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#apparently i like stede a lot
tabbystardust · 2 years
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I posted 3,125 times in 2022
That's 3,078 more posts than 2021!
128 posts created (4%)
2,997 posts reblogged (96%)
Blogs I reblogged the most:
@appleteeth
@blakbonnet
@his-name-is-ed
@gaylittlepirates
@stedebonnets
I tagged 2,925 of my posts in 2022
Only 6% of my posts had no tags
#our flag means death - 2,357 posts
#blackbonnet - 1,188 posts
#fan art - 650 posts
#stede bonnet - 591 posts
#blackbeard - 212 posts
#edward teach - 208 posts
#rhys darby - 140 posts
#lmao - 134 posts
#shut up tabby - 107 posts
#lucius - 95 posts
Longest Tag: 135 characters
#i had no idea that ofmd existed and then there were gifs of gay pirates all over my dash and i thought yea i should probably watch that
My Top Posts in 2022:
#5
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A nice little costume detail: after the breakup Stede has black ribbons on his shoes.
788 notes - Posted May 19, 2022
#4
I want a scene where Stede has to tell his crew that he won’t be able to pay them anymore and that they’re free to find some other ship if they want.
And then everyone is like “it’s fine you don’t have to pay us and we’re staying because you’re the best captain wait what’s wrong why are you crying Stede are u okay”.
931 notes - Posted August 4, 2022
#3
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1.03 | 1.09
1,009 notes - Posted May 1, 2022
#2
OFMD Season 2 plot twist: Ed wants to buy Stede all his fave books back but can't find Pinocchio anywhere and no-one has ever heard of it because it hasn't been published yet
1,159 notes - Posted May 12, 2022
My #1 post of 2022
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“Our Newfound Love” by tabbystardust [AO3]
Stede has never been with a man before. Ed is going to be very gentle with him.
2,559 notes - Posted November 14, 2022
Get your Tumblr 2022 Year in Review →
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starks-anthony · 2 years
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And I will not shed a tear For the death of us, my dear ‘Til the blood that’s on my hands Fits the face that’s in the mirror
Edward Teach x Stede Bonnet // I’d Be Fine (If I Never Saw You Again) - All Time Low
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sungmee · 2 years
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ECCC 2023 OFMD Panel Highlights:
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vico showed up in izzy cosplay, they all were very excited at having a room of 3000 people cheering for them
on being asked about becoming sex symbols: "there's nothing sexier than kindness" -rhys
vico talking about how they had no clue on sailing and boat things, saying "starburst" instead of "starboard"
rhys started making sheep noises with a dad joke and then they all just started doing sheep impressions. samba's was basically just a scream
vico standing up and showing off their sword "wait that's a real sword" "how did you get that through weapons check??"
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a question about who in the cast probably reads fanfic, they said nathan, paused, then said "i think con reads a lot of fanfiction"; samba gave a shoutout to rizzy
one word for what their character gets up to in s2: vico: serious gooseness (as opposed to silly gooseness) rhys: fantastical samba: let's just say there's more screaming
alex sherman apparently said s1 stede was a puppet becoming a real boy and s2 is stede becoming a man
on what cryptid stede would like best, rhys said "stede would go for the mermaid...or the kraken"
musical episode question, what song their character would sing: vico: tu pirata soy yo samba: let's get it on ("as he's torturing somebody") rhys: rainbow connection
samba: you know, karl dies- rhys: WHAT
rhys: i wish i had stede's hair samba: YOU DO
last question was what the toughest episode was to film samba: spoilers for s2?? moderator: how strong is your NDA? samba: very strong. there's a sniper in the room
then vico said ep 2 was the toughest and rhys said there's more physical stuff happening in s2, he had to workout, and samba got all the BTS
no release date or trailer, but it was a great panel with good questions and thoughtful answers
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Never felt more like Stede Bonnet than when I was at the airport for a 5 am flight out of Arizona and TSA confiscated my prickly pear marmalade (I don't fly a lot and I didn't know jams count as liquids apparently). I think that's the closest I'll ever get to feeling like an entitled White person. Absolutely fuming at 3 am angrily texting my friends about how unfair it was that they took my marmalade.
Anyway thinking about Stede Bonnet in the same sitatuation is hilarious. He's texting Ed like
Stede: the fucking BARBARIANS took my marmalade!
Ed: it's okay babe we'll just buy more
Stede: it's about the principle of the thing. They STOLE from me, EDWARD
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bemusedlybespectacled · 9 months
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Question: I enjoyed s1 OF OFMD, but for various reasons I never actually got around to watching s2 (pick up most of the plot from tumblr tho). What exactly went wrong in s2 that got so many people upset?
Oh, boy. Very long rant incoming.
So, for context, S2 had a significantly smaller budget, which necessitated moving the filming location to union-unfriendly New Zealand, reducing the number of actors/number of appearances of established actors, and cutting down the number of episodes from 10 to 8. In a show where each episode is only about half an hour long, that last one alone was enough to seriously hamper any character development or plot. I am very comfortable putting the vast majority of the blame on HBO because of these financial decisions.
The short version is that Jenkins et. al. needed to address and build on the problems left hanging in S1 while also getting the characters to the end of their character trajectories in case there was no S3 while also leaving room for additional episodes in case there was a S3, in a grand total of four hours, and failed.
The long version is that there were a bunch of what I'd consider small problems in isolation that came together and exploded in the S2 finale.
The reduced cast necessitated breaking up the crew (ex: having Swede marry Jackie and stay on land with her, so they don't need to pay Nat Faxon for all eight episodes) and not spending as much time on their relationships as S1 did.
The reduced time meant that the entire season was rushed (in contrast to S1, which takes place over at least several weeks if not months, most of S2 takes place in roughly five days), leading both to a lot of telling rather than showing (because they don't have time to show you), including vital character and relationship development.
This includes:
Having the Kraken half of the crew beat Ed to death after months of being abused by him – abuse that is clearly shown to have given them PTSD and a well-justified fear and hatred of him – only for them to be okay with him two in-universe days later;
On that note, having Stede dismiss the crew's concerns about Ed because he loves him and also we only have three more episodes left to fit in everything so we need to get over it really fast, even though Stede is supposed to be well-meaning and caring (even if he's not good at it all the time);
Resolving the issue of Stede abandoning Ed in one day, then having them "go slowly" in their relationship for two days and then have some spur-of-the-moment sex, and then the next afternoon have them break up over their diverging career aspirations, and then the day after that resolve that problem and retire on land while the rest of the crew sails off into the sunset;
Stede becoming a fantastic pirate captain over the course of one day, becoming wildly popular in the piracy world two days later, and then deciding the day after that to never be a captain again because he is retiring with Ed;
Having Ed and Stede decide to retire together as what is implied to be the end point of their relationship arc, when none of Stede's issues from S1, like his poor self-esteem, have been so much as mentioned by anyone, implying that he's either magically gotten over them or they don't matter all that much, actually, even though they were the catalyst for basically everything he did in S1;
Ed having two separate character crises – "I am an unlovable person" and "I want to do something with my life other than piracy" – not spending a lot of time on either one, having moments that clearly indicate he is still working on both problems and they have not been resolved, and then apparently having them both be resolved in the final episode despite nothing occurring to actually make that happen, and in regards to the latter, despite the story actively undermining it by repeatedly showing he can't do anything other than piracy;
Related to the above, Ed ending the series as allegedly being loved by the crew as a family (thus solving Crisis #1) despite this never actually being shown, demonstrated, or even fucking alluded to onscreen. If anything, it shows the exact opposite.
This last point is especially galling to me because of what is probably the most divisive issue in the fandom right now: killing off Izzy Hands after giving him seven episodes of character development.
The show begins with the Kraken crew clearly trying to use the skills they learned as part of Stede's crew to cope with their incredibly shitty situation and care for each other, which includes Izzy. Izzy, on his end, tries to protect the crew and speak up for them, which results in him being repeatedly hurt (both implicitly, as Ed at one point says "that's another toe" in response to Izzy advocating for the crew and we later see he's missing more than one toe already, and explicitly, as Ed shoots him in the fucking leg in front of the crew when he stands up for them).
This camaraderie is shown again and again and again. Frenchie, Jim, and Archie take care of Izzy while his leg is infected, at risk to their own lives. Izzy's misery over losing his leg is what unites the PTSD-ridden Kraken crew and the well-meaning-but-ignorant-of-PTSD marooned crew, who are initially at odds, to make him a new prosthetic leg. Izzy gives Lucius advice about forgiving Ed. Izzy is introduced to drag and opens up enough to sing at a crew party, and the whole crew is having fun together while Ed and Stede are in their cabin having sex for the first time. Izzy gives Stede pirate captain lessons and bonds with him when Ed leaves him. Izzy provokes the season's villain into focusing on him and then gives a big speech about how piracy is about belonging to something, giving the rest of the crew time to try to escape.
Recall that Season 1 had some pretty well-established universe rules, one of which was that it runs on Muppet physics/magical realism. People can jump off yardarms, hit the side on the way down, and be perfectly fine. People can get stabbed in the liver and it's totally okay because it's probably not that important, and even can stay pinned to a mast all night that way with only mild discomfort. Buttons can talk to birds and see long distances without a spyglass and put hexes on people. Good people can be hurt (Stede is stabbed repeatedly), bad people can die (the Badmintons, Geraldo), but no one we care about is ever killed.
