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#are we getting. kid and killer lore?? finally??
epicfirestormer · 2 years
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I don't usually post about newly released chapters for One Piece, but oh my god
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yumespooki · 1 month
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☆Why Gregor is so important than you think and the series' relationship with tone
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Im obsessed with an old man and I have all reasons to be also I have to sleep but I really need to make a colleague of gregor photos as the header image-
◇Part 1 - How The Tonal Shifts happen to be
Episodes 1 to 3 was all silly fun, though we have the idea that the series is gonna have a progression to having a consistent plot and story since Episode 2 setting up the episode formula of events/segments:
Skid and Pump doing mischief around town, there's separate segments of major characters that they come across t and the villain that sets up the plot - who are in concept supposed to be parodies of horror villain stereotypes.
And its all fitting in Pelo's style except its actually understandable and not have characters turn cartoonishly eldritch every 2 seconds.
Yknow we got SM 1 was an average pelo video then SM 2 is where we got the formula, everyone were just trope templates and the one that sets up the lore
SM3 is where things get normal but it's still silly, you can tell by the soundtrack, Moloch's theme is on dubstep it bangs BUT also introduces the Episode ending set up for its next villain.
Then SM4 happened. Oh Deadly Smiles my beloved, still my personal favorite
This where the good shit happens with different segments under 20+ minutes with finally having a grasp on how the episode formula works
Though this episode is kinda.. the chillest one among the episodes???
Everytime Skid and Pump goes around town with Spooky Swings playing, it's always fast paced and they immediatly go to the next in a few seconds but in Deadly Smiles, they take long stops before going to their next location. Most Characters also spend most of if not any of their screentime without Skid and Pump in it. [especially Kevin] it has its own unique tone and its cozy solely for it being winter themed.
Other than the more chill pacing, You got the rabid doll running place to place and getting thrown around to people to people to show what hes suppose to parody that when Dexter actually shows that he can be a threat is a really effective moment and really got me going "Oh shit OH SHIT"
But the scene that truly shaped Spooky Month the way it is now is the scene where he snaps at the kids, that moment is so important to the series because of the sudden change of tone to spooky/silly to scary. We couldn't see Dexter as a threat before this because the tone and plot prevents him to be one especially to poke out the trope of Doll killers but at this moment, the moment he expresses his situation and conditions, he went specific. and from there you don't see Dexter as a simple parody for the sake of being a parody anymore, Especially being a parody based on Chucky --who uses dolls on his advantage-- but For Dexter, below the surface is a man doomed from the circumstances that he desperately wanna get out of.
Episode 5 immediatly tells you its meant be atleast scary from the get-go since it was already established seconds into the episode, and only in the last minute with Lila it left us with an ominous note
Ok to be for real, I consider Episode 5 kinda standard compared to Ep 4 and 6 but will be more better than the early 3 eps and I appreciate as the middle ground between Deadly Smiles and Hollow Sorrows. And also more cop screentime my luvs
And mainly the reason why I said this because of Bob. The villains of Spooky Month is always tied with the tone because they are the guys that bring the tension. Bob's kinda monotonic because his behaviour pattern in this episode is repetitive: He slowly approaches people, give them meat fact, dosent or fails to kill them, gets slapped with slapstick. Even at the climax where he's actually at his most effective by being actually terrifying, he still gets disrupted for comedic purposes.
He has a balance of being actually terrifying and being a parody by his slow movement trying to set up tension.
Incomparison to Dexter, yea he gets thrown around but they get to take him seriously at the right moment and being thrown around to different people showing this disadvantage will show you the wide range of what the characters will do with the doll, Bob just scares them throughout the episode.
And I can't be mad about it because Bob purposefully is doing that to distract the cops from the cult case especially thinking he can't die.
But Bob is still effective as a villain. He manages to get you on edge and also opens questions to more lore stuff. And this episode is also the most creepiest because of Bob's behaviour along with that Lila encountering him along with finding out he's in her photo book probably shaped Lila to her behaviour in episode 6.
Still a good ep. Alot of insight of other characters' lives is my main highlight of this ep
Then Episode 6 has Father Gregor finally established as a proper character now that's where the interesting THING starts;
◇Chapter 2: Why is he weird in a weird show
When Father Gregor is on screen, do you feel.. put off especially when he's first introduced into the episode? Like when we were first introduced to doll Dexter with actual spinechilling ost and visuals we were already accustomed to this to be something expected through the Newgrounds endings with its ominous tone, expecting to transition it to the main story especially in with Tender Treats being almost that except more heightened.
But with Gregor, I don't have the exact words to explain the tonal dissonance he gives us. He has a very clear leimotif soundtrack throughout the episode everytime he's on screen even disrupting themes of other characters or locations [like the candy club like what the fuck gregor excuse yourself] that it even turns to a more epic variation of itself with Moloch's exorcism.
since this guy has seconds of screentime on his 1st debut,he's unpredictable especially when each episode has a formula of events with characters that we are familiar off. and we know that there is atleast something goofy going on with them - except for the cops but for them they act silently or accompany moments with the characters - But Gregor dosent accompany character moments he's the goddamn spotlight, the emphasis on his scenes are on HIM like out of nowhere we got this guy coming along. Its kinda of a new breathe of air to have him around because we never got anyone else to come along with the Spookeez all around town and setting up their dynamic with the kids.
Oh and finally we simply state the whole point of Gregor and why he's so out of place -- his seriousness. He was never associated with the series' shenanigans, and questions his surroundings. He dosent enable himself with the series' comedy and at somepoint that it tries to bring him along for a second with the spooky dance. Hes not only unfamiliar in story wise but by environment wise. there was a little analysis essay I made a while back with how Gregor as a person in the setting is off to the townsfolk as they are mostly unfamiliar with Religious figures as the church was newly built, and everybody else never acknowledges his presence as a priest — Kevin and Frank calls him an old guy/man Radford dosent take him seriously because he mostly seen priests through movies, Jack has to ask if Gregor is one and Skid and Pump dosent know how the term father works in the church that even tells something. Only a few characters recognizes his role as a priest being Michelle, John, and Evermore.
Now let's move onto Gregor not following the goddamn script of being part of a parody
Ep 6 has the basics of a parody of exorcism movies: demon - check, priest - check, the victim check that's your main elements, but they never utilises these as.. parodies, because when one of the core elements acts like a normal guy and has a standard behaviour of a priest in those kinds of movies that wasnt exagerrated for the parody and has never been that early into the series to being so associated with the silliness of it making fun of horror. We had time with Moloch since Episode 1, 2 and 3 We witness his time from being just a gimmick character to being one of the mysteries and coming back as a serious threat.. or is he? Because on the 2nd half of the episode, Moloch's running away from Gregor, and attempts to fight back by trying to possess anyone on his way but in the end Moloch is defeated and the kids seeing this breaks their relationship with Gregor. At this point he himself is also an antagonist.
With Gregor breaking the law of parodies, and also breaking the traditional set up of villains for this series, he also differs alot of the standard priest character that he's supposed to be because usually those characters cannot exist outside of being the guy battling the supernatural forces—they are not the main focus. With Gregor, he's more than just an exorcist as for the most part we see him as a normal priest first, exorcist second, he's so determined in his job that any threat given to him makes him more motivated and half of the episode he spends his time teaching the kids to behave.
◇<Gregor and Tension>◇
We already established Gregor as a villain so what else is weird about this bald fuck
From Episode 4 we now get ourselves a consistent line of villains with Dexter being a strong start with the earlier mentioned being the guy responsible for the main story's tonal whiplash
Dexter, Moloch and Bob are villains with their main thing and concept as something terrifying — Dexter's an insane doll, Bob's a cannibal butcher and Moloch's a child eating demon who gives terrible side effects at something he possessed dead or alive.
Horror villains always relied in creating tension to make anyone scared. Dexter creates tension with his uncanny presence as a doll, along with his fast movements contrasting this with Bob, being slow and uses psychological intimidation than being fast, and watches his victims reacting to the situation their put into. Then for Moloch, he is tied with Gregor because how he creates tension is in complimentary with him.
The scary thing about Moloch comes from the ARGs mostly since that's where they build him up as a serious thing to handle in the series after Episode 3, but unfortunately for him as his debut as a serious threat has to be shared with just a dude
OK Moloch's scenes relies on a psychological effect because of his ability to possess people which he possess characters we seen before and are individuals. If you think about Dexter, we saw him killed off for a fucking joke then proceeds to be a threat for a whole episode by the result of his decreasing sanity of being stuck inside a doll. then you realize he's also someone's son. Both got killed by Moloch and used their images as his best attempt to manipulate Gregor which only angers him and makes him more determined to finish him off. Even psychological moves dosent work on him. Now at that point, Moloch lost the hold of the tension's weight. Rather than heightening a terrifying scene like a typical spiritual fight scene, Gregor steals it and heightens it by what made him unnatural since the start – he's constant seriousness that defies the the overall tone that it becomes a keypoint from the episode onwards, making Moloch run away.
Their last confrontation has Gregor on the upper hand with a successful exorcism and a banger of an ost that I still think about to this day, and it was never something to replicate horror. They were no terrific aftermath or a good ending, only the tears of children that comes after it, a dislikeness to the religious figure, and an awareness to how the series' main thing of silliness and chaos was all from an unsupervised kid and a bit carefree mother.
◇Chapter 3: the old man has a hold on the narrative
At the start of Episode 6, We were dismissed with a moment with Skid and Lila, about her situation arranging the house and Skid's Dad with her distracting Skid to go play with Pump. We know somethings off but this was already delivered from the ending of Episode 5.
