#ask alec

[ale-cart]

hemlo. dave in a kanye shirt i am right you know he would be a kanye enjoyer

I feel like he definitely would've been when he was younger LMAO

[rodolfoparras]

Hi there!!!! I just love love looooove the way you write!!!!

Aaaah thank you so much!!! 🫶🏻🫶🏻This is the first time someone tells me they like my writing style. I’m really glad you like it!!

[should-david-be-there]

david tennant with south london's greatest dirtbag boyband @bearsintreesofficial??? sounds like a place he should be

(also listen to their new song 'hot chocolate' when it comes out on Thursday :])

[ghostlyarchaeologist]

"This guy wore all the right suits and filed all the right papers with the S.E.C. Nobody looked twice."

Leverage S02E04 The Fairy Godparents Job.

[saintalec]

girl your comfort character is a 40-something year old man who hasn't slept in 15 years are you okay

[leverage-ot3]

Is leverage redemption worth watching? I love Leverage but idk if i could enjoy the show if hardison isn't in most episodes or if the reboot sells out in some way.

okay so I showed up to this ask like four months late with a smoothie so I'm sorry about that BUT

does redemption have it's flaws? yes, I will be the first to admit that!

however, as someone who deeply loves leverage, the characters and what the show stands for, I still can find myself enjoying redemption.

there's one post that's in my drafts talking about the differences between the og and redemption and the so-called universe physics (how logic works in both shows and how they are the same/differ) and there are definitely some differences. there are some really good posts comparing them in the tags and I'll try to tag them as watch redemption when they come up!

I'm going to be really honest right now and say that (no shade) I feel like redemption s1-2 were lacking because john rogers was not a main writer for them. devlin and the others are great and know their stuff, but redemption was missing some of the grit (balanced with everything else) that the original run had. redemption is more fun and lighthearted (where the og was still fun and had comedic elements but also had a more jaded perspective). I think part of that change is the absence of nate as a character and what he brought to the table, but the other part of that is very much the way the show is written overall

I have seen some criticism about parker being a caricature of what she was in the original run (ex: how she goes to a child's psychologist and uses puppets sometimes, is overtly weird, more loud about stuff, etc) BUT I will say that I think there's some nuance to that

I don't think the child psychiatrist thing is infantalizing- some methods of therapy work for people more than others and that is me speaking as someone who works in mental health. if play therapy and stuff like that work for you as an adult, good for you! whatever works for you is more than enough the overtly and loudly being weird thing I really do think can be taken either way. in the original run part of parker's character progression was that she was learning how to interact with people normally (or at least more efficiently), but her being more out about that now can be taken as she is more comfortable in her skin and acting like she wants because she is surrounded by people who love and support her. maybe she doesn't want to (or have to!) mask all the time and I don't see a problem with that

HOWEVER! there are certain criticisms that are related to her characterizations and overlaps with her autism and I don't want to speak over the autism community about those aspects and how they have manifested in her character in redemption so I'm leaving it there

as for the hardison being absent aspect- I was REALLY afraid of that at first BUT the loss isn't so deeply impactful when you have characters like breanna and harry added to the mix. I went in ambivalent about harry and excited to have breanna (a canon queer) joining the team, but I have come to love and cherish both of them dearly and wouldn't want to replace them or lose them as characters in this found family ensemble. I think the writers handled aldis' packed schedule really well and even though he isn't there in most episodes, his presence is still very much around. parker and eliot talk about him and reference him when he's gone. so do sophie and breanna, even harry. he isn't on the screen but the relationships he's formed with the other characters and the impact he's had on them is very evident.

there are some takes from users about whether or not the ot3 was queerbait, un-canoned, etc in redemption. I have a lot of thoughts about it and a lot of them are incomprehensible but what I can say is that I have renewed hopes for the progression and canon development of their relationship now that john rogers is back as the main writer for s3

[dirtbagdefender]

make me choose            ↳ leverage OR teen wolf

[fairwellersmustache]

Thinking about a Leverage Regency AU and how easy it would be…

The place is London. The year is 18—

Rev. Nathaniel Ford: a disgraced Irish vicar. (Sorry Nate, I couldn’t make the Catholicism work; you’re a Protestant now 😔✊) Fell out with God after losing his son, Samuel. Then he subsequently fell out with his patron, an Earl, who would not fund an expensive surgeon for Sam’s care, and finally with his wife, Margaret. Displaced from his station, his credibility, and power as an agent to nobility, Nate moves quietly to London, hoping to realize his revenge or to drink himself to death - whichever comes first. His parish is now being preached to by a Rev. James Sterling.

