#are all participating artists actually artists? or do some of them get their ''art'' from telling a computer what to create?

[smells-like-trouble]

i can't make this up if i wanted to. i just saw a flyer for an art expo that used an ai generated image (i'm not calling that shit art). give me a break. you're telling me you couldn't think to ask ONE artist to do the flyer?? you couldn't have done it yourself???? it looks lazy, like it was made by someone who doesn't gaf, five minutes before it was due. what message are you sending to the artists that will be there, that already payed for a place to be there, and to the atendeed who actually care about art???

[godbirdart]

Looking at your recent commissions, those backgrounds are soo pretty!! Do you have any tips for backgrounds? I always struggle with them :>

aAA many many thanks!!

backgrounds can absolutely be a struggle but they don't have to be! they just require a little more creative planning~!

whether it be a commission or a personal drawing, if I'm building an elaborate art piece i focus on establishing the background First.

the background is the stage for your character! planning the background first will make it easier to tailor the character's actions and how they interact with the environment around them.

planning the background first can be the difference between your character standing awkwardly front and center with the setting going on behind them, or actually participating in their environment.

if i'm super stumped for background ideas, i browse stock image sites to get inspiration. sometimes it helps to doodle on an image to generate some ideas - kinda like you're playing with JPEGs like dolls.

that said - while i'm pinpointing WHAT i want to draw, i keep the ideas loose. i don't want to focus on the itty-bitty details until i've got the overall aesthetic and layout in mind, as i might get inspired to add something in later!

THUMBNAILING

if you're planning a big piece it can be helpful to break it down into something bite-sized before you go all in and start lining or painting. these are "thumbnails" - fast little sketches that establish the scene in a way that doesn't consume a lot of time or effort. it's also great as a little perspective exercise as a treat.

here i decided i want to draw a character walking home in a back alley street. with these photo references in mind, i can plan a layout and how the character will act in the scene. is this a candid shot? are they posing cutely? are they looking down at us in a tense way? there are many ideas to be had!

after you've chosen the layout / vibe for your idea, you can scale up your thumbnail to your preferred canvas size and start fleshing out the details. be sure to keep referring to your reference images to get additional ideas, such as storefronts, items, props etc!

3D MODELS

If you're trying to create a unique environment that photo references simply cannot help you visualize, 3D models exist! This gives you that ability to rotate / scale things for better visualization. Clip Studio has a vast catalogue of 3D models to download For Free that you can fiddle around with. i know there are many 3D builder sites out there as well, though i've never made use of them so i'm afraid i cannot recommend any off the top of my head. hell, you can even use the Sims game to design a setting and go from there!

also if anyone is going to come into my house and say 3D models are cheating: they are not. using a 3D model to better grasp an angle or get a better idea for perspective is not cheating. using 3D models to help plan the environment in your art is not cheating. they are no different than brushes; these are tools made to HELP YOU. use them!

PERSPECTIVE

perspective and angles can make a HUGE difference in the art piece. there's nothing wrong with static long shots! if that's what you want to draw, do it!! there's no right and wrong here!

but if you're finding your work to be a little robotic and stiff, slap an angle in there. consider an overhead view. these same techniques are applied to photography and film! nothing wrong with wide shots, but every once in a while it can help to throw in a dutch angle.

if there is one note i'd like to leave off on, it's that your backgrounds do not have to be 100% accurate-to-life to be Good. unless realism is something you're really striving for in your style, don't feel compelled to nitpick every brick and leaf in your art. us artists can tend to over-prune our work until our art looks a little bare and soulless. flaws can give your work character, and that's often a lot more appealing than how accurate the scale ratio between background building A and building B are [again, unless you WANT to go for that realistic look then you can fuss over those details all you like].

i hope this helped a little! MY APOLOGIES FOR MAKING IT SO LONG AH

[dailyrothko]

Scans ( a little long)

When I ask people not to steal my scans I assure you it has nothing to do with my ego. I have relationships with a number of people that trust me to provide full credits and copyrights and supervise, as much as possible, how things are used. And it gets a little complex, like some people will give me a photo I can only use on instagram. I have to honor these agreements.

And, Rothko paintings are copyrighted so, unlike some artists, if you make tee shirts or use it in a movie or something , it's actually illegal (without permission) They are not going to come after you for casual use of you own, but I know of many examples where people were hit with a copyright notice for trying to profit in the work.

It took me a long time to build these relationships and get all of these scans, including many i have done myself. I gave myself this Rothko job I do, and because of that I didn't have background to give me things or answer questions. It was only after years of doing it that people started to reach out to me in a bigger way and help.

The art world is strange, I was talking to a museum curator recently and there several questions I had that I was told they were not at liberty to answer. In the case of Rothko, there's nothing really cloak and dagger about it, it's just the family (who I think are great) fought really hard for these rights and spend a lot of time trying to control how the work is used and seen. It's a good thing because we get things like the Paris exhibit which took an insane amount of planning, loans, insurance etc. All the paintings had to be inspected before they were shipped over seas, in case damage was done to them over there. These paintings are BIG and in the hands of many different people, so it really took tons of effort and (sadly) money to do it, but it's something like (can't recall exactly) 179 paintings. The biggest Rothko show since 1978.

People on tumblr do sometimes (as we all know) take stuff from here or from my other social media accounts and I know it's typical social media behavior, as people like the credit and notes to their own blog, but I mention this now because I have some things coming up that almost no one has ever seen and I don't want to lose this privilege because I won't be able to show you cool stuff and big scans.

So, sorry for the ponderousness, I just thought a little background might explain that I'm not just being grumpy about it. I think people may see it as "It's the internet get over yourself" but I honestly feel a responsibility to do the best I can for people following these accounts and I am just trying to keep doing it and hopefully, expand as I go.

This blog started on out tumblr and it was the support of all of you that made me continue it, I will be 10 years in July. I can't take a lot of credit for it, it's not my art. My only idea was the once a day aspect. However, I try to do my homework and striving for accuracy is part of that, including copyrights and credits.

So thanks for everything too, people participating in this has been very valuable and educational for me.

[togglesbloggle]

In Defense of Bad Things

'Bad' here meaning mostly 'amateur'; stuff made enthusiastically by people at an unprofessional level. Art with visible gaps between what the artist imagined and what they achieved, products of flawed craftsmanship. I suppose everybody can appreciate them to some extent, it's a rare parent that doesn't put up their kid's drawings on the fridge in one way or another. But it turns out to be a fully general skill you can cultivate, and the more I do, the more I'm glad I did.

