, and they're supposed to not let him distract them*]

Day 24: Temporary Blindness (this is going to be such a long messy mccoy whump story tbh. orpheus and eurydice part two. before i can even really start it tho i have to decide on pov, because that….really affects things for this one. but i mostly know how the story goes. also not anytime soon tho, maybe not even this year)

Day 25: Praise Kink (i COULD go temporary awkward ability if i don’t want to write anything too sexy, but the planned version is, like, kirk blossoms like a bashful babe and spock is genuinely moved when it comes to praise, but mccoy turns bright red and wants them to stop? BUT they like so much the way he flushes and struggles to accept the praise that they ask him to be good for them because THEY like it, and so he’s absolutely mortified but still? allows it for them? and they of course like it because they want to make him accept it.)

Day 26: Expectations vs Reality (counseling fic! The one where spock and kirk are dating but still somehow drag mccoy to their relationship counseling.)

Day 27: Vacation Gone Awry (no story planned) (*eta actually i think i'm changing this to Voyeurism and stretching that to make it work for the spirk - they keep coming up w/ weird sex injuries until they can finally convince mccoy to come over to help them figure out what they're doing wrong....he probably needs to watch....actually maybe hands on is better....actually maybe he just needs to stay forever*)

Day 28: Awkward Spock (checking for pulse over the liver instead of the wrist because he forgets where human hearts are when jim or leonard is hurt)

Day 29: Getting Interrupted (mcspirk sexy 3d chess - that’s right they’re interrupting mccoy’s WORK lmao)

Day 30: Desperate Measures (the enemy within one that’s 80% finished where kirk’s wolf and sheep sides both have to have sex w/ mccoy while spock melds with them both, all for very important science reasons - don’t worry about it.)

Day 31: Insecurity (*eta - mccoy gets out of a LDR and is bummed, and kirk tries to cheer him up by putting his name up for the underground "sexiest starfleet officer" bracket that scotty & uhura are running, to prove to mccoy that ppl find him attractive. unfortunately it turns out the crew finds him VERY attractive, kirk is having some jealously-related revelations, spock is gonna kill jim if he has to watch mccoy get asked out one more time, and mcco is yay close to having a nervous breakdown from being turned into a sex symbol*)

Bonus 1: nightmares (look this is fucked, just trust me this is a very messy thing and it is very fucked and i have to make all my maths fit together before i write it or it will feel too flimsy and fall apart, but. kirk's trapped in a nightmare by a parasite that bleeds into the waking world (there are reasons for it) that cause physical damage to mccoy. spock melds w/ kirk to try to change the dream. this has unexpected side effects. - this one WILL be written for mcspirk month i just don't know what day i'm replacing yet.)

Bonus 2: pet names (i think i might be able to fit the kiss me/fuck me fic into this prompt but i’m not 100% sure yet - aka the one where mccoy & kirk use “kiss me” as a SFW swear for “fuck me” and “don’t make me kiss you” as a SFW swear for “fuck you” and annoy everyone around them w/ this silly in joke until one time mccoy says “kiss me” w/o thinking to spock, and spock’s just. hmm. don’t mind if i do. and kirk thinks it’s so funny he starts kissing mccoy all the time as WELL. very pre-them even realizing they want a relationship (except for spock, spock has Plans, thank you). this will be written at SOME point, it depends if i need another bonus/if it fits the prompt enough.)

Other bonuses i’d consider if i need them, but no stories planned: blindfolds, misuse of the bond, uhura helps them out.

Other vague stories i have that i could rotate until they might fit a prompt: pacific rim au, space forgetties, [number]+1 of mccoy getting kissed awake/the +1 getting kissed to shut him up, spock going through the wringer re: mccoy getting hurt (that was written spones but could easily by mcspirk), empath era katra au, post-empath spock won't stop touching mccoy, katra transfer requires a kiss, this isn’t even all of them, it genuinely is absurd how many tag spirals i’ve written like this lmaoooo /sigh 

[jadeacereigen]

i also always felt like the fandom depicting reigen's childhood as abusive and neglectful never really quite fit. i know that most of it is probably just projection, and it's something i really understand because i've done it before with other characters.

i feel like there's a difference between giving a character trauma that makes sense when taking their canon self into account and giving a character trauma for other unrelated reasons, like comfort or even for fun, to be able to explore the scenarios that would come with it. both are very valid. let the people do what they want, y'know?

but something i feel like people tend to gloss over sometimes is that parents can fuck up when raising you and still not be outright shitty evil people. they can judge you on your career choices and still love you. your friends can make an off the cuff comment that ends up sticking with you in a bad way without realizing, people can suck at showing they care about you while still caring about you, they can be imperfect just as much as you are. it's their first time on this earth too. and it doesn't excuse the times they may have hurt you or made you feel bad about yourself, but it's up to you if you wanna keep them in your life. everyone can change, but that's also up to them.

it gives reigen an added charm [or should i say humanity?], to know that he is a flawed person and that it stems from the things that happened when he was younger, and the people that were in his life, and to know that things don't need to be catastrophic for them to affect and/or change you, whether good or bad. it's a good thing to remember i think. to know that there's so many greys between the white and black. that he has layers. his experiences are very valid.

anywho. sorry for the long ramble i just had to get this out there hehe.

ask game time!!!! 25, 9 and 22

Oh my god no don't apologize you're so right. I agree 100% so I'm gonna answer with my own long ramble.