This is repeated in Season 2: Ed is beaten into a coma with a cannonball and wakes up like Sleeping Beauty after a spirit journey, with no injuries to his face or body. Buttons turns into a seagull after spending an episode doing a magic ritual and is never seen again (because they couldn't keep paying Ewen Bremner due to the budget cuts). Jackie microdoses her husbands with poison to build up their immunity, so that she can later pull a Dread Pirate Westley and poison the British with shared drinks.
So: in the finale, the villain of the season is taken hostage by the pirates (for reasons? unclear how that fits in the plan), happens to have a gun on him (no one checked??), shoots Izzy on the right side and then leaves with no repercussions. The entire crew stands around silently doing nothing while Ed cries over Izzy and tells him that he's his only family.
And Izzy fucking Hands, the guy who just spent eight episodes bonding with and protecting everyone, uses his last words to reassure Ed that him becoming Blackbeard/the Kraken was Izzy's fault and that the crew is Ed's family and they all love him. No one else says anything to Izzy or tries to comfort him or help him in any way.
I repeat: in a show predicated on the idea that bullies and bigots die stupid deaths while queer people and POC are basically magic, a show that was praised for being kind to queer people by not making them worry about their faves suffering or dying, a show founded on the strength of the relationships between the characters, the guy who went through a season-long arc of learning to embrace his pirate found family and his own queerness is shot for stupid reasons on the side we're told isn't important and dies while everyone just stands there. His last words are about the whole crew loving Ed when the only person that the whole crew has loved all season is him.
Anyway, never mind all that, let's cut to Lucius and Pete getting married and Stede and Ed retiring!
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Complicating all this is that people who liked Izzy (or even said anything insufficiently mean about Izzy) were harassed for months in between seasons with insults, slurs, and actual fucking death threats. Izzy's growth was kind of a vindication for liking him: it meant that, despite all the harassment, we were right to like him and care about him as a character. Even people who didn't like him initially started to like him during Season 2.
And then he dies, and now there's a bunch of people saying that Izzy fans are big whiny babies who can't handle fictional death, and actually his death was so meaningful and beautiful and the only logical end to his arc, and it can't be bad writing because people die in real life all the time, and also he admitted he fed Ed's darkness so actually he was a terrible person all along anyway and they were right to hate him (and his fans)!
So, yeah, there are a lot of reasons why it's so hated, and I'm probably only addressing the problems of the pro-Izzy people (from what I can tell, BlackBonnet shippers who don't like Izzy think Ed and Stede's relationship is fine and dandy, but I'm sure that there are other criticisms they have that I have not addressed). I'm not even addressing the issues with Jim and Oluwande's relationship this season (and whooo boy are there issues).
It wasn't a universally bad season. There were episodes I really loved and still do. But the finale was a train wreck, and because it was a train wreck, a lot of people are looking back at what happened before the wreck and realizing that, oh, the train lost its brakes and steering because of the budget cuts and the engineers kept throwing fuel in the engine to make it go faster, and huh, now that I think of it, that part earlier in the trip was really wobbly but I didn't pay much attention to it at the time because I was sure the engineers had everything covered.
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teeny-tiny-revenge · 4 days
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So I hear we're doing asexual Sunday this week and I'm gonna contribute by extending the theme a bit into romantic orientations and floating the idea of demi-romantic Ed by you guys. There's been several posts on demi-sexual Stede (and I really like this headcanon for him), and a few demi-sexual Ed takes, but I feel like some brand of allosexual but demi-romantic Ed has merit. It's fairly clear canon that Ed has had casual sex and liked it even if not all of it was particularly satisfying apparently, the poor guy feels like he has to specify he wants orgasms with his intercourse, thank you.
But Ed is falling in love the first time with Stede. He's in his fourties, and yet this experience of falling in love blows him over like you would expect for a much younger and less experienced person. I know a lot of people like to read Ed's falling for Stede as love at first sight, instant crush, but it's as easy to read what we see on screen as friendship at first sight and then a slower falling in love with your best friend as is more common for demi-romantic people. Ed never seems confused by being attracted to Stede sexually, he can easily go for flirty swordplay and run me throughs, but what renders him wide-eyed and stunned is the moments when he realises that oh fuck is this romance happening to him? You wear fine things well 1.0 is all about Ed finding himself being romanced and he's utterly bedazzled by it. He did not see this coming at all. Romance has never happened to Ed before. Maybe he thought about it, maybe he dreamed (did he dare dream, or did it seem too made up, too unrealistic to be a possibility?). But the actual experience of falling in love? Of finding someone who just gets him, of finally finding a real friend, and then realising oh shit oh fuck he's in love with his best friend? He has no idea how to handle that.
Of course you can read everything as just being circumstances rather than any orientation stuff going on, but I think I just like the additional bit of character drama added by having gone all his life not really believing romance is a thing (or that it isn't a thing that happens to him), because it really never did happen, and then suddenly boom, on top of finally making a real friend he can be vulnerable with and finally starting to embrace his desire for retirement/a softer life/etc now there's also this entire romance thing happening and how is he supposed to deal with this.
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bizarrelittlemew · 1 year
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the saddest line in the trailer
at first I was too distracted by Stede's plunging neckline and gold earring to fully realize why this kept nagging at me but:
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"I've been a failure my whole life."
and the way he says it:
as a matter of fact, because he fully believes it – it's an integrated part of his self-image
to comfort someone else (presumably), meaning that even though it is sort of similar to Ed's "I'm not a good person" from s1e6, this scene doesn't seem to be about Stede getting comforted – he is just throwing that line in there
with the follow-up line of "It's not so bad once you get used to it," because he is used to being called a failure by everyone around him, even when he was a kid, so much that he doesn't question it
and yeah, Stede fucks up a lot and can be a bit air-headed/naive and overestimates his abilities (Stede's super high confidence vs. shit self-esteem is a central part of his character), often to the detriment of himself and everyone around him, but his biggest "crime" growing up was simply that he was different and didn't live up to the norms of masculinity. and this is what caused him to be made to feel like a failure by the world around him.
(putting the rest under the cut because I have a lot to say apparently lmao ⬇️)
idk it is just so sad that after everything that happened at the end of season 1, he still echoes his father's and the Badmintons' words when talking about himself (and his own "I'm not a pirate, I'm an idiot" from s1e1). he still has a lot of growth to do.
and while it's good that he embraces his own shortcomings (and I hope he stays a loser in many ways <3) and the show reinforces that you don't have to be perfect to be worthy of love/that you are worthy of love just as you are, it is just. idk SO SAD to hear him say that about himself so earnestly
but do you know who doesn't let Stede self-deprecate?
THIS GUY, FROM THEIR VERY FIRST DAY TOGETHER
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from telling Stede he isn't such a terrible pirate (at least he's alive), to not letting Stede call his own ideas stupid, Ed likes Stede for who he is WHILE not letting him talk bad about himself like that.
now we can't know who Stede is talking to in the scene in the trailer, just that it is someone with long dark hair:
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and it could be someone else (to me it doesn't look quite like Ed's hair, but the quality/lighting makes it difficult to tell), but if it IS Ed, it has the potential for him to (once again) go against Stede's negative self-talk 😌
I am so interested to see how this scene plays out and I REALLY hope we get a scene mirroring the bathtub scene (even if it's not this one) but with the roles switched ✌️
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queermediaanysis · 11 months
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Bottle It Up: the most tangible theme in OFMD s2
So looking at s2 through the (super fucked up) lens that Jim asking Frenchie “How are you handling all of this so well?” And Frenchie responding by saying he puts all the terrible things in a box in his mind and never opens it again was the lesson everyone was supposed to learn this season and like, that’s there in the text more than anything else and I hate that.
Frenchie is handling everything well because he’s putting it in the box and never addressing it again.
Izzy finally says he has love for Ed, everyone is worried about him, the atmosphere is toxic and suggests talking it through and Ed goes on deck and points a gun at everyone as he asks them to talk about it, and when Izzy finally does address the reality of things and speaks Stede’s name aloud he gets shot in the leg.
Lucius isn’t talking about what happened. Avoidant about the Rat Boy name at first, says he fell off the ship, can’t remember when he picked up smoking.
Stede asks Lucius to talk to him about what happened after he was pushed off the ship, and Lucius starts to and almost immediately Stede runs away saying to save the rest for Pete.
Lucius says he talks to Pete and Stede says “please tell me you held back on some of the darker stuff” and Lucius confirms he did because Pete got nauseous and started crying.
Lucius tells Stede he should look past the man he loves and examine all the awful things he did, but Stede brushes it off and doesn’t do that.
No one will tell Stede they killed Ed. (Arguably this is for their own safety as well but it fits the whole “we’re not talking about the hard stuff” theme so I’m including it)
Ed finds out Stede went home to Mary through Anne Bonny. Stede begins to try to explain but instead, Ed smashes his chair against the wall and walks off. They have a very brief conversation without mention that Stede was kidnapped by Chauncey then watched him die.
Ed gives his influencer non-apology that was clearly written by Stede to the crew, and everyone but Lucius and Izzy seem to have forgiven him. During the “apology” Jim talks about how it made them feel and Stede shushes them so Ed can keep not apologizing. Afterward, for some reason, Jim says immediately says “I thought it was pretty solid for him” Archie says that’s how it goes in situations like this, Roach has never heard an apology before so they’re all good apparently now.
Lucius pushes Ed off the ship but isn’t okay yet. We’re addressing the trauma here and trying to make it right (even if it’s in a messed up way); we’re finally talking about it directly, but Lucius isn’t okay after this.
Fang tells Ed he’s not mad at him because he got it all out of his system when they beat him to death.
