#as the number 1 thalia fan

[aetherialpiplup108]

Edit: Erased mention of the show from this post even if it was originally criticism because in hindsight, I want to avoid mentioning it at all due to the boycott.

What makes the Broken Trio (Annabeth, Thalia, and Luke) so impactful is that their bond is in stark contrast to the individual relationships the three share with their real families. Annabeth went thoroughly neglected by her father and absentee mother. The same for Luke, saddled with a mother who was tragically unavailable whether she wanted to be or not, and a father who never stepped in. And for Thalia, she never knew where she stood with her mother. Did Beryl love her daughter for her, or did she love her because she was proof of Zeus' favor. Did she truly care about Thalia--because from a little girl's perspective, she surely couldn't have cared about Jason all that much, trading his life to Hera in order to save her own--or did she just see her as a bargaining chip for immortality? And is that what love is? Later on, the same sentiment would apply to Zeus as well. Did he save her because he cared for her or because he thought she could be brought back to control the prophecy in his name?

All three of these kids were given nothing but conditional love. They all suffered under the weight of their desires to prove themselves to their parents whether out of spite (Luke, and Thalia to an extent) or love (Annabeth), because that was the only way they'd get the gods' attention, let alone their affection.

That's why it's so so important that when they came across each other and decided to form their own family, they chose to break this pattern. Luke stuck with Thalia knowing she was a magnet for danger with a huge target on her back. Thalia ignored Hal and Zoë's warnings, trusting Luke solely off who he had shown himself to be. And both of them looked at Annabeth, knowing she would slow them down--she was seven, how could she not--and decided to bring her along anyway because she deserved better and if her family wouldn't step up, they would.

These weren't rational decisions because family isn't meant to be rational and they're not Athena. They don't want to be. And we see this emotionality reflected in their choices throughout. Ever logical, strategic Annabeth believes in Luke even when she shouldn't because a long time back, he chose her when he didn't need to. There's a million different interpretations of Luke because, let's face it, his character was messy and inconsistent in canon, but what ultimately sets him apart from the gods or titans is a genuine care for his family, even if he stomps all over it at times. For Thalia, even after Luke poisoned her tree, she maintained faith in him right until the last moment on the mountain. Her breaking point was when he hurt Annabeth, leading her to purge all the good parts of Luke from her memory, forcing herself to only think about the betrayal so she could do what she believed was necessary to protect Annabeth. Not that I don't think she made the right call, but I do think this was far more of an emotional reaction than a purely practical one, which is further emphasized by how Percy (the neutral party, the outsider to this family) had to look at Luke empathetically and from both sides to make his final choice (@ruegarding has a fantastic meta on this that you should definitely check out).

Anyway, the point is: unlike the gods, these three did not perpetuate conditional love towards each other. It's essential that they saw each other, hurt and lonely, and chose to care, which is why it hurts so much when that found family breaks, and why it's the central piece that resolves everything in the end.

[knightofthenewrepublic]

The Battle of Manhattan didn’t go the way the Fandom thinks it did; we need to address the “massacre” of the Titan Army!

The Battle of Manhattan is the most pivotal event of the first series. And we see the entire thing exclusively from Percy’s point of view. He takes us through the thickest of the fight from one end of Manhattan Island to the next, and shows us a desperate fight of good against evil.

But we have another point of view for the battle, one that comes from the demigods of the Titan army, and one that informs us of a far different, darker side to the conflict. One where an entire army of children is massacred by the victorious Olympians, without a thought or even a care. It’s a shocking, confronting side of the struggle that most fans don’t seem to be aware of. 

But it’s also completely inaccurate. 

Now I love Alabaster; he’s one of my favorite characters, and I want nothing but the best for him. But he’s a demonstrably unreliable narrator. I don’t even mean that he’s intentionally dishonest; but he’s very badly misinformed about what actually happened. And that gives the fandom three major misconceptions that need to be cleared up. 

Alabaster gets the casualty ratio for the battle wrong (the Olympians had more than he thinks).

The Titan army has far fewer demigods than most fans think (not much more than 50 at the most).

Alabaster does say that there was a “massacre” at the end of the battle, but most of the TA demigods had deserted before that!

Part 1) The Olympians Have High Casualties

“It was a massacre. If I remember right, my mother told me that Camp Half-Blood and its allies had sixteen casualties total. We had hundreds.” (pg 219)

This is the only time we get a specific number for Olympian casualties, but it just doesn’t match up with what actually happens in the books. Looking back at all the deaths we do see:

Charlie Beckendorf -1

one [Hellhound] got hold of an Apollo camper and dragged him away. I didn’t see what happened to him next. I didn’t want to know. (pg 182) -1

Michael Yew -1

A young dragon had appeared in Harlem, and a dozen wood nymphs died before the monster was finally defeated. (pg 203) -12

“We lost twenty satyrs against some giants at Fort Washington,” [Grover] said, his voice trembling. (pg 203) -20 Giants smashed through trees, and naiads faded as their life sources were destroyed. (pg 243) -1< Enemy archers returned fire, and a Hunter fell from a high branch. (pg 244) -1  Too many of our friends lay wounded in the streets. Too many were missing. (pg 257) -1< The flagpoles were hung with horrible trophies –helmets and armor pieces from defeated campers. (pg 282) -1< The Drakon lashed out, swallowing three californian centaurs in one gulp before I could even get close. (pg 288) -3 Poison spewed everywhere, melting centaurs into dust along with quite a few monsters, (pg 288) -1< The Drakon snapped up one Ares camper in a gulp. (pg 291) -1

Silena Beauregard -1

Leneus -1

a body covered in the golden burial shroud of Apollo’s cabin. I didn’t know who was underneath. I don't want to find out. (pg 303) -1

Oddly enough, we actually miss the moment that was probably the worst for the Olympians, the final push by Kronos that breaks through their line. After Clarisse slays the drakon and the monsters are driven back again, Percy and co. take the opportunity to go up to Olympus. Percy gives Pandora’s Pithos to Hestia, and then contacts Poseidon via his throne. It’s just as he finishes that Thalia comes up and tells them that Kronos is coming again, but they miss the fighting.

By the time we got to the street, it was too late. Campers and Hunters lay wounded on the ground. Clarisse must have lost a fight with a Hyperborean giant, because she and her chariot were frozen in a block of ice. The centaurs were nowhere to be seen. Either they’d panicked and ran, or they’d been disintegrated. (pg 312) -<500

And finally, Kronos does kill some people on Olympus itself.

A few minor gods and nature spirits had tried to stop Kronos. What remained of them was strewn about the road: shattered armor, ripped clothing, swords and spears broken in half. (pg 322) -1<

The specific deaths we have mentioned during the battle amount to 48 at the very least; and that is an extremely conservative estimate that only includes the deaths Percy has the time and presence of mind to witness in all the carnage. Considering how many others must have happened, factoring the sudden disappearance of the 500 centaurs in particular, it was likely in the hundreds. And most of the centaurs probably ran at the end, but even that would have involved heavy casualties.

It’s true that actual demigods were a smaller fraction of Olympian forces, and so would have made up just a fraction of losses. The number 16 might actually make sense if it were just the number of campers lost, but that’s not what Hecate said, she said total.

It might be significant that Hecate is the actual source of this misinformation. Would she have reason to lie to her own son, or might she herself be out of the loop. Right now, we just can’t know. 

And she might be underestimating Titan Army losses too. Considering how many times a wave of several hundred monsters tear into Manhattan, and get thrown back by the Olympians only to return later with no discernable drop in numbers, until the army is finally routed entirely, it wouldn’t surprise me if the TA actually took a thousand or more casualties. But those would be overwhelmingly monsters, because:

Part 2) Less Than Fifty Demigods Were Even In The Titan Army

To prove that there could not possibly have been hundreds of TA demigods killed at Manhattan, we need look no farther than Alabaster's own account.

“There was a war between the gods and titans last summer and most half-bloods–demigods like me–fought for the Olympians.” (pg 218)

So the TA could not have had more demigods than the Olympians; and they had about a hundred. There are forty campers to start with, who are quickly joined by the Hunters, who now have thirty members. Then, in the last hours of the fight, they are finally joined by the Ares cabin, which brings another thirty (jeez Ares, you animal!). So Olympus has an even hundred demigods. (The Hunters aren’t necessarily all demigods by birth, but I don’t think Alabaster would make a distinction based on that.)

So the TA has less than a hundred demigods, significantly less. I would argue they probably had no more than fifty because that lines up with the only solid numbers we ever get for them. And every time the TA is described, demigods are a clear minority. First, look at the foes Percy encounters when he infiltrates the Princess Andromeda:

I saw monsters patrolling the upper decks of the ship–dracaenae snake-women, hellhounds, giants, and the humanoid seal-demons known as telkhines . . . . . “I don’t care what your nose says!” snarled a half-human half-dog voice—a telkhine. “The last time you smelled half-blood, it turned out to be a meatloaf sandwich!” “Meatloaf sandwiches are good!” a second voice snarled . . . . . a telkhine was hunched over a console . . . . . a half dozen telkhines were tromping down the stairs . . . . . past another telkhine . . . . . And in the fountain squatted a giant crab . . . . . a couple of dracaenae slithered across my path . . . . . As I was running up the stairwell, a kid charged down . . . . . Laistrygonian giants filed in on either side of the swimming pool . . . . . demigod archers appeared on the roof . . . . . two hellhounds leapt down . . . . . The crowed of monsters parted . . . . . Giants jeered. Dracaenae hissed with laughter . . . . . throwing monsters off their feet . . . . .I knew him, of course: Ethan Nakamura . . . . . two giants lumbered forward . . . . . Panicked monsters surged backward . . . . . one of the dracaenae hissed . . . . . I pushed through a crowd of monsters . . . . . Monsters yelled at me from  above.

That was a quick summary of all the enemies Percy and Charlie encounter on the Princess Andromeda, I’m not crazy enough to try and write the whole chapter. But it’s pretty clear there are only a few demigods amid dozens of monsters. We hear the same thing from Poseidon later, that “there were only a few demigod warriors aboard that ship”; we might question whether or not Poseidon is a trustworthy source, but the evidence does back him up.

When we finally get to the battle, the disparity of demigod numbers in the TA is again evident:

The bronze image showed Long Island Sound near La Guardia. A fleet of a dozen speed boats raced through the dark water toward Manhattan. Each boat was packed with demigods in full Greek armor. At the back of the lead boat, a purple banner emblazoned with a black scythe flapped in the night wind. I’d never seen that design before, but it wasn’t hard to figure out: the battle flag of Kronos. “Scan the perimeter of the island,” I said. “Quick.” Annabeth shifted the scene south to the harbor. A Staten Island Ferry was plowing through the waves near Ellis Island. The deck was crowded with dracaenae and a whole pack of hellhounds. Swimming in front of the ship was a pod of marine mammals. At first I thought they were dolphins. Then I saw their doglike faces and swords strapped to their waists, and I realized they were telkhines—sea demons. The scene shifted again: the Jersey shore, right at the entrance of the Lincoln Tunnel. A hundred assorted monsters were marching past the lanes of stopped traffic: giants with clubs, rogue Cyclopes, a few fire-spitting dragons, and just to rub it in, a World War II-era Sherman tank, pushing cars out of the way as it rumbled into the tunnel. (pg 167)

Here we see the first wave of the Titan Army as a three pronged attack (which Percy says on the next page collectively numbered at least 300) and only one of the units has demigods. It’s the one that Kronos leads, so it’s probably meant to be a more elite unit, at least at first. 

We don’t know for sure how many there are. Speedboats are usually made to carry 4-6 people so a dozen would be possible 48 to 72. Considering Alabaster says there were significantly less demigods in the TA than the Olympians, I would guess it’s on the lower end; and that does match another number we see in a moment.

This fleet never reaches Manhattan, since Percy bribes the East River to swamp their boats. Those who say many TA demigods were killed in the battle might point to this as Percy causing a bunch of kids to drown; but Alabaster never mentions a mass drowning in his narrative of the battle, and he would have been on one of those boats, so it’s safe to say they just went for a swim.

(And Kronos was with them, which means that a very angry titan lord was suddenly pitched into the river and had to swim with the rest of them. That’s not really relevant, I just want everyone to know that.)

Percy is then immediately told that “Another army is marching over the Williamsburg bridge.” This fourth prong of the attack, led by the Minotaur, also has no demigods in it.

An entire phalanx of dracaenae marched in the lead . . . About a hundred more monsters marched behind them. (pg 182) More monsters surged forward —snakes and giants and telkines—but the Minotaur roared at them, and they backed off. (pg 186)

But more monsters keep advancing because by the time Percy kills the minotaur and the demigods charge and rout the whole group, it had grown to 200

Finally, the monsters turned and fled—about twenty left alive out of two hundred. (pg 188)

So the grand total for the first TA attack was 500 soldiers or more, with only 40-70 of them demigods. And after the monsters on the Williamsburg bridge retreat, those demigods show back up.

Then I saw the crowd at the base of the bridge. The retreating monsters were running straight toward their reinforcements. It was a small group, maybe thirty or forty demigods in battle armor, mounted on skeletal horses. One of them held a purple banner with the black scythe design.  The lead horseman trotted forward. He took off his helm, and I recognized Kronos himself, his eyes like molten gold. (pg1 188)

This is the only time we get anywhere close to a specific number when TA demigods are concerned. It would have been the same group that was sunk in the East River, who then had to swim for Brooklynn; which is where they are now trying to take the Williamsburg bridge. This reinforces the idea that the number of demigods in the boats was only a little more than forty, since they would not have suffered more than a few injuries in the sinkings.

I’m going to come back to this moment later to demonstrate how Percy refrains from killing other demigods, even in his Achilles state, but the other important thing to note is that this is the last time Kronos organizes his demigods into a unit that he leads personally. After they fail to break through here, Kronos just has them take on a secondary role, and puts his faith in bigger and bigger monsters to lead the charge instead.

The Titan Army units on Long Island then spend the evening marching the long way around Manhattan (for some reason) because they make camp for the night in New Jersey, at Medusa’s old lair. Percy again describes demigods as the small minority.

Hundreds of tents and fires surrounded the property. Mostly I saw monsters, but there were some human mercenaries in combat fatigues and demigods in armor too. A purple-and-black banner hung outside the emporium, guarded by two huge blue Hyperboreans.

And this is only part of the Titan army, because there are more troops north of Manhattan. 

“Tell my brother Hyperion to move our main force south into Central Park. The halfbloods will be in such disarray they will not be able to defend themselves.” (pg 237)

The army that marches into central park is bigger than the one camped in New Jersey. And it is made up exclusively of monsters. 

At the north end of the reservoir, the enemy vanguard broke through the woods—a warrior in golden armor leading a battalion of Laistrygonian giants with huge bronze axes. Hundreds of other monsters poured out behind them. (pg 243)

There is not a single mention of a demigod. However they’re already joining the fight in other places. 

When it flew above the rooftops, I could see fires here and there around the city. It looked like my friends were having a rough time. Kronos was attacking on several fronts. (pg 251)  

After Percy kills the Clazmonian Sow, the momentum of the battle shifts. With his main force failing to deliver a knockout punch, Kronos has his remaining armies spread out to put equal pressure on the entire defensive line, and catch it in a massive envelopment.

Midtown was a war zone. We flew over little skirmishes everywhere. A giant was ripping up trees in Bryant Park while dryads pelted him with nuts. Outside the Waldorf Astoria, a bronze statue of Benjamin Franklin was whacking a hellhound with a rolled-up newspaper. A trio of Hephaestus campers fought a squad of dracaenae in the middle of Rockefeller Center . . . . . The hunters had set up a defensive line on 37th, just three blocks north of Olympus. To the east on Park Avenue, Jake Mason and some other Hephaestus campers were leading an army of statues against the enemy. To the west, the Demeter cabin and Grover’s nature spirits had turned Sixth Avenue into a jungle that was hampering a  squadron of Kronos’s demigods . . . . . I spotted a familiar silver owl banner in the southeast corner of the fight, 33rd at the Park Avenue tunnel. Annabeth and two of her siblings were holding back a Hyperborean giant . . . . . The next hour was a blur. I fought like I’d never fought before—wading into legions of dracaenae, taking out dozens of telkines with every strike, destroying empousai and knocking out enemy demigods . . . . . At one point Grover was next to me, bonking snake women over the head with his cudgel. Then he disappeared in the crowd, and it was Thalia at my side, driving monsters back with the power of her magic shield. Mrs. O’Leary bounded out of nowhere, picked up a Laistrygonian giant in her mouth and flung him like a Frisbee. Annabeth used her invisibility cap to sneak behind enemy lines. Whenever a monster disintegrated for no apparent reason with a surprised look on his face, I knew Annabeth had been there . . . . . Kronos was riding towards us on a golden chariot. A dozen Laistrygonian giants bore torches before him. Two Hyperboreans carried his black-and-purple banners . . .

“THEN THE WINGED HUSSAARSSS AARRRIIIIIIIIIIIIIIIVVVVVVED” SABATON BLASTS ON ELECTRIC GUITAR

 Sorry, sorry, I mean then Chiron and the 500 centaurs arrived!