Gregor states himself at the start as a guide to the children to reflect and be better, but how he delivers this wasn't clear to Skid and Pump and goes around apologising with no single thought other than this being important to their parents. The episode's main point was because of Father Gregor assisting the kids.
then the second that they got the parent thing shoved to their faces is with the cops, also one of the more grounded characters in the series but again they enable the goofiness of the series especially with Jack and his lowkey high kill count- Now that's when the themes of family are very stressed with the whole thing now about to ingrain in Skid and Pump's head.
Now to the scene where Skid and Pump cries for Moloch and now hates Gregor. It's all on him – he leaves without the need of approval but get his message and judgements clear. As he leaves the main cast and onto the church, he's finally at his most vulnerable. the tension spotlight is not on him anymore and has no control of the atmosphere as the Cult comes into the scene.
But what he does have control of was the effect he gave on the kids as his message of apologising and reflecting was the episode's ending note. Not only that, We got the tonal shift to scary, serious to bawling our tears out?? It was implied throughout the episode that the themes of family, especially broken ones are strong and the last scene of Skid apologising and hugging his mom was the perfect completion to build all of that. Not only the tension between Moloch, and Gregor is there the other important thing was the emotional tension.
This signals that Gregor's presence was such an impact that it still lingers, like the piano at the last scene that he's always accompanied with in the soundtrack. in the end it shaped the kids that gives a significant emotional weight into the narrative from now on.
And what do we do now if Skid and Pump finally reflected?? Will things change? Will they not go out and do havoc anymore? Will things lose the general comedic feel to something more serious? We don't know
But it's all really thanks to Father Gregor Raguel.
Conclusion:
Tldr: Gregor is so odd to the show because of how serious he is that it extends to him breaking in series and horror traditions to the fucking narrative of making the series have some emotional weight
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deadbeat-motel · 7 months
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For my rewrite, I wanted to tie each sinner who's staying at the motel to a specific deadly sin to make it easier to understand what got them in hell and just for the fun of it.
It doesn't apply to the rest of hell to have a specific sin, but I thought it was interesting that the inhabitants of the motel will represent a sin.
Some of these characters are still rough ideas and will be subjected to some changes once i finalize the actual lores for these characters:
First up, Angel Dust is easy to confuse as Lust because most people might assume that since he's a sex worker, its probably what got him in hell right? Though, his sin had nothing to do with being lustful since he didnt become a sex worker until then (plus being a sex worker doesnt warrant someone a tacket straight to hell). Instead what really did him in was Gluttony since it was his appetite for vices that got him into trouble and also inadvertently lead to his death and it was that appettite that lead him to take any and all clients to feed his appetite for angeldust.
Nifty's sin is Lust, though not in the traditional sexual sense that we know. For her sin's sake, Lust is all about an uncontrollable desire that leads one to do horrible acts in order to attain what they've been obsessing over. In the rewrite, I was going to let her be a lot younger (most likely an adolescent-young teen) with a very skewed sense of what romance/love is like and have her lean in more towards a yandere-type character or a crappy creepypasta kid character (think Nina the killer levels of crappypasta). I'm torn between the two ideas at the moment.
[Also fun fact, hearing that nifty was a japanese woman from the 1950's kind of took me off because googling it, she wouldve been a woman who grew up in the middle of world war 2 and lived through a bit of the Post war boom if we assumed she's also american as well. Having someone with a background like that who acts like she's mentally a child makes it feel like Viv did no research at all.]
Husk's sin remains as Greed, as gambling just seems so hard to quit for him, even when his life is on the line, especially when he's cheating death so many times. Maybe it was after he had his first close encounter with death in his youth... or the few couple of times during the war... that he began to think of himself as too lucky to die. Unfortunately for him, he'd have to learn the hard way that whatever force that was trying to save him can't do anything about his own body failing from years of self-destructive alcoholism.
[Husk will literally kill me with all the research I'll have to do from 1910-1970 to get his story straight.]
Alastor is one Prideful mf. As an intelligent serial killer (possibly cannibal), he was able to evade the police whilst keeping the high-profile radio host job he killed others for. He enjoyed leaving clues and slipping little hints around his scene that stumped the entire police department. In the end, getting sloppy because of his own overconfidence in his abilities was what did him in and he was chased down and shot by a hunter in his escape.
Sir Pentious is Envious of the Victorian family and those above the middle class. He believed that he deserved to have the same kind of privileges they have especially since he was a brilliant inventor who believed he could forward Great Britain to a greater future. So he gave up 15 years trying to take over the monarchy by himself and failing miserably. He died due to an invention gone wrong and that was the day Great Britain was rid of its persistent annoyance.
[Some people may read about him in history books and confuse him for an anti-monarchist when this man's entire goal was to replace the monarchy with himself.]
Cherri Bomb grew up as a resentful youth of the Japanese 70's being a sukeban of a delinquent girl gang. Their Wrath was known all across the other local schools in their area and they were known for their sheer brutality. However, Cherri Bomb in particular was also feared by other members of the gang as she was ruthless punishing those who wanted to leave the group. She doesn't ever disclose how she died to others and thus no one is ever really sure how she ended up down here but no one really feels the need to ask.
[I'm extremely unfamiliar with Australian history so Cherri Bomb will have to have grown up in Japanese 70-80's delinquent culture.]
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There's one sin left.... but since I don't really have anyone in the HH cannon that could realistically fit Sloth, I'm left with two options: Characterizing the blank slate that is Crymini myself or leaving the last resident as a community effort "Build-a-Sinner."
So first poll ive done but....
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sufferthesea · 3 months
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So does anyone else feel that the blonde boy who is the leader of the ghost children in the FNAF movie is actually William Afton's son?Because I do. (pls bear with me; it's been YEARS since I've gone through all the lore and I may be missing something totally obvious, but this is what I got from watching the film twice and my general knowledge of the games.)
I feel like the filmmakers were trying to throw off the audience (really, the diehard fans who know all the lore) by naming the protagonist "Mike", since Michael is William Afton's son's name. And everyone knows that movies have to have some sort of secret familial reveal. In the games, Afton's daughter is dead and his son is alive. If they made his daughter alive in the film (Vanessa), then they may have just switched their stories and made his son dead. Here are some reasons why I think the ghost kid is William Afton's son:
1) He's blonde with blue eyes, just like William and Vanessa (which doesn't necessarily mean much but the casting department seemed pretty good with keeping family members looking alike)
2) He is the only ghost child who speaks (the ghost possessing Foxy screams when he cuts Mike with the hook, but none of the kids actually speak aside from the ghost who speaks to Max and lures her into the back of the pizzeria, where she is killed by Freddy. But these are very limited lines; the main ghost kid has whole conversations with Mike and reasons/bargains with him)
3) He possesses Golden Freddy, not the original Freddy (there's even a line when he shows up at Mike's house and Abby says, "Freddy!" and he responds, "Not Freddy") while William Afton possesses Spring Bonnie/Springtrap. Golden Freddy's file name is "Yellowbear" and in the film, Springtrap is called "Yellow Rabbit"
4) He is the one who tries to kill Abby in order to make her join the other ghost children. He's also the one who tries to make the deal with Mike: give us your sister and you can have your brother back
5) He is the only animatronic that we see actually leave the pizzeria, when he arrives at Mike's house and kills Aunt Jane. All the other animatronics/ghosts stay at the pizzeria. It's possible this is because all of the other ghosts only remember the pizzeria (it is where they would have met and been killed by William Afton), but the main ghost would have remembered life outside of the pizzeria (because he would have spent time with his dad, William Afton, outside of the pizzeria). Although Abby does mention her "friends" before she even goes to Freddy's, Golden Freddy's ghost is the only one we see for certain outside of the pizzeria
6) The animatronics/ghosts are nice to Vanessa, even though she is an adult. If the main ghost remembers Vanessa (whether consciously or subconsciously), then he may still have love for her as a sibling, and told the other ghosts to not hurt her. This may also be why he wants to kill Abby. He remembers having a sister, but since Vanessa is an adult now, he needs to have a sister who is similar in age to him (i.e. Abby)
7) At the end of the film, he is the one who looks in on a dying William Afton and closes the door, keeping William locked up. While this could be explained as a victim finally getting revenge on their abuser/murderer, the ghost really reads as a bit of a psychopath. Perhaps William Afton's murderous tendencies were passed down to his son. The other kids, who were also murdered by William Afton, are nowhere in this scene. If it really is supposed to be a moment of justice/triumph, shouldn't all the kids be there?
8) Vanessa isn't a serial killer, but she does clean up all the bodies and hide the truth. Why would she? Mike says that William Afton "really messed [her] up" and we assume that Vanessa is doing all of this to protect her dad. But she doesn't visit her dad; she goes every night to visit the animatronics. This could be guilt over her knowing that her dad killed them and she couldn't/didn't do anything, OR it could be that she is really just there to see her brother. And if she were to report the murders/bodies to the police, it would likely end up in more deaths, but she also would never be able to see her brother again if his body were removed from Golden Freddy and he was finally "laid to rest"
9) Vanessa having a dead brother would parallel Mike and Garrett. It would also explain why she is so kind to and protective of Abby. If Vanessa is a sister who couldn't protect her own sibling, then she would try to protect someone else's sibling
10) In the drawing Abby does that she pins to the wall in the pizzeria (the one that "wakes up" the kids to the truth), she doesn't draw the kid who possesses Golden Freddy. She draws Springtrap killing the kids who possess Bonnie, Chica, Freddy, and Foxy. The other kid she draws looks like Garrett (red shirt and dark hair/hat). So where is the Golden Freddy ghost? He's once again singled out as being different from the other ghosts. (Side note, if Garrett WAS killed by Springtrap/in the pizzeria, where is his body? Is he in Mr. Cupcake? Or Balloon Boy? They are way too small to hold an entire body, even a child's.)