Mrs. Sophie Devereaux: a spy through and through. She might actually be a duchess, but didn’t you see her in that terrible play on Drury Lane? No one’s really sure. In society, she’s viewed as an eccentric and slightly mysterious salon hostess, but that cover allowed her to play the British and the French governments throughout the end of the 18th century. A metropolitan girl at heart, she’ll never be found in the country unless planning to procure a particular pièce d’art from one of the gaudy estate manors there.

Mr. Elliot Spencer: began his career at 9, as a cabin boy for a naval vessel. He saw the world twice over, but also witnessed the cruel hierarchy between officers and sailors first hand. He roved through the navy and the army doing little more than grunt work, but studied the martial and combat techniques of every place he went. Now he’s just trying to live the quiet life in London as a bruiser for hire.

Mr. Alec Hardison: a man who has lived many lives —aided, of course, by his job as a private banker, moving around the wealth of London at his leisure. In his line of work, he has picked up the ins and outs of all the governing bodies and businesses in the empire. Add that to his virtuosic ability to pick up any form of study and Mr. Hardison could bleed London dry, given the right reasons. For now, he enjoys the high life thanks to the fortunes of his “betters”.

Parker: an urchin, a waif, the stickiest of fingers in the nicest of neighborhoods. Once the apprentice of the notorious criminal, Lord Archibald Leech, the Gentleman’s Thief, she’s since left his tutelage and is now operating unseen in the big houses of Grosvenor Square as a scullery maid, putting enough bits and bobs aside to graduate from service and to never look back again.

[finleycannotdraw]

can u recommend some bands? i think i like ur music taste and i am terrible at finding music

ty :)

of COURSE I can <3 you’ve probably heard of some of these, but maybe there’ll be some you haven’t! I don’t know what you already like, so… here we go :)

Hozier. Yeah this was always going to be first on the list I’m currently listening to basically nothing else! He’s an Irish folk/soul/blues/etc idk musician who uses a lot of religious and mythological themes in his lyrics and has a lot of songs that include social justice commentary.

The Amazing Devil is a folk rock band with an incredibly unique sound. Their songs are incredibly emotional and have an awesome fantasy vibe going on—plus there’s two singers, and they often sing independently from each other, which is something you don’t see often!

Good Morning Bedlam is a bluegrass band that I’ve gotten into recently! They’re sort of like… a mix of the amazing devil and the crane wives?

The Crane Wives, while we’re at it, and

The Oh Hellos. they’re fairly similar and I don’t have a ton to say about their stylistic differences, but they’re all definitely worth checking out!

Florence & The Machine. Most people have heard of them but I always like to recommend them anyway

Alec Benjamin, if you’re into softer indie music! He has a lot of different styles of lyrics, but his voice is consistent, so he’s great to listen to if you’re looking for that sort of variety.

Chxrlotte doesn’t have a lot of music out, but I’m a big fan of the music she has released, including the ones about Good Omens! The others are more angsty which I love too.

The Family Crest is an orchestral indie pop rock band, which blows my mind. I can’t believe orchestra isn’t a more utilized tool in popular lyrical music, because they do it so well.

Good Kid is actually my brother’s favorite band, and I love them too. They’re also indie rock, but they have a very distinctive style and are easy to get into! Plus they haven’t released a shit ton of songs like some other artists, so it isn’t overwhelming to explore their discography.

Jonatha Brooke is an artist I only know about because my mom liked her music a lot in the 90s, but she’s got a super nice voice and has some awesomely relatable lyrics. I especially recommend her album Ten Cent Wings!

Midlake is a super melodic folk rock band. I’m obsessed with their album The Courage of Others, which has a melancholy vibe that’s super easy to get lost in.

