Tumgik
#as long as my sentences/paragraphs end in an emoji I know the world's still more or less right side up 🤣🤣🤣
Text
Perhaps the only good thing about Percy so far seemingly not having been cast in the show is that -- aside from my fears of what DG and writers would do with him -- I don't have to look at the actor they chose and constantly think how he's not pretty enough to be Percy. 😅
On the other hand, maybe the casting gods would've miraculously blessed us with the perfect amazingly handsome, delicate featured, beautiful-eyed and soft spoken Percy of our dreams and we're being deprived of the pleasure of gazing upon him as we speak...who knows? 😢
Oh, the cruelty of (most likely) never knowing! Sometimes I'm not sure what I want anymore...😭
But I will always love and protect Percy Wainwright, come hell or high water -- that much at least is certain. ❤
8 notes · View notes
formula-fun · 6 months
Note
Hi!!!!
Wow!!!!! Am I the first person to have found out about this????🥳🥳🥳
The lightbulb actually lit when I asked why Charles was sleeping without the duvet in part 3 and you answered. And ended your reply with “hope this helps”.
And last year when I was very much obsessed with your if I had words series and kept shooting inappropriately long feelings/asks into your inbox (still obssessed just more controlled now🤣) you like to reply to some of the questions I filled between the “essays” and end with “hope this helps”.
Yesterday morning I woke up to the email notif of your reply and brief morning clarity i suppose(finger snapping sound) 💡 💡 💡
To save myself the embarrassment of being wrong in your inbox I went over the your authors notes and it’s the same way you don’t like to end with “.” at the end of paragraphs, also no capital letters in the title, also sometimes your preference for using two threes for <33. (Hopefully this doesn’t sound like stalkish🥲, because I not, just chronically online when I’m not at work and it’s off-season for my industry)
I searched your asks to remember the time when you said you were doing an anonymous work and it was around new year’s, when the fic was posted and my brain decided to rewire after reading.
And I was rereading if I had words last weekend and was coming to new light about a lot of things that I missed before. So like both the stories were very fresh on my mind. There were sentence structures and word choices that felt like you, so I asked.
In particular sometimes what stood out to me that you like long sentences (I do too!) and you prefer to use “;” a lot in long sentences. And you like to “,” and add adjectives or short descriptive phrases at the end of sentences. Or maybe that’s just me because i not anything close to a Lit major:
“Sleep is calling him back under, warm and golden.”From strange new worlds
“Max smiles at him, warm and sweet.”
“Max reaches for him, a hand settling on Charles’ hip, sleepy and uncoordinated. ”
From remember me love, when i'm reborn
This is getting very long (sorry!) I love strange new worlds very much your Max voice is absolutely amazing! I’ll save my gushing to the next ask.
<3
WHAT
hahahshdhdh im DEAD 😭😭😭😭😭 you’re not a lit major??? They should be giving you an honorary degree, wtfffffff I don’t even know my own style as well as you do, I thought I was so smooth with this dhfjgkgfjgjgj
I thought <3 would give me away but I’m too lazy not to do it because it’s so much faster on a laptop than trying to copy paste an emoji. did NOT realize <33 is now my calling card. Should have known the authors notes and comment section would be my downfall. I also did not realize I have a writing style that’s recognizable but now that you say that that makes a lot of sense?? This ask is wild tbh, im learning so much here
I don’t think anyone else figured it out before you so congrats on that! 🥳 it’s definitely uhhhhhhhhhhh not the kind of content I am known for, nor is it the content I’m assuming people are following me for, so I still go back and forth on whether I’ll de anon. I’m very impressed you made that connection in the meantime 😂😂😂
2 notes · View notes
parcoeurs · 3 years
Note
Extremely fascinated by your wag AU tag 👀.
thanks bestie so am i.
Tumblr media
okay lmao so this isn't an actual fic that'll ever be written but. i was talking to my friend about it who still hasn't finished dts season 3 unfortunately but it means that i've switched around ages and years etc. i promise this has the potential to be a fun and sexy time but there's just s o much background shit that needs to be discussed. tw for mentions of irl deaths etc:
but pierre & charles meeting when they're 5-6 (which is what i think charles actually says irl but someone said it might've been closer to when they were 10-11? regardless.) and charles' dad passes away when they're 9-10, and jules when they're 13-14 and charles quits racing then. (fyi i know that irl jules passed away first)
he thinks about quitting when his dad passes away but keeps going with help from jules. so when the accident etc happens, it's not even like an active decision he ponders. he just knows there's no way he'll race again.
and pierre's been with him throughout everything, his best friend who he can talk to when he can't bear looking at his own family. so he doesn't understand when pierre tells him he's going to keep racing. when charles had told him he was never going to get into a kart ever again, pierre had nodded, grabbed his hand and squeezed it tight. important to note that they're barely teenagers rn so yes charles feels betrayed that pierre isn't feeling the same things he is and isn't choosing the same future for himself etc.
they have a huge fight, lots of crying, lots of dramatic teenage angst. but it ultimately ends with charles shutting pierre out of his life. which is easier said than done when it's your best friend whose family is super close with yours. but it works because pierre is off racing around the world and charles has done all he can to never have to think about that stuff.
so charles goes to school, is doing uni somewhere in europe. studies something generic like business or maybe if i'm feeling suuuuper indulgent i will have him major in environmental studies like moi <3 pointedly does not come to monaco during grand prix weekend or the week before or the week after.
and then anthoine passes away too. (they're 20-21 now)
they see each other again at the funeral but don't talk, they meet up afterwards. pierre breaking down in charles' arms, clutching at his back, telling him he was right. pierre should've quit, he can't do this anymore either. they haven't said a word to each other in 7 years but charles still knows pierre, and knows that this isn't actually what pierre wants. or what he should do. (charles vaguely knows pierre's in f1 but doesn't know he's with redbull, doesn't know redbull's the top team etc)
"you can still do this, you will," charles tells him.
"not without you again."
so then comes the challenge of mending their relationship while still working through the shared trauma, and the Layers of past trauma. and also just the general awkwardness that comes with a friendship breakup/makeup situation you know! they can't just act like nothing happened but would it be easier that way?
they start texting first, then they play fifa or cod together. (sometimes pierre's british friend lewis joins too.)
slowly slowly slowly, they become friends again and then inseparable too. maybe even closer than they were before and charles only now realizes how much he missed pierre. while pierre still can't believe he has charles back now, it's as good as he let himself imagine.
the part i'm unsure about is if i would want pierre's career trajectory to be the same or not. because i think the demotion adds SUCH a painful but interesting aspect to his ~storyline. but ultimately i think maybe he just doesn't get the second seat immediately. spends more years with toro rosso/alpha tauri before getting "called up" (sorry i have no idea what the proper terminology is haha ignore the nba/nhl terms).
he invites charles to his first race in the red bull and charles says no. immediately. pierre's quiet on the other side of the phone, internally thinking he messed this up somehow. he thought things were going well and he takes this as charles doesn't want to see him. but he knows there's a lot more that's stopping charles and he also knows charles will definitely pull back if pierre asks about the other stuff. so he moves right along, asking charles about school, the weather, and tries not to let it show in his voice that he misses his best friend and needs him too.
"i'm going to try to watch," charles says, after pierre's yawned goodnight through the phone and is waiting for him to hang up. because you know pierre's not going to hang up first.
"what?"
"the race. i'm going to try. goodnight!" mentally charles slams the phone shut but really he just smashes at the red button before shoving it under his bed and looking at his hands trying to get answers for what he just did.
his only relief is that he didn't promise pierre he would watch, just that he would try. couldn't even choke out a, "good luck." (insert long paragraph about charles letting pierre down or thinking he has).
he only watches qualifying. pierre p3. already knows on saturday that there's no way he can watch the actual race.
but on sunday when he's supposed to be going over his notes for his climate change science & policy course (yes.... i did it...) he finds himself with his heart in his mouth refreshing formula1 dot com. watches the random names move up and down while keeping his eyes on 10 - gasly. (starts shaking for a second when he sees pierre's name drop until the IN PIT sign comes up across his name. fellas the thing about triggers is-- anyways.)
the scariest part is that by the time he's scrolled through all of red bull's socials to look at pictures of pierre on the podium (he finished p2 sorry i know this truly does not matter), he's forgotten about the race. the anxiety sits small in the back of his throat, his happiness for pierre is bright and loud in front of him. charles sends him a message, asking him to call whenever he can and adds a blue & red heart emoji which feels like a Big Step. but basically pierre calls and acts like nothing has happened since the last time they talked. mentions the breakfast he had in detail as if he didn’t get a podium in his first race with red bull. finally with a big team. but charles embarrassingly realizes that maybe his text didn't exactly imply in literally any way whatsoever that he knows the results of the race and was trying to congratulate pierre with this call. charles probably feels so embarrassed at this point but somehow still can't manage to say anything about the race until the next day maybe.
maybe texts pierre, good job. or, you were great. or something about him and not the race. or maybe reposts a picture from red bull but not one of pierre in his car, pointedly. only one of him on the podium. and pierre probably reposts it with the squid emoji and/or my favourite sentence in the world, merci petit calamaro.
charles cries when he reads it.
not to be lazy now but [insert 10k words of them building their friendship. meeting up in monaco with both of their families. meeting in milan or london or paris idk where pierre would live. but he flies charles out. not on a private jet because charles flat out refused lol. not because he's an environmentally conscious king he's just too, embarrassed? overwhelmed? by pierre doing Things Like That for him. even though he wants it lol. like when he graduates he's soooo annoyed that pierre couldn't come celebrate immediately because it was race week. but when he comes home his apartment is filled with flowers (roses, his favourite) and balloons and a giant teddy bear as tall as charles. and he DOES post 12 instagram stories to go with the other 30 from his other friends congratulating him. so yeah charles goes through a lot of personal growth and therapy. to the point where he's watching pierre race again, and waiting for him to invite him to a race again!!! do not even think about actual dates i'm fucking begging you but the one he goes to is monza :))))]
ultimately charles' path to understand/accepting/moving on from, his trauma, happens once he has pierre back in his life. it's also encouraged by pierre, but it's also not entirely because of him. not sure how to word that but yeah. these things are happening at the same time but charles still has to go through them by himself.
pierre takes him on romantic dates all around the world and charles doesn't realize that's what they are. fully in his bestie vibes only mood while pining for pierre in a way he doesn't even quite understand. almost a self deprecating, jeez whoever gets to date pierre is going to be so lucky :/
fanpage on ig: met pierre's alleged bf he's so pretty and sweet, i complimented his shoes and he was so nice. charles reading that: i didnt know he was dating someone :( why wouldn't he tell me :( well at least someone complimented my shoes today :(
pierre doesn't necessarily think they're dating, but he does know charles doesn't quite realize what they're doing so he's just waiting for him to come to terms with it.
not to give this au 10 different subplots but yeah that miscommunication plot becomes our prize for surviving through the first part of this.
but yeah at the last race of the year, that pierre wins because i said so? charles finds him before he goes on to the podium, kisses his helmet. says i love you, i'm so proud of you.
THEN, finally, charles does become pierre's wag. we made it kids. we did it joe.
36 notes · View notes
bearseokie · 4 years
Text
dear readers and writers
— a little advice i wish i would have heard before i started this blog and writing in general. sorry i’m that writer that makes post like these, i just want you to understand that things like this change everything. if this looks like a lot, just find the ones that pertain to you.
Tumblr media
writers
➤ 𝐝𝐨𝐧'𝐭 𝐟𝐨𝐫𝐜𝐞 𝐲𝐨𝐮𝐫𝐬𝐞𝐥𝐟 𝐭𝐨 𝐰𝐫𝐢𝐭𝐞 𝐚 𝐠𝐞𝐧𝐫𝐞 𝐲𝐨𝐮 𝐝𝐨𝐧'𝐭 𝐥𝐢𝐤𝐞 𝐣𝐮𝐬𝐭 𝐛𝐞𝐜𝐚𝐮𝐬𝐞 𝐢𝐭'𝐬 𝐞𝐧𝐣𝐨𝐲𝐞𝐝
there are so many good works that come from you focusing on the genres you are most comfortable with, and only writing those is not a bad thing. it’s not a “you’re not growing as a writer” situation, it’s a comfort zone situation. just because smuts do well doesn’t mean you have to force yourself to write them. just because angsts come in bulk because you can never ignore the emotional bits of writing doesn’t mean that has to be the main focus of every work. just because fluffs are the most reblogged content doesn’t mean it’s the only genre people will enjoy from you. focus on what you love, others will follow!
➤ 𝐫𝐞𝐪𝐮𝐞𝐬𝐭𝐬 𝐜𝐚𝐧 𝐛𝐞 𝐡𝐞𝐥𝐩𝐟𝐮𝐥, 𝐧𝐨𝐭 𝐬𝐭𝐫𝐞𝐬𝐬𝐟𝐮𝐥
if you don’t consistently open your inbox, do it at least once. close it when you feel overwhelmed or at any time you feel necessary. don’t believe that you have to write them all in a short period of time. be statistical about it: only open it for a short game or blurbs. use the requests to fill in blanks or practice writing in different ways. play with the word counts. change up the tone. delete a few, you’re not obligated to actually write them, this is your free time and your work. but sometimes doing requests can change how you write, maybe even give you a breakthrough you wouldn’t have had with writing things from your own mind. and have fun.
➤ 𝐥𝐨𝐧𝐠 𝐰𝐚𝐫𝐧𝐢𝐧𝐠 𝐥𝐢𝐬𝐭𝐬 𝐚𝐫𝐞𝐧’𝐭 𝐭𝐚𝐜𝐤𝐲 𝐢𝐧 𝐭𝐡𝐞 𝐝𝐞𝐬𝐜𝐫𝐢𝐩𝐭𝐢𝐨𝐧𝐬
filling the warnings up with silly little comments or parts from the story is important, too. even if it’s a paragraph’s worth of potential warnings or triggers, never skip adding them. even if you think it’s something not worth mentioning, it will be to someone. add as many as necessary.
➤ 𝟏𝟎𝟎 𝐚𝐧𝐝 𝟏𝟎,𝟎𝟎𝟎 𝐚𝐫𝐞 𝐭𝐡𝐞 𝐬𝐚𝐦𝐞
word counts don’t determine how good of a writer you are. from brilliant blurbs with two paragraphs and one line of dialogue, drabbles with less than a thousand words, or full on double digits fics: what counts is that you enjoyed writing it. it made you excited. you paused just to mention to a friend how much you love writing it. you got chills piecing together that one line. that energy gets put through your work and into your reader, seriously.
➤ 𝐛𝐞𝐥𝐢𝐞𝐯𝐞 𝐲𝐨𝐮'𝐥𝐥 𝐧𝐞𝐯𝐞𝐫 𝐚𝐦𝐨𝐮𝐧𝐭 𝐭𝐨 𝐭𝐡𝐞 𝐰𝐨𝐫𝐤𝐬 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐫𝐢𝐭𝐞 𝐰𝐫𝐢𝐭𝐞𝐫𝐬 𝐩𝐮𝐭 𝐨𝐮𝐭?
everyone reads. anything. everything. you name it, one person’s read it. whether your confidence in your writing ability is low or not, the process will only benefit you. and you get to spend time writing about some of your favorite people/characters, it’s a win-win. it’s no competition, only a fun time that you get to create and share with the world. try it.
➤ 𝐚 𝐟𝐞𝐰 𝐞𝐱𝐭𝐫𝐚 𝐭𝐢𝐩𝐬 𝐟𝐨𝐫 𝐰𝐫𝐢𝐭𝐢𝐧𝐠
the more detail, the better the mental picture. if you read something and love visualizing every scene, hearing every line, then you should work for the same within your stories. close your eyes and put your scene into your surroundings, every little detail counts. and although i said word counts don’t mean anything, if your brain does focus on you having large word counts (it happens to every writer, big word counts make you feel cool for writing so much), then this is a sexy step to use because it heightens that number pretty quickly.
short sentences look weird, but are better than run-ons.
vocabulary is sexy and thesaurus dot com is your best friend. need a word but can only think of something similar, you’ll find it there. used the same word three times now and think you’re starting to look insane, you are, use your sources.
you don’t need a banner or aesthetics for everything you write. the writing does all of the work itself. don’t stress about the accessories.
burnt out on writing the same thing / can’t think of what else to put down? break time. take a tangent, write something else, cut it off there (maybe post it) and leave the rest for the future, the cliffhanger or abrupt ending will have everyone on the edge of their seats. you’re still doing well.
if you’re writing to gain a following or have extensive amounts of notes to brag about, you’re into writing fanfics for the wrong reasons. hoping for feedback is one thing, feasting for it as your only source of inspiration for writing is just hurting yourself and other writers in the long run. write for yourself and no one else.
writer’s block? hell if i know, i’ve had it since before i started writing.
Tumblr media
readers
➤ 𝐲𝐨𝐮𝐫 𝐠𝐢𝐛𝐛𝐞𝐫𝐢𝐬𝐡 𝐦𝐞𝐚𝐧𝐬 𝐦𝐨𝐫𝐞 𝐭𝐡𝐚𝐧 𝐲𝐨𝐮 𝐭𝐡𝐢𝐧𝐤
a little feedback goes a mile. a simple emoji as a reaction, keyboard smashes, even tagging topical things can make a fanfic writer smile.
but long paragraphs also go a long way. imagine watching a movie you love to bits, so much so that you go online and read reviews of it. that commentary can shift the way you look at the movie forever, and stick with you during other films. it’s the same with receiving and reading feedback on fanfics. I’m not saying go crazy critical with your feedback, do not do that unless the writer says they want criticism, but maybe writing why you love one particular line so much could change the way the writer feels about the entire work or make a reader begin to love the same line so much that they quote it or recommend it. it makes a difference!
