#apocalypse now final cut

[ashley-slashley]

yes, i did go out of my way to draw wally into a scene from apocalypse now where a soldier is using napalm against a village. wally is a war criminal. change my mind

[cloud3francois]

Apocalypse Now: The French Plantation Analysis

[devoursjohnlock]

Apocalypse Now (1979) | dir. Francis Ford Coppola

[jeandejard3n]

Apocalypse Now: Horror has a face

[emptyjunior]

Enough random notes that have a written story on them as environmental storytelling, explore the space, get crazier with it.

You move into a house and aw cute, it has the kids height on the walls but you notice there's a three foot difference in height between measurements, you check the date, they're a month apart. The final measurement is on the ceiling. It's dated two days ago.

You're part of a recovery team that have finally found a stranded ship, they were found too late and have all passed a long time ago. They all died of starvation. You enter their storeroom, it's filled with food. In the dining hall you find the tables laden with perfectly fine looking breads, cakes, cured meats, jams, candies. Your medic says all the people sitting at the table didn't eat a Thing.

You wake up in an apocalypse. You can't find anyone at all as you wander the streets but you do hear faint music playing from somewhere. You stumble into a supermarket, to see all the aisles still full, except for the shelf that was full of ear plugs, which look to be the only thing that was looted.

Like there's light, sound, props. Having a street where every house is decimated except for One. Landing on a planet known for having No Water and a plant is growing and you don't know where it could have possibly gotten moisture from but you can't find the citizens Anywhere.

I'm sorry, I'm just kinda over the "graffiti on the wall to show the bad guy is around". That's not environmental storytelling that's just normal story. Show me I'm in the villains territory by the rain suddenly cutting out above me as I'm driving, even though it's meant to be raining all night. I park the car and step out, and realise the constellations are Wrong, until I see they're Not constellations, they're the blinking lights of a massive ship-

I Will stop now because everytime I go to write a sentence it devolves into another prompt but I'm just saying we have a Lot of senses, engage them, show me the Environment in environmental storytelling.

[cobrakaisb]

come one, come all

summary: percy jackson has finally arrived at camp half-blood, so why is he so shocked to see that people have genuine relationships here? aka, the four times percy thought you were dating luke, and the one time he actually asked. 

word count: 3.2k

featuring: percy pov!!, 4+1, vaping (again), sassy man apocalypse in the form of luke castellan, reader straight up not giving a fuck, percabeth crumbs (but you gotta squint)

author's note: i am so sorry for the delay with this one!! i was studying for finals, but now that i'm home from college for the summer, hopefully the updates will be more frequent 🤞

series masterlist ||| previous ||| next

hermes cabin, day one, early afternoon

“this is the hermes cabin, home to both his children and the unclaimed,” chiron explains, walking up to the very loud and very rambunctious building. 

percy peers inside, and he’s immediately filled with dread. there’s barely enough room in the cabin for the people that actually live there, let alone him. why couldn’t his father claim him already? if anything, percy thought losing his mother would have been enough; clearly it wasn’t. his dread only intensifies, however, when chiron starts clapping his hands, calling the attention of all the campers. 

“woah wait a minute,” percy mumbles, but it’s too late. 

“this is percy jackson, i trust you will see to whatever he needs,” chiron announces. 

it takes the campers approximately two seconds to go back to whatever they were doing beforehand. some campers’ eyes linger a little bit longer on him, but for the most part, they’re all indifferent to his presence. finding a spot proves to be difficult, as every nook and cranny is inhabited.

“you can sleep over there,” a girl says, annoyed.

“thanks,” percy mumbles, but it falls on deaf ears. 

the spot isn’t half bad, but it isn’t great either. he’s stuck in between two sets of bunk beds, on a sleeping bag. a sleeping bag. one would think the gods could splurge a little for an air mattress, but percy guesses they must be selfish, at least based on the signs of this cabin: overrun, overfilled, and underdeveloped. he’s unpacking his backpack, the last remnants of his life before his mom explained his paternal lineage, when the whispers start. 

“that’s the kid. i think he’s the one that killed the minotaur,” someone whispers, or at least they try to, but percy hears the whole thing. 

he turns around, and comes face to face with a group of older campers, all boys. they’ve clearly been here a while (in the hermes cabin, or at camp, percy isn’t sure) based solely on the fact that they’re so comfortable in this environment. a tall, curly black-haired boy steps forward, so percy stands up. he tries to size up the older boy, but if it comes to a fight, he doesn’t think he’ll win. 

“look, if you guys want to start something, can you just…do it tomorrow?” he asks. 

the older boy doesn’t say anything. instead, he just takes a moment to look at percy, up and down. percy’s breath catches in his throat when he catches sight of the long scar running from the corner of his right eye to his jaw. he’s intimidating, to say the least. 

“i’m..” the boy starts to say, but he’s cut off by the sound of loud laughter. 

percy turns to face the door, following the older boy’s lead, and sees two girls walk into the cabin. they’re both in workout gear, clearly just coming from a training session, but only one of them moves to drop her stuff on a bed — a bottom bunk in the left hand corner — and the other walks right up to the guy in front of him.

percy wants to warn her, tell her that she shouldn’t mess with this kid. but the grumpy guy smiles at her, completely forgetting about percy.

“busy day?” she asks, crossing her arms over her chest. 

“something like that,” the boy mumbles, throwing a sideways glance in percy’s direction. 

“oh i see,” she answers slowly, and now both of their eyes are on him. 

“luke treating you okay?” she asks. 

percy gulps, unsure how to answer her. girls don’t really talk to him, but there’s a first time for everything, he understands that especially well now.  

“he literally just got here,” luke says, shoving your shoulder. 

you smile at the older boy, and there’s something more behind that stare, but percy can’t really figure out what. 

“if he steps out of line, you let me know,” she instructs, jabbing her thumb in luke’s direction. 

percy nods, “yeah sure.” 

she smiles at him, before walking towards the exit of the cabin. as she’s at the threshold between the inside and the outdoors, she turns around with a mischievous look in her eyes. 

“meet me later?” she asks. 

“i’ll be there,” luke answers. 

she nods, satisfied, and leaves. percy watches luke, who continues to watch her. his eyebrows furrow. maybe he just doesn’t understand teenagers?

hermes cabin, day two, morning

percy’s startled awake. the deep, guttural voice from his dream still haunting him. the darkness from the nightmare is looming over him like a dark cloud. his gasps and heavy breathing draw the attention of luke and his friends, the former leaving his bottom bunk to walk over to percy’s sleeping bag.  

“you okay?” luke asks. 

percy wonders if he’s genuinely concerned. “super,” he replies. 

“we all get them, y’know. deep, intense nightmares. comes with being a demigod,” luke explains, watching percy struggle to get up from his bed.

“so does adhd and dyslexia. they’re your battle instincts talking. everything that’s made you different, an outcast, is normal here,” luke continues to explain, now standing toe to toe with percy. 

there’s silence between the two. percy wants to ask him about his godly parent. it’s been weighing on him since he spoke with luke briefly yesterday. for some reason, however, he feels like the question is out of line, too personal for someone he just met. 

yet, he can’t help himself: “so are you also…do you not know…are you…”

“am i unclaimed? no, hermes is my father, but that doesn’t matter. we’re all family here,” luke replies, giving percy’s shoulder a reassuring squeeze. 

“and the girl from last night…is she…?” percy asks. 

luke chuckles at his uncertainty, clearly finding humor in his embarrassing situation. “no. she knows who her mother is. you should ask her about it.” 

percy nods, swallowing the lump in his throat. he feels angry all of a sudden looking around the hermes cabin. it’s filled to the brim with campers, some who know who their parents are, and others who don’t. he doesn’t think anyone should have to live like this; it’s not fair. 

“how can the gods just bring us here and ignore us? how is that fair?” percy asks. 

luke shakes his head, “spend all your time trying to figure out why the gods do what they do and you’ll go crazy. besides, you haven’t even experienced the best thing that camp has to offer.” 

“what’s that?” percy asks. 

“glory.”

percy’s eyebrows furrow in confusion. he vaguely remembers hearing mr. bruner, or chiron, talk about glory in class, but he can’t pinpoint the exact memory. the way luke talks about it, however, makes percy think that it must be important. there has to be some reason why everyone is fighting for glory, why they deal with all the dangers of being a demigod. 

“demigods used to fight for glory. they called it kleos. it attaches meaning to your name, making you bigger, scarier, and more important,” luke explains, leading percy outside of the hermes cabin, along with a handful of his friends. 

“it puts respect on your name,” luke’s friend, chris barges in. 

percy’s smiles at that. he likes the sound of glory, especially when some girl shoulders past him, pushing his body right into luke’s. percy stumbles, turning to face the back of the girl. he wasn’t going to deal with this bullying crap at summer camp of all places. 

“hey,” he shouts, getting her attention. 

she turns around, immediately shoving him into the ground. percy gasps, staring up at her in shock, but before she can get a word in, the girl from last night is standing in front of him. 

“knock it off clarisse. it’s like his first day,” luke mumbles. 

the girl from last night helps him up, and he smiles at her in thanks. she nods, giving him a once over, ensuring that he’s okay before she turns back to clarisse. it’s like a switch flipped inside her. those same eyes, the ones showing kindness towards him just a mere second ago, are now filled with cold, hard, anger. 

clarisse says something to taunt him, but the girl just shakes her head, crossing her arms against her chest. 

“jealous that it wasn’t you?” she taunts, stepping into clarisse’s personal space. 

“no,” clarisse snaps, facing the other girl head on. 

“really? cause it sounds like you wish you were standing in his shoes right now. maybe then daddy would give you a little bit of attention, huh?” she replies. 

luke whispers her name in a seething tone, hand pulling on her shoulder to move her away from clarisse. however, she jerks out of his grip, continuing to stare head on at the curly haired girl with a satisfied smirk playing at her lips. 

“you better watch your back,” clarisse snaps, looking at percy once again before storming off. 

“and you better watch yours,” the girl, who’s still standing in front of percy protectively answers. 

clarisse doesn’t respond, and so luke takes the time to reprimand you. his voice is soft, and percy can barely hear, let alone register, the words coming out of his mouth. you roll your eyes at whatever he’s saying, barely paying attention. instead, percy notices that your eyes aren’t leaving luke’s lips, and he’s again left wondering what’s going on between the two of you. 

“but if i wasn’t here, who was gonna play hero?” you ask, a soft pout on your lips.

percy can tell you’re teasing luke, trying to get a rise out of him, but the older boy just shakes his head in response. percy watches as your finger reaches under his bright orange shirt, looping through one of the belt loops of his cargoes. luke leans down slightly, and percy thinks he might kiss you, but you step away from him in a fit of giggles. 

“i’ll see you later, counselor luke,” you tease, walking backwards so everyone can see the teasing smile on your face. 

percy makes a mental note not to get on your bad side. 

dining pavilion, day two, evening

“is there a greek god of disappointment, maybe someone should ask if he’s missing a kid,” percy grumbles, taking a seat at the table across from luke and chris. 

after a long day of training, with little to no rewards, percy felt utterly defeated. there was some good that came out of the day’s events, however, as he realized his lack of coordination did not make him a strong candidate for the apollo cabin. similarly, setting fire to the already burning forges had luke and chris ruling out hephaestus. regardless, he just wanted his dad to recognize him. after a life of torment and the loss of his mom, the one person who loved him, he could use the validation.

luke opens his mouth, ready to answer his previous question, but chris beats him to it.

“oizys…but she’s a goddess and her whole thing isn’t really disappointment, it’s failure,” chris mumbles, pushing around the salad on his plate. 

“oh my gods chris, don’t scare the kid,” you shout, shoving his shoulder as you take a seat next to percy. 

another girl follows behind you, taking the seat on the other side of percy. he feels himself going rigid, why are these two older girls sitting by his side? he feels nervous all of a sudden, and wonders if this is normal. he looks nervously to luke, who seems to be the only one capable of providing actual guidance in these types of situations. 

luke doesn’t say anything, instead he’s too busy looking at you. 

“having daddy issues?” the girl on his right, who’s not you, asks. 

“um i guess,” percy answers, but he’s not confident in his words at all. 

the girl chuckles at him, a hand coming up to ruffle his blonde hair, and percy watches as her eyes twinkle with something akin to childish mischief. 

“maybe you’re her step-brother,” she says, gesturing towards you with a tip of her chin. 

“are you a child of aphrodite?” percy asks, because maybe this nice girl is referring to ares as his father. 

you stop chewing your dinner, shock crossing your features. the other three teens all burst into laughter, and percy doesn’t understand what’s wrong with his question. you’re pretty enough, and you seem to possess a tiny bit of mean girl energy (cause only regina george would have demolished clarisse like that). therefore, the logical conclusion is that you’re related to aphrodite. besides, aren’t ares and aphrodite secretly dating? so he’d be your step-brother? 

“what?” he asks, looking around. 

“aphrodite is not my mother,” you answer, white-knuckling the fork. 

“oh,” he says, “so who is?” 

percy watches as your jaw clenches, and you flash a dangerous look in luke’s direction. luke lifts his hands up in a state of defense, as if to say that he didn’t put percy up to this. you, however, don’t seem to believe him as you take one of the green grapes on your plate and chuck it at him. luke catches the grape in his mouth, chewing slowly with a smirk on his face. 

“almost sweetheart,” he taunts. 

you scoff before getting up from the table, with your plate, and walking towards the firepit in the middle of the pavilion. on your way over, you stick your fingers through luke’s curls, and shove his face down towards his mashed potatoes. 

“did i do something wrong?” he asks, looking at the remaining girl to his right. 

“nah, she’s always like that,” she answers.

“yeah,” chris mumbles, “if anyone knows it’s katrina.” 

they jump into their own conversation and percy watches as you drop your entire dinner into the fire pit. the flames turn a deep purple and you nod in satisfaction before walking off towards the cabins. 

he can’t figure out who likes the color purple, but wonders if it had anything to do with luke. however, he knows not to ask.

hermes cabin, day two, night

percy was supposed to be asleep twenty minutes ago, at least that’s when luke called for lights out and everyone crawled into bed. but, he really needs to use the bathroom. poor planning on his part, not going before bed time, but he knows he’ll never make it until morning. so, he gets up as quietly as possible, slips on his blue hoodie, and tip-toes towards the door of the hermes cabin. 

he hesitates for a moment, hearing two people talking quietly outside the door. he waits patiently, hoping that they’ll leave, but their conversation only keeps going. 

“and annabeth’s sure about this?” someone asks, and percy realizes that it’s you.

the other person scoffs, “you doubting my sister?”, and percy pinpoints the voice as luke’s.

“never. i’m doubting him,” you answer.

“c’mon, you know clarisse picks on everybody,” luke mumbles.

there’s a pause in the conversation, and percy thinks maybe you’ve left or moved on, but then your voice rings out into the quiet of the night: 

“i have this feeling that he’s important, but i can’t figure out why.” 

another pause. 

“we’ll see when he gets claimed,” luke answers. 

“if he gets claimed,” you reply. 

“he will, even if it’s hera style,” luke says, and percy can’t help himself from opening the door. 

“your mom’s hera? i thought she didn’t have kids!” percy shouts, shocking both you and luke. 

you jump, and percy watches as you move to hide the bright orange vape in your hand. you wave away some of the smoke, and luke steps slightly in front of you, blocking your body from percy’s view. he notices the protective edge in luke’s posture, and how there was already very little space between you two. 

“what are you doing out past curfew?” luke asks, staring percy down. 

“i could ask you the same thing, but for the record, i’m going to the bathroom,” percy explains, standing his guard. 

“just be quick, and watch out for the harpies,” you advise, tugging on the back of luke’s camp counselor shirt. 

percy nods before walking by the two of you to head down the stairs. once he’s a little ways away, he risks a glance back at the hermes cabin porch. you’re still standing there with luke, his palms resting on your waist as he rubs circles with his thumb on your exposed skin. you two are whispering about something, but he can’t figure out what. he sees you slip luke your vape, but looks away when the older boy takes a hit. 

that seemed oddly intimate. 

lakeshore, day three, post-capture the flag

he’s in for it now, at least that’s what he assumes when he sees half of clarisse’s spear in his fist. she screams loudly, and percy hopes that you’ll hear and come to his rescue. thankfully, his saving grace comes in the form of the head counselor of the hermes cabin. 

luke comes rushing down the side lines, holding the red flag high above his head. several people are following him, the entire blue team in fact, but percy can easily pinpoint you in the crowd. you don’t have a helmet on, which isn’t surprising to him; it fits your character. he notices how the baby hairs stick to your sweaty forehead, yet your eyes are bright and happy. this has to be the happiest he’s seen you. 

your eyes never leave luke, even as he accepts hugs, handshakes, and overall congratulations from the other members of the team. finally, after the novelty of winning wears off, and his siblings finally give luke some space, you walk over to him. you shoulder check him, causing him to stumble a little on his feet, but the happiness doesn’t leave either of your eyes. 

percy’s eyebrows furrow in confusion. you’re mean to luke, but you’re also not mean to luke. 

“where’s my hug at?” luke asks, opening his arms wide for you. 

you snort at him, shoving him backwards with a firm hand on his chestplate. luke doesn’t seem to mind, however, as his smile widens and he pulls off his helmet. he shakes his head back and forth, letting his curls loose after being confined for so long. percy watches you watch him, bottom lip between your teeth. luke opens his mouth, ready to say something, but you prevent him from even doing so. instead, you grab onto the brown leather straps of his armor, and pull his lips down to yours.

all the campers ring out in cheers. some of them even clap at the display of affection from the two of you. 

“so they’re dating?” he asks no one in particular. 

“yes,” annabeth answers from beside him. 

he turns to look at her, understanding washing over him. you and luke are perfect for each other, balancing each other out. percy hopes he’ll find something like that with someone. he looks around camp, and his eyes land on annabeth, who magically appeared next to him. 

“hey wait…were you here the whole time?” percy asks her, feeling a little angry that she basically watched him get his ass kicked by clarisse. 

“percy,” she starts, “i’m really sorry about this,” and she pushes him into the water.

taglist: @percabethlvr @iwantahockeyhimbo @hottiewifeyyyy @loveryoushouldcomeoverr @maraschinocherry3 @used2beeeeee @harrysnovia @cami-is-reading @mxtokko @cxcilla @obxstiles

[justhereforthemeta]

Romantic expectations and the story we didn't see: A magic trick hiding in plain sight

Here's a hopeful meta for all my fellow celestial brainrot sufferers out there. Cheers! :)

This idea started as a dead end, trying to track the movements of Crowley’s sideburns/tattoo because I thought time travel shenanigans were afoot. I had to abandon that theory when it was pointed out that David was simultaneously filming as the sideburns-having Fourteenth Doctor, and in-universe Crowley can do whatever he wants with his facial hair whenever he feels like it. But hey - null findings are still findings!

On the bright side, pausing the show to make notations in a spreadsheet forced me to slow down and notice other changes I'd overlooked the first time around: acting choices, costuming choices, references to book lore. And possibly a few surreptitious flicks of the wrist, in places where we’re meant to be focused on the magician’s other hand.