Partly, it's the teacher thing; finding delight in amateur work is one of the ways to find delight in the process of learning. Cultivating a love of striving-qua-striving can help make you a force for good in the world, as people start to feel safe trying to do things when you're around, even when their efforts are wobbly. You get to participate a little more in the process of atoms spinning themselves into ideas, even when there aren't any illusions about whether you're helping cultivate some revolutionary genius in the field.

And partly it's a fabulous way to build community. By necessity, our professional-level skills tend to be at the service of other people, performed for economic benefit; that's kind of how you get professionally good at something in the first place. When we're acting for our own sake, and among friends, most of what we do with one another is amateurish. I only cook middling-okay, I can't hold a tune that well, I'll never be a speed runner for anything. If you can only enjoy singing from the hundred best singers in the whole world, manufactured and polished by major studios, then you and your friends will sit shoulder-to-shoulder and passively listen to music. But it's so much richer an experience to sit face-to-face, actually singing together, even badly; you expose yourself to so many new ways to appreciate and respect one another, building relationships on what you've accomplished and not just by witty criticism or liking the same things.

And partly it's because some of the most powerful and innovative artistic experiences are in high-churn environments with low expectations and low barriers to entry, if only because those catch the passionate and driven young people that have been otherwise overlooked by our systems. The golden age of webcomics meant that a ton of the actual art involved was pretty lousy, but it also produced work that people still talk about today. D&D began as a profoundly unpolished collection of handmade rulebooks sold at cons in a plastic baggie. By the time these products of enthusiastic amateurs filter themselves through various levels of popularity and absorb mainstream cash influx, they're often risk-averse and missing a lot of the bold spark that inspired their fans in the first place; others will simply never drift towards the mainstream at all. I'm not saying you should be the person who goes out to dig through the slush piles of the internet looking for overlooked art, unless you want to be-- but sometimes a work of actual staggering genius also happens to be a Supernatural fanfic by a first-time author who's a little hazy on commas, and if that's a dealbreaker, you're going to miss out on some profoundly valuable experiences.

And hiding behind all of these things is, like...

Our appreciation of beauty has an odd structure, right? When things are done very skillfully, by brilliant artists with years of training, we can usually appreciate those accomplishments. And when we're looking at nature without human influence, and especially when we think very deeply about natural processes and understand them in context, we often rediscover that sense of beauty. There's just this bizarre hole in the middle where we declare things 'ugly'; as if a little skill is worse than none at all.

I really don't trust that gap. It feels like a trick my brain is playing on me, you know? It has me suspicious that a lot of what I consider 'ugly' or 'bad' is not a very direct experience of the world at all, or an informed judgment. That it is, rather, a declaration of (self-, social-) identity; a desire to be seen as a person of good taste, or as somebody who does things well, or just more primitively as one of the monkeys who is in the good-stuff-tribe and not one of the monkeys who is in the bad-stuff-tribe.

[am-i-the-asshole-official]

AITA for backing out of an art exchange because the person who pulled my name has an art style I really don't like?

In the fandom based Discord I'm in we had a small art exchange last month. Everyone got randomly paired with someone else to exchange art based on their prompts.

I'm a big believer in all art having value and that people enjoy different art styles, but unfortunately the person I was paired with has a really specific art style that I just.

Honestly, I hate it.

Our fandom is soft-anime style, think something like Genshin or similar art. Anime but more rounded off, 3D style.

However this artist has a really sharp, angular, honestly a little strange kind of art style that makes the final result look nothing like the original character design at all except for features like their clothing being the most obvious clue as to who they are.

If you ever read the really old Roald Dahl books with the super pointy, triangular art style, its kind of like that. Huge, super sharp pointy chins and noses, super long faces, all of the eyes drawn in the same long, sideways triangle style.

Its amazing that they have a style they like, but its 100% not my style and I really didn't want to have to fawn over it and share it across my socials when it is clearly the opposite of the art style I like.

I wound up pretending I had an unexpected work trip which meant I had to back out of the exchange (which actually wound up being true, but the trip was only 3 days so it wasn't like I wouldn't have had the 3 other whole weeks to work on my side of the exchange.) I was super polite about it, because again, its not my style but its theirs and I'd never deliberately make someone feel bad about their art.

Well, turns out some genius in our server forgot we all follow each other on Tumblr too and made a post basically laughing about how I had the balls to get out of it and how funny and smart they found it.

The mods sent a screenshot of it into the server and said bullying would not be tolerated and I got a warning for bullying. I pointed out I hadn't lied about the trip and I wasn't even the one who made the post, but they blacklisted talking about it further and made a new rule that if you fail to participate in future exchanges for anything less than like, someone dying or whatever, you get removed from the server completely.

All around nobody is happy about any of it, and there's talks about voting to just veto exchanges completely both because nobody wants to single people out and nobody wants to be forced to fawn over art they don't like.

I'm mostly angry with the person who poked their nose in because before they said anything it was completely fine with me and the other artist. They understood completely, we joked about how shit work is, and they were just going to do an art piece for the server as a whole which I thought was a really cute outcome, but now both of them have gone silent in the server and won't reply to anyone.

What are these acronyms?

[gallavichthings]

Gallavich Fanart Masquerade 2024

It's here! Our first ever fanart-only event (thanks @michellemisfit for the idea!).

The rules are pretty similar to the fanfiction masquerade. In a Masquerade, artists will create fanarts anonymously, attempting to create something in a style different from their usual in order to fool the "admirers". These fanarts will all be revealed at the same time on May 12th - our Fanart Masquerade Ball! - and admirers (who may also be other fanartists) will have two weeks to attempt to guess who's behind each mask, that is, who did which fanart.

Details after the read more.

Requirements

None. Any art style will do, as long as it's drawn, I suppose. Traditional or digital, colored or b&W or lineart... Just no edits. And absolutely no AI, of course.

I need fanart ideas!

Maybe this will help.

Sign-ups

Signing-up is required and can be done here. For this event, sign-ups can be done up to the time of posting. Unlike other events, this is one where you will need to sign-up only at the end, after the art is done. You'll be required to add your AO3 username and the title of your fanart (yes, you'll have to give it a title, sorry - it can be pretty simple though).

Is NSFW accepted?

Yes, as long as it is correctly tagged. Please keep in mind that in this case, it's possible some people might not be comfortable in viewing it.

What if I don't have an AO3 account?

Then I'm very sorry, but in this case, you won't be able to participate (as an artist). For his event, having an AO3 account is mandatory so that you can post in the collection. That being said, a lot of people have AO3 invites, so ask right now and someone may be able to send you one. (Or, worst case scenario, we can find writer buddies to post for you.)