As for why William Afton would kill his own son, there are different reasons we can come up with. The film says that all five of the ghost kids are the ones who were killed during the birthday party that caused the pizzeria to shut down. It's possible that the main ghost, his own son, was William Afton's very first victim and that the other four kids were a result of an unintended killing spree. It could be that William Afton originally only killed the four kids, and his son caught him and so William Afton killed him to keep him quiet. (He didn't kill Vanessa because the film shows how loyal she is to him, even if it's been trained into her via abuse/manipulation. Vanessa seems to be rather softhearted and emotional, and she still has the photo of herself as a child with her dad, even though she KNOWS who and what he is. She could have destroyed all evidence of her relationship to him, but she KEEPS it. And she keeps it in a place that is easily accessible to a degree, because she has it on her when she tells Mike the truth. Plus, she's shocked when William stabs her. Although she shot him, it was really just to stop him, not kill him. After everything she has done for him, she is shocked that he would try to kill her. Her brother, on the other hand, may have been similar to William in that he is a burgeoning murderer, but he likely rebelled against William and didn't do what he asked. If William couldn't manipulate, control, or use his son the way he could use his daughter, then his son was a liability and an obstacle. He may have even tried to use his son to lure in potential victims, like the kids at the pizzeria, posing as their "friend.")
It could also be that the four were intentionally murdered, but his son was an accident -- like in the games, when Afton's daughter Elizabeth is killed by Circus Baby on accident. Maybe his son was killed by Golden Freddy on accident, especially if he saw that his dad could wear the Spring Bonnie springlock suit without issue. He may have tried to wear the Golden Freddy springlock suit and it killed him. He may not have even died on the pizzeria property, considering he can leave the pizzeria and Abby never drew him being killed by Springtrap. He may have been murdered at home by William Afton and NOT by Springtrap.
Anyway, those are my thoughts about it. I'm going to rewatch all the playthroughs for the games and maybe I'll find something else.
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bigjimbopickens · 1 year
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Jim Pickens lore in point-form!
(Aka the CMK sims 4 series that ran from 2016-2022)
Recently I’ve noticed that newer CMK viewers don’t know the whole Jim Pickens universe lore so I’m going to explain it in the simplest way I can so they can know too :)
The story begins with Urp John. He moves into an apartment and has 6 kids with multiple women.
Jim Pickens moves in across from him and tries to get Urp to move in with him by attempting to kill off a household member.
Focus shifts to Jim.
Jim moves the family to the Sandtrap Flats, the first house in the series to feature a dungeon (called ‘chambers’ at this time).
To generate profit, he locks the family in the chambers and forces them to paint so Jim can later sell whatever they made. The only household members not in the chambers are the kids (Tim, Beejey and Urp’s kids). This is where the iconic Jim Pickens portrait comes from.
The cult unofficially forms. As members start to die, Jim begins taking an interest in the Grim Reaper.
Jim finds the Book of Chaos, which allowed him to kill people with magical abilities. He uses this to kill off rich families and inherit everything they owned as well as getting with the Grim Reaper.
Jim starts a graveyard business.
Jim and Grim officially become boyfriends. Grim moves in, gets pregnant and spawns Grimey. Grimey is given to another family in trade for Jules Cooper, Beejey’s boyfriend. Jules dies soon after.
Jim tries to kill Dennis Racket and pose as him but Dennis kept coming back. He was unkillable. But Jim bangs his wife anyways.
Jim robs people as Santa.
Jim opens a vet clinic and gets scarred for life by cursed dancing dogs. He also adopts a cat named Pumpkin during this time.
Beejey passes away and Jim goes on a jungle adventure to mourn his loss. Dennis also finally dies.
Jim moves to a new house with a proper dungeon and becomes a vampire.
Jim officially starts a cult, the same cult the fandom is.
Jim opens a joint restaurant/graveyard that only serves pufferfish. Many die.
Jim has a kid with Emma Racket, Dennis’ wife. His name is Project. He also became a cop briefly during this time. Weird era.
Jim dies and takes the universe with him so he jumps to an alternate timeline where he didn’t die.
Jim hosts a winter pool party. Many die and EA later patches this.
Jim kidnaps two Father Winters, Ryland and Clement. He tries to kill them but they cannot die, so instead they become permanent household members. One of them gets pregnant with aliens twins who end up being First Name and Second One.
Grim starts a painting club and Jim opens a store that sells the paintings. Jim also starts a band around the same time.
Jim goes to therapy and we learn about his past. Jim’s parents were Dick and Janice Pickens. He was forced to live in a closet, his parents didn’t care about him and his father was also a serial killer. Jim was taken away to military school due to the neglect.
What happens in between the sims 1 and sims 2 prequel videos is unknown and up to speculation. My theory is that it’s where he met Dennis, since they were around the same ages and were both taken from neglectful parents. Though Dennis turned out more stable and Jim was considered a lost cause because of his violent tendencies.
As a teen, Jim is somehow back in custody of his father and lives in a house with mole people in the walls. The moles are Mole1, Mole2 and Mole3. He tries to get a girlfriend but Dick kept throwing water balloons at her.
After therapy Jim becomes even more unhinged. Starts a YouTube channel and kills people on camera for content. He also did a twerking video.
Jim moved to his universe’s equivalent to LA and drives a man to suicide after ruining his life so he could inherit everything from him. Jim didn’t inherit anything from this.
Jim starts a content farm in his basement. Kevin totally isn’t a subject of it and this whole series isn’t just a documentary.
Jim opens a bar that doesn’t let people leave and he loses it. He starts killing people for simply existing and Grim stabs him to get him to stop. 💔
In attempt to fix his relationship with Grim, he goes camping with Grim but forgets he’s a vampire so it didn’t really work. So instead Jim cures his vampirism. Second One also drowns during this time.
Jim moves everyone into an abandoned prison and hosts a battle royale. Shrek wins and joins the household.
Jim falls in love with breadsticks and literally couldn’t let go of them.
The family moves to Strangerville and Jim becomes dedicated to solving the mystery of that town. He discovers the Mother Plant and is killed in battle against her.
Jim comes back as a ghost and defeats the Mother Plant. During Shrek’s sex dungeon era (that’s a weird sentence) Jim comes back to life. A miracle!
Jim somehow goes to the future to chase after his father who had gone there. Jim gets a bunch of half-siblings and Dick gets a boyfriend; Mole4.
Back in the present time, Jim becomes a merman and he’s absolutely beautiful. First Name also becomes a drug lord and they smuggle drugs across borders together.
Jim and Grim get married and Jim’s last name briefly changes to Reaper.
Jim starts a gang and goes to war with another gang. It ends with the other gang dying and Jim going to prison for once. They finally got him.
Once he was out of prison, the zombie apocalypse starts and Jim starts a restaurant that serves human flesh to accommodate the zombies. Jim also makes the two Santa’s fight to the death. Clement was the winner, he eats Ryland. Dick and Mole4 now join the family.
Jim goes to the magic realm and learns more magic. He uses the magic to terrorize other families and moves into a new house he killed the previous members of.
Dick declares himself as King and starts making people pay taxes to him. Jealous, Jim kills Dick for the title and doesn’t do anything with it. He was just fed up with Dick’s bs.
Jim goes to university. He becomes the worst landlord and also gets pregnant along with a few others. His child’s name is Aaaahhhhhh.
After that he moves the family again and tries to get as many people as he can to live in one tiny house. First Name dies and comes back as a demon to forever haunt Jim and terrorize the land.
To escape First Name, the Pickens family now lives in a bunker. Jim tries to enforce the “nobody can go outside” rule by locking people inside their homes.
Jim launches a nuke and destroys that section of the world because the people were annoying him. He is now the only remaining family member, besides Grim.
Jim meets Turg and the two team up to become the ultimate crime-causing duo, even if Turg doesn’t want to admit it. The two rob several homes with Turg as the distraction and Jim doing all the robbing.
Jim starts a knitting business with someone who won the lottery. Default joins the family.
Jim goes to the Star Wars. Idk if this is canon or not.
The cult compound is now here. Kevin only does one video on it despite streaming the building of it for hours. Nice.
Jim, Turg and Default go on a winter vacation to the mountains. Jim ages into an old sim and loses his sparkle 💔
Jim and Turg move into a haunted house together and Jim takes on several new jobs such as paranormal investigator, house renovator and murder speedrunner. Jim dies of old age during this time but comes back.
Jim starts an industrial farm, Turg is there too but he starts becoming irrelevant after this 💔
After dying to pufferfish, a clone of Jim shows up and Jim kills him.
Jim starts kidnapping people and making them play sick twisted games that results in people’s deaths solely for his own amusement. Karma catches up to him and he is shot.
Jim starts going absolutely insane. Even more than before. He spawns 100 babies, goes through strange changes and gets stuck in an apartment with 99 other people. Turg dies off-screen during this time.
Jim marries someone and that is the last we see him. That’s the end of the story.
I don’t think the current sims 4 series is canon to this one. It’s separate.
Hope this helps and gets you caught up/refreshed on the lore :) hopefully I didn’t miss anything. I did this entirely from memory :3
Jim is one of my favourite characters ever I love him so much. He was the only queer representation I had growing up too lol.
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redgoldsparks · 6 months
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March Reading and Reviews by Maia Kobabe
I post my reviews throughout the month on Storygraph and Goodreads, and do roundups here and on patreon. Reviews below the cut.
Delicious in Dungeon vol 4 by Ryoko Kui
I'm reading these books so fast I can barely remember which parts of the plot happened in which volume but know that I am still having a great time!
Delicious in Dungeon vol 5 by Ryoko Kui
Oh, this story has taken a darker turn, and also just introduced a whole bunch more characters. Will I be able to keep track of them all? I hope so!