➤ 𝐡𝐚𝐬 𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐞𝐯𝐞𝐫 𝐛𝐨𝐭𝐡𝐞𝐫𝐞𝐝 𝐲𝐨𝐮 𝐭𝐡𝐚𝐭 𝐰𝐚𝐬𝐧’𝐭 𝐦𝐞𝐧𝐭𝐢𝐨𝐧𝐞𝐝 𝐢𝐧 𝐭𝐡𝐞 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬?
tell the writer. this isn’t an “i wrote this and it mentions all of these other things, so you should have expected this” game. if it bothered you, it will probably bother someone else, and that needs to be told to the writer. i don’t know what to tell you if a writer writes back being degrading or negative about your concern for that warning, but i promise you that most writers will not argue with whether it should be a warning or not and will just add it. do not be scared to mention something that triggered you if it was not mentioned in the warnings. also, please remember writers are humans and cannot think of everything all the time. we might miss one or two warnings within the work when writing the description, so please tell us.
➤ “𝐈 𝐨𝐧𝐥𝐲 𝐥𝐢𝐤𝐞 𝐭𝐡𝐢𝐧𝐠𝐬, 𝐢 𝐝𝐨𝐧’𝐭 𝐫𝐞𝐛𝐥𝐨𝐠.”
pain. straight pain. your reblog shares that post with your followers. you like it, why wouldn’t they? that reblog stays on your page, it’ll be seen. the tags you put in could help others find more works on your blog, essentially helping more works be found. maybe they’re old and haven’t seen the light of the recent tags in months, but your reblog could help more people still see it, and that makes a difference. we all have those lazy moments where we don’t want to do all of the steps, but even doing them sometimes helps.
➤ 𝐰𝐡𝐲 𝐝𝐨𝐧'𝐭 𝐩𝐞𝐨𝐩𝐥𝐞 𝐦𝐚𝐤𝐞 𝐟𝐢𝐜 𝐫𝐞𝐜 𝐥𝐢𝐬𝐭𝐬 𝐚𝐧𝐲𝐦𝐨𝐫𝐞?
readers can scroll through the list for their preferences, find new writers that amaze them, maybe they gain the courage to put together their own fic recs list. all of those recommended fics are still floating around and being shared, they don’t get lost in the tags or the writer’s masterlists. you find/make a recs list: congratulations, you’re contributing to helping fanfics thrive (as they deserve). also, who doesn’t love an entire list right in front of them so they don’t have to go on a scavenger hunt to find new things to read? answer: no one.
➤ 𝐭𝐡𝐢𝐧𝐤 𝐭𝐡𝐚𝐭 𝐦𝐚𝐤𝐢𝐧𝐠 𝐚 𝐟𝐢𝐜 𝐫𝐞𝐜𝐬 𝐛𝐥𝐨𝐠 𝐢𝐬 𝐭𝐨𝐨 𝐦𝐮𝐜𝐡 𝐨𝐟 𝐚 𝐡𝐚𝐬𝐬𝐥𝐞?
tags to organize, fics to go through/find/read, oh my. let me let you in on a little secret:
have you ever had that moment where you suddenly remember one line or scene from a fic you read months ago, and you have the vaguest details to go off of in order to search and find it? your fics recs blog would have you covered, just scroll through the feed or the tags and boom, it’s at your fingertips.
now imagine someone else looking for more fics to read stumbling upon your blog. might look a little strange and coded to them, but eventually they navigate and find a new fic they’ll be talking about for months. they reblog it, add their own feedback, their followers see it and join in, and that writer feels immensely appreciated all because you started a recs blog and just-so-happened to reblog their fic. tah dah.
➤ 𝐭𝐡𝐢𝐧𝐤 𝐲𝐨𝐮𝐫 𝐟𝐢𝐜 𝐫𝐞𝐜𝐬 𝐥𝐢𝐬𝐭 𝐢𝐬 𝐠𝐨𝐢𝐧𝐠 𝐭𝐨 𝐟𝐥𝐨𝐩?
well, so did i. i asked my followers on this blog and my recs blog to send in their favorite fics with some extra details and feedback thinking i wouldn’t get anything, but i got an entire list! guess what’s even better? that list went straight into the tags (thanks to tumblr working properly for once) and now anyone that searches up ‘kpop fic recs’ can find it at any time. same goes for your own. there’s no specific way of organizing a recs list, just make sure the links work and the writers are credited! it helps.
Tumblr media
read more! it’s a vast world in your hands, enjoy the words that go along with it.
sorry for this technical rant/advice post, this has just been in me for a while and i wanted to talk about it. I might add more to this as things come up, but for now i hope this helps! <3
64 notes · View notes
mindthump · 3 years
Photo
Tumblr media
Language supermodel: How GPT-3 is quietly ushering in the A.I. revolution https://ift.tt/3mAgOO1
Tumblr media
OpenAI
OpenAI’s GPT-2 text-generating algorithm was once considered too dangerous to release. Then it got released — and the world kept on turning.
In retrospect, the comparatively small GPT-2 language model (a puny 1.5 billion parameters) looks paltry next to its sequel, GPT-3, which boasts a massive 175 billion parameters, was trained on 45 TB of text data, and cost a reported $12 million (at least) to build.
“Our perspective, and our take back then, was to have a staged release, which was like, initially, you release the smaller model and you wait and see what happens,” Sandhini Agarwal, an A.I. policy researcher for OpenAI told Digital Trends. “If things look good, then you release the next size of model. The reason we took that approach is because this is, honestly, [not just uncharted waters for us, but it’s also] uncharted waters for the entire world.”
Jump forward to the present day, nine months after GPT-3’s release last summer, and it’s powering upward of 300 applications while generating a massive 4.5 billion words per day. Seeded with only the first few sentences of a document, it’s able to generate seemingly endless more text in the same style — even including fictitious quotes.
Is it going to destroy the world? Based on past history, almost certainly not. But it is making some game-changing applications of A.I. possible, all while posing some very profound questions along the way.
What is it good for? Absolutely everything
Recently, Francis Jervis, the founder of a startup called Augrented, used GPT-3 to help people struggling with their rent to write letters negotiating rent discounts. “I’d describe the use case here as ‘style transfer,'” Jervis told Digital Trends. “[It takes in] bullet points, which don’t even have to be in perfect English, and [outputs] two to three sentences in formal language.”
Powered by this ultra-powerful language model, Jervis’s tool allows renters to describe their situation and the reason they need a discounted settlement. “Just enter a couple of words about why you lost income, and in a few seconds you’ll get a suggested persuasive, formal paragraph to add to your letter,” the company claims.
This is just the tip of the iceberg. When Aditya Joshi, a machine learning scientist and former Amazon Web Services engineer, first came across GPT-3, he was so blown away by what he saw that he set up a website, www.gpt3examples.com, to keep track of the best ones.
“Shortly after OpenAI announced their API, developers started tweeting impressive demos of applications built using GPT-3,” he told Digital Trends. “They were astonishingly good. I built [my website] to make it easy for the community to find these examples and discover creative ways of using GPT-3 to solve problems in their own domain.”
Fully interactive synthetic personas with GPT-3 and https://t.co/ZPdnEqR0Hn ????
They know who they are, where they worked, who their boss is, and so much more. This is not your father's bot… pic.twitter.com/kt4AtgYHZL
— Tyler Lastovich (@tylerlastovich) August 18, 2020
Joshi points to several demos that really made an impact on him. One, a layout generator, renders a functional layout by generating JavaScript code from a simple text description. Want a button that says “subscribe” in the shape of a watermelon? Fancy some banner text with a series of buttons the colors of the rainbow? Just explain them in basic text, and Sharif Shameem’s layout generator will write the code for you. Another, a GPT-3 based search engine created by Paras Chopra, can turn any written query into an answer and a URL link for providing more information. Another, the inverse of Francis Jervis’ by Michael Tefula, translates legal documents into plain English. Yet another, by Raphaël Millière, writes philosophical essays. And one other, by Gwern Branwen, can generate creative fiction.
“I did not expect a single language model to perform so well on such a diverse range of tasks, from language translation and generation to text summarization and entity extraction,” Joshi said. “In one of my own experiments, I used GPT-3 to predict chemical combustion reactions, and it did so surprisingly well.”
More where that came from
The transformative uses of GPT-3 don’t end there, either. Computer scientist Tyler Lastovich has used GPT-3 to create fake people, including backstory, who can then be interacted with via text. Meanwhile, Andrew Mayne has shown that GPT-3 can be used to turn movie titles into emojis. Nick Walton, chief technology officer of Latitude, the studio behind GPT-generated text adventure game AI Dungeon recently did the same to see if it could turn longer strings of text description into emoji. And Copy.ai, a startup that builds copywriting tools with GPT-3, is tapping the model for all it’s worth, with a monthly recurring revenue of $67,000 as of March — and a recent $2.9 million funding round.
“Definitely, there was surprise and a lot of awe in terms of the creativity people have used GPT-3 for,” Sandhini Agarwal, an A.I. policy researcher for OpenAI told Digital Trends. “So many use cases are just so creative, and in domains that even I had not foreseen, it would have much knowledge about. That’s interesting to see. But that being said, GPT-3 — and this whole direction of research that OpenAI pursued — was very much with the hope that this would give us an A.I. model that was more general-purpose. The whole point of a general-purpose A.I. model is [that it would be] one model that could like do all these different A.I. tasks.”
Many of the projects highlight one of the big value-adds of GPT-3: The lack of training it requires. Machine learning has been transformative in all sorts of ways over the past couple of decades. But machine learning requires a large number of training examples to be able to output correct answers. GPT-3, on the other hand, has a “few shot ability” that allows it to be taught to do something with only a small handful of examples.
Plausible bull***t
GPT-3 is highly impressive. But it poses challenges too. Some of these relate to cost: For high-volume services like chatbots, which could benefit from GPT-3’s magic, the tool might be too pricey to use. (A single message could cost 6 cents which, while not exactly bank-breaking, certainly adds up.)
Others relate to its widespread availability, meaning that it’s likely going to be tough to build a startup exclusively around since fierce competition will likely drive down margins.
Tumblr media
Christina Morillo/Pexels
Another is the lack of memory; its context window runs a little under 2,000 words at a time before, like Guy Pierce’s character in the movie Memento, its memory is reset. “This significantly limits the length of text it can generate, roughly to a short paragraph per request,” Lastovich said. “Practically speaking, this means that it is unable to generate long documents while still remembering what happened at the beginning.”
Perhaps the most notable challenge, however, also relates to its biggest strength: Its confabulation abilities. Confabulation is a term frequently used by doctors to describe the way in which some people with memory issues are able to fabricate information that appears initially convincing, but which doesn’t necessarily stand up to scrutiny upon closer inspection. GPT-3’s ability to confabulate is, depending upon the context, a strength and a weakness. For creative projects, it can be great, allowing it to riff on themes without concern for anything as mundane as truth. For other projects, it can be trickier.
Francis Jervis of Augrented refers to GPT-3’s ability to “generate plausible bullshit.” Nick Walton of AI Dungeon said: “GPT-3 is very good at writing creative text that seems like it could have been written by a human … One of its weaknesses, though, is that it can often write like it’s very confident — even if it has no idea what the answer to a question is.”
Back in the Chinese Room
In this regard, GPT-3 returns us to the familiar ground of John Searle’s Chinese Room. In 1980, Searle, a philosopher, published one of the best-known A.I. thought experiments, focused on the topic of “understanding.” The Chinese Room asks us to imagine a person locked in a room with a mass of writing in a language that they do not understand. All they recognize are abstract symbols. The room also contains a set of rules that show how one set of symbols corresponds with another. Given a series of questions to answer, the room’s occupant must match question symbols with answer symbols. After repeating this task many times, they become adept at performing it — even though they have no clue what either set of symbols means, merely that one corresponds to the other.
Tumblr media
GPT-3 is a world away from the kinds of linguistic A.I. that existed at the time Searle was writing. However, the question of understanding is as thorny as ever.
“This is a very controversial domain of questioning, as I’m sure you’re aware, because there’s so many differing opinions on whether, in general, language models … would ever have [true] understanding,” said OpenAI’s Sandhini Agarwal. “If you ask me about GPT-3 right now, it performs very well sometimes, but not very well at other times. There is this randomness in a way about how meaningful the output might seem to you. Sometimes you might be wowed by the output, and sometimes the output will just be nonsensical. Given that, right now in my opinion … GPT-3 doesn’t appear to have understanding.”
An added twist on the Chinese Room experiment today is that GPT-3 is not programmed at every step by a small team of researchers. It’s a massive model that’s been trained on an enormous dataset consisting of, well, the internet. This means that it can pick up inferences and biases that might be encoded into text found online. You’ve heard the expression that you’re an average of the five people you surround yourself with? Well, GPT-3 was trained on almost unfathomable amounts of text data from multiple sources, including books, Wikipedia, and other articles. From this, it learns to predict the next word in any sequence by scouring its training data to see word combinations used before. This can have unintended consequences.
Feeding the stochastic parrots
This challenge with large language models was first highlighted in a groundbreaking paper on the subject of so-called stochastic parrots. A stochastic parrot — a term coined by the authors, who included among their ranks the former co-lead of Google’s ethical A.I. team, Timnit Gebru — refers to a large language model that “haphazardly [stitches] together sequences of linguistic forms it has observed in its vast training data, according to probabilistic information about how they combine, but without any reference to meaning.”
“Having been trained on a big portion of the internet, it’s important to acknowledge that it will carry some of its biases,” Albert Gozzi, another GPT-3 user, told Digital Trends. “I know the OpenAI team is working hard on mitigating this in a few different ways, but I’d expect this to be an issue for [some] time to come.”
OpenAI’s countermeasures to defend against bias include a toxicity filter, which filters out certain language or topics. OpenAI is also working on ways to integrate human feedback in order to be able to specify which areas not to stray into. In addition, the team controls access to the tool so that certain negative uses of the tool will not be granted access.
“One of the reasons perhaps you haven’t seen like too many of these malicious users is because we do have an intensive review process internally,” Agarwal said. “The way we work is that every time you want to use GPT-3 in a product that would actually be deployed, you have to go through a process where a team — like, a team of humans — actually reviews how you want to use it. …  Then, based on making sure that it is not something malicious, you will be granted access.”
Some of this is challenging, however — not least because bias isn’t always a clear-cut case of using certain words. Jervis notes that, at times, his GPT-3 rent messages can “tend towards stereotypical gender [or] class assumptions.” Left unattended, it might assume the subject’s gender identity on a rent letter, based on their family role or job. This may not be the most grievous example of A.I. bias, but it highlights what happens when large amounts of data are ingested and then probabilistically reassembled in a language model.
“Bias and the potential for explicit returns absolutely exist and require effort from developers to avoid,” Tyler Lastovich said. “OpenAI does flag potentially toxic results, but ultimately it does add a liability customers have to think hard about before putting the model into production. A specifically difficult edge case to develop around is the model’s propensity to lie — as it has no concept of true or false information.”
Language models and the future of A.I.
Nine months after its debut, GPT-3 is certainly living up to its billing as a game changer. What once was purely potential has shown itself to be potential realized. The number of intriguing use cases for GPT-3 highlights how a text-generating A.I. is a whole lot more versatile than that description might suggest.
Tumblr media
Not that it’s the new kid on the block these days. Earlier this year, GPT-3 was overtaken as the biggest language model. Google Brain debuted a new language model with some 1.6 trillion parameters, making it nine times the size of OpenAI’s offering. Nor is this likely to be the end of the road for language models. These are extremely powerful tools — with the potential to be transformative to society, potentially for better and for worse.
Challenges certainly exist with these technologies, and they’re ones that companies like OpenAI, independent researchers, and others, must continue to address. But taken as a whole, it’s hard to argue that language models are not turning to be one of the most interesting and important frontiers of artificial intelligence research.
Who would’ve thought text generators could be so profoundly important? Welcome to the future of artificial intelligence.
1 note · View note
deunan403 · 4 years
Note
Oh my gosh your ‘the name is English’ fanfic is so good. Any advice on getting like. The distinct voices of each of the characters? I’m just dabbling in homestuck fiction and I think I got Dave and rose and jade. But John and the alpha kids are hard
(Edited: I kept thinking about the mistakes I made in this explanation so I’ve finally gone back and fixed them pfffft, Also like... I think I might’ve misconstrued the kind of answer anon was going for, in which case, only the very end end of this long ass response is useful. Welp.)
SO FIRST OFF, I am insanely flattered anyone is asking my advice on how to write Homestuck characters because these are some of the most difficult characters I’ve ever written. Thank you so much! These kids each have an insane amount of dimension to them and I completely understand why they come off a bit intimidating to write correctly. I don’t even think I do that good of a job, lmao. Anywho, I’mma go ahead and apologize in advance because I got a little carried away with my advice. When I get to explaining things I like to over-explain and hope you just pick out what ends up bein actually useful to you. There is... a lot of shit under this cut, so be warned.
Hello! Welcome to this wordy as fuck space under the cut. (Edit: It won’t format correctly so ALL this bullshit under the cut. Thanks tumblr. SMD plz). Unfortunately I can't describe the way they talk without deconstructing a little bit on how I view each of their personalities because a part of me insists it's better to provide context and examples, so again, I'm sorry for these unnecessarily long ramblings. Skip to about the center of each paragraph if you want to focus on speech pattern-specific things, eheheheh.