Kronos’s forces looked as confused as we were. Giants lowered their clubs. Dracaenae hissed. Even Kronos’s honor guard looked uneasy. Then, to our left, a hundred monsters cried out at once. Kronos’s entire northern flank surged forward. I thought we were doomed, but they didn’t attack. They ran straight past us and crashed into their southern allies . . . a shower of arrows arced over our heads and slammed into the enemy, vaporizing hundreds of demons. (pg 258)

This is how the second phase of the battle ends. And during the entire night, out of a sea of monsters (hehe) we only see one unit of TA demigods. And it’s the last time we get any reference to them participating in the battle.

After being driven south, the TA apparently did another long march, because they make camp northeast of Manhattan.

The Titan army had set up camp all around the U.N. complex. The flagpoles were hung with horrible trophies—helmets and armor from defeated campers. All along First Avenue, giants sharpened their axes. Telkines repaired armor at makeshift forges. (pg 282)

Ethan is the only demigod mentioned this time. And he doesn’t appear to take part in the next attack, aside from releasing the drakon. We get less of a description of the enemy army this time, but it’s all monsters.

The rest of the battle wasn’t going well. The centaurs had panicked under the onslaught of giants and demons. An occasional orange camp T-shirt appeared in the sea of fighting, but quickly disappeared.  (pg 289)

Of course the Ares cabin arrives, the drakon kills Silena, and Clarisse kills it. It’s another rout for the TA.

The monsters retreated toward 35th Street. (pg 298) There was no answer from the enemy. Slowly, they began to fall back behind a dracaenae shield wall, while Clarisse drove in circles around Fifth Avenue, daring anyone to cross her path. (pg 299)

After that we have the final phase of the battle, when the Titan Army finally breaks through the Olympian lines. But once again, we have no reference to demigods other than Ethan.

The Titan Army ringed the building, standing maybe twenty feet from the doors. Kronos’s vanguard was in the lead: Ethan Nakamura, the dracaenae queen in her green armor, and two Hyperboreans. I didn’t see Prometheus. (pg 312) “ROWWF!” Mrs. O’Leary bounded toward me, ignoring the growling monsters on either side. (pg 315) There were thousands of [skeletan soldiers], and as they emerged, the titan’s monsters got jumpy and started to back up. (pg 315)     The armies of the dead clashed with the Titan’s monsters. Fifth Avenue exploded into absolute chaos. Mortals screamed and ran for cover. Demeter waved her hand and an entire column of giants turned into a wheat field. Persephone changed the dracaenae spears into sunflowers. Nico slashed and hacked his way through the enemy, trying to protect pedestrians as best as he could. My parents ran toward me , dodging monsters and zombies, but there was nothing I could do to help them. (pg 318).

The fight continues like this, until Typhon is destroyed, and the defenders are joined by the gods, and Poseidon’s army of cyclopes. It’s then that the Titan army is “massacred.” Most of the fandom thinks that the demigods were killed too, but that’s not the case.

PART 3: The TA Demigods Deserted Before The Final Battle

As Alabaster remembers it:

the war didn’t go our way. I fought on the battlefield against the enemy, but most of our allies ran. Kronos himself marched on Olympus, only to be killed by a son of Poseidon. After Kronos’s death, the Olympian gods smashed any remaining resistance. It was a massacre. “We weren’t all destroyed,” Alabaster said. “Most of the remaining half-bloods fled or were captured. They were so demoralized they joined the enemy. (pg 219)

When you look at this narrative, and compare it to The Last Olympian, it’s actually more complicated than the TA demigods simply getting massacred.

Al says that while he was fighting, most of his allies ran. That’s odd, because we don’t see the relative numbers of monsters go down at any point. What we do see, is the number of demigods go down.

As I illustrated in Part 2, the Battle of Manhattan has four distinct phases. Phase one, that ends when the Williamsburg Bridge is destroyed. The second phase, that starts when Hyperion attacks Central Park, and ends when the Party Ponies arrive. The third phase, which is all about the attack of the drakon. And the final phase, when Kronos breaks through.

We only see TA demigods in the first two phases; they attack the Williamsburg Bridge in the first phase as part of the Kronos’s main force, then in the second phase they’re relegated to a supporting role by hitting the defenders western flank. And that’s the last we see of them. After that, Etahn is the only demigod left standing in the TA. Alabaster must be somewhere in the background, as a retcon, but there’s no one beyond the two of them.

You might think that they’ve just already been killed by this point. After all, Percy blows up the Princess Andromeda, then goes into an Achilles Curse fueled berserker mode several times in the first two phases of the battle. Surely he must have killed hundreds of kids, right?

No, not even close.

Maybe not any at all.

On the Princess Andromeda Percy finds lots of monsters, but the number of demigods he finds could be counted on one hand. And the first one he meets; Percy spares him and tells him to get his friends and evacuate. We can’t prove whether or not any demigods were killed in the blast; we just know that the two we can confirm were still on board, Ethan and Alabaster, both survived. And when Alabaster recounts it, he doesn’t mention any bad losses at this point.

As for the Curse of Achilles, it doesn’t send Percy into anything like the berserker state some people think of it as. It might seem like that when Percy lets loose on the Williamsburg Bridge:

You’re going to ask how the whole “invincible” thing worked: if I magically dodged every weapon, or if the weapon hit me and just didn’t harm me. Honestly, I don’t remember. All I knew was that I wasn’t going to let these monsters invade my hometown. I sliced through armor like it was made of paper. Snake women exploded. Hellhounds melted to shadow. I slashed and stabbed and whirled, and I might have even laughed once or twice—a crazy laugh that scared me as much as it did my enemies. (pg 188)

But when push comes to shove, Percy can control the Curse, and what he does during it. That last moment was when he was fighting nothing but monsters. But when the TA demigods arrived, Percy pulled his punches like he always does.

I tried to wound his men, not kill. That slowed me down, but these weren’t monsters. They were demigods who’d fallen under Kronos’s spell. I couldn’t see faces under their helmets, but some of them had probably been my friends. I slashed the legs off their horses and made the skeletal mounts disintegrate. After the first few demigods took a spill, the rest figured out they’d better dismount and fight me on foot. (pg 189)

Percy is still in complete control of what he’s doing; even when the worst happens.

“Annabeth!” I turned in time to see her fall, clutching her arm. A demigod with a bloody knife stood over her . . . . . I locked eyes with the enemy demigod. He wore an eye patch under his helmet: Ethan Nakamura, the son of Nemesis. Somehow he’d survived the explosion on the Princess Andromeda. I slammed him in the face with my sword hilt so hard I dented his helm. (pg 190)

Percy really has all the reason to hate Ethan at this point; after Percy spared his life in Antaeus’ arena, Ethan still joined the side that had been ready to write off his death, and deliberately helped Kronos achieve his physical resurrection. Because of that Percy’s friends and even-Riordan-doesn’t-know how many mortals are going to die in the next few days; and on top of all that, Ethan just stabbed the love of his life.

And all Percy does is knock him out, maybe a little harder than necessary. He makes no effort to kill him. Those aren’t the actions of a berserker with no control.

In fact, the knife turns out to be poisonsed. And Ethan now has an idea where Percy’s Achilles Spot is, and might tell Kronos. And even after all of that, Percy doesn’t seriously think about killing him as an option.

“I’ll bonk him on the head harder next time.” (pg 241)

But more on topic, there is no reason to think the TA demigods have particularly high casualties in this phase of the battle, though they have a few:

Our archers shot a volley, bringing down several of the enemy, but they just kept riding. (pg 189)

Though it’s vague if they are hitting the riders or the horses. In fact, it might actually be Kronos who’s responsible for more of their losses.

[Kronos] struck the bridge with the butt of his scythe, and a wave of pure force blasted me backward. Cars went careening. Demigods—even Luke’s own men—were blown off the edge of the bridge. (pg 192)

I will die on the hill that between this, Ethan, and other implied moments, Kronos killed more of his own demigods than Percy did.

In the second phase of the battle, when we see the TA demigods attack again, they’re in a very different situation.

To the west, the Demeter cabin and Grover’s nature spirits had turned Sixth Avenue into a jungle that was hampering a  squadron of Kronos’s demigods. (pg 255)

This is the only thing we see the TA demigods do as a group in this phase; and they’re fighting people who are using very defensive tactics, more hampering than harmful. They’re not likely to lose many fighters. A few of them do cross Percy’s path in the chaos, but even at his most Achilles fueled chaos he never loses control.

The next hour was a blur. I fought like I’d never fought before—wading into legions of dracaenae, taking out dozens of telkines with every strike, destroying empousai and knocking out enemy demigods. (pg 257)

He talks about killing monsters, but always “knocking out” demigods. Finally, that phase of the battle ends when the centaurs show up. Did the centaurs kill any demigods? After all, Percy said they “trampled everything in their path.”

Well the only report we get on the TA demigods puts them to the west. When the centaurs attack, they come out of the north east and drive the enemy south, and start off a wave of panic that ripples down the enemy lines ahead of them. The demigods were probably running before any centaur reached them, and might have had better chances of being trampled by their own monsters.

So if the TA demigods aren’t taking many losses, where do they all go in the third and fourth phases, when we don’t see any except Ethan?

They desert. 

Alabaster: “I fought on the battlefield against the enemy, but most of our allies ran.”

I think the demigods of the TA signed up with no real idea of what would happen when they fought the Olympians. They thought they were going to have a sure victory. 

Chris Rodriguez said it in SOM:

“I hear they got two more [drakon] coming,” [Chris] said. “They keep arriving at this rate, oh, man—no contest!” (pg 122)

Alabaster C. Torrington said it in SOM:

“Kronos wasn’t supposed to lose! You said the odds of winning were in the Titan’s favor! You told me Camp Half-Blood would be destroyed!” (pg 196)

And they probably weren’t well prepared for the war either. At one point Luke says they will fight well because he has been training the army. But most of them join because they are the children of minor gods who swear for Kronos, and that doesn’t happen until the end of BOTL, after Luke has been possessed. Most of the TA demigods never got training from him; including their two highest ranking members, Ethan and Alabaster. It’s no wonder most of them weren’t prepared.

As I was running up the stairwell, a kid charged down. He looked like he had just woken up from a nap. His armor was half on. He drew his sword and yelled, “Kronos!” but he sounded more scared than angry . . . . No way was I going to hurt him. I didn’t need a weapon for this. I stepped inside his strike and grabbed his wrist, slamming it against the wall. His sword clattered out of his hand. (pg 18)

And the demigods might not hold much loyalty to Kronos, a violent and temperamental eldritch horror!

Ethan moistened his lips. “He’s still fighting you, isn’t he? Luke—” “Nonesense,” Kronos spat. “Repeat that lie, and I will cut out your tongue. The boy’s soul has been crushed.” (pg 236) “But, my lord,” Ethan said. “Your regeneration.” Kronos pointed at Ethan, and the demigod froze. “Does it seem,” Kronos hissed. “that I need to regenerate?” Ethan didn’t respond. Kind of hard to do when you’re immobilized in time. Kronos snapped his fingers and Ethan collapsed. (pg 284)

And the demigods might have witnessed a darker side to his army that we didn’t.

Back on my first visit to the Princess Andromeda, my old enemy Luke had kept dazed tourists on board for show, shrouded in Mist so they didn’t realize they were on a monster infested ship. Now i didn’t see any sign of tourists. I hated to think what had happened to them, but I kind of doubted they’d been allowed to go home with their bingo winnings. (pg 15)

So, the demigods deserted. After the second phase of the battle we don’t see any at the Titan camp at the U.N., or taking any part in the last phases of the battle. They had been fed false promises, were treated badly, and were being sent against enemies out of their league.

“Most of the remaining half-bloods fled or were captured. They were so demoralized they joined the enemy.”

All except two, Alabaster and Ethan. The son of Nemesis, who has already given so much and is so desperate to see something good and fair come out of it; and the son of Hecate, who was promised victory, and is desperate to avenge the death of his siblings. Ironically, the two demigods who stayed loyal to Kronos the longest, did so because they had faith in their godly parents.

So if there was no “massacre” of TA demigods at the end of the Battle of Manhattan, why is Alabaster so insistent that there was one? 

“Yes,” Alabaster said bitterly. “Camp Half-Blood decided that they would accept any children of the minor gods. They would build us cabins at camp and pretend that they didn’t just blindly massacre us for resisting. (pg 220) “But I’ll never bow to the Olympian gods after the atrocities they committed. Their followers are blind. I’d never set foot in their camp, and if I did, it would only be to give that son of Poseidon what he deserves.” (pg 221)

Well, it’s because the children of Hecate suffered the most in the war. She didn’t have as many children as other gods, and Alabaster was the only one to fight in it and survive. He claims he convinced “most” of his siblings to join; but if Hecate does not have many children, and he is the only survivor of the battle, how are there still enough of his siblings to decently fill a cabin, it’s likely “most” was only slightly more than half. The sad irony is that the fact that the smaller group of demigods had more casualties than the larger ones (and it sounds like not just more proportionately, but more in actual numbers), also kind of disproves that there could have been a large massacre that affected them all.

Alabaster was a scared, frustrated, exhausted kid; who convinced his siblings to fight in a destructive war, and was the only one of them to survive. To him, that is probably always going to feel like a brutal massacre.

[brodieland]

.˚ 𓈒 ࣪.𝝑𝝔 he's not just a man, mom.. ´ˎ˗

Luke Castellan x Fem!Athena!Reader Synopsis: Reader sneaks on a cruise ship with Percy, Annabeth and Tyson. Guess who she has a run in with !!!! Warning(s): slight angst. and uh swears ig Word Count: 1833 A/N: part 2 was requested😘 and I skimmed over a lot, I didn't want to copy and paste most of Sea of Monsters so yk Part 1

Months, well actually, an entire school year has past since your boyfriend, well ex boyfriend now, Luke turned to Kronos. And yes, the rumors are true! Time heals all wounds!! Sure you needed some more time but you were starting to get back to your normal self slowly but surely. And the Athena head counselor position was rightfully handed right back to you (until Annabeth comes back for the summer).

Normally time isn't real for a year rounder like yourself, but there's been an issue. The magic barrier that protects camp Half-Blood is held up by Thalias tree, except her tree has been poisoned. No one knows when or how it happened, but you decided to keep your guess to yourself. Well that doesn't matter now. With Thalias tree slowly getting worse and worse, the border surrounding camp is weakening, allowing monsters to start slipping through and find the camp. Defenses are thinning, and even with summer around the corner enrollment numbers are at their lowest.

Thankfully you weren't on Charisse's bad side so she didn't mind joining forces. And don't get it twisted, you love Annabeth, but you've never loved her more than when you watched her and Percy (and a cyclops??) run up the hill and help fight the monsters.

After the fighting was over, you weren't injured yourself so you went to help out at the infirmary. It helped keep your mind off stuff, and now you had Percy and Annabeth to keep you company. You were currently checking them for burns.

"Wow, 13 and no body hair?"

"THE MONSTER BURNED IT OFF."

You and Annabeth just laughed at the boy. After you both calmed down you started to explain whats been happening the last couple of months at camp while they've been away. Grim expressions washed over them as you finished, Chiron being fired and being replaced with TANTALUS was truly the cherry on top in your opinion.

"Well, time to eat right?"

This might've been one of the most interesting dinners yet. The cyclopes, also known as Tyson, ended up getting claimed by Poseidon (Percy wasn't the biggest fan of this particular development), and we have an upcoming Chariot race coming up (something Tantalus decided to start doing). You weren't planning on participating in the race, but Annabeth and Percy got into a fight so now you had too.

Finally the day came and instead of a friendly race, everyone was attacked by killer birds that were just barely shot out the sky. Maybe some help on Clarrise's end would've been nice, but she thought winning was more important, while you, Tyson, Percy and Annabeth just got punished.

The four of you were stuck washing dishes when the two younger campers got to talking. They were smart ones, basically we needed the Golden Fleece, simple as that. Except who did Tantalus give the quest too? The winner of the race. Clarisse.

"But Grovers my friend!"

"Yeah you guys wouldn't even have the quest if it weren't for us!"

Your yelling didn't help matters, the Ares kids just accused Percy of wanting the spotlight. They just never liked Percy after he beat up their dad, the fact he did that still amazes you. You and Annabeth just accepted the defeated and walked yourselves to your cabin.

"So Annabeth, how's it been in the outside world?"

"Cooler than I thought but please, how's it been with.. you know what?" You averted your gaze slightly and swallowed. You were getting better, but that certainly didn't mean you were over him.

"I haven't heard from mom in like eight months." Annabeth looked at you confused. You never told her about the last conversation with Athena.

"What? I thought you were like, her favorite or something?"

"To be fair I basically told her to fuck off," you shrugged like it wasn't that serious but your sister looked at you like you were crazy. "It was about Luke, you know she never liked him." She just nodded as you both walked back to your cabin. When you got there neither of you couldn sleep and decided to stay up late studying maps of the sea of monsters, where Grover and the Golden Fleece were. Suddenly Annabeth stood up.

"Annie whats wrong?" You asked, looking between her and the maps.

"You didn't hear that?" you just shook your head slowly.

"Maybe it's just time to sleep-"

"No it was Percy, he was screaming for help cmon!" You decided not to bother questioning it and started chasing after her. Annabeth was following the sound and you just followed her. You guys made it out to the beach, where you saw Percy, just fine and not screaming. Tyson came running out too.