@amuseoffyre and @ineffablefood had a great exchange recently about romance and “the significance of misdirection and three-in-one (magic) tricks” throughout the show. I suspect Neil has done something brilliant with the audience’s long-standing expectations (since the 1990s, really) for the love story between Crowley and Aziraphale to develop. And while it is a wonderful story indeed, playing to this expectation lets Neil distract his audience from the blink-and-you'll-miss-them seeds he's planting for the final chapter.

Continued below the cut...

Let’s start at the beginning of Episode 2. First, context: In the previous installment, Crowley stormed out of the bookshop, was whisked away to Hell by Beelzebub where he learns about the Book of Life threat to Aziraphale’s existence, then returned to the bookshop to dance a little apology dance and hide Gabriel with an unintentionally massive joint miracle. In S2E2, we and Shax catch up with Crowley as he's snoozing in the Bentley.

Shax: “You’re in trouble”

A. J. Crowley, cool as a cucumber: “Obviously. Former demon, hated by Heaven, loathed by Hell. How will our hero cope?”

Interesting! Sarcastic? Yes, absolutely; but that’s also a good 4500 years and an averted apocalypse away from “I’m a demon. I lie,” wouldn’t you say? Someone is sounding a whole lot less depressed and aimless and navel-gazey (do snakes have navels?), and a whole lot more like he’s got a project to focus on, since his "what's the point?" ruminations on the park bench in E1.

And of course we all noticed the costume change right away. Hello, black turtleneck. Feeling cute today, thought I’d cover up my graceful long neck? That sounds unlikely. Let’s put a pin in this one.

There’s also an interesting acting choice going on here. Crowley speaks to Shax in a funny, drawling, too-cool-for-you voice that we haven’t heard in a while. Specifically, not since 1967. If you go back and give the S1E3 scene in the Dirty Donkey a listen, you’ll hear it (and if you know of another instance of it that I've missed, please let me know!). In S2E2, he keeps up this odd voice (if anybody knows what kind of affect this is supposed to be, please do tell!) throughout this dialogue with Shax, except for the brief moment when she first surprises him about the joint miracle having been detected.

1967 was a fun year. Crowley masterminded a heist! And seemed like he was having a ball doing it, right up until his little caper was called off after Aziraphale brought him the thermos of holy water. Crowley spoke to his co-conspirators in that same funny, very 60’s-caper-film voice. He wore a hip 60’s turtleneck. He bought petrol for the only time ever, so he could get those sweet James Bond bullet hole decals for his car (per the book, seen on the Bentley in the show).

Those James Bond bullet hole decals would of course have been part of a promotion for this 1967 release, which you just know our film-enjoying demon went to see in the theater:

Starring this suave, be-turtlenecked guy:

And now - begging your forgiveness - a brief rant.

There are a number of posts out there that refer to Crowley’s S2E2 turtleneck as a flirtatious sartorial choice - actually, ‘slutty’ seems to be the favored accusation. There are even a few posts floating around commenting on how sweet it is that Crowley swaps out his slutty, kinky, throw-me-over-your-desk-and-take-me turtleneck for a more dressy and appropriate collared shirt specifically to attend Aziraphale’s Jane Austen ball. 

Now this is all in good fun, and Crowley does indeed look fantastic here, and I do love a good fangirling sesh as much as the next person. However, fandom’s collective tendency to interpret what we are seeing on the screen through the lens of romantic expectation can, at times, give rise to a kind of blinkered enthusiasm that obscures the original text in a haze that is part Mandela Effect, part unrestrained horniness, and part in-group code talking and identity reinforcement.

Respectfully, Crowley’s black turtleneck does not appear at all in S2E5: The Ball. In fact, it never appears again after the end of S2E2.

For Someone’s sake, let’s collectively pull our heads out of the romantic fog/gutter for a moment and focus on what we are actually seeing in the book and on the screen. For Crowley, this is an uncharacteristic within-period costume change. There is a surreptitious flick of the wrist happening here, out in broad daylight, and we are all missing it.

So here’s a thing. Aziraphale appears to have settled comfortably into life on Earth, his neighborhood, his books, using Crowley as an outlet for sharing his good deeds that he would once have reported to Heaven. Meanwhile, at first glance, Crowley appears stuck in a rut. There he slouches on a park bench with Shax in S2E1: a guy who lives in his car, stagnantly clinging to old familiar habits, mulling over the pointlessness of it all.

Setting aside the bit about living in the Bentley (I’m going to attribute this to well-documented issues between him and Aziraphale, discussed in many other excellent metas, and move on), Crowley has at least two very good, proactive reasons for maintaining his contact with Hell through Shax. First and foremost, it’s a source of information he can use to keep ahead of potential threats to Aziraphale and himself.

But also, I would posit…he kinda likes it.

Recall that book GO was first conceived as a parody, with Aziraphale and Crowley as spy-against-spy (but not really) field operatives in an ages-old cold war between Heaven and Hell. Their entire book dynamic is rooted in the trope of two opposing agents who have been in the field for so long that they now have more in common with each other than with their respective head offices. Their St. James’s Park meetings among other spies and ministers trading secrets are a sendup of what was once a well-known Cold War-era cliché. 

Our contemporary Crowley still likes slick outfits and hellaciously expensive watches and high-performing vintage cars and pens that write underwater while looking like they could break the speed limit. He coaches Shax on how to blend in as a demon on Earth, and he helpfully redirects the wayward contact looking for the Azerbaijani sector chief. He loves improvising and getting away with shenanigans under the institutional radar. And boy golly was he impressed with Jane Austen: master spy, brandy smuggler, and mastermind of the 1810 Clerkenwell Diamond Robbery. 

And if you look at it a certain way, for as long as Crowley has considered himself to be on “[his] own side” - going at least as far back as Job - he could almost think of himself as a sort of double agent. It’s actually a very romantic sort of notion, befitting our hopeless romantic of a (professedly former) demon; but it’s romantic in a very different way than we, the audience, have been primed to watch for.

In other words, in a very “on my own side” kind of way, Crowley really gets a kick out of being a spy. Or at least, dressing up and accessorizing as one, and moonlighting as a good-doing double agent when he can get away with it. And also being a plotting criminal mastermind. Two sides of a coin, really. Just look at Jane Austen.

My point is: No, Crowley did not wait around for Shax to come find him in a turtleneck so that he could go flirt with Aziraphale later. He’ll flirt with Aziraphale no matter what. No, this:

is actually this:

Much like the one he wears to the Dirty Donkey in 1967: 

whilst holy water heist-plotting. Here's a clearer shot with gratuitous Bentley, because I love them:

…and which he'll wear again, with appropriate camouflage, while infiltrating Heaven in S2E6:

That is the 1967 planning a HEIST turtleneck for committing ESPIONAGE and STEALING THINGS in. Because turtlenecks are what modern human master spies wear to get their hands dirty - after all, he saw it in a movie once. 

Crowley dons his tactical turtleneck sometime during the first major break in the action (which doesn't happen until after the joint miracle to hide Gabriel) after he learns about the threat the Book of Life poses to Aziraphale. Loverboy started mentally preparing himself to go after that book immediately upon learning that it was in play as a genuine threat. 

Now let’s pick up at the S2E2 Dirty Donkey scene, reading the story from this angle. Of course, Crowley enables Aziraphale’s delusions about Heaven by hiding information from him, and does not disclose the Book of Life threat when they meet again. They go into the pub, Aziraphale shamelessly paws Crowley’s chest like the seductive Bond Girl he is, and Crowley gets to act all smooth and suave and intimidating as he chases off the interloping Mr. Brown (or Mr. Collins for the Pride & Prejudice fans, take your pick).

Ergo, theory: beginning in S2E2, Crowley is already thinking of himself as a Jane Austen/James Bond action hero (“How will our hero cope?”), psyching himself up to rescue Aziraphale by getting his spy game on and stealing the Book of Life.

Now, watch closely...This is where Aziraphale and Crowley brainstorm their plans to solve the problem they both know about: getting Maggie and Nina to fall in love and thereby get Heaven off their backs. Crowley’s vavoom plan is drawn from yet another movie (“Get humans wet and staring into each other’s eyes - vavoom, sorted. I saw it in a Richard Curtis film.”). But Crowley also implicitly shares his solution to the problem he hasn’t told Aziraphale about. And true to form, Crowley’s Jane Austen solution isn’t the same as Aziraphale’s Jane Austen solution. 

Two solutions that fail by the end of Season 2, and a secret third one that might still work...and there's our magic trick of three.

‘“I’m lost. Am I doing a rainstorm?” Yes, babe. And a heist, too - just not until season three. Can I get a wahoo!? 

I won’t spend time on A Companion to Owls during this meta, except to note that in all three minisodes, we get to watch stories that involve Crowley acting as a double agent on “his/their own side” - successfully making Hell and Heaven think he’s fulfilling their will while saving Job’s goats and children; failing to fool Hell when he does a good deed in Edinburgh; and of course, collaborating with Aziraphale whilst evading detection as an infernal turncoat during the Blitz.

(Because this is getting long, I'll also skip over Crowley's interrogation of Jim in this episode - I'll probably come back to that in another meta. But interrogating is a rather spy-ish thing to do.)

When we catch up with Crowley again later, he’s already slipped out of the bookshop, having left Aziraphale to his biblical reverie about Job. He saunters snakily down Whickber Street as usual, but with a very pointed and swift glance over his shoulder (see pic above). This demon is up to something - possibly something we didn’t get to see, something that may have happened offscreen while he stepped out. In any case, knowing there’ve been unfriendly angels in the neighborhood that morning, he’s rightly concerned about being spied on.

From this point until the beginning of episode six, there isn’t a whole lot of opportunity for Crowley to make any next moves. He babysits the bookshop, during which time he manages to wring some crucial information out of Jim; he follows his Crowley’s Angel around like a puppy, and downs a bottle of red like a good old fashioned lovesick boy once that’s been pointed out to him. If any plotting or scheming is underway, this occult being is keeping stumm for now.

This has been a long one, so I’ll wrap up with Crowley’s infiltration of Heaven with Muriel. The turtleneck disguise works (Archer fans, be vindicated!) long enough to gather some information that will be crucial not just to the denouement of S2, but also to Crowley’s journey in S3 (previous post on Crowley's Fall, Saraqael, and memory wiping). And Aziraphale gets to enjoy that view exactly zero times. The point isn’t oh, a turtleneck! How flirty! So cunty! So cute! Y’all. Everything matters. The costume change was a deliberate choice. In-universe, Crowley’s decision to wear his special spy turtleneck for spying in is a signal that he is out doing spy things, even as we watch.

In sum: Beginning in S2E2 and continuing through the end of the season, Aziraphale and Crowley are actively living out the scripts of two parallel, concurrent, and completely different Jane Austen stories. But you and I, dear fellow audience member, we came here for a comedy with a hefty jigger of romance, and that’s what Neil gave us to focus on. And right up until the Final 15, that was the only story we saw.

Meanwhile, Special Agent A. J. Crowley doesn’t have time to mope around at the end of S2E6. He’s kicked down, but he’s not out. He's got a Book of Life to steal, a very serious bone to pick with a certain memory-wiping angel, and his Angel and the world to save. 

“‘Heigh ho,’ said [romantic, optimist, former demon, hero, master spy] Anthony Crowley, and just drove anyway.”

[dwaekkilinos]

savior complex (pt. 1) | bang chan

summary: Your father had wielded you to become a machine; a weapon. And a machine you would become. Sleep with one eye open. Find food. Tread on until dark. Repeat. He taught you how to protect; specifically how to protect your family. But he never taught you how to survive with other groups, especially when their leader seems to have it out for you.

pairing: bang chan x fem!reader rating/genre: 18+ Minors DNI | strangers/enemies to lovers + zombie apocalypse au, angst, fluff, smut word count: 19.9K chapter summary: you'd always known the end, and it had always known you. you just didn't know the beginning would be waiting for you when your time finally came. warnings/notes: zombie apocalypse au so . . . blood, guts, gore, sad, sad, sad. beware. lots of inspo from every zombie thing i've literally ever seen (twd, tlou, train to busan, etc.), typos probably, parental death, actions of violence and murder, religious TRAUMA, religious undertones, reader does not believe in god but she's deeply influence by it bc of her childhood and it haunts her, reader comes from a small toen and it's not explicitly stated where she's from but hollows are mentioned, hunting, reader wishes for death multiple times, chan goes by chris, no smut in this chapter but there will be in every chapter after, i think that's it but let me know if i missed anything, and enjoy! <3

chapter one: i know the end (and it knows me) ( series masterlist | next → )

Sometimes you felt like a ghost. It happened when the world was so silent that you could almost hear the beat of your unsteady heart pounding in your chest; when everyone else was asleep and you stayed up, eyes watchful and searching for threats. That was when you felt like the lost faces that haunted you.

It hadn't always been this way, at least not until the world ended. Most of the time you tried not to think about it. You tried not to think about much except survival these days.

Because that was smart. Surviving was smart. Anything else was stupid; anything else would get you killed.

Ironic, how you used to fear that very thing. Death. Now it was all you knew.

The apocalypse had come.

You knew how it sounded. Honestly, you didn't believe it when it first happened. You had been too afraid to admit it; too scared that if you did, you could never go back. There was no going back anyway. That was something you wished you had known back then. And as you sat on a log in the middle of those dark woods, overlooking your group who all slept silently while you stayed up, bloody knife in hand, and eyes watching for threats, it was hard to ignore the fact that this was your cruel reality.

Because the reality of it all was: you were living on borrowed time, trying your best to do right by your father and keep your family alive. You'd faltered that night, dotting the line between protection and predation.

And now . . . now you couldn't help but think about the beginning. How you would've never ended up like this if things had been different. But things hadn't been different. Things had happened exactly the way they had, and it'd left you with rot in your bloodstream and hate in your heart.

That was what made you clutch the knife closer, nearly cutting your own flesh. Because things hadn’t been different, but they also hadn’t always been this way. You hadn’t always been like . . . this.

You supposed it was because it was easy to kneel when you were just a girl. It was easy to ignore the ever-present scabs on your knees when you didn’t know any better. It was easy to tear yourself down the middle, pulling stitches from the back of your legs when you knew it’d all be re-sewn by morning. It was easy back then when the world hadn’t died.

From the moment you were brought into the world, barely kicking and silently screaming like it was a sin to voice your pain, you had been taught to be that girl; that easy, complacent girl with not so much as a rotten thought. From the moment you were born, you had been taught the foundation of the Church and its vocation, and it had carved its way into your rotten flesh even when the world was no more.

At age four, you were in the pews, listening to the words of God while creating imaginary friends in the statues. At age seven, communion. Then at age eight, you had begun to become an altar girl, fetching and carrying, ringing the altar bell, bringing up the gifts and the book, among other things—essentially being a servant to God. At age fourteen, confirmation. At fifteen, your mother doused you in holy water before your first date with a boy from school. Sixteen, heartbreak, praying to God and begging for him to help ease it all, only to be left with no response . . . even after all you had done for him.

Seventeen and the stitches down your legs remained undone, the scriptures now more of a question than a statement. Then . . . eighteen, the timer clicked into place, and you felt yourself begin to rot along with the world, forcing you to realize your entire life was just a cycle of kneeling before God, praying, and asking for forgiveness for your sins.

It had been easy to kneel when you were just a girl; when you didn’t know any better. And then it happened.

It.

Armageddon.

The Rapture.

The fucking apocalypse.

It didn’t matter what you called it. Doomsday was still doomsday even dressed up with fancy scriptures and sacred wine.

The apocalypse had come. Humans were deemed horrible creatures by some almighty who you didn't give a fuck to acknowledge. It didn't matter. Someone or something had deemed the human race unworthy.

The apocalypse had come, and you were deemed worthless. You were made to die. It was inevitable.

The apocalypse had come. There was talk that it had begun in the North. But much wasn’t known in your town. Now you realized they tried to keep it a secret. It was a way of controlling everyone, you supposed, but not like it mattered much now.

That was just how things were. Your mother refused to let you and your younger sister watch the news, refused to let you search anything about what was going on in the world, adamant that everything was lies and those lies would cloud your mind. A religious town bordering on a commune that resembled a cult perhaps just a tad too much. You realized all this now, of course, but back then your knees were still covered in scabs from kneeling before a God who would never come. Back then your mother kept you kneeling until the final bell tolled, her hand firmly clutching your shoulder to keep you in place.

You were only eighteen then. And while the outside world was torn apart month by month, its people haunted by death piled upon death, your town continued on as it always had. The whispers of a war that would end the world were just whispers, covered up by scriptures that the local preacher would sight every Sunday morning just after you’d collected the eggs from the chicken coop and put on your best dress like your mother had always taught you.

But it was different for you, even back then. Because while it had been easy to kneel when you were a girl, you had begun to grow. Eighteen then, but you had begun to see the flaws within the Church when you were sixteen. And by eighteen, you knew better.

By eighteen, you could see the sweat beading along the preacher’s forehead. By eighteen, you could hear wavering in your mother’s voice when she proclaimed that this was just a test. That this was meant to happen. That the Bible had always predicted this, and if you remained faithful, then you would be saved . . . spared.

But by eighteen, you knew better.

It took one quiet night and a hammering heart for you to sneak into your father’s study and head straight for this desktop. It took even less time to discover what had become of the world. One. Two. Three clicks and then . . .

You remembered the choking feeling bubbling up your chest as your eyes scanned the news articles. A virus. One so horrible and unforgiving that it could take a healthy vessel, and within twenty-four hours, the body would succumb to death. But, you’d seen stuff like this before, right? You knew there had been plenty of diseases and viruses and they all had cures. They all had to have cures. They had to.

That was just the thing: no matter how hard you looked, you couldn’t find any article that explained how this virus came about. It was unknown, deadly, spreading rapidly, and there was no way of telling when it’d reach your town. It was just . . . just . . . (It was the first time you truly felt helpless.)

You remembered staying up with the sun, looking for answers, only to come out empty-handed. And when your father discovered you in his study that morning, you nearly confessed right away, sobbing into his arms. But no shame was brought upon you that day.

Your father had been a good man. He had loved you so. He had loved his family, no matter the consequences or conditions.

This town, your town, was small. It consisted of around only three thousand people give or take, all of which were either Christian, secluded, or . . . your father. In all the years you had been alive, not once had your father stepped into the Church. You never asked. You never worried. Your mother just always told you your father was busy every single time, and you believed her because back then, you’d trusted her with all of you.

As you grew, your suspicions of him did, too, but you remained silent as you always had in life. And it was only until that morning when he wrapped you in his arms and let you cry into his shoulder, did you realize why he never entered the Church, why he never spoke the prayers your mother praised, why neighbors would talk of his name only in hushed conversations.

He didn’t believe.

No, he believed in something just not . . . this sacred word your town so desperately worshipped. And that morning, he told you the truth. From his childhood to how he ended up in a town like this. He told you it all, and then he told you the truth. He told you how your mother was scared (how she always had been) and how one day he hoped with enough trying, she’d see the world for what it was ( . . . she never did). And then he told you about the virus, and everything was so much clearer.