John's pretty difficult for me too because his vernacular slate isn't as colorful as everyone else's, but this is kind of what I've come to understand about him: His general reaction to everything is a mixture of chipper and blasé--going with the flow. He kind of became the “straight man” in HS to combat the way everyone else was reacting to the wild shit that eventually went down. At face value, the way he talks makes him come off as a simple dude -- what you see is what you get, which isn't necessarily true. He's honest about his feelings but at the same time it seems like he has difficulty processing and understanding them, which makes them come through much milder than what you'd expect for the situation. It's probably why he absorbed his dad's death very slowly and got hit hard when it finally processed that he was gone for good. But not many things get all the way through his initial blaséness which actually makes him kind of callous in that he can give oddly indifferent responses to things others would consider a big deal, such as when Terezi died in front of him. He looked at her corpse and was just like "Eugh. She's so weird." Like damn dude, that’s cold. Ain’t like she bled to death or nothing. Anyway, some speech pattern specific things I keep in mind when I write him: He doesn't use a lot of big words, sticking to casual, simple responses, most of them positive or enthusiastic sounding. He sometimes uses old man speech and idioms, like Jake but toned down by like 85%. He's a bit slow on the uptake, points out the obvious, and says things that he thinks are clever but he's either completely missing the mark or being lame in general, not to say he can't sometimes be particularly sassy/savage, especially when it comes to his immediate friends because he knows them and can see through their bullshit better than he can with other people he doesn't know that well. In the chat client, he likes to divide combined words like "what ever" and "time line". If you're being canon compliant, he adopted some chat quirks from Vriska after they dated, such as multiplying punctuations by 8 for emphasis!!!!!!!! (edit: Ignore this last part. I think I may be thinking of a dead john, lmao.)
Jane's also a little difficult but easier than John since speech-wise, she's more of a balance between him and Jake + if they were super skeptical about everything and cared about being smart. She's actually kind of a wild card to me, because sometimes she has probably some of the most realistic reactions to the more ridiculous things in HS, but has grown used to equally ludicrous happenings such as the assassination attempts on her life in her intro. She also tends to wear her heart on her sleeve, and has quite the temper. She tries to override her more emotional responses with good southern manners because she's polite, god dammit! When her short fuse isn't ignited, her bottomless passion fuels her cheerfulness as well as her fearlessness. She's also pretty inquisitive, about the world around her as well as towards her friends, asking them questions to understand what they may be dealing with better. She tries really hard to be reasonable about things but struggles with letting other things that may be in play ruffle her well-kept feathers. Speech pattern-wise, she vacillates between speaking like a normal teen and a grandma, to a way lesser extent than Jake. Initially, she tries to keep it prim and proper--sophisticated like a southern suburban housewife with an interesting hint of embellished self-narrative like she's the protagonist of a Noir comic (like here), but when real shit starts to go down, she gets quite a bit more casual (like when they're on their quest slabs here). That is to say, I wouldn't say her normal way of talking is something that doesn't come naturally to her because it totally does, but she loses most of the laciness because short and to the point is better, which is the case for any of the kids with more flavorful quirks. She tends to steamroll over other people when she gets passionate about a topic, but when that's not happening, she's actually super accommodating, to the point of viciously ignoring her own feelings so she can be a voice of reason. In the chat client, she uses toothy emojis like :B.
Roxy, on the other hand, comes pretty easily for me because she's really similar to one of my closest friends and speaks much the same way we do when we're chill. We're also from the south, where much of the youth talk like Roxy does, lmao. Roxy is probably the most accommodating of any of the kids, readily bending over backwards to cater to her friends' needs and letting her own needs take a backseat, which probably leads to a lot of resentment she keeps buried. But she's still the chillest one, taking just about everything in stride before and after her alcoholism. She tends to get sad before she ever gets angry. And if she does get angry, it's usually only frustration at others for being difficult. Communication-wise, she's the most shorthanded--thinking and living in chat-speak. She's all about living her best life and taking care of her family so things are fun and peaceful. She wants to be super sure of herself (like Dirk) because she wants to be reliable. When talking, she likes to use a bunch of metaphors (again, like Dirk), and she tends to casually throw in a lot of puns too, such as when she tells Jake that they're still "humanated" when he asks if he's alienated her too. The nature of her responses is typically pretty flippant, even when things are serious. It's probably obvious that getting comfortable with general Ebonics will help a lot when writing her. In chat client, I try to remember these things: typos only happen when she's drunk--when typing her drunk, I avoid actively trying to give her slurred speech. Instead, I kind of let my fingers type a little more haphazardly and leave the typos I made that sound like mistakes she would make. She only tries to correct a small portion of her typos, more frequently the closer she is to sobriety. When she IS sober, her shorthand isn't consistent. One sentence she'll write "u" and the next, she'll write "you". Same thing with "2" and "to" or "4" and "for", etc. She'll cut out unnecessary letters in words, use typical chat abbrevs, and only use singular letters in place of a whole word, like "y" for "yes". Also uses smileys and other signs like <3. She's super fun for me to write because she comes away with a general feeling of "lmao" if that makes any sense.
Jake I'm always worried I'm doing wrong but he seems to be the one people love my characterization of the most so far, lmao. So I guess I must be doing something right. The thing about Jake is he wants to be the "likeable character". He takes what people want in a guy and molds that into this garbled persona. So when he talks to others, even his friends, he tries to be super agreeable, positive and supportive, regardless of the subject matter; he’s always talking these people up to make them feel good about themselves so that they enjoy conversing with him. But the reality is that he's extremely (but not necessarily intentionally) self-centered. He also aggressively ignores anything negative or forcefully turns it into something positive even when it doesn't make sense. He only tends to express frustration when others (Dirk) are being difficult; I don't remember if he ever actually gets angry in the comic?? He also likes to express surprise/amazement at things (a lot more than the other kids do at least), at the beginning of his responses, even when someone says something that's particularly obvious. The thing that gets me about Jake is that his superficial shell is so impenetrable, I don't think that issue was ever really fully addressed, much less fixed in HS, which leaves a lot of questions about his character & several different but valid interpretations of him by the audience. He may very well actually just be an oblivious idiot who's suffered brain damage one too many times (there's not too many pieces of supporting evidence to negate this) but I personally like to think Jake is far more complicated than that. I mean, look at how many convos he's grabbed the helm of and steered into a completely different direction just so he doesn't have to deal with something. His speech is probably the one I have to look up references for the most because he uses a fuckton of idioms you'd only hear one’s well-meaning but probably unintentionally racist poppop use, and a weird mixture of western/country and british vocab + bro speech he probably adopted while talking to Dirk. This is one list I find super useful when trying to find words to use (bless this person), but I still have to google a bunch of goofy phrases and words to be sure I'm not exhausting my material. One thing I know I do wrong when it comes to Jake's speech is use modern British slang such as "bloody" and "bloke", which is something he absolutely never does but I use them anyways because... idfc, I guess, idk. lol, I acknowledge it so it's fine.
Dirk is probably the one that comes easiest to me because he and I behave and talk pretty similarly. Either that, or I just like to think that and I'm just projecting while writing him completely wrong, lmao. Either way, Dirk hides behind the fact that he's super chill and levelheaded when really he's a nervous paranoid wreck. He's always thinking and overthinking about everything and he never gives himself a god damn break. He calculates every response he gives so it comes off exactly the way he wants it to, so when it doesn't because he's caught off guard, you get to see these little snippets of this dude freaking out underneath. He's a neurotic control freak that makes sure the flow of conversation stays on a set course he wants it to or else he gets either uncomfortable or pissed off. He skirts around anything that might get personal to him and dismisses any focus that sheds light on his own emotions UNLESS he feels, again, that he can control that flow of conversation. Or he's already emotionally compromised. Either way, he avoids conditions that might catch him actually being vulnerable because he's just too fuckin' proud. He likes to make a lot of comparisons, using extended metaphors and milking the fuck out of them if he can get away with it because the more he talks, the more he feels in control. He likes to smoothly play along with people he finds are being ridiculous, like Jake and Caliborn, or even just because he knows they'll know he's just playing along like Roxy. That's a key thing for me actually--how much he likes to fuck with people and how inelegantly he takes it in those rare cases someone successfully fucks with him. His speech seems to be a balance between Rose and Dave, a chill bro with access to the biggest vocabulary ever. I encourage aiming towards sounding like a pretentious asshole when writing Dirk because that's what he is all the time sometimes. He likes to Dirk-splain because more often than not he knows exactly what he's talking about, but he also doesn't realize his Dirk-splaining is something no one needed or asked for. Even though he's acknowledged and now resents the ludicrous size of his own ego, he still struggles with not stroking it at every opportunity. He’s a super capable, reliable guy and he knows it, but the reality is that much of what he plans for doesn’t work out. It’s only when he and his friends are really in the shit and he doesn’t have time to think that instinct takes over and he ends up doing some hella amazing things (Unite: Synchronization). That’s why his whole thought process of being better off alone is dangerous--he’s capable because he has people he loves relying on him. (I went off on a tangent unrelated to speech here. I’m sorry. I got a lot of feelings about Dirk and his selfishness vs. his selflessness, lol)
With all that, these are some general notes I try to abide by:
The ramblers of the kids are Dirk, Dave, and Jake, the former two especially when they're anxious. Dave's definitely the worst in that regard. The Striders both act like they wanna come off as men of few words and both fail miserably; it seems like being forced to live in verbal silence for a good portion of their lives gave both of these social wrecks a stigma against any gaps in conversation. Jake on the other hand rambles because he's self-important, not unlike Dirk. It's almost like he's not sure how else to contribute to the conversation if it's not about movies or himself.
For me, it actually helps that I think Dirk and Jake may both be on the spectrum. (I'm sorry if the following offends anyone who is on the spectrum, but this is just my general experience talking to people with those conditions). It certainly explains why their joint communication is so shit and why they either both give long-winded explanations that no one really asks for, or extract themselves from conversations they don't have a good foothold in, the latter being way more common for Jake (I hint a little at all this in my fic, moreso for Jake via Dirk's observations). They both want to be heard but may have difficulty being good listeners because their heads are already filled to the brim with things that have been cycling since before the other person has started talking.
On a final note, I find it pretty important to note the changes in each character's demeanor and way of talking after certain things happen. A glaring example is the Alpha Kids' behaviors after the batshit candy juju episode they all had. When Jake's broken out of his glorified, overwhelmingly positive fake self-image, he's actually very self-critical. However, his self-centeredness is hard to break out of, so when he broods on all the flaws he'd ignored in favor of being the guy everyone likes, he directed all of his nervous energy into finding reassurance from Roxy. (This self-deprecation could've also been born from his constant need to be agreeable, so since he thought everyone considered him to be a piece of shit, he felt the need to agree that was the case. Depends on how you read it.) Roxy had a shorter fuse and was a bit more snappy and resistant to dealing with Jake's ridiculousness. Jane remained calm and acknowledged she can be a bit too stubborn and self-righteous. Dirk finally took a step back from the details and absorbed the big picture of his problematic expectations toward his friends and himself. It’s just something to keep in mind if you fear you’re getting kind of OOC with their personalities. It’s natural for people to behave different based on changes in their mood, so don’t be afraid to experiment.
All that being said (I lied about that final note), I go back and reference the comic a lot when I’m unsure whether I’m representing a character accurately. It’s a good habit to double-check yourself. If you’re unsure how you’re writing a response but wanna move on, write it the best you can and then come back to it later and revise after reading a few conversations that include that character.
Most importantly of all: the thesaurus is your fucking best friend of all time. Fuck everyone else. The thesaurus is your god damn hero. I find “define:”ing words on google actually super helpful when trying to find synonyms that work better for me.
But that’s it! I hope you found at least a few things helpful in that word splurge of fumbling analyses. And thanks a bunch for reading my fic! It’s not super popular so it’s reassuring to know there are people out there who really enjoy it. Keeps me trying to update regularly at the very least.
13 notes · View notes
ajoblotofjunk · 5 years
Note
DVD commentary for the July chapter of HFOG! or just the motorcycle ride if that’s too much lol
All of July is too much for me mentally right now so I’ll do the motorcycle ride. :D This got (unsurprisingly!!) long, so lemme put a Keep Reading cut in real quick.
A week later, on the off Sunday between Winterfell and Lannisport, Jaime was spending his birthday alone at the office.
I’ll do this whole section, since it being on his birthday was the trigger I used to get Jaime to ask her to go on the bike. This scene was one of like three I had in my head from pretty much the beginning. I find motorcycles extremely sexy (I’m an easy target okay) and I loved the idea of forcing these two knuckleheads into that much physical contact in what should theoretically be a platonic experience; I just had to figure out how to get them there since Brienne just spent the last part of June pushing Jaime back a step. Hard to say no to a lonely man on his birthday though.
going clubbing until they were both passed out or dead by the end of it. Bronn was home with Lollys, probably having enough sex to stock them up until August, and Jaime wasn’t really close enough with the rest of the crew to consider spending time with them outside of work.
I think this was the month where I decided Bronn was going to be genuinely happy with Lollys. I know I mentioned her early on but I toyed around in my head for awhile with the idea that he was still kind of loose and maybe even unfaithful to her, and I decided I didn’t want to go that way. I wanted to like Bronn in this fic. He’s kind of my Sarcastic Wise Elder character for these two and I really grew to love the idea that he is just as much an inner softie in his heart as Jaime is, that that sharp outer shell/gooey center combo was something that connected them. I think it really helped in the October chapter that Bronn was likable, because then that scene in the hospital between him and Jaime had a much bigger emotional hit.
The only other person he wanted to see was Brienne and though she’d sent him a ‘happy birthday!’ text that morning unprompted, he hadn’t responded for
I laugh to myself thinking about Brienne hovering over that text message all “should I send a gif? is the text going to be enough? what about emojis? Is it weird if I text him at all? He didn’t tell me it was his birthday but I definitely know it’s his birthday because I have memorized a lot of unimportant facts about a man I am Definitely Not Into.”
lunch, smoked what he swore was the only cigarette he would have as a thirty-six year old, and then aimlessly watched TV for a few hours before driving his motorcycle into the office.
Jaime uses smoking to fill the hole of the things he wants but believes he’ll never have. At the start of the fic that’s respect and winning races. As he slowly gets those things, he smokes whenever he’s thinking about Brienne, even though he does not realize it consciously. Once he gets all three, he stops smoking for good.
There had been a scattered handful of engineers there that afternoon, working away in preparation for the different requirements of Lannisport next week, but
Honestly, sometimes remembering there were hundreds of people working on this team in particular was exhausting. 😂 I always had this constant voice in the back of my head of Lannister Corp scenes of “where are all these other workers and what are they doing?” It works here because I needed the ride to happen at night, but this is just giving me flashbacks to “oh right this team is actually 500-1000 people, not just these 12.”
He raised his glass of water to his empty office. “Happy birthday to me,” he muttered, taking a sip. It wasn’t even flavored water, which felt like such a maudlin statement on his life that he couldn’t finish it.
The “it wasn’t even flavored water” line still makes me laugh to this day. It’s one of my favorite moments in the entire story. It’s so DRAMATIC. Like, my god man, get a hold of yourself. Anyway, I love drama queen Jaime.
He probably should have texted Taena or Melara, but he didn’t want to spend time with them. He didn’t want to listen to his sister’s barely concealed insults
I had a whole bit…I think it was in August? Might have been earlier, I can’t recall now, anyway, two or three paragraphs talking about how Jaime met Melara and Taena and why they all worked out this arrangement and Brynn (rightly) made the point that it didn’t actually add anything to the story I was telling. I managed to cover what really mattered about it in two sentences instead. The moral of this is that this story could have been even longer but Brynn is the best so you should thank her.
find out what she did on her off days, what kind of birthday cake she liked, if
Chocolate with chocolate and fruit filling and chocolate frosting, FYI.
Brienne’s worried frown deepened. “Have you done anything for your birthday today?”
“I had a cigarette.”
She shook her head, looking disappointed. “Anything that doesn’t shorten your life by doing it?”
I also really like this line. I’m a fan of Worried Mom Friend Brienne, too.
“I drank some water,” he grumbled.
Unflavored! Like an ANIMAL. 😂
“Have you even eaten?”
“I feel like we’ve had this conversation before.”
She blinked, startled, and then a sheepish grin swarmed over her face. “I guess some things don’t change. At least you didn’t insult me this time.”
“Progress,” he said, smiling, watching her features go soft and open in a way he’d probably dream about that night. Distance, his brain reminded him.
I didn’t plan for this quiet callback to the sandwich conversation from January, but I really was pleased to see it happen. It makes sense; Brienne wants the people she cares about to take care of themselves and where back in January I think she felt she was being more his Mom, here they’re both aware she’s being his friend and that’s part of why it’s a softer moment.
“Then come riding with me. Have you been on a motorcycle before?”
“No. My dad was firmly against it after Galladon died.”
At this point in the fic I was pretty sure Brienne was going to drive although I hadn’t worked out all the details of how I was going to get there yet, but when I wrote this I definitely shored up the “Selwyn is very overprotective” support I’d only just started to build back with the phone call in January. I also knew when I wrote this that Jaime was going to bring the motorcycle to Tarth and her dad was going to be all about it, even though I wasn’t sure how that was going to happen. 
“Well,” he said, standing slowly, “your dad’s not here now, is he?”
Fun fact: this story idea first appeared to me in relation to Bruce Springsteen’s “I’m On Fire” and there’s a lyric in there - ‘hey little girl is your daddy home, did he go and leave you all alone’ - that this quietly references. And actually I wanted the whole motorcycle ride to have the exact same feeling when you’re reading it as I feel listening to that song! It’s a direct path from there to here emotionally.
(In some other universe instead of this I wrote a fic where Jaime keeps bringing his car in to Selwyn’s Garage just so he can see Brienne, grease smudged on her face, and he asks her to deliver it to his home and she does and, well. It doesn’t go like the video. *g*)
(That video and song were very formative influences on young me though I was not aware of it at the time. If you haven’t heard the song or seen the video, here you go: https://youtu.be/lrpXArn3hII)
Jaime arched an eyebrow. “My bike is plenty big.”
Brienne snorted but the red in her cheeks spread out to her crooked her nose and down the freckled length of her long neck. “Sounds like you’re compensating, Lannister.”
I could show you he thought but he bit it back, as well as the image of pushing her against the door of his office and- No. Bad. he told both his errant thoughts and his twitching cock like they were misbehaving dogs. 
Jaime has been horny for her since April (January though he would refuse to acknowledge it if you told him that at this point), give him a break.
He came around the desk and held out his hand and she stared down at it like it was a snake she was trying to decide was poisonous or not.