"Percy are you okay? Why were you screaming?" Annabeth questioned.

"I wasn't screaming, but I'm glad you guys are here." Percy explained how he had a run in with Hermes. The thought of Hermes just makes you think of Luke. That kinda sucks.

"Anyways, we need to use this," Percy held up a jar and pointed to the cruise behind him, "to get over there."

"Seems... reasonable. We have to hurry the harpies are getting close." you urged.

"Yeah ask your dad for some help" Annabeth pushed Percy toward the ocean. Why did Percy start with small talk, we're on a time crunch. Never the less a bunch of hippocampi came forward and we were off.

"I've never been on a cruise before, I wonder what it's like." You said.

"Probably won't be like any normal one if Hermes sent us." Percy pointed out. If Hermes sent us you, you hoped it meant what you thought it did. And you hated that you were hoping for that. Luke. Ever since your last conversation with your mom, it's like you've been seeing things differently. The gods really did just use their kids, but could you really turn your back on them?

You were cut out of your thoughts when you finally made it to the ship. You all snuck on and wandered through the cruise. Everyone here was like a bunch of lifeless zombies. Now if that didn't raise your suspicious nothing would. You guys were sneaking around until you found an empty suite on the 9th floor. Sleep was a must right now.

"Us girls will be next door alright?" You said.

"Yeah, don't eat or drink anything either," Annabeth added. She was right, something was off here. You and Annabeth left to your side of the suite to change for bed. Annabeth was knocked out in seconds but you just couldn't sleep. You knew why Hermes wanted you guys here, and it kept you up. While your sister was snoring beside you, you took the chance the sneak out the room. All you had was an oversized t-shirt that hung to your mid thigh and a dream.

As you started walking around, there were no lights to be seen. You started from your floor and made your way up. When you got off the elevator on the 13th floor, you saw the room at the end of the hall had a light on. It was nearing 2AM, most people should be asleep. That's when your gut told you this is what you were looking for. You thought it was time to listen to it. You made your way to the door, and saw that it was unlocked. You slowly opened the door and saw a certain someone with his back facing the door, looking off into the ocean through his window.

"Hey Luke," you said. Luke didn't move for a second, but when he turned it was slow.

"Y/N.. I didn't think I'd see you again." Your lip quirked ever so slightly, and you walked up and sat down on the bed in front of you, now just a mere few feet away from him

"Likewise."

"Lemme guess, Percy and Annabeth are with you? Were you sent to kill me?"

"Yes, and no. We weren't sent here, or anywhere in fact."

"Wow, look at her. Ms. Rule Breaker. What would your mother think?" You swallowed at the mention of your mother. What would she think?

"Well, we haven't spoken in eight months." You looked at the ground.

"Hmm, what happened?"

"You happened, that's what." You looked back up at him, he had a shit eating grin on his face. "Wipe that smile off your face Castellan."

"Or what? You're already here, why waste our time together fighting? We both know you're not here for the gods," Luke teased. He was right, so why fight?

"Just come here," you lunged up and jumped in his arms, kissing him like the starved woman you were. You missed him more than you were allowed to admit. Luke was a sore spot at camp, but hey, right now that was not your problem. You knew you were probably disgracing your family by being here doing what you were doing, or WHO you were doing, but you didn't care. You just needed Luke, even if it was just one last time.

When you woke up after a few hours, you wouldn't say you regret it, but maybe it wasn't the best timing. You were facing the window while Luke held you close. You slowly moved his arm from your waist and sat up, seeing the little clothing you had scattered across the room. Crazy night. You untangled yourself from Luke and got redressed. You truly didn't want to leave, but despite everything you couldn't stand with Luke and the war, too many lives would be lost on his behalf. As you made your way to the door Luke woke up,

"So this is it?" You had your hand on the doorknob and turned back to face Luke.

"Yeah," you made eye contact with him, a single tear falling. "It is."

"Goodbye Y/N."

"Goodbye Luke." You made your way out the door and shut it behind you. You took a deep breathe before rushing back to your shared room with Annabeth on the 9th floor. You opened the door, making sure not to make too much noise, except Annabeth wasn't in her bed. You continued walking into the room when the bathroom door opened from behind you.

"And where were you?" Annabeth questioned as she walked out the door.

"With no one!" You said quickly. Annabeth scared the shit out of you. She slightly frowned.

"He's here isn't he? That's why Hermes wanted us to come here?" You just nodded. "Guess it explains the hickies," Annabeth yawned and headed back to her bed. Your face flushed as you ran into the bathroom. Wow.. awkward!!!!

"It was just a goodbye, I'm not joining him," you walked out the bathroom and laid down next to Annabeth. "I can't stand for a war, no matter how much I love him. Or loved."

"Glad you made up your mind, but it's 6AM, can we sleep a little longer?"

You chuckled, "Of course."

[bluecrocss]

The Percy Jackson and the Olympians Series - On Luke and Annabeth:

Okay, so Luke and Annabeth's relationship is sooo important to me in the og pjo books. Like, second only to Percabeth.

Idk, I'm a sucker for found family, and I wish I could find the post that compared Annabeth's perspective of the relationship to watching an older sibling descend into drug addiction and losing themselves (maybe it hits because I've lost an older sibling).

I was really hoping the Disney+ adaptation would expand more on this relationship, since we're not so limited to just Percy's POV anymore.

In all honesty, i don't think they did a great job of that in season 1. There was wayyy too much tell not show i.e. "she's my little sister", "Annabeth is the strongest warrior in camp". It felt like Luke and Annabeth's backstory was just something they were trying to rush out of the way before they moved on to what they thought was more important (The quest, percabeth, an unnecessary number of god introductions, etc.).

And we barely saw them spend any one-on-one time with each other. Which extra sucks, cuz season 1 is the only time we would have seen their relationship before Luke's turn.

Season 2 needs to compensate me with aloootttt of Luke/Thalia/Annabeth flashbacks. And no worries, because with the level of over-correcting RR is subjecting this series to (some good and some not), I can GUARANTEE that any icky, groomer-esque, "did you ever love me?" elements of their relationship will definitely NOT be a part of this adaptation.

I am still holding out hope that they take the (non-racist) criticisms of the first season and develop the character relationships much better for the remainder of the series, because this show truly hit the jackpot with casting.

Seriously, Leah and Charlie's friendship is so precious to me. He's been one of her biggest supporters in response to all the BS that's been thrown at her (always posting about her awards, encouraging his fans to vote for her, joining her IG lives and cheering her on). And it's also super ironic, seeing as Luke was also a blonde main character that is being played by a dark-haired POC, yet with none of the same backlash (interesting 🤔).

Someone on tiktok described their irl dynamic as what Luke and Annabeth should have been, and just:

(@/hrtz_4finnick on TikTok)

😢

[flower1622]

Ranking Female Characters of PJO:

1. Sally

It's Sally. She is totally a survivor. She has to worry many times about her demigod son, who doesn't live for a long time. Despite being a human, she is not afraid to face a god or monster to protect or save her son.

2. Rachel

If People hate her, so I like. She is really amazing on her way. She is nice and kind to everyone else, especially to Percy. She is so much better than another girl that doesn't care to be rude to other people, even her boyfriend. Rachel is a special human since she is an oracle. Despite not being a demigod, she is not afraid to face monsters or gods either. She is really a person that has to deal with many visisons and possible nightmares in her head. For me, she is still the best option for Percy. The most healthy one.

3. Clarisse

Totally a badass. Even though she is a bully, I guess she got a little better over the years. Except maybe for her dad, Clarisse is also not afraid to face any god or monster, even without her weapons. If she has to fight using only her hands, she will. Annabeth is not the only smart girl in pjo, Clarisse is still smart and strong. I guess she can understand about battle strategies since her father is the god of war. Clarisse is a survivor too. She survived with zombies (I don't remember what they were) and went to rescue Chris all by herself (If I'm not mistaken).

4. Hazel

I don't know much about Hazel since I didn't read HOO (I can't even remember much from PJO either), but from I saw people commenting, she seems a nice and kind girl that may have suffered a lot in the past. Just like Nico, I think she is also stuck in time?

5. Silena

She seems really kind and nice. Unfortunately, the girl was manipulated...but in the end became a heroine. Her mother Aphrodite also looks pretty awesome!Like mother, like daughter!

6. Thalia

She is not one of my favourite characters, but she seems the kind of person that would save the world at any costs even if she had to sacrifice her own family and friends. She wouldn't let emotions take control over her. Not only her, but also Artemis and the other hunters.

7. Meg:

She seems pretty smart and cool! I like that she was the only one (from what I could see) that chose stay by Apollo's side even with his arrogance. I think she always saw that he wasn't so bad after all.

8. Persephone

So sweet and kind. I guess she would be Solangelo number 1 fan. She likes them. I think she may see Nico as her own son. She always tries to be friendly to others, which is good because she can kind teach Hades to be more gentle with others. She is really a good influence for him.

9. Demeter

This goddess can be a little scary sometimes, but I understand that she worries about her daughter in the underwold. It's so nice to see Demeter tolerating Hades because of Persephone.

10. Juniper

I don't remember about this character (I'm not reading the books anymore), but from I can see she is the romantic partner for Grover if I'm not mistaken. She seems nice and sweet. I think they would make a cute pair.

[justanisabelakinnie]

If i may add to the ask you sent Artemis(real as all fuck btw)......Pjo fans get like,REALLY mad when i say transfem Percy is way more canon than bi Percy because 1.Way more coding and 2.Cis bi Percy has literally been debunked by the official website AND Rick Riordan and same goes for lesbian Annabeth instead of bi Annabeth and it's really disgusting that it's often Percabeth shippers forcing transmasc Percy and Annabeth liking dudes when Percabeth literally works with tgirl Percy and lesbian Annabeth.Also how Percy is always getting bashed for not liking Nico back despite treating better than anyone else and she's 18 to his 15 and it's often by Jason stans even though Jason is HER AGE and basically her bf?????I know Percy's not technically canonically a girl but as i've said before,she's Marco level subtext and Persephpne Jackson believers are the only ones who get her characterzation right instead of gentrifying her when Percy in the text is meant to be complete abnormal and i think there's something to be said there added on with how with no exception the VERY HIGH number of transfem Pjo fans i've met have said she's an egg

Also worth noting that Hazel is a canon trio with Percy and Nico but she gets replaced with Jason and SO DEFANGED,Thalia and Reyna are always getting bashed as a ship more than the literal Percy x gods and her literal gr**mer(Luke)ones,Rachel was Percy's first gf and mortal best friend but she gets the Margo Kess treatment but with ableist misogyny for her autistic-coding,Sally got a way better s/o than Poseidon and is perfectly happy w/ him but the husband gets bashed so she can get back with him and a bunch of other shit!It's genuinely so fucking maddening,girls can't have shit but men get to be hot for being abusers

OMG HOW DOES IT FEEL TO BE RIGHT?!?!?!?!?!

[bookns]

Can I Be Him is OUT NOW!

If Taylor Swift and 5 Seconds of Summer as Annabeth Chase and Percy Jackson.

Annabeth felt her smile grow wide as the cheers from all her fans echoed down. The final notes of her song, 'Welcome to New York,' ending. Her '2005' tour had ended for the city of Pittsburg and she could still feel the high off of being on stage. 

Silena Beauregard, her manager and close friend, handed her a towel.

"Great show, Annabeth. We are on the road till two days from now where we will eventually have three shows for New York."

"I have a day off?"

"Yes. Please don’t get drunk and have the cops get called on you.”

“Silena, you and I both know that I would most likely be in my hotel trying to relax.”

“Well, actually I have a surprise for you. Remember RIPTIDE”

“The band that I duetted with less than two years ago. Yeah?” 

“I called him for some favors and it turns out the band is heading to New York for their Can I be him tour. I was thinking they could be the surprise guest for the New York show.”

New York 

"Damn, I don't think we ever played in a stadium this big. My name is Percy, and the drummer in the back is Thalia. My buddy to my left on the keyboard is Grover, and the man adorning the electric guitar on the right is Charles. And we are RIPTIDE”

"You guys can call me Beckendorf." He winked at the audience.”

Annabeth stood to the sidelines as she watched her fans scream the lyrics to their opening song ‘Moving Along’. They seemed so in sync, even down to the movements of their instruments. Thalia, though never moving from her drum set, seemed to interact with everyone on stage. Grover had hit every note on his keyboard while still maintaining eye contact with the audience. Charles ‘Beckendorf’ walked around greeting every fan in sight. And Percy Jackson, well Percy Jackson gave it his all. He was electrifying as he belted out the lyrics. Annabeth stared, as how every person in the crowd seamlessly gathered the attention of the rising stars. She had nearly missed her call for the stage, too enchanted by their music, when Percy had introduced her. 

“Now, the real reason why you all are here. Introducing Miss Annabeth Chase!”

Screams fell over her ears as she grabbed her guitar. 

.o0o.

Annabeth Chase, a country girl from Virginia who moved to New York City in hopes of her dream to be a star come true. Her country albums rose to number 1 for years. She now is on her way to being the newest pop sensation. He knows that, after duetting on her song Everything Has Changed, that she sings from the heart.

That’s what Percy Jackson knows about Annabeth Chase. 

But as she climbed the steps, her confidence never wavering, he learned something else. 

He learns that she is a sensation on the stage. That she is the epitome of talent. That she can stand on controlling the crowd like Poseidon controlled the sea. 

.o0o. 

“So, Annabeth, are you free after this?”

Annabeth took a sip of her water and glanced over at him. 

“Usually after shows, I just go relax in my hotel room.

“You could do that any other day.”

“I suppose I can.” 

“Good cause I like to introduce you to the rest of the band.  

“I guess I have to tag along”

“Drinks on me.”

Annabeth laughed at him.

“What? This is my city and I know a good place.”

“Lead the way, Jackson.”

As they walked through the city of New York, the windy weather reflecting 

Can I get you ladies some drinks? 

Ladies?

I think your manager Silena might be coming with us. Look, Beckendorf is asking her. 

Sure enough, Silena was laughing at something Beckendorf was saying, his smile being a 100 watts an hour. 

Annabeth rolled her eyes. 

“Silena loves going anywhere with a good drink and a flirty man. I swear she needs to manage her love life before she manages mine.”

She has to manage your love life? Wow, that's a new one even for me. 

Annabeth cocked her hair.  “Not necessary. Silena’s my closest friend and because she is my manager, she thinks it’s in her job description to manage it and make sure he’s not a loser. 

“That I get. Thalia refuses to take any girl I bring home seriously because ‘as my friend, she says it’s her job to make sure I’m not doing no groupies and ruining our reputation.’  

“Have you ever done Groupies before? “

“Once. Let’s just say that ship is long gone.”

“What happened?” 

“She stalked my mom and became really crazy.”

“Seriously, that’s insane.”

“Have you ever hooked up with a fan?”

“No. If I ever dare even try to get close to one, god knows what the media would say.”

“The attention is nice though the media sucks.”

“I’ve had too many people follow me into random places to say the attention is nice. I love my fans but it's the weirdos I am wary of.”

Percy chuckled.

“That’s fair.”

Annabeth smoothed her hair and sighed. 

“Change of topic.” Percy decided.

“Why is your name RIPTIDE? I’ve always wondered about that, I must admit.”

“When we were in high school, Grover and I used to have a skateboarding contest when one time we nearly skateboarded into the art kids which is where we met Thalia. Thalia had then spray painted a riptide on my skateboard in revenge which led us to get to know each other and that led us here.”

He smiled as he looked to the bar that Annabeth, him and the rest of the group walked to. Their security not too far behind them. 

“Dionysus Drinks and Dine?”

Percy opened the door for her.

“Don’t judge too quickly. This place has the best drinks I’ve ever had.”

As Annabeth’s eyes adjusted to the darkness of the bar, she noticed some tables occupied by students and a bar that had its collection of bottles shown in an array. 

As everyone collected inside, Percy led them to a table. He’d taken charge and despite the level of music in the bar, he was able to get everyone their respective drinks.

“Annabeth. A little help here.”

Percy wobbled with a few drinks in his hand threatening to spill. Annabeth had gladly taken one in fear of him dropping it on all of them.

He handed all out and as he sat across from her, Annabeth noticed he, himself, was only drinking a diet coke.

“Diet Coke?”

She had to shout to be heard over the music but luckily Percy was aware of her trying to get his attention.

“I am not the biggest drinker.”

“You said this place was good for their drinks.”

“Yeah, I know my friends love this place so therefore it has to be good y’know?”

He cocked his head where Thalia was doing shots with Beckendorf. How neither of them were slurring their words at this point made Annabeth wonder, their row of shots were placed as if to display their mischief. 

Silnea cleared her throat, capturing the attention of the table. 

“I know it's sudden but I was thinking that with the success of today's show, you guys should join us when your tour ends in a few days. We can have a few trial weeks of you guys opening for us before Annabeth heads Europe.”

Percy grinned. 

“I’d have to ask our tour manager, Clarisse if we can squeeze that in but in all honesty? I think she will say yes.”

Annabeth glanced at the table and took in the different reactions amongst their group. Thalia was leaning forward almost too dazed to focus on the world around her. Grover was smiling as sipped his fruity drink. Beckendorf was looking at Silena in a way that Annabeth made a mental note to ask her about later.