The whole Lucius/Izzy exchange “A shark did this to me. Dangling my legs over the side of the ship, served me right too.” “Okay, that seems healthy. Using a bit of fiction to cover up your trauma.” “Not moving on is worse.” (Another point at which Lucius wants to resolve trauma and he’s told no, don’t talk about it)
Lucius is clearly coping poorly and tries again to talk to Pete about how he almost died and Pete says he should find him when he’s no longer thinking about his trauma (“find me when Blackbeard isn’t living rent free in your head”) and that Lucius should talk about how he lived instead. Lucius then seems to decide that he’s fine, proposes to Pete, and is seemingly okay after that. (5th point in the story when Lucius tries to talk about something to heal and is told no in some way, and here is when he finally seems to moves on and is played as “better” after this)
Izzy’s drinking a lot even after he’s not totally dysfunctional like at the end of ep4.
The only Ed apology to Izzy is “Sorry about your leg.” With no eye contact as he’s walking away. To which Izzy responds “Fuck off.” After Ed’s out of ear shot.
Stede suggests Ed can absolve himself of everything by “turning the poison into positivity” and selling his treasure he got during the time he was abusing the crew to buy party supplies. Stede later says at the party that yes, Ed has achieved turning the poison into positivity, though Ed has done nothing by throw money at the problem.
Stede ignores Ed’s warning about not being able to come back from killing in cold blood and kills Ned Low.
Stede is visibly upset and Ed goes to check on him and begins to start talking, but Stede wordlessly grabs him and slams him up against a wall and then they have sex (which Ed has requested to wait on) instead of talking about it.
Ed decides he’s leaving to become a fisherman because Stede is infamous now and Ed’s been wanting out of that life so there’s a brief disagreement where not much is said and then he leaves.
“I’m sorry I was such a dick.” Is the biggest apology we’ve gotten all season. It’s immediately dismissed as “you’re not a dick. Life’s a dick.”
No one in the crew seems to be mourning Izzy’s death and we as the audience seem expected to move on from it very fast. Avenging his death is proposed by Zheng but then it cuts to nope, we’re done with that and we’re inn keepers now instead. Put the terrible thing you’ve seen in the box and never open it again.
I’m definitely sure I forgot some of these and it felt at first that these were being set up to be played negatively because this is the don’t-bottle-it-up/healing-from-our-traumas show but that just doesn’t play out. Like so much of it’s either dismissed without reason, played as a joke, or framed as acceptable and the fact that I could pull so much more of this stuff out of the text than I could any other potential thematic element does has me just so baffled. I don’t know what to do with it.
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sapphicsigh · 11 months
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I don't want a 3rd szn without Izzy. I just don't. Call me dramatic or whatever, but I'm so genuinely heartbroken by his death. I feel so betrayed. Izzy was the heart of the show, and now he's gone.
The aftermath of his death felt rushed, he wasn't buried at sea (like what the fuck, a lifelong pirate like Izzy would've wanted to be buried at sea) and the crew was just happy to get back on the revenge and set sail without their unicorn? Everyone just gets a happily ever without Izzy? Izzy died a painful death shot by a pompous asshole and for what? Some metaphor about the end of the golden age of piracy? Piss off. Closure for Ed? That could've been achieved a number of other ways. Izzy couldn't get any assurances that HE was loved? Even on his fucking deathbed? The man who protected the crew with life and limb? It doesn't feel right, and it never will. Izzy deserved so much better, and so did Con.
And worst of all, perhaps, is that Djenkins was planning on killing him all along. The whole time, while we were falling in love with the little angry man, rooting for him and rejoicing when he wore makeup in front of the crew and was vulnerable with them...he was a dead man walking.*
*I've seen ppl make rlly good points about how death was treated throughout the show and I wanted to add that context here. If I can find whose post I'm thinking of, I'll tag them
**Edit: Izzy's death was an incredible shock. EVERYONE ELSE IN THE SHOW survived their near death experiences!!! Stede got choked near to death, stabbed (twice!), and survived all of that unscathed. Ed got his head smashed in by a FUCKING CANNONBALL, pumbled by the crew and made it out with barely a scrape. Even Calico Jack could've (apparently) escaped death after being shot with a goddamn cannonball. The Swede was poisoned but was already immune to it. Wow! We (at least I felt this way), as an audience, believed that there wouldn't be any character deaths due to the overwhelming evidence we'd been given thus far. So after alllll the in show evidence that the laws of medicine or physics don't apply to ANY of the pirates, why suddenly apply it when it comes to Izzy? Hmmm??? It makes no fucking sense. It's cruel and unusual punishment. They really killed off the queer disabled elder??? Jesus christ. Did not a single person in the writer's room have a qualm about it? The optics alone are bad. But more importantly, killing off the queer disabled elder is inherently political, whether djenkins thought of it that way or not (& i dont think he did). The mere existence of queer people is inherently political in a society (the US), which wishes for our eradication. So killing off a beloved queer disabled elder, on a show which seemed to promise us queer joy and a happy ending, IS POLITICAL. it's a slap in the face and a punch through the fucking gut.
It feels doubly awful because we, as an audience, were given something we've never had before, an unapologetically queer show. One that didn't soften or censor itself for straight viewers. It was created with such love, at least it felt like, for us. So to be given that gift, and to feel recognized and seen and appreciated, only to have it snatched away...
I can only speak for myself, of course, but it's genuinely heartbreaking. I'm so utterly disappointed. I wish so badly that Con got more time with Izzy. I think Izzy means a lot to him, and he means a lot to us, too.
❤️‍🩹🦄❤️‍🩹I love you, Izzy, and I always will. Rest in peace, my little meow meow, you were and are so loved.❤️‍🩹🦄❤️‍🩹
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naranjapetrificada · 1 year
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I don't know who needs to hear this* but the healthiest thing would be if Ed gave the pearls to himself. Like yes Romance™ but I desperately hope Ed starts wearing them because he's a Strong Independent Pirate Who Don't Need No Man (or Toxic Masculinity). I need them to be a sign that he's healing his own issues long before the reunion and I believe in DJ's ability to wow us with something much more disarmingly romantic than a gift of jewelry from Stede, however sweet that might seem on the surface.
*lots of y'all, apparently
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carrymelikeimcute · 1 year
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Lets talk about Izzy and why being in drag is (potentially) huge for his arc.
The verdict on Izzy in S1 seems to be either 1. he's an angry, repressed queer guy with internalised homophobia or 2. he's an angry guy with homophobia. I would like to present to you - secret option number 3. Neither of the above (but a bit of 1).
I think he's an angry queer guy, who's terrified of the danger that lurks outside of appearing constantly masc and strong, and seeing other people apparently not realise or care how vulnerable they are, drives him absolutely spare. It's more complicated than simply internalising homophobia, it's misogyny and self-loathing and a response to being at sea for his entire life and struggling to survive - and we see what just a few months of that does to Lucius.
This is reflected in his talks with Ed in S1 - Ed's whimsy in the face of the approaching Spanish ship might get them all killed. Ed's public breakdown, if it got out, would destroy the reputation that protects Ed, Izzy and their entire crew. Stede is a pet, he's a weakness, and so he needs to be eliminated. That's how Izzy functions - he has like two bits of exposed skin, one outward emotion and he's lived for a long time like that - it works. It's the kind of strength he understands. He's convinced that him reining Ed in is what's keeping them alive.
BUT in S1 he sees that being open, being yourself, isn't a death sentence - and he HATES it. Because if that's true, look how much time he's wasted.
Ed and Stede's very whimsical lighthouse fuckery WORKS. Stede, in his frilly suits with his rec room and his fucking library, skates past death over and over again like he's scotch guarded from consequences. Ed and Stede make moon-eyes at each other and no one uses that against them - until Izzy does, because it's going to happen sometime (he thinks) so it's better it's him, because at least then Ed will survive.
Lucius is just hooking up with Pete in the galley while Wee John is right there - this is something that's an unspoken part of ship life, a shameful thing, and Izzy's the only one it bothers. Lucius uses flirtation to get out of scraping barnacles under armed guard, and uses it again to shut Izzy down. Lucius isn't ashamed of being flirtatious, seductive and femme - and Izzy loses to that tactic. He can't beat it with yelling and anger. It's a sort of strength he doesn't expect or understand - the strength that comes from knowing who you are. Of 'carrying yourself like you're cute' - because if you're confident, it'll work.
But he still has a huge amount of resentment for anyone who is allowed to be themselves - because he can't be. Especially in Ed's case - one of them has to be 'the strong one' and he thinks that's him.
Then, Season 2 happens.
In the space of a few episodes, Izzy learned that sharing your feelings is fucking difficult, painful and takes a lot of courage. He's had no choice but to be weak, spilling out all these ugly emotions and being physically dependant on others and in that weakness he wasn't destroyed - he was rebuilt. A little bit of that guard comes down and it doesn't kill him. So, he takes his shirt off and no one stabs him in the back. He's got a gold unicorn leg and he still absolutely wrecks shit up on a raid. He does something a little arty, opens up a tiny bit to Lucius, and he still doesn't die. It doesn't make things worse, it makes them better.
Enter, the drag episode. Suddenly, we've got Izzy in drag. A masculine style of drag, but still, drag. All that internal change, the shifting meaning of strength and masculinity, is externalised, but he's still himself - his face tattoo is redrawn as part of the makeup because it's still his face, if anything, it's MORE his than ever - AND THEN THE SHIP GETS ATTACKED, his worst nightmare - he's as far from hyper-masc as he can be, and now he's in danger.
BUT
In the teaser, we see Izzy telling people who are, presumably there to torture him and the crew, that it's just going to turn him on. He's using Lucius' technique of disarming people with flirty banter. I can't see S1 Izzy being able to do that.