Dragon Keeper by Robin Hobb, read by Anne Flosnik 
Unfortunately, this is definitely the weakest Robin Hobb book I've read so far. I was expecting to like it less than the glorious, 5-star previous trilogy, but I actually think I'm going to skip the rest of the Rain Wild Chronicles and read summaries online to get to the next Fitz books. This book follows five main POV characters. This works fairly well for the first half, when the characters are all in different physical locations. However once all of the characters meet up, we start getting the same scene from multiple different POVs, which feels extremely repetitive. Also, almost EVERY SCENE includes a flashback, often a lengthy flashback, sometimes to something that happened only the previous day and could have been told as present-moment action. This writing choice baffled me. It's something I can't remember struggling with in any of Hobb's previous books, but by the end it was driving me up a wall. The book also moved very slowly; the stakes feel lower, and the character far less emotionally true than in the two Fitz trilogies. Disappointing, but I will keep moving forward towards the next part of the series I want to read.
Delicious in Dungeon vol 6 by Ryoko Kui
Damn, a lot of characters get murdered in this volume! Good thing almost everyone who dies in the dungeon can be revived. Also, very excited to finally meet the cat ninja I've been seeing fan art of since before I even started the series :3
Delicious in Dungeon vol 7 by Ryoko Kui
I am still completely caught up in this series. I love the glimpse of Senshi's past revealed in this volume, and the lore of the dungeon that is still being revealed. There was a line in here about how the dungeon leaves you alone if you don't ask much of it, but that if you have strong desires it throws even more obstacles into your way. Our heroes have such big goals right now, but they're marching ahead regardless!
School Trip by Jerry Craft 
A satisfying new installment in the New Kid series from funny, talented, charming Jerry Craft! I appreciated how this volume started to complicate some of the students who had been left a bit one-dimensional in previous books. Several people stood up to and called out a bully; new friendships were built; and Jordan Banks left Paris even more inspired than ever to follow his dreams of becoming an artist. This series has a lot of jokes, but also a lot of heart!
A Frog in Fall (and Later On) by Linnea Sterte 
Minor frog is less than a year old, and is dismayed when winter begins to steal all of the light and warmth from his world. Instead of bunking down safely with his mentor to wait for spring, he sets out on a journey with two vagabond toads passing by on a quest to make it all the way to the tropics. They tramp through the Japanese countryside, encountering tree spirits, new friends, dangers, and views the likes of which minor frog had never even imagined. This is a gorgeous book; every page worth pouring over, an economy of line and detail building a beautiful and mysterious world of talking animals and miniature packaged foods. Made me want to draw.
Dark Rise by CS Pacat read by Christian Coulson 
In 1820s London, orphaned Will tries to earn enough as a dockworker to survive- and evade the killers pursuing him. Violet dresses in her half-brother's clothes and sneaks onto a ship in the Thames to watch a man be branded with his master's mark. Katherine excitedly anticipates her engagement to one of London's richest and most mysterious lords; his gallantry nearly makes up for the fact that he's twice her age. And in the bowels of one of that lord's ships, James tortures a man for information. All of these characters are 16 or 17 years old, but all of them are tangled in an ancient conflict between the Light and the Dark which stretches back into an age of magic before history. This is CS Pacat's YA fantasy debut, and it contains a lot of tropes very familiar to both YA and high fantasy- there are shades of both Tolkien and Rowling in this. Its fast-paced and action-packed, but especially in the first third of the story, the characters all felt fairly thin. None of them have quirks, hobbies, career hopes, relationships outside of immediate family, school, or work; or much more than a brief sketch of past. It took until the mid-way point for what I consider Pacat's major strengths as a writer to emerge: intense, homoerotic interpersonal sparring between characters operating under major power imbalances. Every scene in which the seductive, manipulative, powerful evil gay faced off against the good boy chosen one crackled with energy. Unfortunately, there were only four of these scenes in the whole book. It ends on a cliff-hanger, because of course it does, with a tempting set up for book two; but that doesn't entirely excuse the fact that the first 50% felt like set up. I will definitely keep reading, but long-time Pacat fans should take note that this is toned down version of what I expected based on Captive Prince.
Feeding Ghosts by Tessa Hulls (re-read before event)
What an accomplishment! I savored every page of Feeding Ghosts, absolutely floored by the labor and courage that went into the writing of this book. The inking is gorgeous, the history is clear, digestible, and devastating. This book threads the line between honesty and compassion in a way that I appreciate so much in any memoir, but especially one dealing with family. Hulls lays out the story of three generations of women starting with her grandmother, Sun Yi, a Shanghai journalist who faced intense persecution during the rise of Communism in China, who penned a popular and scandalous memoir and then suffered a mental breakdown. This left her only daughter, Rose, a student at an elite boarding school with no parental figures and no other family to lean on. Eventually Rose earned a scholarship to an American university and in the end moved her mother into her California home. Sun Yi haunted that home during the author's own childhood. The unexamined trauma and codependency of Sun Yi and Rose drove the author to the extreme edges of the Earth, seeking freedom from their ghosts. But in the end, she stopped running from her family history and turned, instead, to face it. Shelve this book with Maus, Fun Home, Persepolis and The Best We Could Do. Re-read it for a second time and got even more out of it on a second pass.
Delicious in Dungeon vol 8 by Ryoko Kui
Laios and company realize that their encounter with changling mushroom rings had more consequences than they'd realized- its the body swap episode! This visual humor is contrasted against increasing dangers from both above and below, as nastier monsters and political machinations begin to close in on our heroic adventuring party. I'm now over halfway through this series and almost feel like I should start reading it more slowly to savor it, but I'll probably just keep devouring it instead.
Lunar New Year Love Story by Gene Luen Yang and Leuyen Pham
High school senior Val grew up knowing her family was unlucky in love; for generations, relationships in her family have ended in heartbreak. Her childhood love of Valentines Day ends with a shocking family revelation and what feels like the beginning of a curse. Then her Vietnamese grandmother sweeps her off to a Lunar New Year celebration in downtown Oakland and a pair of cute lion dancer boys catch her eye. Could one of them break the spell on her heart? This story offers a classic and satisfying rom-com, with Val torn between an outgoing, rich, but flaky boy and a broody, shy, loyal one. The story takes several kdrama style twists and includes ghosts, saints, red envelopes, confessions, fights, reunions, tears, and kisses. For a comic, its wordy; the pages are dense with small panels and thick with dialogue, but also illustrated with such warm, humor, and realism. I really liked that the story included as much of Val's relationship with her family and best friend as romance. And the lion dancing scenes practically leap off the page with color and energy!
Witch Hat Atelier vol 10 by Kamome Shirahama
This series remains as visually stunning as ever but I'm struggling with how every single book expands the cast. There are so many characters now that I don't care about that much, and have trouble remembering from volume to volume. I wish the story line would stick more closely to Coco, her classmates, and their main mentors!
Delicious in Dungeon vol 9 by Ryoko Kui
Oh the stories are all converging! The savior at the bottom of the dungeon is probably a demon! Ituzumi saves the day! I am still having a great time reading this series.
A Dowry of Blood by ST Gibson read by Abby Craden 
A short, very queer, very poly retelling of Dracula focusing on his coven of enthralled lovers. I liked the way the book breezed through history, as the dysfunctional little family moved from one major European city to the next, with snatched moments of glittering joy interwoven with violence and plague. The story is fairly simple, and has a happier ending than I expected, or honestly think the characters deserved.
City of Dragons by Robin Hobb
I DNFed the previous book in this series and just read a summary online before skipping ahead to this one. I think that was a very good choice for me. This third one was more engaging and a bit more action packed, with some cool discoveries about the city of Kelsingra and the nature of Elderlings. But the Rain Wild Chronicles as a whole do not stand up to the quality of the Farseer books. There are so many POV characters that a few of them get only two or three scenes in this whole book. I don't feel that I deeply know any of these characters; while at the same time watching Hobb pair them off at an extraordinary rate- in the last book five sets of characters got together and in this book an additional two couples are developing feelings for each other. Between this and a kidnapping, a birth, a murder, and a lot of blackmail, this series feels like a soap opera.
Delicious in Dungeon vol 10 by Ryoko Kui
Almost two TPKs in this volume, yikes!
Delicious in Dungeon vol 11 by Ryoko Kui
You know shit's getting serious when the character who has been the series main villain up until now is partially devoured by a different, worse villain. Exciting changes coming to this dungeon under it's new lord and master!
Squad by Maggie Tokuda-Hall and Lisa Sterle
When Becca gets invited to sit with the popular girl clique at her new high school, she's thrilled. But the friendship turns bloody and complicated when she learns that her new friends are actually werewolves who need to kill and feed on a human once a month. If she joins them, Becca will gain superhuman strength and a pack; she'll never have to fear a male predator again, because she will be a predator herself. I loved the queer rep and the twist on werewolf lore; I wish it had been a little longer and more developed. Give me multi-page transformations sequences!
Delicious in Dungeon vol 12 by Ryoko Kui
I love seeing all these plot lines come together! Building towards a wild climax.
Delicious in Dungeon vol 13 by Ryoko Kui
I went out and *bought* vol 13 of this series because my library didn't have it yet, that's how hooked I am. And now I have to wait until JULY for the final volume! (But also, thank goodness I didn't get into this series any sooner or I'd have a much longer wait).
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nathantheauthor · 5 months
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I said I was going to start talking about the rewrites I have, and what better way than just start with the poster boys, and I do mean boys!
Welcome to the first entry of my Creepypasta rewrites, I introduce the rewrites for Woods, Keaton and a variant of 2015, as well as my own original Jeff! We'll talk about this in chronological order.
