#ask nines anything

[writergeekrhw]

Thank u for the many hours of DS9 happiness u brought my young family. Quick question: do u recall what everyone was so sad about?

That was a little goodbye the DS9 cast did for me when I left at the end of Season 5. It was very sweet of them and was also a joke about my overuse of parentheticals.

[whenthewallfell]

~ and if I can dissolve I do ~

(hanahaki au below the cut)

AU where Peeta develops the hanahaki disease during Catching Fire and the only people that understand the significance of it are Mrs Everdeen and Haymitch, both of which he swears to secrecy since he's going to die in the arena anyway. Snow also recognises the symptoms (rumour has it he underwent surgery shortly after his time in D12) when Peeta is unable to hide it from the cameras during the Quell. The flowers are removed as part of the hijacking process, but whether it was successful or not is uncertain - dandelions are a stubborn weed after all, and their roots grow deep.

[poorlydrawnandroids]

…

Unfortunately they did not get burgers for Hank, but Connor at least learned a valuable lesson. I guess Nines suffers from Amelia Bedelia Syndrome.

———

Hi guys, this is actually a comic I drew and basically finished 11 months ago. And it’s been just about then since I’ve last really opened my iPad and did any drawing. There’s a ton of half-completed works on there and they’re pretty cute, so I’ll try to post them as I get the motivation. My therapist says posting to this blog will probably improve my mental health and he’s right but >:3c

So yeah! Let’s see what I can toss out this year, wooo!!

[the-oc-king]

More of Nine! I've gotten surprisingly attached to them and their story potential

They work at the Mystery Shack as a general employee and manager, but also as an attraction - a fortune teller! Tourists can ask them about anything and they'll give a prediction of their future (for a fee of course). Oddly enough, for a fake psychic in a sensationalist tourist trap, many of their predictions end up being strangely accurate

They also need antacids on them at all times

[bright-and-burning]

🐑 send me a fake set of fic tags, and I’ll try to come up with a summary for it! !!!! OOOh okay. if you're up for it(!), then: #Canon Divergent #There Was Only Ten Beds #Magical Realism #Bondage #Light Decapitation

a lobby with nine hundred windows | lando/oscar, M

#canon divergence, #there was only ten beds, #magical realism, #bondage, #light decapitation

The first sign of something going really, terribly, desperately wrong is subtle, honestly. So subtle, Oscar hadn’t thought anything of it. Brakes catch fire all the time, Max was due for some bad luck; nothing more, nothing less. The explosion bit was a little weird, a little larger than usual, but that was easily explained away. The second sign, the air going wavy and thick around him as he exited the car, is almost equally subtle. Waking up to Lando holding a knife to his throat, however, is not.  Australia has a lot to answer for.

not only did i come up with a summary for it. i also uh. wrote it. it's wild what breaks through writers block 😭 so thank u for this strange and lovely tag combo. here's 1700 words of. idek what. something completely and utterly different from anything else i've ever written, that's for sure!

tw for mild description of violence

Oscar wakes, slow and groggy, to a warm weight on his chest, limiting his breaths. He blinks the sleep out of his eyes and goes from half-asleep to wide-awake in milliseconds, Lando looming over him, perched on his chest. Knife at his throat.

“Lando, what the fuck?”

Oscar struggles, feeling returning to his limbs, the restraints around his wrists and ankles making themselves known.

Lando presses him further into the bed, eyes wide. He shifts his gaze around the room, frenetic, never keeping Oscar out of sight for long. Oscar’s hyperaware of the cool edge of metal against his skin. The thump of blood through his carotid is loud in his ears.

“Tell me something only you would know.”

“What the fuck are you doing?”

“Oscar, I need you to trust me.” Lando leans in further, so close Oscar has to fight against the urge to cross his eyes. “Tell me something no one else knows.”

Oscar thinks, hard. Lando’s face is more serious than he’s ever seen it before.

“The backs of your thighs are weirdly ticklish?”

Lando releases a little of the pressure, but stays leaned over Oscar, considering.

“At least three other people know that. Something else. Please.” His voice cracks, and with it, his expression, desperation on display.