Posting

Posting needs to be done on AO3 because the Fanart Masquerade Collection will be unrevealed and anonymous. All posting must be done until the eve of the Masquerade, so May 11th. On May 12th, all the fanarts will be revealed and available for the admirers. The fanarts will remain anonymous until May 26th, when the game ends. The winners will be revealed shortly after, along with the prizes (more on that below). After the artists identities are revealed, they are free to post their fanart wherever they please.

Because unfortunately AO3 doesn't host images, your fanarts will have to be hosted elsewhere and linked to AO3. They should stay as hidden as possible. One possibility is posting privately on Tumblr and then using the image link to post on AO3. If you don't know how to do that or don't have a place to host the fanart, please contact us and we'll help you out.

When posting on AO3, choose to do it under the Gallavich Fanart Masquerade 2024 Collection (as in the picture below). I'll take care of the rest. It's important to do so when posting and not after, or it won't work.

Voting

Voting will be done via a new form, which will be disclosed only after the fanarts are posted. All fanart titles will be displayed and the admirers will chose from a menu who they think the artist is.

Points

There are two ways of winning this game, as an artist and as an admirer.

Artists are awarded 1 point for each person who correctly guesses their fanart and 3 points for each person who wrongly guesses it. That's right, you get more points if you're actually able to deceive everyone!

Admirers are awarded 5 points for each fanart they guess correctly, but they lose 1 point for each wrong guess.

Artists can also be admirers, so they have twice the chance of winning.

Prizes

The winning fanarts will get short fics based on them! And the one by the winning artist will be the prompt for one week in the @galladrabbles.

[urplepurplegurgleturgle]

"Fools! Don't you see? I have the power of god and anime on my side! You have no hope in defeating me!" ✨

Hello, people of the surface! I'm Donatello, but you may call me Don. I am a fifteen-year-old mutant turtle who likes anime and vocaloid. I'm the youngest of my brothers, wielder of... a wooden... stick... (at least it's fun to swing around), and the reason why New York is still intact! And dad said anime was useless! Hah!

Meet the artist!

My playlist

I'M HOSTING A 200 FOLLOWER DTIYS

Details are here, feel free to participate!

MY ART REQUESTS ARE CLOSED!!

Closing these for a while. I have quite a few stocked up and I want to go through them before I get any more. (Mutuals can still request things tho)

MY FAMILY AND FRIENDS

--

MUTANT MAYHEM

- MM Donnie (Me)

- MM Mikey ( @no1-pizza-lover )

- MM Leo ( @blue-masked-simp )

- MM Raph ( @aggraphsive )

- MM Splinter ( @dojoratdad )

- MM April ( @aprilthejournalistt )

--

2K12

- 2k12 Donnie ( @dotbot2012 )

- 2k12 Raph ( @red-rage-machine )

- 2k12 Leo ( @hestheleaderinblue )

- 2k12 Mikey ( @mikeyeatsyou5000 )

- 2k12 Ice Cream Kitty ( @thechillestcat )

- 2k12 Casey ( @thatslikesupergnarly )

- 2k12 Karai ( @lesbiansnakeswithknives )

- 2k12 Mona ( @rokkawaii )

- 2k12 April ( @apriloneildoesart )

--

RISE of theeee-!

- Rise Raph ( @wrecking-it-raphie )

- Rise Mikey ( @magicmike5000 )

- Rise Donnie ( @thefunniestturtlepurple )

- Rise Leo ( @neon-leonardo )

- Rise April ( @april-o-nimbus )

- Rise Casey Jr. ( @thatfutureboy44 )

- Rise Draxum ( @maddaddraxum )

--

2003

- 2003 Mikey ( @i-like-goldfish )

--

OTHERS

- Sensei! AKA Adult Rise!Donnie ( @bbgtech-9000 )

INTERESTS Feel free to talk to me about these things!

Splatoon and the Splatoon Manga (aka coroika). It's my favorite video game EVER and I am more than ready to gush about it.

Pokemon. I'm not as well versed in the later games, but I do know quite a bit of it!

Legend of Zelda. Specifically BoTW, TotK, TP, and SS.

Kirby. I am I HUGE fan of the eldritch horrors in this game.

Haikyuu, SpyxFamily, Kuroko no Basket, Dungeon Meshi, and Kusuriya no Hitorigoto.

Vocaloid. It's all I listen to, actually.

BOUNDARIES (taken from my main account)

Tcest, incest, and proshippers DNI

I make suggestive jokes (I'm a teen. What dost thou expect of me), but I won't be drawing NFSW, nor will I accept me or other minors being sexualized. We are not child molesters.

Please be nice! I'm not exactly the best at wording things (tone indicators save my life), but I will never, EVER be mean to someone on purpose (unless they deserve it. Then I'll go ham). While interacting on my blog, please refrain from being toxic. Some thoughts are better left to yourself

NO STEALING MY ART!! I don't know why you'd want to steal it in the first place (it sucks ass), but don't do it anyways. You can use it as long as you give credit.

I don't do commissions, but I take requests! If I see something in my ask box I like, I'll draw it. So, if you have any ideas, feel free to share them! I like having motivation boosters.

That's all! Like I said, remember to be nice! We're all here to have fun, and I'm more than willing to make some friends.

[twosoulss77]

I don't know who needs to hear this, but you are allowed to have a favourite ship, canon or not, out of a particular show.

Shipping is just a way for artist and what not to explore different dynamics, or even their own. That’s why I believe we should let people enjoy what they like, without forcing our own image of a certain spectrum into them. Especially cause shaming those people, for trying to explore their identity through art, might cause actual harm to them or cause them to not enjoy doing what they like anymore, bc of hateful comments from someone who hides behind a fake identity to hate on a fictional ship, which in itself it’s a very sad and pathetic way to live, but just cause your life is miserable doesn’t mean you need to make others people’s life miserable you know. Go touch Grass when you feel like being a dick!!!

As an AroAce fellow with no desire for a sexual relationship, I applaud and adore all those people making content of my fav husbands, let it be a fics smut or just normal fluff, I love it all SO MUCH Hazbin Hotel ep 5 changed my whole chemistry, and Say what you will about radioapple / appleradio, but I will always be entertained by the idea of Lucifer angrily doing acts of kindness for Alastor because it's what ‘Charlie would want’, and Alastor being a stupid ‘Bambi’ and try to wiggle himself out of it at the beginning, but then realise that he actually doesn’t mind the king of hell company at all. Both slowly growing to actually tolerate and maybe even like being around the other. Exchanging snarky remarks in a more playful way, playing music together, telling dad jokes, hating on the same delusions glorified iPad …like there is so much potential there that it’s crazy how much it pisses people off. It might be cause I am a sucker for Enemies to Friends to Lovers, but by God if that isn’t the best trope.