The town had everyone convinced this was some kind of test. There was no virus to them. This was the reaping. The scriptures were true to them. And so every Sunday, you were forced to acknowledge that Pestilence, War, Famine, and Death—the Four Horsemen of the apocalypse had come to earth with the power to destroy humanity.

That was how it had been explained to your town, and all its people believed. A sickness had struck the world, yes, they told that much truth, but they chalked it all up to being some kind of plot point in God’s plan. To top it off, it was said that if the townspeople all repented and did right by his name, then salvation would be given.

That was what was told, and that was what was believed.

You remembered the preacher’s voice even now.

Then I saw when the Lamb broke one of the seven seals, and I heard one of the four living creatures saying as with a voice of thunder, "Come." I looked, and behold, a white horse, and he who sat on it had a bow; and a crown was given to him, and he went out conquering and to conquer.

— Revelation 6:1–2

That scripture haunted you just as your father’s face did, but back then you hadn’t realized the detriment it would have on you. Back then, you played your part. Back then, you dressed as your mother advised, went to church, and listened, and then, when all was said and done and your mother had gone to her room, you snuck off to accompany your father on his hunts. And during those times, you’d learn the truth.

While the two of you hunkered down, waiting for deer to pass through your side of the woods, he told you about what was going on with the rest of the world. He explained how the CDC had claimed this thing; Pestilence (as your town believed) was some kind of virus, yes, only they wouldn't release the survival rate except for a few things that stated it was deadly, spread rapidly, and anyone could have it, but by the time symptoms had started to kick in, it would be too late.

As the weeks went by, as the more hunting extravaganzas you went on with your father piled up, his news became more worrisome. At first, the virus was contained in the North of the world, but as it took more lives and less information about it was being provided to the public . . . people began to panic. Hysteria spread throughout the world. Cases of this unknown virus peaked, and the government released statement after statement informing the public that face masks would be required to prevent the virus from spreading and travel restrictions would soon be put into place.

Only by that time, it was too late.

Carriers of this unknown virus had already traveled far and near, spreading the disease throughout the world. This so-called Pestilence might have only been given reign to a quarter of the world, but his disease had spread farther than his radius.

And while you had been young, you realized that this virus had only one purpose: to kill. There was no survival rate. No hope.

The world shut down soon after more and more people started dropping like flies, succumbing to the miserable disease that left them with boils and blisters covering their skin. Hospitals became overrun. Schools were wiped out with kids coming home with this deadly virus. Workplaces were abandoned, the people wishing to stay at home with their families, too afraid to step outside without any real knowledge of how this virus worked.

Your town remained oblivious, too, as the region shut down, gates being made so no one could enter or leave. It was safer that way they claimed. All of those who could be saved would be saved and helping those seeking a refuge was against the rules. It all felt like some kind of sick plan if you had anything to say about it.

By the time your father had taught you how to shoot your first deer without you sniffling in fear, Vaccines were finally attempted, but nothing worked; the disease only spread, and more people died.

Then . . . it all just stopped.

But your town continued to spread its lies.

The story remained the same even all these years later. You remembered how while you had learned the virus was supposedly coming to an end, your town still painted the picture of the Horsemen. Tales of Pestilence’s reign still remained.

They went on and on about how he rose from the depths of Hell. Pestilence had come. He, who sat on his white steed, had a bow, a crown that had been gifted to him by his gods had come, and when he had, he went out conquering. And so he did.

Until he was put to rest; until his conquering had come to an end. You listened with half a heart as the preacher went on and on about how his time had ended, yes, but this was not the end. All you had to do was keep praying, keep repenting, keep . . . kneeling, and you’d be saved.

But you knew better.

While others would attend midnight mass in addition to morning, you claimed you had to pray on your own, and when your mother had left with your sister on her hip, you snuck off with your father to learn of the world. You snuck off to better your shooting arm, to seek comfort in the only person who seemed to have their head screwed on right, to shoot ducks and geese and deer and everything in order to keep your town fed while everyone else prayed to a God that wasn’t doing half your work. And yet, every time, every kill, your father knelt beside the animal and prayed, until you had begun to do the same.

You weren’t sure why he did it. You had never asked. You never thought you needed to. (Now you would’ve done anything to know the answer.)

And so . . . life went on like that. Completely cut off from the world without the help of the internet your father provided for the two of you, life went on.

The virus no longer spread further, and many believed it was all just some hoax. News stations came to life again, but not much else was restored. That was how everyone found out the virus had concluded. Hell, even you remember being twenty-one years old, having your first legal shot with your father in the middle of the woods while the two of you watched news reporter after news reporter claim the virus had mutated and mutated so much to the point our bodies had accumulated a natural resistance to it.

But you couldn't believe it.

Three whole years of this deadly disease taking out population upon population, and then it all ceased. It felt almost too good to be true.

Of course, the town believed this too. Pestilence had conquered, and that was just the problem.

Every day, day in and day out, words spread throughout the hollow, the word in the Church mutated each week, even your mother who had spent the last three years praying to Jesus, Joseph, and Mary; your mother who had gone through rosary after rosary begging for God to have mercy on your family; your mother who had always forced you to attend those days at church on Sunday went around the house, boarding up the windows and hiding the special silverware in the basement, claiming that he would come next.

He has conquered, she had hissed over your shoulder when you and your father came back from one of your hunts.

Pestilence's reign had ended (according to your mother, who you were almost certain had a few screws loose). You didn’t believe it for a second, ignoring your mother's desperate ramblings.

War will come, she warned.

War will come.

But . . . you knew if something did come, it wouldn’t be this War.

And then . . . then he did.

The first sighting of the dead coming back was spotted just months after the virus that had plagued millions had ceased. And this time . . . the town allowed its folk to see the reports. Even your mother had brought the television from the basement to witness the dead rise . . . or rather . . . War. The news stations had captured a recording of these . . . people; people who had suffered from the virus coming back, and then with only their teeth, tearing any live thing apart. The recording was aired all across the world, fear, and hysteria spreading like wildfire.

The government was still up and running at this point with only one mission: to shoot down these seemingly reanimated corpses before they could cause more harm. People believed this to be a fluke, but your mother's words had stuck with you.

War will come.

It was all a little hazy now, but you remembered bits and pieces of the world back then. War had been quick, ruthless, and determined.

This was no man. This was War.

And it all became clear soon after.

While Pestilence had been silent, War had wanted an audience.

The things he could do; the people he could hurt . . . it was all so gutting. Those lost to the virus kept coming back, all with one purpose: destruction. With one bite, their victims would soon fall ill to that same virus, and then once it had taken their body, they’d come back, reanimated with the same gruesome purpose.

The government finally fell when the dead could no longer be stopped. Quarantines dropped, people ran, and everything just . . . stopped. These creatures tore through cities, sinking their teeth into civilians. And you watched it all on the television, until that, too fell, leaving the rest of the world in the dark.

That was when you realized just how real all of this was. That was when you realized the past three years of hunting with your father was not just something the two of you would look back on and laugh about one day when this virus was over. No . . . it seemed . . . it seemed you couldn’t quite see the end or maybe . . . maybe you could and that was the problem all along.

Your father, the man he was, tried to remind you that this was not War; that this was not the supposed God’s plan everyone was convinced of in your godforsaken hollow. And you tried to hear him, but for a while, you wished to be like everyone else in the town. You wished you could believe this was some greater plan. You wished you could believe that this was all because of some Horseman . . . but you knew better, and your father seemed to know this as well.

(And yet, when you thought back on it now, the stages in which the world ended still presented themselves as the Horsemen in your troubled mind.)

Because, well, you supposed that was truly when the world had ended—the day War came.

War will come, your mother had warned, and you knew that to be true the day the electricity stopped working. War had come, and he'd taken civilization with him. And while he reigned over the quarter of the world he'd been gifted, the rest of the world lay in the dark, trying to navigate throughout this new world.

From time to time you had heard talk of distant wars. You, however, had never seen one.

But War's ruthless hand still reached your town.

There was no news or contact with the outside world other than the people you could see with your own eyes. No transportation, no government, no nothing. It was said that cars had even been abandoned on highways as people tried to leave town to find their families. But they never got far; not with this newfound order bestowed upon the earth.

Because truly . . . War did not need to come to earth to corrupt it.

The government had fallen, the world had ended, the apocalypse had begun and that was all it took for chaos to ensue. People became their worst selves at the end of the world, you'd been told all your life through media upon media. But you had to disagree. You thought, perhaps, the end of the world brought out who people truly were deep inside. It allowed people to let go of civility.

And you discovered people really were perhaps even worse than this supposed War himself. Or rather a product of War and his righteous hand.

(Although, how righteous could he truly be?)

While War reigned, the rest of the world scavenged. Your family stood stagnant in your childhood home, holding up there for as long as you could. It was still warm when the second wave hit. You knew you'd need to find a different shelter when the time came.

The cold wasn't your only problem either. People were at their worst. When the news broke out in your town, the scriptures they held so dear began to fall apart. A lot left, some stayed, and others turned on each other, leaving houses with bloodstained splatters and a fear of thy neighbor. Your family stayed, however. Your mother read scriptures every day. Your father recited the truth. And they argued, while you sat by the window, terrified out of your mind as you watched the empty streets.

That was when you realized another truth about yourself. You were just about to turn twenty-two, the world had gone to shit, and you had never been so scared. Pestilence. War. Famine. Death. Their names raged on inside your head and it was as if you were still just a young girl, kneeling in church despite the scabs. Except now, you were a girl who could no longer kneel in church, and yet you were still so scared.

It felt cruel. Perhaps even unreal.

The scriptures had predicted this—the four harbingers coming down to scorn the earth. But you hadn't believed it. You were forced to now.

It was War’s reign back then. But Death would come one day. He had come to kill you all; to finish off everything his brothers hadn't touched, and one day he would.

It had been predicted. The words stuck in your head even now.

When the Lamb broke the fourth seal, I heard the voice of the fourth living creature saying, "Come." I looked, and behold, a pale horse; and he who sat on it had the name Death; and Hades was following with him. Authority was given to them over a fourth of the earth, to kill with sword and with famine and with pestilence and by the wild beasts of the earth.

— Revelation 6:7–8

Your mother told you long ago of these scriptures. When you were a child, you'd cover your head with your blankets, hiding from the mysteries of the night. Somewhere in your innocent mind, you'd convinced yourself the devil himself would find his way into your room, wrap his bony hand around your ankle, and drag you to the pits of Hell.

Back then you'd feared death. You'd done everything to steer far from its clutches.

She’s afraid of the world, your peers would hiss under their breath, not knowing you'd heard every word. And you knew they were right. You knew you had always been a scared kid, trying your hardest to keep the monsters at bay.

You wished you'd realized there had been no real monsters . . . yet. You would've lived more. Now you knew the consequences.

Now there was no more living, just surviving.

Still, sometimes you found yourself missing it; missing life. It was a bitter thought—what could've been had the world not ended all those years ago.

Back then—before the end—you'd feared death.

How far will this go? you remembered thinking back then when it was still War’s reign. How long until things are normal?

You didn't have the stomach back then to come to terms with the truth. You barely remembered it now.

But you did remember the day everything truly changed for you.

Up until that day, you'd been following your father's orders, huddling up in your home with your mother and little sister as the four of you survived day by day. Then . . . your house had been broken into, the intruder coming in through your window.

Back then you had feared death. You had thought you were going to die.

You'd thought this up until the very last scream ripped through your throat just as your father emerged from the shadows, a look on his face you’d never seen, moments before everything went red. You remembered that to this day. While everything else was blurry, that moment was clear. You could still feel the blood splatter on your face as you watched your father—the man who used to tie your shoes for you before you hopped on the school bus—kill a man before your very eyes, ripping out his jugular with his bare teeth.

Once a girl who could no longer kneel in church, became one painted with the blood from another. And you remembered a small part of you—the part that had once knelt so much her knees had turned to scabs—that this was all War’s fault.

You thought it until you watched the man pale, falling to your childhood bedroom floor with a thud. You remembered how his eyes stayed wide open, locked on you as he gurgled and choked on his blood, bleeding out onto your pink carpet. He didn't blink. Not once. Not even at all. They stayed cold and empty as your father breathed heavily above him.

And then you looked at him.

Your father was a good man. He was kind and just, despite the town. He believed in science and facts. He wanted the truth. But none of that mattered if his family was at stake.

Your father was a good man. He loved you, and he would’ve done anything for you.

Your father was a good man.

Your father had ripped out another man’s jugular in front of you.

Your father was a good man.

Your father had killed someone.

This was the end. You knew it, and it knew you, too.

(It wasn’t talked about, and you never brought it up again. He simply embraced you in a tight hug and kissed your forehead, leaving a smudge of blood from the man in doing so, and whispered apologies that would never sink deeper than your skin.

(Now you wished you would’ve told him you understood. Now you would’ve looked at him and seen an image of yourself staring right back. Now you would’ve hugged him back.))

That was all it took before your father took it upon himself to gather your mother and little sister, put all necessities in the car, and collect enough portable gasoline as he could before the four of you set off down the road. Where you were going was undetermined. There was no knowing . . . because there was nowhere to go.

The world had ended. There was nothing left. You just had to go.

You have to grow up. No more kid stuff, your father said to you that night on the road while your mother and little sister were fast asleep in the back of the car. One day I might not be here to protect you. You have to learn to protect yourself.

And you'd promised him you would. Because you had to. You had been old enough then, after all. You had been twenty-one . . . technically an adult.

(Now, however, you realized you had still been too young. Twenty-one wasn't old enough to face the end of the world.)

But . . . what happens when a scared young girl is forced to grow up too soon? She turns into a machine.

Sleep with one eye open. Find food. Tread on until dark. Sleep with one eye open. Find food. Tread on until dark. Sleep with one eye open. Find food. Tread on until dark. Repeat.

Your father had borne that burden back then, when you first set off on the road. The car hadn't lasted long. Not that it mattered. The world was a wasteland anyway. Walking from town to town on the vacant streets and highways was nothing new now.

You just have to survive, he kept telling you. Survive long enough to keep them alive.

And you always knew what he meant. He was training you for the day when he would be no more. Because when that day came, you would be the one left in charge. He'd turned you into a machine because that was the world you lived in. You were the oldest. Your sister was barely five years old back then. And your mother . . . your mother who once believed this was all some greater plan, was now convinced that if she prayed hard enough it'd stop Famine from following after his ruthless brother.

It was your job to remember what your father had taught you when Pestilence first came to reign—how to hunt, how to shoot a shotgun, and now . . . how to survive.

And when Famine came; when you caught sight of the words Famine has risen spray painted on a billboard on the side of a highway, reminding you of your sick home. It was then you finally learned how to survive. You didn't realize how hard it would be until a year after Famine's birth, your father had passed because of you (because of a stupid decision that you had made which you still couldn't bring yourself to acknowledge).

Survival became all that you knew after that.

Your father was gone. It was just like he had warned. You were in charge now, and you had one purpose: keep your family alive.

The burden became yours to bear.

This was your purgatory and you'd do well to repent for what you'd done; for the man you'd sent out to die; for the father you'd lost.

Survive, survive, survive. It was all you knew.

And when the final Horseman rose, you knew what you had to do. It didn’t matter if it killed you, you couldn’t let your family die at the hands of one of those . . . creatures.

Death had risen. The entire world was a wasteland filled with undead and wars made by man.

If you crossed paths with one of those creatures and let them lay a finger on your family, your oath to your father would be broken. Death would kill you all.

So you kept going, trying to outrun the inevitable.

Because you had to. For him. For your father. For the ghosts that haunted you.

Your father had wielded you to become a machine. And a machine you would become.

Sleep with one eye open. Find food. Tread on until dark. Repeat.

The routine was ingrained in your brain, going on and on like a mantra. You couldn't escape that. Not that it mattered. Survival mattered. Keeping your group, your sister, your mother, and your family alive mattered. They were all that mattered. You would skip as many meals as your body would let you if it meant they'd stay fed.

Sometimes you found yourself laughing at how naive you had been in the past. At twenty-five now, you were equal parts machine and woman, still oozing blood when wounded despite your protests. You didn't tremble at the sight of blood now. You didn't fear death.

When you were a kid, death was your greatest fear. Now, you envied it. Envied the fact you had to walk the earth; the same earth the dead destroyed. Because you couldn't die. That was the harsh truth: you couldn't die.

You'd feared death for so long and now as you sat awake, keeping watch while your group slept, you yearned for the clutches of death to drag you into nothingness. It was almost laughable.

In a world where people now fought for their lives, trying to outrun the dead, you wished to succumb to death. You knew it was wrong, and you'd never speak it aloud, but you yearned for it. This world was shit. Complete and utter shit, and you wanted to give up. Everything in you wanted to just wait like some brainless sitting duck and let Death or disease or even those wretched beasts you heard groaning in the dead of night have their way with your hollow body.

But you couldn't . . . not when you promised your father you'd protect them. He'd died for you, and it was your duty to keep your family safe. Your duty.

You couldn't die, not when you had to keep them alive.

So you let yourself turn into a machine.

And a ruthless machine you had watched yourself become.

That night had been enough evidence of this. Because that night as you sat on a log, slowly dragging yourself out of the past and into the present, you realized one thing. A bloody knife sat in your hand while you watched over your sleeping group, eyes searching for any sign of the dead, and that was when it dawned on you that you had been right all those years ago—the end of the world brought out who people truly were.

You were a machine. You didn't feel. You couldn't.

Glancing down at the bloody knife in your hand, you realized you hadn't felt anything that night.

That night you'd done something you never thought you would. That night your group was attacked by a man with a gun; a man who wanted to harm; a man who had put his hands on your little sister. She was only eight going on nine, and she was your responsibility, and as soon as his hand clamped down over her shoulder while he held a gun to her head, threatening to pull the trigger unless you gave up all your food, you lost it.

Everything went black. You couldn't see. You couldn't breathe. You couldn't even think. You just felt this pure blinding rage.

When you finally regained your sight, you realized what you'd done—you'd killed the man.

No, killed was too vague.

Like the true machine you had become, you had slaughtered him; the bloody knife in your hand was evidence enough of that.

The man was dead, a chunk of his jugular ripped out while he clutched the many stab wounds piercing his stomach. And you . . . you stood above him, eyes wide, bloody knife in hand, and the bitter taste of blood on your tongue.

You'd never killed anyone before. You'd put people out of their misery, but you'd never taken another life like this. You'd never had to.

But you had that night.

And now you paid the consequences.

It had been hours since then. No one had spoken a word since. And your sister . . . your little sister had only looked at you once since then, and you could see the utter terror her round eyes held. Normally she would sleep by your side, but she'd curled up next to your mother that night.

She was afraid of you, and you couldn't blame her. You had once given your father the same look.

So you sat alone on that damned log, bloody knife in hand as you thought back on how you managed to end up in this Hell. Sometimes you felt like a ghost, and now you knew why.

Your brows pinched together. You couldn't help but think: is this what your father had intended?

How much of a machine had he meant for you to become? Were you supposed to clutch onto the part of yourself that was still human? Or had becoming a monster been part of the deal when you'd signed off your soul for machine parts?

You weren't sure. You weren't really sure of anything anymore.

Your sister had looked at you like you were one of the monsters that plagued your earth, slowly destroying it region by region.