(Discussions of child abuse below, though nothing that's not present in MP100 canon.)

Yes, it almost feels like people want to dismiss all flawed parenting and strained relationships between parent and child as abuse. There's certainly something very wrong with Reigen and his parents' relationship but I'm gonna be honest, I don't understand how people can find redemption in Toichiro who literally beat up his own son but then at the same time demonize Reigen's parents for the crime of disapproving his life as a CONMAN.

Yes, Reigen actually helps his clients and refuses to take money for things he cannot fix, but he's an incredibly special case and his parents are like most people who have no clue that the supernatural is even real. I personally think IRL psychics are full of shit and prey on the naive and emotionally vulnerable. If I had a kid who quit their normal job and spent all their savings to become a psychic I would not be happy with them! I would hope I wouldn't be as cold and that they wouldn't live in fear of my messages to them but I would definitely be encouraging them to stop that shit and get a "real job". To think that his parents should support his choices in life when he's pretending to be a psychic with no additional context is wild to me. (Also, I can't find the translation anymore but Reigen says in the fanbook that his mom thinks he's being tricked into doing his current job.) Again, they could go about this in a much better way but this disapproval does not inherently point to abuse.

(Sorry this rant got very long so everything else is below the cut.)

I think the biggest thing that points to Reigen's parents not being as awful as they are in fan content is that even after Reigen gets publicly exposed for being a con artist, his mom does tell him to learn his lesson from this but she also takes the time to prepare him an apology, tells him that he should come home (instead of telling him he's not welcome home/disowning him) and emphasizes that she's on his side. Maybe you could consider that the bare minimum of a decent parent but this to me just doesn't feel like she's the hateful abusive mother so often depicted. She could be warmer about it but she's obviously super concerned and wants Reigen to know she cares about him regardless of his actions.

(As for his dad, all we know is that he and Reigen don't talk to each other at all and that he thinks Reigen is unemployed. This relationship is definitely worse than Reigen and his mom's but there's little to go off of in terms of if his dad is a terrible parent or not. His mom seems to think he's worried about Reigen and that would definitely not surprise me.)

In terms of how Reigen feels about his parents, in the fanbook he acknowledges that there have been misunderstandings from both sides and that he'd like to talk things out with them and visit them more often. That's such a real thing lots of people can relate to and I'd love to see that get explored! I want to see Reigen patch things up with his parents! Maybe I'll write out my stupid fic idea for it idk.

I also don't want to stereotype but I am from an East Asian family myself and grew up surrounded by others so I feel like it's safe for me to say that Reigen's parents really remind me of your typical older generation of Asian parents. (Reigen was born in 1984 so his parents would definitely be of the boomer ilk, potentially even the Silent Generation if they had him on the older side.) Reigen also says in the fanbook that his parents are very serious people. Oftentimes with that older generation they just don't really show their care the way you'd normally see it. There may never be any "I love yous" but they'll cut you a plate of fruit without you asking or remember the show you liked 10 years ago and assume you're still into it...

Of course, parental norms in a culture don't justify hurtful parenting. (I mean just watch Everything Everywhere All At Once if you want to see the pain of having a disapproving Asian parent despite knowing they love you and just want what they think is best for you.) His mom fussing over his job and his lack of a girlfriend may be a super "Asian parent" thing, but it definitely hurts Reigen's feelings and she should cut that out. So yeah, Reigen's parents could do a lot better in terms of making Reigen feel supported and loved regardless if they approve of his life choices or not, but Reigen wants to patch things up with them for a reason and I'm hopeful that they can all reach a better understanding with each other.

One thing I also wish the anime showed was that Reigen's mom talks to him on the phone after Separation Arc! We see that in this omake:

Reigen definitely didn't tell his parents his phone number or his home address if his mom had to resort to emailing his business address just to talk to him. But I like to think that after Separation Arc he started letting his mom into his life a bit more...

God this was such a long rant, I'm sorry. One final thing before I get to your questions is that if we really need abusive parents to hate, Teru's non-present parents are ripe for the picking... Just saying.

(ask game)

I'm assuming you mean Reigen for all of these btw

25. What was your first impression of this character? How about now?

Gosh I initially thought he was just a silly goofy character who could be annoying and pathetic at times, but I enjoyed his presence on-screen. Then he got deeper in the Season 1 finale and showed just how much he truly cared about Mob... That part definitely got me shook. He only got better and better from there and now he's one of my favorite characters in the story.

9. Could you be roommates with this character?

Jesus christ uh I definitely don't think he'd be a bad roommate and we'd probably get along just fine but I also think I'd annoy the shit out of him. I'm not the best at keeping my space neat and clean. Also the thought of meeting Reigen in person is actually terrifying... Reigen should never exist outside the world of fiction because his pure chaos would be too much for reality.

22. If you're a fic reader, what's something you like in fics when it comes to ths character? Something you don't like?

Hmm I answered what I don't like last time, but I do like fics that explore his relationship with Mob or Serizawa. I also like seeing him confront more of his personal issues and grow as a person even if he gets a little hurt in the process-