#artist from Taiwan

[beyourselfchulanmaria]

👆 (sold) 工作之進度 progress of the work and

作品的細節 Details of the work (not finish) 👇

(sold) New /fine craft leather work - 王承前神父日課皮藝封套 by artist Chu Lan/Taiwanese (Not finish)

[scarefox]

HUSH - [ 怎麼開始的 ] Official Music Video

[53v3nfrn5]

‘Polluted Water Popsicles’ (2017) by: Hung I-chen, Guo Yi-hui & Chen Yu-ti

Addressing the issue of water pollution, the artists collected samples from 100 locations across Taiwan, first freezing the liquids and then preserving their creations in resin.

[rongzhi]

do you have any idea when people in china stopped bowing to each other as a greeting? it seems like the most common forms of greeting now is to shake hands or wave both which were introduced from the west. it's the same in taiwan too.

Tldr: It never stopped because Chinese people never had the practice of bowing in greeting the way that Japanese people did/do.

-

(Note: there are types of greetings that involve a sort of bowing (ketou), but this is reserved for special occasions)

Back in the day, the greetings were made by clasping one's hands in front of them in the direction of the person being greeted. There might be some head lowering/slight bowing involved but it's done in conjunction with the hand greeting. You can see various forms of this in historical dramas and even hanfu shows and shortform videos. The exact way one held their hands changed in some years but the general idea is the same.

Women's and men's hand greetings differed back in the day. A women's greeting was called 万福礼 wànfùlǐ and consisted of holding the hands in front of oneself and bending the legs, or holding hands at the hip, etc. The exact way to hold the hands also changes through the years. Women also do what is called 肃拜 sù bài, which is an earlier form of a women's greeting and includes getting on one's knees (thus the 拜).

Some examples of greetings:

Men's vs women's hand positions

拱手礼 gōngshǒu lǐ ("cupped hands greeting"). The most common greeting. Top photo shows the gendered difference for proper etiquette for nowadays if you ware going to do it, for example, as a new year's greeting. Bottom photos: I think if you look carefully in modern society, you can still see examples of this greeting in China. It is a gesture that can also be used to expresses one's gratitude. It is still there, it's just fell out of vogue in favor for waving and hand shaking.

This can also be seen in The video above shows Ming era 万福礼 as well as men's 揖礼. 作揖礼 zuòyī lǐ ("bow with clasped hand greeting") is kind of the same thing as 拱手礼, but 作揖 specifically includes a slight bow whereas 拱手礼 is merely the raising of the hands.

叉手礼 chāshǒu lǐ ("crossed hands greeting") popularised during the Western Jin - Song dynasties, seen in the drama "The Longest Day in Chang'an", which takes place in the Tang Dynasty. This particular greeting started out as one used by Buddhists in the Eastern Han dynasty. https://zhuanlan.zhihu.com/p/489897518

抱拳礼 bàoquán lǐ ("cupped fist greeting"). This one is something done more so by martial artists. For men, you use your left hand to cover your right hand. For women, the opposite is true. It is also called 吉拜 jíbài when showing respect. If you flip your hand (keep in mind men/women do this the opposite way), it is called 凶拜 xiōngbài and it used to show respect to the dead. So one has to pay attention to this.

There's kind of a lot more etiquette rules you could get into but this answer has already sort of gone beyond the scope of your question lol. Chinese people wrote rites books over the many dynasties so actually there are descriptions of how these greetings were done and over time and that's how they are replicated in dramas and movies.

[dolly-birdi]

The fact that etsy now allows dropshipping while still claiming that they don't is so audacious, the site is literally worthless now. I feel so bad for the artists having to compete with floods of dropshippers and people shelling out $80 for a bjd outfit being like "it's worth it to support local artisans" when in reality they're buying an item from taobao that actually costs $15 and is sold for $25 on aliexpress and ebay. Not even joking the etsy markups are that bad. I wouldn't even hate these taobao resellers if they didn't try to scalp the prices so much and were honest about being resellers instead of making it look like they are the ones making the clothes. Not to mention all the recasts on there...

Anyway, here's some of my fav legit doll clothing shops on etsy:

RopitasKawaii: pullip, blythe, and rainbow high lolita dresses from Spain

AtelierMilabrocc: casual pullip, blythe, and barbie clothes from Poland

Yukijiro: pullip lolita dresses from Hong Kong

Cottonhoney: cute 1/3 and 1/4 bjd clothes from Thailand

HelloCoolCat: clothes and supplies for pullip and blythe from Taiwan (they also have a website that has more stuff for bjds)

Toocuteclub: printed graphic clothes for rainbow high and 1/3 bjd from USA

Ninaherisson: 1/3 bjd alt clothes from USA

Balljointedsoulmates: cute casual 1/3 bjd and minifee clothes from Austria

TiffyCuppyCake: 1/3 and 1/4 bjd sweaters/sweatshirts and hoodies from USA

MilkyWayDreamsFR: cute 1/4 bjd accessories from France

DollishSweets: cute 1/4 and 1/3 bjd clothes, accessories, and eyes from USA

PetiteBonita: cute 1/4 bjd outfits from Indonesia (includes custom measurements)

EliteDollWorld: casual smart doll clothes from USA

YumeWearShop: cute and casual 1/3, 1/4, and 50cm bjd clothes from the Netherlands

HauntCoutureAtelier: monster high, rainbow high, and barbie clothes from USA

Shout out to these artists! If anyone else has more let me know!