Oscar reaches to touch him, to soothe the visible ache. The material wrapped tight around his wrist snaps taut before he can even get close. Lando notices the aborted motion, and shifts forward again.

“Oscar, think.”

Oscar wracks his brain, turning over all the stones labeled Lando in his head, looking for something novel, something truly secret. Carefully considers the little cut-off wheezy sounds Lando makes when he’s just come, the half-filled sketchbooks shoved in a drawer, his secret sleeping spot at the MTC. Discards each one, heart rate slowing now that Oscar has a task to focus on, before remembering—

“You’ve been stealing my shampoo!” Oscar says, too loud for the odd room they’re in.

“No I ha- How did you know that?”

Oscar shrugs as best as he can in the restraints.

“I realized I was running out too fast. And you smell like me sometimes. Noticed after Vegas, I think.”

Lando’s face does something complicated, flashing from shifty to smug to sheer relief. He tosses the knife to the ground with a clatter, and collapses onto Oscar.

“Thank fuck, Osc, holy shit,” he says, shoulders shaking.

“Can I get some answers now? Like why you had a knife at my throat?”

Lando sits back up, nearly knocking his head into Oscar’s chin. His face is wet. Oscar remembers his restraints, and does not go to wipe his tears. He climbs off the bed, disappearing out of Oscar’s limited line of sight, and pops back up with said knife.

“Let me get you out of here first. Before things get wobbly again.”

“Wobbly?”

Lando ignores his question, focused on getting Oscar out of the straps. His hands are shaking nearly too bad to unknot anything; the knife lays unused, for fear of accidentally cutting something else. It takes minutes for Oscar’s right hand to be freed.

“Give me that,” Oscar gestures for the knife.

Lando hands it over without protest, and Oscar cuts through the remaining straps in quick order.

When Oscar is fully freed, Lando immediately pulls him into a hug tight enough to bruise.

“God, Osc. I thought I’d never see you again.”

Oscar pats him on the back, gentle. Lets him cling on, face tucked into his neck, quiet, shuddering exhales tickling his skin. Just when Oscar opens his mouth to ask any of the million questions, Lando pulls away and tugs him towards the door.

“I think it’ll be easier now that I’ve found the real you,” Lando says, opening the door. The light beyond is nearly blinding in comparison to the dim lit room they’re leaving behind. Lando steps out, hand still tight on Oscar’s. Oscar follows.

“The real me?”

They’re standing in a long hallway now, lined with doors of different shapes and sizes. Oscar turns slightly, to look at the one they’ve just left. It’s a simple metal door in a metal frame, a neon yellow handle the only distinguishing feature.

Every fifth door or so is the same. Simple metal, neon yellow handle. The rest have no pattern, as far as Oscar can tell. Here’s a frosted glass door stretching the full height of the corridor, and then a mini-van door with flame decals on the bottom. Here’s a mahogany double door several inches shorter than Lando, followed by a door Oscar could swear is Mark’s front door.

Lando speaks up, drawing his attention away from the oak door with the familiar mail slot. He nods to the door they just left.

“That’s the tenth one I’ve tried. Every other Oscar hasn’t passed the test.”

Oscar’s blood goes cold.

“How did you know,” He stops, unsure how to phrase his question.

“To check?”

Oscar nods.

“The first one was…” Lando pauses. Shivers at something only in his mind. “He was just wrong. I dunno. Didn’t smile right, or something. Like that valley thing.”

Lando’s clearly leaving something unsaid, some bigger reason to put a knife under Oscar’s chin, but he looks like he’s about to start shaking again. Oscar leaves it be, for now. Until they get out of this mess.

“And that’s when you…” Oscar holds up the knife.

Lando nods jerkily.

“I mean, one minute I was on the podium, the next the world went wobbly and I was here. I started opening doors, just trying to get out. Saw a lot of freaking weird shit, okay,” his voice is creeping higher, more defensive with each word, “and then I saw you, and then you weren’t you, and I-“ Lando deflates. “I freaked out, a little.”

“And then you, what, stabbed him?” Oscar tries to keep his voice even. Fails a little, maybe. Lando isn’t meeting his eyes.

“I sort of. Slithistthroat.”

“Sorry?”