Brienne gingerly wrapped her long fingers around his
I wanted Brienne to actively participate in the decision to do this, to show through her actions (not just Jaime’s perceptions of her) that she wants this, too. I had to ramp things up for both of them in this chapter because I knew what was coming in August and I wanted them to be ready for that. I couldn’t have gone from where they were in June to the kiss in August, I had to force them together in a way they hadn’t intended so that when they come together intentionally it feels like a natural progressions, and that meant both of them had to be wanting it.
What are you doing? his brain demanded as he led Brienne through the empty corridors out to the front parking lot.
 Enjoying my birthday for once.
I like this because it’s both Jaime making excuses for why he’s doing something really foolish if he’s supposed to be keeping his distance but ALSO true and a sad reflection on his life (and what Brienne brings to it even now).
His bike was parked in Tywin’s CEO spot, where he always parked as a small, childish fuck you to his father. Brienne gasped as they walked up, pulling her hand away to brush the gleaming chrome.
“You have an Iron Throne!”
I know. I KNOW. But I love calling it that. I cast around for motorcycle names for awhile and when I hit on this I could not resist. Iron Thrones in this fic world are basically those giant Harleys that would easily seat two people.
weight of her against his palms. Brienne’s eyes narrowed and he worried for a second she’d heard his thoughts. “It’s not safe to ride without a helmet though, and I don’t have one. Do you have an extra?”
Jaime hadn’t brought his today, either. “We could wear driving helmets.”
As I recall it, Brynn came up with the idea of the helmet scene or at least definitely helped me work out how it was going to go when I got stuck on it. She made the point it should be a cute moment between them and it was right because it made the whole ride seem fun instead of just weighty and tense. The fact they actually have FUN together is really important to me because I think it’s really important to successful relationships in general. If you’re going to be with this person for the rest of you life, I hope like hell you enjoy spending time with them.
When she saw the helmet he had she laughed, the sound bursting up into the sky like a flock of startled birds.
I’m not usually happy with how I describe things - I never feel like it’s as interesting or descriptive or powerful as I want - but I do like this line a lot.
“It’s a helmet,” he said, holding it out to her. The helmet was a bright neon green and covered with frogs forming the words MOAT CAILIN with their bodies. “I got it from one of our sponsors a few years ago and kept it thinking someday I’d wear it just to piss off my father.”
What does Moat Cailin do? I genuinely have no idea. 😂
Brienne took the helmet and held it out away from her like it was a very stinky baby. “You’re sure no one is going to see us?”
“Now who’s vain?”
This made me laugh. I love when Brienne gets to be light-hearted.
“Isn’t there some biker lingo you should use instead?”
“Hop on my hog, sexy mama?”
Goofy Jaime: also a personal favorite. This is kind of an early insight into how he’s going to be in later months when he’s truly, unburdenedly (I made that word up) happy.
Brienne laughed even harder that time and shook her head. “You are so annoying,” she said fondly, climbing on behind him.
The “you’re annoying”/”you’re stubborn” back and forth is something I have been trying to consistently but not overwhelmingly carry through this fic from very early on.
“Since you’ve never ridden before, the primary rule is that you have to lean into the curves with me. If you’re balanced differently than I am it might bring the whole bike down.
Having ridden a motorcycle: this is actually true. It was the first thing the person I was riding with told me.
Her arms fully encircled his waist, her body pressed so firmly against his back he imagined he could feel the weight of her small breasts through his own shirt. He had no jacket but he didn’t need one; even if it hadn’t been for the drowsy summer heat, Brienne’s warmth against him stoked enough fire he could have burned all night.
You shouldn’t ride a motorcyle without proper gear, kids, but Jaime doesn’t give a fuck and for the purpose of this kind of intimate contact, neither do I for this story. 😁
It was almost like sex, the way they moved together around the curves, the blood thrumming in his veins, her occasional breathless gasp. He had to shift a little on his seat to make room for his awkward erection, but he pressed the bike faster, the curves tighter, until she was welded against him and the wind whipped her joyful laughter from her mouth, leaving it like tracers behind them in the dark. 
This is the image in my head when I thought of them on the motorcycle ride. Everything before and after this paragraph is just set up and pay off for this one part.
Centuries ago there had been a keep at the top of Aegon’s High Hill, but all that was left now were old stones weathered by time and the salt air off of Blackwater Bay.
Thank goodness for the internet, and people who post very detailed maps of King’s Landing and Westeros so I can figure out some of this stuff. I have spent a surprising amount of time for this fic looking at maps.
“Why were you at work today?” he asked, staring at her.
Brienne pulled off her hoodie to reveal a tank top underneath, her muscular shoulders bunching as she did so in a way that made his mouth go dry.
There’s a gif that was being posted in the Oathkeepers discord around the time I was writing this that I had in mind explicitly for this moment. 😄
Her skin seemed to absorb the light, making it white and smooth as milkglass, her freckles mirroring the infinite stars. “Truthfully,” she said, “I wanted to spend some time alone with the car.” Even in the moonlight the reddening of her pale cheeks was clear.
Survey says: Mostly true. She also was thinking of him, since it was his birthday. She genuinely did NOT expect him to be there, though.
Jaime walked to the edge of the flat gravel and stared across the Rush to roughly where he thought Tarth would be way down south in the Stormlands. It had been years since he’d been and he didn’t remember it well, but he wished he could so he could picture Brienne there.
Again, I knew he was going to be in Tarth the very next chapter, so I wanted to lay the groundwork for it to seem natural he would be. Bringing it up here was a perfect opportunity for that.
They put their helmets back on, and Brienne her hoodie, and she climbed on behind him again, her arms automatically curling around his waist this time instead of the distant grip of the start. He started the engine and leaned forward a little, and she leaned her head against his shoulder as they took the drive down more slowly.
This easy warmth was important, too. Again, the sexual tension is critical to get them to their breaking point because they’re sure as hell not going to talk about how much they care about each other first (or even for a long while after they start having sex, as we discover), but I wanted there to be something deeper to their bond, too, a connection that I could build on in the second half of the story where you believe they’ll be happy together as an established couple. That they’re comfortable together.
The trip down the hill was as solemn as the stars above and when he parked again in front of the Lannister Corp Racing offices Brienne took her helmet off and stared quietly at him when he remained seated, his visor pushed up.
I think subconsciously this is when Brienne really falls in love with him, because it’s just Jaime being Jaime, and sharing something important to him with her and that kind of openness is the key to her heart.
Sadness gleamed like the stars in her big twilight eyes. Brienne put a hand on his shoulder and his whole body went rigid under her touch. Her fingers crept to the nape of his neck under his helmet, softly brushed through the short hair there before she dragged them away again as her pale skin reddened. 
Brienne was more reserved here in the initial draft of this and Brynn thought there should be more and she was - as usual - absolutely right. So the touch was added to fully seal the momentous connection that happened here.
“You can get home okay?” he asked.
“I’ll take the bus, there’s a stop just by the sports bar.”
Brienne the Bus Rider strikes again. Hee.
He couldn’t even quit smoking; how was he ever going to quit wanting Brienne?
These two things are connected here for a reason! As noted above. Hee.
Wow this was fun for me, thank you for asking! 😊
[DVD Commentary Meme - Asks are open]
19 notes · View notes
thosequeenboys · 5 years
Text
Slippery When Wet (Roger Taylor x Brian May)
Summary: Approaching the end of their American tour, Roger and Brian find some welcome – and rare -- intimate time alone. Roger urges Brian to demonstrate his Instagram shower safety tips.
A/N: This story was inspired by Brian’s August Instagram post about shower safety.   Though focused on current Maylor, there is a flashback to their earlier years. It is being published for the “Maylor Week 2019 Making Love” prompt.  Bolded text is referenced at the end.
Warnings:  SMUT (18+ only). Shower sex, anyone? 
Roger and Brian mingle with staff and visitors backstage after the show, feeling the end of the tour nearing, with only two more shows to go on their American tour.   They nurse increasingly warm drinks, as they tell jokes and express gratitude. Suddenly, they their eyes lock in a knowing glance acknowledging to each other their eagerness to leave.  The high from the show had started to fade, and suddenly, they are done.  They no longer have the need to down countless drinks, make witty conversation and stay up all night.
“Adam, we’re going to head out, mate.” Roger says.
Oh, sure, I’ll see you tomorrow,”  Adam says as he hugs Roger and then Brian. The men yell a thank you and give a wave, receiving a round of applause as they leave.  The adulation still feels good even after all these years.
“Want to come in for a nightcap.” Brian asks once they settle into their waiting car.
“So long as it’s a cold one-absolutely!” Roger says, pulling a handkerchief from his pocket and wiping his brow of the oppressive American humidity.  They enter Brian’s suite and Brian goes to the frig.  “Beer?”  
“Sure,” Roger says, throwing his green velvet blazer on the club chair.  They both sit heavily on the couch, and each lean into the soft pillows positioned against the arm rests at the opposite ends of the couch.
Brian looks up at Roger.  It has been months since they sat together  -  alone. Sarina was on the tour for a bit and left a week before for London; Anita is starring in a show on the West End.
“It feels good to sit and relax.”  Brian says. “With you,” he adds with a warm smile.
“Yeah, we haven’t been together--er, hung out in a while.” Roger corrects himself quickly in his raspy voice as he sips his beer.  He lets himself bask in the special solace of being alone with Brian May: the warmth, comfort, familiarity.  Then, of course, there is the backdrop of desire.
It has been awhile, hasn’t it?”  Brian says, glancing at Roger as he sinks back into the couch. Suddenly, Brian takes his phone from his jacket pocket.  “Oh, my, look at this.  My Instagram post from earlier today has over 10,000 likes-in just a few hours!!”
“Ooh, impressive!” Roger’s voice rises, feigning excitement.  “And what topic is Dr. May expounding on today-the cosmos? hedgeho…?”
Brian cuts him off.  “No actually, it was a post about shower safety in hotels.  There have been many instances of people getting injured slipping in hotel showers. Laying down a towel is the perfect solution.”  He interrupts himself.  “Listen to this!  Brian-Mayday wrote “I’m so glad you posted this, Brian!  I travel for work and will follow your wise advice-and avoid injury. Smile emoji.”  
“Keeping everyone safe, while entertaining and educating the world.  That’s our Brian.”  Roger states, while thinking to himself, shower safety, WTF?.  
Roger eyes Brian whose head is bent over as he scrolls through his phone reading comments, some aloud, clearly tickled.   He takes in Brian’s grey locks cascading down his shoulders and his open shirt, revealing his smooth, still-firm chest.  Roger blinks and a sly smirk spreads on his face as an image pops into his view -- it was another time, another Brian: dark curls also drape into his open shirt. He was folded into himself on the couch, hunched over a paper he was writing due at week’s end, grasping a pencil.  They were positioned as they were this evening-leaning into the opposite arm rests of the couch, their legs tangled in the middle of the cushions.  
“This isn’t right!” Brian said, agitatedly pulling his legs up under him and resting his notebook on them. He stared at it.  
“Read it aloud,” Roger urged and Brian read the essay slowly.
“I think you need to switch up the sentences in the first two paragraphs to better support your thesis sentence.” Roger suggested. “Here-let me see.” Brian passed him the notebook and Roger and Brian talked through the paragraphs, batting around ideas, as they leaned toward each other to look at the notebook.
“Ah, I think this will work.” Brian said nodding, his mouth forming a slight smile, relieved by the clarity.
“Yup.  Just needed some reorganizing.  Your supporting evidence is solid.” Roger said confidently handing the notebook back to Brian, who took it. Leaning back into his end of the couch, he scribbled some notes based on their discussion.
“I have a question for you,” Roger asked pensively from the other end of the couch, cocking his head.  Brian looked up and leaned forward, his brow furrowed, eager to hear the question to further spark his thinking on his paper.  
“What do I have to do to get laid around here?” Roger asked, trying and failing to hide a grin.
Brian raised an eyebrow and his mouth curled into an O, expressing surprise. “Here I was thinking you were going to come up with a brilliant idea about my paper….”
“Did that.  Now I’m ready to put other parts of myself to use.  I have a head for science AND a bod for sin.” (1) Roger said in a husky voice, turning on the charm, flashing his lovely smile, his baby blues sparkling underneath long, batting eyelashes.
“Do you, now?” Brian asked, grinning at Roger, turned on by his boldness. “Well, in answer to your question--That depends if you’re a good boy…” Brian purred, trying to be flirtatious.  
“I’ve been very good…I just helped you…”  Roger said softly.
“That you did,” Brian said.  Suddenly overcome with lust, he threw the notebook and pencil on the floor and launched his body forward, crawling on all fours across the couch. He settled between Roger’s legs that were opened to receive him.  
Looking into Roger’s beautiful eyes, he ran his fingers through his soft hair. He started to kiss Roger’s lips hungrily.  Roger returned the kisses firmly, staring deeply into Brian’s eyes, signaling he was ready for more.  Brian’s tongue licked Roger’s lips and he parted them, allowing Brian’s tongue to probe him. Roger gasped as his tongue explored Brian.  After a few moments, Brian pulled away and started his descent, kissing and sucking down Roger’s neck, unbuttoning his shirt as he moved down his bare, smooth chest.  He stopped to take off the shirt and then ran his hand up and down Roger’s chest sternum to belly button.  He bent and sucked a nipple and licked his calloused fingers, gently tugging at the other.  “Oh, God,” Roger said, thrusting up, as Brian continued to focus on his chest, his long graceful fingers grazing over his fair torso.  
“You’re so sensitive.  I could stay here just at your chest, watching you writhe and listening to you moan under me. You’re so beautiful.” Brian uttered. After generating more moans from Roger and feeling his heartbeat quicken, Brian kissed down his taut abs, speaking in between each kiss.  “Roger. Taylor. I love you.  Your talent.  Your passion for music.  Your cheekiness. Your smarts. Your warmth. Your caring. Your bod!”  He giggled.  “Did I mention your intelligence? You are the real deal….”
“I bet you say that to all the boys,” (2) Roger said with a laugh, deflecting Brian’s serious sentiments.
Brian pulled off his chest and looked at Roger intensely, concerned.  “No, Roger. I don’t.  You’re the only one I love.  And, I want to show you how much I love you.”
Brian sat up slightly and unbuttoned and unzipped Roger’s pants and slid his fingers under the waistband, caressing his hipbones, ever so gently.  
Roger panted. “I…I love you too, but God, bloody take them off…”
****
“Ohmygoodness!”  Brian’s giddy enthusiasm brings Roger back to the present as the image of their youthful student life and lovemaking vanishes.  
“These comments are incredible!  People really appreciate my message and photos! Look at this shot,” Brian turns his phone and shows Roger a photo of his bare leg stepping into the shower placing his foot on the towel.  
“Oh, I must respond to this to this comment.”  
“Seriously?? You’re going to respond to comments all night?”  Roger is SO over freaking Instagram and is clearly losing his patience.  They finally have time together, and…
“So, I have a question, Brian…” Roger says earnestly.
“Hmmmm?” Brian asks half listening, clearly distracted as he types a comment. 
“What do I have to do to get laid around here?”  Roger’s eyes bored into him as he smirks.
Brian looks up.  “You want to…??”  They each have an agreement with their wives-and always had.  They have an occasional thing.  It goes way back and is the reflection of their emotional, intellectual, musical and physical connection-and their history.   It doesn’t detract from the strong love they have for their wives. It is a different connection and bond. Their wives accept the arrangement.   It’s been almost a year since they had been together.
“Actually, BrianMayForReal,” Roger snickers, using Brian’s Instagram name, “I was thinking I’d like you to show me your shower safety tips.  First-hand, so to speak.  Up close and personal.”
“Is that what you’re thinking?” Brian’s mouth opens slightly, as Roger climbs on all fours toward Brian and eases the phone from Brian’s hand, reaching over him to place it on the end table.  “Christ, I gotta take some clothes off,” Roger pants, sitting up to urgently unbutton and throw off his shirt and then lifting his hips to dislodge his pants.  
In just his underwear, Roger lays on top of Brian glad that he successfully turned Brian’s attention away from Instagram.  They lock eyes and then lips.  Roger starts kissing Brian hungrily as he pins Brian’s arms by his side.  Brian’s eyes fly open as he tries to move his arms.  
“Easy, my good boy,” Roger coos.  “I got you.”  He starts to unbutton Brian’s shirt as his mouth trails behind making its way down his smooth chest, aching to heat things up.  
“Roger, wait. Come up here.” Brian says suddenly, sitting up, shifting Roger and releasing his hands from the blonde’s grasp in the process.  He finishes the buttons on his shirt and tosses it.  Roger looks at him, confused by the directive to halt.  But he eases himself up over Brian’s long, now bare, torso to align his face with Brian’s.  
“Let me hold you,” Brian says.  He embraces Roger, hugging him into his chest, and stroking his back.  Roger lets his weight sink into Brian, resting his head in the crook of Brian’s neck, sheltered by the taller man’s flowing hair. Though their bodies have changed over the years, the way they piece together so easily has not. Between them lay over 50 years of friendship, music, brotherhood. Fifty years of love beat in their two hearts, now beating in unison.
“Roger,” says Brian, very present.  “Let’s appreciate this moment together - and what we’re about to do.  And why.”
Roger laughs. “You don’t think this is a wham, bam, thank you, Ma’am situation-do you? Like I’m gonna sneak out in the middle of the night and not call you again?  Brian, I get your having an emotional moment, but I need to get off, and given that it takes some time these days…”
Brian chuckles. “I know,  I want to also. It’s just...during the show, the memories started flooding in…..and you’re the constant in them.  We’re the constant.”
‘Yes, that is true.” Roger says, considering Brian’s sentiments.
Brian continues, “Through most of my life-good, bad-all of it. I could – I can - count on you…” I love you. And, I want to make love to you….” Brian says, his eyes tearing a bit.  
“I love you too. AND, I‘m glad you can tear yourself away from Instagram to focus on me…and us.” Roger smiles.  “So, how about we get those pants off?”