[ranilla-bean]

culture tips for writing asian settings: calligraphy (pt ii)

in my last post i talked about calligraphy more generally, but here i want to talk about the calligraphy from atla. all of the calligraphy from the show is written by dr siu-leung lee and i'll be using the artbook as my reference.

if you're a writer or artist approaching written chinese, you can think about how script and handwriting might tell us something about a character. dr lee certainly did, and he even tailored writing styles to who he thought might've been writing that text: "If it were a highly cultured royal attendant, he would use a refined, elegant style, but if it were a low-level clerk, he would use a more pedestrian handwriting style."

first thing: modern standard chinese coming out of mainland china uses simplified chinese. this system was developed in the mid-20th century, so it's pretty anachronistic to use this for atla. instead, you should be using traditional chinese as dr lee does (which is still used in hong kong, taiwan, and many diasporic communities). i usually use google translate to switch between the systems.

note the use of simplified 门 (door) instead of the traditional 門 from the aang's unfreezing day comic.

next i'm going to take aang's wanted poster as an example of three different chinese scripts we see in the show. the "title" is in clerical script, the body of the text is in regular script, and the seal is in seal script.

regular script is the standard way you'd learn how to write chinese nowadays. you can see (as i mentioned in part i) how the text is meant to be read up -> down, then right -> left.

clerical script is characterised by fairly compact shapes and a kind of "roundness", and was developed in the late warring states period. this is the script used for the chinese title of the show! in the context of atla, it implies to me that the writer has more specialised calligraphic training than the average person (who, if they can write, would be using regular script). you can compare the difference in styles for the same words between clerical (L) and regular (R):

seal script is the most archaic form of chinese on display; this one wouldn't have been written by the calligrapher, but carved into a seal by a craftsperson and then stamped onto the page.

what's also really interesting is dr lee implies a difference in script between the nations. some of the characters used to write water tribe-related concepts:

this is an adapted form of oracle bone script, the one of the earliest forms of chinese writing. this fascinated me because this script was—as the name suggests—written on bone, and perhaps reflects something about the material of what the water tribes were using to write. (you can input modern characters into this website to see examples of their older forms.)

finally, some cool differences in handwriting! this is from the fire day festival poster:

this uses regular script, but in contrast to the excerpt we saw before, the formation of the characters is more haphazard (excitable?). it's also written left -> right! this suggests to us the writer is a commoner, as opposed to a royal scribe.

these are some things you can keep in mind when you're writing or drawing in this universe—while you're probably writing in english, the characters would be steeped in the writing systems we've been talking about. if a character's sending a letter, what might the recipient notice about the handwriting? what does it tell them about their social status or education? could the shape of the letters signal something about where they come from, i.e. water tribe characters write a more curvy script?

disclaimer | more tips

[uwmspeccoll]

Wood Engraving Wednesday

LAWRENCE KEATY

In this wood engraving entitled Taipei, American artist Lawrence Keaty (b. 1986) offers us a vision of the city he was born in and where he lived when he made this print in 2020. The print is made from six separate blocks and together measure 65cm x 35cm (25.5" x 14"). The print was selected by my Wisconsin colleagues Tracy Honn and Jim Moran for inclusion in the Fourth Triennial Exhibition 2020-2022 of the American American wood engravers society, the Wood Engravers’ Network (WEN). This image is from the catalog for that travelling show.

Lawrence Keaty received a BA from Kenyon College with a major in Studio Art and he earned his MFA from Washington University in St. Louis in 2010. He taught English in Taiwan and South Korea from 2011 to 2019 and then worked as a writer/editor for Global Village Organization in Taipei for a year before returning to the U.S. (New Mexico) where he currently works as a UX/UI designer as well as a professional artist.

View other posts with engravings from the WEN Fourth Triennial Exhibition.

View more engravings by members of the Wood Engraver’s Network.

View more posts with wood engravings!

– MAX, Head, Special Collections and juror for the WEN Fifth Triennial Exhibition.

[sir-adamus]

i've got the blu ray for volume 1 playing and i'm watching the behind the scenes video and Monty explicitly spells out how important collaboration with other creatives was in building RWBY, saying how he wanted to work with Kerry and Miles on it in creating the world and how he mostly gave them broad strokes. and it's mentioned how they all put the show bible together - i'm gonna put the whole transcript for the video under the cut (which i'm having to do myself because no one has uploaded this video anywhere as far as i can tell and there's no fucking subtitles)

Monty Oum [Creator and Director]: It’s the stories I’ve always wanted to tell versus the idea I came up with about, a little over a year ago. And we were talking about doing another show, and I just kind of half-asleep came up with the idea of a color rule for a bunch of characters. The red, white, black and yellow color scheme was something that was very prominent even in my previous work, so I started matching names up, matching ideas up. Also thinking about like, some of the ideas I’d stored up over the years. At some point or another the word ‘RWBY’ came to me.