Palaye Royale is harder rock than anyone else on the list so far, but they’ve got an awesome style. Unique voice and definitely darker themes in their lyrics.

Tears for Fears is a pop rock band that I love because my dad does. (My parents are musicians—I trust their music taste).

Toad the Wet Sprocket got their name from Monty Python, but PLEASE go listen to the Architect of the Ruin EP. You will not regret it. Also the song Something’s Always Wrong is like… entrenched in my very being.

Elbow is a band that I never see in fandom circles, but they’re definitely not obscure. Check out their album Little Fictions! They’re kind of like Midlake.

Will Wood ranges from chaotic and fun (The Normal Album) to absolutely soul-crushing (in case I make it)! Sometimes even both at the same time!

(I would’ve also put Paramore, Fall Out Boy, My Chemical Romance, and other rock/pop punk bands I like on there, but I assumed you already know them.) (If you were looking for harder rock or metal, let me know, because this list is not that.)

If you want more genre-specific recs or even album/song recs, don’t hesitate to ask!! Music is the fuel of my soul.

[volturissideslut]

Can you do the guards reacting to them getting walking in on while they are having fun with their mate, like on the couch or somewhere in their room besides the bed so they just throw a blanket over them to cover themselves.

𝖁𝖔𝖑𝖙𝖚𝖗𝖎 𝖌𝖚𝖆𝖗𝖉

Im back with my bs, eat up darlings

Alec

Instant anger

It's not easy to anger him, though he may get testy sometimes

But when it comes to you, he would consider it a dishonor to not be

It's a good thing his gift is what it is, because whoever walked in loses every sense they have until they are shoved out the door - and rather roughly at that

Later on they'd come to you apologising profusely, almost sweating despite being physically unable to, and rest assured it will never happen again

Not after what Alec did after

Jane

Nobody

And I mean nobody

Has the guts to invade Jane mother fucking volturi's privacy

The kings just wouldn't generally, always sending someone to fetch her rather than going to her themself

And death from disobeying Caius seems more merciful than whatever Jane would do to them for not just exposing her, but her mate

But on the 0.0001% chance it did happen, they would be on the floor screaming and writhing before even seeing you

She is well respected (and feared) and wants her love to be held to the same standard

Demitri

One cocky peice of shit

Half of him wants to keep going

To show everyone that you're his, to let them know just how good he can make you feel

You're beautiful, a work of art. You should be appreciated

But the other half of him wants to keep you to himself. You're so good looking, he could just gobble you up

And he wants to keep that to himself

So with his teeth bared and a low threatening growl with an unsaid promise to do some damage, whoever walked in would just walk straight back out

Oh, and he has no intentions of stopping either. He meant it when he said he could just gobble you up

Felix

Probably doesn't even notice at first

You just feel so good, all he can focus on is the sounds you're making and he's all-consumed by you

You'd probably be the first to notice

And when you make him aware, he is not happy

Felix has a reputation within the volturi. It's why he's in the elite guard, it's why his known as the 'executioner'

The person knows to walk out

They know to keep their mouth shut

Because Felix has that reputation for a reason

And just because he's all warm and fuzzy like a giant teddy bear in the privacy in your shared quarters, doesn't mean that's how he is with the rest of the volturi

In other words: whoever walked in is scared shitless, and they better hope Felix was too distracted by you to see their face. They also should hope for your mercy to not tell him who they are

[lindseymcdonaldseyelashes]

Leverage 3x3 - "The Inside Job"

[schmweed]

[rodolfoparras]

Price is not a father yet bc we haven't put a kid in him fr

EXACTLY the day ppl can call him dad or father is the day he has to take parental leave because hes pregnant with triplets

[princeloww]

new DT sticker pack !! (20 pack)

[kaylinelizabeth4004]

Beggin’

(Broadchurch) Alec Hardy x Reader

Synopsis: Alec has no concept of time and barges in Y/N’s house to investigate. Shenanigans ensue.

Tags: smut, fluff, established relationship, face riding/sitting, oral sex (f receiving), slight praise, no beta we die like his heart

She'd just come out of the shower, hair up in a half hearted bun. Y/N was exhausted, the current case was on her mind. A murder, that was evident. The victim was an old woman in her home, a single gunshot to the chest and her house ransacked. But it didn't look right.