Lando clears his throat. He’s tense, shoulders high around his ears, body twisted like he’s ready to bolt.

“Slit his throat.” Lando’s voice tilts up like it’s a question. It’s not.

Oscar stares.

“I freaked out a lot.”

And then he did it eight more times, from the sounds of it. Oscar can’t even imagine. Going from room to room, bed to bed. Waking Lando up, over and over, just to find something terrible in his place. Having to kill something shaped like him, time and time again, with no idea where the real him is. No idea if he’s making a mistake.

Oscar eyes the knife, looking closer. Looking for a distraction in the minutiae.

“It’s, uhm. Clean?”

“They disappear, after. That’s how I knew that I- That’s how I knew.”

That’s how he knew he hadn’t made a mistake, he means. That he hadn’t killed the real Oscar.

“Oh. That’s good, then. That they disappear.”

“Not- not right away.”

Lando looks haunted, briefly. He shakes his head, and starts moving, pulling Oscar along again.

Oscar changes the subject.

“Any idea what we’re looking for?”

“Not exactly,” Lando draws out the vowels. They’re still holding hands. Oscar is thankful for Lando’s tight grip on him, a tether to reality. A reminder that they’re both real. For both of them. “Was mostly hoping if I found the right you things would clear up.”

“Oh, brilliant.”

Lando squeezes his hand and keeps moving, walking much faster than normal.

“What’s the last thing you remember?”

“Getting out of the car.” Oscar squints, picking over his memories. “Going to get weighed, maybe?”

They pass a sliding glass door. The interior is distorted, but it looks like his back door. From home, in Melbourne. Oscar’s chest goes a little tight looking at it, but it doesn’t feel quite right. Nothing like the growing pull towards the end of the hall, and maybe Lando was right about things clearing up. They keep moving. The pull keeps growing.

“D’you feel that?”

Oscar nods. “It’s gotta be coming up.”

Whatever it is, at least.

A quick glance at Lando’s tense face and Oscar knows he’s not alone in that thought.

Lando stops, so abrupt Oscar’s hand nearly slips from his hold.

“Somewhere around here, you think?”

Oscar steps closer, threading his fingers back through Lando’s. He closes his eyes and focuses on the magnetic pull, tugging at some place behind his sinuses. He turns, slow, careful to keep Lando in his grasp, until something clicks into place.

The pressure releases, like ears popping on a flight. Lando makes a weird noise, some kind of suppressed squeak. Oscar opens his eyes.

The other doors have disappeared, leaving only one: three feet away, right in front of them.

It’s plain. Wood, this time, painted white, set in a plain frame. Empty but for a sign with their names on it.

Oscar turns to Lando.

His eyes are wide and searching.

“This has gotta be it, right?”

“Don’t think we have much of a choice now.”

They step forward in unison. Oscar puts his hand on the doorknob, and pauses.

“Just for luck,” he says, and turns, quick as lightning, to kiss Lando.

Just a press of lips, over as soon as it began, Oscar turning back to the door.

Lando makes a noise, deep in the back of his throat, and spins Oscar bodily by the shoulders.

“Just for luck?” He asks, twitchy all over, and pulls Oscar down against him for another, quick until it’s not, both unable to stay apart for long.

They kiss, slow and steady, reassuring, until the pressure in the back of Oscar’s skull starts building again, an incessant reminder that they need to leave.

They break apart.

Oscar twists the knob, watching Lando instead of the door, and opens it, stepping through without looking. Making sure Lando follows.

The door slams behind them.

They’re in another corridor, long and full of doorways, to Oscar’s despair.

Lando starts laughing, tinged with an edge of hysteria.

Oscar opens his mouth to reassure him, and fails. What if there are more Oscars? God, what if there are Landos?

“It’s Hilton, Oscar, it’s freaking Hilton.” He spins around, arms outstretched, before slamming back into Oscar. 

“D’you feel that?“ He whispers into Oscar’s shoulder.

“No?” Oscar’s still in shock, a little.

“Exactly, Osc. No pull, no pressure, no caddy valley. We’re fucking free, baby.”

[tennessoui]

For the prompt list, nanny/single parent obikin would be amazing!!