Monty: Starting the show out originally, I designed the original character, Ruby, as well as going into the other characters. So once I had the first trailer done, and thinking about the rest of the characters for the show, I started bringing in other artists who I had watched for years. People I’d always said “someday I’ll work with them, someday I’ll have them design for me.” And when I was certain about having certain characters, I first contacted an artist I admired and found over DeviantArt. Her name was Ein Lee, she’s actually from Taiwan, and I found her art probably well over five years ago, and just loved her art style, and therefore wanted to incorporate it into my characters. So, I would do rough designs for team RWBY as well as designs for team JNPR, and she would flesh that out to be even further. To the point where eventually I didn’t need to design characters anymore, she started designing a bunch of the rest of the characters down the line.

Monty: The second person I brought on to RWBY was Kerry, because we had just been having conversations about the kind of show we could make. I’d been working with Miles on Season 10. He was writing scenes while I was making scenes, and so the three of us would have a lot of meetings and collaborate on the show to the point where I just started coming up with the broad strokes eventually and they had pretty much written the bulk of the show. Collaboration’s a big deal here, and I tried to include as many people as I can.

Kerry Shawcross [Co-writer]: Right after RvB ended, we wanted to just go straight into RWBY, but that was like right when we were going into commercial season. So we would work our normal hours here. Like 10 to 7-ish, then we would go back to one of our apartments and just start writing.

Miles Luna [Co-writer]: Monty really was enthusiastic about having these characters that may appear really one-dimensional for like the first few scenes that you see them, but the longer you get to know them, you realise “Oh, Yang isn’t just a dumb blonde party girl. She’s a very caring and nurturing girl, that has had to essentially be there for Ruby when she was young.”

Kathleen Zuelch [Producer]: When Monty and Miles and Kerry came to me, and really took me through the story. I started becoming a huge believer, because I’m a big fan of old school, traditional fairy tales, I love the Brothers Grimm, I love all the Snow White, and I love Little Red Riding Hood. I grew up with all of those stories, and the way that they were very clever in creating this whole world that’s kind of making homage to all of these amazing stories really inspired me to get more on board with what they wanted to do with this whole anime show.

Taylor McNee (née Pelto) [Art Director]: The world of RWBY, it looks very familiar. We wanted a blend of very classic looking architecture and clothing and cars, but we’re also mixing in this really kind of futuristic feel, like these little touches of some really futuristic stuff like holograms and things that you wouldn’t find in a classic [inaudible]. And that’s how we’re making this world unique. Our assets have to go through this pipeline of concept, modelling, texturing, and then finally being able to be put into the 3D program. So we start out with the concept and we usually bring that image into Maya, which is the main 3D software that we use. We have to make a 3D model that looks exactly like the concept that we were given, and it’s quite a process. Basically, we’re pushing polys and extruding stuff until we make the perfect shape, then afterwards we have to UV unwrap it, and then lay everything out on a texture sheet and then paint it, and that will put the image on the model. After that we’re basically done with the model and texture, and then we have to give it to the animators. So then we will set it up in Poser so the animators can grab it and use it for their characters.

Gray Haddock [Lead Editor]: There’s a lot of people working on this show, and there’s a lot of different elements in the pipeline. Editorial kinda serves as a hub between all the different departments, so we help all the communication and coordination between all the different pieces of the show, depending on what part of development that they’re in. Editorial’s getting involved way early in the process, we work alongside the director and the writers and the storyboard artists, and we use the scripts to help develop the storyboards and the camera angles for all those boards. So editorial is responsible for building up the moments of any given scene in terms of the timing and what you wanna look at, at any given moment. So we take the script and we help develop the camera angles and how long you wanna linger in a particular camera angle, look at one character or another or the scene as a whole, and the rhythm of the scene in terms of how long is it gonna take to spend on a particular line or when you want the music to come in, things like that. So we build up a set of animatics with the storyboards, and the first pass of all the audio. This is what then is handed off to the animators, so they can know exactly what is in what shot and how long do they have to animate it in a given shot. And once they’re done animating and their shot’s been approved, then their shot goes to the render farm, we get the rendered shot back and we drop it into the timeline for our episode and finesse the cut a little bit if we have to. But for the most part, we’ve done our job right and everything should pretty much be locked in for the most part by the time we’re getting animation.

Kerry: What’s kinda interesting as we’re creating the characters is, we kinda knew what kind of character they’d be. We knew Ruby would act a certain way, we knew Weiss would act a certain way, but we didn’t really know much about them. So we would get to the point where we’d be figuring out plotlines or figuring out dialogue and we’d be like “What would Weiss say here? What would Nora say here?” And then it turned into “Oh well now we know.”

Miles: Obviously we put a lot of thought into Ruby, Weiss, Blake and Yang before we started writing the dialogue. I remember sitting upstairs and we made a show bible, and we’re starting- we talked about likes, dislikes, personality traits. One of the first things I remember making was “Weiss drinks coffee. Blake drinks tea.”