Annabeth smiled. 

“I think it's a brilliant idea."

This fic has been my hearth for so many years. It's for you. All for you. Thank you for supporting all this time.

[piquira]

People really forget sometimes that it’s super rare for pop stars to have the level of success Shakira is having in middle age. That’s why I will never complain about her taking her time to put out an album or anything music related. A lot of others would be full on retired or coasting on past hits to do small venues at the age of 46.

Instead she’s cranking out #1 singles and will be able to do stadiums when she eventually does a tour, I’m assuming next year.

I also think based on when she releases it, she will finally get her #1 on the US album chart based on the streaming strength of all these singles she is releasing that will be on it.

She’s been doing amazing and we should appreciate it because this very well could be her last major era, and the fact it’s close to being the same kind of iconic as the Laundry Service period is crazy all things considered.

Thank you!!! I swear, Shakira's fandom is the weirdest group of stans I've ever seen. The way they act as if Shakira's some type of newcomer who has no idea what she's doing, and not a 46 year old global legend whose been 30+ years at the highest level and who defies all the norms for female pop artists at her age, is just absurd! And even before this record breaking year, she's always been unique in that she's one of the few artists from past generations, who has smoothly transitioned into the streaming era and continues to impact new generations. At her age & her trajectory, normal (and expected) would be to live off classic hits. Live off of name, past glories & touring because for the most part, the gp isn't really consuming your new music (ex: Xtina, Mariah Carey, Jlo, Britney Spears, Thalia, Paulina Rubio, etc). Ms. Beyonce herself, even though she continues to be huge (especially in touring & in general pop culture) isn't a top force in streaming services. Meanwhile Shakira is subsequently one of the trendiest artist of the moment, while also being an established legend. But for some reason, her hardcore fanbase is always on edge and expecting the worst. It's completely insane and unbelievable lol.

It's annoying that we still have to keep waiting for the album, but I also imagine it's going to do very well when it finally comes out, likewise her inevitable tour. Nobody can predict the future obviously, but I've always thought that one of the reasons Shakira's managed to keep herself relevant throughout the years is because she knows how much to give the public and when. While fans continue their discourse about Shakira "missing her opportunities", I think Shakira's been very strategic about how much exposure she needs at given times. She knows that impact and authenticity, is more important than trends and numbers when you're playing for the long run. And the little bits of material she's been giving us in the last year or so, have proved that she knows exactly what she's doing. Nothing's a guarantee in life, but this has damn well been one of Shakira's most successful years in her career, and that's saying a lot!!

[monkberries]

Since an anon asked me to tell them about the factual inaccuracies in the latest AK*M episode I’ll make a numbered list a la Jenny Nicholson, under the cut.

1. Phoebe says at the 30:55 mark that the contract they signed in September of 1969 would require them to put out SEVEN ALBUMS PER YEAR. I thought she misspoke, but no, she said it twice, with emphasis. This is not true as far as I can tell; they cite their sources in the show notes but don’t notate which things they refer to, so if it’s in there somewhere, I haven’t been able to find it yet, though I’m still looking. Beatlesbible says it was two albums per year, though there’s no source; however, I found this in And In The End by Ken McNab that seems to agree with that:

2. At the 32 minute mark Phoebe says, “They have a whole month, so it’s not even that wild for Paul to say, ‘Okay listen, it’s January 3rd, we have until the 30th. So we have a whole freakin month to come up with a decent idea, like, we should be able to do that, guys.’” In the opening montage of Get Back, it is made explicitly clear that the dress rehearsal was meant to happen on the 18th, with the shows on the 19th and 20th. Also, on the 6th, Paul says they only have twelve more days, but since they’re not originally working weekends (possibly because of the film crew’s union requirements? not sure about that), it’s actually even less.

3. I talked about the Ringo and Paul quote in this post; the talk about this quote in the podcast starts at 1:13:08. Like I said in that post, they could just be severely misremembering it, or they might be conflating that quote with another one I don’t know about. Again, they list their sources, but not what points in the conversation the sources relate to. So I’m still looking for a possible other quote, but I haven’t yet found it.

4. They attempt to refute the idea that Ringo walked out in 68 because Paul wouldn’t stop criticizing his drumming by misrepresenting Maureen Starkey’s interview in 1988. They represent it like this at 1:22:35:

Thalia: Another thing that has been folded into this ‘Paul was the problem child of the Beatles’ narrative is the idea that he was alienating his bandmates with egomaniac and diva behavior. An example of how this has been retrofit to support this narrative is the way that fans have begun to blame Paul for Ringo’s quitting in 1968. Phoebe: There apparently was at least one day where Ringo came home from the studio during the White album complaining about Paul, because Maureen gave an interview later where she recounts that one day he came home and he said, ‘Paul’s a fucking moron.’ She used ‘freaking,’ but I think in one interview she said ‘fucking.’ Iris: But, from Ringo’s point of view, at least, that wasn’t the cause of his walkout.

Then they play a clip of Ringo refuting this idea in 2000 on the Howard Stern show. But, here’s what the Maureen Starkey interview actually says:

Q: Were you there when Ritchie walked out?

A: No, but I was surprised when he came home so soon. He told me to pack my bags without giving me much of an explanation; but I could see a look of distress in his eyes. It was just painful. I fought with him for a while, I really did and I told him that it was foolish to go away so soon, but I could tell he didn't really care at that point. I do remember him muttering something about Paul under his breath- something really dirty which made me believe that Paul and Ritchie had a row.

Q: Can you recall what Ritchie said?

A: They were all curse words. I don't really want to repeat -

Q: (interrupts) Just do the best you can.

A: (laughs and puts her hands to her face) Ohhh.. it's easy for you to

say.

Q: (Whistles) Wow! Were they that bad?

A: Well pretty much. I will never forget what he muttered as he folded his socks and put them in the suitcase. He said: "Paul is a freaking moron."

Q: You used freaking instead of the "F" word?

A: (laughs) Yes I did. He put so much stress on that word that it shocked me to hear him say it because he usually isn't like that.

Q: Did you know why he left? Did he tell you?

A: From what I heard him tell Peter [Sellers] on the yacht, Paul wanted a certain drum pattern on a song and Ritchie was just fed up with his coaching him too much. He usually did something totally opposite of what Paul specifically told him to do, and Paul would get upset.

[posallys]

First Lines

i wasn't tagged by anyone, but i wanted to do this anyway!

rules : list the first lines of your last 20 stories (if you have less than 20, just list them all), see if there are any patterns. choose your favorite opening line. then tag 10 authors!!!

@chironshorseass @skaterannabeth @annabethy @annabethsinvibilitycap @halfbloodcarrie @thetitanwar @bbyannabeth and whoever else wants to!

(In order from oldest to newest)

1. Sempiternal - As she walked down the aisle towards him, Percy couldn’t help the grin that pulled at the corners of his mouth and spread across his face (he’d be lying if he said there weren’t tears in his eyes, too).

2. i think of you (day and night) - If there’s one thing Poseidon had learned in his immortal (and briefly mortal) life, it was that mortals and gods don’t love the same.

3. two of my favorite things - It’s moments like this, when Percy pushes open the door of their apartment at 11:37 p.m after leaving the station late and pads into the kitchen to find her, clad in nothing more than a white button-up and black panties, blue-stained hands holding the old tattered notebook from his mom as she jumps around the kitchen to “We Didn’t Start The Fire” playing in the background, that make everything worth it.

4. i hope he buys you flowers - When Connor first came to camp, nobody was surprised to see that he and Annabeth hit it off. The two of them were practically inseparable from the moment they laid eyes on each other.

5. i've had to wait forever (but better late than never) - The gods are silent as they walk into the throne room, glancing warily at Percy, Grover, and Thalia standing over the broken body of Luke Castellan.

6. stuck in my head (stuck in my heart) - To put it simply, Percy’s day had been shit.

7. when you're all alone, i will reach for you - Seven.

8. a string that pulled me - At twenty years old, Sally Jackson was not unacquainted with strange events.

9. ocean blue eyes, lookin' in mine - It’s mid June.

10. august slipped away into a moment in time - When Sally wakes, it’s to the rhythmic in and out of Poseidon’s breath fanning across her shoulder.

11. don't be afraid (we'll make it out of this mess) - If Percy’s being honest, he doesn’t remember much about the last thirty minutes other than the fact that one second, Annabeth was behind him, shoulder to shoulder like they’ve done countless other times, and the next she was in his arms, blood dripping from her shoulder and covering his clothes while he called for Blackjack.

12. his voice is a familiar sound - She doesn’t know what time it is—or what day it is, if she’s being honest.

as we can see, I'm not particularly great at opening lines lol. i think my fav is probably number 10 though bc posally <3

bonus: my wips

1. breakable heaven - The pit in her stomach is far from unfamiliar now.

2. illicit affair - It had only been two days since Poseidon had told her that gods and monsters were real, but Sally felt as if a weight had been lifted off her shoulders.

3. untitled- Sally sits there in the soft blue light of the early morning, her fingers tracing along Poseidon’s face.

4. untitled - Some people say that the hardest part of life is learning to let go, to realize when it’s time to take a step back and let the fates continue to weave their threads throughout the universe, to submissively play your part while the world keeps turning.

5. untitled - Percy doesn’t know much about his life at the moment, but what he does know is that he is undeniably screwed.

[theoverlyenthusiasticwriter]

Hey hun! Could I get number 1 for the prompt ask for nessian? 💙

Abso-freaking-lutely. This didn’t turn out exactly how I wanted it, but I hope you guys enjoy. This takes place after Cassian’s wings got destroyed and Nesta was turned fae.

*****

Cassian knew that he should be there. His wings were barely healed enough for him to properly lift them and it took his body’s entire strength to drag himself up those stairs to the House of Wind.

But he had to see her.

Grunting, his shoulders slumped at the sight of the great door leading into the carved-out mountain. He pushed it open with minimal pain, but his wings screamed as a particularly strong gust of wind threw them into the side of the mountain.

He hissed, rightening himself, and slipped away from the wind’s claws, into the safety of the carved stone. From there, he followed her scent like a dog, leading him to the library.

He shouldn’t have been surprised, but he was, to find Nesta curled in a chair, so absorbed in her reading that she didn’t hear him come in. She licked her finger, turning a page with the grace of a centuries old fae.

“Good morning, sweetheart.”

She didn’t jump, like he’d expected her to, only flicked her eyes to his, then back down. 

“Silent treatment, I see. Well, you should know that I am healing brilliantly, as is Azriel, in case you were concerned.”

“I wasn’t.”

Cool. Dismissive.

Utterly out of reach.

He moved before he could stop himself, crossing the room to snatch the book from her hands. Even injured, he moved faster than her, retreating quickly to the balcony. “Why, what is it you’re reading? Oh, by the forgotten gods, this is smut.” 

Nesta’s snarl sent a chill through his bones. “It is literature. Now give it back.”

“Come over here and make me.” He needed to see it again— her fire. Needed it to warm him.

She moved like a panther, uncoiling herself from the chair, and his heart pounded. When she stopped, she was close enough to kiss him, her breasts brushing his chest. He wasn’t sure he was breathing.

“Give me,” she said with deadly quiet, “the book.”

He’d give her anything, he thought, to have her talk to him like that in the bedroom— or maybe to silence that wicked tongue of hers in favor of a moan. Which would she prefer? To have him underneath her, at her mercy, or to let him have his way with her body and show her what real pleasure was like.

He could imagine it. Could taste it.

So he leaned down, putting his mouth right next to the point of her ear, and repeated, “Make me.”

*****

Tags: @a-trifling-matter @vanilla28 @texas-shaped-waffle-maker @illyrianwitchling13 @feyrheart @sarahjmaasslave @h-a-p-p-i-e-s @sadb1tch3000 @samuelcasera-blog @wanderlustlastsforever @catita09 @ @madie-max @gendryaforthemasses @nestaarxheron @imlumpingamazingstuff @silver-flames @awesomelena555 @ribhinnog @sannelovesreading @over300books @sayosdreams @illyrian-bookworm @perseusannabeth @ireallyshouldsleeprn @thalia-2-rose @my-fan-side @skychild29 @superspiritfestival @nahthanks

[apollosgirl9]

Rating The riordanverse books that I’ve read

Note: please don’t get mad, this is my opinion, you can comment yours, but no hate please.

Note number 2: there’s heavy spoilers for all riordanverse, so if you haven’t read some, I suggest you stop reading once you see a name of a book you’ve never read.

Lightning thief: 7/10 pretty good book but honestly it wasn’t for me. Sure it was sweet with the whole Percy saving sally and stuff but I just wasn’t a fan

Sea of monsters: 6/10 so many love this book so imma get hate but I want a big fan of it honestly. It was a good book but not this kinda book I would stay up till 3 am reading.

Titans curse: 10/10 LOVED IT! It was amazing, definitely one of my favourites. Di angelos were in it along with Queen Zoë, Thalia and my gal Rachel. The whole concept of Percy getting annabeth was cute yet cringy but all in all, amazing book.

Battle of the Labyrinth: 9/10 this one was pretty good ngl. It wasn’t my favourite but it was still pretty good.

Last Olympian: ok so there’s something wrong with me and the last book of the series is ALWAYS my favourite (unless we’re talking red Queen but that’s a different story). So obviously I’m giving this one and infinity/10 mainly cuz I’m a sucker for romance AND it was a genuinely good book. So yeah I loved it.

All the in between books such as demigod chronicles and the guide to chb deserve a solid 10/10 all really good, I’m not gonna specify cuz I wanna fit this in one post so if there was any side books I’ve read, the get 10/10

Lost hero: ok so usually, I would give this like an 8/10 but they went to Canada, bumping it up to 9/10. It was a pretty good book, but I think it’s a tad bit overrated. The trio was an amazing trio so yeah.

Son of Neptune: 10/10 amazing book, really underrated but honestly really funny. They went to Canada, so as a Canadian, gets more points. Frank and Hazel were such a cute couple, and Percy just made a great third wheel (not as good as broski Grover tho).

Mark of Athena: 7/10 it was pretty good but let’s be honest, it was sorta over hyped. Sure, it was a pretty good book but I think people love it to much.

House of Hades: 2/10. Now before you get mad at me, it wasn’t for me. I never actually read it front to back because it didn’t seem Interesting.

Blood of Olympus: 9/10. The beginning of solangelo (*insert weird squeal thing*) which obviously made me happy. Plus, we got to see more of Queen Reyna and that was amazing. Also, Octavian=dead in this book so that’s a plus. Once again, last book so obviously my favourite in the series.

The Hidden oracle: 9/10 All of the TOA books are amazing plus this one we got to meet solangelo while they were dating. We also met Meg aka the whole ass mood.

The Dark Prophecy: 7/10 there was caleo which was the first real time we met them. Not to mention the old lesbian couple (I forgot their names rn)

The Burning Maze: 6/10 good storyline but he killed Jason so lost like 3 points for that. I don’t need to explain more.

The Tyrants tomb: 9/10 ok so I was SO ready to ship Lester and Reyna but then when she rejected us I was sorta sad. They would’ve been so cute but the fact that she laughed in his face was awesome.

Tower of Nero: 10/10 amazing book, plot, and character development. I’m not gonna give spoilers cuz it’s fairly new so I know their are ton that haven’t read it so I’ll leave it like that.

Sword of Summer: 10/10 I loved all mcga books are are amazing and this one was so refreshing with the new characters

Hammer of Thor: 8/10 this one was pretty good but it wasn’t my favourite so therefore only got an 8. Also, Alex was in it which made me happier.

Ship of the Dead: ♾/10 literally the best book in the world and I don’t need to talk any more.

Red Pyramid: ok so I’m gonna explain myself before I tell you my rating. I couldn’t get into it. I am not a fan of Egyptian mythology. It wasn’t a good book in my opinion. I never finished the series cuz I didn’t like it. I don’t mean to offend anyone so please no hate. I don’t mind you telling me your opinion but please no hate. It’s my opinion. 1/10

Thank you for reading this. Feel free to share your opinion in the comments.

[bright-eyes-strawberry-lies]

Every Time Annabeth is Mean to Percy in the Riordanverse

This is something that I’ve been considering writing for a while but didn’t particularly want to put the work into until I was rereading The Titan’s Curse and came across a very specific line that went “She punched me in the gut.” I was so consumed with rage that I immediately began to reread the whole series and marked down every single instance that Annabeth was a dick to Percy. 

One thing to note is that I’ve marked down every instance of Annabeth calling Percy “seaweed brain” as being mean. Friendly reminder that her nickname for Percy means “stupid” and has always meant stupid and will always mean stupid and that just because he’s used to it by now, doesn’t make it okay. 

On that note, this also turned into me writing down every time someone other than Annabeth insults Percy’s intelligence just because I was curious.

Without further ado, I present to you, The Lightning Thief.

(Alternating colors for easier reading)

TLT (pg 57) -  [interrogation of Percy]   The girl with curly blond hair hovered over me, smirking as she scraped drips off my chin with the spoon. [ … ] Somebody knocked on the door, and the girl quickly filled my mouth with pudding.

TLT (pg 64) - [describing Annabeth’s eyes] but intimidating, too, as if she were analyzing the best way to take me down in a fight. 

TLT (pg 64) - “You drool when you sleep.”