(from this prompt list)

(the first time I answered this prompt two years ago, the nanny anakin au was born)

so to do something different, here's some gffa widowed anakin, nanny (sort of) obi-wan!

(2.5k)

It is hard to find time to grieve. There are too many things to do. Too many appointments to make, too many decisions Anakin isn’t sure he’s qualified for. Some decisions are easier than others. For example, the funeral will be on Naboo. There will be two services: a public one to honor Padmé’s public service, and a private one to honor who she was as a person. The casket will be closed, because his wife died when her cruiser exploded. There isn’t much left to bury anyway.

But some decisions are harder. Which flowers should go on her casket. What songs would she want sung and who should sing them? Would she prefer her grave closer to her ancestral home or the home she created in her adulthood?

If she told anyone the answers to these questions, it wasn’t Anakin. But then, the people who knew her best, who loved her most, died with her. Sabé, Rabé, Saché, Yané, all of her handmaidens—an assassination such broad strokes that it was impossible for it to fail.

So Anakin chooses Yali lilies, because Leia’s eyes linger on them the longest. He chooses a small Nabooian folk band to play after her service because their music is the first thing to make Luke lift his head from his coloring books in days. He formally requests that her body be buried among her ancestors, and the Nabierres agree immediately.

And he keeps telling himself that he will grieve, but there is so much to do. 

And then—then there’s after the funeral. Then there’s the rest of his life, sprawling out before him in a long, hazy road. 

There are more decisions to be made.

There are people who have opinions on them now, people who sat back and let Anakin muddle through flower arrangements and kriffing seating charts, who now step in to peer over his shoulder, monitor his every breath.

Should he really move the children back to Coruscant? Does he truly plan to continue to work as a mechanic in the Mid-Levels? Should he not think of the children, their needs? How can he support them on the thin amount of credits he makes? Would it not be better for the children to live on Naboo in the care of their grandparents and their extended family?

It would be what Padmé would have wanted.

Anakin cannot care about what Padmé would have wanted, because she isn’t here. Not to argue with him, not to make her wants known. She is dead. She doesn’t get to haunt him in the waking world too.

“What do you want?” he asks plainly, sitting down across the table from his two children. The twins blink back at him. Leia has finished her cereal. Luke has barely touched his.

“Bacon,” Luke says.

Anakin hadn’t meant for breakfast, but he figures it’s as good of a start as any. “Alright,” he agrees.

He stands once more and goes to the kitchen. It’s not exactly his domain. It was never Padmé’s either. The way Padmé grew up, food was made once you requested it—by droid, by cooking staff. Not by the hand of a Nabierre.

The way Anakin grew up, food was cobbled together carefully, sparingly no matter how much you requested it. And no matter how you cooked it, it always tasted a little like dust, which took the joy out of experimentation.

But the serving staff have been dismissed for the past two weeks to give the family time and space to grieve in private. 

(Padmé’s parents have been given a schedule for visiting hours for that exact reason.)

Anakin locates the pan; then, he locates the package of bacon strips.

When he glances up, both twins are watching him over the edge of their barstools, tiny faces showing both skepticism and incredulity.

“I want to know what you want to do,” Anakin says, raising his voice as he places the pot over the heating plate, the meat in a moment later. “Do you want to stay here with your grandmother and grandfather? Do you want to go back to Coruscant?”

The twins are quiet. Anakin twists his neck to look at them again, and they’re looking at each other, silently communicating the way only twins can.

“Where will you be?” Leia finally asks, looking at him with narrowed, suspicious eyes, bottom lip already jutting out.

Anakin blinks. “Wherever you are,” he answers.

“You won’t leave too?” Luke asks rather tremulously.

Anakin takes the pan off the heated plate and turns it off with a decisive flick of his wrist. “Of course not,” he says. “Come here.” He crouches down and barely has enough time to open his arms before the twins are there, pressing in as close as they can get to him. He holds them back just as tightly in return.

“I’m not going anywhere,” he promises into Leia’s hair. “Not without you two.”

—-----------------

It becomes apparent fairly quickly that this is, by necessity, a lie.