Were you no better than the dead to her?

You swallowed hard.

Had you become a monster?

“You did what you had to do,” you heard a deep voice from behind you, perhaps answering your thoughts.

But you didn't jump as you turned to see Felix sit down on the log beside you, exhaustion weaving through his delicate features. You didn't speak a word, just stared at the side of his face for a second before you glanced back down at the bloody knife in your hand.

You did what you had to do.

You nearly laughed. It was just like him to say such things.

You see: Lee Felix had joined your group around the same time Famine took his reign, and ever since then he'd been following you around like your own personal shadow. That was three years ago now. Your father had saved him, offering him to join your family on the road. Perhaps your father had seen something in him. Or maybe he had just saved him simply because that was just who your father was: a hero.

Not that it mattered. You'd taken a liking to Felix, too. He was kind.

Kind had been rare back then. It still was.

And Felix stayed kind.

When your father passed, Felix stuck by you. Your mother had begun to look at you as if you were a stranger, and your little sister still had been too young to understand much. Felix had made life easier.

You'd taught him everything you knew partly because you needed to and partly because you liked being around him as if he were the younger brother you’d never had. Little bird, you called him . . . because you'd taught him everything. You'd taught him how to survive. And sometimes you thought maybe you would've been friends outside of this. If things were different, if you'd met in a world where the apocalypse hadn't happened . . . then you'd like to think you could have met; that your paths would've crossed.

But things weren't different. You weren't even sure if you could let him in entirely. Your friendship would surely put him in some sort of jeopardy. Because, really, it all came down to survival, and you needed him to live. You didn't care what happened to yourself. You just needed to stay alive long enough to make sure they'd all make it.

That still didn't stop the feeling of relief that washed over you as soon as you felt him lean into you, arm touching yours. He was trying to comfort you in the way that he knew, and you couldn't help but lean against him further.

He was still just as kind as the day you'd crossed paths.

But you?

Well . . .

“I ripped his throat out . . . " you heard yourself roughly mutter before you felt the words tumble from your tongue. You lifted a hand to your blood-stained lips and swallowed. “I ripped . . . throat . . . his . . . with my teeth.” You swallowed once again, harder this time as your eyes drifted to your little sister's sleeping figure. She had been so scared. You had done that. You had scared her. “She looks at me like I’m a monster.”

”You’re not."

“Lix."

“You’re not,” he reiterated, his voice as harsh as he could manage (which was not harsh at all) while he clutched your blood-stained hand and took it into his. “You did what you had to do.”

Your eyes flicked down to your hands. But you didn't look at him. You couldn't. You just kept thinking and thinking and seeing that look on your sister's face. And then . . . then you felt yourself say. ”She says all life is precious. She cries when we have to put down a squirrel for Christ’s sake. I should’ve known. I should’ve—”

”She’s just a kid."

“I didn’t have to kill him,” you continued. “There was a point where I could’ve knocked him out. I thought about it. And I still killed him.” Your eyes finally snapped to his then. “I wanted to kill him, Lix.”

A muscle in Felix’s jaw twitched. ”It’s people like him that make me wonder if this world got it all right,” he admitted after a second. “I’m glad he’s dead. I just wish I could’ve been the one to do it.”

Your breath hitched at his words, not because they'd shocked you . . . but rather because you found yourself agreeing. But that wasn't . . . right. Felix was kind. You were not. He was good, and you . . .

”You don’t mean that,” you mumbled, squeezing his hand. “You’re not . . . “

”Not what?” Felix countered, eyes searching yours. “Hmm? Not what?”

You blinked, your throat constricting. ”Too far gone,” you choked out.

His brows twitched, his expression softening. ”Neither are you."

His hand touched your face a second later, his thumb wiping the dried blood from your chin. You weren't a monster in his eyes. You were just his friend. He didn't fear you, but you knew he should've.

But for a second, you let yourself forget this. Instead, you closed your eyes, allowing him to clean your face of the man's spilled blood. And when he was done, your eyes fluttered open just in time to see him try to reach for the knife in your hand, probably to release it from your tight hold.

However, you shifted it out of his grasp. His eyes snapped to yours then, questioning.

You offered a weak smile—something you didn't do often, but would for him. ”Sleep,” you hummed, patting his shoulder. “We need your brute strength in the morning.”

”We need your brain more,” he countered, tapping a finger to your forehead.

”Sleep, little bird."

He rolled those round brown eyes. "I wish you'd stop calling me that."

Nevertheless, Felix listened to you. He shifted down onto the ground, resting his head on the log, crossing his arms over his chest as his eyes closed. And you watched him until you were sure he was resting soundly. Then, your eyes went back to watching, making sure to keep your promise to your father.

But just as you were sure it was just you and the silence of the night again, you heard Felix’s voice filter through your ears, ”You’re not too far gone."

You swallowed hard but said nothing.

You're not too far gone.

Oh, how wrong he had been.

As if like some sort of phantom, your knees had begun to itch like they used to after mass all those years ago. For the first few days, you tried to ignore it, writing it off as poison ivy or not bathing for a few weeks, but even when you’d scratch, the itch would remain. You came to realize that this wasn’t something you could write off; this wasn’t something that hadn’t been caused by anything other than . . . you.

A few nights ago, you’d killed a man. You’d ripped out his throat with his teeth, and for a second too long, you’d enjoyed it. Now . . . now you wondered just how deep your guilt ran. Now you wondered if given the chance, would you do it again?

But you already knew the answer.

Your knees had begun to itch once again . . .

And you tried to ignore it. Honest, you did, but his screams; how easy it was to bite into his flesh; the bitter taste of metallic blood on your tongue which oddly tasted too similar to honey; the life in his eyes quickly dissipating as you towered over him like a predator to its prey; all of it kept playing in your head over and over again. You couldn’t escape it, not even when night came and you were forced to close your eyes.

His face was always there.

Sometimes you wondered if any of it had actually happened. Sometimes you wondered if none of this was real or if you even were. Sometimes you wondered if this man had been Death; if the tales your town preached had been real and this was your test.

Sometimes you wondered if you had failed.

And you knew you had.

At night, you could hear your mother whispering prayers under her breath, pleading to the heavens that she and her daughter would be spared. And every time, you knew which daughter she meant. Every time you knew she was praying to be spared from you. Every time you knew it was you who she feared the most in this world. And every time you wondered if one day he’d finally answer her prayers.

You couldn’t even blame her, because a few nights ago you’d done the one thing you’d never thought you’d have to do—kill a man. You knew you were some kind of fucked for that alone.

Then, last night, you began to wonder if this was how your father had felt. You began to wonder if this was why he was dead and not you. You wondered if he’d done it to save you, and to put himself out of his own misery.

And then you began to pray, too. You’d stopped believing in God years ago, but it was an old habit that you sometimes indulged in for some sick kind of comfort. And this time, in the dead of night, you’d shut your eyes and beg for your father’s ghost to return to you. You begged for just one more minute. One more minute and he could tell you how to deal with this; how to survive this, too, just as he had taught you how to endure everything else.

But no ghost ever came, only the perpetual darkness galloped in, consuming you whole.

Your father was gone, and it was all your fault. Guilt was your ghost, not him.

He would still be here if you hadn't—

"Mom thinks you've been possessed by the devil," your little sister's voice brought you out of your mind.

You blinked once. Then, you glanced down at her, taking note of her skeptical eyes and furrowed brows. It was almost as if she were inspecting your face, trying to decipher if you, her older sister, really were possessed as your mother had claimed.

It had been the first time your sister had spoken to you in the past week. The four of you had been walking through the woods, steering clear of the main roads ever since you’d come into contact with that man—the man whose blood you could still taste on your tongue.

She’d taken to walking hand-in-hand with your mother, just a few feet behind you and Felix as the two of you led the way into the unknown. You didn’t know where you were going. You never did. That was the thing about the end of the world—the only thing that mattered was surviving day by day. There was no end-point.

But today while you led the group through the woods, eyes searching for any rodents or small animals to capture for food, your head stuck in the past, your sister had taken the chance to walk into step with you. And those . . . those had been her choice of words.

Mom thinks you’ve been possessed by the devil.

And now with the world a ghost of itself, you thought perhaps maybe your mother could be right. You’d changed. The world had changed you. The old taste of blood on your tongue was evidence enough of that.

You’d killed a man. You’d ripped out a chunk of his jugular with your teeth and plunged the very knife in your belt into his flesh over and over again until you were sure he couldn’t do more harm.

Kill or be killed, sure, but . . .

. . . You’d still killed a man.

You’d actually taken a life.

(You weren’t expecting it to haunt you this much. But it had. You could still see his face, hear his voice, smell him, feel him. He was still very much alive in your mind, haunting you like a ghost.

It didn’t matter if he was more monster than man . . . you had still killed him. You had still taken a life without a second thought. His evils didn’t matter . . . guilt still seeped in.)

Mom thinks you’ve been possessed by the devil.

And maybe you had been.

That would’ve been easier to fathom.

But instead of voicing these thoughts aloud, you adjusted your backpack on your shoulders, touched a finger to the knife tucked into your belt to make sure it was still there and tightened your grip on your father’s shotgun in your hand before you finally spoke.

"Mom's off her meds," was all you offered. It was all you could say. And it hadn’t been what your sister was searching for.

Your sister stepped back, allowing you to walk alone. You knew you were losing her. You knew she barely trusted you now just as your mother stopped considering you a daughter.

And you couldn’t blame them.

The end of the world brought out who people truly were, and you were someone not worth saving.

The sun had begun to set when you finally declared you’d be stopping for the night. It wasn’t a solid resting place, which meant another night of no sleep on your part, but that didn’t bother you much anymore. All that mattered was there were no signs of the dead, no low groans in the distance, no immediate danger, and the small creek running just a few meters from your camp would provide just enough for you to wet your face and clean any dried blood from your skin. That was what mattered—a temporary sanctuary.

Felix had taken to accompanying your little sister to the creek, while your mother gathered small twigs and broken branches to add to the fire you had just started. But your eyes never stopped watching your little sister, keeping an eye on her to ensure no danger would reach her or Felix while you were occupied.

That was your only concern. Your second was food. There had to be some crawfish lingering in the creek that you could fry up. That was your second concern right after the fire was steady enough to last until nightfall.

With a soft sigh, you forced yourself to tear your eyes from your sister’s smiling face. You tried to ignore how she smiled at Felix while he splashed water at her. You tried to ignore the soft laughter you could still hear as you stabbed at the fire with a branch. You tried to ignore the thought that she’d never look at you like that; never laugh like that with you; never trust you like that again.

You tried to ignore how you had become more of a loose end your family needed to tie off, than a daughter or an older sister.

But you couldn’t. The thought was always there. There it would remain, you were sure of it.

Clenching your jaw, you added the branch in your hand to the fire, watching it crackle under the embers. And for a moment, you wondered what it would feel like if you were to reach forward and let the flames lick your fingertips.

Had he felt like this, too?

Had your father had these thoughts before he died for you?

Did he ever wonder if—

“You’re just like him, you know?” your mother nearly whispered, tearing you from your mind as she set down the pile of branches she had collected.

You glanced at her once, then glared into the fire. “Is that supposed to hurt me?”

She shook her head only once. “It should scare you,” she clarified, standing to her feet so she could tower over you once again. “God’s plan—”

“God’s plan?” you immediately spat out with a humorous scoff, now standing to your feet as well. You were taller than her now, unlike when you were a kid; unlike when you used to do everything she told you; unlike when she still considered you her daughter. “What does God’s plan have to do with my father?”

A muscle in her jaw twitched. “He has protected us this far. He couldn’t save your father. I’m worried if you continue down this path, he won’t be able to save you either,” she muttered back as she clutched the cross around her neck as if she thought it would ward you off like you had become one of the evils she’d warn you about when you were just a girl.

But you were no longer small; you were no longer moldable by her hand, and now, you were only made of anger. “You think God’s the reason we’re alive?” you questioned her, eyes narrowing into slits.

Your mother remained silent but clutched her cross harder. And you knew what that meant.

Your eyes flicked from her hand to her face. Then, you took a step forward, chin jutted out. “Is it God who kills so we can eat? Is it God who got us here, to this point? Is it God who holds dad’s gun?” you bit out as you touched a hand to your chest. “God doesn’t have a fucking plan.” You drilled a finger into your chest, your angry eyes never leaving hers. “I do. And God couldn’t save dad because it was supposed to be—”

But your words halted in your throat. You couldn’t admit it to her. You couldn’t tell her you were the reason behind your father’s death. It didn’t matter if she already knew. You just . . . you just couldn’t admit it to her face.

“God doesn't fucking exist,” you muttered out instead, turning away from her. “And if he did, he’s sure as hell dead now.”

“Your father filled your head with lies.”

You turned back to her, eyes glaring into hers. “Bullshit,” you scoffed, shaking your head in disbelief. “He was the only one who ever told me the truth.”

Ignoring your words, she took a step away from you, her hand remaining on the cross around her neck. "Your father . . . I knew he was deeply flawed when I married him, but I just figured he’d change. I figured he’d see the way, instead he only got worse, but he knew when to control it. He knew right from wrong,” she went on, her voice steady, but her eyes had begun to water. And you knew tears would come, and when they did, you’d leave to kill the crawfish. "But, you, honey . . . I don't know where we went wrong with you. It's like you came out of the womb defective. You got all the bad traits of your father and nothing else. I look at you and I see this angry little girl. And, you know, sometimes I ask myself how in the world we managed to raise a daughter who is even more deeply flawed than her bastard father, but I never seem to know the answer."

There were the tears now.

But along with it came a knife in your chest that kept twisting and twisting the more she spoke.

Twist the knife, and she did.

"There's something wrong with you,” she whispered again after a moment’s silence, the tears starting to roll down her cheeks. “You frighten me.”

Twist the knife, and you refused to pull it out.

This was what you deserved.

Still, you didn’t cry, not for yourself. Never for yourself. Instead, you continued to stare at her with no emotion in your eyes as you muttered, “Talking ill of the dead is a sin, remember?” And then you began to turn.

But your mother’s hand landed firmly around your arm. “Don’t you turn your back on me, girl,” she warned, her words sharper than the knife she’d twisted into your chest.

Swallowing hard, you sucked on your teeth. “What else do you want me to say?” you questioned, but didn’t bother to turn and face her. “I have nothing else to give you, mom.”

She released your arm as if you’d burned her and hissed, “Don’t call me that.”

Your brows furrowed in confusion for a mere second before you realized what she meant; before you realized what you’d said; what you’d done. It was an honest mistake, as well. You hadn’t called her that in so long, and yet it still came out. You hadn’t meant to say it, but it still came out as if you were still small and thought the whole world was in her arms.

“Then what do you want me to call you?” you asked, your voice quieter now as you took a step back. “If not mom, then what should your daughter call you? Hmm? Or is the answer nothing? Is that what we are to each other now? Will that make God come down from the heavens and give us salvation? . . . If you abandon me?”

Your mother remained silent.

And you knew her answer.

Sucking on your teeth, you nodded in acceptance. “What?” you spoke in a whisper as you took another step back. “Am I not being loud enough for him?” You outstretched your hands at your sides, gesturing to the heavens. “Should I scream it? Will he finally fucking answer then?”

“Stupid girl—” your mother quickly scolded, grabbing you firmly by the arm— “don’t you dare put this family in danger,”

But you only tilted your head in question. “Does that include me?”

Her eyes fluttered, taken back. “What?”

“This family,” you reiterated. “Am I a part of this family?”

Once again, she remained silent.

But you knew the truth.

“God’s plan as long as I’m out of the picture, right?” you muttered under your breath, swallowing hard once again. “At least we finally agree.”

Then, you were tearing your arm out of her grasp, but you didn’t move, you didn’t even look away from her. Instead, you kept still. You kept your eyes locked with hers as if breaking that eye contact would sever the final string holding the two of you together. She didn’t speak either, and she refused to move. She wouldn’t move first. You knew that. She’d always been that way. So had you . . .

And when you were sure the world had begun to rot around you, you could have sworn her bottom lip quivered as if she were on the verge of saying something . . . anything. Only, when her lips parted a mere sliver, a shrill scream sounded from behind, and the perpetual darkness of your world crept back in through your peripheral vision.

Beat. Your heart shot to your throat.

It happened too quickly for you to think.

Beat. Beat.

You heard the scream and you knew your sister was in trouble.

Beat.

Without a second thought, you dropped everything and ran toward the scream; toward the creek; toward your sister. It wasn’t far, but it was far enough for you to catch sight of two of the dead. One Felix fought off, while trying to grab his knife from his belt. The other had found its way to your sister, pinning her to the forest floor as she thrashed and screamed, her weak limbs desperately trying to keep the thing from sinking its teeth into her flesh.

And you knew what to do.

For a brief second longer, there was screaming. Then the squelch of a knife being plunged through a skull. Then nothing.

The world faded away. No noise. No people. No nothing.

One. Two. Three seconds, then the world started to return.

Breathing heavily, you watched carefully as your mother rushed past you, tearing the dead corpse off your sister and holding her closer . . . closer than she’d ever held you. Your nose twitched for a mere second as your gaze shifted from your mother and sister staring at you in shock ((?) no, maybe it was horror) to the stilled corpse, and finally to the bloodied knife gripped tightly in your hand.

You’d killed that thing, yes. But you hadn’t even thought about it. You hadn’t stopped to think that this thing was once a person. You hadn’t even seen it as such, unlike your mother; unlike what the town had tried to drill into your head during Pestilence’s reign. And . . . you could see that realization in your mother’s eyes.

. . . You were getting worse.

Your legs had begun to weaken at the thought, but you quickly stabled yourself, afraid they’d see it as another sign to put you down like the violent dog you knew they saw you to be. Instead, you tore your gaze from the knife in your hand and met your mother’s eyes once again (but you couldn’t bring yourself to meet your sister’s tearful stare). “Tell me, mo—” you quickly stopped the word from tumbling from your tongue, then went on— “is this still what God’s plan looks like to you?”

But your mother didn’t reply, and you didn’t wait for her to. You could barely stand to hold her gaze for a second longer. Instead, you wiped the blood from your knife on your pants, shoved it back into your belt, and turned, walking back to the fire you had begun to make minutes before.

And as you walked, you took note of the silence which followed you. You took note of how even Felix hesitated slightly before he followed after you. You took note of how your mother and sister sat near that creek for a few minutes longer and didn’t bother to wander after you as if you were no longer their blood.

The final string tying your family together had begun to wear thinner. You wondered when it would finally snap. You wondered how long it would take for a violent dog to succumb to its instincts; how long it would take you to become the lost cause you knew you were destined to be.

Would they make the decision to put you down then?

Four days. Two sleepless nights. And one squirrel shared between the four of you. You felt a fever coming on a couple days ago. You saw the infected cuts from the fight with that man. You knew your body was weakening day by day.

If you didn’t stop soon, you’d sure become one of the dead.

But you tried your best to ignore it. You had to.

Your mother; however, remained hopeful (of course). You could hear her chattering on to your sister throughout the day while you watched the world.