He gets to dress in drag, be sassy and still win a fight because he's strong as shit and that doesn't go away just because he allows himself to be other things too.
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apostatehamster · 11 months
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Oh no! Another person's 2 cents on the OFMD finale situation!
Yes, because unfortunately my mind still hasn't settled and is in a state of disbelief over what happened, and I am trying to unravel all of this to make sense of it. Written from the perspective of a sad Izzy fan, so if you do not care to read about that or are simply tired of reading these mind pieces... well don't. And do not bother interacting.
I want to preface this by saying, I do believe Writers should be writing the story they think is right. It is impossible to please everyone so I prefer Author's sticking to their vision rather than bending to the loudest (in most cases, read: displeased) voices of the audience. However, I also think people are entitled to voice their displeasure over writing decisions in a constructive way. I don't condone hate towards authors, actors or anyone involved in the making of the show and if you feel angry enough to send hate or threats, take a walk and calm down instead of being a jerk. That being said, I watched many shows with decisions I did not agree on and few made me as angry & sad as this one, hence me trying to dismantle why.
False marketing, expectations and broken promises
Frankly I hadn't seen much advertising about the show before, most of it was fandom activity that praised the show as feelgood and comfort, with good queer representation. I got into it pretty late, so I can't tell what the show itself presented itself as, but to me it seemed like they fully embraced that image and encouraged the show to be perceived as such. It's a rom-com after all, many laughters and sappy feelings. A safe space-ship for outcasts, so to speak. We expected drama but also making-up and possibly more shenanigans. What we did not expect, was a rather prominently featured character dying as one got used to happening from other shows.
OFMD promised to be different, or at least that was my and many others' impression, and then it turned that around in the last 10 minutes of the finale. But more about that and tonal shifts later.
What baffled me most were the interviews hailing in at the start of season two. I've read articles about how season 2 was leaning into the Ed/Izzy/Stede triangle with David Jenkins saying these three "are on an arc together that’s pretty inseparable". I mean we had Izzy being called a jilted lover before, and in addition to Ed & Stede's love declaration, we also had Izzy declare he had love for Ed, and Ed as well saying He loved him, best he could. There was a lot of love, but it was complicated, and the article gave hope that this season would sort this out.
But after the finale, we got interviews that declared Izzy was a father/mentor figure to Ed, which is such a weird claim that is absolutely unfounded in the way the characters interacted with each other, as well as the fact that Izzy's death apparently was something planned from the beginning as an ending to his arc. And well, I find that death separates characters quite definitely.
I am not saying that Steddyhands was promised to us, gods no, but we were definitely given a chance at it happening, when in fact, the ending had already been written as the complete opposite.
Reception and cognitive dissonance
Every person is different and thus has different feelings and opinions. I've seen Izzy fans hating the finale obviously, I've seen Izzy fans who said they liked it. I've also seen people who weren't explicitly Izzy fans say, they did not like the finale, so really, opinions can go any way.
However what baffled me is Jenkins feeling he delivered a truly happy end. Personally, I've never watched a character die and thought "This makes me happy." I especially would never describe a character struggling through hardship, just to ultimately die as happy or beautiful. I can only imagine that the focus was on Ed and Stede, when a happy ending was mentioned, but Jenkins kept pointing out in the interviews, how Izzy was his favorite, which gave hope for a happy ending for Izzy as well. As much as I enjoy seeing my favorites go through hardships, I also prefer to keep them around by not dying. I especially do not build my favorite up to be a well fleshed out character with growth, just to reduce them back to a plot device for the main character.
I know this is all based upon the interviews, and less on the show, but when I read "And what's the most interesting thing we can do with Con[...]?" my answer definitely wouldn't have been "kill his character off". Con O'Neill does a great job at playing emotional scenes, but we already had him act his heart out in the first three episodes. A last hurrah wasn't needed.
I am also trying to put myself in David Jenkins' shoes here, because I think he truly expected the last episode to be a happy ending, and a gift, just to be proven differently. I just wonder what went wrong, how one can read the room so completely wrong.
It wasn't malicious, but the fact that it was apparently meant to be a genuine attempt at offering a happy end makes it even worse.
Tonal shifts and established in-Show laws
It's an understatement to say that the tone of season 2 was decidedly more dramatic. To the point where I questioned myself if this was still allowed to be called a comedy show. I would have described season 1 as mostly slice-of-life, little adventures between the crew and the captains. People got hanged, fingers severed, people got stabbed, but you never felt the threat of actual death hanging over anyone's head, because everything was kept humorous. (Speaking of the non-baddies here. Calico Jack got a cannon ball to the head but with plausible deniability of his death & (apparently) an interview saying he could be brought back, if needed)
Enter season 2, which starts off with murder attempts, major wounds and a suicide attempt. Nothing was played off as a joke, and for that I am grateful because that would have been in poor taste, but the tone was noticeably different and darker. But it still wasn't 'realistic' by any standard. With no real doctor on board, Izzy should have died from his wounds and comatose Edward would have wasted away in the hidden cabin. Everyone came out (fucked up but) relatively fine.
The show goes back to the humorous tone with Anne & Mary who enjoy a good backstabbing and poisoning. We had our crew surrounded by death and a curse in the next episode, but there was any fear of them coming to harm, obviously. The crew gets boarded and tortured by Ned and his crew after that, but they are able to take it out and come away unscathed (some wounds aside). Oh no! Stede challenges Zheng Yi to a duel! Which we know means no one is allowed to interfere, until one of the duelants dies. But it's fine, Zheng Yi is just playing with her food. But watch out, a Cannonball flies towards Zheng Yi's head! Ah but she is fine, she escaped. The Swede pulled a Rasputin and got immune to poison without him even noticing! Look, even Auntie survived the explosion, badly wounded but she lives. Oh no! Izzy gets shot! But it's his left side, we established no vital organs are there. Roach and Stede are already on their way to get bandage- Wait they are back with no bandages, and Izzy he-
Oh, wait. He...died?
When watching season 2 I legitimately considered Izzy dying as an end result, because I am used to my favorite characters dying, frankly. But then I dismissed that thought because OFMD has proven again and again, that people do not die. Heck, Lucius was considered dead in the season 1 finale and he came back, albeit traumatized. But he lived to tell the tale.
Season 2 finale made it a point to leave no room for doubt that Izzy did indeed die. They dug him a grave, and they panned to his grave at the end to remind you, he is definitely dead. So, why did Izzy have to die in a world where our favorites can survive about anything? "Pirates die, that's just pirate life", okay but why was he specifically singled out to be the only pirate dying? In comparison to everyone else, it feels unjust, and it feels cruel towards the fans who felt safe in the knowledge that this was the one show where none of their favorites would die. And it feels like such a betrayal of the fans’ trust, who had hoped this show would do better.
I've seen a take along the lines of "Nowadays people expect the stories to be written explicitly for them, and then they get upset when it doesn't happen" and that take pissed me off enough to write this down. This isn't a case of entitled fans asking to change the story to be exactly what they want to be, there is fanfiction for that. No, this is fans upset that their favorite character got singled out by the narrative to be the one exception to the no dying rule. And I use the narrative loosely, because there was no ramification to the death that couldn't also have been established by the character staying alive and giving advice, so the death didn't even feel purposeful. And for a show that always stresses the "Talk it through as a crew" point, they did not care much for choosing talking it through as a solution.
I also heartily disagree that Izzy's arc was over and had no more stories to tell. I mean the guy followed Edward around for decades, I would have loved to hear more about their past.
I would have especially loved to hear more about their future, as two people who learned to let go of Blackbeard and became their own people again. Where exactly did the idea of that even come from, I don't know.
Pacing and Confusing decisions in the Final episode and the build-up into nothing
(Rambling alert!) 
Personally I didn't feel any pacing issues until episode 6. While I generally liked the episode, it felt crammed with both set-up of the baddie, fun-times, then appearance of baddie (and disappearance) and return to fun-times. The episode ended and I was literally perplexed that it was over, like we basically ran through that episode. But episode 8 took the cake.
Now I am well aware they had to cut corners, and the strike didn't make it easier either, and I wish we could have seen the result without these factors. But we got what we got now, and I have to judge based upon that, but I really would know how the final cut decision came to be.
I did like the beginning with Ed chilling as a fisherman, but in hindsight I wished they had cut that part a bit shorter to give more room for the final parts. We get a lot of Ricky dicking around the pirate republic, showing Jackie reluctantly bringing them drinks. Later on she finally decides to poison him. Why she didn't do so earlier, I have no idea, unless the show is trying to tell me The Swede had to build up enough poison tolerance within one episode to withstand the poison attempt, which would be ridiculous. Why the Swede was held as an emotional hostage, I don't know either. I don't want him dead but Jackie has many other husbands, the Swede being singled out was more to hurt the viewers than for Jackie imho.
We have Zheng Yi suffering through Stede's presence. Our queen is suffering through the loss of her whole crew and her aunt, while Stede unsympathetically offers that being a failure gets easier. I expected more compassion from a guy who treasures his own crew and also enjoyed the hospitality of Zheng Yi's ship, but okay. Being a dick for the sake of comedy, I suppose. "Thing's have a way of working out. At least for me" And Zheng Yi proves Stede right by killing the soldiers, and Stede claims that went just as planned. I am not sure what happened to the Stede who successfully avoided being backstabbed in episode 5 and defended his crew in episode 6 and actually seemed competent, just to go back to an ignorant fool, but hm.