The twins don’t want to stay on Naboo, which Anakin is secretly incredibly grateful for. He doesn’t want to either, but he knows he’d just be called selfish should he express the opinion.

But the twins don’t want to go back to Coruscant either. This makes sense as well. It would be incredibly jarring for them to go back to living in the quarters they shared with their mother, her Upper Coruscanti apartments in the nicest district of the planet, without her there.

Anakin wishes it were as simple as sticking a pin on a planet and deciding to uproot the entirety of his family to live there. 

But it’s not.

Perhaps if he were still young, nineteen, newly free and in love with the taste of that freedom, it would be.

But he’s a widower now. He has his children to think about, their futures. Any planet he chooses must have what they need as well. 

And they are four year olds who have just lost their mother. Their needs are numerous.

What makes the decision for him in the end is that his boss knows a man from Stewjon, who is willing to hire him. Who is willing to pay a premium for his expertise with mechanics.

Anakin doesn’t know the first thing about Stewjon, other than that it’s an ocean planet in the Inner Core and his dead wife always said the Senators from Stewjon were so frigid and tight-lipped because they spent the first few days of each visit trying not to be seasick on the Senate floor.

Anakin isn’t sure why this is the very first thing he tells the man—his potential boss—he meets behind the counter in the mech-shop on Stewjon.

He’s left the children with their grandparents for the week—long enough to fly from Naboo to Stewjon, meet with his potential employer, interview, apply his work practically, and fly back out.

He’d explained to both twins why they had to stay on Naboo. He’d explained many times. That hadn’t changed the betrayed look Leia had worn as she saw him off. It hadn’t wiped the tears from Luke’s eyes.

“Ah, well, I can’t say I’ve heard that one before,” the mechanic says. He sounds amused, and Anakin is incredibly shocked to hear a Coruscanti accent. Everyone he’s spoken to since arriving planetside has had such a heavy brogue that he’d honestly struggled to understand their directions to the shop—Kenobi & Sons.

Anakin lets himself look again at the man behind the counter. He’s rather clean for a mechanic, he decides. His beard is red, a common factor around these parts apparently, but his beard is short and neat, trimmed to accentuate the strong lines of his jaw. His eyes are a stormy blue, the kind of blue that matches the Stewjoni ocean.

“Between you and me though,” the man smirks and leans onto the counter with his elbow. His tunic is dark gray, white starchy fabric peeking out beneath the v-necked collar. “I’ve never been a fan of Stewjoni politicians anyway.”

“Oh?” Anakin asks, sidling a step closer to the counter. The man has the beginnings of gray at his temples, and his eyes are lined with wrinkles. They don’t make him look old though, Anakin decides. They make him look…well-lived.

“I’ve not a head for politics much at all,” his future employer shakes his head slightly with a small smile. His eyes flick up and down Anakin’s face, lingering on his lips and then lingering longer on the scar over his brow. Anakin feels rather flushed under the inspection, and he shifts his weight forward until he’s leaning up against the counter too.

There’s something about this man that’s rather…magnetic. It pulls him in. It makes him want to linger.

Good characteristic for a shopkeeper to have, though Anakin privately decides that the man before him has a face that’s wasted on mechanics, buried under some ship’s underbelly in a backroom.

“Me neither,” he admits, a moment too late to sound anything but highly distracted. It makes the man smile again though, a flash of straight white teeth.

“Is there anything you do have a head for then?” he asks. His tone is light, airy, rather teasing.

This is the strangest interview Anakin has ever had.

“Um,” he says. “Well. There’s mechanics.”

“Oh?” The man’s eyebrow lifts at an elegant angle. He props his chin on the palm of his hand and looks up at Anakin through his eyelashes. “Then why come here to us then?”

“Um,” Anakin says, and not because the man looks rather unfairly flattering like this, amber eyelashes in sharp relief against the blue of his eyes.

They’re interrupted by the sounds of clattering in the backroom, stomping and cursing. The man before him straightens with a slight sigh and picks up the closest flimsipad. “And what brings you in here today, sir?” he asks rather loudly, pitching his voice back to the other room of the shop pointedly. “Problem with your speeder? Serving droid? Cruiser? If it’s your astromech droid, I regret to inform you that I’ll have to refuse you service on account of the fact that I don’t particularly care for them.”