I know there will be some smart people out there, that are gonna be like “Alastor is ace”, but so are half the people who ship him!!! I hate when people make assumption on us, on who and how we want to love. I might not be interested in participating in sexual stuff myself, but that doesn’t stop me to explore my own ace-spectrum with these two characters, who if they wanted to could and would kiss each other, Cause for one I says so, I have the power to make that happen *insert hysterical laugh* And second It was confirmed that Alastor is a repulsed Ace, but would also be down to date someone if they were strong asf, (Confirmed in a stream, take that with a grain of salt) still makes this ship more possible than others.

Al being Aroace, doesn't mean he can't date or have sex, he's just not all that interested in it, but that could also derive from the fact that he hasn’t found the right person yet, so it doesn’t feel important to him yet. (fun fact aromantic wasn't the part of my struggle accepting that I was aroace it was actually accepting I was ace bc of my hyper sexual tendencies)

Also Alastor being aro just makes radioapple infinitely more funny to me, or any relationship with him for that matter. He is just this 7 feet tall demon with zero interest in romance, but always managing to find himself having beef with someone, possibly a guy, and act like he is either about to kiss or kill him XD

I really needed to get this off my chest and I absolutely mean every thing I said in here. Everyone has their own likes and dislikes, but you'll be surprised to see how much happier you will be when you stop focusing on what other people are doing and instead focus on what you like.

Thanks for listening 😊💜

[obey-moi]

I wanna imagine that the cards are a real thing in-universe. Like, the brothers, royals, Solomon and Thirteen all get put into a trading card game just because they’re all very popular individuals with their own fanbases Everyone’s card art is a little different from their actuall looks bc the actual people aren’t involved in the art production, so everone gets washboard abs and clear skin. It’d also be considered defamation of any of them are portrayed with a single blemish lol.

Of course Asmo collects ONLY his own cards and MC’s cards, even if some of them look off. “This one’s hair is too brunette but I love the SHINE they put in my lipgloss!” Or something silly like that. They go into a photo album binder where he gets other pieces of fanart.

Leviathan collects SO many card and knows the rules and decimates everyone at the games, but he absolutely refuses to collect his own cards. “Can you imagine if I played my own card as if I were actually cool? Like I had those powers, or l-looked as dashing a-as they portray me?? None of my cards would actually be good?? I’m JuSt An OtAkU??” Never plays the holographics of MC. Those get framed but never displayed. (MC finds them and they do the same to him since they both avoid their own cards. In fact they do a daily dropoff where if there’s an envelope under their door they can usually expect it to be the others’ cards.) He’s also a master of making different decks, like he has a deck for every sin, every person, etc. The Royals+Angels deck and the Envy deck are his favourite ones.

Mammon thrives on the Devildom TCG market. Rare cards go for a ton of Grimm! And also you wanna know why he keeps trying to sell pics of Lucifer, right? He knows one of the official card artists. “This was the outfit this card was based on, yeah? Here’s the followup of him rolling his sleeves and loosening his tie! And I bet you’re gonna love THIS one! Nobody can ever seem to get his angry smile just right until they see it in person, but this picture comes pretty close. Doesn’t it give you shivers? I can start at 1500 grimm. Also, could you tell whoever is making THESE cards to stop whitewashing the GREAT Mammon? Plzkthx :)”

Satan’s not much for card games unless a friend challenges him to a different, more classic game, like rummy or liar. But he does keep the trading cards he likes the most. Art is art, what can he say? They’re also perfect bookmarks. His fave is probably one of MC that captures them perfectly in his vision.

Lucifer thinks the whole TCG is just silly and doesn’t really participate in any of it........... But Priddy Boy’s gotta be ✨Perfect In Everything✨. The man has canonically been stated to be good a video games for the simple need to be good at everything, you think he wouldn’t study strategy and play like it’s chess or smth? That and in his Dad Wallet where he keeps pictures of his brothers (and MC), he keeps his favourite cards of them behind each respectful photo.

Beel doesn’t really collect or know how to play, but Beel has autographed many a card after fangol games, so he can at least understand it’s a collectible item. He tried learning from Leviathan how to play this one time, and it made sense to him for the most part. Card has Life Points, Attack Points, and Special Skills. Beat up opponents' cards and win. Not too different from most other card games. But there are complicated rules to it that he forgets or mixes up. He’d much rather use the cards like dolls and make them “talk” to each other.

Belphie also doesn’t play or collect, but he does enjoy getting his hands on the holographic cards. One day Levi was sent to look for Belphie to tell him it was dinner time. He found the youngest in the attic cutting up the cards into shapes and gluing them back-to-back, hanging them up like a mobile. Levi fainted backward down the stairs and refused to look at Belphie for two months straight.

Solomon really likes these cards! Like Satan he uses them as bookmarks, but specific Sin Colours and People get paired with certain books. Green Satan cards are used on cursed tomes or books about curses, blue Satan cards are used in art history books. Pink Asmo cards are left in Seduction Spell books, while yellow Asmo cards are for books about venoms from creatures. Etc. Makes categorization much easier!

Barbatos doesn’t collect, but he does know how to play. He referees for the Young Lord sometimes whenever Diavolo gets a chance to have fun.

Y’all know ya homeboy DIAVOLO is one of the biggest collectors! He and Levi are both DAUNTING on the “battlefield”, though Dia doesn’t take things so seriously like Levi does sometimes. He’s even commissioned actual paintings of himself and everyone so that those portraits can be made into cards. They’re the rarest ones, there only being one of each person out in the world. As much as Dia would have loved to keep those cards, he likes to watch the chaos of others scrambling desperately try to obtain an Ultra Rare Royal Painted Holographic. Besides, he still has the original paintings! (Also he likes to collect the DevilWendy’s kids meal toy versions of those “cards”, which are actually those plastic “gold” plated cards inside of “”””pokéballs””””. Adorable!)

Some Thirteen cards have special abilities based on real traps of hers. Some of Thirteen’s traps are based on some of the cards. She likes to tape some cards up like stickers to some of said traps as decorations. Or as part of the trap. She once tried to entice Solomon with a card, but Levi fell for it instead and nearly got impaled in a tiger trap she called “Super Duper Rare Double Dare #106”.