As she changed into some comfy short shorts and an oversized Elvis Presley t-shirt, she visualized the scene in her head. It just wasn't right. She remembered a little purple jewelry box up near the dresser, and it didn't appear to be opened. She made a mental note to check that out, along with the neighbors alibi and how sound could transfer in a duplex.

Of course she knew when she agreed to be a Detective Sergeant that it was going to be time consuming, that this career would become you to an extent. And she wanted that. After she accidentally stumbled into this career and saw her first scene, she knew that was what she wanted with her life. But she hadn't realized that that would mean when she does even the most basic functions, her brain would be so wholly preoccupied. She took her hair out, brushed her teeth, pulled the covers down then went to turn out the lights before climbing into them. And all throughout it, she was speculating about silencers and times of death.

Her head had barely hit the pillow before she heard a banging at her front door. She laid there for a moment, contemplating her options. It was either some tragedy has happened or some idiot come to hurt her. And quite frankly she knew she could hold her own. Y/N wasn't a fool, she wasn't going to go answer it without precaution. She quickly went and retrieved a bread knife from the kitchen before going to the door.

The knife was in position when she opened it. Instead of finding some craved criminal, or even some sobbing family member, she found her boyfriend/boss with a box of papers.

"Alec? It's one in the morning."

His eyes narrowed at the sight of her. He looked tired, but he did always look just a little tired. His hair was messed up and his beard just a touch scruffy.

"I don't trust Anderson."

"What?" She asked. He didn't answer as he walked into her house and deposited the box of files on her kitchen table. She didn't mind Alec coming over, hell she loved the chance to see him, but this was all a little unprompted for her.

"Y/N, didya get anything on Imogen Walker? I don't like her. I also don't like this bloke, who does he think he is? Fucking hell," Alec started pulling stuff out to work on.

Y/N wanted to protest, but she also knew that she wasn't going to get much sleep even if she tried. This was at least productive and she got to spend time with him. She grabbed a blanket from the living room, wrapped it around herself, and sat down at the table.

"Imogen has a few misdemeanors but nothing of this caliber, nothing that would suggest murder." She said, "As for Gary, he did have a stay in the hospital back in his twenties for mental illness. I requested the documents for the diagnosis and behavior during the stay but they probably won't come in until later today or tomorrow. I think you need to focus on her niece, her alibi is shaky at best."

If Y/N focused on DI Alec Hardy's face, she might have seen the shadow of a smile on his lips that he quickly hid with other possible motives and questions. He'd never say so, but he loved these moments. The times when he could share what he was truly passionate about with someone that he truly loved ... Those moments were the best. All he would need was Daisy cracking jokes in the corner for this moment to be complete.

It was long after the sun came up before Y/N finally decided to make some tea for the two of them. She told Alec who grumbled a one worded response she didn't bother to try and understand. Maybe it was Alec or the case, but she strangely wasn't tired. Her mind kept whirling with all the possibilities and she enjoyed the time with Alec.

"Y/N! Do you have the SOCO reports from the car in there?" Hardy called to her. "I need to call -"

He stopped, looking at her from above his glasses, his lips still perched out from his words that fell forgotten. She gave him a strange look, placing the two cuppas down on the table then passing him the SOCO report he'd wanted. Yet he still stared, didn't even bother to say a word. "Hardy?"

DI Alec Hardy was not a man of many words, but when he needed to use words he always had the right thing to say. Or at least he believed it to be the right thing to say. But now, in a moment when words would definitely be helpful, he had nothing. He just stared like a man gone wild. Y/N didn't even know what he was staring at, and she shifted awkwardly on her feet. Which drew extra attention.

"Alec? What're you looking at?"

He seemed to snap out of it, shoving his glasses up his nose and glancing back down at the paper. Y/N didn't know what to make of it, but thought perhaps he was exhausted. She pulled the kitchen chair to her, putting a leg on either side so she could rest her chest on the back of it while she read. And yet again, she looked up to see his warm brown eyes trapped on her and her body.

"Alec?" He didn't answer. "Alec! What's going on?"