TLT (pg 83) - When we reached her, she looked me over critically, like she was still thinking about how much I drooled. 

TLT (pg 85) - She saw me looking, and her expression hardened again.

TLT (pg 85-86) - She grabbed my wrist and dragged me outside. I could hear the kids of cabin eleven laughing behind me. When we were a few feet away, Annabeth said, “Jackson, you have to do better than that.” [ … ] She rolled her eyes and mumbled under her breath, “I can’t believe I thought you were the one.” 

TLT (pg 86) - [Percy is annoyed] “Don’t talk like that!” Annabeth told me. “You know how many kids at this camp wish they’d had your chance?” 

TLT (pg 89) - [Clarisse is hazing Percy] Annabeth looked pained, but she did stay out of it. 

TLT (pg 90) - [Clarisse is hazing Percy] Annabeth stood in the corner, watching through her fingers. 

TLT (pg 92) - Annabeth stared at me. I couldn’t tell whether she was just grossed out or angry at me for dousing her.

TLT (pg 93) - “I’ve got training to do,” Annabeth said flatly. “Dinner’s at seven-thirty. Just follow your cabin to the mess hall.” [Percy apologizes] “Whatever.” 

TLT (pg 123) - [Annabeth sets Percy up to be bait for Clarisse, Percy confronts her] Annabeth shrugged. “I told you. Athena always, always has a plan.” 

TLT (pg 128) - Annabeth still taught me Greek in the mornings, but she seemed distracted. Every time I said something, she scowled at me, as if I’d just poked her between the eyes. 

TLT (pg 147) - [Annabeth has volunteered for the quest] “I’ve been waiting a long time for a quest, seaweed brain,” she said. “Athena is no fan of Poseidon, but if you’re going to save the world, I’m the best person to keep you from messing up.” 

TLT (pg 157) - [Percy is being optimistic] She gave me an irritated look. “It’s bad luck to talk that way, seaweed brain.” [Percy asks why Annabeth hates him] “I don’t hate you. [Percy disagrees] “Look...we’re just not supposed to get along, okay? Our parents are rivals.” 

TLT (pg 169) - She was silent for a few more steps. “It’s just that if you died...aside from the fact that it would really suck for you, it would mean the quest was over. This may be my only chance to see the real world.” 

TLT (pg 173) - [Percy lies to Medusa] “Your head is full of kelp.” 

TLT (pg 185) - [Percy doesn’t know the myths] Annabeth flashed me an irritated look. [explanation of the myth] Annabeth straightened. In a bad imitation of my voice she said: “It’s just a photo, Annabeth. What’s the harm?” 

TLT (pg 194) - [Annabeth wakes Percy after a nightmare] “Well,” Annabeth said, “the zombie lives.” 

TLT (pg 217) - [After Percy jumps off the Gateway Arch] Annabeth stood beside him, trying to look angry, but even she seemed relieved to see me. “We can’t leave you alone for five minutes! What happened?” 

TLT (pg 234) - [Percy asking Annabeth to go with him to get Ares’ shield] “Are you kidding?” She looked at me as if I’d just dropped from the moon. [ … ] “Me, go with you to the...the ‘Thrill Ride of Love’? How embarrassing is that? What if somebody saw me?” 

TLT (pg 234) - [Percy picks up Aphrodite’s scarf] Annabeth ripped it out of my hand and stuffed it in her pocket. “Oh no you don’t. Stay away from that love magic.” [ … ] “Just get the shield, seaweed brain.” 

TLT (pg 239) - [Percy has a plan] “Are you crazy?” 

TLT (pg 244) - [Percy backtalking Ares] Annabeth said, “That was not smart, Percy.” 

TLT (pg 251) - [Discussing what side they’ll pick] “Because you’re my friend, seaweed brain. Anymore stupid questions?” 

TLT (pg 257) - [Grover can only bless wild animals] “So it would only work on Percy,” Annabeth reasoned.

TLT (pg 263) - [Percy trying to get Annabeth’s attention at the Lotus Hotel] She looked up, annoyed. “What?” [ … ] “Hey!” She screamed and hit me, but nobody else even bothered looking at us. 

TLT (pg 282) - [Percy saves Grover and Annabeth from Crusty] “Be faster next time.” 

TLT (pg 370) - [Percy wakes up after almost dying] “You idiot,” Annabeth said.

TLT (pg 374) - She pursed her lips. “You won’t try anything stupid during the school year, will you? At least...not without sending me an Iris-Message?” 

TLT (pg 374) “Take care, seaweed brain.” 

TLT total number of times Percy is called stupid: 10 

TLT number of times Annabeth calls Percy stupid: 7

TLT number of times others call Percy stupid: Gabe (1). Grover (1). Thalia (1). 

Every day, I’ll reblog this post with the next book so keep an eye out for that.

[fordarkisthesuede]

The Tolls of Justice: the Tarot, Name Meanings, and More!

Gentlepeople…

BEHOLD!

All the tarot-aligned hints! All the future foretellings! All the silly references! :) Everything you might have overlooked is here for you easy-to-read pleasure!

Naturally, there be spoilers a-plenty ahead for Batman the TellTale Series: The Tolls of Justice, so if you haven't read it (or maybe you're thinking about reading it, or this is your first time hearing about it), I'd advise waiting until you're done with each chapter to read through the sections. You can either click the link and be redirected to Ao3, or look through my tumblr tag #ttoj!

*One forwarding note: the tarot references build slowly in this story, and I only use the traditional Major & Minor Arcana. You'll see a lot of jokes and name-type references before we get to the tarot. I also simplified the numerics, but they're often displayed as roman numerals on cards, hint hint.

Prologue

gang member "Four Ears" - a very very off-the-collar reference to the line "Listen up, four-ears!" from J-Men Forever; in context, it was an off-shoot of the insult "four-eyes" but for music taste, also implying the person's taste was "square".

gang member "Muddy Nye" - his name can be boiled down to "muddy river". It works as an allusion to the messy, unclear case ahead of Bruce and the Batfam, but also as a hint to Clayface, who acted as Muddy in his first sighting of the story.

"Sunset" - a reference to everyone's favorite vampire series to pick on, the Twilight series; back when it was at the height of it's popularity, some drug dealers sold heroin marketed towards the crowd based off it's terrible and unfortunately iconic(?) line from Edward Cullen, "You're my own personal brand of heroin"…hence why the drug of choice BM is shipping here is heroin. Essentially, this plot setup is one big joke.

"FIGS" - a reference to POP! vinyls, hence the capitalized name and spiky word balloon on the packages.

"Gray Ghost [memorabilia]" - one of my (and everyone else's) favorite BtAS episodes, which proves definitively that Bruce Wayne | Batman is not only a Huge Nerd™, but also a massive collector of normal fandom things. (Do you think he troughs through blogs and fanwikis…? What am I saying, of course he does. He edits them.)

gang members "Jack Whendleham and Kirby Noltz" - nod to Jack Kirby, comic artist extraordinaire!

Ch.1: A Different Ceiling

[chapter title] - John does not wake up in Arkham at the start of the story, hence waking up to a different ceiling. He also hits different limitations on what he can do, so it's also a different kind of "ceiling". (Like the term "the glass ceiling", the invisible barrier a demographic hits in a hierarchy.)

St. Dymphna New Life Home - named after Saint Dymphna, the patron saint of mental illness. There's no "'s" at the end because I saw other clinics named after Saints didn't use the possessive form when referencing them.

The Lucky Hotel - an oxymoron, really; the unluckiest place to get stuck at with it's seedy history, but also the place where John "gets lucky"…in a couple of different ways!

Stitched Up Alterations - a heavy nod to the wonderful batjokesy line from S2, "We're two threads in the same stitch". It's pretty deeply ingrained in fanon (and technically canon, if you go with The Dark Knight) that Joker makes his own clothes, hence Batman rarely finding him through his tailor. Since John's thrifty and clearly made his original Joker outfit(s), I piggybacked off it as a legit skill to give him. I mean, come on, the guy is always so stylish! And you're really going to look at me and say he didn't alter his thrifted shirts and vests to fit his sleek frame? Puh-leeease.

13th Street - 13 is a traditionally unlucky number in western culture; hence the "Lucky Hotel" there having a bloody history, along with a failed, closed casino nearby.

Corazón gang - okay, I admit…I'm still a weeb at heart. It's a One Piece reference. Corazon was one of the few post-timeskip new characters I really liked; his name is Spanish for "heart", and he sported a heart motif. Like the gang in this story, he also died before the start of the main storyline.

Ch. 2: Face Values

[chapter title] - A reference to the phrase "not taking things at face value", which is very evident in this story. Also doubles as a rather loose reference to the upcoming Tarot cards.

Sebastian Overfield - The name Sebastian means "from Sebaste", as is derived from the Greek word sebastos ("venerable", someone who has a lot of respect). Overfield of course is "over" and "field", implying the family is on a high hill overlooking/overseeing/maintaining a certain field. As Seb is a reverend, this name is well-fit for him.

orange rose [gift from John] - means "passion" in the language of flowers, and can allude to fascination; this can be taken platonically or romantically…but it's definitely romantic when it's coming from John.

blue iris [gift from John] - means "faith and hope" in the language of flowers, and sometimes are associated with royalty; an allusion to Batman/Bruce's overall symbolism in the eyes of Gotham…and John.

Chandis [ship, circa Prologue] - A reference to Chandi | Chandika, the Hindu deity; the short version of their story is that they are a demon slayer, known to be angry and passionate, wield multiple weapons, and ride a lion. And who was on the ship? Hmm…

Ch. 3: Ink Trails

[chapter title] - A reference to the Alterations' claim slip John finds, which ends up leading back to the Court of Owls. It doubles as a reference to the mask tattoo/clue on Ian 'Nito'.

Faith Ackart - "Ackart" is a variant of "ackhart", derived from "ekkehard", which we can say roughly means "brave/hardy". The name "faith" and "hardy" together is another very subtle clue for the audience towards the villains' motives. (Well, I say that, but it was really more of a joke-clue for me to giggle at. And it makes a good reporter name!)

Lou Monger - the guy's a fish monger…with the last name Monger. It's-a joke! ;D

Ian 'Nito' Coggs - first mentioned without his real last name, but "Ian Coggs, Nito", is a pun on the word "incognito"…which is what Clayface is here.

FriendBook/Chirp/bloggr/uBox - takes on Facebook, Twitter, Tumblr, and YouTube respectively. (This started back in my 'Season 3' story, At the Brink of Midnight, though I've since learned that bloggr was a real thing. :T) The 'uBox' is meant to be a play on 'jumping box'/'the box' as other terms for TV, like 'the tube'.

"whole tomato of pins" - the supposed history of tomato-shaped pincushions is that tomatoes placed on mantels repelled evil spirits and guaranteed prosperity, but I really wanted to just allude to the common pin-cushion shape. (My mom once had a whole little basket of strawberry shaped pin-cushions. I remember "borrowing" them a lot as a kid to play with. And then "losing" them.)

"sock and buskin masks" - these are a reference to the "comedic sock" and "tragic buskin (i.e. boot)" of the Greek comedy-tragedy theatre masks. I figured something like them would be a good logo for the "false faces", as BM is obsessed with masks. It also doubles as a natural callback to the "your relationship with x has changed" feature of TT games.

Ch. 4: Suite of Cups

[chapter title] - the first chapter to be a reference to the Tarot, in specific the Minor Arcana of Cups; rather than specifying the card at play outright, this title is a pun on the aforementioned arcana "suite", as the main location of events this chapter are in a casino's hotel suite. One can interpret many Cups cards at play here, but...

○ Specifically, in the Casino's suite/crime scene, there are 8 visible seats, but 7 cups on the table. The 7 of Cups refers to choices, fantasy, and illusion, an indicates there are multiple opportunities or many paths you can take, but they should be chosen carefully; when reversed, it can mean confusion, diversion, and temptation, and indicate a lack of choice or failure to choose.

○ The upright version is definitely in play, with the overall root of TellTale games being choices, and some "the player" makes this chapter will move your relationships with Tiffany and John in different ways, which can strengthen your relationships with them. If "the player" has chosen to be a more violent Batman, the way the Talon - and later, the Court - treats Batman is different.

○ The Reversed reading can be interpreted for the Court's complete disregard for the mere notion of choice.

Bauta - a Venetian carnival mask, meant to represent 'anonymous decisions' via it's original design of protecting identities. It's quite common in carnivals.

Melpomene-Thalia - the Venetian masks for comedy and tragedy, a la 'sock and buskin', the masks used as a general symbol for theatre. You can practically taste the irony, given who's shown wearing it...

Volto - a Venetian mask, meant to represent 'anonymity, quiet exit' for it's blank face. It's also known as the "Citizen Mask" because of it's worn by the common folk (in comparison to the more elaborate masks).

The Lot [casino] - named for "drawing lots", like drawing straws or matches to pick a person to do a task (usually with the shortest straw having to do the task, but it varies). This is both a pun on the fact that it's a casino - where you try your luck at gambling - and corresponds with the theme of foretelling the future that's woven throughout much of the story.

The Wednesday Nighters gang - this doesn't mean anything in particular. I'm a big fan of Midsomer Murders, and there's an episode ("Death in a Chocolate Box") where it references a few dirty cops who frequently took the Friday night shift at a station for episode-plot-reasons, who called themselves The Friday Nighters. It's an off-shoot reference to it, hence the corrupt cops on the gang in this story. :)

[John's voicemail] - Another BtAS episode I love is "the terrible secret of Bruce Wayne". In particular, I loved Joker's voicemail when Dr. Strange calls in ("Boy, do YOU have the wrong number!") and I wanted to do something like that. But, y'know, way less murdery.

"F85H4ND" - l33t-written "Fate's Hand", for…well, the hand of fate, supposedly guiding you through life/events. Another correspondent to the foretelling the future theme.

Michael Hodgson - not all of the names I pick for characters mean anything. Sometimes their names are just loose references to things I like. This is a silly mish-mashup of the original hosts of Mystery Science Theater 3000, Michael [Nelson] and [Joel] Hodgeson. (Joel was the first host + show creator, and Mike was the second host who closed out the original series run.)

"40F5WRD5" [Batcomputer archive] - l33t for the 4 of Swords, a card in the Minor Arcana for rest and restoration; since the archives and file names are randomly generated when not prompted otherwise with manual input, an otherworldly force seems to be saying 'get some damn sleep Bruce'.

[John's ringtone] - I know, TT always has everyone's phone on silent. I don't care. Bruce's ringtone for John is "Mack the Knife", a song about a violent mobster, played on a carnival organ. Chosen because 1) John probably loves that song, 2) I thought it was funny that it has the line "the shark bites - with his teeth, dear - when he shows them pearly whites" and how well that goes with John's A+ dental care... 3) TeamFourStar made jokes in their BtTTS S2 playthrough about having "a special ringtone whenever John calls [them]"…why would I not carry that through? They did get me to where we are now, you know. ;)

Ryde - the in-game stand-in for Lyft, the not-a-taxi service.

Ch. 5: The Wheel Still Spins on the Upturned Chariot

[chapter title] - a reference to 2 tarot cards in the Major Arcana. 1) "The Wheel"/"The Wheel of Fortune", which is a sign for continuous cycles, inevitable fate, and usually indicates good fortune and pre-destiny when the card is presented upright. When reversed, it can signify bad luck and an unfavorable fate. 2) "The Chariot", symbolizing a path forward to success, confidence, and overcoming obstacles; when reversed, it's stands for recklessness and lack of direction/control. 3) As the Chariot is upside down, John's original plans have been upended and everything goes out of his control in a chaotic situation. He’s essentially "not at the driver’s seat" for a little while. "The player" decides which direction to take the wheel in - either letting him lash out violently and send him on more solitary and dangerous path, or satisfy his need for stability by embracing his new relationships. The Chariot is always upturned here, but whether the wheel spins forward or backward is up to "the player's" decisions.

511 N. Blade Street - this one's a bit messy. 511 = V I I, or VII in roman numerals, which =7. The tarot cards are traditionally numbered in roman numerals. North, for pointing upright, and "blade" is synonymous with "sword". So it’s the "7 of Swords", in the upright position – referring to deception and trickery, which is of course what's going on in regards to who Ian 'Nito' Coggs really is…

Apt 1005 - even muddier, but this is referring to the 10 of Swords, which is for betrayal and backstabbing, hinting at the true motives of "Ian" | Clayface. 10-0-5, so 10 and the l33t for "OS" = 10-o-S.

900 Wanda Way - Both a pun on the phrase “wander away” and the 9 of Wands in the Minor Arcana, which alludes to pushing forward to achieve victory. A good allusion for a clinic, me-thought.

400 Wanda Way - The 4 of Wands in the Minor Arcana stands for community, another good allusion for a clinic.

Karen McCarthy - named after the most stereotypically uptight narcissistic asshole the masses have agreed to call 'Karen', and both McCarthyism and another famous lady with the surname McCarthy. Because I wanted you to know the second you see her name that she is *horrible*. (Funny, though, there's 2 senators named McCarthy that are pieces of shit and one infamous quasi-celeb who's the face of the anti-vax scene. Is it just a cursed family name?)