According to her, no one really knew why the Horsemen came to earth. She claimed the world needed saving from certain people (what you were sure she was leaving out was the fact that she was convinced you were one of these people). So, she went on and on and on, and you quietly listened, too, because you were still a girl who used to kneel in church, after all; because you could still feel the bruises on your knees; because you could still see the scars left behind from the scabs.

So, you listened, but you did not believe.

The world was fucked and needed cleansing. People were inherently bad and God saw no other way for salvation (apparently) than to send his four loyal Horsemen to destroy Earth and its people. . . . Well . . . supposedly. You knew the truth; however. There were no Horsemen. There was just death. Something had gone wrong and no one really knew what, so they blamed it on some higher power.

Whatever.

(Supposedly) Pestilence had been a shadow. War had wanted an audience. The world fell before you could get a proper grasp on Famine. And now Death was here. He’d been walking the earth for two years now, and still no one knew why.

Just like the town, your mother had her theories. And while she believed this God was still on your side, still searching for the good in humanity, you thought him fucked up. The human race was just his playthings.

He’d made sure there was nothing left.

Hell, you knew there wasn’t even a god. The world was just fucked. The end.

Point blank: it didn’t matter. Nothing did anymore.

Survival was all that mattered.

Everything else was fucked.

And as you continued to lead the way into nothingness, listening to your mother’s ramblings about the Bible, all you could do was ignore how your knees had begun to itch once again, while you focused on one thought: survive, survive, survive. But . . . not for yourself . . . for them.

Survive long enough for them.

For your father.

For your sister.

For your mother.

For Felix.

For them.

By sundown, Felix managed to find an abandoned warehouse for the night. It wasn’t much, but it was better than sleeping out in the wild. Perhaps all of you could get some shuteye that night. Sure, luckily it was around Fall or maybe just before where it was still warm, but sleeping on logs wasn’t ideal. (Not that you could be picky. Not that you were.)

But, just your luck, sleep never found you.

Beside you, Felix softly snored, laying on his back with his arms crossed over his chest and his head resting in your lap. Your hand found its way to his dark waves, gently scratching his scalp as he slept. It brought you peace where you normally had none.

Sometimes you wondered when Felix would finally realize the monster you’d become. You wondered what it would take. How many more people would you kill for them in order for him to look at you as if you were a stranger?

You didn’t want to see that day come.

It’d already come for your mother the day your father died. Then for your sister when you’d butchered that man. You couldn’t bear living through Felix’s realization.

With a sigh, you glanced over your shoulder, eyes landing on your mother’s sleeping figure as your little sister curled up into her side, miles away in her dreams. You hoped it was better there; that her dreams were still pure and innocent despite the world.

You tore your eyes from them a second later, instead opting to glance out the large opening in the warehouse where a window used to be. The world was so bleak now. Even the sight of the empty lands before your eyes stirred nothing within you. It was just so . . . distant.

Nothing was left.

Truly.

Reluctantly, you shut your eyes, trying your hardest to drift off into sleep, but the pounding in your head and the scratch in your throat kept you up. You were getting worse. You squeezed your eyes tighter, hoping this fever would subside soon. The world was darker now, the nothingness intensifying. You weren’t even sure if you could sleep anymore. Had you been? You couldn’t remember.

But just when you were sure sleep wouldn’t greet you that night, forcing you to keep watch, you could’ve sworn you heard an inhuman howl echo throughout the darkness beyond.

Your eyes snapped open, heart hammering.

No.

It couldn’t be.

Another howl echoed throughout the air. But this was no howl from a wolf or even a beast.

You’d heard stories from survivors in the towns you’d passed through in the two years Death had taken his reign over your lands. You’d heard the stories of Death and his steed. His steed, pale in color similar to a corpse, was rumored to have this cry.

The cry was no ordinary cry. Death’s steed cried similar to a wolf or rather a beast, hungry for blood. It was a war cry—a warning sign.

Of course, Death was not real and there was no horse with their cry. No, you knew what this was. You’d heard these cries in smaller amounts. You’d heard these cries as you plunged your knife into each undead’s brain, killing the parasite living within. And a howl like this only meant one thing—a hoard.

You swallowed hard.

Death was near.

You’d thought the undead didn’t hoard unless . . .

The man.

Your eyes widened.

The night the man had attacked your group, you had managed to hotwire a car. That had been your plan. You were going to use that car to get your group farther and safer. But because of that man . . . because of what you’d done to him, you’d accidentally popped one of the tires in the process, forcing your group to stay the night in those woods when you should’ve been on the road.

And his screams . . .

You’d slowed down and made yourself known, and now they were following the noise.

And . . . it was all your fault.

You exhaled a shaky breath.

Death was coming.

Immediately, you swung into action, quietly waking Felix up. His eyes questioned yours before he, too, heard the war cry.

Death was coming. Felix knew this now, too.

The two of you silently awoke your mother and sister, Felix informing them of the matter they had on your hands, while you gathered your father’s shotgun, crouching near the window for a better look. If they were near . . . how near?

You swallowed hard.

Maybe you could still run. You could still get everyone out if you ran. It could work—

But then you saw it.

In the distance, you caught sight of the undead as they cried, following each other.

You checked the gun’s chamber, removing and reloading the cartridges just to make sure they were in place in case you were forced to fire. Your grip tightened and loosened, and you could hear Felix whispering your name, but your eyes were transfixed on the hoard up ahead.

Death was here. So close. Too close.

They couldn’t see you now, couldn’t hear you, but . . . if you ran, they’d catch sight of you. They’d kill your family. They’d kill Felix. They’d kill you all.

There was no way you could outrun the hoard. Not when they were this close; not when they could smell you; hear your every breath.

Fuck.

You wanted to scream.

Fuck, fuck, fuck.

Your father had trusted you. They all had. And now you were going to let another person down all because you’d been stupid one night. You’d fucked all of you.

“Snap out of it,” Felix whispered, his hand on your shoulder. “Ideas?”

You could only shake your head.

Felix swore, running his hands through his hair. "There's no way," he nearly gasped at his words. "Fuck."

You swore you felt your heart drop as you slumped against the wall. They were going to die. Because of you.

There was no way out; no way any of you would make it past the hoard without them noticing. The moment they saw any of you, they’d follow you until they could get their teeth into your flesh. And while you had no care for your own life, you still had care for theirs—the people you'd sworn to protect.

Your father had died for all of you. He knew it wasn't safe, and he still went out. He'd traded his life for yours. He'd made you swear to protect your mother and your little sister, and along the way, you'd sworn to not only keep them safe but to keep Felix from harm. You'd sworn that, and you were not one to fall back on your word.

There was no way out together. But . . . there was one way out.

You knew what that meant.

This was what your father would've wanted. This was what he would've done; what he had done.

It was always going to turn out this way. You'd known that.

And in that moment, you accepted that. After all, you'd always been told you were your father's daughter.

This was how you made things right.

You nodded at your thoughts.

Then, you felt your eyes burn, your brows scrunching in confusion. Wetness slipped down your cheek and you briefly touched a finger to the tear, finding you were crying. You hadn’t cried in so long.

Angrily, you wiped the tears away. You didn’t get to cry.

This had been your fault in the first place. This was how you made it right. You didn’t get to cry. You didn’t.

So you sent one last glare at the hoard up ahead, then turned to Felix. Fuck. He would be the one in charge now. You trusted him, yes, but you knew how heavy that burden was. That was what you would regret the most—putting Felix through this agony, too.

Still: "Little bird," you whispered.

Fearful tears were already in his eyes. "I wish you'd stop calling me that."

"Can't help it. I taught you how to fly," you hummed, voice soft and unlike you.

You both knew what you meant. You'd taught Felix how to fire a gun, taught him how to gut a fish, you taught him how to survive—you taught him how to fly. But he didn't need any more teachings. Like a baby bird, he'd flown from the nest ages ago. He could fly without you. The thought brought a melancholic smile to your chapped lips as you fought back the burning in your eyes when they met his worried gaze once again.

"Makes me feel important." You touched a hand to his cheek. He felt soft under your calloused skin. "But . . . you don't need me anymore."

Felix exhaled with a strained choke, his eyes widening in realization. "No," he rushed out, shaking his head as his soft brown eyes searched yours. "No." His hand enclosed around the one you'd touched to his cheek. "Don't. Don't."

You knew what he meant. Don't be the hero.

But that wasn't his decision to make. You had debts to pay; people to protect.

Living had never been something you wanted in a world like this. Sometimes you felt like a ghost; when the world was quiet and your heart beat a little slower—you felt like one of the many corpses you'd passed by on the daily.

Years ago, you promised your father you'd take over his job and protect. You'd never wanted to live, but you had forced yourself. Back then, you made a promise to yourself—you had to stay alive, not for yourself, but for them; you had to stay alive for the one you had lost. And you'd upheld that promise, but now . . . in order to save them, you had to break it.

You knew this.

Felix did, too.

He rested his forehead against yours. "Please. Don't. It's supposed to be you and me."

Your eyes squeezed shut. "I'm the reason he's dead."

The two of you knew what you meant. This was how you repaid him; how you repaid your father.

"Then let me do it," Felix muttered, hand dropping from yours to grasp the shotgun in your other hand.

You were quick to rip it from his hold. "It was always going to turn out this way," was all you said, and he knew what you meant.

The sound of the cries coming closer made you spring back from him. Your head swiveled, taking in your surroundings as your hands found their rightful place on the shotgun. Your eyes briefly found your little sister's—her round eyes wide with fright, only furthering your decision. You knew doing this for them, for her.

"Fine," you heard Felix hiss in a quiet whisper. "But I'm coming with you."

Your head snapped to him. "Like hell you are."

"You don't get to die."

"Neither do you."

"Then I guess we have a predicament."

Your eyes softened. "Lix."

His brows pinched together. "You don't get to die."

And you almost felt yourself smile. "Little birds are meant to fly," you hummed. Little birds are meant to fly; they aren't meant to die.

He shook his head.

You swallowed hard.

The cries grew closer, and your heart raced. You were out of time. This was your last goodbye.

You gripped his hand. "Protect them."

He latched onto your shoulders. “No. No. I’m not ready. Don’t make me say goodbye to you.”

Against your will, your bottom lip trembled. “It’s not.”

But it was. You both knew that.

Felix could only shake his head. “Please.”

“See you later, little bird,” you hummed, weakly, kissing his forehead before you tore yourself from him. And he reached for you, begging you to stay.

But . . . no amount of pleas could change your mind. You were already moving before Felix could stop you. You didn’t have the heart to glance back at your sister or your mother. You never wanted to live in a world like this, but if you looked back, you feared you might’ve found salvation in their eyes. You couldn’t put them through that. You’d put them through enough.

You worked quickly. You had to. For them.

The quiet cries of the hoard approached, moving slowly. You kept your eyes on their figures, stealthily stepping down the creaky stairs to the bottom floor. From there, you moved to the woods surrounding the area. You quickly crouched down in the dark forest, clutching the shotgun even tighter. This was your father’s, now it was yours, and you were going to use it to save your family.

You weren’t naive enough to think that you could actually kill all of them. But that didn’t matter. You were solely supposed to be a distraction. You would fire that damned shotgun at those things over and over again, not caring if it even did any damage. You just needed to keep their attention long enough to get them to follow you in the opposite direction. That would allow your family to escape. That was all you intended to do.

You knew there was no surviving this. And you were fine with that.

Death didn’t scare you. Not yours, anyway.

So you hunkered down, hands clutched on the shotgun as you waited for the hoard to get near enough to strike.

You heard them before you saw them. The cries echoed throughout the dark night, making your heart pound faster. It became louder and louder, so loud you felt yourself start to tense, and then the first came into view.

It came to a gentle halt, almost as if it had been expecting you. But that couldn’t be. It hadn’t seen you. You were still in the clear.

Still, you watched, remembering the lessons on hunting that your father had taught you. This was how you hunted—quiet, hidden, and alert.

The creature tilted its head back, eyes closed as the moonlight cascaded across its pale face. Your brows scrunched in confusion as you watched it, tilting your head to the side. It was almost as if it were basking in the moonlight, soaking up the feeling of the satellite shining down on it. And then you realized what it was doing: sniffing you out.

Behind it, the world was bleak as the rest of those damned creatures sauntered forward. The trees seemed to sag, the grass stale, and it was quiet, so very quiet. Every step they took, decay followed.

And then they began to move . . . toward the warehouse where your family still resided.

Your jaw ticked as you raised the shotgun. Your father’s instructions rang through your ears and you lined up the barrel, aiming at one of the creature’s chests as it was perhaps the only part of it you had direct access to. You were certain the impact wouldn’t kill it, you were almost certain it wouldn’t even hurt it, but . . . it would distract it, and that was all you needed.

Last week, you killed a man. You ripped out his jugular with your teeth. You’d slaughtered him. So this, killing this entity shouldn’t have made your stomach churn, but it did.

Your world was gone. Death remained. And it was all his doing.

Still . . . still, your finger hesitated on the trigger.

You would die tonight . . . by its hand, no doubt. And perhaps that scared you. Perhaps a part of you truly didn’t want to die. But you dumbed down this hesitation to just pure fear.

Fear that those things would find your family after disposing of your body; fear they’d kill them; fear all of this would be for nothing.

You swallowed hard and adjusted your grip on the gun. You had to try. Your life for theirs. It was that or you all died tonight, and you wouldn’t have that, not after all you had done; all you had put them through.

All you had to do was pull the trigger. And yet . . . you still hesitated.

Fuck. You closed your eyes, clenching your jaw as your heart hammered in your chest. Fuck, fuck, fuck.

And as your eyes remained closed, you heard their voices then.

You're not too far gone.

Mom thinks you’ve been possessed by the devil.

There’s something wrong with you. You frighten me.

You have to grow up. No more kid stuff.

Your breath hitched. You have to grow up. And you had. Too quickly you now realized. It was always going to end up this way.

This was the only way to save them. The only way.

Your eyes snapped open, catching sight of the creatures still sniffing the air like they could just smell your terror. You sucked in a breath, then pulled the trigger. Exhale.

The ringing in your ears was almost immediate and the explosive sound echoed throughout the silent night. You barely even noticed the shotgun’s kickback, too focused on the creatures before you, watching with wide eyes as the pellets hit one of the things, knocking it entirely to the ground.

The others cried out, their noses no longer needing to be depended on as their eyes searched for the origin of the noise. And then you caught the eye of one, and you knew it was the end.

You faltered at the sight, stumbling backward as you tripped on a root, causing your body to hit the ground. A low groan escaped you before you could stop yourself.

Fuck.

Had that been too loud?

Heart pounding in your chest, you slowly glanced up, eyes landing on the creatures. More eyes stared back at you, hungry with . . . something as a few had begun to make their way toward you.

You swallowed hard.

Death itself had seen you.

Acting fast, you hastily grabbed the shotgun. You weren’t sure how long you could keep this up, but you needed to buy your family more time. You needed to end this.

And end it you would.

You clutched the shotgun tightly in your hand and sat up, groaning slightly when you felt a sharp pain in your ankle. But still, you went on.

Remembering your father’s teachings, you knew what a machine was good for at the end of its reign: making a lot of fucking noise.

And so with a heavy heart and angry tears pricking your eyes . . . you belted out a loud yell.

There was no hiding now. They had all heard you. And that was all that mattered to them.

“Come on, you fuckers!” you took it a step further as you yelled at them, clanking the butt of your gun on a tree to make as much noise as you could. And then, when you heard their cries echo with yours; when you saw one turn to two turn to ten following you into the woods, you knew it was time.

With a fleeting look at the warehouse where your family still resided, you fought back the urge to crawl into yourself and let that anger you’d been holding inside yourself for years now finally just . . . snap. You didn’t know if you fired the shotgun at one of the creature’s heads first or ran off further into the woods, still screaming. You didn’t know the present from the past, but you did know you couldn’t look back.

And so, you let yourself be loud, screaming for yourself, for the people you’d lost, for the people you’d never see again, for your father. You yelled and yelled, racing through the woods as they all quickly followed after you, releasing cries of their own.

The world fell behind you in those moments, time moving in slow motion as you weaved through the dark woods, your feet bounding off the ground as if you were in zero gravity. Sound evaded your senses, only the muffled noises of your rapid breathing could be heard echoing in your ears.

But you just kept running, letting the world escape you. Even when you’d trip over hidden roots, your knees buckling as you fell to the ground, surely bruising and cutting up your skin, you persisted each time. Like your father’s daughter, you pulled yourself to your feet each time, sparing a glance over your shoulder only to be met with the sight of the hoard getting nearer and nearer. And every time, you’d force yourself to swallow the bile crawling up your throat before you cocked your shotgun and fired into the hoard, taking off screaming for them to follow after you.

This was the end, and you planned to gather as much of them away from the warehouse and closer to you. You knew it would hurt, but you didn’t care. Their teeth ripping into your flesh would never be a match for the sins you’d committed in this lifetime. That was why you met every dead that got in your path with a lethal hit from the butt of your shotgun and a silent prayer that your damned soul could be traded for the safety of your family.

You were sure you would have continued running had your foot not slammed into a divot in the ground, twisting your ankle with such force that you hit the ground instantly, crying out in pain. And this time when you tried to stand to your feet, you realized the pain was too much to stand.

It hit you then.

Beat.

This really was the end.

You couldn’t run.

Beat.

The hoard was gaining on you.

This was the end.

Beat.

Swallowing hard, you clenched your jaw, shutting your eyes as you realized what you needed to do. Clutching your father’s shotgun close to your chest, so close it nearly touched your heart, your lips parted, and a scream bubbled up your throat, ripping through your vocal cords as it echoed throughout the dead of night.

But before you could inhale and breathe out another war cry of your own to match theirs, a hand slapped over your mouth, muffling your screams. Another hand was gripping your arm the next second, pulling you off the ground and shoving your back against the nearest tree.

Your eyes shot open, dropping your shotgun as your hands instinctively clasped around the wrist of the hand covering your mouth. Deep dark eyes stared back at you, a sense of urgency in them as you realized what was going on.

It happened so fast, too fast for you to process. But you quickly realized the eyes belonged to a man not much older than you. Dark eyes. Full lips. Sculpted nose. It was your first time seeing a man other than Felix . . . other than the one you’d gutted . . . in a long time.

What was he doing?

But you couldn’t ponder long as his eyes twisted to the scene behind you, and you could’ve sworn you felt his heart beat faster against your lips where his hand still lay. And at that sight, he kicked into action.

“You listen to me. We have a few seconds before those fuckers are at our throats,” he spoke in a hushed tone, his voice deep and controlled, but you could sense the fear on him. It was different from yours. “When I tell you, you run as fast as you fucking can in that direction and you don’t stop. You follow me and you don’t get lost or you’re dead.” His hand fell from your mouth as he began hastily digging through the pack over his shoulder. “Got it?”

You skipped a beat, not answering.

His eyes were on you instantly, expectantly.

But you only blinked.

You didn’t want to be saved.

No, he couldn’t do this. It was your time. This was your punishment. He couldn’t—

Your thoughts were cut short as he pulled something out of his pack, and you quickly realized a grenade now sat in his hand. Your eyes widened. He was going to—

“Run,” he bit out, an order.

And it all happened so fast.

You stayed put.