Anakin thinks he splutters, but whatever noise he makes is definitely drowned out by the rather irritated shout of Obi-Wan! that comes from the back.

A moment later, a man storms through the door, looking annoyed. "We will service an astomech if that's what's broken, Obi-Wan."

Now this is a man that Anakin can believe is a mechanic. His nails are blackened with oil, and his bare, burly arms carry smudges of the stuff. He’s much broader than the man—Obi-Wan—that Anakin had been talking to. He’s bald with a reddened scalp and a rather large red beard that’s the antithesis of the other man’s in every way. His clothes are dirty, loose, and the color of ash. He looks older too—whereas Obi-Wan could easily be in his thirties, this man must be pushing fifty.

He snaps at Obi-Wan in a language that Anakin doesn’t understand. Obi-Wan shrugs and hands over the flimsi pad without argument.

“Um, actually,” Anakin says, feeling incredibly wrong-footed. “Which one of you is Kenobi?”

“I am,” both of them say. Obi-Wan’s smirking slightly. The other man’s voice is louder, carrying that Stewjoni accent so obviously lacking in Obi-Wan’s speech.

The older man closes his eyes as if he’s praying for patience. “We both are,” he says. “Though if your ship’s malfunctioned, sir, I’m the Kenobi you want to see. This one’s good for naught but magic tricks.”

“I have been told I’m rather good at other things,” Obi-Wan turns his smirk full-force at Anakin, dropping his eyes to Anakin’s lips once more.

“My name is Anakin Skywalker,” he says very quickly in a very normal tone of voice that is most definitely not a squeak. “I’m here to interview for a position. As another mechanic.”

“Oh,” the older Kenobi says.

“Oh,” the younger Kenobi says in a much different tone.

The older Kenobi pinches at his nose for a moment before turning around the counter and offering his hand. “Ben,” he says. “Ben Kenobi.”

Anakin takes his hand and shakes it, eyes traveling back to Obi-Wan. Is he supposed to shake his hand too?

“I’m the Son in the sign,” Ben says gruffly as if that answers his question.

“I’m the reason it’s plural,” Obi-Wan adds, busying himself with the contents of the counter. From what Anakin can tell, the man is just messing up the carefully organized piles of receipts. 

He decides that he would rather not get the job than point this out to Ben.

Ben huffs out something in Stewjoni that sounds downright insulting, but that doesn’t stop Obi-Wan from smiling sunnily up at Anakin. “My brother enjoys bitching and moaning that I came back home when I was seventeen, but he’s awfully quick to foist his children off on me when he’s called to shift at the rig offshore and Marci’s off-planet too.”

Anakin blinks. He feels like that’s the safest answer.

“Only thing good that blasted Jedi Order ever taught you was how to handle younglings,” Ben says, and then spits on the ground as if the words themselves have left a bad taste in his mouth.

Anakin blinks and wonders if he should say something to remind the brothers that he’s here. For an interview. “And my magic tricks,” Obi-Wan rolls his eyes slightly before catching Anakin’s eye and winking. With a wave of his hand, a flimsi-sheet flies over the counter and into Anakin’s chest. He catches it unthinkingly. “Would you like to sign in, sir?” “Get out of here,” Ben barks, snatching the flimsi from Anakin’s hand and pushing it back to the counter. “Like I said, the only one’s impressed with that is the younglings.”

“I don’t know, your man looks impressed,” Obi-Wan says slyly, even as he pushes himself away from the counter and around the edge of it.

Anakin isn’t sure what he looks like. He doesn’t think impressed is the word he’d use though.

When Obi-Wan brushes past him, the static electricity in the air jumps between their shoulders. Anakin feels as if he’s been shocked.

Obi-Wan must feel it too because he stops only a few inches away and looks at Anakin. For the first time, his expression is open. Curious. Considering.

“Get!” His brother insists, and Obi-Wan obeys, throwing one last look over his shoulder at Anakin before he slips out the door.

The shop feels somehow much bigger now that the other man has left. Ben sighs and rubs a hand down his face. He looks older now. More worn. “So that was my brother,” he tells Anakin wearily. “Who you would most likely see frequently if you were to take this job. I would understand completely if you would like to start by talking compensation.”