Alec adjusted in his seat and said calmly, "nothing."

"Bull."

"Nothing is wrong. Can we continue?"

She felt silly for a moment, maybe she was exaggerating. Then she propped a leg on the chair and she saw his eyes wander again. Okay enough was enough. "Alec, what the hell?"

"Y/N-"

"Oh ho, don't Y/N me to try and get out of answering my question. What's got you looking at me at all weird?"

A pink started to spread on his cheeks and ears, but he looked away. No way, she thought. There's no way 'shitface' just blushed. Yes they'd been dating and she knew he was more than that nickname, but sometimes the occasion calling for it. Like when was blushing early in the morning for no reason, and she'd never seen him blush unless they were making love. Oh. Oh. Her eyes widened, and she felt a little smile on her lips. She stood up slowly, watching the way he tried to fight his gaze from following after.

"Alec, anything you want to tell me?" Y/N went and sat down on the edge of the table in front of him. He swallowed.

"Don't laugh."

"Darling, I would never laugh."

He rolled his eyes and looked away, not having the strength to say it while looking at her. He swiped his glasses off and groaned. "I... those shorts. I really like those shorts."

Her eyebrows shot up in surprise. That was not quite the answer she was expecting. "The shorts?"

"Your thighs, they... I like seeing them."

Her mouth fell open in a little o, adjusting her legs slightly as though thinking about them meant she had to move them. He likes her thighs, enough to distract him from work. Alec saw this reaction and immediately flushed darker, "you think I'm stupid."

"Gosh, no, no, no not at all," she said, "I just didn't know."

He still seemed embarrassed. Alec grabbed his glasses and shoved them back on his face, going to grab his work again. But Y/N felt bad, she certainly hadn't meant it like that, she would never shame him for something in the bedroom. She just wanted to know. And she found it very sweet that he found her so attractive. It made her feel sexy.

With a gentle touch she made him set his paper down. He looked with wide eyes. Y/N moved with slow, deliberate movements so Alec could take the time to digest it all. She carefully climbed onto his chair until her thighs were straddling him in his seat, though she hovered above him. She could see his adam's apple bob up and down as she placed her weight on him, leaning forward to take his glasses off. They were so close she could feel his warm breath on her cheeks. She smiled, "hi."

His large hands came to rest on her thighs almost instinctively, squeezing the flesh there. From under her, she could feel the hard length of his cock pressing against his pants. It made her rock her hips just slightly to meet it. He let out a hiss, grip tightening. She quite liked him holding her there, the way he ran his hands down the length of her thighs with a tight grip. He cherished them.

"Y/N..." he murmured, eyes half shut as he lifted a hand to cup her jaw. She leaned in and captured his lips with her own, exploring the kiss and grinding against his hips as he branded her with his touch. She always loved the feeling of his kisses, the way he fell into her touch like it was instinctual. His jaw was always delightfully scratchy and she loved to run her fingers along his beard.

When they broke and their foreheads fell against each other, each gasping for breath, he spoke softly. "Darling.. I have a request."

Alec didn't often ask for much in the bedroom. Y/N certainly wasn't trying to prevent him, he just tended to stay quiet. So she pressed a soft kiss to his scratchy beard and nodded for him to continue. He swallowed nervously before continuing, "I've this fantasy. I've only had it for you."

Alec got embarrassed sometimes when talking about sex. Oh sure, he was great during the act. But he always treated any fantasies or ideas as something stupid and silly. But Y/N didn't think that, she wanted to make it pleasurable for the both of them. If he was willing to do things for her, then she would be willing to do things for him. In a voice that came out far huskier than she intended, she said, "I want to hear it."

"I, I want you to sit on my face."

Her eyebrows shot up and she pulled away to look at him, to check that was what he wanted. His flush got darker and he tried to turn away, but she grabbed his face before he could. The corner of her mouth quirked up, "Alec Hardy, even in your fantasies you want to go down on me. Are you sure that's what you want?"

He nodded vigorously, his gaze intense. She nodded an affirmation and got off, offering a hand for him to take as she guided him into the bedroom. "Tell me where you want us."