Before we get into it I do have to preference there is a lot of lore that I'm not going to fully dive into here, cuz as you'll notice I have excluded a Jeff variant, as I'm saving Hodek for his own blog entry. My takes on Jeff depict the variance as a cult worshiping the original Jeff the killer, with Woods and Keaton at the head of it, well, Keaton is the REAL master mind.
Hailing from 2013, we have the ever well-known and (not very) beloved Jeffrey Woods, the second ever recorded Jeff The Killer. No I actually had a lot of difficulty figuring this one out, because he needed the biggest rewrite out of all of them, and frankly, I had fun and adore the end result.
Jeffrey Woods is still a story we know, and have seen time and time again, but there is a few major updates and differences to his origins. For starters, one of the major things I wanted to do and touch up on is his relationship and dynamic with Liu, and I went a step further to switch their ages, Jeff is once again the younger brother, with Liu being only a year older than him, making most of the stuff to come later make a lot more sense.
The other major change is the incident is no longer a birthday party, I rewritten and restructured a lot of the events without changing most of the beats, and this is the event I've changed the most, and it's aftermath, you see instead of a birthday party this takes place at a 4th of July gathering. The events play out somewhat the same, with his parents sending him to find his own entertainment and ultimately he ends up playing cowboys with some of the younger kids, before Randy and crew came onto the scene, pulling him away for a "chat".
Instead of guns or the flare gun this time around, no, Jeff is hit with some illegal fireworks, the incident burning him from head to toe, leaving him worse from where when the ambulance is finally do arrive and Randy is arrested. His pale skin is actually explained by the improper skin grafts, leaving him with ghostly pale skin, and in fact, he still has his eyelids. Rather than them being removed, his eyes are unable to shut properly due to a problem with the methods used to treat him.
In fact the events of the first murder are completely different, it is instead the family of Jane Arkensaw, leading to his parents seeing him coming back from the burning the house down, forcing him to silence them as well before visiting Liu. In this version of events there is no catchphrase, instead it's Jeff struggling to find any sort of comforting words for his brother, only what their parents used to tell them... "Shh. Just go to sleep." Before smothering him with a pillow and leaving during Liu's unconscious moments. Now homeless, and on the run, he's forced to fend for himself until!
Jeffrey Keaton, the third and most vile recorded Jeff The Killer, based semi off of the MBK version. He's more violent and manipulative, and audible stutter often signifying his enjoyment of his depraved actions. Unlike Woods, there had been something wrong with Keaton deeply from the start, hell it wasn't just him, his elder brother David was equally as vile. They killed their parents together, and wreaked havoc across the small town of Ferguson,
However, similar to his counterpart in the MBK-verse, he would be trapped in Krueger asylum and meeting group of colorful individuals. Helen Otis, Natalie Outlette, Katherine Knight, Diana Angels, and Owen Allaster. Eventually they would all find themselves free in the wake of Natalie's superhuman strength awakening. They broke out as a group, ultimately splitting up as Owen and Katherine returned to Slenderman, Jeff sought to find his brother, Diana Angels left to seek out answers to what she is, and Natalie vanished into the night.
Having split ways with his asylum gang, Jeffrey would find himself lured into an abandoned pizzeria, David strung up from wires, the mad head of the asylum was waiting for him, garbed in wolf mask and trench coat. The resulting class at ultimately end in the death of David and the first of many deadly experiences for Jeffrey Keaton.
In the aftermath of this, he would be indoctrinated and resurrected by Zalgo, infected with the demonic warden's influence, and ultimately coming to die multiple times.
Present day Jeffrey Keaton is a walking corpse, malnourished and rotting, bugs crawling beneath his skin and threatening to eat him from the inside out. He can only be described as a GHOUL, a zombie. His appearance began to resemble the ugliness inside of him over time, to be a reflection of the monster within.
He's long evolved from playing serial killing, now using the existence and concept of Jeffrey Hodek, he's formed a cult alongside Woods, calling themselves The Church of Smiles, which, unbeknownst to Woods, is a way for Keaton to highly rack up the amount of kills made in the name of Zalgo. The undead abominable aims to speed up his master's arrival, using the others as his pawns.
Our next stop is Jeffrey Coleman! A reimagined 2015, which is mostly the same for now, the only difference is that rather than the flare gun... He is suffering from a chemical burn that covers half his face.
Our final stop, the original concept. Jefferson Forester! The youngest of the jeffs here, and the most short-lived. Honestly I'm still working on flushing on his backstory, and general concepts for him...
I can't over say that I do have a lot of concepts for what he was during his time alive, but I do want to talk about him because he's how I started to like Jeff The Killer again. I actually originally hated the guy, and that just spawned from how I written a lot of variants were, and just the damage he did to the fandom as a whole. But, the goal for Forester was to create what I would like to see as the ideal Jeff The Killer.
Forester is an amalgamation of all that came before him, the stutter from keaton, a more thorough burning than 2015, leaving him a SCARRED mess, and he is the only one that actually has the catchphrase penned by Woods. He's twisted and chatty, he'll break you down psychologically before he takes your life.
Forester is egotistical and short sighted, he was the first one to come up with the idea of leaving carved Smiles as a sort of calling card for the church, and it's ultimately he that ends up creating this world's Nina. Ultimately, it's his ego that got some killed, for when Jack Revver came for him, he thought that nothing could stop him. I'll probably make a blog for him when I eventually return to fully flush him out.
So, yeah, I figured we start off strong with the poster boy(s) of the community. And I'm sure you've noticed them in the tags and their real names in thread, but there are plenty of pastas mention here that will get their own blog entries with time. Bloody Painter, Clockwork, Killing Kate, Zalgo Judge Angels and Nina Hopkins, all already have their own rewrites, and I'm actively working on the rewrite for The Red Artist
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Loser Round 7: Ken Amada (Persona) vs. Mabel Pines (Gravity Falls)
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Propaganda below the cut
Ken Amada (11):
y'all are all for "murder and revenge plots" until is a 10 y/o boy who watched his mother die and started to become conflicted after realizing his moms killer is a secretly kind traumatized teenager to the point where the 10 y/o boy attempts to kill himself by giving himself up to assassins.
bro he's 10.
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ken amada is such an interesting character with the unfortunate circumstances of having little screentime and atlus deciding to ruin his reputation forever by giving him a romance choice in the fem protag route. ken is a child who lost his mother at NINE. nobody ever believed him when he said that she was murdered, and that he saw who killed her. hes miserable, and all everyone around him does is give him sympathy while hes suffering and was forced to grow up before even going into middle school. hes angry and determined to get revenge on the person who killed his mother, and he doesnt even see the own value in living anymore beyond getting that revenge. hes more mature than most of his peers, and is desperate to be seen as an adult.but at the same time, he is still a child who likes superhero shows.
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OH GOD WHERE DO I START
First there's the normal "The fandom hates kids" complaints of "He's so whiny" "he's so annoying" "oh my god kid just SHUT UP" y'know, the typical fandom stuff that makes you wonder if these people have ever talked to a child in their life
Second, there's (spoilers)...
October 4th, and the ENTIRE FANDOM is calling this kid a murderer.
For context, the moment in question doesn't necessarily paint him in the best light but its still understandable. Your team is going on a mission while Ken and another character named Shinjiro are away. In an alleyway, they have a talk where it is revealed that on that night a year priar to the game, Kens mom was killed in that allleyway by Shinjiro's Persona (Which, by the Rules of the Game Lore, basically means By Shinjiro). Ken tried to tell the authorities, the authorities didn't believe him because Magic Reasons and the death was ruled an accident.
Of course Ken is Fucking Pissed and wants revenge
However, because of Talk, he ACTIVELY CALMS DOWN, and realises "Hey, I probably shouldn't kill someone. Despite them, y'know, killing my mom"
HOWEVER REVOLVER JESUS COMES IN AND RUINS EVERYTHING BY SHOOTING SHINJIRO. AND LIKE, IF YOU PLAY P3P YOU CAN /AVOID THE DEATH THING/
AND EVERYONE BLAMES /KEN/. AND ONLY KEN.
And third (yes, there's a THIRD) IS THE FUCKING FEMC ROMANCE THING. WHICH JUST...SHOULDN'T HAVE EXISTED IN THE FIRST PLACE. BUT NOW HE'S "SHOTA BAIT" BECAUSE WE HAVE TO BLAME THE CHILD FOR THE AUTHORITY FIGURE COMING ONTO THEM 😒
Mabel Pines (12):
I literally saw a tiktok today about how Mabel is a bad person. She’s 12! Like yes, she has made some mistakes and bad choices, but so has everyone else. And I never see any of the other characters in the show criticized the way she is. Everyone in the show has made mistakes (Grunkle Stan commits crimes practically every episode ffs) but because Mabel is a 12 year old girl and acts like it, she gets the most hate. Mabel deserves to be loved 🩷
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girl gets so much flack for being... immature and kind of selfish at age 12? like she had whole video essays made on why she is a horrible person who deserves punishment. god forbid girls be silly
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!!! Spoilers for Gravity Falls last 5 episodes !!!
This has gone down a lot but when the Weirdmaggedon arc was happening, the finale of the series, a big part of the fandom started hating Mabel because she accidentally caused the Weirdmaggedon (basically an apocalypse + bizarre shit like the water tower becoming an eight-legged monster with a giant mouth).
For context, in the episode that starts this arc, "Dipper and Mabel vs The Future", Mabel is really excited to the end of their summer vacation at Grunkle Stan's house, since it will be her and Dipper's 13th birthday and they will enter high school (her idea of high school of course coming from teen movies). But then this whole idea starts to shatter when Wendy tells her that high school isn't like a Disney musical, but it's okay, she will get through this since she will be with Dipper, her twin brother...