Mephistopheles says he doesn’t care about such childish playthings. But once the Diavolo released those Ultra Rare Royal Painted Holographic, and ‘Phisto got highest bidder on the Diavolo card, SUDDENLY he’s become Maximillion Pegasus and his signature deck is the Diavolo deck.

Luke isn’t really one to play, but he does like the art of some of them! He’ll put some in a scrapbook! It’s also another bookmark technique, where certain people’s cards get bookmarked on their favourite recipes. He got the idea from Solomon’s method of bookmarking.

Simeon also doesn’t play but mainly collects. Got a little hooked on it before Raphael moved in and the room was being used for Levi’s spare collection stuff. He was even given many of the Common ones for free (what Simeon did with common cards, Levi didn’t nearly care as much, and trusted him more with cards than he could trust Belphie with holo’s...). He’s collected all the Seven Lords themed ones. It’s a nice, low-key hobby, like stamp collecting. He donates the ones he doesn’t need to MC or Levi.

Raphael neither plays, collects, or knows anything about them really. But he does still have an annoying familiarity with them, thanks to Michael wanting him to buy several packs, nay, BOXES of packs. Michael needs to be the number one Lucifer Card collector. Bro misses his bro... ;(

[eregyrn-falls]

Organizing a Stan Twins-centric Multi-Artist Lyric Comic!

There's a song I've always wanted to see as an AMV or a lyric comic for the Stan Twins, and years pass, and I've never been able to tackle a project that big. So, I wanted to try to organize it as a multi-artist lyric comic!

The song is "Trouble", by Avicii. (See below.)

What is a multi-artist lyric comic? One where people sign up, and each artist is assigned a line from the song. Artists will then do 1 page for their line, and at the end, it's all put together. Here is an example from GF fandom in 2018. (Here is a video version that someone put together with the music.)

This song has 28 lines of lyrics, but it also has some instrumental breaks, and I've thought of a way to fill those that would allow more people to participate (particularly if someone was unsure if they could take on a full page).

Here's the song:

There's a lot of details to go into, so to keep this post from taking up too much dash real estate, I'm going to put more detail below a read-more.

Here is a link to a Google form you can fill out to indicate interest. (But we do urge you to read over the details below!)

The goal would be to complete this in time to make it public on August 31st or Sept. 1st, 2023 -- in line with the actual last days in-story of the show. Therefore, the due date for final art will likely be around August 15th or 20th.

I hope folks will find this intriguing! I think it could be a lot of fun!

@mercury-falls and I are the point-people for this, at the moment!

All right -- the way I've always seen it, the first verse of the song is very Stan-related, and the second verse is very Ford related.

Here is a Google Doc with the lyrics.

My idea for the instrumental breaks was to have people contribute smaller pieces of art that look a bit like Polaroid snapshots. If we can get the lyric comic combined with the music, think of the collection of Polaroids accumulating the way they do at the end of the show's opening credits.

There are two main ways artists can contribute to the project:

For lyrics, full landscape illustrations (which include color, lettering, and a background)

For instrumental breaks, polaroid-style illustrations (smaller, simpler pieces in square format). We will use these in a video edit of the comic and have them accumulate like the show’s intro during the breaks. (We will also figure out a good way to display them in the lyric-comic post itself.)

Your art should be canon-compliant, and can depict any time period of the Stans’ lives (past, present, and near-future)! Do with your art as you best see fit with your lyrics, but keep the focus on the Stans and their relationships with each other and other GF characters. Both original content and screenshot adaptations are welcome!

We also welcome collaborations between artists on full pages! We encourage every artist in the project to help and support each other if they are comfortable. On the interest form, you can tell us if you are interested in volunteering to help others with inking, coloring, or creating backgrounds! Or, you can tell us if you think you will need help.

On the form, you can indicate your preference towards the Stan or Ford verses. But once we have the team of artists doing lyrics chosen, we will randomize the list and then contact people in order, to ask about preferences for lyrics. If you aren't chosen for one of the full pages, we would still like to have you involved for the Polaroids! (And you can indicate willingness to be called on to do a page if others drop out.)

We will have check-in dates through the summer, with goals for people to report on the subject of their piece; to have a sketch or layout ready to show; and to show progress closer to the end.

We will be setting up a Discord server to help share information, and to allow people to post WIPs or just generally discuss things, and keep motivation going. If you really don't use Discord, though, and don't want to sign up for it, that's okay. We will put whatever instructions and details we have in a Google Doc, and will share that link for reference. And we can always communicate via email.

I (Eregyrn speaking!) have been involved in a LOT of fan projects over the years. One of the key things to ask of people who sign up for a project is: communication. That is, if you're having difficulties, just let us know! If you need to drop out, just let us know! Don't feel guilty that you signed up and then had to drop out. The thing that is hardest on organizers of projects like this is when people sign up, but disappear and don't answer DMs or emails. Believe me, I've been in that position where you feel guilty and don't want to admit that you have to drop out -- but it's always much easier on the organizers if you just let them know, instead of keeping them guessing! This is just something to keep in mind when you're signing up -- life happens! It's okay! But please try to let us know if something comes up and you have to bow out.

Here is the link to the Google Form, that you can fill out to indicate interest.

[awakentheeldritchabomination]

First off, I wanna say that I mean no disrespect to the artists who worked on Hazbin Hotel. It’s just that I’ve been seeing people make redesigns of Hazbin characters, and though I don’t usually participate in stuff like this (it seems fun, and you are all incredibly talented. I just feel kinda bad tinkering with someone else’s work like this), the show made me frustrated, and frustrated induced brain-vomit started sloshing around in my skull so noisily that it’s been keeping me up. And, well, I had to get it out somehow.

So…here ya go, I guess. It’s nothing crazy or new. It’s just a few disgustingly rough ideas for this very specific version of Charlie that I kept seeing in my head. They’re far from polished or anything, and they’re definitely missing some key details because I’ve been hyper-fixating on trying to get the face right lol. I might make a full body illustration later, but I have commitment issues so who knows how far this’ll go. That is to say, don’t expect any more of this or the other characters unless 1) my brain decides to torment me with more literal demons or 2) I, by some miracle, become a more productive person. Plus, Tumblr’s a new thing for me, and I don’t know what I’m doing with this yet other than posting art and then disappearing for years. Seriously, you have no idea. It’s a wonder that I posted for a second time.