Alec nodded. He began to take off his clothing, tossing them on the chair in the corner. Then he got onto the bed near the headboard and told you to strip as well. Here came the part he got excited about, even if excited for Alec meant a pair of wild eyebrows lifted high.

Now naked, Y/N went from the edge of the bed and crawled up to him, showing off her assets. He took a deep shaking breath. She situated herself so her cunt was right above Alec's head, thighs already shaking slightly but she was determined to stay above. Then she felt his hands grab at the back of her thighs, pulling her down.

"Alec!" She squealed, "I can't! What if I hurt you?"

"Hurt you?" He asked in an incredulous way, as though the thought was the furthest thing from his mind. "How could you hurt me?"

"My weight on you.."

He answered what he believed to be a silly question with a silly answer, and dragged her down squarely on his mouth. She laughed a little as she settled, but his hot tongue on her clit was enough to distract her to silence. Well, not silence, but certainly not laughter.

This was a sensation unlike any she'd had. Alec had gone down on her before and it was bloody fantastic, she always left panting and delirious with pleasure. But this seemed to open a whole new wave of sensations. He came into it with a crazed intensity, yearning to taste every part of her he could. His touch was everywhere, hot as it skimmed over her skin and seared her. His lips were plush as they parted to let his tongue slide along her folds, tasting her. That delightful beard was going to cause a rash tomorrow morning but she didn't care as she rocked her hips to meet his tongue's ministrations.

She tasted like sweat and sex and everything good in the world, if he could bottle it up he would. Though in the back of his mind he knew Y/N worried about crushing him with her weight, it was that sensation of being fully engulfed by her that he was so attracted to. Those burning thighs were right by his head, holding him there and clenching with each stroke of pleasure. He held onto them tightly, letting her know just how much he enjoyed it. It was better than just regular oral, it was deeper and intimate. One look up at her was enough to make him shudder and hold her tighter. She looked like a goddess, head thrown back with those raspy little moans pouring from her. Her breasts heaved on her chest, begging to be touched. If he died then and there, with the image of her above him, he'd die a very happy man.

Y/N gasped his name over and over, rolling her hips and meeting his expert tongue. He was everywhere, scorching all of her. Alec’s touch was making her dizzy with pleasure and if she wasn’t careful she’d never leave her spot here. That coil inside of her started to tighten, twisting as tingles were sent all throughout her body. She could feel her orgasm coming, tightening and tightening until with a sobbing gasp she came on Alec Hardy’s tongue.

He never stopped for one second, just lapping at her oversensitive clit until he could feel her coming down from her high. Then he adjusted, helping guide her down his body so he was sitting and she was straddling him. She melted against his chest, head in the crook between his shoulder and neck, breaths uneven.

“Oh my god,” she said finally.

Alec kissed her forehead and rubbed her back, “thank you, darling.”

She gave him a thumbs up, “you tell me all your fantasies, love, because holy fuck.”

Alec nodded, “duly noted.”

“Shut up,” she said, burying her face deeper into him with a smile.

[werewolfsmile]

re: "All I’m saying is the fact that someone isn’t talking to me about Eliot Spencer every second of every day is very unfair and borderline illegal." & tags - if you want to, can you elaborate on your werewolf!eliot ideas?? i’d like to hear about it!! if not all good tho :)

Oh boy oh boy oh boy! Yes I would love to elaborate! (buckle up because i have Thoughts)

(wow this really got away from me so uhhh .... warning for 2k of ranting about Eliot as a werewolf?? list of headcanons under the cut)

From the moment I first met Eliot Spencer, I knew he was werewolf-coded. Aside from his insanely fantastic fighting abilities and the absurd amount of punishment he can take, there are many other factors that contribute to his werewolf status.

Eliot needs a pack Our boy is out here working on his own for years and look at all the good it did him! None! He carries severe trauma from his family life because he blames himself for how it all went down and doesn't think he'll be welcomed back. Plus something probably happened during his military days or early PMC days to put him off working with others. Could have been the pain of losing people all the time, could have been something more. Either way, Eliot working on his own is a defence mechanism - but a self-destructive one.