Fisherman Ed returns, thinks Stede in danger, and recovers his leathers that somehow are still in the same place, after mindlessly killing everyone in his way. Whatever happened to not wanting to be a monster and not killing and running away from that, it doesn't matter anymore. The flashback of pop-pop tells him he needs to go back to what he is good at, and I guess... this is it??? The Kraken rises from the sea again. Will there be consequences for Ed's emotional state after that? Well, no. Not really. Or not in this season anyway.
Okay Ricky invites Izzy to a drink, he's quite obviously a Izzy fanboy. For what reason he took him out of prison, I don't know. He later says "Sad, I wanted to let you live", implying he had plans for Izzy. What those plans were, we will never know, Ricky never tells us. Izzy talks about what piracy means to him. "It's not about getting what you want" and I don't know if he means pirates generally robbing ships to get treasure, or of himself being perceived as a mastermind or being a captain, because he never inclined he wanted either. So, what a weird thing for him to say. "It's about belonging to something when the world has told you, you're nothing" is a beautiful line that makes me wish we had gotten at least some backstory to Izzy. Then we're shown a picture of the crew from season 1.... with Izzy in the background, quite obviously not belonging (yet). What an odd choice to cut into. You could have used something from season 2 that showed him actually belonging
Ed finds one of Stede's love letters, it's cute, but I am not sure why we needed that to somehow reinforce that Ed loves him. We already saw him worry for Stede and literally revert to his Blackbeard persona to set out and save him. He also didn't leave because he didn't love Stede or doubted Stede's love for Ed, but because he needed to find himself first to make it work. It's not a long scene but it took a bit of the momentum of the Kraken rising from the water from me.
Ed and Stede see each other again and we have a callback to the episode one opener. Which was also the moment where I slowly realized, death was in the cards for Izzy because that dream sequence meant his death. But no, this is OFMD, it'll be fine...
We're back in the cell, and our mates are trying to escape. Auntie is there! Very much alive, despite having been on an exploding ship. Who brought her there?? When was she brought there?? How long has she been there and why did no one bother to check the cloaked figure in the corner? NEVERMIND, Auntie is here and alive I suppose. Bleeding out and we've got no supplies to treat her, but she will walk it off just fine.
Captain trio congratulate themselves on beating a bunch of soldiers. Honestly impressive, outnumbered as they were. Mh, maybe they should get back to the crew tho...?
Auntie realizing she was harsh on Zheng Yi and admitting maybe she needs a different approach. I am seeing a parallel to Izzy later admitting his approach was wrong too. Except (and excuse the bitterness) Auntie gets to continue to "mentor" Zheng Yi.
We get a weird hard cut from "I don't do soft" to the talk between Izzy and Ricky. I really thought the talk had been talked, but some more insults get thrown at Ricky, and the deus ex machina happens as all prisoners are freed from prison, the captain trio arrives and all soldiers die of poisoning. Personally this was the moment where I had to slow blink in disbelief, because everything was happening so fast.
Stede talks about how they need a plan, and how a royal hostage could prove valuable. Another hard cut "SO, that's the plan". We do not hear the plan. We just gather from the following montage that it has to do with dressing up as English soldiers. We get a montage of everyone preparing for battle and dressing up, looking cool in slow motion. And, they did look hella cool, but there was so much buildup for them dressing up for the plan...without knowing what the plan even IS.
And then the plan apparently is.... just Izzy holding Ricky hostage? And the rest waits around and sees how it plays out? And they're just trusting Ricky to go along with their plan and say what they want him to say? Why was Izzy the one who had to hold Ricky hostage? The one person with a visible wooden leg? Not sure if peg-legs are an established pirate thing in this world, but the British seem to think so, because they look down at it. Why did no one check that Ricky had no weapons on him beforehand? And most importantly, where the fuck was Stede during this suicide plan? He is the one who planned it, yet he was nowhere around the group with Ricky, nor did he fight any Soldiers. He only reappears when everyone is running away. What the hell!! Where'd he fuck off to. Again, all this epic plan build up, for the barely existing plan to go up in shambles within 5 seconds, and then they all run. At this point they could have just left Ricky at the Inn and attempted to walk to the ship safely in disguise without ever drawing attention to the soldiers, and they would have had as much chance.
Ed asks Izzy if he is okay and I raise an eyebrow, A) because we as the viewers barely saw him get hit and B) Ed hasn't cared much about Izzy after Stede returns. But okay, we're stumbling back to the ship, surprisingly no one else gets shot.
Izzy is bleeding out on the ship, Stede and Roach run off to get bandages. "Bonnet is in charge, oh great I am fucked" is a true statement, considering Stede was in charge with the plan already and got Izzy to here. Later you hear footsteps approaching offscreen, which I guess were Stede and Roach. They just appear again, with no bandages and no comment. I don't want to get into detail how much I despise Izzy's parting words, and the message they send out, but Izzy throughout this season proved he wanted to live and got ready for living again, just to end up saying he wants to go here, and it's just so utterly wrong. This scene was presented as someone who was healed and now got to die amongst his loved ones, but he was not healed. He practically still believed he deserved what he got, and he died believing Ed did not need him and thus he was unnecessary. If he truly was healed, he would fight to live, if not for himself and his new found family, then for Ed who he still loves, but no. Okay maybe I did want to go into detail, but anyway, many have said it better than me already.
The crew who bonded with Izzy over the whole season stands mutely in the background, leaving the stage to Ed, who has barely cared about Izzy all season. Out of nothing I am supposed to believe Izzy means something to him, after Ed shot him down, discarded of him, happily mentioned to Frenchie that "But most importantly, no more Izzy" like Izzy had been the bane of his existence, the guy he didn't even have the balls to approach first to apologize but instead mocked Izzy when Izzy himself finally broke their silence, I am supposed to believe that Edward suddenly realizes Izzy's worth and that he deserves to be the one grieving, not leaving any space to the crew? I don't think so.
All season I was waiting for them to make up again, patiently, full of hope, but the remaining episodes got less and less. And I held out hope for them to bond over talks and teamwork, remembering how well they worked together before it turned sour, acknowledging that they could do better if they tried, but instead we got this. This is supposed to help Edward move on as Not Blackbeard, but Izzy had already encouraged Ed to not be Blackbeard, yet Ed came back deciding on his own to don his leather outfit again. This is such a back and forth, it's frustrating. They could have accomplished growth without a death, but I've already talked about that.
Also Izzy telling Ed has family now, because the crew loves him. Ed bonded exactly with one person outside of Stede, and that was Fang, who was once Blackbeard's crew anyway. Other than that Ed only hung back and did not give a shit about what the crew was doing, but sure they love him after the non-pology. Where were the scenes to back this claim up, it was utter nonsense.
Okay, we get a burial. No one says a thing, no one's got to say a thing about their unicorn. Everyone leaves, and "That's that then". Stede talks about Izzy, like he hasn't personally bonded with Izzy over the last episodes and like he was simply a guy Ed dragged along (the way season 1 Stede would have felt). Also, no acknowledgement that Stede's plan was what got Izzy killed whatsoever, no remorse.
Aye no time to be sad, we got a wedding now! It lasts less than a minute screen time, and I am still recovering from the emotional impact of a death scene + burial, maybe give me a minute so I can feel happy for LuPete? No? okay.
Stede and Ed decide to build an Inn, nothing either of them has experience in. Also the "family" Izzy promised Ed is sailing away, so that was for nothing as well. What happened to Stede wanting to be a pirate? What happened to Ed returning to being a pirate, because it's what he's good at? What exactly made them change opinions to leave their crew behind and start this? *lame hand gesture at Izzy's grave* This?? I am usually good at looking for clues and details and figuring stuff out in between the lines, but I am left clueless as to what inspired this.
I am 100% sure there were missing scenes that could have helped soften the blow of the death at least, but like this the episode feels jarringly badly patched together. There is no visible impact to the death that would explain the necessity to the narrative (and yes, we are in a story, not real life. Plot points happen because they bring the narrative along, and it didn't here) With everything established beforehand, it felt like the death got shoehorned in, simply because someone said "I want this character to be dead at the end of the season", and then a story was somehow built around this.
And of course people are upset about this, when I watched I thought it was a joke and I was waiting for the little wink telling me it's not what it seems. The theme I gathered from this season was "belonging", and to see the guy accepting that he belonged and deserved to be loved to be left behind and denied a chance to continue with the crew where he BELONGS, because he's dead and gone, is a very stupid choice.
The season had many unexplained and unresolved things that I chose to overlook because the show was still ongoing and I had hoped they would all work out in the end, but they didn't and this sours the whole experience.
Fandom
This has less to do with me unraveling the happenings of the show, but whatever.
I joined very late, a few weeks before season 2 aired. I was however vaguely aware that Izzy was controversial to the fandom and that fans got hate mail for liking the character who "broke the main couple apart". So going into the new season as someone who utterly loved Izzy in season 1, I was skeptical lol
But it was a nice experience. Season 2 showed parts of Izzy that I had already seen but in a way that made it clear to everyone that this guy has Emotional Layers TM and is capable of more than just being the guy throwing a hissy fit. Everyone could sympathize with him, people enjoyed seeing him, and I legit loved going through the tags of the gifsets and reading all the reactions.
Generally I loved seeing the reactions after every new episode, seeing how fandom came together to talk over what happened, and over what they enjoyed. I had expected a very split fandom but it seemed season 2 was somewhat gluing it together. Izzy was finally an "accepted" character and thus it was "okay" now to love him, now that he wasn't trying to break Ed/Stede apart either. The show was feeding fans too, I felt like I feasted every episode up until the finale happened.
And /then/ the finale happened and the illusion went away.