Anyway, the direction of this design is pretty obvious. I went with the lamb/goat motif because I liked the idea of inverted/parallel symbolism. I was toying with a “wolf in sheep’s clothing” concept where they appear to be a lamb in this form but actually shift into a more wolf-like dragon sorta thing when prompted. Their wardrobe is supposed to be an extension of the innocent lamb deception as the ruffles and looseness are meant to be kinda reminiscent of fluff while communicating a sense of privilege (a white untainted by the grit of Hell… something that probably wouldn’t last long). I was also inspired by white goth and catholic goth aesthetics (I blame Ethel Cain) as well as those insanely beautiful ball-jointed dolls. I don’t know if I captured that well (to be honest, the more I look at those digital renditions, the more I hate them). I considered adding a pair of spectacles coz I thought it was cute lol, and because I thought it could be a way for them to try and seem more human.

If I were doing a rewrite (which I have ideas for, but I should probably focus on my actual original characters instead) then:

1. They would be agender and androgynous (I’d go the Good Omens route and make most angels/non-human entities largely genderless as gender is a human construction, one that most angels wouldn’t really concern themselves with)

2. They would be kinda elitist and naive but still sweet

3. Their intentions would not be entirely insincere, but they would not be acting without selfish goals

4. They would be an eldritch abomination

5. There would be possible exploration of their role as an antichrist as well as basically being a tool of war for their papa’s self-gratification

6. Their pops would suck

7. More horror

8. Like, it wouldn’t not be funny…but horror’s my genre so….

9. They would not suck at fighting, but death is traumatizing and so is being the cause of it (squeamish)

10. That being said, could make friends with Death??

And that’s all I feel like writing. Hopefully I update this lol

[i-literally-cant-with-this]

I looked and looked and looked for who to credit this art for. Maybe I'm blind. Maybe I need to do alternative searches for art to use on my posts. Anyhow, I found both of these on Pinterest. If you or someone you know is the creator, please message me and I'll add the artist.

A/N = Lovely Rengoku. This man can fit into any situation and make it work ... well, maybe not ALL. But you know what I mean. This ~one-a-fucking-gain~ didn't pan out how I planned it. I was originally going to write a whole thing but it pretty much just ended itself. It worked out well, though, despite being kinda short.

C/W = I don't think there are any. Talk of nudity, a small group of nude people posing for artistic purposes. Other than that it's just a fluffy piece. Flirting between Rengoku and y/n (F!reader). Enjoy!

Sign Here X_____________

"Hey, this is beginning art, right?" You asked the man looking over the class syllabus on the wall. He looked to be close to your age, maybe a little younger. He was goddamn beautiful, too. Tall. Not an ounce of body fat in the wrong place. Muscular. Cool hair; blonde with red tips.

He looked at you. For a good 10 seconds before he said anything. Scanning over your face, stopping at your eyes and your lips. You found yourself feeling some way. Not uncomfortable, but like you were under a microscope. Being inspected.

"Yes, this is my class, beginning art."

You narrowed your eyes. "'Your class?' Oh, you mean you're in this class, too? Cool. Well, my name is y/n. I guess I'll see you around. Thanks."

"Heh, no, this is MY class. As in, I'm the instructor. I'm the everything ... actually." He said calmly and smiled at you as he put his hair back in a tight bun and you watched him walk to the oversized desk in the corner of the room.

"Hello, welcome to ...?" He rolled his hands out like as he was encouraging the classroom to interact.

"Arrrrtttt for beginnnnerssss!" Everyone participated. Even you. How could you not. This man could convince a perfectly healthy person to drink a vile of poison.

"Good job, kids," he laughed. Clearly noting the older people in the class. "In this course, we're going to learn how to draw animate and inanimate objects. Always be prepared because I will surprise you from time to time."

You looked around the class to see everyone was completely enthralled with this young man. The person to your left was a woman, maybe in her 40's. She looked nice. You leaned over and said, "I can't wait to see what kind of surprises he's talking about," and giggled. She put her hand over her mouth as she giggled back at your comment.

"Y/n, care to tell me what's so funny back there? I'm not here as a comedian. I'm here as an art teacher. So if comedy is more up your ... alley? Perhaps you would like to go to the room a few doors down and share your humor with everyone that isn't here to learn how to draw?"

You shut up real quick. "S-sorry ... uhhh, I-I don't know your name." You tilted your right ear toward him, waiting for his response.

"I was actually just getting to that before you flexed your humorous." He stared into your eyes for what seemed like an eternity. You don't think he blinked the entire time, either.

"My name is Kyojuro Rengoku. Yes. It's a mouthful. Yes, you have to call me by my full name or I will kick you out of this class."

Your body sunk as he laughed. "No, not really. You can call me Kyo. I'll write it on the board in such a way it'll be simple enough to pronounce." He grabbed the chalk and began to say out loud what he was writing. "Kee-yoh. Kyo. Simple enough, yes?" He looked at you. Again. What the hell was up with him. "See, y/n, I can be funny, too."

You nodded, feeling your cheeks pink up. He still hadn't taken his eyes off of you as your face transitioned back to its original color.

"Now, what exactly is going to be a surprise in this class, you're probably wondering. I presume you all read the waiver etc. that was included in your packet? I know I got most of them back all signed. If you didn't sign one, stay after and talk to me."

Shit, you thought, I never got anything like that.

└────── ⋆☆⋆ ──────┘

Class was only 45 minutes tonight as it was just a basic introduction about what would be covered and when.

"Y/n, may I have a moment of your time?" He sounded so relaxed when he talked. You thought about asking him what his secret was. "Did you mail in your signed waiver? I sent it out with the syllabus about 3 weeks ago?"

You started to twist your bottom lip around with your teeth. "I ... I don't - ah, I mean I didn't ever get that. None of it, Kyo."

He was taken aback by your use of his name so casually. So effortlessly.

"Hm. Look over your information here and tell me if it's correct." He handed you a planner and had you find your name.

You pointed at it.

"Here's my name, phone # and addre-" You stopped and looked at him. "This is my old address. Where did you get this from?"

You'd moved 5 months ago to a little house. But you thought you'd changed everything over before you'd even moved out.

"I got it from here, from the school."

"Ohhh, oh no. I forgot to notify the school." You got a worried look on your face. "Does that mean I'm going to be kicked out of this class?" You didn't even try to disguise your concern.

"Nooo! No, nothing like that, y/n. But I will need you to fill one out, just to cover everything."

"Cover? Cover what? You doing blood sacrifices in here or something?" You laughed.

He didn't. "Among other things, yes."

You waited for him to tell you he was kidding.

A full minute must've gone by before he gave you a half-smile, the left side of his mouth turning upward.

"There will be no sacrifices of any kind in my class, little lamb. Do not worry." He chuckled, rather darkly for someone who was trying to be reassuring.