Except, that Dipper receives an invitation by Grunkle Stan's scientist brother Ford to become his apprentice after summer ends, staying in Gravity Falls, without Mabel. When she discovers it, she gets really mad at him and in a fit of rage, she accidentally picks Dipper's bag instead of hers and runs off to the woods.
When she gets there, Blendin, a time-travelling friend of theirs finds her and tells her that he has a way of making her brother stay with her, and make the summer take a little more to end, and that he just needed a little thing that Dipper has in his bag. That thing is a dimensional rift that Dipper and Ford contained to not cause the Weirdmaggedon, but Mabel didn't knew about that and gives it to Blendin. Blendin then breaks it and it's revealed that Bill Cipher was controlling Blendin to get the rift and release the Weirdmaggedon. He then traps Mabel in a bubble, starting the final arc of the series.
So, a few episodes later, that bubble she's in is revealed to be a world of fantasy that she controls, and that she didn't want to leave that world, as she was scared of growing up etc.
Context given, A LOT OF PEOPLE HATED HER FOR THIS. Suddenly people started seeing Mabel as just a selfish girl who wanted things only her way, when she was only a 12-year-old scared of growing up without her twin brother (they do end up going back together at the end but still).
The worst part is that apparently the people behind it took note of this, and on the comics that where released after the finale, she is a selfish spoiled brat. I haven't read the comics though so I'm going off what some people said about it.
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hahaha how the frickle frackle do you draw humans
WOE, AMREV OC BE UPON YE. MEET REMI.
i know there are a lot of "woman disguised as man to join the army during the revolution", but can we make room for one more??
feel free to ask me about lore
Remi Backstory:
So. Just a family in New York. Her father, Lucian, wanted a son to inherit his business.
"The baby popped out, and guess what gender it was? A girl. How utterly disappointing."
-Lucian, probably
So Lucian kinda hated Remi for, well, not being a boy. Years go by, yada yada yada, let's just casually mention that Lucian is a serial killer, finally snaps and kills Remi's mom, causing Remi to run away from home. She later moved in with her older cousins.
Once the war started, she decided, "You know what? Fuck gender roles. REVOLUTION!" and pretended to be a boy to join the continental army.
Random facts because why not:
-Remi is always smiling, no matter the emotion. And not for "oh, I'm happy, everyone, move along!" It's more like a cover so other people can't guess what she's thinking. So if she stops smiling, you are fucked. It's too late for you. RIP.
-Somehow very good at manipulating the feelings of others to her advantage.
-She has convinced quite a few redcoats that cornered her, "Oh, I'm betraying the Americans, can I join you?" only to kill them the moment they turn their back.
-She found Scout in a box on the side of the road.
-She occasionally brings a kid into camp claiming, "Oh, he's one of my many cousins, can he stay here for a day or two until his mom gets here?", but everyone knows assumes it's just some random kid she kidnapped.
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bluelizze · 4 months
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I DECIDED TO MAKE A POST ABOUT MY GENERINE REACTIONS TO ACCIDENTAL BF PT 4 (omg pls read this series it’s a gem by the wonderful @tenkover)
also i was just causally looping this edit while i was doing this
"You reach up and fix his crooked septum. He blushes. That damn thing."
SINCE WHEN DID TOMURA HAD A SEPTUM (ngl I actually looked up what it was bc idk what it was and I WAS SHOCKED MY JAW DROPPED)
“Why would I want to,” Tomura smiles and kisses the top of your head. He wants to absorb you… you can crawl into his ribcage any day and make yourself at home."
HEAD KISSES >>>>
“The Izuku thing, for example, like, we started off as friends just getting to know each other and out of the blue he gets handsy. It felt like all the friendship building was just… fake– and it was. His entire personality changed when I told him I won't be with him. I've had that happen before. It makes me feel… so alone. Or just generally talking to men. If you're nice you are flirting and they feel entitled to your… well, body. It hurts. And if you aren't nice… you put yourself in danger. My dad taught me to always be polite– well, too much because…. I was nice to my stalker. It's dumb– I am. That's also why I always do what people want… it is the path of least resistance.”
OH SHIT IZUKU LORE WITH READER
also reader being real here bc I always feel like I have to put on a mask around certain people so I sometimes have identity crisis (that’s why I relate to furina and mafuyu A LOT)
“He's always late!” Himiko sighs. “I'd never let you wait, (Y/N)-chan! If Tomura ever lets you wait– just text me, kay?”
HIMIKO BEING READER’S NEW BESTIE
“Really? Voice changer? Cmon, man,” Tomura says and pinches his nose.
OMG DABI BEING MYSTERIOUS BY USING A VOICE CHANGER XDDDD (I know who you are dabi LOLOL)
“Is it because… your friend who got a girlfriend?” He sobs.
OMG????? Does touya love reader?!?! (I wouldn’t be surprised if that were the case)
“Y-Yes. Sorry. I… I wanted to ask if I can soft launch you on Instagram?”
SOFT LANUGH 🥹🥹🥹🥹
“When I'm back… can we maybe go on a date? Get Boba and sit in the park?
BOBA DATE BOBA DATE BOBA DATE (I’m drinking one rn)
“Please just leave… go to your boyfriend.” You frown and a lump grows steadily in your throat. You look at the back of his head. His light hair looks badly tangled. “Touya… is that the problem?” “Yep.”
OH I AM RIGHT!!! (not but surprised but STILL THE REVEAL 😤😤😤)
Yes. Thank… you. Hey, one more thing… you're not a serial killer?” “When does it become serial?” “After 5?” “Oh no then we're good.”
OMG I SEE YOU USED THE REFERENCE IM SO HAPPY HDHROWCHOAFNNQ
“During semester break he showed up here and introduced himself as my boyfriend to my dad. I don’t know if you know how charming Izuku can be… my dad loved him. And… I had to play along because if my dad knew that I have a stalker he would never let me go back to uni. So… when he finally pissed off I tried to do damage control and told my dad that I was planning to break up with him– this is so stupid.”
IZUKU you mother fucker 🙃
He snorts. “Talk later… honey..?”
HE CALLS US HONEY 🥹🥹🥹 (I love nicknames like those)
Toshinori wraps his arms around you, almost smothering you with the intensity of his embrace. “Kid, you don’t ever need to justify coming home.”
HOW COME IM SURPRISE THAT ITS TOSHINORI (FOR SOME REASON I THOUGHT IT WAS SOMEONE DIFFERENT BUT I SHOULDVE EXPECTED IT DAMN)
“You love him,” Toshinori chuckles and wipes his hands on a kitchen towel before starting to chop up some tomatoes. “You should see how your eyes are sparkling right now.”
TOSHINORI BEING A BEST DAD 🥹🥹🥹🥹🥹😭😭😭😭😭
“You are Dabi!” You wave the phone.
OMG THE REVEAL DABI AND TOUYA R THE SAME PERSON (but not surprised bc cmon)
“Holy shit. Now I get what you were saying– Tomura is the guy you have a crush on."
OH SHIT WAIT HOLD UP WHAT A FUCKING PLOT TWIST WHAT WHAT WHAT IDURJDJDJGOMG
OMG YOU HAVE TWISTED THE PLOT EVEN MORE BY HAVING TOUYA CRUSHING ON TOMURA INSTEAD OMG THATS PRETTY REFRESHING I LOVE IT OMG
omg first spinner and now touya. everyone having a crush on tomura on this fic and honstly, that's valid
"Dude, I thought you were confessing TO ME!”
I THOUGHT SO TOO
“No– did you just forget I am gay or what?! Be for real.”
YES I DID FORGET OR I MISREAD IT SOMEHOW
Tenko doesn't remember and Tomura can't face the truth.
OMG WHY U GOTTA END IT LIKE THIS OFRMC EQOJVCUOWDVIPQEBPIBCWDPI
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cateyedfox36 · 1 year
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In this house we KNOW Jason Voorhees did nothing wrong
we watched Jason 2 last night- I'm sorry Friday the 13th part II is too long a title, they're about Jason being a very good boy so they're called Jason movies. Period.- and now I kinda want to watch all of them. Except that crappy one. Where he's Corey Feldman's character all grown up and he thinks he's Jason? And there's this really weird keystone cops vibe to the whole thing? Idk. That ones bad.
But the best one - besides Jason in Space and Jason vs Freddy- is the one where the kids are at camp and these children have hilarious glorious lines like "what did you want to grow up to be?" Bc they just accept that Jason is going to murder them too.
Without looking anything up, I'm pretty sure I can do all the Jason movies. Let's go:
Momma voorhees. Great sweater, excellent momBob, and you get to see Kevin Bacons Bits if you know when to pause the movie. 3.75 stars. Not funny, kinda off vibes
Jason in a bag. He's a very clumsy boy, falls off a whisker chair, is confused by a small dog (who does not die!), and is hit by a car like twice. He only kills like what 6 people on screen? And we get BEST final girl Ginny, who takes a chainsaw to our soft prince, and mind mojos him to think his momma is alive. 5 outta 5 stars! Some nice boobs, creep dies strung up like the perv his is and Jason is mu sweetest baby boi.
Behold, a hockey mask. Much better for peripheral and way more sensibly than a FUCKING BAG! Jason finds a house with stupid horny teens- or college kids? I'm never certain- and another with a newly divorced mom, her slightly sassy daughter and a young monster obsessed Corey Feldman. Pretty good kills, the dog laters out to go join a wolf pack (run by muffin obs), and Corey Feldman gives himself a bad haircut to bond with our big headed hero,Jason. 4.25 outta 5. Funny, more agile Jason, and I had no sympathy for the college idiots who died epically.
The fucking worst. I think they were trying for a Legacy Jason bc he definitely "died" in 3. So elder teen Corey Feldman thinks he's Jason and at the POORLY run TROUBLED TEEN camp he goes to someone starts killing folks. I vaguely remember the actual killer but... who cares. This is the worst. 1 star.