Up to then I thought this was a season for the Izzy fans, with the opener episode showing how ridiculous the take of "Izzy has to die for Ed/Stede to be happy" was in a mocking dream episode, I thought that was David Jenkins acknowledging the hate that has been sent in the direction of Izzy & his fans, and how it's Not That Easy. And then he proved Izzy was more than that.
And then he killed Izzy off, so Ed/Stede could be happy and we've come full circle again.
Of course Izzy fans were upset, because it felt like a final fuck you after a season full of promises that it would be okay, and of course people were voicing their displeasure and sadness over it. Some people were downright grieving the character, and I can tell you I Am People. I went through the 5 stages of grief, through bargaining and anger directly after the finale, sadness the whole day after, crying over it because it felt so unjust to me. And maybe these reactions seem extreme to you, but that does not mean that people aren't feeling awful about the finale, that it truly hurt them. And you do not get to mock people for feeling in pain. What do you gain from that? If you liked the finale, fine, everyone is different, but allow the people who were shaken by it to express their emotions. Processing emotions takes time, and as a part of this I wrote a goddamn essay to make peace. The least you could do is not be a dick.
Parting thoughts are that the final episode was both a product of unfortunate cuts in screen time, and a writer who didn't expect the effect it would have on the audience.
I am not hating on David Jenkins, I loved every other episode of the season and eagerly anticipated the next one, but I am so incredibly sad that one botched finale broke my trust into the show, soured my love for the previous episodes with the knowledge of what it all built up to, and left the fandom back in shambles.
So long, and be kind to each other.
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I've come to a realization about the current Izzy discourse.
A lot of us have been joking that a certain subset of Izzy fans have been watching a different show than we have, and I actually think that's quite literally the case. I saw a post talking about how good the song Run From Me by Timber Timbre was in s2e2, and there were comments talking about how it was "a perfect Ed/Izzy scene!"
That made me realize something. The scene where that song plays, if you remember, is when Ed is miserably, longingly staring at the cake toppers that look like himself and Stede, imagining getting married to Stede and making his choice to commit suicide while pushing the figures off the ship. Izzy is not there (it also plays at the end when Ed is goading the crew to mutiny on him, and Izzy is only in the last part of that scene). The song is, very obviously, textually meant to represent that Ed desperately wishes he could be with Stede but doesn't believe he deserves it. To believe earnestly that, in the text of the show, it's an Ed/Izzy scene means you have to be working everything in the entire show through the lens of this one side character and twisting everything to be about him.
Apply that same concept to a lot of the other things we've been seeing. The outrage that a main character (who is apparently the only member of x group on the ship, even though Izzy genuinely has few traits ((be they queer, disabled, whatever)) that are not shared by other characters) was killed off. All the fanfics about Ed and Stede failing at running an inn, and all the comments about how a bad ending as they're consumed by grief and incapable without Izzy "is the most likely outcome" for Ed and Stede, as if they're not the leads of a romcom. I'd been so confused about these takes because they're not something I think most viewers would even be able to take away from the show I watched.
It's literally that simple. It's like we're not watching the same show at all. You're not crazy if you think Izzy's death was a satisfying part of the narrative and a good symbol of Ed being able to move on from forcing himself to be Blackbeard; that's what the narrative wants us to think. We're literally just watching the show and getting the most obvious takeaways the narrative is pointing us towards.
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internerdionality · 11 months
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And just to be clear, it wasn't just Izzy's death or the way it happened that I found incredibly disappointing about that finale. For that matter, while there were some great moments, the entire season felt rushed and incomplete, with a lot of decisions that just baffled me.
The Olu/Zheng/Jim/Archie polycule got no resolution whatsoever and just felt crappily done. It felt like Jim and Olu transitioned from romantic to platonic between seasons and then got shoved at new love interests, instead of actually grappling with the interesting poly dynamics, jealousy, NRE, insecurity, etc., that they could have engaged with. And to be clear I LOVED every moment of Olu/Zheng and Jim/Archie! But it felt like the show didn't believe you can have meaningful romantic relationships with multiple people at the same time, so they had to make it as if Jim and Olu's romantic sexual encounter at the end of last season didn't mean anything and that the two of them are perfectly happy being chosen siblings. This after Oluwande is explicitly described as in love with Jim in the first season! WTF?
It also felt like they just abandoned Lucius and Pete being poly in favor of having a cutesy wedding? Like don’t get me wrong, yay for weddings, but honestly it felt very mononormative and forced instead of queer and affirming. Even if Lucius had like, kissed Fang on the lips right after, or if they'd had more affection shown between the whole crew during the wedding, that would have been something. It just felt off.
Zheng felt like a wasted character by the end. Her just letting Ricky know where all her ships were was unbelievable for how competent and badass they made her out to be, and literally her only impact on the plot was serving as a vehicle to drive Stede from place to place. Also just killing off her entire crew other than Auntie? Hundreds of mostly Asian women? Yeah, that's not a good look.
Why did they feel the need to destroy the Republic of Pirates, for that matter? What actual plot or emotional growth did it create? At the end of Episode 7, I expected Stede to have to grapple with how he's managed to not just bring down Blackbeard but the *entire Republic of Pirates* and *the Pirate Queen of China* to add to his whole "I ruin beautiful things" trauma and instead he just doesn't seem to care at all. Like how did he get from all of his trauma and grief about being inadequate in the first season—the actual trauma that led him to leave Ed in the first place—to "oh, it's not so bad being a failure once you get used to it"?!?! Throughout the season I kept thinking that he was repressing and it would come back up to bite him in the ass but no, apparently he just fixed that issue offscreen? What the hell?
And it was the same with Ed! After all that build up in the first season about how Ed doesn’t like to kill people directly—and maintaining that through the first two episodes, even, which was hard! We never see him directly kill anyone! The guy he shot had already been run through!—he’s literally joking while surrounded by corpses he killed and the show barely addressed the trauma that the character we knew would have experienced. Just a completely dropped note. What happened to Ed's self-hatred that they spent an entire dream sequence episode establishing?
Ed and Stede’s actual conflicts and problems just basically disappeared at the end, with a “oh I actually do love you, babe” glossing over Ed’s very legit reasons for leaving and then Stede (apparently?!?) being convinced to give up piracy without a second of screen time spent discussing it. If felt like they were actually setting them up to just be the toxic lesbians from episode four, how is that a satisfying finale? I honestly would have rather had them end the season apart again, but this time knowing they love each other and they have to do some work to get back to each other. Like, Stede sailing into the sunset after kissing Ed and promising to come back and Ed going "i trust that you will, thank you for giving me the space I need to heal"—that would have been a satisfying place to leave them.
And then Izzy's death... don't get me fucking started on what a complete waste of screen time and acting that was. Wow.
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gentlebeardsbarngrill · 6 months
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03/18/2024 Daily OFMD Recap
TLDR; Cast&Crew; Samba; Leslie Jones; Taika; Rachel House; Rhys; Kristian; New Weekly Event Calendar; YouWear50Well; Ranker; AdoptOurCrew Rhys Radness; Fan Spotlight; Fundraiser Status; Kudoboard; Watch Parties; Love Notes; Daily Darby/Tonight's Taika
Hey friends! Thank you for the kind words about my head injury! So far so good, not dead yet-- although I am a bit out of it so I apologize if i'm not totally articulate! I appreciate you all reaching out and sending love <3 You are the best crew ever!
= Cast & Crew Sightings =
== Samba More BTS ==
Samba gave us a whole bunch more BTS today! This time regarding the Spanish Jackiez Set! (I ran out of room for images on this so please visit the stills links for the pile of pics Samba dropped.)
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Stills #1: Spanish Jackiez Stills
Stills #2: More Spanish Jackiez Stills
Video #1: Matthew confirming stuff
Video #2: "Hey Hey, Just mee and my big swords here" - Erroll
Video #3: "Are you a husband Kristian?"
Video #4: Flaming Bananas Practice
Video #5: Flaming Bananas Take
== Leslie Fucking Jones ==
Just, what can I say, this woman is on fire every time I see her. <3
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SRC: Leslie Jones IG
== Taika ==
Taika was all over the place today, which is AWESOME! It's so good to see him feeling more comfortable posting on SM again, he also apparently is in some sort of influencer era because he keeps posting product reviews, which is hilarious and awesome.
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=Rachel House =
Rachel House directed The Mountain, and Taika helped Produce it, she's out exhibiting the soundtrack that's available now!
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Are you currently in Aotearoa (New Zealand)? They've got some screenings of the Mountain and Q & A sessions with Rachel! Visit the @temauunga linktree for more information and availabilities!
= Rhys =
For those of you not already aware-- Rhys is having a cameo on Night Court! As the Duke of Greybog. Available on Peacock!
= Kristian Nairn =
Just Kristian being sweet and continuing to keep us updated
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= Gizmo = Poor Gizmo is missing Theo.
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== Mar 18 - 24 Event Calendar ==
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March 19th: London Billboard Round 2!
== YouWear50Well ==
Early reminder! The 21st is Rhys' Birthday! Since it'll be the 21st for some crew members earlier than others, @yronnia was kind enough to give us information early regarding the 50th birthday news! Please be sure to Post your birthday wishes to Rhys and show him your appreciation! Send your fanart and other creations using #YouWear50Well. Please Note: Please do not tag Rhys repeatedly! He's going to be getting a lot of notifications. Even just having notifications under #YouWear50Well will help keep everything visible :)
== Ranker ==
Wanna help boost Our Flag Means Death? There's another Ranker poll! Remember to rank OFMD up, and other shows down if you want to help keep OFMD up. Obviously vote how you like though :)
== Adopt Our Crew: Rhys Radness ==
So something I didn't cover yesterday was all the Rhys Radness going on over on Twitter! The first round of votes results were:
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There are 4 categories: Movies, Commercials, Short Poppies, and Television
Todays options were:
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Now one thing you'll notice, is the tv-show category between Stede Bonnet & Charles, and Steve and Murray got a bit out of hand. Most of the rest of the polls ranged in the 200-400 votes-- while those two ranged in the 7-9000K votes. Obviously somebody was having some bot fun. What's interesting is that during the day, once the bots started, they were heavily favoring Charles, and Murray, then the other half of they day they were heavily favoring Stede and Steve! We'll see who wins later tonight!