Kerry: It’s important. It sounds not important at all, but it’s very important. It says so much about them

Miles: But it’s so important. So much about them, also it says nothing about them. It was just like- that’s just what it is.

Monty: I want the show to have resonance with people who are growing up. Cos everyone’s story is the story of kind of becoming who they are. Especially these days when the path of becoming who you are tends to be marginalised with reality. Having done what I’ve done, where I’ve essentially dropped out of high school, started learning this stuff on my own, and therefore land in a position where I get to take the things I was dreaming about when I was growing up and make it real. I tend to get a lot of response from people who are also not sure what they’re meant to become, a lot of them also have the same bright imaginations and with the way the world is, the hardships of what it means to grow up tends to marginalise who you are, and I would hate that to happen to anyone because the future is in creativity and that’s not something you can just manufacture. I actually would like this show to grow up with the people, so unlike most shows where they tend to be ageless or age very slowly, I’d like our fifteen-year-old fans watching fifteen-year-old Ruby, when they’re twenty-five, to be watching twenty-five-year-old Ruby, and to actually have some resonance with the character. Probably one of my favourite types of feedback is to say “I know this person” or “this person is just like me,” and that’s probably one of the best things about coming up with these characters.

[fannyrosie]

In April, barely one week after the big ice storm that destroyed many trees and power lines in the south-west of Québec, the temperatures reached a very surprising 27°C. After confirming my health was okay that day, my mom asked me if I would accompany her on an errand to Brossard, and then go walk in Chambly. I hadn't been there in years, so I came with her.

Chambly has a lot of old houses and buildings, on top of being on the banks of the Richelieu river, making it a very quaint little town.

Outfit rundown Skirt: second-hand Juliette et Justine Cardigan : old Annie50 Blouse: thrifted Bag: second-hand Mary Magdalene Shoes: thrifted Parasol : old Axes Femme Cat head brooch: from an artist in Taiwan whose brand I forgot Nun head brooch: from an artist in Tokyo who doesn't have Insta (I think?) Delft porcelain brooch: vintage

[furry-fey]

🔞 UNCUT 🔞

[beyourselfchulanmaria]

👆 After repair it. (renew its colors)

About 10 years ago old leather work-small purse do repair it for my customer

And

👇 Before repair it.

Done. 交件

Beautiful Sally, I will mail it to you at morning tomorrow.

Thanks xoxo Lan~*

This old leather work -皮雕名片小包/Leather carving business card packet its photo albums with progress steps :

1 、2、3、4

清秀佳人秀荷包

繁華紫境蓮指繞

朵朵馨香笑靨開

世間脫俗慈心照

─ 荷唱 • 仲茵 'Lotus songs' - poem by Chu Lan

[gunsatthaphan]

~ Monthly BL Breakdown: April 2024 ~ 

🌷 Happy May!!! ☀️

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Love is Like a Cat - April 1st (South Korea / Thailand) 

🌟 We Are - April 3rd (Thailand) ✅

🌟 Memory in the Letter - April 6th (Thailand) 

🌟 Living With Him - April 11th (Japan) 

🌟 Gray Shelter - April 11th (South Korea) 

🌟 Beating Again - April 13th (Thailand)

🌟 Blue Boys - April 15th (South Korea)

🌟 At 25:00 in Alasaka - April 18th (Japan)

🌟 GMMTV2024 Part 2 (lineup event) - April 23rd (Thailand) ✅

🌟 Boys Be Brave - April 25th (South Korea) 

🌟 CHANGE2561 2024 lineup event - April 25th (Thailand) ✅

🌟 My Stand-In - April 26th (Thailand) ✅

🌟 City Boy Log Vol. 3 - April 30th (South Korea)

New series & movie announcements

🎥 The Fridge - Date TBA (Thailand)

🎥 Flavor of Us (starring Benjamin B., Dome W. & others) - Date TBA (Thailand)

🎥 Children's Day - Date TBA (Taiwan)

🎥 Blue Time - Date TBA (China, possibly censored)

🎥 Bad Guy My Boss - Date TBA (Thailand)

🎥 Oriental Magician In The Ent. Circle - Date TBA (Taiwan)

🎥 Under the Oak Tree - Date TBA (Vietnam)

🎥 Invitation - Date TBA (Thailand)

🎥 The Love Matter - Date TBA (Thailand)

🎥 I Saw You in My Dream - Date TBA (Thailand)

🎥 I Wish You the Best - Date TBA (Thailand)

🎥 Impression of Youth - Date TBA (Taiwan)

🎥 Meet You at the Blossom - Date TBA (Taiwan)

Other news from the BL world

❗️ The production company Studio WabiSabi announced that their actors Boun N., Prem W., Santa P., Sammy C., Yacht P. and Stamp P. have terminated their contracts and will no longer be artists under the company on April 15th. Shortly after, GMMTV announced the 6 of them as newly signed artists, along with the disclosure that BounPrem's upcoming BL Vampire Project is now being produced under GMMTV, who now also own all broadcasting rights; WabiSabi will function as a co-producer. New S. stated on Twitter that the decisions had been long in the making, as well as the fact that WabiSabi no longer functions as a management agency for actors and is now a mere production company. He also denied the rumors that the company is shutting down. Shortly after the transfer of the Wabi Sabi actors, actor Fluke Jeeratch (formerly Pongsakorn) joined GMMTV as well.