Little lamb. You're pretty sure you had a "little" orgasm when he called you that.

"Just initial on these and sign at the bottom?" You pointed at the paper.

He put his hand next to where you were pointing, almost resting it right on top of yours.

"Mmmm ... mm-hm. Did you read what it said, y/n?"

You shook your head, quickly at first but then you slowed to an almost complete still.

"It's just about ... about art, and ... other stuff. R-right?" You swallowed hard, it hurt.

"It's basically a declaration that you're ok with nudity in any capacity. You're ok with multiple bodies being nude and draped or sitting on one another. "Basically ..." he continued, "that you're not going to file a sexual harassment claim against myself or the school because you're uncomfortable. It states very obviously that there will be profound nudity in this course. If you're NOT ok with that, then you're free to change your mind, of course. You'll get a full refund, no questions asked."

He watched your face closely for any kind of a reaction.

"Who - who will be the nude model?" You asked, trying to use your big girl voice.

"Anyone who is willing to pose. Sometimes it's someone from class. Sometimes it's someone from a newspaper ad that needs some rainy day money." He paused, "And sometimes," he leaned back in his chair, "sometimes, it'll be me." A cocky look washed over his face. He knew what you were thinking. He was counting on it.

You almost lost your balance when he said that.

"Y-you pose?"

He nodded, looking a little proud of himself for having given you such a reaction.

"I - I think I'll stay in the class then."

"Fantastic. Sign ... right ... here."

Taglist: @callm3senpaii

[jennilah]

i woke up and chose violence today

rant below!! an actual soapbox rant about some shit that annoys tf out of me

but still under a cut and unrebloggable bc im still a coward just an annoyed coward

"_ fandom is dead"

"the tumblr/twitter fandom is dead"

"any variation of a fandom being dead"

Im about to be under your bed

Is it really dead?

well considering im still following some moots of over 10+ years that still regularly reblog new art and fics for fandoms Ive seen called "dead" many times in the past, fandoms that havent had new content in years, it's probably not

also, the older the fandom, consider how much more ridiculous your claim is. if the media is from fucking 20 years ago and still getting art and fic in any capacity, I dont wanna hear shit about shit being "dead" because there was a slow month of content on tumblr.com

What is really happening?

well if its for an ongoing fandom and there's a noticeable slow period, ask yourself... are we in-between episodes? in-between movies? in-between games? the fandom is not dead, sheesh. everything naturally slows down a while after canon content stops being made. doesn't mean it's dead.

what is happening is that artists and fic writers and other fandom enjoyers that are still out here making plenty of "content" for you (to absorb in 2 seconds and then demand more like they're machines, btw) see your dumb little comment and look around like ???

like ok what am I, chopped liver? I'm still out here making plenty of content, am i dead to you?

what are you doing to keep the active community alive and motivated? are you actually liking and sharing their art? reading their fics and leaving nice comments?

orrrrrrrr do you only care when its your favorite artists making content?

its like. very obvious when its the biggest artists who arent making art anymore cause they moved to a new fandom or whatever and suddenly here come the "the fandom is dead" posts

i know from experience that it just makes everyone else feel like they dont "count." theyre just the backup "favorite" artists when the real "favorite" artists are away, because you don't have a choice anymore.

it feels so god damn disrespectful and dismissive. like thank god i will draw whatever tf i want whether it gets 1 like or 3000 but whenever i see that kind of comment I cant help but go "well the fandom is dead apparently so I guess I'll just throw my ideas and wips away huh???"

and most people are kind. i dont think those big artists would be very happy to hear you're dismissing an entire fandom's worth of creativity just because they havent drawn for it in a while

i keep saying artist but this goes for anyone who contributes to fandom in any way. even just posting headcanons and stuff is participation. and those fics need people to read them, after all.

ive yet to see any fandom actually die. but you will kill your creators' motivation if you keep saying its dead

[spookberry]

Watching your work recently has been so inspiring. I had a rough few semesters of art school, and while I enjoyed the classes, I was mildly disillusioned by an insistence on what felt like "meaningful" art...

A lot can be meaningful! After being online a bit more, around artists like you who clearly love what you're doing and make art you're passionate about, it kinda made me realize that I'm free! I can make what I want, whatever it is! Art that has historically and occasionally been deemed lesser (e.g. fanart) is not actually so, and art can mean a lot even if it isn't in fancy galleries or art books.

Anyway, what I mean to say is: you're inspiring, and talented. I really love your art for what it is and what it represents to me. I love seeing what you make, and it helps bolster me to make my own art as wild as I want!

This is one of the sweetest asks I've ever gotten and it's really made my, like, year lol.

This is the reason I post fanart!! Other artists represented the same for me when I was younger and it made want to participate and join in and I'm glad I did! I've met some cool people and I've had really interesting conversations and experiences via fandom... even if I can be a bit of a lurker at times haha.

Art School's rough, I definitely have felt similarly. A big problem is that a lot of professors tend to be hyperfocused on their own field and what makes art meaningful To Them. (the amount of times I've walked out of a class grumbling cuz a LA prof only wanted to talk about white box gallery work and didn't even know we HAD an animation department...) Which isn't always bad if you gel with the right ones, but other times it can definitely put a dampener on your work. A good way to look at art sometimes I think is that what's "meaningful" about it can be the smallest stupidest reason ever. And you just gotta stand by that, even if other people think it's lame. Sometimes the meaning was in making it, or getting to share it, sometimes the meaning is drawing your favorite blorbo in a white void because it gave you an outlet and makes you happy. That's meaningful, you just gotta know how to argue for that meaning sometimes. (profs LOVE a good bullshitter)

Turning in things for a grade rather than because you enjoy it is never going to be the best format for art regardless of what kind of art you're making. I've found the more I stuck it out the more things I actually enjoyed became available to me and now I'm kinda (not fully tho, im SO glad to be graduating fyi) regretting all the classes I never got the chance to take. You just gotta take it one day at a time and remember that art school should be there as a place to practice and better both your work and your own understanding of the work you make which can feel tedious and unnecessary at times but its worth it in the end(in my experience).

In the end you're the one paying for it and if you're not getting what you want out of it, it's best to look for other avenues, I did! I'm not graduating from the college I started at and I'm honestly really thankful for that.

Anyways, sorry for rambling lol, and thank you for you kind words. I wish you the best anon, you hang in there!