He turned from you, quickly pulling the pin and chucking the grenade as fast and hard as he could from your location. You watched the weapon soar, your heartbeat stilling in your throat as the seconds of anticipation crept upon you.

Beat.

Beat.

Be—

A loud explosion sounded in the distance, the ground shaking beneath your feet as ringing in your ears commenced. Only then did you realize your feet had been moving on their own, carrying you farther and farther away from the scene as you caught a glimpse of the hoard following after the explosion. But you wouldn’t do this. You had accepted your death. You wouldn’t—

Your feet weren’t moving of your own volition. The world had fallen away from you, you realized, but as you turned your head away from the hoard you realized it was the man who was dragging you away from the scene. You realized in your daze, that he must have locked his grip onto your arm and took off running, dragging you along with him despite your injured ankle and dormant mind.

And for some reason, despite the urge to fall to the ground and let yourself fade away, you allowed him to drag you further and further into the woods. You didn’t realize just how much land you had covered until the sound of the hoard was so far, that he’d begun to slow down ever so slightly. You didn’t realize until the woods turned into sparse grassland, until the sight of what appeared to be a latched roof to an underground bunker of some sort. You’d heard of shelters like these, but you’d never seen one. You always just assumed the military had covered it all up, leaving people to die while they sat safely under the barren earth.

Your mind raced with a million thoughts, but you could barely see straight let alone think right as you allowed this man to drag you to the entrance. Hell, you allowed him to shove you inside, as you crawled down the ladder in the tunnel. It was a subconscious action, honest. Otherwise, you would’ve begged him to leave you outside to die. But there was no breath for begging as he followed in after you, shutting the hatch and twisting it closed to ensure it was tightly locked.

And when your feet finally met the metal flooring of the inside, you stepped back in shock.

As you had predicted, this was a government bunker. A rather large one at that. You swallowed hard. Fuck.

And when you turned around, your eyes searching the area, you were met with the scene of a group of survivors staring back at you in confusion. People. And they were alive. You hadn’t seen so many people since before Famine.

What the fuck?

But before you could react, something hard cracked over the back of your head, throbbing pain followed. The darkness seeped in instantly, your mind losing control of your body as you smacked the ground, eyes fluttering as you faded in and out of consciousness.

There it was, you realized.

Your punishment.

You were going to die.

And you couldn’t help but allow yourself one last selfish look because maybe there was still a small part of you that wanted to be alive. But that part could only live if things were normal again, if things were the way they had been before the world died. Still, that part of you took over and you watched silently, your vision fading in and out as you caught a glimpse of those dark eyes that had saved you, just moments before the world faded into darkness.

The next time your eyes fluttered open, a metal ceiling stared back at you.

There was a throbbing in your head, searing through your thoughts, and your shotgun was nowhere to be found. You released a soft groan, trying to shift in your spot, but you were met with resistance. You tugged and tugged, but your body didn’t budge.

In confusion, you glanced around, finding yourself on a medical bed, your hands tied together with rope, attaching you to the bed. This didn’t make sense. You hadn’t seen a bed in months maybe a year now. This didn’t make sense. Where were you? How did you—

And then . . . then the memories all faded in.

The warehouse. The man. The shots. The hoard.

This was Death’s doing.

The town had warned you of this and you’d denied it. You still didn’t believe. You couldn’t. God was dead and the Horsemen were just a figment of fearmongering. But for a second, you wanted to believe. For that second you were strapped to that bed, you wanted to believe that this was your purgatory and Death was punishing you. That would be easier: if you believed.

Death was an entity; one you had no idea about. There was no knowing what exactly he could and couldn’t do. And this . . . being bound to a medical bed with not even a soul to be heard felt utterly ordinary if he did exist, considering what you did know about this dark being.

But . . . why were you still alive?

Slowly, you lifted your head, groaning at the pain that followed as you assessed the rest of your body. You were alive. Cuts and bruises everywhere, but you could still inhale, exhale, breathe. You could still hear the beat of your heart if you closed your eyes and focused. You were alive.

You were alive.

Your jaw twitched. “I’m alive,” you whispered to yourself, a bitter taste left on your tongue. “I”m . . . alive.”

And for a second, you truly allowed yourself to believe Death existed. You allowed yourself that he had done this to you; that the two years he’d reigned all led up to this very moment. You allowed yourself to believe that he had kept you alive because suffering was for the living.

Was this his way of being kind? Sparing you?

Swallowing hard, you glared up at the unfamiliar ceiling. If you prayed, would he give in? Would he end this suffering? Would he finally give you your punishment?

Your mind wasn’t allowed much longer to ponder as the sound of a door opening brought you out of your repenting. Wearily, you watched with stern eyes as a man stepped in, carrying a bowl in one hand and a washcloth in the other. You watched as he let himself in, still not looking up while he closed the door behind him with a heavy sigh and finally . . . glanced up, meeting your gaze.

Him.

The man.

Slowly, your face softened as confusion consumed you. Him. He had done this to you. He had been the one to lead you here. (He’d also been the one to save you . . . ) He had knocked you out cold. And now . . . now here he was.

You clenched your jaw hard.

The man just stared a minute longer at you, his gaze stern, cold, calculating. Then, he was walking toward you, resting the bowl on the bedside table beside your head before he reached forward and tapped a finger to your chin, tilting your head so he could analyze the wounds on your face.

And you let him, analyzing his actions, preparing for his next.

“You’re awake,” was all he simply said as he dropped your chin and diverted his attention to the bowl on the bedside table. “Sorry about the blow and the rope . . . it’s . . . protocol.”

But you remained silent, watching.

"Your stunt back there . . . could’ve cost us this entire place," he muttered, his voice calm and controlled but you knew he was seething inside. He remained quiet as he dipped the washcloth into the bowl of what seemed to be warm water before he turned to you once again, his eyes lethal. "Screaming only attracts more of them, don’t you know? If you wanted to die, you should’ve just stayed put.”

You swallowed thickly.

There was something terrifying about a quiet rage.

"There's always someone like you," he continued, his eyes racking up and down your body in a menacing glare before the warm touch of a washcloth to your cheek startled a quiet gasp out of your lips. "Someone who ends up surviving longer than they should have." A scoff left him. "Someone who doesn’t care who dies for them as long as they get out unscathed. Did you even think there might be other survivors around before you took off attracting all of those things? If there were children? Families? People who survive together and want to stay alive without running into someone like you?”

And you hadn’t.

You never thought yourself to be stupid or any of the sort. You hadn’t been thinking. There hadn’t been enough time. You just needed to do something so your family could make it out alive. You hadn’t thought that there could be others. You hadn’t thought that saving your family could damn another.

Had your mother been right about you?

Were you really just a stupid girl? A stupid girl playing hero?

The man pulled a chair from the corner of the room, and placed it beside your bed, sitting on it as he dragged the washcloth down your arms now. His touch was somehow gentle despite his glare. Perhaps it was because no one had touched you so gently in so long. Perhaps it was because you had given up, but you let him clean the wounds on your body as you rested your head back onto the pillow, your muscles relaxing ever-so-slightly.

"No?" he questioned, reiterating his accusation. “In my experience, people like you don’t find themselves in trouble like that unless they’re planning something.”

You remained expressionless as you watched him, taking in his words. He thought you’d lured the dead here, and for what? Looting? Or just plain insanity?

Had you really become that corrupt even a stranger could sense it on you?

Slowly, you blinked, wondering if your father had ever felt this way before his death. And as you wondered, the man beside you continued cleaning your wounds, but this time, remained silent. Maybe he realized you wouldn’t answer. Or maybe he already knew the truth about you and your damned soul.

And as the minutes of silence ticked on, you did your own inspection.

Now, under the light, the man sat beside you, his eyes fixed on meticulously cleaning each wound with care despite his lethal words. It had been so long since you’d seen another man like this; a man that had to be around your age; a man so young yet so riddled with age. His dark hair was slightly curly, more tangled and messy than anything as if he hadn’t slept in days. The dark circles under his equally dark eyes were enough to show his evident sleep deprivation. And yet, he seemed almost too alert: his full lips were hidden as his teeth worried his bottom lip while he continued to clean the blood from your skin.

(You’d be lying if you said he wasn’t beautiful; so beautiful it almost made you believe in God once more.)

And for a second, you let yourself wonder what else your mother had been right about. You let yourself believe once again. You let yourself be a girl who could finally kneel in church without bruises being left behind. For a moment, you let yourself believe that she and the town had been right; that this whole thing was God’s plan; that the Horsemen had come; that they could be saved, but you would be condemned.

Then . . . you began to wonder if you had already been. Maybe it was the blow to the head you’d taken or the fever raging through your body or maybe it was the truth, but you began to believe that perhaps this was your purgatory; perhaps you had died in that hoard and you’d been sent here; perhaps the beautiful man beside you was Death himself.

Was this it then? Were you always meant to see him at the end?

Oddly enough, he reminded you of this small dog your sister had found near one of the abandoned houses your family had stayed in over the years. This was during Famine’s rule—when food became sparse, when lands became stale and yellowed; when the dead had only just begun to migrate south. This tiny dog found your younger sister then, and she’d brought it home, leaving you no choice but to care for the little thing.

Your sister had named her Berry. (A few months later you had to put her down; it was what we had to do to survive, you’d told your sister back then. You were sure it was then she first started to hate you.)

And as you stared at Death, taking note of how his eyes were a particular shade of brown, you realized they were the same shade that the silly dog had.

You tilted your head. Death somehow had eyes that were kind; eyes that were warm; eyes that reminded you of Felix. Was that how they planned to transfix you? Was Death meant to be this beautiful; this familiar so you’d go willingly? Had God forgotten you’d already condemned yourself? Had he forgotten you didn’t need to be tricked? Had he forgotten where your prayers resided?

Only a moment later, when you felt his hands running over your torso, did you snap out of your exhaust-ridden daze. You realized quickly he was cleaning the last of your wounds which resided on your ribs. And when he was done, he tossed the washcloth into the bowl without another care before he slowly leaned back, arms crossed over his broad chest as he watched you with scrutinizing eyes.

Death narrowed his gaze, but it wasn’t menacing this time. Rather, he seemed almost perplexed. "Why aren’t you fighting?" he questioned. "You didn’t stop to run before. Why calm your fire now?"

Why aren’t you fighting?

The thing was: it was over. Your fight was over.

Sure, you were still trying to wrap your head around the fact that Death was painfully beautiful . . . but it went beyond that.

It was surely daylight by now.

Daylight had come, hours had passed, and Death had you in his hold.

By now, Felix had probably taken your mother and sister onto the road again. They’d escaped, and they were miles and miles away from you and Death. They were safe.

So . . . where was your fight?

You didn’t have one anymore. This was the end. Death would either kill you or make you suffer again and again and again, and your family would live. You’d once told yourself that you never wanted to live in a world like this, but you’d kept yourself alive to protect your family. Only now . . . you didn’t need to fight because there wasn’t anyone left for you to protect.

Your fight was over. Maybe you could rest now. Maybe he’d let you.

Death seemed to catch onto the shift in your demeanor as he narrowed his eyes. "Do you not speak?"

For a moment, you considered not replying. Until: "There's no point," you heard yourself say, voice dry and hoarse.

The look on Death’s face was unreadable as his eyes shifted across your face, his mouth slightly parted. "You smell of death," he muttered, gaze still searching your being.

And you almost laughed.

Because this was your end, and Death himself just told you that you smelled like shit or well . . . like him, you supposed . . . apparently.

It all felt a little unreal.

Death must not have liked your silence as he shot you one last glance before he pulled away and walked toward a table on the other side of the room. As he walked, you caught sight of the blood painting his body, his skin, him.

You swallowed hard. You’d brought that hoard to him. He’d fought his way out. You’d caused those wounds, and now he was more than likely going to do worse to you. He’d probably take that scythe you were told he carried and cut your head clean off.

But unlike what you thought, Death sifted through the miscellaneous items on the table before pausing and grabbing a small knife. Your brows furrowed in confusion as you watched him approach you, knife in hand.

There it was.

This was the end you were promised.

Was he going to slit your throat and leave you to bleed out? Or cut you open so you could see just how dark your heart had become? You wouldn’t put it past him. Hell, you might have even welcomed it. But as he approached you, your eyes closing in anticipation, he did not bring that knife down upon your body. No, instead, with a few quick motions and the sound of the rope being cut, you slowly opened your eyes just as your hands were released from the rope’s grip.

On instinct, you brought your hands close to your chest, rubbing your raw wrists. You couldn’t even speak, you just watched as he kept the knife in his hand but returned back to his position of leaning back against the chair with his arms crossed over his chest and his eyes on you.

"You're human," you found yourself uttering as you watched him watch you.

His brows twitched in confusion. "Of course I am.”

But Death couldn’t bleed. . . . Could he?

"You bleed,” you spoke your thoughts, dumbly.

His eyes met yours, but only briefly. "Am I not meant to?" he bit out before his gaze fell back on your hand rubbing your wrist. "Even the dead bleed."

Your confusion only spiraled. This was your end; your purgatory. This was Death, was he not? Your mother had been right. She had to have been right otherwise you were still alive; otherwise, you had managed to escape death once again without so much as a punishment. That wouldn’t be fair. That wouldn’t be right. That wouldn’t be just.

This had to be Death. You had to be dead or somewhere in between. It didn’t matter, this just had to be your end.

So, why hadn’t he condemned you yet?

Why—

"Why—” Death interrupted your thoughts, once you finally dropped your hand from your wrist— “did you think I couldn’t bleed?"

You glanced his way, finding his eyes already on you.

His stare only unnerved you more.

Why couldn’t he just kill you? You deserved it.

Your brows furrowed. "Hasn't anyone ever told you not to play with your food?" you found yourself spitting out, finally finding your voice despite his devasting beauty capturing your words. "I put your lives in danger. I lead them here like you said. I could be with anyone. Having me here could kill you all, so take your revenge. Kill me."

The crease between his brows deepened further. "I'm not letting you die," he simply said, his anger quiet and calm . . . still. “You put my group in harm's way. I won’t pardon you for that . . . but . . . we don’t kill the living.”

That only unnerved you further.

Was this truly Death?

Surely he had killed before.

Although . . . you supposed perhaps he’d only just ever waited. Was that his fault? Waiting for the dead to find him? Is that how he found you in those woods? Is that how he’d taken your arm and helped you crossover to the other side? But . . . if that were true . . . where was your father now? Surely, he would’ve come to see you. Surely, he would’ve been the first one knocking at your door. Surely, he’d be here.

As you briefly wet your lips, your eyes flicked up to meet his. “Where’s my dad?” you asked, your voice barely above a whisper.

A look of deep confusion twisted onto Death’s face, and then he was leaning forward to feel your forehead with the back of his hand. “Fever,” he mumbled more to himself before he pushed himself to his feet, the chair screeching against the floor. “Get some rest. Someone will be in to bandage you up and . . . I’ll be back in a couple hours with medication.” His gaze dropped to the large gash on your arm from just a few nights ago. “When you’re healed, we’ll give you some supplies and then you’ll be on your way, understood?”

But you just stared at him, silently pleading. Pleading for what? You didn’t know. All you knew was if your father wasn’t here, you couldn’t be dead. And if you weren’t, you wanted to be. You’d be able to find him then, because although you were no longer a girl who could kneel in church, you could still feel the scabs on your knees from years ago; you could still remember what it was to believe so blindly; you could still feel that insistent desire for there to be something beyond this world . . . something after this world.

There just had to be. You had to see him again. You had to find him.

You could die now. You could find him now. You would find him.

“Great,” Death muttered under his breath, breaking you out of your own mind. And with one final glance at your exhausted body, he began to turn and head for the door.

Fear struck you then. You had to find your father. “Wait, please—” you hastily grabbed onto his arm, only being able to reach his hand enough to dig your nails into his skin to halt him— “I beg of you.”

His eyes snapped to yours, wide and cautious as if at any moment, one wrong move and he’d grant your wishes. And all you could do was hope.

“Kill me,” you weakly whispered, hopelessly searching his eyes.

His brows twitched, taken back.

“Death,” you begged in a whisper, your bottom lip trembling, “please.”

But Death only stared back at you with a perplexing look written across his face. It was as if he couldn’t believe your request. Had no one ever begged him to die?

A heavy beat of silence pounded in your ears.

Death only continued to stare, a world raging on behind his eyes as he took you in. His demeanor was still calm, still collected, but he seemed . . . perturbed by your request, by your presence, by you. And you watched as his eyes trickled across your face, searching for something until finally . . . his gaze zeroed in on your cheek, his brows furrowing.

Then . . . you felt it.

A tear had slowly begun to slip down your cheek as if your body knew it was a sin to cry. But you were . . . crying that was.

You nearly gasped.

Another tear trickled down your cheek. Guilt followed.

But just as you were about to angrily wipe it away, there was a sharp knock at the door, breaking both you and Death out of your spell. The door opened a second later, a man peaking his head in with a solemn look on his face.

The man didn’t spare you a glance, he only cleared his throat and said, “Chris?” His brows raised, a silent message passing between the two. “A minute.”

Death only nodded, and then the man was gone, the door shutting behind him. Silence followed, but Death stayed unmoving, his arm still in your tight grasp.

“You won’t run,” he slowly spoke, his words a statement, not an order, but he didn’t turn to look at you. He kept his eyes on the door. “I don’t kill the living. I won’t kill you.” He paused, audibly swallowing, and then his eyes were on you. “And I know you won’t kill us.”

And then he was gone before you could blink, quickly tearing his arm out of your grasp before he reached the door and closed it behind him. You were alone with yourself once again, your thoughts running wild as your hand remained outstretched, almost frozen in place.

I know you won’t kill us, he’d told you.

But how could you kill Death? How did he know you wouldn’t if he didn’t give you what you wanted? How could he be so sure that you weren’t a killer, when you so clearly were?

You had killed before, and if he didn’t take you to the other side, you’d surely kill again. That was who you had become. That was who you were. He should’ve known that.

And then as you slowly laid your head back onto the pillow and allowed the minutes to tick by, the throbbing in your head began to subside, and the world became a little clearer. You were no longer a girl who could kneel in church. You did not believe anymore. The world had gone to shit, and it wasn’t because of God’s plan. There were no Horsemen. Your family was gone. And that . . . that man had not been Death.

Squeezing your eyes shut, you swallowed thickly. What was happening to you?

It all hit you then.

These were a group of survivors. That man surely was their leader, and you had just led hundreds of the dead to their doorstep. They should’ve killed you for that alone. You would’ve. You wouldn’t even hesitate if this had been your family. You would’ve done everything to keep them safe, even if it meant killing others, and yet . . .

I won’t kill you.

But why? You deserved it. You could see it in his eyes that he knew.

These were good people. And you were their bad omen.

It wouldn’t be long before your presence brought misery upon them, too, just as it had to your family. And it’d be all your fault.

You’d live, only to see many die. You’d make it out unscathed just as you always had, while they’d suffer, just as he had said.

It was then you realized this was not your purgatory, it was your Hell.

taglist:

@amaranth-writing @binchanluvrr @dreamingsmile @eternalrajin

(i did post the teaser like a year ago, so if you want to be taken off, send me a lil message <3)

[j4gm]

SPOILERS!!! REFERENCES AND EASTER EGGS IN F&C ep. 2: SIMON PETRIKOV

Let me know if I missed anything!