❗️ The Filipino BL Gameboys is getting a third season. An air date has not been confirmed.

❗️ P Ekkapop and Pan Jirachot, the lead actors from Kiseki Chapter 2, have announced a new project together. Details are unknown.

❗️ Actor Barcode Tinnasit has announced his departure from his agency Be On Cloud.

❗️ After some confusion, the Korean production company Studio X+U announced that their upcoming series Fragile - which was initially advertized as a Korean SKAM remake - is in fact not connected to the Norwegian web series and is instead a standalone series, which focuses on the life of a group of teenagers. According to ZUM News, there was supposed to be a Korean SKAM remake based on the Norwegian original, which was however cancelled due to unknown reasons. Fragile was created as a substitution.

❗️ GMMTV held their 2024 part 2 event on April 23rd. The following BL projects were announced:

The Heart Killers (starring FirstKhao & JoongDunk)

Perfect10 Liners (starring ForceBook, PerthChimon, JuniorMark)

Heart That Skips a Beat (starring EstWilliam)

Revamp (starring BounPrem, formerly known as Vampire Project)

Sweet Tooth, Good Dentist (starring MarkOhm)

The Ex-Morning (starring KristSingto)

❗️ The production company CHANGE2561 held their 2024 lineup event on April 25th. The following BL projects were announced:

This Love Doesn't Have Long Beans (starring SailubPon)

Goddess Bless You From Death (starring PavelPooh)

I’m The Most Beautiful Count (starring PingSupanut)

Pit Babe Season 2

Upcoming series & movies for May

👉🏻 You Made My Day (starring Tar A. and Bom T. from I Will Knock You) - May 3rd (Thailand)

👉🏻 Inverse Identity / Upside Down - Mary 3rd (China)

👉🏻 Wandee Goodday - May 4th (Thailand)

👉🏻 A Balloon's Landing - May 10th (Taiwan)

👉🏻 City of Stars: Special Episode - May 10th (Thailand, cinema release)

👉🏻 The Time of Fever (Unintentional Love Story spinoff) - May 15th (South Korea)

👉🏻 Blossom Campus - May 16th (South Korea)

👉🏻 OMG! Vampire - May 19th (Thailand)

👉🏻 Manji Reverse - May 24th (Japan)

👉🏻 My Biker 2 - May 28th (Thailand)

[absolutebl]

Leaving GMMTV aside, what were youre favorite shows this year so far? I'll have more free time coming up and im way behind and out of the loop, so some recs would be appriacted, wise sage. Especially for those shows that didnt get the attention they deserved in your opinion! Thanks a lot!

Top 10 BLs of 2023 So Far

Our Dating Sim

(Korea) 10/10 Viki

If you haven't watched this, it's a must. I actually handed out a 10/10. I NEVER do that. It's a perfect short form KBL, an office set reunion romance featuring geeks that really suits 8 eps with no fluff and no chaff. Just comforting and yummy. I adored every aspect from the casting to the pristinely simple premise to the quietly smooth execution. Sure it’s low stakes, but that makes it high domesticity and extremely warm and gentle. This is a fuzzy blanket of a story - a cozy BL. It lives in my rewatch pile and you know what’s best about it? Every single episode is in that pile. There’s no skipping with this one, it might be good natured and calmly sweet but it’s tight and the pacing is excellent. Full review here.

My School President

(Thai) 9/10 YouTube

GMMTV gave us a classic high school set Thai BL with tropes like messy boys singing their feelings that made this one Love Sick for the modern age with all the gentle sweetness and pining ache, but none of the dated damaging tropes or issues. Yes, we’ve seen it all before, but I still ADORED this. And there is a lot to be said for the classics being re-executed perfectly. Who let my BL be this wholesome and funny? This show was fantastic, it’s only flaw was the singing (and that’s my baggage). My favourite GMMTV BL offering to date. And yes, I've watched them ALL.

(you said no GMMTV but I have to include it)

The Eighth Sense

(Korea) 9/10 Viki

One of the longest BLs Korea has given us and (like Blueming) it feels more atmospheric gay coming of age romance than strictly BL. It’s got a bit of an age gap, country boy/city boy, stellar acting, complex characters, and leads with great chemistry and tension. It’s a bit chewy and sticky and less perfect than most KBLs (do I detect a touch of Taiwan?) This one deployed BL tropes (messy eater, shoulder sleep, protective seme, there’s even some hyung-slinging) but front loaded them with painful backstory and tons angst drives the 2nd half. This isn’t in the KBL bubble, there’s sharp edges and lots of triggers. For a BL the darkness of the content left me feeling unsettled (which is the only reason it didn't get a perfect score) but it does have a glorious ending and that counts for a lot.