[todayisafridaynight]

[limarieart]

Don't disappoint him.

[restingcorpse]

What's cooler than being cool?

Being Trent Reznor probably

[anxiousgaypanicking]

Could I Mayhaps be added to the tag list for what you need? I had been reading on wattpad but I see it got removed again- but I’d love to be added to the list :)

YES AND GOD DAMN IT I FUCKING HATE WATTPAD

THIS BOOK HAD PLOT TOO SO THERE WASNT EVEN AN EXCUSE FOR IT TO BE REMOVED RAHHHHH ANGRY ANGRY

also just for u ill let you guys know im actually actively working on the next chapter of what you need

heres a spoiler :)

[writergeekrhw]

In the special features for Star Trek, the producers and writers often refer to Trek as a "period piece" in the same vein as Jane Austen or Bonanza, just set in the future instead of the past.

With this in mind, 90's Trek had very distinctive language usage. It is formal, even stilted at times, but it comes off as erudite and evolved. Even Patrick Stewart has commented how he could always tell when Star Trek was on TV because he'd hear the dialogue and recognize that distinctive formalness.

From a narrative perspective, this choice falls in line with the whole "humanity has evolved" theme. But from a technical writing standpoint, it seems to have served a much more important purpose of setting the time period by scrubbing the dialogue of any time-stamped, current slang.

So in this future universe setting, casual, current language (such as F bombs) would be akin to one of us using slang from the 1600's. It's jarring not because it's crass (for some it is), but because it cracks the suspension of disbelief that what we are watching is set in different time period because they are using our language, not theirs.

I apologize for the massive run up to this question (maybe I've completely missed the mark with my musings) but what were the instructions you were given that gave DS9's dialogue that "period piece" feel?

Good observations regarding language use in Star Trek.

There were no specific instructions on how to write "proper" Star Trek dialogue. It was mostly learning by doing. But we adhered to the same unwritten rules as TNG, and that could be gleaned from reading scripts and watching episodes. Once I started on the job, a few things became quickly apparent to me:

Avoid slang.

Avoid religious expressions.

Generally, dialogue between Starfleet characters should be respectful (or even warm), slightly formal, and thoughtful.

Playful is fine, but not too goofy.

Use metric units.

Most aliens don't use contractions or use them minimally.

There are probably plenty more that I learned (and adhered to) unconsciously, but those were the ones that jump out in memory.

[chongoblog]

Btw if I’m not responding to your fave character asks its either because I don’t know anything about the franchises you sent me, it’s already been asked, or because the con opened and I’m busy.

[itsnotira]

HQ!! Karasuno, but make it B99

My Lovecore Playlist My Paradise~ Ask Box 'Bout Me

‧₊˚ ✩°｡⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆｡°✩˚₊‧‧₊˚ ✩°｡⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆｡° Ukai: "So, of all the candidates, who do you think I should hire?" Daichi: "Well...The interviews got a little off track, but...I'd go with this one-" Sugawara: "That guy? No way. He yelled at me when I asked him what his favorite volleyball position was 3 times in a row." Ukai: "Why would you-" Sugawara: "Because whoever takes this job is gonna have to listen to Hinata ask for Kageyama to set him every. Single. Minute." Daichi: "Fine, what about this guy?" Sugawara: "Mmm, no! He was scared of everything. We already have Asahi. Plus, do you remember Tsukishima after Hinata went to the Shiratorizawa Camp?" Daichi: "Fine, but what was with the flossing?" Sugawara: "A gym is a dirty place, Dai-chan. There's dirt, volleyballs, Hinata's nervous throw up. You need a strong stomach."

[edgyblackcats]

hello (I say to your jeremy as I lean against my 2015 volts wagon with my walkman in my hand that’s playing party in the usa disguised as a nine inch nails cd)

He really likes nine inch nails

[sardonic-the-writer]

sorry but why is he not in front of me right now.

[poorlydrawnandroids]

From the people who brought you: "Android detectives can't cook!" comes the concept: "Hank has a horrible food palate!"

He's happy to try anything once.