Ch. 6: The Tips of Our Swords

[chapter title] - Refers to the 4 of Swords card in the Minor Arcana, as the "swords" are alluding to the four active members in the Batfam - Bruce, John, Tiffany, and Iman - who work together on the case[s]; you can infer this title to a presentation not unlike the Musketeers joining swords to affirm themselves as a team, as they all gather together. The reversed reading of the card is for restlessness/stress in Bruce's case, and the clear signal of the universe to tell him to relax, and the reading when presented right-side up is for the break it gives to "the player", with the homey atmosphere of the Batfam spending time together. Either reading is completely valid here.

○ BUT, as Alfred is a non-active member of the Batfam, we could also say that 5 of Swords is also at play, right-side-up for the fighting and resentment with Alfred, and John's hinted budding conflict with him; and 5 reversed for Bruce's attempts at making up with Tiffany. If one illustrated the gathering of our four heroes joining swords like the musketeers over a breakfast table, then Alfred would be sitting drinking tea, standing as a symbol of the Ace of Cups, signifying new emotions or stirrings of feelings.

○ If we stretch the metaphor eeeven further, the title can also be a loose reference to the Sword of Damocles; threats always hang above the heads of powerful people, and in this case the looming threat of Black Mask and the mysterious assassin, ever-present in Batman's world…

Dr. Brandi September - literally "Sword" and "Seventh Month", alluding to the 7 of Swords, hinting to deception and manipulation at play.

"I was tired of the soup du jour" - a shameless Devo reference; a tiring of the routine/everyday. "I'm tired of the soup du jour - I want to end this prophylactic tour - ain't nobody around me - understands my potato - I'm only a spud boy - lookin' for a real tomato" - DEVO, "Mr DNA/Smart Patrol".

Motel 11, Augury Road - "augury" is another word for crows; as a gathering of crows can be a method of fortune-telling, this a reference to a gathering of 11 crows, which when seen is supposed to be indicative of disguising or revealing secrets.

Ch. 7: Drawing the Strings

[chapter title] - meant to allude to John aligning the strings connecting the people and crimes together, like an old-fashioned way of mapping clues; can be interpreted as these crime-strings on the proverbial board being drawn closer together, marking the center of the "web" as the Court of Owls

Frieda Baast - Frieda, an allusion to the Norse goddess Freya, who rode on a chariot driven by cats, and Baast, the Egyptian goddess who had the form of a cat. It makes it really obvious who was staying at the Motel 11, huh?

room 14 [Selina Kyle's motel room] - a reference to the 14th tarot card, "Temperance", which when upright is meant for choosing the middle path between choices. This is meant to reference Selina herself, currently at a secret, personal crossroads and being in "the middle"; John can influence her hidden choice by either making her think about what her potential job's employers are really aligning themselves with, or taunting her into how she can't leave her old life behind. (Whether John is violent or not doesn't completely impact her choice, but it does impact how they interact later if Selina winds up in the hands of our villains.)

Oracle, Spoiler, Batgirl, Spectrum - Batman's had a lot of non-Robin sidekicks in comics, including Batgirl (originally Barbara Gordon), Oracle (Barbara Gordon, post-Batgirl-forced-retirement and computer hacker extraordinaire), and Spoiler (Stephanie Brown, who "spoiled" crimes). As a fan of Ao3/tumblr's @fractualized 's own Telltale Bat-verse fics (the "Release John Doe" series), I added in the reference to "Spectrum", which Tiffany became in lieu of "Robin". A wink from one fan-writer to another! ;)

"I'm steppin' out, my dear - to breathe an atmosphere […] - that simply reeks […] with class" - John's singing a classic Fred Astaire hit, "Top Hat, White Tie, and Tails".

Eric, Jerome, Jeremiah, Jack [John's "Normal name" ideas] - As this story allows "the player" to pick a name for John to use in place of his own, you can pick between some classic and modern references to Joker's alternate personas over the years. Eric White Border (edit: goddang it that's what i get for looking at White Knight while writing this up and never double-checking), Joker's regular persona in the New 52 Batman comic line; Jerome or Jeremiah of the Gotham TV series, both of which are different aspects of Joker's personality through media, with a more modern gritty version in Jerome (think Heath Ledger's Joker) and a more modern take on Joker's sociopathy in Jeremiah; and last but not least Jack Napier, the first official name of Joker circa Tim Burton's Batman (1989), and the one most popularly used (BtAS and other comics throughout the years since use this name). "The player"'s choice doesn't impact the story or the way John acts, but it does give a surprise feature later. ;)

Matt Chaney - Aka, "Clayface", Matt has both new and old elements in his name alone. Matt, for Matt Hagen, the most well-known/used of the Clayface personas, and Chaney, for classic film actor Lon Chaney, AKA the man of a thousand faces. This Clayface is an aspiring actor who is psychologically dependent on Moddy to keep him handsome after a terrible car accident left his face marred. He uses his excellent makeup skills and acting to infiltrate the False Face Society, and double-plays them and the Court of Owls.

Root / MuSec - stand-ins for Vine and TikTok, respectively. "MuSec" is both a play on the word "musac" (the word for 'elevator music' and generic produced music you hear in fake stores and the like) and the mish-mash of the words "music" and "second", referencing the short length of the videos. "Root" was used in a prior story (At the Brink of Midnight), and acts as another "natural network" type name akin to Vine; though I do recognize "Vine" might have come along as part of the phrase "I heard it through the grape-vine". I have a feeling some Aussie fans might find the fake-Vine name funny...or just awkward.

Ch. 8: It Had to Be You

[chapter title] - A reference to the classic crooner song, "It Had to Be You"; specifically, the one that flows through the first scene is a cover done by Frank Sinatra, meant to align with other Bat-media's use of Sinatra where Joker and Batman are concerned. The Arkham games got his famous "Under My Skin", and another crooner's "Only You". Batjokes fans/content creators have also used "Strangers in the Night" for their relationship. I wanted to present one that would feel at-home in the TellTale universe regardless of what route you end up with, and what's more perfect than a song about finally discovering the love of your life? The song fits them to a tee, in my humble opinion…

Estella Art Gallery - Selina's art gallery, mentioned previously to have been the site of a Talon attack. "Estella" translates to "star", for the tarot card "The Star". When presented upright, it means hope and rebirth; this card can be presented after a disaster, such as an event like "The Tower". Normally, it can be interpreted as a card to show a phase where you have trust and faith in yourself and the universe. Selina was turning over a new leaf and enjoying her new life until the Owls found out who she was.

Mrs. Bollard - "bald-headed person"…this poor woman got her wig snatched as John stole Bruce from her on the dance floor. xD

"I knew today's horoscope was bullshit" - a nod to earlier, where Roman mentioned his horoscope when visiting Bruce; "a friend will help you out of a tight bind." Not that it was mentioned like that... still! I wonder what today's was? "You will be fortunate in your business endeavors"? Ha ha ha! But really, the horoscope is another nod to the theme of foretelling the future, as it's a popular method to try and see how your day, month, season, or year will be. Not that I know what sign Roman is… *thinking face*

[Achievement Unlocked: Batman Who Laughs] - John showing up in the Batman cowl was not only funny, but a direct nod to the Batman Who Laughs. The TT games had Batman comic titles often used as Achievements, so I figured I'd put in some…

[Achievement Unlocked: Batwoman Rises] - Iman helping the team out in the spare Batman suit is naturally a nod to Batwoman, and something I wanted to do for a while. ;D

Brighella - a Venetian mask taken from a play now used to depict a cunning and mischievous servant. Originally the mask was used to depict a greedy villain character.

The Two Gilded Cups - A restaurant in-story that references "The Two of Cups" tarot card, a card representing unity, partnership, and two becoming one. When upright, it's a card that can reference lovers or a new relationship; when reversed, it can represent broken communication, imbalance, or tension. As such, the couple who were seen at the restaurant - Sonja Townsend and her husband - are established lovers who work together for the Court of Owls, but those who were really there are Jackie Lant and Matt Chaney, who are in an imbalanced relationship. "Gilded" implies that "The Cups" are covered unnecessarily with gold - this is both in reference to Jackie and Matt's disguise of the Townsends and the truth about their relationship. Matt's lies are covering for his narcissism and selfishness, and ultimately is the only thing holding him and Jackie's relationship together.

Moddy - A fictional body modification clay-mud-putty that's a product of Janus Industries, this makeup is the favorite of Matt Chaney and the reason we can call him "Clayface". Like the traditional Clayface, Matt is in dire need to have his fix of the makeup, despite what it does to him - as John notes, it leaves a weird burn-like sensation, and since Matt has deep scar tissue he covers every minute of every day, it's made the skin damage worse.

"You’re really committed to drowning in that river" - A riff on the old joke "denial ("de Nile") isn't just a river in Egypt".

"Your words are honey in my ears, but my brain always turns it into bitter wax" - In Futurama, Fry has a silly line of “Sweet words! Sweet words that turn into bitter wax in my ears!”. It always had the potential to be a great metaphor if the words were twisted around! :) Plus, I mean, come on, this is a totally On Brand™ thing for John to say!

Ch. 9: Strength in Numbers

[chapter title] - Referencing the Strength card, for bravery, compassion, and inner strength; the title also doubles as a play on “different kinds of strengths”. Strength is the will the expose your truths. Strength is finding compassion to help others. Strength is staying true to your convictions in the face of opposition. We see all different kinds of strength on display here.

○ It can also a reference to the different partnerships going on, with Jackie joining the team (unofficially), Bruce and Tiffany going off to tackle the other half of our case, and John and Iman’s team-up. :)

"[John] could barely hear it over the tinny electronic whistling tune emitting from his own phone, telling him the person on the other end was a mystery" - this is referencing an old tumblr joke! Yes, John has the “It is a mystery” tone on his phone for unknown calls…complete with the little (:o) ghost icon.

CUP5K1NG [license plate] - Referring to the King of Cups card, a card portraying emotional balance and compassion. As it's not written as "K1NGCUP5", it implies it's a reversed card, signifying there's manipulation and instability at work. Even though Matt doesn't own the car this license plate belongs to, it's definitely tied to him since it's his getaway ride, and thus hints at what's to be revealed in his and Jackie's hotel room.

Aylin Street - the name "Alyin" translates into “moon halo; one that belongs to the moon”, thereby being a reference to the Moon card, representing mysteries and illusions. An investigation is afoot!

“Looks like I’ve got the red light, kiddo.” - In stage acts, the red light is to indicate to the performer their time on stage is up. Generally, it’s reserved for comedians who either overrun their time or are losing the audience. John's joking that he's been given the red light to exit stage left (but not persued by bear).

"What’s the ‘G’ for?” - Iman's 'Gotham Construction' jumpsuit has a G different from John's - it's shaped more like a gear. This is another Mystery Science Theater reference, in particular the logo for Gizmonic Institute, the company/labs that "employed" original host Joel and the mad scientist Dr. Forrester (and his assistant, TV's Frank), who started the experiments of forcing a guy and his robot friends to watch reeeally bad movies. The result was 12 (soon to be 13!) seasons of some guys making hilarious and very memorable jokes at said bad movies' expense. Does this reference mean that Bruce is just as huge a dork as I am, or does it mean that MST3K is real in this universe?! You make the call! ;D

○ …if you read 'What's the 'G' for?' in Invader Zim's voice, that's also valid. Especially if you followed it with “I dON’t know!” in GIR's. (There is no cringing here! We openly embrace our childhood silliness!)

MasterOfClayFace / #IdW3arThat [Matt Chaney's social media login] - naturally Matt is so far up on his high horse that he considers himself a master of clay work…and of course his nickname is ClayFace! His password is a joke in and out of canon, being a riff on Lemon Demon song: “A mask of my own face – I’d wear that” ~ Lemon Demon, “Mask of My Own Face” [Nature Tapes].

3055 [Jackie Lant's InstaPic followers] - According to research, the average Instagram following is about 1000, so Jackie is above average popularity. Anything above 10k is usually(?) celeb status. The number 3055 is meant to be broken up and turned partially into l33t, to make 3-O-S-S, or 3 of Sword[s]. The 3 of Swords card in the tarot signifies heartbreak and grief, stemming from betrayal, loneliness, and rejection. Jackie experienced all three of these heart-piercing swords during her return to Gotham, with Matt basically forcing her into isolation, betraying her trust, and rejecting her input and values in favor of his own; but she didn't really know it until the truth was exposed.

8055 [Matt Chaney's InstaPic followers] - similarly, Matt's follower count is meant to be 8-O-S-S, or the 8 of Swords card. It signifies self-victimization and imprisonment. In particular, the card shows a person restrained and trapped, but their helplessness is a show…they could choose to get out, if they got over themselves. Matt is incredibly selfish, so it comes as no surprise that he will play the victim card.

#OnlyInGotham - Another tumblr reference! I love the @hashtagonlyingotham blog! ( ^3^)

The Herold Rite's Theatre - A play on the word "Hierophant": Herold, like “herald (ruler/champion)” and Rites, like “sacred rites”. In the tarot, the Hierophant card represents following tradition and values, which for the Owls is their very core. This is basically a big ol' hint that Iman and John are heading into Owl territory, but also foreshadows the religious undercut of The Court and Reverend Sebastian Overfield's role.

"a familiar red-pyramid-and-floating-eyeball" [graffiti] - A reference to my icon! ;D You think I can't self-promo?

trading cards [found in theatre storage] - In the Theatre, John finds "old promotional trading cards for an old sci-fi film with big-brained aliens". This is a shameless and loving reference to Tim Burton's 1996 film Mars Attacks!, of which my AO3/tumblr icon and username is lifted - the movie was based on a series of Topps trading cards from the 1960's, and had it's own set of cards with movie scenes and behind-the-scenes pictures (and summaries of events) printed for the movie! They also used them as promotional tools, and if you get very lucky purchasing a copy of the old single-issue comic books from the 1995 Mars Attacks run from Image Comics, you can get a promo card.

https://bit.gt.gd/S3272019F?=RO - Originally "gd" stood for a derivative of Google Drive, but I can’t look at it and not see “get good”. The "S3272019F?" is meant to stand for "Started: March 27, 2019 Finished: ?". I can't believe I started uploading the story in March of 2019! Man, 2020 really messed with my sense of time…

Ch. 10: Tantara Bounces Off of Moonlit Walls

[chapter title] - "Tantara" is defined as "the blare of a trumpet or horn", as seen in the Judgement card, which stands for self-reflection as well as reckoning, and can indicate rebirth. There's of course another reference to the Moon card, for intuitions and the unconscious being. Then what are the "[Moonlit] Walls"? Well, they're the part of the only Major Arcana tarot card to represent a building - they are the walls of the Tower, symbolizing destruction and disaster. When all the cards' meanings are put all together, this alludes to a time of discovery among absolute disaster.

○ Expanded, the whole title is a reference to both forms of Judgement occurring – self-reflection and change are happening with Bruce and John as their mysteries and anxieties are finally put to rest: John is undergoing his final "rebirth", seeing his reality clearly in Arkham’s padded cell; Bruce seems to finally come to terms with working with Tiffany, as his fear of not being able to protect her comes through with her showing she's able take care of herself and prove she's a true asset to the team; and the Court of Owls finally comes to light, with Matt Chaney, the Talon Adam, and the Talon Sonja Townsend finally showing their real motivations.

○ We can also interpret the title as a reckoning coming for the Owls, who have long been obscuring the truth of their deeds and whose true motives have been murky. They've built their own tower of disaster with bricks of delusion, and judgement's horn is blaring a warning through their hallways…

"X-Sharp Manufacturing" - a reference to the 10 of Swords (hence the "sharp"), the tarot card for betrayal, backstabbing, and defeat. For Bruce, there is disaster here beyond his control that ends in a [temporary] defeat. For Roman Sionis, owner of the small factory as part of Janus Inc., he's unwittingly walked into his own betrayal.

"Merlin's Flower Arrangements" - Merlin, a famous wizard, is a reference to The Magician card, who defines “as above, so below”… And as John is taken to a secondary location, so is Bruce. :)

"La Luna Painting" - La Luna, aka The Moon; remember, shadows can play tricks on your eye, so something’s afoot here… Aka "HEY GUYS THIS TOTALLY ISN’T SUSPICIOUS OR ANYTHING NO SIR"

Yelsnia Theater - Yelsnia is…actually a name. But searching for it shows my true hint, as it's "Ainsley" backwards. "Ainsley" derives from Scottish words meaning “alone, solitary” or “hermitage”. This is a reference to the Hermit card – in this case, it's blatantly upside down, referring to loneliness, isolation, and a general disconnection with mankind. AKA, the path Matt is on.

"the looming pillar tower" [Arkham] - A blatant representation of The Tower. It stands for impending disaster and "an upheaval of a foundation of reality". Of course, this can be taken in two ways. 1) That John has overcome/avoided the disaster of another mental breakdown. 2) That John’s foundation of his delusions - that he’ll wake up in or get sent back to Arkham for his sickness - was wrong in a realistic sense, as he’s made serious progress in managing his emotional issues, and right in an unrealistic one, where the only way he could be sent back was through an outside force, i.e. the Owls.