The New Employee

(Korea) 9/10 Viki

So good, SO QUEER, so soft, a near pitch perfect office BL with conflict derived from that setting. Also found family and a lesbian bestie. Sweet & innocent (and out) Seung Hyun scores the office internship of his dreams. On his first day at work he gets into it with his cool reserved (and also v gay) boss. As you do. Frankly? This is what I wanted from this new crop of office set KBLs ALL ALONG. Rainbow rice cakes forever! Directed by queer activist Kim Jho Gwang Soo (Just Friends?) partly set in the same neighbourhood as the To My Star house. Gotta love WATCHA (Semantic Error, Light on Me).

Unintentional Love Story

(Korea) 9/10 iQIYI

A boy who just lost his job due to faked corruption charges accidentally discovers his ex-boss's favorite artist, now a recluse. Evil manager offers him his job back if he can convince the artist to rejoin society. Instead, they fall in love. I found the artist a bit stiff and reserved but Gongchan (maknae of B1A4) is a fucking GIFT - he carried this show (which I do not expect from the idol element). He was luminous with extraordinarily expressive eyes, just drown in the emoting abyss. The external conflict, social tension and pressure is complex and beautifully executed, plus Korea gave us legit side dishes (NOT a love triangle, hally-fucking-luya). I’m not sure on rewatchability, and it didn’t whip me into a verbal frenzy the way some KBLs do, but it still gets a solid 9/10 for those damn eyes alone.

Destiny Seeker

(Thai) 8/10 grey

A darn near perfect pulp featuring 3 likeable tsundere/sunshine pairings with uncomplicated iterations of enemies to lovers. At least one half of each does a decent amount of pining and there’s good chemistry, classic tropes, and communication rep. It’s fun and full of linguistic jokes. Sublimely cheesy but a good rainy day offering with tons of rewatch potential. Full review here.

Make a Wish

(Thai) 8/10

PNR (from Sammon - Manner of Death & Triage) about a doctor who can see the dead and strikes a bargain with a wish-granting irreverent tree angel - naturally they fall in love. Stars Fluke Natouch opposite not-Ohm, but who cares bc Fluke has chemistry with everybody. Once again the Thai afterlife is incredibly bureaucratic but I enjoyed the premise and the unfolding of the story (it’s not predictable but v. satisfying and with nice little twist). I like that the doctor is just gay af, fag hag bestie and everything. The cast is excellent but the comedic stylings are too overblown and tonally off. It had sad parts and did make me cry but is ultimately happy with a great sex scene, good smiley kisses, and all the agency.

All the Liquors

(Korea) 8/10 Viki & Gaga

A pretty classic foodie set KBL that managed to distinguish itself from others in this category by having a particularly satisfying final episode centered around found family. Sunshine sweetie soju rep gets involved with a shy introvert chef who doesn’t drink. This has a somewhat uneven plot and ridiculous central conceit (much in the way of Tasty Florida or Behind Cut), but if you are looking for a restaurant BL with Korea’s signature softness, then this is a great option. FYI I may identify with our baby party boy hedonist more than any other BL lead ever presented.

Love Mate

(Korea) 8/10 Viki

Features a very much openly gay older uke with commitment issues and a romantic (if arrogant) younger seme with no respect for boundaries (hyung romance). Workplace harassment much? That’s BL for ya. (Also a nonBL Kdrama specialty.) So yeah it’s questionable, but so is my taste. The ultimate premise that someone badly hurt shuts themself off to romance is very similar to Happy Merry Ending or 8th Sense but this version was more about fear than abuse or trauma. For me, this made Love Mate more relatable. However, because the denouement was driven by a late addition faen fatal, the conclusion felt rushed and forced. I can, however, see myself rewatching this one, so it falls into the general rank of 2023′s KBL aka solid high standard and eminently watchable.

Bed Friend

(Thai YouTube, Gaga, iQIYI)

Office frienamies transition a flaming hot one night stand into a f-buddy relationship that is built on a puppy/cat dynamic (and kinks into it at one point). Our puppy is loyal, smitten, and protective with endlessly longing eyes, while our cat is snarky, prickly, and deeply damaged (ALL THE TRIGGERS). NetJames give lovely high-heat with excellent chemistry and tuned-in performances of surprising depth, unfortunately the story ultimately failed them. Had the show had the strength of its convictions and kept to a tighter, darker, harsher 8 eps it would have been the first high heat to earn a 10/10 from me, but once they fussed with it, it dropped to a solid 8/10. Could have been great but was overworked. Still if high heat is your thing, this one will not let you down. Full review here. (Triggers include: child abuse, attempted rape, family abuse)

(3x! 3x Tumblr ate this post. They HAVE to de bug their new editor. This never happens with the old one. Biggest bug is with the "undo" function, DO something about it!)

[centers-for-disease-control]

Alright, due to popular request, I bring you the break down of the Taiwan Disease Personifications. Also, just so y’all know, the official explanations for the designs are not easy to find, so a lot of this is just from what I notice and what I know about the diseases

To start off, we have everyone’s favorite disease: COVID-19

So, this is one of the designs where I could actually find the artist explanation, so I will be including that information plus a couple things I noticed and how I think it fits the disease. So let’s start with to crown. The reason for the inclusion of the crown is the reflect the name coronavirus, corona being the Latin word for crown. The face is partially obscured because of COVID’s tendency to hide itself. The bean bag chair that they are sitting on has many protrusions signifying the spike proteins. The different digital devices represent how the world went virtual during the pandemic and the news channels behind them represent the media’s freak out when COVID was at its height. The floor has an outline of the world because everywhere was affected by the pandemic. Also, if you look closely, they are wearing little Covid earrings.