And with that, Roger eases Brian out of his pants and positions himself over him, thrusting into him.  They move together, feeling each other getting hard, delighted that even after all these years they still turn each other on so easily, so quickly.  
Roger looks at him, panting heavily.  “So…how about those shower tips.”
“Ah yes,” Brian said.
They help each other up and, holding hands, walk to the large bathroom with a walk – in shower that easily accommodates two.  
“Here, let me demonstrate.”  Brian says, assuming a professorial tone and grabbing a bunch of rolled hand towels from the generous supply neatly organized in a wicker basket on the floor.   “See, you lay them out – around the drain-not over it-before you step in.  And, let me put one near the wall, since no doubt that’s where you’ll be spending some time.”  He winks, as he positions the towel.  He grabs two large towels and spreads them on the towel warmer next to the shower and turns it on.  Then, he removes his boxers and steps onto a towel, reaching his arm out to Roger who grasps it and enters the shower, stepping on a towel opposite him.  Brian turns on the water which warms instantly and he embraces Roger. They kiss passionately, lathering each other up with musk shower gel and smoothing it over each other’s bodies. Brian starts to caress Roger’s cock and the drummer moans. “God I love hearing you …” Brian says as Roger grasps the guitarist’s firm arms to steady himself as he starts to rock in time to Brian’s movements on his member.
“Turn around, let me help you.” Brian helps Roger spin around and step on the towel closest to the wall and then grabs the bath oil from the shelf.  He prepares Roger, who steps his legs wider. When he’s ready, Brian enters him slowly, running his hand up Roger’s back, as Roger moans, bending toward the wall.
“Oh, babe, that’s good…” Roger says.
Brian wraps his other hand around Roger’s cock, and they both moan softly, continuing their movements. The warm water flows over them, as they move together reflecting their love, which changed and grew through the years - a love that celebrated their triumphs; cushioned their disappointments and frustrations; contained and sheltered them when their lives unraveled in unexpected ways.
‘M close,” Roger grunts, finally, and Brian picks up his pace.  Roger climaxes, Brian follows.  They continue to move together and finally Brian separates.  Roger turns around, his back against the shower wall and Brian plants gentle kisses on his face and his neck.  
“That was great.  Amazing, actually.” Roger says. Brian winks at him and turns to shut off the water.  
“Yes, it was. As usual. Stay there.”  Brian gives him a kiss on the mouth and steps on a towel close to the door to grab the warmed towels.  He gives one to Roger and starts to dry himself off.  
They exit the shower and grab the plush white robes hanging on the hooks.  
“So, what do you think of my shower safety tips?”  Brian asks intensely as they tie their robes and walk toward the bedroom.  
“Very effective!”  Roger compliments.  “Glad you won’t be posting that demo on your Instagram account though.”  
They both burst into laughter as they climb into bed, wrapping their limbs around each other and embrace.  
 @iamnotbrianmay​ @warriorteam1924​ @hey-holtzy​
Notes
1.      This is based on a quote was spoken by Tess McGill, a smart secretary, played by Melanie Griffith to an executive, Jack Trainer, played by Harrison Ford, in the 1988 film Working Girl, a movie about working your way up in the corporate world. I substituted ‘head for business’ to ‘head for science’ to reflect our science-y Roger.
2.      This line is from the song “You took the Words Right out of my Mouth (Hot Summer Night)” by Meat Loaf.
Tumblr media Tumblr media Tumblr media Tumblr media
41 notes · View notes
thatwritergirlsblog · 6 years
Text
Using different forms of written communication in your writing
Thank you, @lunarmoment for requesting this post.
1. Letters
Letters between characters can be a great way to highlight the nature of their relationship and convey important information in a realistic way.
When using letters, I would advise using a font that is still readable, but clearly represents handwriting. Also, make sure to use conversational diction and phrases that are unique to the characters' relationship.
Another great idea might be letters with secret codes in them. When reading it for the first time, the reader might believe it to be a simple or formal letter. Then, after the code is explained, the letter reveals crucial information or an affectionate message.
Letters can also be a great framing device for your novel. If you want to learn more about this, you should read the original Frankenstein novel by Mary Shelley, in which she uses letters to create a chinese box form that complicates the moral theme of the novel.
2. News articles
News articles are great for world-building, since you can introduce details about the events of your world in an interesting way.
For this, I would suggest separating it from your main text. Perhaps include it as a separate "chapter" at the end of your real chapter. And use a different font.
You have to make the article as realistic as possible. Use the full heading - a newspaper name, title, date, author etc. Also write your actual content in a journalistic tone. Remember that the first paragraph of a news article usually gives a summary of all the important information. Don't forget to use paragraphs. Just read a few newspaper articles and you should get the general idea.
It's also a good idea to decide what type of newspaper you prefer. A tabloid, a humorous paper or a serious journal? This will have a huge impact on the tone and vocabulary you use.
If you want an example of news articles used well in fiction, I suggest that you read Zoo City by Lauren Beukes.
3. Diary entries
Diary entries are especially useful when you're writing in third person but need to convey the thoughts and feelings of your characters more directly.
Once again, using a different font indicative of handwriting is advised (just make sure it's clearly legible).
It's pretty obvious that you should use first person for this (unless you have a REALLY dramatic character who refers to themself in third person). However, what's more difficult to get right is using a style close to stream of consciousness. This is your character unfiltered and honest - it should read like a flow of thoughts.
This might be redundant if you're already writing in first person or third person subjective, UNLESS the diary entries provide the perspective of a non-POV character.
4. Captain's log
Okay, so it doesn't actually have to be a captain or pertain to a ship, but a log is a great way to summarise a bunch of events or keep track of the progress of a journey.
Make sure to include the date and use short, formal sentences. Logs are only about noting the most important details. They are not for beautiful prose or long philosophical musings. Once again, a handwriting font is advisable, as well as separating the log from your main text.
You might also want to add details like coordinates, clicks, distances and jargon your character would know.
5. Texts/social media posts
This has become very popular over the last few years. I can't say I'm a big fan, but I do have some tips.
Use it sparingly.
Don't try to be overly "hip" with your emojis or cute contact names or text language. Very few young people actually text like that.
Keep social media word limits in mind and try to follow that platform's format as closely as possible.
Keep the diction and tone conversational and informal.
That's all I have for you right now! I know this isn't the most comprehensive post, but I hope it helps.
Once again, if you have any requests for posts or any questions about creative writinh, my ask box and inbox are always open.
Reblog if you think this could help more writers! Follow me for similar content!
34 notes · View notes
jacobthespaceguy · 3 years
Text
New life, new computer & new perspective.
I wrote this half a year ago and forgot to post this. Enjoy.
Dear Cosmonauts,
Greetings! It’s me, your boy! Did you miss me? No? Yeah, not too surprised. To be honest, I would be genuinely surprised if anyone actually read these. It’ll never stop me though. I love using this as some kind of escape. I think I’m trying to say that I’m officially back to blogging! Well actually, I never was in a state of, “blogging.” I just simply make a blog post every once in a while. So instead of being back, I guess I will simply start blogging more often. At the very least, try to. In an ideal world, I would create entries at least once a month, that’s not too much to ask for... just a few paragraphs every month. Sounds easy enough... On that note, it probably isn’t. But maybe it is. It depends on your personality.
Laziness. Saying laziness defines me is an understatement. I don’t want to be lazy nor do I wish I was. I’m honestly not too sure why I'm so lazy. I think this pandemic just made it really bad. Working from home 3/5 days of the week changes you. Early on, I figured I would be able to use this extra time to work on more music and I even started being a mixing/mastering engineer for a friend of mines. However, I ended up using this extra time to stay in bed and be useless. Some would say I'm being hard on myself but I'm not. I stay in bed and I waste my time, my friend's time, and overall, I'm just a useless human being. I feel like a failure sometimes. However, I do hold on to the hope that I can change. I want to change. Some days, I tell myself, "I'll be productive this time," but then stay in bed half the day. By the time I'm up and eaten breakfast and done my whole morning routine... it'll be 2 o'clock and the day is practically over. It's not really over, but it'll feel like it. It sucks. Now the pandemic is ending and I'll probably have to go back to work full time soon. I have no idea how I'm going to cope with that. I'm already depresso mode from things changing so much around me that I feel like a hermit and want to hide under my desk for the rest of my life. I hate change. I hate it, hate it, HATE IT. I know change is good and if my music career takes off, then they'll be a lot of change. Although, I would rather endure that kind of pressure than have to go back to work. Every day to get to my work is a 40-minute drive there, and an hour drive back since traffic is so bad. I know other people have it worse, but with how tired I am after a shift, I have days where I lay on my bedroom floor doing nothing and or nap until I finally get up to shower, eat dinner and finally get to the home activities I wanted to. However, at this point, it'll be 7 PM and I'm too tired to do anything other than watch YouTube videos until 1 AM, and then it's finally time to go to bed. It's a struggle and I can't seem to escape it.
I don't even know what I'm writing anymore and lost track of where I was going with this. I guess it's to complain about hating work and or my laziness? I originally started writing this post with the intention to talk about my new computer and how writing a blog post with it is a vibe. I bought a mid-2017 MacBook Pro back in August of 2019. It was the most absolute base model and only had 128 gb of storage and 8 gb of ram. WHY DID I DO THIS TO MYSELF! I loved the flexibility of having a decent laptop for when I travel, but this was a bad purchase that left me financially ruined. I want to say that it was a terrible machine and I hated it. However, it ran decently most of the time and I must confess that Apple just knows what they're doing when designing computers. I can't argue though, since I started this blog, I became an Apple fanboy and I'm seriously buried in the Apple ecosystem. My phone, laptop, tablet at one point but sold, my credit card, my watch, earphones, and tracking devices are all connected to Apple and they basically run my life. However, my main machine will likely always be a Windows desktop.
Back to the MacBook Pro, my 2017 laptop having 128 gb made the machine unusable for me. Apple offering a 128 gb machine was a cardinal sin and I do the happy dance every morning knowing they no longer exist. After downloading Reason and Logic Pro, I had about 8 gb for any else I wanted to use. I couldn't even have all of Logic's sounds installed. Ugh. I never used the machine because I resented it so much. However, I recently started using it to record my vocals because the fans (despite going up 1000 db when I record in Reason) were quieter than having my desktop fans on when recording so I opted to use my MacBook Pro to record instead. In addition, it was really nice to have when I was on the go and needed a computer. Despite being a baseline laptop, it ran the project file for my song, "Nothing Was The Same," decently enough for me to get some mixing done at my Dad's house late last year. It still chugged pretty bad when I was traversing through Reason's sequencer. My final straw was when I wanted to try a vocal plug-in that refused to work on my PC so I pulled out my MacBook Pro and installed it on there and it worked perfectly. I was like, "Man, I wish this MacBook Pro just had a little more storage so I can actually use it efficiently." That's when the idea came to me, "Holy crap, let's just buy a new MacBook."
I would constantly go to Apple's website and look at their newest 16" MacBook Pro. It's when Apple finally let go of the butterfly switches on their keyboard and went back to a scissor-switch design and improved the heck out of the performance. It was a beautiful machine and I wanted it ever since they announced it. So I went back on Apple's website last week after testing that vocal plug-in and was reminded of the horrendous price. $3,000 for a decently specced computer was just too much. Someone on Reddit was telling me how great Apple's refurbished computers are and that they're basically brand new aside from the regular box it comes in. So I decided I wanted to get a refurbished MacBook Pro. However, the next morning, I decided to do a little more research and I thank God I did because after a little research, I saw how much better the new 13" M1 chip MacBook Pro was over the current 16" Intel MacBook Pro and that it was the best laptop to buy. Even better, it's cheaper. So after more research, I decided to buy a refurbished max specced out M1 MacBook Pro. I finally have 2 tb of storage. 2 TB!!! I have more storage on this laptop than on my Windows desktop. I also went with silver over space grey like my other MacBook simply because it looks so much cooler. I don't care for space grey anymore. Something about the classic silver is where it's at. Also, this keyboard is amazing! I'm using it right now to type this. The Touch Bar is pretty cool too. I thought it would be a weird adjustment but it was actually pretty seamless. My only complaint is that it's easier to tap it and do something while typing on the keyboard. Happened to me twice while typing this. Although, all I did was open the emoji window so it wasn't even an issue. However, I think I type a bit in an unconventional way than most of you reading this do so just ignore me. I would also like to brag about how quiet this computer is. I haven't heard the fan once and it's dead quiet. In fact, the M1 MacBook Air doesn't even have a fan, that's how good this new Apple silicon is. Lastly, I haven't had the computer heat up at all yet. I'm typing this using safari with a few tabs open, Logic Pro in the background and there's no part of the computer that's hot right now. My lap would've melted if I was using my 2017 MacBook and it's in great shape! I want to say this computer is a beast but, to be honest, I haven't had a chance to stress test it yet. I've had the computer for less than a week. I will definitely keep you all updated.
Wow, I can't believe I typed all of this simply because I imagined Adam Young in his basement late at night with his MacBook Pro writing his magnificent blog posts that inspired me to start this blog in the first place. For whatever reason, it's a real vibe for me and as I was fumbling through Logic Pro, I had the idea to write a blog and all of this entry just poured out from my brain to this text box. I sincerely apologize to anyone reading this far and to my future self who probably just spent 20 minutes proofreading and fixing errors I made. I'd imagine all the run-on sentences are probably infuriating. I think I spent 40 minutes to an hour just writing this.
In conclusion, I'm writing blog posts again and plan to release new entries at least somewhat often. I have quite a few ideas of things I want to talk about, so you guys will get to pick my brain soon enough. In addition, I may go public about this blog. It is public but I announced it a long time ago and I wasn't very big. But with my podcast and additional following over the years, I may finally get some readers. I'd be surprised if more than 3 people have seen my blog which I'm not upset about. I'm treating this as my personal time capsule and it's fun to go back and read. In addition, I'm going to die someday. I don't know when and how, but it provides a little bit of comfort knowing a potential love one may find this one day after my unfortunate death and get hours of personal content that they can read over any time. I don't mean to get morbid and I don't mean to say my blog is the second coming of Christ. I don't know what I'm saying other than I hope you enjoy it. Anywho, I plan to make blog posts more coherent and not so all over the place. I went from being lazy/hating work, MacBook Pros, and then to my death, all in the same post. I just got so excited once I started typing and couldn't stop. More posts to come. Thank you and goodnight.
-Sincerely,
Jacob McDonnell
0 notes
xurkitips · 6 years
Text
On Conveying Personality Through Chatroom-style Dialogue
A friend of mine shared screenshots of a roleplay he was having via a Discord server, wherein the style was chatroom/texting based. Each character would have a different style of typing completely unique to their person. Though unfamiliar with all of them, I could see what their personalities were like
Like real human beings, a character very much so has a “voice”. I mean that both in the literal sense, through their manner of speaking and what they say, but also through their self expression, interests, and actions. This carries over into the digital realm in ways we may not even notice. Text messages may not be verbal, no, but there are ways to show inflection.
There are many, many ways to show meaning through text. Here are some that I’ve picked up and utilized with my own characters:
Sentence structure
all lowercase sentences VS Grammatically correct
Lowercase gives off the feeling of someone familiar with others or willing to become familiar. It lacks the tension of formal writing, complete with its capitalization and proper periods ending sentences, and feels very casual and approachable. It may also be a sign of someone who doesn’t care much about perfection, a lazy person, or an easy going individual. Seems like a lot of internet regulars prefer this kind of typing style.
“im dying
‘deafening horrorcore rap’ ok i listen to literal noise and idk what this even is”
Using a properly capitalized and punctuated style is very formal, like one would see in a book, an official email, etc. It’s more serious and stern than lowercase is and may imply an older, more mature person typing...or maybe just someone trapped on their phone at the mercy of autocorrect. 
"I am always happy to see you, even if you are not feeling your best.“
“It's nice here.
Quiet.”
There’s a certain respectful steadiness to it as well. It can be calming to read at times.
Punctuation VS Lack of punctuation
End-stopped lines come with both a pause and a bit of a pointed and direct feeling. It strengthens both lowercase and grammatically correct styles, but in different ways. In conjunction with “proper” writing, it’s less noticeable, merely giving the reader a moment’s pause. In conjunction with lowercase, especially if the one typing isn’t keen on using periods, it can come off as stern, serious, passive-aggressive, or angry.
“whatever.
it's less excruciating than it would be without it.”
Removal of punctuation is a different story. Typically just shown with lowercase, it leaves it with that casual feeling intact, or like one’s sentences are more like quick thoughts or questions. Removing them from grammatically correct sentences does ease off some of the tension, implying someone with a more neutral-positive tone while still being more mature. 
“I’m not terribly good with conversation”
And then there’s the run-on sentences from those who type small novels per response. Usually complete with multiple and’s. It’s a sign of nervousness, enthusiasm, or oftentimes a younger character...
“actually i don't know much about it i just happened to see something online and it's apparently only manufactured overseas exclusively for this one particular shop and they made the original design and initial product i guess”
Oof.
Proper spelling (or lack thereof)
The better the spelling, the more the likelihood of the person being older, calmer, or neutral. There’s also a sense of being well educated or careful about one’s typing. Perhaps a confident air may exude from what they say, too.
“Can you come help me for a moment?”
Those who make a lot of mistakes will simply confuse words for other words, forget apostrophes, or type too fast to notice things missing or in the wrong location. Some just don’t really care enough or are too tired to deal with it. Too much focus and people know what they mean anyway. Probably.
“i laug hso hard hes come runin
he thougt i aws dyin”
It can also happen in very emotional situations, in bouts of laughter, crying, rage, or when one is drowsy, medicated, or sick. It tends to stand out when one’s style is suddenly very, very different and tips others off to something being wrong.
Younger characters, especially kids, also make spelling mistakes all the time depending on their age, whether due to sounding out words or just in a hurry to reply.