10210475 [inmate number] - When separated for the numeric cipher, we get 10-21-4-7-5, or J-U-D-G-E

13051420 [inmate number] - When separated for the numeric cipher, we get 13-5-14-20, or M-E-N-T

○ When put together, the inmate numbers read "Judgement", the tarot card is shown here for John's choices and character arc on display throughout this chapter. When the card is reversed, it implies a lack of self-awareness, which we can also attribute to "the player's" choices for John if they make Bad Decisions. If you simply take the word "judgement" at face-value (without involving the tarot) it also works wonderfully, applying to John's entire situation as being a trial/judgement set by a higher force.

"The prince returned to the tower" dialogue [the prophetic cell mate] - Whether the person speaking is physical or not, John notes he can hear the scratching of pencil on paper within the cell, implying a person is writing their words down like a story… “The prince,” (John Doe, alias Joker, traditionally the ‘Clown Prince’ of Gotham) “having returned to the tower” (Arkham Asylum, the foundations of John's issues) “to reclaim his crown,” (assurance in himself and his reality; the completion of John's "self" with his final choices and becoming Vigilante!Joker for good) “trails after the fiend” (confronts the Talon Adam, alias Owl-man) “who's flying on wings of retribution” (core beliefs, perceived sense of justice). “The fiend’s wings are big, but the bones are brittle” (the Owl-man is imposing and persistent, but his physical "wings" are his weakness).

○ If you couple the Court of Owl's belief that G*d has written down the destinies of everyone in the world [as they are each born] with the knowledge that someone was writing down a short version of John's events at Arkham…hmmm.....

Room 11 [Iman's cell room] - The 11th card in the Major Arcana is "Justice". This can reference either 1) The just-desserts coming for Talon Adam/"The Owlman", or 2) The outcome of the player’s choice to take Iman with them or not.

11 minutes + 16 seconds [remaining time on bomb timer] - 11:16. 11/16, aka my birthday! :) I only wish I had finished Chapter 10 in time for the chapter's publishing year (2020), lol~

"Our Faith brings Perseverance, and Our Perseverance guides Justice, for Mercy to God." - The Court of Owls' beliefs circle around 3 principles bringing people closer to G*d: Faith, Perseverance, and Justice. Their belief hardens their persistence in their actions (as they are written and not guided by "Evil"), and their goals are ultimately to deliver justice where the human system failed and "Evil" prevailed in "escaping", hence the guiding of one principle to another. "Mercy to God" is what is granted by righting the injustices of the world; as G*d wrote your future down exactly, Evil can corrupt it, and once corrupted this does G*d a harmful injustice. The Court considers themselves close to G*d by "mercifully" stopping further corruption via eliminating "Evil" in all it's worldly forms…

Speaking of the 3 principles, our main Owls are meant to be "embodiments" of these in the story.

○ Talon Sonja Townsend represents Faith, driving home her belief in G*d's absolute destiny. She is corrupted by her own selfish goal of eliminating her son-in-law, but is also so by-the-book she does not think to look at the obvious double-standards of the Court, and doesn't think her underlying actions are guided by "Evil".

○ Talon Adam represents Perseverance, having fought Joker to unconsciousness, and was willing to blow up Arkham with himself still inside just to eliminate it; he is the most brainwashed, but the least corrupt in motivations, only striving to get what he feels is "justice". On the flip side of Adam is Talon Evan, who despite serious injury still appeared in Court and jumped at the chance to kill Joker and Batman, despite the Court's general appreciation of Batman; he is corrupt in personal selfishness, as he possesses no "real" faith in the Court's belief system and doesn't like others getting credit by stealing his targets.

§ ...it's also worth mentioning that the names for Adam and Evan are meant to be derivative of "Adam and Eve". In this way, it can also be seen as a parallel to The Lovers card, which one can attribute to Bruce and John. While Bruce + John are oddly harmonious and undeniably have a strong bond regardless of story paths, Adam + Evan are discontent rivals, with Adam "stealing" Evan's target and good graces with the Court, and Evan very pointedly beating up and kidnapping Batman (who Adam admires) to set up Batman's eventual Judgement.

○ Reverend Sebastian Overfield is the main representation of Justice, though he embodies all 3 principles. The Court’s belief is that their pursuit of justice – stopping Evil/chaos via deaths of criminals – overrides their own traditional sins. Because they are being helpful to G*d, granting Them mercy by righting the injustices of Evil and putting G*d’s Word back on the right path, they are in G*d’s favor. Therefore, as the leader of the Court and the one who organized everything by handing down "God's word", he is the carrier of Justice; without him, the Court would be nowhere and G*d would be shedding more tears over their ruined work…at least, in his mind. Naturally, he is the exact opposite of what justice should be. He is biased and unwavering in strict faith, as much a carrier of chaos as he doesn't want to be…

○ Of course, this is all also up to interpretation. One can interpret Adam as "justice", Evan as "perseverance", and Sebastian as the stand-in for "God", as he is the Court's ruler and is the sole person to hand down "the word of God".

"[…]if two people you normally count on for one reason or another" - Alfred made a subtle dig at John being Bruce's boy-toy. Ouch, Al'…

"[…]given it's your pet project, and all" - Even though Selina is talking about Arkham, she's making a dig at former-Arkham-resident John being Bruce's "pet", who in her eyes was Bruce's main reason for getting Arkham revitalized. :\ Man, everybody's picking on their relationship…

petrichor - The smell proceeding rain. Because it's not a climactic fight scene in Gotham city without rain.

Ch. 11: The Tolls of Justice

[chapter title] - Naturally referring to the Justice card of the tarot, this title is the same as the story title. Funnily enough, this is the 11th chapter, and the 11th card in the tarot deck. (I guarantee you I did not plan this bit… Funny how these things play out, ain't it?) The Justice card naturally stands for cause and effect, clarity, or truth; ultimately, it's a representation of karmic retribution, and what the Owls are in dire need of facing. The title overall is referring to both the [para]phrase "do not ask for whom the bell tolls, for it tolls for thee" (in the original context: a grievance over death for all out of love for community/mankind, not just one person) and the "toll" - as in cost or damage - of enacting justice. What Bruce has put himself through to become and keep being Batman, the enactor of vengeance for all those wronged in the city of Gotham, and what ultimately the Court of Owls has sacrificed - either wittingly or unwittingly - in the name of justice. It also extends to John, who for the sake of "justice" is routinely stuck in Arkham, in one way or another, and has never had a conceivably just or fair life at all - thus paying the unwilling toll opposing Bruce and the Owls. We can also extend it to Tiffany, who is making good on her work with Bruce to "pay her toll" for her own crime, with her toll being seen in a positive light as Robin, compared to what life sentence she might have been paying otherwise.

[the sword in the pulpit] - a symbolic reference to The Justice card, as the Justice card in the major arcana often depicts a sword, either alone or in someone's hand. This can also be interpreted as a reference to the Ace of Swords in the minor arcana, which is normally pointing upwards, referring to victory, truth, or ideas; when flipped, as it would be when looking at the initial depiction of the sword as a "cross", it stands for lies and confusion. The sword in the story itself is a symbol of justice, and uses snakes as the stand-in for the forces of Evil, which are destroyed by the owl making up the handle and supposedly wielding the blade.

"the skull peeking out of the knight’s helmet" [card in the box on Reverend's desk] - A very clear reference to the Death card, famous in the tarot deck. It signifies change, inevitable cycles, and new beginnings/directions. Depending on the reading, it can be interpreted as an actual death, but more often than not it’s merely showing of a life change. As this is the Reverend’s deck, it seems the last card he drew was Death… The viewer can interpret this as a reading from the Reverend into the Arkham plot, where Death is representing John’s own changes, the end of Talon Adam’s latest “cycle”, or the actual deaths that had occurred (no matter how many there are in the end). The viewer can also read this as the Reverend trying to find his own fate, the fate of Roman Sionis for his trial, or Batman’s fate. All of them are quite valid, but I feel the most accurate interpretation is that the Rev' was trying to read the future of the Court of Owls.

○ …as mentioned above, the Death card is the most overt reference to the Tarot. This way, if someone didn't piece together the weird chapter titles, the specified numbers and number-letter strings, and/or the odd names of people and places, they'd be able to double-back and see them as clues. They are put there purely as a storytelling clue for the audience. As you can tell, the tarot references increased with each chapter…almost like someone is trying to get your attention…

[the framed painting] - a reference to The High Priestess, aka card II of the tarot. This card is indicative of intuition and looking within, and can signal to mysteries at hand or a higher power at work. The pillars on the card are (hilariously enough) marked with a B and J, and are in black and white, respectively. They stand for Boaz (Strength) and Jachin (Establishment), and are meant to represent the duality of nature, good/evil, masculine/femine, etc. Naturally, both pillars are equal. In this depiction, it is both relating to “the player’s” own duality, with the ability to be flexible as Bruce and John and have both good and bad decisions play through the story, and as a strong hint to a higher power being present.

8-9-6-3 [candle puzzle] - It takes a bit to work out by sorting through the alphabetic values to each number, but it doesn’t make a complete word. On ye olde phone keypad, 1 is always null in value, so it’s always unlit in the candle sequence, and since there are 4 other numbers present we know it doesn’t count as part of the string. (If there were only 3, you could guess a year from your notes.) My idea for the “game” specs of this part would be that the key-code would be somewhat randomized, either using a specific year (if Tiffany and/or Iman are not present, this is *always* the case, as you have to utilize your background notes and the candles by yourself), a few translated letter combinations just for fun, or an occasional number-card type combo, as presented here. (In some lucky scenarios, “the player” doesn’t have to solve the candle puzzle, since Tiffany can figure out the year by herself and just call you over when she opens the door. You still have the option of looking around, though!) In this case, the values are another tarot-themed hint, using the card number first: 8-w-n-d, for the 8 of Wands, which alludes to quick actions. AKA “Get ready for quick-time events!!!”

"looking more like the king on the throne than a judge" - Meant to allude to The Emperor card, the ultimate royal symbol in the major arcana and always depicted with a king. Traditionally this symbolizes power, authority, control, etc., but when reversed it alludes to overbearingness, arrogance, and chaos. For the Owls, they would likely see themselves as the upright depictions, even when presented upside down before the person doing their reading… And here is no better example, with the Reverend Overfield taking place as the ultimate authority over the Court.

"like [Sonja] had a say in commanding the room" - Alluding to The Empress, in conjunction with Rev’s position, this card alludes to femininity, motherhood, nurturing, creativity, and/or abundance. When reversed, it stands for neglect, creative blocks, overbearing, and/or uncaring. Sonja is a good example of an overbearing mother, trying to make decisions for her child because she thinks she knows best - thus fits the reversed reading well.

[Courtroom layout] - How curious is it that I haven't referenced The Devil when we have so many opportunities? That's because I strove to show this card rather than reference it overtly. The Devil card depicts El Diablo in the upper middle, lording over the card, with two souls chained to him at the bottom. The classic depiction shows a female demon-like human on one side and a male demon-like human on the other. As such, Rev. Sebastian sits on the high bench as the judge, overlooking the courtroom, and Sonja and Evan sit beneath him, one embedded on each side of the lower bench, sitting before him rather than beside him. Naturally, The Devil card represents temptation, manipulation, and materialism (though not necessarily of physical things). There is nothing more suited to The Devil card than the Reverend Sebastian Overfield and the Talons.

Circe | Cindy Peterson - Circe was the original Black Mask's downfall, or at least serious decent into who would be Black Mask. In her origin, she was a model who seduced Roman and ended up being blamed for his poor business choices, as he completely revolved Janus Inc.'s new direction around her image, somewhat at her insistence. Roman seemed to love her, but grew vengeful when she dumped him. She was named Circe, after the witch who lured men to their doom. In this story, she plays a much less active role but ultimately still serves as Roman's downfall, though in a very different way. : she does seem to care about Roman, going so far as to hide him on her yacht, not rat him out for his overt gang activities, and even leave Gotham with him for good to run from Batman despite not being in a relationship with him for long. But Bruce is able to spin this to his advantage, openly lying that she was working for him undercover and twisting Roman's affection for her into paranoid doubt, which he eventually lashed out with and ended up being caught because of. Circe never got a ~proper~ name in the original canon, so I dubbed her Cindy. The name "Cindy" can be boiled down to “person from Kynthos” and since Circe is Greek… Well, it fits well enough!

"[…]waltzing into the danger-zone without his wingman" - It’s Top Gun's “You can be my wingman anytime”, but with ALL the homoerotic implications!

"the Degnah Club" - The Degnah Club can be inferred to be one of Roman Sionis’ clubs, or just one his False-Face Society visited on occasion, but the event that happened there is implied to have taken place before the start of the story. “Degnah” when written backwards is “hanged”, referencing the Hanged Man card. When upright, this card means sacrifice and selfless acts. When reversed, as very much implied here, it’s an unnecessary sacrifice. This is both a play on what Roman’s implying – which is likely a very violent event – being an “unnecessary sacrifice” as part of Matt Chaney’s greater scheme for the Court of Owls, and as an allusion to Matt’s fate, where his morals/good choices/old law-abiding life were thrown away for an inevitably failed pursuit.

"[Tiffany | Robin's] personal count of 13" - The 13th card in the tarot is Death, bringer of change and ender of cycles. It’s also a traditionally unlucky number. This number is the “body-count” of Tiffany’s run through the Court so far. Does it reference the end of the Court's latest cycle, or something else…?

Accompanying the Tarot, as mentioned earlier I also tied in other fortune-telling methods, with the counting of crows and reference to the zodiacal horoscope. I also threw in allusions to luck, with The Lucky Hotel and The Lot (in both name and the fact that it's a casino). This is all tied entirely around the concept of fate and being able to change it with the choices you have made or currently make as "the player". Luck itself has nothing to do with your choices and the fates you guide Bruce and John to, and it's not something "the player" can control - it's an illusion, with things seemingly lucky for our heroes having already been written in on purpose to lead to the next event. It's essentially a long, drawn-out joke.

Talons/Reverend's Owl Masks - I wanted the Talons to be set apart from the rest of the Court and have special owl faces. The Court's owl masks are as follows:

○ Talon Adam - Great Horned Owl; chosen for the owl's large size and hunting ability, as well as the protruding "horn" feathers mimicking Batman's cowl. This is the most common owl used in media. The "horns" are meant to clue the reader into the culprit early on. Adam's a Batman-fan, so he mimicked Bats' style.

○ Talon Sonja - Snowy Owl; chosen for the owl's fairly elegant feather pattern and Sonja's ~colder~ personality. Sonja had a masquerade one to show her "humane" side to prospective Owls, but always wears a full-faced mask for the rest of the Court.

○ Talon Evan - Barn Owl; chosen for it's ghost-like face and screeching call, and it's hunting skills. They sometimes are seen as bad omens. While Adam was a mysterious stalker, Evan is overtly dangerous upon appearance, in no due part to his temper.

○ Reverend Sebastian Overfield - Eastern Screech Owl; this owl is smaller than the other, but has similar "horn" feathers to the Great Horned, and a gray face. The "horns" are meant to be another a mirror to Batman, but can be considered another allusion to The Devil. It isn't the largest or flashiest owl of the bunch, but Sebastian has the most power of all the Court members.

[The "Justice" bell-toll] - traditionally, a church bell tolls to signify someone passing into death. In the Court/Church of Mercy's case, they use a bell rung at midnight to signify a complete "trial" and a carry-out of their own brand of "justice"…which also culminates in death. The "trial" shown in this chapter is a rarity, as the offenders are actually present to get a talking-to before their sentencing - generally, the Church will hold a mock-trial to decide the fates of the perpetrators…after some previous counseling with Talons and select older members. (Think of the Trial like a ceremonial conference for the majority of the time.)

Chapter 12: Ten Cheers to the World!

[title] - The act of cheering, aka toasting, is to raise a cup and drink towards someone or something in celebration or tribute. Here, it's referring to the tarot's Ten (X) of Cups, which is pretty much the best card you could pull in a reading - when upright, as it is here, it means celebration, fulfillment, and happiness! The World card is the final card in the Major Arcana, encapsulating completion, accomplishment, and harmony, all from inner and outer sources. It might seem redundant at first, but the Cups suite in the Minor Arcana is all in regards to emotions, relationships, and love; in comparison, the Major Arcana represents a journey from innocence and ignorance to wisdom and completion. So you have an emotional celebration with fulfilling relationships, and the story's path marked as complete in both a literal and figurative sense.

"An accident at Ace Chemicals" [Iman & John's convo] - Referencing the majority of Joker origins, wherein pre-Joker fell into the vat of chemicals at Ace Chemicals and survived, leading to a psychotic breakdown due to his changed appearance and/or the circumstances around to what led him to Ace Chemicals in the first place.

"the string of deaths in the Velestra mafia" [Iman & John's convo] - a ref to the former mafia/main antagonists in Batman: Mask of the Phantom that kept getting killed off one by one by the Phantom. Whether The Phantom exists in this world…we'll have to wait and see, I guess!

"an unrecoverable ‘data loss’ at the Agency" [Iman & John's convo] - not a reference to canon, but my own theory on a potential background for John being a former Agent…(see further below)

"Et tu, Peeps?" - a riff on "Et tu, Brute?", Julius Ceasar's last words as he was betrayed and stabbed to death.