Next up, we got Zika:

I could not find an official artist statement for this design, so take my explanation with a grain of salt. So first off the red waist band reminds me of the red stripe that goes down the abdomen of the mosquito species that spreads Zika after it has fed. Also, the white markings on the black are also a characteristic of this species of mosquito. In fact, the design is the stripes on the chest look like the markings these mosquitoes have on their back. She presents female because it’s the female mosquitoes that bite and spread diseases. Her sleeves look like mosquito wings once again a reference to mosquitoes being the primary vectors of Zika. The area behind her has palm fronds to represent that Zika is a disease typically found in tropical climates.

Next up we have: Hansen’s Disease (aka Leprosy)

This is one where I could find the artist statement due to it being a pretty recent one, however, I will say that at least the translation was a bit lacking in describing the reasoning of every detail. She is a mask maker because leprosy changes how people perceive those who are infected but it is something that can easily be removed with modern antibiotics. She has different accessories like the lion and crocodile headpiece that implicate the divine involvement because leprosy has been historically thought to be a punishment of the gods. The scales on her arm look like an allusion to the scaling pattern scars that those with leprosy would develop.

Next up: Rubella

After a lot of digging I found the official profile for this design but it didn’t really explain the design choices so we are going to do more analysis on my end. So the pomegranate and the red dots represent the red rashes that come with rubella infections. The glasses I assume are to show how Rubella can lead to Congenital Rubella Syndrome (CRS) which can occur in children if their mother had rubella while pregnant. One of the symptoms that comes with CRS is cataracts.

Next up: the plague

I found the explanation on this and it just confirmed my own suspicions for certain design choices. So her design is very focused on death and mysticism because of how the Black Plague led to a lot of cultural focus on these two ideas. Behind her are old coins because of the economic impact the plague had on the civilizations of its time. The references to death are the skeletal pattern on her dress, and the scythe behind her and on her belt. The references to mysticism include the tarot cards she is holding and the crosses on her hat. On the tarot cards are designs referencing the three different forms the plague takes (bubonic, septicemic, and pneumonic) as well as a posey which was used to try to ward of the plague in old times. On her hat is also a collection of plague doctor masks which is pretty self explanatory as to how that connects.

Next up: Ebola

I couldn’t find the official explanation for this disease, so this is mostly speculation based on my analysis. Her outfit is red because of the hemorrhaging that comes with the disease. Specifically he lips are red because one of the more unique characteristics of Ebola is hiccuping up blood. The accessories seem to be inspired by central and western african traditional jewelry. There appear to be tribal masks on the necklace, I am not well versed in African art unfortunately, so any deeper meaning of these accessories are unfortunately lost on me. There are bats on the headdress because of bats being the natural host of Ebola. Her design is rather demonic because Ebola was so terrible for the areas affected, that people thought it could be caused be some great evil. The skulls are because of the extremely high death rate that comes with ebola. The leaves and fruits shown come from the African jungles which is typically where Ebola outbreaks start.

Next up: Novel Influenza A Virus Infections

I actually found the artist explanation for this design! As a disease closely associated with birds, there are many elements linked to birds. There are many bird shadows, the hair that looks like feathers, and the beak shaped mask, feathers on his tie and a feather tattoo on right arm, and the “H-N” pin (H and N proteins of the influenza virus).

Next up: Dengue Fever

Another one with an artist statement! Since only female mosquitoes bite, the character is set as a female. Her dark red lips represent mosquito’s instinct to bite, and she is holding a poisonous thornapple flower. She has mosquito wings tattooed on her back and thornapple flower tattooed on her arm. I have spent a long time looking into how the thornapple flower relates to dengue, but I haven’t had a lot of luck. From what I have seen is that the roots, seeds, and leaves are used in some traditional medicines, including treatments for malaria, but I have not had luck finding how it is connected to Dengue specifically.

Next up: Japanese Encephalitis

I found the artist statement for this disease as well. The disease is visualized into three characters that form a pop group, with their names reflecting the 3 main Culex mosquito species that spread Japanese encephalitis in Taiwan, which are Culex tritaeniorhynchus (Three), Culex annulus (Ring), and Culex fuscocephala (Shiro). They wear black and white, like the colors of the Culex mosquitoes. Red accessories represent their love for blood. I don’t have much to add outside of the artist explanation.

Last one for now is: Rabies

I found the explanation for this one, but it is not descriptive at all, so I am going to be going into every detail because this is Rabies. The spikes on the jacket and pant legs represent the protein spikes rabies uses to infect nerves. The blue jacket and gloves are representing water as one of the unique characteristics of rabies is hydrophobia (physical repulsion to water). The claw marks on the shirt show the animalistic tendencies the virus brings out. The violin players in the animal mask show how the virus can hide in these animals. The personification of rabies is holding a conductor’s wand showing how rabies controls those who are infected. The teeth necklace shows how it spreads through bites and they are standing on the brain because that is what rabies infects. He has a chain with mammal skulls once again tying back to rabies being a fatal mammalian disease. The belt buckle has a bone on it as bone are associated with bones and rabies is associated with dogs.