First of all the title sequence is fucking cool. I don't want to speculate about the various things we see in it, like the apartment getting blown up or the Fern tree growing into its 1000+ version, because I'm sure the show will get round to all that!

The first scene was an awesome reintroduction to the post-apocalypse, showing us the dynamic between Simon and Marcy. The button popping off Marcy's dungarees was a reference to young Marcy's first appearance, Memory of a Memory, when she removed one of the buttons herself to fix Hambo's eye.

Simon was show playing a live set at Dirt Beer Guy's tavern in Obsidian. It seems they've gotten to know each other quite well over the past twelve years. Dirt Beer Guy asks Simon if he's read his new book draft, about a character called Joe Milkshake who was first mentioned in the episode Root Beer Guy.

Despite the fact we saw Jake in the trailers, Finn and T.V. pretty much confirm in this scene that Jake is dead, and has presumably been dead since before Obsidian. I guess Bronwyn wasn't the only Jake descendant who Finn took on as an apprentice, but T.V. doesn't seem all that into it. The Finn and Jake we saw in the trailer are likely from an alternate universe that we have yet to see.

Finn uses his weed whacker to cut through these bushes. A nice way of showing he's fully recovered from his Fern guilt. The focus here is very much on Simon's problems instead of Finn's.

Finn parts with Simon to go and visit Huntress Wizard. The nature of their relationship remains ambiguous and I expect it to stay that way.

Simon has the Island Lady from The Party's Over Isla de Señorita in his phone. I guess they reconnected after he became Simon again. He also has Abracadaniel. I always liked Ice King's friendship with Abracadaniel and the rest of the Order of Giuseppe so I hope they're still friends!

Cute Bubbline scene. Back in the episode Bonnibel Bubblegum, Mr. Creampuff suggested he and PB get matching tattoos. Now she's (trying to) do the same with the girl she's chosen rather than some guy who was chosen for her! Also Marceline is using the same phone she's been seen with in a few previous episodes, including Go With Me and Be Sweet.

I think the flying human city is called Up-Ton.

Choose Goose! He keeps coming back! And he's evil now! People were joking about him being the antagonist of Fionna and Cake after that weird post-credits scene in Wizard City and the fact he was in hell in Together Again. I wasn't expecting that to actually come true. Glob knows why he's hanging out in a cage in Simon's house.

The pattern of GOLB's eyes is reflected in Simon's glasses during the ritual. He is doing the same dance that Betty was doing to summon GOLB in the finale.

Among the objects in Simon's GOLB shrine are the Farmworld Enchiridion, the flying carpet that Simon stole from Ash and was later frequently used by Betty, the crocodile clips that Betty used for her magic rituals, two effigies of GOLB, and what looks to be the shell of the snail who was seen throughout the original series.

In this credits sequence, Fionna and cake are dreaming about the mask being worn by the bear than Finn slew, and a butterfly with a smiley face on it. Perhaps symbolising Finn?

Tune in next week for episodes 3 and 4!

[rafeandonlyrafe]

the compound part one

words: 2k

warnings: alien apocalypse au!, violence, reader gets injured, hunger/starvation, mentions of death

part one / part two

you take a deep breath as your eyes focus on the pile of supplies. you know it's bait. you know it's purposely set up near the border of the compound to entice thieves, that someone elses eyes are likely on it right now.

but you have no choice. your stomach growls. you can see canned food. it's been so long since you had something from before. you've resorted to killing wild animals and gathering as much edible berries and plants as you can find, but even those are hard to come by. everything is hard to come by.

you look at the fence separating you. it's chain link, easy enough to climb. there's barbed wire placed on the top, fashioned together with zip ties, but plenty of space for you to fit between.

your eyes adjust as darkness falls, glad your hiding spot is shielding you from most of the wind. now that winter is rolling through the north carolina woods, you need to come up with a new plan. whether it's moving south or finding others to survive with that you trust enough to not kill you for using their resources or leaving you behind as alien bait.

a cloud passes over the moon, sending the world into even further darkness. you don't allow yourself time to second guess, shooting forward as fast as your legs can carry you, praying that your speed makes up for the sound as you scurry over the fence.

you groan when in your haste you cut your leg on the barbed wire, but you have no time to stop and see if the gash is deep.

you make it to the stack of supplies seemingly without notice, but the second your hands touch the box of canned food, a floodlight illuminates the yard of the compound.

“shit.” you allow yourself to mutter a curse word, picking up the small box and tucking it under your arm as you head towards the fence, knowing the other side means safety. 

“stop!” someone shouts from behind as you begin to climb, moving slower now that you have less mobility of one arm.

you let out a scream when someone grabs your leg, you try to kick them away, but then your other foot is grabbed, being pulled down by compound men. you struggle the best you can, even dropping your precious cans of much needed food in hope it hits one of them, but your hands can only hang on for so long before you succumb to their pulling, falling backwards with a thump, head hitting the ground and darkness enveloping you.

--

your head pounds as you try to blink your eyes open before realizing that they're covered by a blindfold. 

what a shitty way to go out, you think to yourself. blindfolded and gagged by compound men. at the end of the world, you don't meet your end in an aliens bite but rather from other humans.

it makes you question if along with the apocalypse people lost their humanity, or if they're just finally able to show their true colors without the expectations of society.

you slowly become more aware of your body. your hands are restricted behind your back to some kind of chair. your fingers reach out to touch the rope and then the chair, sighing when it's cold and smooth. wood you could possibly break, but you have no chance with metal.

your feet aren't restricted. you try to feel around for anything, but the floor around you seems clear.

you consider tipping your chair over, but you have a feeling that would only result in more pain for you.

“you awake?” the question is asked. it's a male voice, of course. it's widely known the compound is almost completely male. only a few rare women have ever been seen behind the fence. you're not sure what their recruitment process is, but you've heard whispers that they bring impressive people in. people that try to steal from them and get caught or defend their stash when the compound men leave on their raids.

you thrash in your seat since you're not able to respond. no use delaying the inevitable. if they're going to kill you, you don't want to wait around for it to happen.

“good.” the voice says, and then all of a sudden the blindfold is tugged off your eyes. it takes you a second to adjust before you can properly look around the room, realizing you're up on a stage, auditorium seats in front of you with a few men in them, all heavily armed.

you realize quickly that the military base the compound men took over must have had some sort of stage for speeches, and that you're now center spotlight.

“she did pretty good.” one of the men in the auditorium hums from the seats as the one who took of your blindfold exits down the stairs to join them. “got to the fence. most people don't even get that far.”

you try to tune out their words, eyes sweeping from some sort of escape, or help. you've learned not to rely on human help after the aliens came, but you might not have any choice.

“yeah, but she got caught.” one man huffs out.

“shit, billy, shut up. we need more women around here.” a new man says, his eyes feeling predatory as he looks over your body, making you press your thighs tightly together. you manage to look to the side to realize there's an armed man on either side of the stage, tucked slightly into the wings, but their dark eyes on you.

“we shouldn't even be arguing.” the man who untied your blindfold says. “wait for him.”

him. the infamous leader of the compound. you've never seen him or even heard his name, but he has a reputation from the bit of gossip you've managed to pick up. cruel. not bloodthirsty or barbaric like some of the men under him, but unflinching in his standards. refusing to give out any sort of help or aid even if a mother is on her knees begging at the fence.

you've heard from some that he doesn't care, you've heard from others that it's because his men come first.

you also know every time the compound men leave on a raid, they're looking for more than just food. someone. someone that the leader lost. presumed dead, just like most of the people after the aliens came, but that doesn't stop him from looking.

your heart breaks for him despite his cruelty. you wonder if it's a son. a daughter. a sister, mother or wife.

you refuse to let your mind turn to the ones you lost. you weren't close with your parents when it happened, but your friends… your boyfriend. you shake your head, willing the thoughts to leave. no use getting emotional right at the end.

you hear footsteps, the men scattered around the first few rows moving to situate themselves, sitting a little straighter, making sure their makeshift uniforms are done properly.

the doors at the back of the auditorium open. you wait for the figure to step out of the darkness, the emerge from the shadow from the mezzanine above.

“untie her. now.” the voice rings out, so familiar it hurts as the men from the wings move quickly to undo your gag. you feel the sudden coolness of a blade against your wrist, but it slashes away at the rope.

the man is moving quicker now, your eyes widening when you realize who he is.

“rafe!” you scream, shooting up from the chair. tears are already streaming down your cheeks as you run, sprint as fast as you can across the stage, rafe also breaking into a run as you take the stairs so fast you're worried you'll fall.

“y/n!” rafe yells out as you reach each other. you're lifted into the air behind him, sobs racking your body as you press your face into his neck, legs wrapping around his hips.

“you're alive!” you can hear the disbelief in rafes voice. 

“i-i thought you were dead rafe.” you whimper into his neck, pressing kisses to his skin between the words. “i came to tanneyhill after they arrived and it was-” you can't finish your sentence. partly because the pain of having to describe what happened to tanneyhill, the home you spent so much time at. but mostly you don't finish because rafe sets you down, moving your head out from his neck to press his lips against yours.

you sigh with relief before kissing back, hands fisting in his uniform, just now realizing how bulky his clothing is, various weapons hanging from them.

“i-i love you so much.” you tell rafe, pressing your fingers against his cheeks, the plains of them still as smooth as you remember. you look into his eyes. it's the same rafe, your rafe, but at the same time he's different. clearly hardened by the apocalypse, aged quicker from the stress.

“i love you.” rafe kisses you again. “i never stopped looking for you.”

you. you're the one. not a son or a sister, but the person the compound men were looking for.

“i-i didn't know you were here.” you wish you saw rafe out on a raid, but just like everyone else in the north carolina woods, you scatter when the compound men leave their base, almost as much of a threat as the aliens are.

“otherwise you wouldn't have stole from me, huh?” rafe smirks, making you giggle. he clearly hasn't lost his sense of humor.

he pulls you close to his chest as he looks to his men. “dismissed. i will be in my chambers. no disturbances unless it's an emergency.”

the men instantly scatter. rafe waits until they all leave before turning to look at you, hands skirting down your body to your wrists. he sighs deeply when he sees the marks from the rope, red and bleeding in some places.

“let me get you cleaned up.” rafe says, and you just nod. it feels surreal to finally be back with him, your boyfriend who you could have sworn was dead. you didn't stay long in the outer banks, not with the limited resources of an island, but you looked every day for rafe to see if he somehow survived the aliens before you fled into the woods.

you feel like your eyes are still glazed over as rafe leads you out of the auditorium, promising you a full tour of the compound later as he moves swiftly down the halls, two men walking in front of him and two men behind him.

you should have known rafe would get himself into some sort of leadership position even after the apocalypse. he might not be the most well versed in combat or shooting, but he can lead and throw commands around like he was born for it.

“this is my- our chambers.” rafe pushes the door open, the four men remaining outside as rafe leads you in. it's surprisingly comfortable inside, suddenly feeling like you're in a home rather than a military base.

“i-i think i may have died when i fell off the fence. there's no way this is real.” you genuinely have to run your hands along your arms, pinching yourself to make sure you aren't dreaming.

“it's real, baby.” rafe sighs with relief as he strips off the weapons, placing them at the table near the door before stripping off his fatigues until he's just in a plain white tshirt and shorts, looking just like the boy you knew before the end came.

as he steps closer, arms wrapping around you and allowing you to relax into his hold, reality comes rushing to you. you try to keep your cries quiet, but in no time sobs are racking your body, rafe lowering you both to the ground as you cry, loud sobs, even interlaced with screams from all the horrors you saw surviving without him. you let it all go, finally safe enough to.

rafe doesn't say anything, just holds you until your cries lessen and you pass out, exhaustion pulling you to sleep.

taglist: @winterrrnight @bejeweledreverie @drewstarkeyslut @forstarkey @f4ll-for-you @dilvcv @drudyslut @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @seeingstarks @angelofcigs @cece45450 @babygorewhore @vanessa-rafesgirl @michelleisheres-blog @outerbankspov @drewstarkeyswifehoe @cutielando @kamninaries @buckyswhxre @rafeinterlude @bellbottombaby @deeaardiary @rubixgsworld @wearemadeofstardust0 @leighbronk @starkeysheart @pradabambie @tobesolovelysstuff @alexiskirkland @rafestar @brioffthegrid @juniebugg @magicalyoura @cokepewpsii @mysticallystilinski @https-luvvia @aerangi @folklorsweet

[ashley-slashley]

Spree but Kurt is replaced by Walter E. Kurtz

[cloud3francois]

What happens after Apocalypse Now?

[dyaz-stories]

a house, not a home || Cha Hyun-Su x Reader

word count: 1.4k

warnings & tags: canon typical violence, hurt/comfort, hyun-su needs a hug, unresolved tension, mentions of blood

a/n: okay so, for context, this takes place during season 2. reader and hyun-su know each other from high school and reader runs into hyun-su after the events of the first three episodes. reader also doesn't know that he is a monster/neohuman though if people are interested i could definitely write that 👀 I hope you'll like it! Please let me know your thoughts and if you'd like me to write more, and consider reblogging!

next part

The hardest thing to get used to, after what others called the Monsterization Outbreak but you labelled, more simply, the Apocalypse, was the silence. You were the type of person to always have music playing, back when you were a high schooler studying hard to get into your college of choice. Now, music was wasted electricity and, worse, could be a death sentence if anyone — anything — heard it play, or if it dulled your senses and got you killed.

At the beginning, there had been lots of sounds. Screams. Cars colliding. Stores’ alarms, blaring when the looters broke in. Sobs. In your house, for a while, there had been your father, humming quietly as he worked.

Then he’d gotten a nosebleed, left the house, and never returned.

Now it was just you, and you’d learned not to make a sound. So when there’s a knock on your door, it echoes through the rooms and rattles you to your core. For a second, you clench your trusty baseball bat. You took hours and cut your fingers planting nails into it, but it’s worth it, if only for the feeling of confidence it gives you. Truth is, you rarely had to use it. Your strategy relies on avoiding confrontation at all costs.

You release it when you realize that there are very few people who can come knocking at your door.

After all, monsters don’t knock.

You rush to the door without letting go of the bat. Your habits are ingrained in you well enough that you still check the peephole — and when you do, your heart somersaults in your chest.

You keep the hinges well-oiled and the door doesn’t make a sound when you open it.

“Come in,” you whisper, not daring to break the silence with actual words.

Cha Hyun-Su stares at you, looks like he hesitates. He always does, looks like he wants to give you a chance to slam the door back in his face. He’s covered in blood now — ‘not mine’, you know he’d say if you asked —, clutching his wrist, lips chapped, eyes hollow.

“Come on,” you say again, and this time he does, walking by you without a word. Then he goes still once more, there in your entrance, while you close the door behind him. He always does that, until you give him explicit permission.

“Are you okay?” you ask when you turn around, hands reaching for his arms, his torso, trying to check on him, though you cannot see whether or not he is hurt.

“I’m fine,” he replies with that deep voice of his, catching your wrists before you can feel for yourself. “It’s not my blood.”

It never is.

“But are you hurt?” you press, still.

He frowns, and confusion sparks in his eyes.

“I told you. I’m fine.”

You shake your head.

“No, I mean— Does it hurt? Does anything hurt?”

Hyun-Su’s lips part. He closes his eyes. His body sways towards yours, and you freeze. You feel his breath against your cheek, and his grip on your wrist becomes lighter— a caress, at most. You just stay there, not wanting to scare him away, but not wanting to leave him to himself either. You feel a pull towards him, the urge to wrap your arms around him, and you resist it, knowing that he’d flee.

Finally, he snaps out of it, lets go of you, takes a step back.

“I’m fine,” he repeats for a third time.

You don’t push it.

“Do you want to take a bath?”

Clean water isn’t easy to come by these days. Fortunately for you, you have a complex system designed to retain rain water as well as morning dew, put in place by your father, when he was still around. It’s rained recently, and with the help of solar panels you’d stolen with him what feels like a lifetime ago, you’ll be able to have hot water. Showers, you haven’t mastered — though you’re sure your dad would have figured it out by now — but you can at least offer him a warm bath.

Hyun-Su’s eyes are on you, wide and focused.

They’re ever so slightly warmer than they were when he came in.

“I would like that.”

Hyun-Su comes out of the bathroom some thirty minutes later, clean and looking more like himself. He’s wearing clothes he’d left there on one of his other visits, which you’d washed by hand among some of your stuff.

“Thank you,” he says, his voice firmer than it had been earlier.

“It’s not a problem,” you reply, and you have to stop yourself from grimacing at how fake your nonchalance sounds to your ears.

If he notices, he doesn’t comment on it.

“Have you been okay here?” he asks instead.

You bite the inside of your cheek. The answer is complicated. You’ve been safe, physically that is. You have barely caught sight of a monster since he’s last been here — nine days ago. You can’t say you’re bored, either. There’s always things to do, to fix, to figure out around here.

What you are, is alone.

And, though you don’t want to admit it, lonely.

It might be the kind of answer he’s looking for, yet you can’t bring yourself to say it out loud. It’s not even that you don’t want him to know.

It’s that you’re scared that if you did, if you asked him to stay or to take you with him, he would still leave you behind.

“I make do,” you reply, which at least isn’t a lie. “I keep myself busy.”

It’s your turn to freeze when Hyun-Su leans forward, trying to meet your eyes.

“Are you hurt?”

A smile escapes you at his cautious tone as he repeats your words at you. You look up, and there he is, inches away from your face, checking on you in the very same way you’d checked on him when he’d arrived — now that he’s had the time and space to collect himself. For half a second, the corner of his lips lifts clumsily to form a smile in response to yours, and then it’s gone, as he, too, realizes how close he is.

You see him sucking in a breath, then swallowing, Adam’s apple bobbing up and down. Your heart beats so loud in your ears, you can’t even hear the silence anymore.

“I’m not hurt,” you say, and it is true for now, at least.

Hyun-Su nods without moving away. There’s an intensity in his eyes that you’re not used to, a spark, a craving.

His eyes drop to your lips.

Your whole body is tingling with anticipation, yet you don’t move, no matter how badly you want to close the gap between you. You can’t rush him. You’d never forgive yourself, if he didn’t come back.

He leans forward, just by an inch, then closer again, so close and—

He turns his head at the last moment, late enough that his cheek brushes against yours, before he pulls himself back.

That hurts. It makes your heart ache more than you’ve let yourself hurt in forever.

“Sorry,” Hyun-Su mumbles, stumbling back. “Sorry.”

“It’s okay,” you say. You’re not sure if he’s apologizing for trying to kiss you, or for not doing it.

“I’ve brought you food,” he says in a rush, picking up his backpack by the entrance door.

You watch him as he does, and you can’t help but note the many wounds on his body. Most of them are half-closed, and you know that they’ll be gone by the next time he comes back, but that new ones will have had the time to open and heal halfway.

He hands you his offering of food, without meeting your eyes this time, and you take it from him. Your fingers brush against him, and he moves his hand away like you’ve just burned him.