"Maybe I was someone in the wrong place at the wrong time" / "someone at the right place at the wrong time" [John monologue] - Another reference to the most popular background choice, the Ace Chemical origin story, and it’s variations. Though probably lacking Batsy’s involvement, considering the timeframe…

"Maybe I was some experiment gone wrong" [John monologue] - A reference to a different author's Season 3 replacement fanfic, where John ended up being a genetically modified human/test tube baby. Unfortunately the work got deleted from Ao3??? And my bookmark is gone, so I can't name the fic… But I still remember you, Unknown Author!!! It was a fun story and I've never forgotten that twist!!!! \( >o< )/

"Maybe I was even an Agent, like you" [John monologue] - My own little theory as to why the Agency was so keen on getting him for the Suicide Squad – and why he was considered a dangerous part of the gang despite not doing too much of interest in Season 1 (even if you consider the theory that he was helping Lady Arkham get her chemicals/drugs) – was that he was part of the Agency somehow. Either an agent who screwed up on the job, a rogue agent that escaped death via Agency trap…or maybe a guy who knew too much! But it's a fun, fresh idea to bring to Joker's multi-choice past, right? (( ;w;)) <(please say yes)

hippocampus - The region(s) of the brain that primarily deals with memory.

[the photo] - I wanted to leave it up to the reader/"player" to decide what kind of pre-Arkham past the TellTale!Joker has… So whether you think the picture Iman has is a "real" photo of him or not is entirely up to you.

"[…]'you're the moon to my sun'" [John, 'paraphrasing' Bruce] - In Tarot terms, this is a reference to the Sun card, representing joy, success, and masculinity, as well as another reference to the Moon card. One can also interpret the Sun card as "success in overcoming your obstacles or fears". As the Moon card can represent inner fears and femininity, it's a fitting opposite for interpreting this romantic line. While Bruce doesn't exactly embody the "positivity" and "joy" that this card represents, he brings that feeling into John's life, and Bruce is more traditionally masculine in contrast to John. This is also an overt use of the phrase "[they're] the moon to their sun" - a romantic notion that one person, though the opposite to the other, is completely complementary, like a One True Love. TeamFourStar's playthrough of TellTale Batman: The Enemy Within had not one, but TWO mentions of the "moon to [their] sun" line, the second of which was referring to John and Bruce. This one's for you, fellas!!! ( ^3^)

○ Funnily enough, The Moon is a very broadly interpreted card. Sometimes it's not a good card to have because deception, manipulation, illusion, and mystery/confusion are all potentially at work in your life. Sometimes it's an excellent card, because it tells you examine your feelings to resolve a problem, or tells you that you aren't seeing the whole picture. The reversed of the card is often attributed to avoidance of one's problems and further confusion, but also clarity, truth, and the full view of what's going on. If John is the embodiment of The Moon in the upright position, then I say Bruce is that of the Reversed Moon…

"[…] two lovers against the world" - Another classic romantic phrase that can be turned into a Tarot reference. The original phrase is meaning two romantic partners are pitted against "the world"/external forces that threaten to tear them apart, but they are committed to each other regardless. You can't really pit cards against each other in a reading, but you can read Past-Present-Future. In which case, in story terms, The Fool is always the Past, The Lovers is the Present here, and The World is the Future. As mentioned earlier, The World represents harmony and completion - if reversed, it would mean incompletion and chaos. The Lovers card is representing a strong union being forged between two people, very often romantic in terms of the Tarot. The meaning is usually attributed to decisions in a relationship being made (whether to start a new one, or to deepen the one you have), but it can also represent people outright, as well as an indication that a new partnership/relationship is on the way. When reversed, Lovers represents disharmony, imbalance, or a loss of relationship. In our story, of course, our two lovers are representing the upright reading of the card in the Present, showing as a strong couple. As it's "against", it implies that The World is something that will be a challenge, so it's likely Reversed. Which is a pretty good representation of Gotham in general, isn't it? lol~

○ The Lovers can also be seen symbolically in chapters 8 and 9, when Bruce and John are laying opposite each other and linking pinkies/holding hands at the hotel. :)

○ John uses the romantic line regardless of whether he's a vigilante or not! If you didn't get the Best Ending, aka our Sleepover Ending, Bruce would wind up back in the parlor with John as usual, and once the rest of the fam are gone (if they were there at all), he uses it to describe themselves. In the villain route, Bruce and John converse in the Batmobile on the way back to Arkham, and John uses the line there, too. ;3c

○ Naturally, you don't really get this complete scene if "your" Bruce is with Selina in the vigilante route.

Ending Type - …it's not a tarot reference or anything specific. I just wanted to let you know that you can ONLY get the Sleepover Ending if you have Tiffany and John in Bruce's party on good terms with each other AND with Bruce.

○ You can drive Tiffy away from Bruce by saying she shouldn't be with them at the Court Battle, but also by generally not believing in her/being mean and giving a neutral reaction to her staying during Battle; she won't go back to the cave with Bruce, so you don't get a chance to speak to her directly afterwards as either character. (John can still have his conversation with her via text, and they can still end on the same terms.)

○ If you don't have vigilante!John, there's no one else to help lift the things, so Tiffy's idea is never brought up.

○ John is always simping desperate for Bruce's attention, so even if you don't treat him as well in a platonic relationship, he'll still be there for this Ending type. ;_;

○ If you have a Romanced!Selina in your party, Selina will join you in both Court Battle and the Ending as seen in this story. It'll either cause her to take Iman's place (if she is not present) or to have extra spot suddenly appear above the rest of the group. Like Tiffy, she overheats and needs more space too cool off.

§ You can also talk to her as John, and sort of makeup/say your part of the team now. (But John will still be somewhat jealous of the attention she gets.)

§ John doesn't get the emotional hug with Bruce if Selina is around - especially since she doesn't temporarily leave with Tiffany and Iman - but the conversation is almost the same.

§ Naturally you can talk to her as Bruce, too. I don't think on her options too much, but they'll likely talk about change and what it means to have this "job" and internalizing too much of their emotions/themselves.

§ If you and Selina are only friends, Selina can join you in the Court Battle, but will text you instead of sticking around.

1:06 A.M & [Clock time on Belltower in Chapter 11] - Bruce's sense of time is off, which is why he's surprised it's after 1AM and not closer to 2AM. (Can't blame him, he was unconscious for a while and a whole bunch of stuff happened.) I figured if Bruce broke out of his kidnapping ropes at 10PM sharp, and drove all the way to the GCPD, that's about 20-30 minutes in his supercharged car, if not a little less, plus with 5 minutes to escape proper. If we think GCPD is sort of a halfway point to Old Gotham/The Coventry district, it's another 15 minutes to there. So he'd arrive at the Church of Mercy before 11PM, and wait John for around another 10-15 minutes, including with all the investigating inside. The "trial" scene probably took another 10 minutes until Batman crashed it, and fight scenes seem long because of all the action going on, but by the time Bruce and co' leave, it's not 12AM yet. The bell-tower in the Church of Mercy is actually off by about 20 minutes… And what do you know, card XX (20) of the tarot's Major Arcana is Judgement, alluding to karma at work! It can also be attributed to a life change. ;D

"11:43:20PM" - this wasn't deliberately meant to allude to anything. It took the batfam about 2 minutes from the last toll to leave the church. Bells' tolling speed is varying between clocks and towers, but you can estimate about 30-45 seconds for a full twelve. If it rang at 11:40 exactly, then…ugh, this is sounding like math homework.

Epilogue:

[Still a WIP, so will be updated after it's uploaded! Shouldn't have much, though! Saay, isn't there a Major Arcana card missing? (9v9) I wonder what that iiiiis~]

So that was [just about] all of them! I had a lot of fun weaving them throughout the story this time, especially with the story's themes! AtBoM didn't have as nearly as many, so they weren't really worth mentioning before.

I hope this was helpful to those of you who were interested in diving beneath the surface of BtTTS: TToJ~!

[royallyprincesslilly]

Title: Arranged {1}

Yahya Abdul Mateen II x OFC Nyorie Kane

Warning: Plot

Words: 1.4k

Summary: Yahya is thirty-three, and his friends and family all seem to believe that it is long overdue for him to have a wife. He’s been set up more times than he can count and with his busy schedule and rising Hollywood star, it is becoming even more difficult to meet people, well people who aren’t looking for a come up. In the beginning, he said he didn’t want anything serious; his motto was “I’m was here for a good time not a long time.” Then it became he didn’t want anything that would distract him from where he wanted to go and what he wanted to accomplish. Now that his fame is rising and he’s approaching a sweet spot in his career he decides what the hell the time might be right.

In comes “A Match”, an exclusive matchmaking company run by his best friend Ramel’s wife Tamika. He gives Tamika and Ramel free rein and all his trust to find him, someone, he’d mesh well with. Instead of going through her clientele Tamika has just the right woman in mind, her best friend, Nyorie. Things are done a little unorthodox at “A Match” though. This unconventional route is credited for a near-perfect success rate.

Note: I’ve only tagged those who have expressed to be on a forever tag list. 

****Also, please keep an open mind.

**Loosely Proofread/Edited**

✧*.。:。✧*.:。✧*✧*.。:。✧*.:。✧*✧*.。:。✧*.:。✧*

 Chapter One

  “Man, you not getting any younger. Plus we all know how important family is to you the rate you’re going you not even gonna have one till you fifty,” Ramel said as he came back into the living room with his hands full of food. Ramel stopped in front of the U-shaped sectional and handed out bags to their owners. He stood up and took the cream-colored plastic bag Ramel held out for him.

 “I don’t know how many times you’re going to keep saying this.”

 “As many times as need be. I mean really, is uncle Ya good enough bruh?”

 He pulled out the containers of food and thought about Ramel’s words for a few moments. He loved being uncle Ya, loved picking his niece Havea and nephew Rami up for their biweekly ice-cream and bowling night. He loved showing up to their school functions and trips to Disney and tagging along to kid movie premiers. He wouldn’t change anything about it.

“Look man, I know you love my kids. What’s not to love? I also know you want kids of your own. You can’t have that continuing on the way you are,” Ramel drilled home.

 He knew it. Truthfully, he’d been mulling the pros and cons over for months. Ramel wasn’t the only one in his life badgering him like this. His mother, sisters, and brother were all on his case too. His mother liked to pile on the guilt asking him when she’d get a grandchild and when she’d get to see him walk down the aisle and made it no secret she was praying for it before she died. What the hell was he to say to that?

 “Not everybody wanna be married Mel, you got half the squad on that ball and chain shit leave him alone,” Rashawn blurted out. The four of them laughed loudly. Normally they’d be keeping it down because of the kids but they were at a sleepover, so they were free to be as loud as they wanted.

 “Man, shut up. He the last one. Your ass bout to be on that ball and chain shit too. One-week fool,” Ramel added.

 “You don’t have to remind me. Torri has the house filled with everything wedding related. Man, this week needs to hurry up so we can get back to real life.”

 He leaned back and focused on his food. He was the last one in the group still single. The last one of the four musketeers, the lone wolf. It didn’t bother him before; it was just the way it was. Now—he wouldn’t focus on it, not now.

 They continued to watch the basketball game and talk like they always did when they got together. They’d been friends for a long time, and he valued their friendship and advice. He trusted them with everything and would always have their backs as he knew the same was true for them.

 Rashawn desperately stayed away from all and any talk about his wedding to Torri. He acted like he’d been caroused into the wedding when everyone knew damn well he was stupid in love and cried through the proposal. Ramel assumed the role of loudmouth big brother pretending like he knew everything; it was a role he’d played for most of their friendship. Tyrell didn’t pretend to not be the hopelessly devoted husband he was to Dacia; he was the one who was always caught texting her and secretly face-timing her during guys night out. When they got together, a lot of fun and a lot of shit-talking always happened and he wouldn’t have it any other way.

 By the time the game ended, the food finished, and Tamika came home it was close to two in the morning. Ramel wasted no time kicking everyone out when he saw how inebriated Tamika was.

 “Y’all don’t have to go home, but you got to get the hell up outta here. My woman is drunk, we got no kids for the night, some freaky shit bout to go down!”

 They all rolled their eyes and quickly began gathering their things.

 “How freaky?” He looked back to see Tamika crook her pointer and wiggle it to Ramel who smiled but pushed her hand down trying to hide her finger. He knew they were into some freaky shit and he did not need the details or the visuals.

 “Imma head out. I have an early day later anyway. Stay up man,” he said and went around the group giving each of them their handshake.

 “Think about what I said burh. We here for you,” Ramel finished. He nodded and walked over to Tamika and gave her a kiss on the cheek before he walked out the door to his car in the rounded driveway.

 The drive back to his house was a quick and quiet one. When he got home he showered and used the rest of his awake time to prep for the coming day. He knew it would be a long one.

  -The Next Day-

 Just as expected the day stretched on and on. He got maybe two hours of sleep before he was out of the house and on a set for a photoshoot. That shoot went on for eight hours, then he was off to a string of interviews then two meetings and yet another photoshoot.

 It was now close to one in the morning and they were just getting their last shots. He was exhausted. he knew this came with the territory. If he wanted to act he had to be okay with photoshoots, interviews, paparazzi, and everything else that came with fame. Some days it was a tough pill to swallow and he wondered what it would have been to continue on in architecture, and others he took it in stride and piled more onto his plate. Today was a mix of both.

 “All right Yahya, thank you that’s a wrap,” the photographer called out. He nodded and went around shaking hands with everyone who worked the shoot. A woman with dirty blond hair approached him with a wide smile.

 “I am such a fan, Yahya. I loved you in Aquaman.” He graciously smiled and thanked her. She bit her bottom lip and gave him a look he knew wasn’t strictly friendly. “Can I have a picture?”

 “Sure. No problem,” he cautiously responded as he stepped beside her and waited for her to angle her phone just right.

 “Say Black Manta.” He smiled at her request and held up his peace fingers. Once the photo was taken she turned to him again and thanked him.

 “Look, I know this is forward and normally I wouldn’t do this but it’s 2020, I’m gonna shoot my shot.” She held out a piece of paper to him and he could see a phone number scribbled across it.

 “This is my number. No pressure to use it, just—if you want to use it, I’d answer, and we could hang out.”

 She was attractive, he wasn’t going to deny that. Her skin reminded him of smooth chestnut. Coupled with the color of her hair she was a beautiful woman. He was just leery of her motives. Ninety percent of the women he’d met since his breakout roles all had ulterior motives.  Most just wanted to be seen out with him so the rumor mill could start circulating and give them their fifteen minutes. He wasn’t with that. That was the one thing about his newfound fame. He never knew what anyone wanted from him anymore.

 “Uh--.” He was speechless. He didn’t want to embarrass her by rejecting her, so he took the paper and nodded. “Thank—you.”

 She smiled and again bite her bottom lip. “Okay, great. See you around.” She walked off leaving him to look down at the paper with her name and number. “Thalia-954-389-3048.” She’d dotted her I with a star. It bothered him and he didn’t know why. He stuffed the paper in his pocket resolved in his decision not to take it there.  He didn’t have the time or energy to sift through the sea of clout chasers.

 He quickly finished up, got his things and left. He’d missed his workout for the day and needed to get one in. every little bit helped especially with him trying to get into Matrix shape.

 Luckily his trainer was up and was able to meet him at the gym to train. A few reps on the treadmill, another couple sets of weights, then some time on the bar and finally a brutal boxing session rounded out the hour and fifteen-minute rotation. By the end of it, he was dripping sweat and ready to just drop in bed which is just what he did. 

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***If you want to be tagged please SEND AN ASK SO IT WILL BE EASIER FOR ME TO KEEP TRACK OF. Thank you for reading!!!

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[jadesabre83]

Fanfic 2020 Year in Review

Fic Year In Review 2020

Tagged by: @h-y-d-r-o-p-h-i-u-s

Total number of completed stories: 10, plus 9 chapters of a WIP.

Total word count: 91,091 (AO3 shows 100+k since it counts the two chapters of my WIP from 2019)

Fandoms written in: Star Wars 

Looking back, did you write more fic than you thought you would this year, less, or about what you’d expected? Considering I struggled to write for most of the year, I have to say more. WAY more. @contentment-of-cats‘ Chissmas Bingo helped, for sure.

What’s your own favourite story of the year?  Probably whatever I wrote in the Empire of the Hand AU like in This is me trying. Not only is it fun playing in that sandbox, I get to write with my OC, which is some of the most self-indulgent writing that there is.

Did you take any writing risks this year?  I think writing anything with an OC is always a bit of a risk.

Do you have any fanfic goals for the new year? Finish Miniature Disasters. Then organize the WIPs I have going and start on those. 

Most popular story of the year: Hit wise, it was Exit to Endor, basically Jaina discovering the Star Wars version of Exit to Eden. Very, very NSFW. 

My most under appreciated story, in my opinion: Ruins. It’s my OC, in an AU, and basically all whump. 

Most fun story to write: Wreck My Plans (That’s My Man). A Samakro/Thalias/Thrawn 5+1. I haven’t written a 5+1 in years, and it was so much fun to dive back into that style. This fic also resulted in getting my first fan art! I was so excited! COME JOIN ME IN THIS TINY CANOE!

Biggest disappointment: Riding the struggle bus with Miniature Disasters. As a reader, I’m always leery of big WIPs for a reason, and I sort of proved that reason myself as a writer.  

Biggest surprise: Cranking out 9 fics in December. Felt a bit like 2012 again.

Tagging: @virusq, @contentment-of-cats and anyone else who wants to!