Wolves thrive in packs - like duh, they're pack animals. As my username suggests, I'm into werewolves and, by extension, wolves. I've done research for my own werewolf novels in the past, so I know that in an average wolf pack, each pack member will have physical contact with the other pack members on the regular. Like, several times an hour! (gosh if I can find the research paper this info came from I'll link it but honestly it's been years) That's a serious level of physical contact required to keep the emotional bonds of the pack healthy!

Flick back to Eliot. He loves to fight, he loves the violence and the pain, yes. He hates the killing and the blood on his hands. He actually tries to leave the assassin world behind after he meets Toby (which is before he meets Moreau, as per early dialogue in The French Connection Job). He bonds quickly with Toby. Show Eliot a little love and care and he's yours for life! He moves onto retrieval work, then somehow ends up working for Moreau.

Now, when we see Eliot and Moreau in The Big Bang Job, Moreau says, "You work alone." Which means that Eliot had that reputation when he came to Moreau. He probably only took contracts to start off with. But he accepted job after job from Moreau and was so good that he was highly respect and it's inferred he ended up as Moreau's top bodyguard/assassin. Why the hell would Eliot end up that close to a man who brings out all the worst in him? Because Eliot's a werewolf and no matter how toxic, Moreau fulfills the need for a pack bond that he's been missing all this time.

Fast forward to Eliot meeting the rest of the Leverage team. One job only - my ass. He saves Hardison's life after Hardison brought a gun to their little meeting - and we all know how Eliot feels about guns.

Wolves are designed to live and operate in packs. Eliot says it's one job only but is bonding with them all from the get-go. Werewolf trait confirmed.

Eliot needs physical touch Now, I know what you're thinking. Eliot canonically avoids physical contact with the team. He refuses hugs, especially from Hardison, growls at Parker poking his bruises (don't get me started on the growls), and shoves people (ahem Parker) out of his personal space. So why would he do all this if he needs physical touch??

Because he's one gigantic ball of angst and self-loathing and guilt.

Eliot doesn't think he deserves forgiveness or love or family, etc. That is a whole other rant, but he denies himself the physical contact he needs with others as a way of punishing himself.

However, as the series progresses, we see him become more comfortable with physical contact! He hugs Hardison several times, he doesn't move away from Parker, etc. Why? Because he's bonded with this team (ahem pack) and there's only so much he can suppress his instincts. The more time he spends with them, the more naturally the contact flows.

Eliot needs to protect others Whenever we get a scene of the team walking as a group, where is Eliot positioned 90% of the time?? That's right, at the back of the group. He lets the others walk in pairs and falls back to bring up the rear. He's keeping them all in his line of sight and constantly scanning for threats ahead, along with protecting the team from any rear attacks. It makes sense for him to do this given his military background, but it also makes sense for a werewolf to do this.

He's the only werewolf in the team. His instincts revolve around keeping the pack safe and protected, so he does that in the best way he knows how.

Not to mention how feral gets over kids!!

Wolf life is all about the pack and the family structure. Pups are integral to the pack's survival and future. Eliot doesn't have kids of his own. But that doesn't stop his instincts from blaring every time he interacts with a kid, be it on the con or off. He takes time out every time to help that kid in an attempt to calm the raging storm of instincts inside his body.

Eliot needs to feed others It's another werewolf instinct that rears its head when they're in the safety of their headquarters (ahem den). Protecting the team/pack from physical threats is just one aspect of taking care of them. Feeding them is the other major one.

None of these idiots can cook to save their lives - except Nate, but he's also drowning his liver 90% of the time, so Eliot has to compensate for that, too. The team can't operate at full capacity if they're not consuming good nutrition. So Eliot makes sure to feed them.

His humanity recognises that these are independent people - coworkers - and he can't control every meal of every day. But he can cook for them, once a week or once a job, which is just enough to satisfy his instincts that he's doing his part to care for them. Plus they love his cooking, and the praise he gets from it is an unexpected but pleasant bonus.

Eliot and team sports/kitchens This ties in with my first point about Eliot needing a pack, but all the times we see Eliot go super hard and get absorbed in the role he's playing are when he's on a team sport or he's in the kitchen. Both of these fulfill super important instincts for him - being in a team/pack and providing food for others.