Short sentence fragments, single words, and lengthy paragraphs
Sometimes people with rapid-fire thoughts, who are excited, busy, stressed, or angry, will take to quick and short responses (sometimes of many fragments in a row). These show a similar feeling as do lines of poetry. Stacking small fragments on top of one another adds emphasis. The reader has to read them one by one rather than as a straight sentence. On its own, the word or fragment stands out and becomes more important.
"well
yeah thats
what i was tryina do
but i mean”
I’ve seen it used used for storytelling from one person to another in larger chunks of things, quick responses, for poetic value, and in irritation or passive-aggressiveness.
In full sentence conversations sent in short bursts, it’s also allowing the reader pause to read each comment without it feeling like a novella. Though it can also feel like someone is obnoxious, rambling on and on as the notifications keep coming, or has a lot to talk about and keeps thinking of more.
Then there are those who type rather large responses all at once instead of hitting the enter key with every sentence:
"Whoever did it was quite thorough; either the power in that area of the lab was cut while we were distracted or they tampered with the security cameras, because that footage is missing. But, we have some theories now. It had to have been someone with direct access to the laboratory. I hesitate to place blame on any of my coworkers...they're all my trusted companions and friends! And yet...”
It’s concise and a solid, complete story in one spot. Could be someone who loves to talk, could be someone who didn’t want a response before they were done talking. It’s also commonly seen by middle-aged texters who want to say everything they can all at once.
Exclamation points and Question marks
Simple one here. Question mark for a question or confusion, exclamation point for emphasis or an exclamation. But when a person adds multiple to a sentence it can convey more of the person’s feelings; 
“are you okay??”
Here is someone who is very concerned. Multiple question marks can imply things such as worry, stress, disbelief, and shock. There’s a sense of hurry and tension. Perhaps the person on the other end is frightened, easily afraid, or tends to have an overwhelming reaction to things.
“oh!!! it’s nice to see you!!!”
"! 
!!! 
!!!!!!!!!!!!!!!!!!!!!!!!”
Meanwhile, multiple exclamation points convey much more friendlier, happier tones. Often such things as surprise, excitement, happiness, friendliness. Users typing !! as a punctuation (like I tend to do) may do it as an assurance or to show how thrilled they are to talk. Occasionally !!!! is tacked onto an angry statement to be more of a shout, but I see it less and less.
Chatspeak and Internet habits
Shortenings of words have been a regular thing for ages. It’s easy, convenient, and gets the point across quickly. But the internet has taken it to a new extreme, where sentences can be almost entirely compromised of them.
“wtf r u talkin abt?? gdi man idk wuts even happening rn”
A character wanting to be quick to respond, always on the ball, always involved, may be more likely to utilize and understand chatspeak. They’re the social butterfly of the group. It’s also a sign of a long-time internet lurker who’s aware of what the lingo is, and how to use it. A complete lack thereof points toward either an older user or someone who’s unused to social media.
The more memes, the harder someone is trying to fit in. Or maybe they’re easily amused or just absorbed things from their friends without thinking about it. The comedian of the group is going to know the best ways to use them.
Smilies and Emojis
:D D: :DDD // :3 3: >:3 :3c // :o :O O:<
These kinds of smilies have always struck me as the most friendly. Whether used in devious ways or with genuinely heartwarming intentions, the playful, lightheartedness of the user really shines through these. 
"not a bad way to spend a lazy day :D”
“it's also my birthday :3″
It’s got just the right vibe to punctuate a sentence that’ll leave the reader feeling that the person likely means no harm or wants to be friendly, positive, or encouraging. I’ve met a lot of people that use these and turn out to be very kind or considerate people.
:), ;), ((((: and related
A long time positive, friendly smiley. 
"You said you've known them a long time? I think they would understand. :)”
And yet these days I tend to associate it with passive aggressive statements, plotting, slyness, devious behavior, or anger. Older users may be inclined to use :) as a means to show their emotional state, but newer users seem more inclined to do the opposite. The more parentheses there are, the more upset the person, it seems.
“man don’t u love it when the power’s out in the middle of the night it’s just (((: really great thanks (((((:”
Then the ;) smiley comes off more specifically flirty and a bit playful. Doesn’t seem to change much there.
“if i find a good chance 2 hook u up ill do my best ;)”
XD
The bane of my teenage existence. It’s a more old school sign of laughter, rarely seen in today’s world due to falling out of favor and becoming associated with, “LOL Rawr XD Tacos I’m So Randoom,” culture. But time to time you do see it. Mostly with sarcasm but sometimes with genuine intentions.
“xDddddDDD
It was a good joke. XD”
A character using it genuinely comes off more playful, and to me, personally, as an older person who’s genuinely unaware of the associations with the smiley itself trying to show how they laughed without using LOL. 
Letter/Character smilies
Y’know, things like .w. and ._. or owo, where the letters or symbols make a face. These are fairly popular, it seems. I don’t like using them myself, but know a few who do use them.
"I'm sorry that they can be mean qmq”
It’s a different feel from the others. There’s something soft to it, almost a gentleness. When these or Japanese characters are used, there’s more whimsy. It’s cute and almost a bit feminine. It may convey an open person or give the impression that said person is easier to talk to.
Though honestly I can’t see uwu and owo as anything but heavily sarcastic. I’ll be honest with you.
Emojis
The first rule of Xurkitips club is that we don’t talk about Emoji Movie. Just putting that out there riiight now.
Used sparingly by most for fun and for emphasis. Characters may use them to be lighthearted, aesthetically, joke, or to make a conversation more flavorful. The use of emojis may determine a character’s personality; I find that characters who use hand emojis like 👌 are rather laid back, those who use 🙃 do it passive aggressively, and we all know what kind of person uses 🍆.
Then there’s what in common terms known as, “The DudeBro”:
[MFKNSTARBOI]: the thing i never undstood about hair is why people buy shampoo like regular soap not good enough for you LMAO 😂😂😂
[gostones]: .
[BIGDICKTOYOTA69]: what the fuck man
[ahogekun]: do... you not use shampoo
[MFKNSTARBOI]: aaaah you guys got sucked into big shampoo as well 😔
[MFKNSTARBOI]: When it comes to horses 🐎  the stars in the sky ✨ or just man to man no bullshit advice 👬 IM youre guy 😤😂
I think this one speaks for itself.
4 notes · View notes
natalia-km · 7 years
Note
Firstly congrats on your fantastic gcse results you should be really proud 😄🙌🏽 As I'm sitting my exams the coming year ( 😭 ) just wanted to ask if you have revision tips for me in regards to the main subjects ( i.e. Maths, English etc ) Please and thank you 😊
Thank you so much!
I’m more than happy to give any advice any time :)
This post is very long so I’m sorry lol. If you can’y read the whole thing I also did a summary at the end. 
Maths:
 Repetition is key, start by doing some past papers given to you by your school and get used to doing three 1 ½ hour papers. Identify your weaknesses and keep practicing. Keep practicing past papers and problem solving booklets you can find online as the new types of questions are heavily based on problem solving and combining units e.g. algebra with graphs. For revision I went through my past papers and looked at the questions I got wrong and what I didn’t understand. Honestly just doing past papers in maths after learning all the units is the best way to revise. I did past papers really from the start of year 11 all the way to the exam.
Some useful websites that I used (I just wrote out the questions you do not need to print everything) 
http://justmaths.co.uk/2015/12/21/9-1-exam-questions-by-topic-higher-tier/
http://www.mathsmadeeasy.co.uk/gcsemathspapers-9-1.htm
Some content on different exam boards may vary but maths is maths and virtually the same on all exam boards. I sat Edexcel and my school offered these books that come in three. I really recommend these as say, for example, pg 51 on inverse functions in the revision books matches pg 51 in the work book. When we had spare time in class or have a spare 10 minutes it is really helpful to complete a page of fractions or something. There is also a book called past papers plus with exam questions in the exam format (if that makes any sense lol) Which is what I used the most. My copy had loads of mistakes but if you buy a new one I think it will be fixed (haha get your act together edexcel) 
https://www.amazon.co.uk/REVISE-Edexcel-Mathematics-Higher-Revision/dp/1447988094
https://www.amazon.co.uk/Revise-Edexcel-Mathematics-Revision-Workbook/dp/1292210885/ref=pd_bxgy_14_img_2?_encoding=UTF8&psc=1&refRID=KS8EGP0PE8821S279NYQ
https://www.amazon.co.uk/REVISE-Edexcel-Mathematics-Higher-Practice/dp/1292096314/ref=pd_bxgy_14_img_3?_encoding=UTF8&psc=1&refRID=H1KM6NPHSEEMHT303AVW
If you are aiming for 7/8/9 a really useful site is churchill maths, your school has to be registered and pay a license or something, which my school was, and you can access so many maths papers. I think there are 9 sets of three papers or more. They are really hard and take a while to get on their level as they have multi step problems and problem solving. These are really good as they start at the difficulty of the middle of the regular paper and go up. This is really helpful for the exam as the easy questions will seem really easy and the hard questions will not feel so bad.
When you practice every question write down the equation(s) you are going to use. You do not get a formulae sheet so you just have to learn them off by heart. Every question I did in class and homework I wrote down the relevant formulae and them slotted in the numbers and etc etc etc. By the time of the exam you’ll look at a trig question and know the cosine rule off by heart and it will make your life so much easier.
English lit.
 oh the bane of my life. I have seen each exam vary from exam board to exam board and it does vary with different books you have been given. I studied Great expectations, Macbeth, Blood brothers and conflict anthology on Edexcel, the papers will be different on AQA and OCR and if you study different texts.
A major revision tip is to read the text properly before you start studying it in class. Then I would re read it but only skim through it and properly read the main chapters that have a very important scene at around christmas time and leading up to the exams.
LEARN YOUR QUOTES. Flash cards are great, I categorised quotes by character and theme and just wrote them over and over (but that style works for me and may not work for you). ½/3 word sentences are easy to remember and are concise to slot in where you can. e.g. Macbeth is referred to as a “tyrant”. easy one word quote that you can develop.
For english the time restrictions are ridiculous. Omg it was literal hell. When you do homework like write an essay on the significance of the witches in Macbeth look at the timings you have and try doing the essay in the time. 
And to save your should learn the timings per question it will honestly save you from spending so much time on one essay and leaving none for the next questions. 
In the exam I was quite sneaky and drew the timings on my watch so I could see when I had to change question which was a life saver *prayer hands emojis*
Instead of kind of learning the whole text sub categorise the information in the questions (I know I didn’t explain that well but hear me out). For example in for Macbeth my essay question was the significance of the witches, and in Great expectations it was the importance of location. What I did was categorise Character, Theme and setting. 
I didn’t revise setting and it came up so don’t skip it. Depending on the question it will require 4 or 5 paragraphs so learn 4-5 points for each theme and character. When revising just learn a one sentence point that you can quickly recall and develop in the exam. Flash cards are reallyyyy useful in this. I used mine literally in the car going to school on the exam day.
e.g. The significance of Ambition in Macbeth.
1. Lady Macbeth’s Ambition is the driving force to kill duncan
2. Macbeth realises that ambition is futile without an heir so it leads him to murder Banquo
3. leads Lady Macbeth to her downfall
4. Macbeth murdering Macduff’s family is his ambition to kill Macduff and restore peace. 
These are very short points which can be expanded upon. :)
For the poetry there’s 15 poems. Don’t bother learning 15 I learnt 5 and got by. It is impossible to learn all 15 but read and analyse all of them in class so you get a good general idea of what they are all about and how they use structure and punctuation etc. I linked them together by theme e.g. No problem, half cast and class game all go together. In your categories learn one or two that can be compared to anything. I learnt no problem, belfast confetti, cousin kate, exposure, charge of the light brigade and what were they like. If you’re not doing this exam board or anthology collection these titles may not mean anything to you but you get the jist of it. 
For each learn the structure, rhyme scheme, imagery and punctuation so in the exam you can recall the poem you select to compare to and the main points. 
Finally for english literature learn for each essay question what is needed, some will need context (19th century fiction doesn’t) some want writer’s intention and effect on reader. but putting in context where you can will not hurt.
English language:
I found this really hard so I’m not really an expert as such. For revision learn how many paragraphs are needed for each question and practice with time limits. Practice highlighting text and picking out key information and language, structure and form. Remember to comment on all three of language structure and form for the relevant questions. I think it is really useful to read chapters of 19th century fiction to get used to the language as it’s in paper one. Honestly reading one or two chapters of a the sign of four, pride and prejudice, the woman in black or anything you can find is really helpful. 
Paper 2 i think is non-fiction, you can’t really prepare for the texts but practice planning the question is the best revision for this paper. For the long comparison question practice finding similarities and differences in language structure and theme. I did this over and over again for different combination of texts. 
For imaginative writing just practice writing an opening, one paragraph and an ending for different questions (I got examples from my teacher like write about a time you ere scared or write about a time you had to work hard for something) Learn a few really good vocal to slot in here and there but not too much so you sound like a dictionary. My favourite was Megalomaniac and I kid you not I used it in every possible place I could. 
Science (?) 
I was still on the old system and I’m not sure if it is changing for your year? Free science lessons on youtube was basically my saviour and past papers are your best friend. For biology it is just repetition of vocab and systems, I used a lot of acronyms and silly little jokes here and there. For chemistry keep practicing the maths part because that is where a lot of marks can be gained e.g. calculating moles and titration. For physics I just practiced lots of maths questions? I didn’t do too well in physics but *shrugs*
How I worked is I wrote up the lesson neatly the day after the class, before a test I would review it and during revision I condensed the information onto ¼ of an A4 page (I didn’t find flash cards big enough and hard to draw diagrams and stuff) and repeated condensing of information so it got to a pint where each type of cell had their own ¼ A4 page for themselves.
In summary:
Maths: Repetition, repetition, repetition. Write out equations for absolutely every single question you do. Past papers/specimen papers/9-1 hard questions booklets you can find online.
English lit: Learn how many points per question, examiners love a good introduction and conclusion (2 sentences will do fine) but it’s not the end of the world. Flash cards for each theme, setting and character. Learn the key context, structure and imagery of a handful of poems that can be compared to a number of different poems. Quotes, Quotes, Quotes. Shove them in where you can. One or two words quotes are ideal as you an easily embed them.
English Language: practice planning your essay answers for the longer questions (spend no longer than 3 minutes doing this) when annotating extracts don’t write out full ideas or sentences of the extract it wastes time and that sheet is not marked. Just write down a few words for a point you can use. Imaginative writing plan your answer for no longer than 5 minutes, remember to use punctuation, varied sentence length, vary sentence starters and do not be cliché e.g. and it was all a dream *pukes*. 
Science: Write down every formula you use for every calculation question e.g. moles=mass/RFM, Moles=volume x concentration in chemistry. practice past paper questions. LEARN UNITS THEY CAN GAIN A MARK. e.g. J or Hz. Acronyms are a life saver for remembering complex systems like the kidneys in biology. Silly little things help too. e.g. remembering the blood vessels in the heart I think VAVAVA  (Vena cava, right Atrium, right Ventricle, pulmonary Artery, pulmonary Vein and Aorta.) 
General: Find a system that works, for me it is just writing things over and over again. You may find the leitner system useful (link below) or mind maps. Find what works for you and don’t listen to a teacher telling you to do revision a certain way because “variation helps” which is a complete lie. Just find what works for you. 
https://www.youtube.com/watch?v=C20EvKtdJwQ
Also prioritise, subjects you do value as much can wait a day, for me German was not as important as maths so i spent more time on maths than german (as an example) but don’t completely abandon a subject because you will get stressed.
I hope this was of some use to you and maybe you can pick out a few things to help you revise. This year will be tiring but it will pay off on results day, trust me. My main tip is to just keep on top of work and get things done asap. Good luck with your exams this coming year I believe in you! 
- Natalia x
5 notes · View notes
Text
Supercharge Your Link Building Outreach! 5 Tips for Success - Whiteboard Friday
Posted by Shannon-McGuirk
Spending a ton of effort on outreach and waking up to an empty inbox is a demoralizing (and unfortunately common) experience. And when it comes to your outreach, getting those emails opened is half the battle. In today's Whiteboard Friday, we welcome recent MozCon 2019 alum Shannon McGuirk to share five of her best tips to make your outreach efficient and effective — the perfect follow-up to her talk about building a digital PR newsroom.
Click on the whiteboard image above to open a high resolution version in a new tab!
Video Transcription
Hi, Moz fans. My name is Shannon McGuirk. I'm the Head of PR and Content at a UK-based digital marketing agency called Aira. So at this year's MozCon, I spoke about how to supercharge your link building with a digital PR newsroom and spoke about the three different types of media and journalist writing that we should be tapping into.
But I only had half an hour to be able to share my insights and thoughts. As a next step from that presentation, I need to equip you guys with everything in order to be able to go out and actually speak to these journalists. So for my Whiteboard Friday today, I'm going to be sharing my five tips for success for supercharging your outreach, specifically evolved around email outreach alone.
In the U.K. and in the U.S. as well, we're seeing, as our industry grows and develops, journalists don't want to be called anymore, and instead the best way to get in touch with them is via email or on social media. So let's dive straight in. 
1. Subject lines A/B tests
So tip one then. I want to share some insights with you that I did for subject lines and specifically around some A/B testing.
Back in the early part of the summer, around April time, we started working on a tool called BuzzStream. Now that allowed us to be able to send different kinds of tests and emails out with a variety of different subject lines in order for us to understand how many open rates we were getting and to try and encourage journalists, through the use of our language and emojis, to open up those all-important pitch emails so that we could follow up and make sure that we're bringing those links home.
Journalist's name in subject line
So we ran two different types of A/B tests. The first one here you can see was with the journalist's name in the subject line and the journalist's name without. It turns out then that actually, when we were running this data, we were seeing far more opens if we had the journalist's name in the subject line. It was getting their attention. It was getting that cut-through that we needed when they're getting hundreds of emails per day and to see their name in a little nib meant that we were increasing open rates. So that was our first learning from test number one. 