[olderthannetfic]

On the strict top/bottom dynamics of east asian media: one of the (relatively) recent BLs from Taiwan (Kiseki) completely broke many fans because it subverted that. It had Zerui, the eldest of the main ship who is involved with the mafia, bottom when he was with Zongyi, who's only a wimpy HS student, when they're together for the first time. Tbh Zerui jumping on Zongyi's lap will live in my mind rent-free for a long time. But it was exactly because it's so rare it was magical and broke everyone

--

Ooh.

And yeah, any trope that's common enough is going to get people wanting to poke it with a stick.

I think some Western fans kind of miss that Asia has plenty of gay media and, you know, gay culture, and depending on the era and country and what all is going on, there's going to be cross-pollination between that and BL/danmei. You'll get makers of BLy stuff wanting a little more Real Queer Culture™ in their art. True, plenty of real people like to do the same thing in the bedroom all the time, but the minute you get art that wants to mess around with more real world shit and less pure romance novel trope stuff, you'll see people changing things up.

The more mainstream and accessible actual queer culture gets in a given country, the more people will casually drop various things into their art, like QaF having a big effect on parts of Western slash fandom. Same-sex marriage is legal in Taiwan. Thailand isn't the paradise some people imagine, but it has some pretty visible home-grown queer community. This isn't some situation where all BL is by a virgin living in a basement who barely knows queer people exist offline.

There's not some kind of law that decrees Asian artists can't change things up. Fixed roles are just what's most popular in BLy media on average. That's no different than, say, English language "m/m romance" and even most fanfic being... like... monogamous 2-person ships and not poly.

[becauseimanicequeen]

WHAT I’M CURRENTLY WATCHING

ONGOING:

TO BE CONTINUED (Thailand): I’m having the time of my life with this one due to the main characters’ lack of communication, fear of fessing up to their feelings toward each other, the drama of the past, and Poppy (I always love Poppy!).

LOVE IS BETTER THE SECOND TIME AROUND (Japan): I love mature QLs (mature as in adult characters that are complex, flawed, and feel real, and that deal with real-life problems). This is no exception. I also love stories with the possibility of getting a second chance (because everyone makes mistakes).

1000 YEARS OLD (Thailand): This one is way too cute for me (I have a hard time vibing with too much cuteness). You would think this is a series about vampires and aliens, but it’s actually about soup and umbrellas. The only reason I’m still watching this is because of said umbrellas. The umbrellas got me hooked! (Welcome to the real struggles of a visual artist.)

CLOSE FRIEND SEASON 3: SOJU BOMB! (Thailand): There are too few episodes for me to say something substantial about this one. The neon lights in the first episode got me good, though (and I’m a slut for neon lights). Also, I love drunken shenanigans (in fiction, btw) and it’s delivering on that front.

TWO WORLDS (Thailand): This is another series with too few episodes for me to say something substantial. I like the vibe so far, though. Also, I always have a sweet spot for artists so Khram has a special place in my heart.

DEEP NIGHT (Thailand): I love the club setting (again, neon lights are my thing) and the chemistry between the characters (especially between Seiji and Pan). There’s also the possibility of a poly relationship (which I and so many others are hoping for).

(I hope I don’t get as clowned about this poly relationship as I got clowned about Non showing up alive in DFF.) (Either way, I’m staying in this clown car because I need poly! Hope is said to be the last thing leaving a person...)

CITY OF STARS (Thailand): This is really sweet. The characters are sincere and have great communication skills. Fueang and Krom maturely solve every issue that shows up. It’s nice to see a great relationship like this for a change (even though I do love watching miscommunicating characters as well).

ANTI RESET (Taiwan): I’ve recently started watching this and easily got into it since I could binge several episodes. It has an interesting story (falling in love with a robot that seems very real and human). The chemistry between the main characters is great and the visuals are gorgeous (Yi Ping’s house is beautiful, even though the front door never seems to be properly closed, like, ever).

A SECRETLY LOVE (Thailand): Right now, the only reasons I’m watching this is because of Kimmon (the actor who plays Pluem), Kut (who plays Khonprot, since I haven’t moved on from his role as Din in Chains of Heart), the sapphic side-couple (even though it’s a fake relationship right now) with rhyming names (Soi and Froi), and the neon lights. Mostly because of the neon lights! (I’m such a slut for neon lights!)

UNKNOWN (Taiwan): When I say that I’m obsessed with this series, it’s because I am. These characters live in my mind rent-free 24/7. The chemistry, the palpable yearning, the dialogue, the emotions expressed through the acting when there is no dialogue, etc., etc., etc. It’s just soooo great.

(Unknown does cover a topic that’s generally seen as taboo (“adoptive” brothers falling in love), so, be aware of that. I don’t have any issues watching series with taboo topics because there’s very little stuff I get uncomfortable with when it comes to fiction. So, I’m in love with this series with my whole stone-cold heart.)