Again w all adulted Corey (reminder not thr actor but the character, but who bothers to remember their names?) Digs up Jason's body, it gets struck by lightning and He's Back! I think this is the one with the biker gang. And the sheriff's daughter has a taste for danger and breaks not-corey out to defeat Jason. 2.5 stars. I think there was an rv death? But a fun scene in a barn!
Jason's not dead, just napping and when he ends up in a morgue his heart infects a doctor who becomes... jason...? It's odd. You guys remember Nightmares on Elm st dream Child? I think it's like that. 2 stars. Fucked if I remember anything from this movie. This is where I get a little shaky
Jason back at camp baby! I think this is the one with the funny kids. And it's just a really straight forward slasher. No lore, no stupid shit just bad counselors getting what they deserve for not watching children. 3.9 stars. Best part is the kids
Jason on a boat. He was in Manhattan for like 10minutes. He kills a kid with a guitar, and the inside of boats are very dangerous. No lore. 3.75 stars
Is there a Jason 9? I don't fucking know but I do know there's...
Jason in SPAAAACEE! And it's amazing. A ship full of med students find Jason cryogenically frozen and a woman as well. They defrost both, murder hijinx ensue. Jason becomes a cyborg. And they completely miss shooting him into the sun. It's so stupid and so good and I love my son! 5 billion stars! Lore? Who needs lore when you've got a cyborg jason?!
Jason vsFreddy. The best team up full stop. With Jason's relentless desire to punish bad teens and Freddy's pervy ass? Forget about it. Nice lore, and the addition of seeing how happy Jason is in his death is perfection. 5 outta 5 stars. Look yes, Jason's gonna kill you, he'll have fun with it, but he won't sexually assault you while doing it.
conclusion: the middle ones suck. Skip them. Watch 2, 3, Jason in Space and Jason vs Freddy.
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noteguk · 2 years
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24. Summer Camp + 29. 7 minutes in Heaven/Never Have I ever/Truth or Dare 🫶
Starring: Jungkook + OC 🫂
Genre: Fluffy time turned thiller!! 🫣
These are so cute together!! And I like the thriller twist ohohohoho
— contents and warnings; drinking, truth or dare, mentions of death/murder
You were pretty sure that Jungkook’s eyes couldn’t even look at the same spot anymore. His cheeks were painted by a vague shade of red and he would sniff every three seconds, slender fingers playing with his empty bottle. When you agreed to play truth or dare, you didn’t think he would be drunk enough to insist on spinning the bottle even if it was only the two of you playing. But there you were.
“It’s me again,” he says as the bottle stops on him. “Ask me.”
You groaned, leaning back against your hands. It was probably two in the morning by now, and the novelty of sneaking into the abandoned barn of the camp just wasn’t doing it for you anymore. You needed a comfortable bed and a good night of sleep. “Seriously, you’re not tired?” You asked. “We have to be up at seven to greet those little demons’ parents.”
“Pick up day is the best day, it always has to be eventful,” he speaks as if he’s thinking out loud. Probably is. “Ask me. I want truth.”
“Fine.” You sigh, looking around the dark room as if it would gift you with any semblance of an idea. Nothing came up, so you decided to return to the previous game lore. “When you dared me to kiss you earlier, did you think of doing that before? Kissing me, that is.”
You didn’t even need to see the sly smirk that curled up in his face for you to have your answer. It was obvious: Jungkook has been eyeing you all summer, especially when your camp shirt got all wet from the lake activities. If you two weren’t surrounded by kids, you were sure he would’ve made a move by now — not that you would complain, Jungkook was the definition of a hottie.
“Yes,” he finally answered. The bottle scratched against the old wooden floor as it spun, landing on you. “Truth or dare?”
You yawned. “Truth. The less effort the better.”
“Are you scared of being alone with me?”
Confused, you took a second to take that in. What a weird thing to say, you thought, followed by the notion that, yeah, maybe the situation was very prone to fear. The barn, as previously stated, was abandoned and about fifteen minutes from the main camp. Everyone was asleep, even the other counselors. And you knew Jungkook for, what, three weeks? If he decided to hurt you, there was no way you could overpower him or call for help.
The newfound realization made your heart rate pick up. “Should I be scared?” You asked, trying to make the situation lighter. He only smiled, which didn’t help at all. “Uh… I think this place is a little creepy, yeah. But I’m not scared of you.”
“Why?” Jungkook sounded awfully sober now.
You blinked. “Because I trust you.”
“Do you trust everyone you know?”
Now, you were really starting to feel off. Under the pale light from the moon, his face was distorted and evil, as if he was waiting for you to run just so he could chase you.
Before you could answer, he spun the bottle again, landing on you. “Truth or dare?” He asked.
“Truth,” you spoke faster than you’d like.
“Do you remember the lake murders that happened last year? The three counselors found in the lake,” Jungkook asked. You nodded. “That wasn’t your question. Weren’t you scared to come here? I was here last year. That’s why I came back. They never caught the guy who did it.”
You swallowed dry. His sentences were so disconnected, it was like he was trying so say everything at once. “They never knew the killer’s gender,” you deflected.
“No, but it’s the most likely. Statistically,” Jungkook argued. There was a thick knot in your throat you couldn’t swallow down, heart beating fast against your chest. At the same time you were on edge, you were frozen in place.
“I don’t know where you’re trying to get at,” you said. “Jungkook, I really think we should go to bed…”
“I think you know exactly what I’m saying.” The bottle spun again. It landed on him. Suddenly, you noticed the absent weight of you phone. The barn keys had also left your back pocket. “Say it.”
You felt dizzy. “Truth or dare.”
He smiled. “Truth.”
“Was it you? Who killed those counselors?”
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blazehedgehog · 1 year
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How DID FNAF get so popular in 2014? (God, that was 9 years ago.) Was it just a right place, right time thing?
A bit, yeah.
I think it's pretty clear from the popularity of Halloween that kids like to be scared (and to scare each other). There was a whole market that a lot of studios either forgot about or never tapped into.
Because, like, when you think about "horror for kids," you think about, like... Grabbed by the Ghoulies, or Luigi's Mansion, or even that one Haunted Mansion game Disney put out.
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Games that are absolutely more silly than scary.
But we were in the era of the "creepypasta," which was undoubtedly dominated by kids between the ages of 13 and 18 writing about how their Sega Genesis was oozing blood or they had summoned Jeff the Killer by calling his number at 3am or whatever.
And this was after years of top Youtube Let's Players cutting their teeth on games like Amnesia and Cry of Fear. Kids were now intimately familiar with actual horror. They were hungry for sterner stuff than the typical idea of what kids could tolerate. Googly-eyed skeletons and technicolor sheet ghosts weren't cutting it anymore.
Five Nights at Freddy's was laser focused at this demographic: characters and a premise even adults find scary (uncanny animatronics turned killers) married with extremely simple gameplay that's all about building up to what is effectively somebody going "Boo!"
I currently live with my brother and his family, and he has twin sons. They're six years old. When it's time for bed, they give hugs to everyone. And when it comes time for my hug, every night for the last year, they try to sneak into my bedroom so they can jump out and shout "Boo!"
And when they do manage to surprise me (either because I play along or because they genuinely come in so quiet and secretly that I do not notice), it is one of the greatest things for them. They'll go bouncing out of my room and one will proclaim to the other "I GOT UNCLE RYAN!"
Even six year olds like the "Boo!" It's universal. The ultimate, most primal form of prank.
And despite trading in dark themes (dead children and a conspiracy to hide their deaths), there's no blood in FNAF. The violence is, at most, implied. And since the lore was deliberately obfuscated, its darker themes are gated by how deep you're willing to dive. Younger kids who might not be keen enough to figure out the easter eggs and hidden story elements are spared, whereas older kids can devour theory crafting videos until their eyes cross.
I don't necessarily think Scott Cawthon did everything deliberately. He's on the record saying FNAF was kind of a last ditch effort for him to be successful at game development, after all his other (Christian/Educational) projects were non-starters. I think certain parts of FNAF were probably more a happy accident. But he did land in the right place, at the right time, with the right game for what an audience of 13-18 year olds was most likely to connect with at the time.
And in the bigger picture, it was like the popularity of characters like The Crypt Keeper, Jason Vorhees and Freddy Kreuger finally came home to roost. Those were characters of the late 80's and early 90's that found surprising popularity with kids of the era. Growing up I was both amused and terrified of the myriad of Freddy Kreuger merchandise, and they straight up made a Tales from the Crypt saturday morning cartoon. From something that aired on HBO at 10pm and routinely had nudity and quite a bit of gore.
Even if their parents never liked it, kids have been getting scared by adult horror for decades.
Now, with FNAF, it was literally Good Christian Fun™ with enough of an edge to it that kids didn't feel like they were being talked down to.
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casualevan · 11 months
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So... Pariah Nexus
I found it to be a swinging pendulum of quality. Back and fourth between badass and just kinda bad.
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The action and animation are astounding and there are some fantastic bits of dialogue discussing faith and fanatasism. All great stuff.. buuuuut my biggest issues are with the tone and the plot.
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It's the issue a LOT of Games Workshop stories suffer from. They want to be Dune meets All Quiet On The Western Front but also G.I. JOE meets Masters Of The Universe. A Grim Dark brutal depressing war story.... but a toy commercial at the same time. SPOILERS
The plot is set well after the end of a war for this one planet the Sisters of Battle, (Nuns with Guns in SPACE) Space Marines, (Marines IN SPACE) and the Imperial Guard (Starship Trooper normal humans with laser rifles.... IN SPACE) were defending against the Necron. (Alien mummy robots FROM SPACE!) The humans lost and now it is all over but the crying. A Sister, a Space Marine and a Guard are stuck behind enemy lines with a handful of civilian survivors and must fight their way past the remaining Necron and their nanomachine human zombies to get to safety.