"Data" vs "story tip"
Now test number two, we had a bit of a gut feel and a little bit of an instinct to feel that there were certain types of words and language that we were using that were either getting us more open rates or not. For this one specifically, it was around the use of the word "data." So we compared the use of the word "data" with story tip, and again including the journalist's name and not, to try and see how many journalists were opening up our emails.
At Aira, we have around a 33% open rate with any campaigns that we launch, and again this is tracked through BuzzStream. But when we started to do these A/B tests, combine story tip, full name, and then follow with "data," we increased that to 52%. So that jump up, it doesn't mean that you're going to get 52% more links off the back of your outreach, but it means that you are getting more people opening up their email, considering your data, considering your campaigns, which is half of the problem, when we all know as outreachers, content marketers, digital PRs how difficult it can be for someone to even just open that initial approach.
So now, off the back of those A/B tests, make sure that whenever you're writing those emails out you have story tip for Tom and then followed by data and whatever research you've got in that campaign. 
2. Headline language
For tip two then, keeping on the theme of language, I did a piece of research for another conference that I was speaking at earlier in the summer called SearchLeeds and another one called outREACH.
I analyzed 35,000 articles across 6 different top 10 news sites in the U.K. The language that came out of that, around the headlines specifically, was so interesting. So I split these 35,000 articles down into relevant sectors, took the likes of travel, automotive, business, what have you, and then I was able to create around 30 word clouds according to different articles that had been produced within these different industries at different titles.
I was able to start to see common words that were used in headlines, and that got my mind ticking a bit. I was starting to think, well, actually as a team, at Aira, we should be starting to pitch and use language within our pitches that journalists are already using, because they straightaway resonate with the story that we've got. So here's a quick snapshot of the kind of word clouds that the analysis revealed.
You can kind of see some core words shining through. So we've got research, best, stats, experts, that kind of thing. Now the top five words that were most commonly used across all sectors within the headlines were: best, worst, data, new, and revealed. Now "data" is really interesting, because if we go back to our A/B testing, we know that that's a strong word and that that will get you more opens with your subject lines.
But it also reaffirms that that A/B test is right and that we definitely should be using "data." So combine story tip for that journalist's name, Tom or what have you, with data and then start to use some of the language here, out of these top five, and again you're going to increase your open rates, which is half of the problem with what we're doing with outreach.
3. Use color
So tip three then. Now this was quite an experimental approach that we took, and a huge recommendation of mine, when you're doing your email outreach, is actually to start to use color within that all-important pitch email itself. So we've moved from subject lines into looking at the body of the email. We use color and bolding back at Aira.
So we use color straightaway when we're writing the email. So we'll start with something like, "Dear Tom, I have a story that you might be interested in." Straight under that, so we're already using again the language that they'll be using, story, going back to our A/B test. But then straight under that, we will bold, capitalize, and put in a really bright color -- reds, greens, blues -- nice, strong primary colors there the headline that we think Tom might write off the back of our outreach.
So here's an example. "New data reveals that 21% of drivers have driven with no insurance." Not the most exciting headline in the world. But if Tom here is an automotive editor or a digital online automotive writer, straightaway he knows what I'm talking to him about. Again, he can start to see how this data can be used to craft stories for his own audience.
Again, as I said, this is quite experimental. We're in the early phases of it at Aira, but we know it's working, and it's something that I learnt, again, at outREACH conference too. Straight under this use of color with headline, you should pull out your key stats. Now only keep those bullet points to three to five. Journalists are busy.
They're on deadlines. Don't be having huge, bulk paragraphs or long-winded sentences. Tell them the headline, follow it up with the key stats. Be clean, be punchy, and get to the point really quickly. Below this, obviously sign off and include any press material, Google Drive links, press packs that you've got under that. Again, we're seeing this work really, really well.
We're still in the early stages, and I hope to share some insights, some kind of data and metrics as to the success results of it. But we've been able to secure links from the likes of the Mail Online, the Telegraph back in the U.K., and also last week just FoxBusiness using this exact approach. 
4. Use emojis
So tip four then, and again this is a really playful technique and something that we only learnt with experimentation.
Start to use emojis within your pitches as well. Now this can be used within the subject line. Again, you're looking to try and get the journalist to get that piece of attention straightaway and look at your headline. Or start to use them within the body of the email too, because they break up that text and it makes your email stand out far more than if you have someone that's pitching in a business piece of data and you've just got huge stacks and research pieces.
Actually throw in some emojis that are relating to the business world, a laptop or whatever it may be, something that proves your point around the campaign. Again, it's more engaging for a journalist to read that. It means that they'll probably remember your email over the other 200 that they're getting that day. So really nice, simplistic tip then for me.
If you're pitching something in the automotive world, put a car or traffic lights on the end. If you're doing something in the travel sphere, sun, beaches, something that just gets that journalist's eye. It means that your email is going to be opened above anyone else's. 
5. Use Twitter
Finally then, so I know I've kept this around email outreach for the last couple of points.
But one thing that we're seeing work really well with the implementation of this digital PR newsroom is starting to approach and speak to journalists on Twitter. Twitter we know is a new source for journalists. Trending topics will obviously be picked up in the press and covered on a daily if not hourly basis. As soon as something breaks on Twitter, we'll see journalists, writers, bloggers turn that trending feature into an article that's really resonant and relevant for their audience.
So in the run-up to your campaign, way before the launch, we're talking like three or four weeks here, reach out to the journalists on Twitter. Start to engage with them. Like some articles. Start to let them know that you're in and engaging with them on their social media platform. Don't push it too hard.
You don't want to go overboard with this. But a little bit of engagement here and there means that when your email comes into their inbox, it's not a new name, and you're already starting to build the foundations of that relationship. Secondary to this then, feel free and start to experiment with DM'ing journalists as well. We know that they're getting two, three, or four hundred emails per day. If you take to Twitter and send them a quick overview of your up-and-coming campaign via a Twitter DM, it's likely that they'll read that on the journey home or potentially when they're walking from meeting to meeting.
Again, it puts you one step ahead of your competitors. Recently we've got some of our best pieces of coverage through warming the press up and specific journalists through Twitter, because when your campaign launches, you're not going out with it cold. Instead the journalist knows that it's coming in. They may even have the editorial space to cover that feature for you too. It's something that we've seen really work, and again I can't stress enough that you really have to find that balance.
You don't want to be plaguing journalists. You don't want to be a pain and starting to like every single tweet they do. But if it is relevant and you find an opportunity to engage and speak to them about your campaign the weeks in advance, it opens up that door. Again, you may be able to secure an exclusive out of it, which means that you get that first huge hit. So there are my five tips for link building in 2019, and it will help you supercharge things.
Now if you have any comments for me, any questions, please pop them in the thread below or reach out to me on Twitter. As I've just said, feel free to send me a DM. I'm always around and would love to help you guys a little bit more if you do have any questions for me. Thanks, Moz fans.
Video transcription by Speechpad.com
Did you miss Shannon's groundbreaking talk at MozCon 2019, How to Supercharge Link Building with a Digital PR Newsroom? Download the deck here and don't miss out on next year's conference — super early bird discounts are available now!
Save my spot at MozCon 2020
Sign up for The Moz Top 10, a semimonthly mailer updating you on the top ten hottest pieces of SEO news, tips, and rad links uncovered by the Moz team. Think of it as your exclusive digest of stuff you don't have time to hunt down but want to read!
from The Moz Blog http://tracking.feedpress.it/link/9375/12730347
0 notes
theinjectlikes2 · 5 years
Text
Supercharge Your Link Building Outreach! 5 Tips for Success - Whiteboard Friday
Posted by Shannon-McGuirk
Spending a ton of effort on outreach and waking up to an empty inbox is a demoralizing (and unfortunately common) experience. And when it comes to your outreach, getting those emails opened is half the battle. In today's Whiteboard Friday, we welcome recent MozCon 2019 alum Shannon McGuirk to share five of her best tips to make your outreach efficient and effective — the perfect follow-up to her talk about building a digital PR newsroom.
Click on the whiteboard image above to open a high resolution version in a new tab!
Video Transcription
Hi, Moz fans. My name is Shannon McGuirk. I'm the Head of PR and Content at a UK-based digital marketing agency called Aira. So at this year's MozCon, I spoke about how to supercharge your link building with a digital PR newsroom and spoke about the three different types of media and journalist writing that we should be tapping into.
But I only had half an hour to be able to share my insights and thoughts. As a next step from that presentation, I need to equip you guys with everything in order to be able to go out and actually speak to these journalists. So for my Whiteboard Friday today, I'm going to be sharing my five tips for success for supercharging your outreach, specifically evolved around email outreach alone.
In the U.K. and in the U.S. as well, we're seeing, as our industry grows and develops, journalists don't want to be called anymore, and instead the best way to get in touch with them is via email or on social media. So let's dive straight in. 
1. Subject lines A/B tests
So tip one then. I want to share some insights with you that I did for subject lines and specifically around some A/B testing.
Back in the early part of the summer, around April time, we started working on a tool called BuzzStream. Now that allowed us to be able to send different kinds of tests and emails out with a variety of different subject lines in order for us to understand how many open rates we were getting and to try and encourage journalists, through the use of our language and emojis, to open up those all-important pitch emails so that we could follow up and make sure that we're bringing those links home.
Journalist's name in subject line
So we ran two different types of A/B tests. The first one here you can see was with the journalist's name in the subject line and the journalist's name without. It turns out then that actually, when we were running this data, we were seeing far more opens if we had the journalist's name in the subject line. It was getting their attention. It was getting that cut-through that we needed when they're getting hundreds of emails per day and to see their name in a little nib meant that we were increasing open rates. So that was our first learning from test number one. 
"Data" vs "story tip"
Now test number two, we had a bit of a gut feel and a little bit of an instinct to feel that there were certain types of words and language that we were using that were either getting us more open rates or not. For this one specifically, it was around the use of the word "data." So we compared the use of the word "data" with story tip, and again including the journalist's name and not, to try and see how many journalists were opening up our emails.
At Aira, we have around a 33% open rate with any campaigns that we launch, and again this is tracked through BuzzStream. But when we started to do these A/B tests, combine story tip, full name, and then follow with "data," we increased that to 52%. So that jump up, it doesn't mean that you're going to get 52% more links off the back of your outreach, but it means that you are getting more people opening up their email, considering your data, considering your campaigns, which is half of the problem, when we all know as outreachers, content marketers, digital PRs how difficult it can be for someone to even just open that initial approach.
So now, off the back of those A/B tests, make sure that whenever you're writing those emails out you have story tip for Tom and then followed by data and whatever research you've got in that campaign. 
2. Headline language
For tip two then, keeping on the theme of language, I did a piece of research for another conference that I was speaking at earlier in the summer called SearchLeeds and another one called outREACH.
I analyzed 35,000 articles across 6 different top 10 news sites in the U.K. The language that came out of that, around the headlines specifically, was so interesting. So I split these 35,000 articles down into relevant sectors, took the likes of travel, automotive, business, what have you, and then I was able to create around 30 word clouds according to different articles that had been produced within these different industries at different titles.
I was able to start to see common words that were used in headlines, and that got my mind ticking a bit. I was starting to think, well, actually as a team, at Aira, we should be starting to pitch and use language within our pitches that journalists are already using, because they straightaway resonate with the story that we've got. So here's a quick snapshot of the kind of word clouds that the analysis revealed.
You can kind of see some core words shining through. So we've got research, best, stats, experts, that kind of thing. Now the top five words that were most commonly used across all sectors within the headlines were: best, worst, data, new, and revealed. Now "data" is really interesting, because if we go back to our A/B testing, we know that that's a strong word and that that will get you more opens with your subject lines.
But it also reaffirms that that A/B test is right and that we definitely should be using "data." So combine story tip for that journalist's name, Tom or what have you, with data and then start to use some of the language here, out of these top five, and again you're going to increase your open rates, which is half of the problem with what we're doing with outreach.
3. Use color
So tip three then. Now this was quite an experimental approach that we took, and a huge recommendation of mine, when you're doing your email outreach, is actually to start to use color within that all-important pitch email itself. So we've moved from subject lines into looking at the body of the email. We use color and bolding back at Aira.
So we use color straightaway when we're writing the email. So we'll start with something like, "Dear Tom, I have a story that you might be interested in." Straight under that, so we're already using again the language that they'll be using, story, going back to our A/B test. But then straight under that, we will bold, capitalize, and put in a really bright color -- reds, greens, blues -- nice, strong primary colors there the headline that we think Tom might write off the back of our outreach.
So here's an example. "New data reveals that 21% of drivers have driven with no insurance." Not the most exciting headline in the world. But if Tom here is an automotive editor or a digital online automotive writer, straightaway he knows what I'm talking to him about. Again, he can start to see how this data can be used to craft stories for his own audience.
Again, as I said, this is quite experimental. We're in the early phases of it at Aira, but we know it's working, and it's something that I learnt, again, at outREACH conference too. Straight under this use of color with headline, you should pull out your key stats. Now only keep those bullet points to three to five. Journalists are busy.
They're on deadlines. Don't be having huge, bulk paragraphs or long-winded sentences. Tell them the headline, follow it up with the key stats. Be clean, be punchy, and get to the point really quickly. Below this, obviously sign off and include any press material, Google Drive links, press packs that you've got under that. Again, we're seeing this work really, really well.
We're still in the early stages, and I hope to share some insights, some kind of data and metrics as to the success results of it. But we've been able to secure links from the likes of the Mail Online, the Telegraph back in the U.K., and also last week just FoxBusiness using this exact approach. 
4. Use emojis
So tip four then, and again this is a really playful technique and something that we only learnt with experimentation.
Start to use emojis within your pitches as well. Now this can be used within the subject line. Again, you're looking to try and get the journalist to get that piece of attention straightaway and look at your headline. Or start to use them within the body of the email too, because they break up that text and it makes your email stand out far more than if you have someone that's pitching in a business piece of data and you've just got huge stacks and research pieces.
Actually throw in some emojis that are relating to the business world, a laptop or whatever it may be, something that proves your point around the campaign. Again, it's more engaging for a journalist to read that. It means that they'll probably remember your email over the other 200 that they're getting that day. So really nice, simplistic tip then for me.
If you're pitching something in the automotive world, put a car or traffic lights on the end. If you're doing something in the travel sphere, sun, beaches, something that just gets that journalist's eye. It means that your email is going to be opened above anyone else's. 
5. Use Twitter
Finally then, so I know I've kept this around email outreach for the last couple of points.
But one thing that we're seeing work really well with the implementation of this digital PR newsroom is starting to approach and speak to journalists on Twitter. Twitter we know is a new source for journalists. Trending topics will obviously be picked up in the press and covered on a daily if not hourly basis. As soon as something breaks on Twitter, we'll see journalists, writers, bloggers turn that trending feature into an article that's really resonant and relevant for their audience.
So in the run-up to your campaign, way before the launch, we're talking like three or four weeks here, reach out to the journalists on Twitter. Start to engage with them. Like some articles. Start to let them know that you're in and engaging with them on their social media platform. Don't push it too hard.
You don't want to go overboard with this. But a little bit of engagement here and there means that when your email comes into their inbox, it's not a new name, and you're already starting to build the foundations of that relationship. Secondary to this then, feel free and start to experiment with DM'ing journalists as well. We know that they're getting two, three, or four hundred emails per day. If you take to Twitter and send them a quick overview of your up-and-coming campaign via a Twitter DM, it's likely that they'll read that on the journey home or potentially when they're walking from meeting to meeting.
Again, it puts you one step ahead of your competitors. Recently we've got some of our best pieces of coverage through warming the press up and specific journalists through Twitter, because when your campaign launches, you're not going out with it cold. Instead the journalist knows that it's coming in. They may even have the editorial space to cover that feature for you too. It's something that we've seen really work, and again I can't stress enough that you really have to find that balance.
You don't want to be plaguing journalists. You don't want to be a pain and starting to like every single tweet they do. But if it is relevant and you find an opportunity to engage and speak to them about your campaign the weeks in advance, it opens up that door. Again, you may be able to secure an exclusive out of it, which means that you get that first huge hit. So there are my five tips for link building in 2019, and it will help you supercharge things.
Now if you have any comments for me, any questions, please pop them in the thread below or reach out to me on Twitter. As I've just said, feel free to send me a DM. I'm always around and would love to help you guys a little bit more if you do have any questions for me. Thanks, Moz fans.
Video transcription by Speechpad.com
Did you miss Shannon's groundbreaking talk at MozCon 2019, How to Supercharge Link Building with a Digital PR Newsroom? Download the deck here and don't miss out on next year's conference — super early bird discounts are available now!
Save my spot at MozCon 2020
Sign up for The Moz Top 10, a semimonthly mailer updating you on the top ten hottest pieces of SEO news, tips, and rad links uncovered by the Moz team. Think of it as your exclusive digest of stuff you don't have time to hunt down but want to read!
from The Moz Blog https://ift.tt/31vRCN4 via IFTTT
0 notes
thanhtuandoan89 · 5 years
Text
Supercharge Your Link Building Outreach! 5 Tips for Success - Whiteboard Friday
Posted by Shannon-McGuirk
Spending a ton of effort on outreach and waking up to an empty inbox is a demoralizing (and unfortunately common) experience. And when it comes to your outreach, getting those emails opened is half the battle. In today's Whiteboard Friday, we welcome recent MozCon 2019 alum Shannon McGuirk to share five of her best tips to make your outreach efficient and effective — the perfect follow-up to her talk about building a digital PR newsroom.
Click on the whiteboard image above to open a high resolution version in a new tab!
Video Transcription
Hi, Moz fans. My name is Shannon McGuirk. I'm the Head of PR and Content at a UK-based digital marketing agency called Aira. So at this year's MozCon, I spoke about how to supercharge your link building with a digital PR newsroom and spoke about the three different types of media and journalist writing that we should be tapping into.
But I only had half an hour to be able to share my insights and thoughts. As a next step from that presentation, I need to equip you guys with everything in order to be able to go out and actually speak to these journalists. So for my Whiteboard Friday today, I'm going to be sharing my five tips for success for supercharging your outreach, specifically evolved around email outreach alone.