== Fan Spotlight! ==
Two more cast cards! This time Connor Barrett and Michael Crane! Our two captive Englishmen from Season 1! Thank you @melvisik for keeping these going :D
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= MaxFanFaves =
Our dear crewmate @iamadequate1 has been hosting their own #MaxFanFaves on Twitter-- and its down to the final 4!
Coyote Vs Acme / Harley Quinn, and Our Flag Means Death / Gentleman Jack!
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== Kudoboards closing soon =
Last chance! Thank you to @sharpenyersword on Twitter for setting up ALL THE KUDOBOARDS! Rhys' birthday kudoboard will close on the 20th, the rest will close on the 22nd.
Go send the cast and crew some love folks!
Rhys Darby's Birthday
David Jenkins
Nathan Foad
Con O'Neill
Ruibo Qian
Leslie F*cking Jones!
Matthew Maher
Vico Ortiz
Samson Kayo
Alex "Ass Tonight" Sherman!
David Fane
Kristian "Wee John Wednesdays" Nairn!
Samba "BTS and Baking King" Schutte!
Fellow OFMD Fan Crew!
== Taika Kudo Board ==
LAST DAY FOR TAIKA!
= Watch Parties =
== Wrecked ==
There are sources being passed around. If access is an issue, DM @iamadequate1 on Twitter or Tumblr
Season 3 watch from March 18th to March 22nd. 
Times will be 10pm GMT / 5pm EST / 4pm CST / 2pm PST. Watch two episodes per day. Episodes are 21-22 minutes each. Use the following Saturday for the tags/watch if interested but not able to make this time.
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Hashtags: 
#WreckedPirates
#SaveOFMD
#RhysDarbyFaction
New watch parties!
Movie: Boy Date: Sunday March 31st at Time: 10am EST / 2pm GMT. We're watching Boy (2010) Hosted By: @tillychmo & @regg_official Location / Hastags: TBA
== Fundraiser Statuses ==
eSIMS and Sanitary Products for Gaza
03/10/24 - $5689 / 191 Supporters / 71 %
03/11/24 - $5814 / 194 Supporters / 72%
03/18/24 - $6558 / 248 Supporters / 81%
Getting close all!
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= In Soup Now =
03/10/2024 - £925 / 39 supporters / 18%
03/11/2024 - £1183 / 47 supporters / 23%
03/18/24 - £1833 / 69 supporters (nice) / 36%!
Still going-- 12 days left!
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== Love Notes ==
Hey Lovelies. It's that time again. Time for me to gush over you for a bit.
Look at you! Go look at yourself in the mirror. Whether you see dark circles under your eyes, someone you can't recognize, or someone feeling put together --- You're gorgeous inside and out.
You are a tenacious, strong, amazing person, and whether you are where you want to be or not, you are making progress.
You're doing so well, even when it feels like you're not. Progress is so hard to gauge when you're living it-- but I know, because I talk to you all every damn day, that you are getting there. You bring out the best in every one around you, and you do so without even knowing it.
Even when things feel down, just know we can see you growing and you bring so much joy to our lives. I continue every day to be thankful for finding this little corner of the internet, for letting me meet each and every one of you.
Nothing can stop you lovelies-- nothing at all.
You're gonna get there, it just may take some time--
Remember to take breaks and get some rest if you can, it always makes things feel more manageable. But whatever you do, don't give up <3
We're here and we believe in you.
Love you crew, <3
== Daily Darby / Tonight's Taika ==
Tonight's theme-- Driving! ... or parking, in Murray's case. And NO this does not indicate who I voted for. Putting Murray vs Steve was cruel to be honest, how am I supposed to choose between those two!? Darby Gif Courtesy of: @ofmooshd This terrible Taika gif is courtesy of me, cause I was gonna put it in his sighting section then realized I could just put it here.
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ladyluscinia · 11 months
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Izzy, Bottles, and Apologies
Izzy's arc in S2 has been a wild ride.
The S1 Izzy enjoyers are feeling vindicated as hell, many people are fully revising their opinion of him, and the people still hating him have a new criticism or off the wall theory daily. David Jenkins LOVES Izzy and is having the time of his life trying to make sure everyone else does too. They had Con O'Neill sing in drag!
And naturally I have thoughts.
This is gonna be a two part post, I think. First, as much as people are celebrating Izzy having realized his arc and come into his own - from the singing to the apparent BlackBonnet shipping - there are some threads they could pull on that might reveal more arc to come. And I am really hoping they pull them, so I'm gonna tell you why you should too!
And second, I have some minor points I dislike and concerns that this might be the end of the arc. Which would be disappointing but I think I get why, so I'm gonna discuss that too.
To start...
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"How are you handling all this so well?"
Here's the thing about S2 Izzy - while I need to be clear his behavior is not OOC or inconsistent with S1, it is happening rather fast. I'm pretty sure that has a lot to do with out of universe reasons I'll get into later, but in-universe it stands out. Now, he's hardly the only one operating on an accelerated schedule - the timeline for this season is an insanely fast not-even-two-weeks - but Izzy's defining struggle in S1 was fear of change. That was the cause of his friction with Edward, and what made him an antagonist in the first place.
In S2 he's gone through a lot of trauma, yes, but that fear is noticeably less present than I would expect.
Izzy in 2x06 has been cleaned up from his sobbing mess phase for just over 48 hours and he faces Edward with a joke, and then that night sings a moving French serenade to the crew. The next morning he's teasing them about finally hooking up and spends the day offering both Stede and Edward relationship advice.
He's a newly realized man... shedding repression and embracing who he could be. Accepting his breakup with Edward and trying to openly support the relationship that's better for him.
It's fun!
It's also, potentially, a bit of a flag. Maybe not a red one, not yet, but... pink-ish? A bit orange?
Let's look a little closer at those frayed edges.
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"Well, you see, I have a system..."
There's an exchange from right at the start of the Pilot episode that has echoed through the entire series so far:
"Bottle it up?" -> "No, Frenchie! No, that's the worst thing you could do!"
Not talking to other people, not addressing your traumas... that's the kind of shit that just builds and builds inside you. When the cork eventually pops, the resulting damage can be a lot. Look at the finale of S1, where all of Stede's bottled up guilt and insecurities laid waste to his relationship with Edward, and then inadvertently became the first domino in the Kraken.
S2 is quick to bring this scene back into the forefront. The first time we see the Breakup Boat crew talking in 2x01, Frenchie reveals that "Bottle it up?" wasn't just a random comment he made, but a philosophy of his:
"Ah - well, you see, I have a system for dealing with all the terrible things I've seen. There's a box, in my mind, and I put the things in the box, I lock the box, and then I don't open it again. Works like a charm."
Apparently, Frenchie is the only one it actually seems to be working for.
Now, the show has been drawing some interesting lines between Frenchie and Izzy. From both serving as Blackbeard's First Mate to being frequently shown as a duo - tormenting Navy guys together on Sunday's raid, Frenchie holding Izzy's hand, Frenchie leaning on Izzy's leg in the cell, Frenchie behind him raising the flag in 2x05 - it's fitting that Izzy echoes Frenchie's preferred coping method. First he frames the non-acknowledgement of harm from Edward as just... part of piracy. He's a pirate, so he's fine with it.
And then we get Izzy's little whittled shark reveal and the conversation with Lucius about his leg:
"I don't know what you're talking about. Shark did this... dangling my legs over the side of the ship. Served me right, too."
Lucius calls him out on the unhealthy behavior, and Izzy concedes his point:
"O-kay, that seems healthy. Using a bit of fiction to help cover up your trauma." -> "Yeah, well... not moving on is worse. Twatty."
And to give him credit, he's right in his advice to Lucius. Filling his sketchbook with pages and pages of Blackbeard trauma is Lucius's form of bottling it up - thinking in endless recursive circles about his tumble off the ship and everything that followed. We already know chasing revenge instead of living is bad - Jim and Spanish Jackie established it last season, and Pete just echoed them. When Izzy advises Lucius to move on, that's what Lucius does.
But what Izzy is doing with the shark? That's not the same thing at all. He's lost a leg, grazed a bullet off his own head, and was snarling drunken accusations at himself in the mirror... he's not moving on from that. He's bottling it up with a nice dose of self-blame.
Cutting the legs off the unicorn for not doing it's job right and saying "served me right" about his fictional shark? There's a real dark knot of emotions there.
(Recall, too, that Edward deflected his hurt from Stede's abandonment into a "fictional character" during his chats with Lucius, and that delayed the explosion but couldn't stop it.)
So... Izzy's definitely coping with trauma in a way the show does not advise and often circles back to. Can we see any signs in 2x06 and 2x07?
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The Weight of Things Unsaid
At the very start of 2x06, Izzy gets the thing he spent all of 2x05 mentally bracing himself to never hear - an apology from Edward for his leg. He walks up to initiate conversation and begins talking like nothing has changed. Edward is back in his leathers. Appropriate, given that his penance onesie was nothing genuine, just "how long do I have to wear this fucking thing for?" And Izzy is ready for them not to address the obvious hurt, to just smooth over a few jabs and go back to normal... but even Edward's mumbled little "Sorry about your leg" is so significant and difficult he flees as soon as he gets it out, leaving Izzy to sit, incredulous, with the acknowledgement.