[hawkland]

Art Masterpost: Solitudes

Story by: ilovehowyouletmefall (@angelinthefire) Art by: sidewidner (@hawkland)

It's October and that means it's @deancasbigbang season once again! This year makes for my third time around for the event, although this year I only managed to participate as an artist (I'm still in a bit of writer's burnout since the summer). But, that meant I could put all of my focus and time into doing these four pieces for @angelinthefire's wonderful story "Solitudes." I'm gonna talk a little bit about my ideas and process and share some progress pictures behind the cut in a way that might be kind of spoilery, so if you want, just go read the story now! And then you come back here later to find out more if you wish. All works were completed in watercolor with some digital effects and filtering after completion.

I was really drawn to the imagery of the architectural elements of where the story takes place (an abandoned brutalist mansion) vs. nature and decay...plus the way light and shadow seemed to play such important roles in the visual descriptions. Dean and Cas spend so much of the story separated by supernatural forces even when they are in the same room I wanted to focus on that as well: being so near yet so far apart, not quite connecting or even able to look at each other without barriers.

I started on the banner art right away, thinking of Dean in despair (for reasons in the story) and Cas yearning/wishing he could reach him. Behind them both is the concrete wall covered in mold and moss (which was a LOT of fun to paint). The actual final watercolor painting came out as so:

(This is one of my favorite Deans that I've painted. His face can be SO hard to get right!)

Working with angelinthefire's suggestions I ran some different digital filters on the photo to desaturate/emphasize the light and dark for the final banner, and then with that in mind tried to keep the other pieces in a similar color scheme and tonal range.

The atrium painting was the biggest challenge. I knew I wanted to do a piece to capture the feeling of the house, the light coming in from an open skylight falling on brambles growing out of an old fountain spot. I was thinking of the Roman villa ruins I've visited combined with some actual Brutalist/modern homes I looked up. My original drawing plan was a bit more complicated and simplifying/taking out some elements definitely makes it more creepy/mysterious looking and less like a funky modern home.

You can see the vanishing/perspective point is right where Dean is looking at Cas.

The light falling down from above was partially painted with some interference/shimmer watercolors, but I amplified it (along with the shadows) with some digital effects at the end. This was before doing any digital magic:

Dean reaching for Cas: I made myself so sad working on that piece! It was also quite the challenge to get the likeness right at that angle and do the lighting the way I wanted, so again I used some digital effects at the end to really intensify it. Painting before filters:

I think my favorite part of that one is how I dry-brushed the ash wings in one shot and they came out just how I wanted! My main reference was, heh, that old classic shot of unconscious Cas being poked with a stick. I used my own hand for Dean's reaching out to what he sees through the harsh angled light.

The final piece is a direct companion to the one above it, and one I'd been thinking about for weeks, trying to map it out mentally before tackling it. Dean's face can be so much more challenging for me to try to capture well compared to Cas's and I really wanted to get his shock and horror in that moment while also being able to show (the real) Cas in the background/shadows...this was the third drawing pass before I finally started painting it. There's only a light bit of filtering over the final piece to push Cas back in the shadows (I didn't want to do with the paints for fear of muddying the colors...plus I was already painting Cas so small any wrong brush stroke could shift his likeness/expression.)

Overall I really like how unified these pieces all ended up feeling and I hope they manage to complement the story in a way that it deserves!

[slithergaunt]

Gimme your hands

I’ve made this tweet, or some version of it, at least half a dozen times during conversation with others. If you aren’t familiar with the actual scene itself in a while, or haven’t seen Jaws (ARE YOU FUCKIN KIDDING ME? GO WATCH JAWS) you can find it on youtube as I did as the “gimme your hands” scene.

For those without time, Quint (played masterfully by Robert Shaw) is FINALLY being hired to go out and kill the shark that the mayor and town have been reluctant to actually acknowledge until now. However Hooper (played also wonderfully by Richard Dreyfuss) is a marine biologist or something and wants to come along too, and bring his fancy equipment.

Quint demands to feel Hooper’s hands, and the audience already knows Hooper not going to enjoy this. While squeezing squeezing the fuck out of Hooper’s hands to wound his masculinity, Quint claims Hooper’s fancy 2,000 nets and gadgets will be worth nothing against the shark they face. Then claiming his wealthy idle upbringing make him too weak to participate, leading to “You’ve got ‘city hands’ Mr. Hooper. Been countin’ money all your life..”

This is like mid-argument in the conversation, but the moment tells you EXACTLY the type of person Quint believes he is. Working man, man’s man, had to sweat and bleed in the mud for every dollar he’s made in his life. And Hooper is the soft little wimpy man from the city, the city man, bestowed with wealth, never done “an honest day’s work” in his life, weak and idle with all his fancy toys.

In the past century, we artists have been softer people. We’ve always been considered, and often felt, weaker in our trade. Not a “real job” kind of thing. Layabouts who don’t go out and actually “work”. For over the past century, we’ve been Hooper in this scene getting our hands crushed. I know I have.

But then, these techbros came along, with their AI generated art. I almost refuse to call it AI art, because that’s not what it is. It’s Mass Non-Consensual Online Image Combination Generated Media. MNCOICGM, rolls right off the tongue doesn’t it. But let’s humor them. Here they come with their new toys, their new gadgets, that allow them to do art purely by typing on a keyboard.

I’m not even gonna post examples of what they spurt out. The equivalent of using the Doordash app to order from 20 different restaurants, having a robotic arm put the contents into a blender for you, baking it, and declaring yourself a chef. And I know what you’re thinking, techbro “there’s SO MUCH MORE to the process than that!” and you’re correct! That IS a gross over-simplification of how much work is done FOR YOU while all you did was type.... a prompt

So now suddenly artists all over the world, even kindergartners with crayons have put in more work and effort than them. Suddenly we’re the one’s who’ve been putting in the hours, busting our backs, sweating in the mines, and have knowledge and skill sets (they could totally go learn too if you wanted btw) that make us seem like the grizzled workers who had to learn everything the hard way, over years of toil.

And someone has replaced us as Hooper. The rich boy with all his fancy toys and gadgets his dad bought him, who’s never worked a day in his life, and just sits around thinking he can use his new gadget to make things that look just as good as ours (by secretly feeding millions of our images into his gadget).

We never ever IMAGINED the day would come, but the artists of the world, of all mediums, finally have someone to say “Gimme your hands” to, and pettily emasculate by crushing their hands.

My main decree has always been: AI artists, it doesn’t matter how good the programs get, it doesn’t matter what results it produces, no matter how real or how “cool” you’re able to make it look. You typed a prompt, your machine used our shit to do it. I can now FINALLY embody the spirit of my coal-mining forefathers, and call you a pansy who’s never worked a day in his life, and I’ll keep doing it forever.