In the U.K. and in the U.S. as well, we're seeing, as our industry grows and develops, journalists don't want to be called anymore, and instead the best way to get in touch with them is via email or on social media. So let's dive straight in. 
1. Subject lines A/B tests
So tip one then. I want to share some insights with you that I did for subject lines and specifically around some A/B testing.
Back in the early part of the summer, around April time, we started working on a tool called BuzzStream. Now that allowed us to be able to send different kinds of tests and emails out with a variety of different subject lines in order for us to understand how many open rates we were getting and to try and encourage journalists, through the use of our language and emojis, to open up those all-important pitch emails so that we could follow up and make sure that we're bringing those links home.
Journalist's name in subject line
So we ran two different types of A/B tests. The first one here you can see was with the journalist's name in the subject line and the journalist's name without. It turns out then that actually, when we were running this data, we were seeing far more opens if we had the journalist's name in the subject line. It was getting their attention. It was getting that cut-through that we needed when they're getting hundreds of emails per day and to see their name in a little nib meant that we were increasing open rates. So that was our first learning from test number one. 
"Data" vs "story tip"
Now test number two, we had a bit of a gut feel and a little bit of an instinct to feel that there were certain types of words and language that we were using that were either getting us more open rates or not. For this one specifically, it was around the use of the word "data." So we compared the use of the word "data" with story tip, and again including the journalist's name and not, to try and see how many journalists were opening up our emails.
At Aira, we have around a 33% open rate with any campaigns that we launch, and again this is tracked through BuzzStream. But when we started to do these A/B tests, combine story tip, full name, and then follow with "data," we increased that to 52%. So that jump up, it doesn't mean that you're going to get 52% more links off the back of your outreach, but it means that you are getting more people opening up their email, considering your data, considering your campaigns, which is half of the problem, when we all know as outreachers, content marketers, digital PRs how difficult it can be for someone to even just open that initial approach.
So now, off the back of those A/B tests, make sure that whenever you're writing those emails out you have story tip for Tom and then followed by data and whatever research you've got in that campaign. 
2. Headline language
For tip two then, keeping on the theme of language, I did a piece of research for another conference that I was speaking at earlier in the summer called SearchLeeds and another one called outREACH.
I analyzed 35,000 articles across 6 different top 10 news sites in the U.K. The language that came out of that, around the headlines specifically, was so interesting. So I split these 35,000 articles down into relevant sectors, took the likes of travel, automotive, business, what have you, and then I was able to create around 30 word clouds according to different articles that had been produced within these different industries at different titles.
I was able to start to see common words that were used in headlines, and that got my mind ticking a bit. I was starting to think, well, actually as a team, at Aira, we should be starting to pitch and use language within our pitches that journalists are already using, because they straightaway resonate with the story that we've got. So here's a quick snapshot of the kind of word clouds that the analysis revealed.
You can kind of see some core words shining through. So we've got research, best, stats, experts, that kind of thing. Now the top five words that were most commonly used across all sectors within the headlines were: best, worst, data, new, and revealed. Now "data" is really interesting, because if we go back to our A/B testing, we know that that's a strong word and that that will get you more opens with your subject lines.
But it also reaffirms that that A/B test is right and that we definitely should be using "data." So combine story tip for that journalist's name, Tom or what have you, with data and then start to use some of the language here, out of these top five, and again you're going to increase your open rates, which is half of the problem with what we're doing with outreach.
3. Use color
So tip three then. Now this was quite an experimental approach that we took, and a huge recommendation of mine, when you're doing your email outreach, is actually to start to use color within that all-important pitch email itself. So we've moved from subject lines into looking at the body of the email. We use color and bolding back at Aira.
So we use color straightaway when we're writing the email. So we'll start with something like, "Dear Tom, I have a story that you might be interested in." Straight under that, so we're already using again the language that they'll be using, story, going back to our A/B test. But then straight under that, we will bold, capitalize, and put in a really bright color -- reds, greens, blues -- nice, strong primary colors there the headline that we think Tom might write off the back of our outreach.
So here's an example. "New data reveals that 21% of drivers have driven with no insurance." Not the most exciting headline in the world. But if Tom here is an automotive editor or a digital online automotive writer, straightaway he knows what I'm talking to him about. Again, he can start to see how this data can be used to craft stories for his own audience.
Again, as I said, this is quite experimental. We're in the early phases of it at Aira, but we know it's working, and it's something that I learnt, again, at outREACH conference too. Straight under this use of color with headline, you should pull out your key stats. Now only keep those bullet points to three to five. Journalists are busy.
They're on deadlines. Don't be having huge, bulk paragraphs or long-winded sentences. Tell them the headline, follow it up with the key stats. Be clean, be punchy, and get to the point really quickly. Below this, obviously sign off and include any press material, Google Drive links, press packs that you've got under that. Again, we're seeing this work really, really well.
We're still in the early stages, and I hope to share some insights, some kind of data and metrics as to the success results of it. But we've been able to secure links from the likes of the Mail Online, the Telegraph back in the U.K., and also last week just FoxBusiness using this exact approach. 
4. Use emojis
So tip four then, and again this is a really playful technique and something that we only learnt with experimentation.
Start to use emojis within your pitches as well. Now this can be used within the subject line. Again, you're looking to try and get the journalist to get that piece of attention straightaway and look at your headline. Or start to use them within the body of the email too, because they break up that text and it makes your email stand out far more than if you have someone that's pitching in a business piece of data and you've just got huge stacks and research pieces.
Actually throw in some emojis that are relating to the business world, a laptop or whatever it may be, something that proves your point around the campaign. Again, it's more engaging for a journalist to read that. It means that they'll probably remember your email over the other 200 that they're getting that day. So really nice, simplistic tip then for me.
If you're pitching something in the automotive world, put a car or traffic lights on the end. If you're doing something in the travel sphere, sun, beaches, something that just gets that journalist's eye. It means that your email is going to be opened above anyone else's. 
5. Use Twitter
Finally then, so I know I've kept this around email outreach for the last couple of points.
But one thing that we're seeing work really well with the implementation of this digital PR newsroom is starting to approach and speak to journalists on Twitter. Twitter we know is a new source for journalists. Trending topics will obviously be picked up in the press and covered on a daily if not hourly basis. As soon as something breaks on Twitter, we'll see journalists, writers, bloggers turn that trending feature into an article that's really resonant and relevant for their audience.
So in the run-up to your campaign, way before the launch, we're talking like three or four weeks here, reach out to the journalists on Twitter. Start to engage with them. Like some articles. Start to let them know that you're in and engaging with them on their social media platform. Don't push it too hard.
You don't want to go overboard with this. But a little bit of engagement here and there means that when your email comes into their inbox, it's not a new name, and you're already starting to build the foundations of that relationship. Secondary to this then, feel free and start to experiment with DM'ing journalists as well. We know that they're getting two, three, or four hundred emails per day. If you take to Twitter and send them a quick overview of your up-and-coming campaign via a Twitter DM, it's likely that they'll read that on the journey home or potentially when they're walking from meeting to meeting.
Again, it puts you one step ahead of your competitors. Recently we've got some of our best pieces of coverage through warming the press up and specific journalists through Twitter, because when your campaign launches, you're not going out with it cold. Instead the journalist knows that it's coming in. They may even have the editorial space to cover that feature for you too. It's something that we've seen really work, and again I can't stress enough that you really have to find that balance.
You don't want to be plaguing journalists. You don't want to be a pain and starting to like every single tweet they do. But if it is relevant and you find an opportunity to engage and speak to them about your campaign the weeks in advance, it opens up that door. Again, you may be able to secure an exclusive out of it, which means that you get that first huge hit. So there are my five tips for link building in 2019, and it will help you supercharge things.
Now if you have any comments for me, any questions, please pop them in the thread below or reach out to me on Twitter. As I've just said, feel free to send me a DM. I'm always around and would love to help you guys a little bit more if you do have any questions for me. Thanks, Moz fans.
Video transcription by Speechpad.com
Did you miss Shannon's groundbreaking talk at MozCon 2019, How to Supercharge Link Building with a Digital PR Newsroom? Download the deck here and don't miss out on next year's conference — super early bird discounts are available now!
Save my spot at MozCon 2020
Sign up for The Moz Top 10, a semimonthly mailer updating you on the top ten hottest pieces of SEO news, tips, and rad links uncovered by the Moz team. Think of it as your exclusive digest of stuff you don't have time to hunt down but want to read!
0 notes
daynamartinez22 · 5 years
Text
Supercharge Your Link Building Outreach! 5 Tips for Success - Whiteboard Friday
Posted by Shannon-McGuirk
Spending a ton of effort on outreach and waking up to an empty inbox is a demoralizing (and unfortunately common) experience. And when it comes to your outreach, getting those emails opened is half the battle. In today's Whiteboard Friday, we welcome recent MozCon 2019 alum Shannon McGuirk to share five of her best tips to make your outreach efficient and effective — the perfect follow-up to her talk about building a digital PR newsroom.
Click on the whiteboard image above to open a high resolution version in a new tab!
Video Transcription
Hi, Moz fans. My name is Shannon McGuirk. I'm the Head of PR and Content at a UK-based digital marketing agency called Aira. So at this year's MozCon, I spoke about how to supercharge your link building with a digital PR newsroom and spoke about the three different types of media and journalist writing that we should be tapping into.
But I only had half an hour to be able to share my insights and thoughts. As a next step from that presentation, I need to equip you guys with everything in order to be able to go out and actually speak to these journalists. So for my Whiteboard Friday today, I'm going to be sharing my five tips for success for supercharging your outreach, specifically evolved around email outreach alone.
In the U.K. and in the U.S. as well, we're seeing, as our industry grows and develops, journalists don't want to be called anymore, and instead the best way to get in touch with them is via email or on social media. So let's dive straight in. 
1. Subject lines A/B tests
So tip one then. I want to share some insights with you that I did for subject lines and specifically around some A/B testing.
Back in the early part of the summer, around April time, we started working on a tool called BuzzStream. Now that allowed us to be able to send different kinds of tests and emails out with a variety of different subject lines in order for us to understand how many open rates we were getting and to try and encourage journalists, through the use of our language and emojis, to open up those all-important pitch emails so that we could follow up and make sure that we're bringing those links home.
Journalist's name in subject line
So we ran two different types of A/B tests. The first one here you can see was with the journalist's name in the subject line and the journalist's name without. It turns out then that actually, when we were running this data, we were seeing far more opens if we had the journalist's name in the subject line. It was getting their attention. It was getting that cut-through that we needed when they're getting hundreds of emails per day and to see their name in a little nib meant that we were increasing open rates. So that was our first learning from test number one. 
"Data" vs "story tip"
Now test number two, we had a bit of a gut feel and a little bit of an instinct to feel that there were certain types of words and language that we were using that were either getting us more open rates or not. For this one specifically, it was around the use of the word "data." So we compared the use of the word "data" with story tip, and again including the journalist's name and not, to try and see how many journalists were opening up our emails.
At Aira, we have around a 33% open rate with any campaigns that we launch, and again this is tracked through BuzzStream. But when we started to do these A/B tests, combine story tip, full name, and then follow with "data," we increased that to 52%. So that jump up, it doesn't mean that you're going to get 52% more links off the back of your outreach, but it means that you are getting more people opening up their email, considering your data, considering your campaigns, which is half of the problem, when we all know as outreachers, content marketers, digital PRs how difficult it can be for someone to even just open that initial approach.
So now, off the back of those A/B tests, make sure that whenever you're writing those emails out you have story tip for Tom and then followed by data and whatever research you've got in that campaign. 
2. Headline language
For tip two then, keeping on the theme of language, I did a piece of research for another conference that I was speaking at earlier in the summer called SearchLeeds and another one called outREACH.
I analyzed 35,000 articles across 6 different top 10 news sites in the U.K. The language that came out of that, around the headlines specifically, was so interesting. So I split these 35,000 articles down into relevant sectors, took the likes of travel, automotive, business, what have you, and then I was able to create around 30 word clouds according to different articles that had been produced within these different industries at different titles.
I was able to start to see common words that were used in headlines, and that got my mind ticking a bit. I was starting to think, well, actually as a team, at Aira, we should be starting to pitch and use language within our pitches that journalists are already using, because they straightaway resonate with the story that we've got. So here's a quick snapshot of the kind of word clouds that the analysis revealed.
You can kind of see some core words shining through. So we've got research, best, stats, experts, that kind of thing. Now the top five words that were most commonly used across all sectors within the headlines were: best, worst, data, new, and revealed. Now "data" is really interesting, because if we go back to our A/B testing, we know that that's a strong word and that that will get you more opens with your subject lines.
But it also reaffirms that that A/B test is right and that we definitely should be using "data." So combine story tip for that journalist's name, Tom or what have you, with data and then start to use some of the language here, out of these top five, and again you're going to increase your open rates, which is half of the problem with what we're doing with outreach.
3. Use color
So tip three then. Now this was quite an experimental approach that we took, and a huge recommendation of mine, when you're doing your email outreach, is actually to start to use color within that all-important pitch email itself. So we've moved from subject lines into looking at the body of the email. We use color and bolding back at Aira.
So we use color straightaway when we're writing the email. So we'll start with something like, "Dear Tom, I have a story that you might be interested in." Straight under that, so we're already using again the language that they'll be using, story, going back to our A/B test. But then straight under that, we will bold, capitalize, and put in a really bright color -- reds, greens, blues -- nice, strong primary colors there the headline that we think Tom might write off the back of our outreach.
So here's an example. "New data reveals that 21% of drivers have driven with no insurance." Not the most exciting headline in the world. But if Tom here is an automotive editor or a digital online automotive writer, straightaway he knows what I'm talking to him about. Again, he can start to see how this data can be used to craft stories for his own audience.
Again, as I said, this is quite experimental. We're in the early phases of it at Aira, but we know it's working, and it's something that I learnt, again, at outREACH conference too. Straight under this use of color with headline, you should pull out your key stats. Now only keep those bullet points to three to five. Journalists are busy.
They're on deadlines. Don't be having huge, bulk paragraphs or long-winded sentences. Tell them the headline, follow it up with the key stats. Be clean, be punchy, and get to the point really quickly. Below this, obviously sign off and include any press material, Google Drive links, press packs that you've got under that. Again, we're seeing this work really, really well.
We're still in the early stages, and I hope to share some insights, some kind of data and metrics as to the success results of it. But we've been able to secure links from the likes of the Mail Online, the Telegraph back in the U.K., and also last week just FoxBusiness using this exact approach. 
4. Use emojis
So tip four then, and again this is a really playful technique and something that we only learnt with experimentation.
Start to use emojis within your pitches as well. Now this can be used within the subject line. Again, you're looking to try and get the journalist to get that piece of attention straightaway and look at your headline. Or start to use them within the body of the email too, because they break up that text and it makes your email stand out far more than if you have someone that's pitching in a business piece of data and you've just got huge stacks and research pieces.
Actually throw in some emojis that are relating to the business world, a laptop or whatever it may be, something that proves your point around the campaign. Again, it's more engaging for a journalist to read that. It means that they'll probably remember your email over the other 200 that they're getting that day. So really nice, simplistic tip then for me.
If you're pitching something in the automotive world, put a car or traffic lights on the end. If you're doing something in the travel sphere, sun, beaches, something that just gets that journalist's eye. It means that your email is going to be opened above anyone else's. 
5. Use Twitter
Finally then, so I know I've kept this around email outreach for the last couple of points.
But one thing that we're seeing work really well with the implementation of this digital PR newsroom is starting to approach and speak to journalists on Twitter. Twitter we know is a new source for journalists. Trending topics will obviously be picked up in the press and covered on a daily if not hourly basis. As soon as something breaks on Twitter, we'll see journalists, writers, bloggers turn that trending feature into an article that's really resonant and relevant for their audience.
So in the run-up to your campaign, way before the launch, we're talking like three or four weeks here, reach out to the journalists on Twitter. Start to engage with them. Like some articles. Start to let them know that you're in and engaging with them on their social media platform. Don't push it too hard.
You don't want to go overboard with this. But a little bit of engagement here and there means that when your email comes into their inbox, it's not a new name, and you're already starting to build the foundations of that relationship. Secondary to this then, feel free and start to experiment with DM'ing journalists as well. We know that they're getting two, three, or four hundred emails per day. If you take to Twitter and send them a quick overview of your up-and-coming campaign via a Twitter DM, it's likely that they'll read that on the journey home or potentially when they're walking from meeting to meeting.
Again, it puts you one step ahead of your competitors. Recently we've got some of our best pieces of coverage through warming the press up and specific journalists through Twitter, because when your campaign launches, you're not going out with it cold. Instead the journalist knows that it's coming in. They may even have the editorial space to cover that feature for you too. It's something that we've seen really work, and again I can't stress enough that you really have to find that balance.
You don't want to be plaguing journalists. You don't want to be a pain and starting to like every single tweet they do. But if it is relevant and you find an opportunity to engage and speak to them about your campaign the weeks in advance, it opens up that door. Again, you may be able to secure an exclusive out of it, which means that you get that first huge hit. So there are my five tips for link building in 2019, and it will help you supercharge things.
Now if you have any comments for me, any questions, please pop them in the thread below or reach out to me on Twitter. As I've just said, feel free to send me a DM. I'm always around and would love to help you guys a little bit more if you do have any questions for me. Thanks, Moz fans.
Video transcription by Speechpad.com
Did you miss Shannon's groundbreaking talk at MozCon 2019, How to Supercharge Link Building with a Digital PR Newsroom? Download the deck here and don't miss out on next year's conference — super early bird discounts are available now!
Save my spot at MozCon 2020
Sign up for The Moz Top 10, a semimonthly mailer updating you on the top ten hottest pieces of SEO news, tips, and rad links uncovered by the Moz team. Think of it as your exclusive digest of stuff you don't have time to hunt down but want to read!
0 notes