It's still almost definitely not enough.
There was so much between them in 2x01 - 2x03. The writers literally did BlackHands love confessions on both sides. An apology from Edward Teach - a man who historically does not apologize - is a huge first step but still only the first step. The real things unsaid are so much bigger than a leg.
We get something else, too... Edward commenting on Izzy's drinking.
"Jesus. Really putting that away, aren't ya?"
Izzy has had booze a lot this season. He lost a leg and pain meds aren't really an option, so not surprising, but notable. Edward, advocating for substance abuse to deal with bad feelings, calls him a lightweight in 2x01. When they are found with the dead seabird in 2x03, Izzy takes a pointed drink from his bottle, and then 2x04 he spends the entire episode completely plastered. He seemingly sobered up for 2x05 - probably to focus on sword training and his whittling project - but now the bottle is back again before Izzy disappears for several hours.
And a little liquid courage might explain his going all in for the Calypso's Birthday performance.
I do appreciate that the performance on it's face is something completely unexpected for Izzy, but when thinking about it... it does make sense.
We already know music and performance were available on Blackbeard's ship even before Stede. Edward learned to play shanties on the piano somewhere, and singing is a common and encouraged part of sailing culture. Izzy's choice of song to perform is something a lot more emotional, but this is probably not his first performance for a crew.
Makeup, too, is in fashion for men and women at this time, and OFMD has shown it as such before. Izzy has never worn fashion makeup, or tried to be beautiful, but the concept wouldn't be alien to him. Wee John's description of a dramatic party look might even have intrigued him specifically because Izzy has actually done "looks" before - of the terrifying "theatre of fear" kind. The Kraken did have his whole crew in makeup for their raids. Taking the opportunity to embody something a bit more vulnerable and try to bring joy to this crew that took care of him is meaningful as fuck.
And it's still a drag performance!
It's a good pair of moments - before and after Ned. Proof that all this isn't just coping method - that's not what I'm arguing here - and even if Izzy's still bottling up a lot of feelings he's not doing the same full pressure bomb thing as he did in S1. There's been growth!
(This is why the flags are only pink-ish / orange-ish right now.)
Episode 2x07 though... I'm not so sure he's doing good as much as pretending it's all good.
Showing up to make his joke in the morning is a fun moment. I especially enjoy Edward's little "fuck off" with no bite to it 🤣🤣🤣 Reminder they do live together on a ship, so this is likely not even close to the first morning-after that Izzy has gotten front row seats to. But, at least to me, there's also a very performative feeling about it. Izzy being very Look how normal I can be about you fucking your boyfriend, Ed - and Edward picks up on it too. That's why he turns to Stede and whispers "He's jealous" as Izzy walks away.
Izzy continues to make jokes and give advice through the day to our main couple, but he's... subdued. I think his fake chill also disguises that he and Edward aren't on the same page about what they discuss at the docks, hence his poor advice to "listen to it" when the "it" in question is Edward's immediate desire to run away from Stede and become a fisherman. They are talking again, but haven't resumed communicating.
I also think it's relevant that Izzy goes to try and support Stede after Edward dumps him, because we're still waiting for Stede to stop bottling things up. He doesn't talk about Badminton or feelings of inadequacy or even the babiest little olive branch to Edward about "hey my dad kinda sucked too." Edward's two exes are sitting in the bar corner together, thinking about all the shit they won't talk to him about until it kills all three of them. Exciting!
The pressure is building. It has to circle back to Stede in S3. I'm hoping at the same time, it circles back to Izzy, too.
Hoping we get to explore some of his anxiety, and his internalizing negative self-image and blame. At the moment, I think Izzy might have less gotten over his anxieties and more just let go of the wheel of his life entirely, and fortunately had people around to steer him in okay directions. It would be really interesting to explore that more.
(Even if I have some concerns they may not.)
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Subtle as a Cannonball to the Face
Izzy's character arc was always going to be a long journey - not because he was somehow morally worse than everyone else, or required particularly painstaking growth, or even because there was going to be some great need to "hold him accountable" for S1. No, it was going to be a long journey from an antagonist start for the same reason I mentioned earlier: Izzy's core struggle is fear of change.
OFMD opens with two protagonists recklessly pursuing change in ways that harm themselves, their relationships, and others, and a primary onscreen antagonist resisting change in a way that harms himself, his relationships, and others. There's no easy morality here - they all fuck up. And they all require the entire show to actually figure out the correct balance of change and growth and facing the past.
"I think the three of them are on an arc together that's pretty inseparable." - David Jenkins (Source, 9 Oct 2023)
So... why is there a chance that everything I've mentioned above is going absolutely nowhere and Izzy's arc has been wrapped up with a bow in S2?
Well.
It's late March 2022, the fandom's age is still only countable in weeks, I personally haven't even watched the pilot yet, had only even heard of the show 3 days before... and one of David Jenkins first post-finale statements is telling people to pay attention to Izzy's POV and his and Edward's love story on rewatches (Source, 25 Mar 2022), and then soon after comparing Stede to a homewrecker in Edward and Izzy's toxic marriage (Source, 15 Apr 2022). Lots of links because this stuff was available to the fandom from the start.
By the first half of May 2022 (while poor Mr. Jenkins is still anxiously trying to get his series renewed for S2, since the confirmation won't come until June 1) the takes on Izzy have soured a lot. It's not a "homophobic gay" joke anymore. Now it's "Izzy is the embodiment of colonialism who enforces a racist and homophobic ideal of Blackbeard on Edward" and "pretending Izzy could be canonically gay is homophobic" and "Izzy bought Edward as a slave from the British". Harassing anons have already started on tumblr. No first hand experience with Twitter but I've heard horror stories. These takes are spreading like wildfire through the fandom, with a heavy backing of white fans accepting and spreading anything that sounds vaguely racially-conscious as something they just missed in their privilege and need to listen to POC about. Or listen to other white fans that say they've been listening to POC.
The anchor hoist in 1x09 (that was a complete directing coincidence, as the crew confirmed in late May) is being taken as incontrovertible proof that Izzy is a violent racist, and the relatively small Izzy fandom pushing back against any of these reads is being likened to toxic fangirls declaring Kylo Ren a poor widdle victim because they think violent white guys are so hot their brains fall out. This is happening loudly and in the public forums of social media.
Can you imagine being David Jenkins right then?
This is one of your favorite little guys, who you wrote a silly little homoerotic pirate jealousy arc for. He's kinda cringefail and tends to be a dick, but you cast a guy who you think embodies him with so much sympathy and genuine emotion. You're so excited to explore his direct relationship to the main couple of your series even more. Unfortunately, you and a lot of the cast and crew are also engaging maybe a bit too much in fandom spaces, which very few of you have much familiarity with navigating as creators. AND there's still renewal stress!
If I were him, I too would consider that perhaps my intended Izzy arc was a bit too nuanced and drawn out, and maybe I needed to clear up some misconceptions as soon as I got the opportunity.
Enter S2.
MAX reduced the budget for the season significantly and it shows - particularly in the whole thing having to squeeze into 8 episodes - and I wouldn't be surprised at all if worries over a S3 renewal / S3 budget impacted S2 writing as well. Character arcs got pinched, goals had to be prioritized... and from the looks of the season, "make sure everyone knows Izzy is not a homophobic villain tormenting Edward as fast as possible" came out as a big goal.
I mean they open with a dream sequence that literally mocks the idea of a heroic Stede rescuing Edward from the dastardly Izzy. It's not subtle.
And the lack of subtlety is kind of what's concerning me.
Izzy's arc is (I think) leaving enough threads that they can extend it into S3 with the reveal he's not actually fine and done developing, but they also seem to want his S2 arc to end in a place where maybe he is. Lots of giant signs pointing to him and saying "Look! Everyone likes him!" or "Look! He's also gay!" at the expense of some of his cringefail or dickish charm. My guy had anxiety he dealt with poorly in S1, and I do think they are trying to frontload or adjust the arc so he's basically (or at least seemingly) over that before the next hiatus.
The best way I've seen it described is that the show no longer trusts the audience to pick up what they are putting down, and so they feel the need to really hammer it in. Not necessarily OOC, but definitely de-emphasizing any of his rough edges that were originally just written to not be any worse than the other characters.
This is why Izzy gets shot by Edward in the very first episode for a bunch of complicated reasons that are really good character work and not super hard to discern, but then later they have Izzy point out to Stede why he got shot twice. It's all very "look into the camera and say the themes", because to some degree they are afraid everyone is going to get easily convinced Edward shot him for calling him a namby-pamby that one time.
It makes me worried they are too afraid of misinterpretation to commit to the arc they originally conceived of, even with the finish line in sight in S3.
And, again, I get it, Mr. Jenkins. In October 2022 he made a funny quip and a boner joke on a tweet about Edward's blanket fort and the hordes descended to scream victoriously about how he was cutting down the Izzy stans for their racist infantilization crimes of thinking Izzy would *checks notes* help hold up a blanket. It's a very reasonable conclusion that this fandom cannot read and needs to be spoonfed Izzy's arc.
It just sucks that a toxic section of fandom's misinterpretations appear to have undercut a strong - and, honestly, not that complicated - character arc so much that S2's BlackBonnet arc can be about fuck ups and backsliding, but Izzy needs at least the illusion of having no flaws left come hiatus time.
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