“It’s late,” you say, your voice quiet even to your own ears, even now that you’re so accustomed to the lack of noise. You don’t want him to go, not just yet. “You should sleep here.”

But, just like you expected, Hyun-Su shakes his head and closes his backpack with shaky hands.

“I need to go,” he says. Then, when you don’t answer — can he tell you’re fighting back tears? —, he adds “I’ll come back. I promise.”

You nod. It’s your turn to avoid his eyes.

“I’ll be waiting,” you say.

You open the door for him, and you force yourself to look at him as he steps back outside, into the unknown, into the danger, and away from you.

He looks back, right before disappearing in the night.

“Stay safe,” you say, though you know he won’t.

“You too,” he says, knowing you will.

And then he’s gone, and you’re alone with the silence again.

next part

[probablybadrpgideas]

Coming updates for popular RPGS

GURPS: Good news! After getting 5 PhDs, 20 million in funding and solving one of the millennium maths problems, someone finally played GURPs!

D&D: God I wonder, do you think it will be another overpowered spell and a new colour of dragon?

FATE: I can't roast FATE. Partly because its good, but mostly because my Aspects are pretty bad and I can't risk them getting invoked.

Shadowrun: Indefinitely cancelled due to dice black hole :(

Powered by the Apocalypse: Having now made a game for literally any conceivable circumstance, look forward to a PBTA game about you specifically coming to stores this fall.

Witch-Fated Souls: Mwahaha! That's right Witch-Fated Souls fans! I'm coming for your obscure dark urban fantasy warlock game!

Chronicles Of Darkness: New Gameline announced: Bastard the Asshole Chronicles. You play a very unpleasant man who rolls 40 dice to inflict the "punched" condition on everyone (the condition gives you a beat every time you say "owie" and is resolved when you get a little smooch on the nose)

World of Darkness: Bastard the Assholing: you're a very unpleasant man in an MCR t-shirt blasting the Cure. The game revolves around avoiding becoming a landlord.

Call of Cthulhu: Bored of Cthulhu now. Game will be centered entirely around Vthyarilops for the foreseeable future.

Warhammer 40k: No more gameplay. They've decided to cut out the middle man and just have a guy dressed as a Tyranid mug you IRL.

Nobilis: Good news! After getting 5 philosophy PhDs, hiring several poet laureates and taking a good portion of the world's LSD supply, someone finally played Nobilis!

[weirdly-specific-but-ok]

Pt VIII good omens a spoiler-free trailer

*walks into church, ignoring the gasps of the congregation* *holds mic to a terrified gentleman's face*

Have you ever wondered, what if the flaming sword at the Garden of Eden was insufferably in love with the Serpent?

*doesn't wait for response, shoves mic in shaking lady's face*

What if I told you, your bible studies are incomplete, because they are missing the most important story of all?

*cut to me in front of a white screen, walking seductively toward camera in a suit*

Worry not, for your prayers have been answered. Presenting, Good Omens, a kind-of biblically accurate story by Sir Terry Pratchett and Tumblr's own @neil-gaiman, now a TV show and queerer than ever. All you AO3 slow-burn hoes, we see you. You asked for it, you got it. Childhood friends is so last millennium, we give you instead, six thousand years of mutual pining.

*hard cut to David Tennant, whom I have stuck to a chair with Elmer's glitter glue* *he struggles, in vain*

Starring David Tennant and his signature slutty walk as Crowley, now in a ginger Barbie edition that comes with demonic eyes, every hairstyle and gender you could ever dream of, and instant outfit changes. It really is a miracle!

*camera swivels to focus on Michael Sheen, who is bound in blankets and looking deeply concerned*

Starring Michael Sheen the fae shapeshifter as Aziraphale, the sweetest, most cherubic murderous bitchy angel you've ever seen. Special features include automatic heart-eyes the moment he is faced with Crowley, a charming disregard for casual massacre in the name of God, and the instant outfit changes. Watch him melt your heart before breaking it! Bonus tip: try giving him sushi!

*cut back to the white screen, I am now sitting uncomfortably close to the camera*

Follow Aziraphale and Crowley as they alternatively try to follow and thwart God's ineffable plan, managing to spectacularly fail at both tasks with a consistency that amazes as it befuddles. Featuring alcohol, a bookstore, and metaphorical and literal fire as things get a little... heated in the Bible fandom.

*crossfade to Soho, I walk along the street as the camera follows me*

If that isn't enough to convince you, presenting also, idiot lesbians giving an ancient demon love advice, sexy horsepersons of the apocalypse, an unofficial wedding combined with burning Nazis alive where the most important part is the handing over of a suitcase, and the sexiest MILF witch Agnes Nutter, a literal bombshell.

*cut to disturbing close up of Neil Gaiman's face* *he tries to step away, and is met with my camerapersons*

Watch Neil Gaiman give you hope and shatter it again repeatedly, in a show where the literal apocalypse is only the background to a forbidden idiots who are lovers-to-lovers who are idiots story that is older than Time itself. Armageddon takes a backseat as Crowley serves gender, and if you thought the Antichrist was adorable, wait till you see him in Good Omens, where his evil powers are directed towards being the cutest kid he can possibly be.

*cut back to white screen, I smile ominously while twirling a human bone*

Good Omens, at your nearest Amazon Prime, with free UST, fluff, Queen, and plenty of tears. Don't miss it!

*text rapidly rolls across screen*

[Imagery has been used for representative purposes. No David Tennant, Michael Sheen or Neil Gaiman was harmed in the process of creating this advertisement. Good Omens will have expected side-effects, including unprompted sobbing, a Pavlovian reaction to bandstands, nightingales, holy water and 'the final fifteen', heartache for the foreseeable future, and intense lust for Crowley's elusive gender. Asmi is not responsible for any consequences resulting from the advertised product. Some features have been excluded from the advertisement due to space and time constraints.]

[stuckinthesun]

The Jacket // R.G. x Fem!Reader

Summary

Rick catches you pleasuring yourself while wearing a familiar article of clothing

Warnings

nsfw, dark themes, kinda murder couple vibes, fem masterbation, voyerism, Dom!Rick, mean Rick, teasing, pet names, fingering, p in v, overstim, pussy slapping

Word Count

2.8k

You don’t even remember what you came into his room for. The moment your eyes landed on the familiar brown jacket, your mind became fuzzy and all other thoughts were forgotten.

That jacket.

The one you’ve seen Rick brutally kill dozens of people in, you could even still see blood permanently stained in the wool collar of it. And when you walked into the man’s room to find it just lying on his bed, heat instantly pooled between your legs.

You’ve been in love with the leader of your group since the moment you met him, and that love only grew the more he protected your group from the dangers of the world.

The two of you weren’t together though. There was tension, to long looks and lingering touches, but never anything more. Life in the apocalypse was so brutal and fast paced that it never left time for anything like that, so you were left to pine.

But now here you stood, in his room, staring at his jacket, the jacket you’ve fantasized about him fucking you in countless of times.

You walked further into Ricks room, like you were in a trance, until you were standing at the foot of his bed, and running your fingers along the rough material of the brown jacket.

It wasn’t just the fact that Rick looked damn good in it, that was just a bonus. No it was the fact that, the moment he got this jacket, something shifted.

You remember being reunited with him after the prison fell, under the dirt and blood he was wearing this coat and you remember thinking, he’s different.

You picked up the jacket, it being heavier than you expected, and buried your nose into the wool collar. It was surprisingly soft against your skin as you inhaled, smelling the old detergent everyone used, soap and something that was distinctly Rick.

It was musky and heady and filling you with warmth, making a small whimper leave your lips. Your fingers gripped the material harder, bunching it in your fists and almost hugging the jacket like a pillow.

You should feel embarrassed, you should stop and walk away before someone undoubtably catches you, but you can’t stop. It feels too good when you squeeze your thighs together, thinking about the way Rick looked killing Gareth, wearing this exact jacket.

“Fuck-“ You moan, finally sparring a glance at the bedroom door. Empty, not a soul in sight.

Am I really gonna do this?

“Besides… I already made you a promise.”

Fuck.

In a split second decision, you rush over and close the door, before going back toward his bed. The jacket feels almost heavenly as you slip it on, the smell of Rick enveloping you and making goosebumps appear on your skin.

You’re on your back instantly, fingers undoing the button and zipper of your jeans. You quickly slip your hand under the waistband of your underwear and pants, fingers sliding between your folds and feeling just how wet you already are.

Moaning you turn your head to the side and bury your nose into the wool collar of Ricks jacket again. His heady scent making your eyes roll back and your hips buck against your hand.

Your heart was beating loudly in your ears, the rush of adrenaline only turning you on more and you had to bite the material to stifle your moans. Your fingers rubbed small, quick circles on your clit, your movement’s limited due to your jeans blocking you.

It wasn’t enough, you needed more, you needed him.

A frustrated whine left your lips.

“Maybe it would feel better if you took your pants off.” A deep, familiar voice said, startling you.

You paled with embarrassment when you sat up to see Rick leaning in the doorway. His arms were crossed, and he wore a smirk as he looked at you with amusement.

“R-rick I–“

“Don’t mind me, keep going sweetheart.” Rick cut you off, stepping away from the doorframe and closing the bedroom door.

He turned around and resumed his position, this time against the wooden surface. His piercing blue eyes burned holes into you, making you squirm, “What?”

“Keep. Going.” Rick said, tone dropping and his face changing from amused to something darker.

The heat in your abdomen returns in full force and you involuntarily squeeze your thighs together. You watch the smirk return to Ricks lips as he watches, and with an embarrassed flush you lay back down.

You resume the position you were in before, on your back with your hand shoved down your pants rubbing your clit. This time though, when you turned your head to bury your nose into the jacket, you turned to face Rick.

Soon your embarrassment was forgotten as you let out a moan, your fingers circling your clit just right. You stared directly at the man of your desires, watching for a reaction.

Wanting to see how Rick would react to you touching yourself on his bed, while wearing his jacket.

All you got was Rick pulling his lips back against his teeth, making a ‘tsk’ sound, as he got off the door and began walking over toward you, “You’re so desperate for it you can’t even properly undress yourself?”

His boots rang like thunder against the hardwood floor, and if you were of clear mind you would’ve found it strange you didn’t hear it earlier. Instead the sound just made your hips buck, and you watched as he stopped in front of you.

You whined as Ricks hands touched your knees and slid down your thighs to rest at your hips. He began pulling your jeans and underwear off, and you stopped rubbing your clit, eagerly lifting your hips up to help him.

Suddenly Rick stopped though, and when you looked at his face confused, you saw he was glaring at you, “Did I say you could stop?”

Your eyes widened and you shook your head. This only made his glare deepen and he tilted his head as he said, “Use your words.”

“N-no, you didn’t.” You choked out, feeling yourself clench around nothing.

“Then keep. Going.” Rick hissed, and you nodded frantically as you began rubbing yourself again.

Seeming satisfied, Rick started removing your pants and underwear again, exposing your aching core and your fingers playing with your clit.

Rick stared at you like he was in a trance, and it made your embarrassment come back while adding to your arousal. You flushed at his stare and moaned as his hands ran up and down the inside of your bare thighs, pushing your legs further apart.

You could feel your release getting closer and you rolled your hips as you whined, “Rick please.”

“Please what?” He asked, his voice sounding hoarse and his eyes never leaving your movements.

“Touch me.”

“I am touching you,” He answered plainly, hands squeezing your thighs as if to prove his point.

His grip only pushed you closer to the edge and you let out a frustrated groan, “But I’m gonna c-cum if I keep-“

“Then cum.” Rick said, finally looking into your eyes, “Isn’t that what you wanted? To make yourself cum while wearing my coat, laying on my bed?”

You moaned, arching your back and clenching around nothing, and his eyes flicked back to your center, “Now I just get to watch.”

That was it, that was all it took. You came with a loud shout, hips bucking against your hand and head turning into the wool collar.

Ricks hands were still rubbing along your thighs as he talked you through it, “That’s it, good girl. Let me see just how good you feel.”

You had barely finished riding out the high of your orgasm before you felt two fingers push inside of you, making you gasp, “You’re drenched from just rubbing your clit?”

“Rick wait!” You cried out, trying to move away from him. His fingers inside of you were too much, the pleasure turning painful. His free hand moved to your abdomen, holding you in place as his fingers curled inside of you.

“A minute ago you were begging me to touch you and now you want me to wait?” Rick teased you, that mean smirk back on his face.

A sob escaped your lips and you closed your eyes as tears filled them, “T-too much!”

“You can take it, sweetheart.” Rick leaned down to whisper in your ear, “Tell you what, doll. I’ll stop teasing you and just fuck you, if you tell me what it is you like about that jacket so much, Mhmm? Sound good?”

As if to seal the deal, Rick began thrusting his fingers in and out of you at a brutal pace. You cried out, arching into him unintentionally. Your hands came up to weakly push at him, trying to get him to stop, but it was useless.

“Come on baby, it has to be something.” Rick cooed, pulling away from your ear to watch your face closely, “I mean, you came in here and put it on to touch yourself. Obviously you like it a lot.”

“I-it’s y-yours!” You managed to get out, hands no longer pushing him away but holding on for dear life.

You opened your eyes saw Ricks pupils dilate but he just shook his head, “No. That might be part of it, but that’s not the whole thing. Come on, why do you like it so much? I mean, it still has blood stains.”

The loud moan that escaped your lips startled both of you. Ricks fingers stopped and your eyes widened in panic.

Shit! He’s going to think I’m insane and kick me out and-

The smirk Rick had before was replaced with something almost manic, “So that’s it.”

His fingers were moving inside of you again, curling instantly to find your sweet spot and making you see stars. The hand on your pelvis began sliding up, pushing your shirt along with it, revealing more of your skin as he stared at you in wonder.

“That’s what it is, you like that I’ve killed so many people and walkers while wearing it, huh darling?” Rick asked, and leaned closer to you. His words, his fingers and his closeness were all pulling you back to the edge. The pain from overstimulation completely gone, and now you were rocking against his hand between your legs.

“So what is it exactly that gets you this wet, huh baby? Is it that I’ve killed people? That I’m capable of killing people? Or that I’m willing to protect the people I care about at any cost?”

You looked at him with teary eyes and choked out, “T-that you’d be willing to k-kill for m-me!”

Ricks face softens just the slightest bit, “Oh sweetheart, I’ve already killed for you.”

Your orgasm ripped through you suddenly, making your hips come off the bed and your juices spray everywhere. You didn’t even realize you were squirting, your senses were zeroed in on how Rick felt finger fucking you as you came down from your high.

Soon it became too much again and you started pushing at him, and this time Rick actually took pity on you. He slipped his fingers from your sopping cunt and put them in his mouth. You heard him moan around the digits as he licked them clean and you blushed when you finally realized what a mess you made.

The front of Ricks shirt was soaked, along with the bed and the jacket underneath you. You blushed deeper at the thought and covered your face with your hands as you huffed out tiredly, “I’m sorry for- Ah!”

You were cut off by a rough slap to your pussy, sending a shockwave through your body and making you flinch violently. You uncovered your face and looked at him, completely taken aback.

Rick just glared at you as he began unbuttoning his shirt, “Finish that sentence and I won’t fuck you.”

Your eyes widen and you instantly clamp your mouth shut. He smirks, shrugging his shirt off, “Good girl, now undress for me.”

Sitting up, you only hesitated a little before letting the jacket slip from your shoulders and pool around your waist. As you pull your shirt over your head, you hear the buckle of Ricks holster. Throwing your shirt to the floor you watch as he sets the gun on the bed next to you.

The idea of fucking with it on the bed makes you squirm in excitement.

The sound of a belt buckle draws you back to the man standing above you, and you look up to see him smirking at you, “You’re one kinky little slut aren’t you?”

You blush a look away from him, instead focusing on unhooking your bra. When you finally got the damn thing unclasped and you let it fall from your chest, you heard Rick make a noise.

Looking up you saw that he was staring at you again. This time at your now exposed chest, and he reached one hand out to squeeze one of your breasts, while the other pulled his belt from the loops of his pants.

You sighed at the feeling of his palm pressing against your nipple, “Please hurry Rick, need you.”

“So impatient for someone who���s cum twice,” Rick teased, letting go of you to pull himself out of his now unzipped jeans.

Then he did something that both shocked and delighted you.

Rick reached down and slid his jacket from around your waist, before bringing it up and slipping his arms into the sleeves.

You shivered at the sight of him, in that jacket, and you can’t help the little whimper that escapes you. Then you realize the positions you’re in, him fully clothed except for his cock and balls, and you completely naked and already soaked in your own juices.

“Fuck,” You moan, and you just can’t help yourself anymore. Reaching up, you grab the collar of the jacket you love so much, and pull him in for a kiss.

Rick instantly kisses you back, one of his hands coming up to hold the back of your head as he pushes his tongue into your mouth. You hum into him, and allow him to push you on your back.

You feel the drag of his cock between your folds, gathering your slick up, and you moan breaking the kiss. Ricks teeth sink into your bottom lip as you feel the head of his cock push against your entrance.

Letting your lip go he groans, “You’re gonna take my cock like a good girl, right?”

“Yes! Yes please let me take your cock please!” You cry out, desperately trying not to roll your hips to try and push him inside of you.

“Good,” Is all the warning you get before Rick pushes fully inside of you in one thrust. You cry out and instantly wrap your arms and legs around him to ground yourself.

You didn’t really register how big he was a moment ago, but now that he’s inside of you, you can feel every inch of him splitting you open.

“R-Rick!” You sob, shaking in his arms, and you feel his beard tickle your skin as he kisses along your neck.

“Take it sweetheart, I know you can.” He growls against your skin, biting down in the crevice between your neck and jaw.

You barely got a moment to adjust before Rick started moving. His thrusts were quick and hard, making your eyes squeeze shut and your toes curls. One of his hands gripped your thigh so tight you were sure you would have finger shaped bruises, while the other stayed planted next to your head.

“Fuck,” It was Rick who moaned, and the sound made your eyes roll to the back of your head, “Feel so good wrapped around my cock.”

“O-oh god,” You whine, lacing your fingers through his hair and tugging.

“Shit baby,” Rick groans, hips stuttering slightly. “This what you wanted, Huh? Me fucking you while wearing this jacket you like so much?”

“Yes! Yes fuck!” You yell, rocking your hips to meet his, “I’m so close Rick please!”

“Come on baby,” Rick grunts, squeezing a hand between the two of you to rub at your sensitive clit, “Cum for me, cum on my cock.”

It only takes a few more thrusts before you do exactly that. You cum so hard it almost hurts, nails digging into Ricks skin so hard you’re probably drawing blood.

The feeling of you squeezing around him like a vice pulls Rick right over the edge with you. He spills inside of you with a grunt, filling you with his hot seed.

You lay there limp when you come down from your high, limbs slipping from around Rick as he carelessly pulls out of you and fall to lay down at your side.

You’re both breathing heavily, you’re throat feels raw from how much you screamed and the cum cooling between your legs feels gross.

You’ve never felt better.

With a happy sigh you turn your head to the side to see Rick already looking at you. There’s a smile on his face and his eyes hold that same amusement from earlier.

“So… my jacket, huh?”

You playfully push his face away.

…idek