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The SIster and the Guard have some GREAT moments of debate on the nature of faith and duty showing the Sister's fanaticism and the cracks in her faith when contrasted with the Guard's more grounded and practical view of their shared religion. This all reminds the audience that Warhammer 40K is a nightmare distopia hellscape and the Imperium of Man is BAD. At least until the Space Marine shows up and "OH WOW HE IS SO COOL AND SO NICE AND HE LOVES DEFENDING CIVILIANS! PLEASE DO NOT READ MORE LORE AND LEARN THAT THE SPACE MARINES ARE ALSO BAD AND COMMIT WAR CRIMES! BUY OUR TOYS BUY OUR TOYS!!"
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The closest thing to a character arc in the story is the Sister of Battle going from having disdain for the civilians, believing their lack of faith lost the war for the planet, to finally being convinced to not be such a starch ass and defend the literal women and children from killer robots...
...
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...
and then she is imediatly shot by a robot sniper. YEAH. "I will now decide to NOT be a total jerk and help these people!" *BLAM* "...ouch... nevermind I guess?" She doesn't get a last desperate second wind action surge to kill the sniper and save the civilians, she just dies. As for that Guard she was debating with the entire time? She wasn't real. She was just a ghost in her head cuz battlefield trauma is a hell of a drug. The big heroic Space Marine (who's just such a great guy) agrees to stay behind and fight the evil killer space robot and tells the civilians to keep running. He survives and tells the Big Bad Super Robot that he and his fellow humans of the Imperium will keep fighting FOR THE IMPERIUM AND THE EMPEROR BLA BLA BLA BUY OUR TOYS!!!!! Then there is an epilogue of the last surviving civilian making it to a troop of other Guard... ... ... and then getting shot because they thought the literal child was infected with the Necron Zombie Nanomachine plague. So yeah.... everyone (except the cool Space Marine) died for nothing. We don't even get to see the Space Marine's reaction to the news. The story just ENDS. He lost an arm trying to keep these people safe and the story won't even tell us if he is sad or mad or just mildly annoyed. "EVERYONE DIES CUZ WAR IS BAD AND WRONG!!!! Please buy our toys and play our games." I'm NOT saying the story should have been sunshine and rainbows but at least have all that buildup and character death MEAN something besides pizza cutter all edge no point grimdark. Have the Sister die FIGHTING and saving someone. Show the Space Marine REACTING to the news that none of the civilians survived. OR if you still want to be grim and dark, have that lone survivor kid get DRAFTED BUY THE GUARD and sent back to fight. Show his face go from "oh boy I'm saved" to "oh no I'm going BACK?!"
all in all I can't recomend Paraiah Nexus. Three episodes behind a Warhammer+ subscription paywall all for story/tone whiplash. Go watch the Hellsreach fan animation instead.
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hannahwatcheshorror · 1 month
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ABIGAIL (2024)
💁‍♀️Strong Female Lead
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This movie mashes up a bunch of fun tropes: the 24 hour trope, the locked house/no way out trope, the hunted becomes the hunter trope, the perfect strangers trope, the empathetic struggling mother as the lead character trope, etc, etc… There are a few things that really stuck out in a bad way to me, but in that same breath there were a few things that really hung on as being great scene additions to the horror genre. 
⭐⭐⭐.5
Y'all, I got a little bit of beef with this movie. The premise of people constantly working for a high powered vampire in an elaborate ruse to fake kidnap his (actually) adult daughter, have her taken to her special meal house, and then let her have her shenanigans? Well, I call shenanigans. That and I felt the way that they used sunlight just seemed too easy, lest we forget the moon is just a big white ball reflecting the sun back to earth, so how come that’s fine? Even human beings with allergies to the sun cannot go out at night or even be in indirect sunlight. Shenanigans number two.
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And the final shenanigans before I praise the film, the fact that they impressed upon us that the mansion they were in was random and that it had nothing to do with Abigail or her family. There was so much lore in the house that was just skipped over because they couldn't have just said “this is their summer home.” You find out halfway through the movie it is her house, but by then all the (creeping) creepiness is gone because you already know Abby is a killer queen!
I heard someone describe this film as Scooby Doo meets Clue and while I don't quite see the Clue aspect (because what mystery was there really, other than how far they could/would stretch the plot) I do feel like the Scooby Doo comparison was apt. Only problem is, if anyone was Scooby it was that goofy guy who got ate right away, so… 😿 (just kidding) 
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I think the best players in the movie had to be Sammy, Peter, and Abigail herself. Sammy, bless her heart, went through the worst in all this though which brings me to my favorite part of the film: The Body Pool. Sammy somehow crashed through a door and fell into a swimming pool absolutely filled with corpses. The consistency of the “water” that was floating around her and the bodies is… viscous. As a viewer I was acutely aware that the Jamba Juice from that pool got into her mouth which might have been worse than being submerged in so much death. Tasting it. When asked how many people there were in the pool, she just screamed, which was the correct answer. You know she has to absolutely reek for the rest of the film, right? Well it doesn't matter much, because Sammy gets bit by Abby when she tries to save one of the other kidnappers from Abby. And then the puppetry begins.
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Sammy and Peter just had a nice friendship moment, so the stage is set for Abigail to turn Sammy and somehow control her mind, make her dance, and then stab Peter to death. Then to add insult to injury Sammy is full on exploded by the sun. No remains. Wild. RIP Sammy, you had it really fucking rough in this one.
We get to the final fight and it turns out Abby isn't as bad as we thought, she's just very old and very short, both things are bound to make you cranky (perhaps enough to kill several dozen folks and put them in your indoor swimming pool, who can say?). Turns out, one of the kidnappers was a bad guy (shocking, a bad kidnapper?). Abs and the Final Girl teamed up to kill Toothy Terry and barely did (girl power!). And then Daddy arrives (yikes) and Abigail can barely get him to not kill Final Girl (“but daddy, we've already named her Final Girl!”)
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The ending really made me want justice for Abigail (and Sammy). Abby was clearly a sad and tortured thing who then tortured others. If her father hadn't created her (turned her into a vampire that is) she wouldn't have done this. She wouldn’t have been capable of it. Part of me doubts they could make it a whole movie but I would love to see Abigail fight her father (and win, of course).
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PS the “strong female lead” is for Sammy and Abigail.
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danganronpa96 · 1 year
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did you have any scrapped ideas for Dr69 like scrapped characters and stuff?
Man it took me a while to remember all the scrapped stuff for DR69 but I think I have a good list of things.
First, there are actually a few scrapped characters that never made it into DR69's cast.
The most interesting scrapped character in my opinion would have to be Hat Kid (a hat in time). She was in fact meant to be the protagonist! However, since they canonically don't speak (as in a silent protagonist) I didn't know if it was possible to even use them (especially for trials) so she was replaced with silly lovely Luigi
I had also planned to add Dr. Robotnik/Eggman (sonic), Marie (splatoon) and Isabelle (animal crossing) but only decided against it as I knew next to nothing about each game's respective lore (esp sonic which I thought fans would get mad at me for lol)
Additionally, Greg Heffley (diary of a wimpy kid) was going to be a character, a potential killer at that, but was scrapped due to me being unsure how to really display him in the fic. After all, his only two versions are a flat drawing and his depiction in the films (and at the time I was iffy on using live action characters, you can see that has changed hehe)
Matt Major (parappa anime) and Cricket (warioware) were both going to be added as I really liked those two at the time. However they were both rejected as I thought they were too obscure (and Cricket was replaced with Ashley as I thought she was more well known being in smash, generally the most popular character from warioware, and since I liked her as well). Of course lucky Matt made in into UDG69 although we know the current fate of that fic (rip) Next, here's some scrapped story/scene ideas that never made it into DR69:
Originally, I had actually planned Mario to be revealed more villainous when exposed as the ch1 killer. Yeah, the whole "Mario is evil" shebang where he actually only cared about himself and murdered just to get out, and Luigi having to deal with the revelation his brother was a terrible person the entire time. I'm don't remember 100% why I changed it, but I'm kinda glad I did. I feel like Luigi has more sympathetic motivation with Mario remaining a genuinely good person up until the end.
In chapter 4, there was going to be a scene where Luigi would stumble upon Fluttershy and Ayano having tea together in the dining hall. It was meant to be "the only two currently surviving girls having a nice moment together" but I think I never went through with it due to pacing and the uncertainty on if it was worth having the scene at all.
In chapter 5, Brian was actually supposed to show the first chapter of his book to Luigi. However, this never happened due to me... never actually figuring out what exactly he wrote. Like, his whole book writing was to do more with his escapism, especially as the killing game went on, more than the content of whatever he was writing. Also, I could never find the right moment to add it in as Brian was always in a sour mood in context. You could theorise what he wrote if you'd like, or even interpret as him never writing anything at all until he wrote that letter to Parappa.
Another chapter 5 thing was a scene where Luigi would stumble upon Brian and Parappa having a heartfelt conversation. This idea came to me, like, way early to me because I had always intended for the two dogs to interact at some point. It's implied they did spend time together during chapter 5, but you never really see it too often through Luigi. I also never added it due to it not really fitting anywhere properly.
This came to me just now while writing this but I think I wanted to do a bonus mode for DR69 but never did. I'm only mentioning it as it was going to involve Luigi finally having a FTE with Mr. Krabs. I didn't plan what they would talk about, but I assume Mr. Krabs would talk about his restaurant (to reflect why he was so insistent in creating a crew) and some spongebob lore lol
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