Think about The Tap-Out Job. Eliot's playing a fighter but he's not pretending to be on a team. He doesn't get over-invested in the role. But what about when he's a baseball player? A hockey player? He falls into those roles hard because he's working with another team again, and this little werewolf is built for that environment. Same in The French Connection: the kitchen becomes his den, the students are his pack mates, and he goes hard at investing in them and protecting them. Never mind the personal aspect of Toby.

Same for episodes like The Fairy Godparents Job when we get a scene of Eliot teaching a bunch of girls self-defence. Team setting + protecting kids = happy werewolf instincts.

So, werewolf headcanons? I have a lot of different origin theories but the main one I like for Eliot is:

he became a werewolf either for a covert military op, or was bitten by Moreau (choose your own angst flavour)

if it was for the military, they were trying to engineer supersoldiers and he was deemed a failure; he has werewolf instincts all the time but only has enhanced strength, healing, etc on full moons

if it was bitten by Moreau, there's a psychic-style bond linking them, which is why he was so loyal to Moreau for so long, and also why he is so reluctant to go after Moreau

(wow this is too different theories already and i said this was my 'main one' whoops)

Eliot can only shift easily on the full moon; shifting outside of a full moon can only be caused by extreme stress and is ridiculously painful

he suffers an insanely high prey drive all the time and is so strict about his control because he doesn't actually wanna rip out the throat of Random Guard #3

he used to chain himself up for full moons so he didn't hurt anyone, but since the team found out about him, Hardison and Parker have taken it upon themselves to 'puppy-sit' him every full moon

this involves no chains but an obscene amount of dog chew toys. Eliot is never impressed. He also never chases or chews the toys. The video evidence Hardison has was obviously doctored.

Hardison and Parker found out the truth when a con went sideways and Eliot was trapped in a room with them during the full moon

he was terrified he was going to kill them - or worse, bite them - but his instincts recognised them as pack so instead he just tried to wrestle with them all night

Hardison had a major freak out when he discovered Eliot was a werewolf - it's one thing to be obsessed with sci-fi/fantasy, it's another thing entirely to see your best friend transform before your eyes

Parker was not even remotely phased, being all like, "pfft of course werewolves are real, I thought you knew that Hardison, you talk about your elves and orcs all the time!"

"Woman that is completely different and you know it!"

"What else do you think is fake? The tooth fairy?? Ha!"

Eliot is Done With Their Shenanigans

Parker only ever refers to Eliot as Sparky when he's in his wolf form

Sophie didn't actually know about werewolves before the reveal but she pretends that she did

Nate knew about werewolves before Eliot, he just chooses to pretend that they're Not A Thing

werewolves generally don't make good hitters, because the constant exposure to violence ramps up their hunting instincts aka they find it hard not to kill

of course, this doesn't matter if you're someone like Moreau who specifically wants killing machines and thus turns his top hitters into werewolves, to ensure loyalty and enhance his strength

the only other werewolf hitter not under Moreau's control that Eliot knows is Quinn, who most certainly did not pull his werewolf strength punches when they tousled in The First David Job

Quinn doesn't have a pack (werewolf or otherwise) and genuinely doesn't seem phased by this, which pisses off Eliot to no end

however, after they work together in The Last Dam Job, Quinn deems himself Eliot's Best Werewolf Bud and keeps popping up randomly to hang out on full moons, etc

Parker and Hardison are a bit weirded out (and a little jealous) of Quinn's attention initially, but soon get over that when they discover that two werewolves on a full moon absolutely play for hours like 6 month old puppies - especially with the tug rope

Eliot is Extremely Susceptible to belly rubs even in his human form, which is half the reason he pushes people out of his personal space a lot - his reputation would never survive anyone finding out

of course the entire team figures it out and take to ambushing him with belly rubs whenever he's being stubborn or annoying

belly rubs are also the only way he will relax enough when he's injured so they can treat his wounds

despite the incessant dog jokes, the ever-growing pile of dog toys, and the bowls labelled with "Sparky" and cartoon bone symbols ... Eliot absolutely adores the pack he's found himself in and wouldn't change them for the world

One of these days I will sit down and write a thousand fics for werewolf!Eliot! Till then, I'll just keep churning out the headcanons ;)