#at this point in my head

[glomscrooge]

I understand why people carry dt17 scrooge's teasing into glomscrooge content based on the show, but please consider how embarrassing it would be for him to admit that he likes this glomgold. I'd kill myself honestly

[incohorace]

what studying literature feels like

[harbingersecho]

you will regret this for the rest of your life

[throesofincreasingwonder]

"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).

Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.

[thestuffedalligator]

My brother-in-law has a Thing where he gives me increasingly rare copies of The Bee Movie and it’s long since gone from “Goofy running gag” to “I don’t know how much money he’s willing to commit to this bit and it Scares Me.”

Where the fuck can we go from here

[zaahvi]

GLORY TO THE RISEN GODS

[lgbtiwtv]

in light of recent events

[softest-butch]

[museaway]

✍️ more fic writer asks!

reblog & your followers can send asks with the questions they’d like you to answer!

the last sentence you wrote

a character whose POV you’re currently exploring

how you feel about your current WIP

a story idea you haven’t written yet

first sentence of the fifth paragraph of an unpublished WIP

the word that appears the most in your current draft (wordcounter.net can tell you)

your preferred writing fonts

if you had to write a sequel to a fic, you’d write one for…

start to finish, how long did it take you to write the last fic you posted?

what is the longest amount of time you’ve let a draft rest before you finished it?

a WIP you’d like to finish someday

a trope you’re really into right now

a fandom you’re thinking about writing for

where do you get your inspiration?

favorite weather for writing

favorite place to write

talk about your writing and editing process

if you keep them, share a deleted sentence or paragraph from a published fic

the most interesting topic you’ve researched for a fic

in what year did you publish your first fic?

when did you publish your most recent fic?

do you ever worry about public reaction to what you’re writing? how do you get past that?

pick three keywords that describe your writing

how do you recharge when you’re not feeling creative?

besides writing, what are your other hobbies?

are you able to write with other people around?

your favorite part of the writing process

your least favorite part of the writing process

how easy is it for you to come up with titles?

share a fic you’re especially proud of

[mulderscully]

INTERVIEW WITH THE VAMPIRE | 1.06

[ruporas]

need to exist in your warmth (id in alt)

[mariamlovesyou]

tuned into Plestia's live with Rahma Zein's second account (she got shadowbanned). key moments:

plestia talked about her adjustment to living in australia. "it's 1:30am now and it's normal for me and many palestinians who live abroad to be awake hours into the morning. i am scared of sleeping. because of the time difference, i'm scared if i sleep i will wake up to bad news. in gaza i was scared of the sound of the bombs, here i am scared of the quiet."

contacting family and friends in gaza is near impossible. "sometimes i feel like a crazy person, calling 20 times in a row hoping that on the 21st time the call might go through."

on the destruction of entire communities and neighbourhoods: "i'm scared when i go back to gaza i won't recognise it anymore. someone sent me a picture of my neighbourhood, and i couldn't tell it was mine at first. all my favourite places, cafes where the aunties used to give me extra food and ask about my day, have been destroyed. i dread looking at my gallery or seeing snapchat memories because most of these people in the pictures are no longer alive."

rahma asked plestia to talk about one story that stuck with her. plestia said "i remember walking one time on the 'safe corridor', that's what they called it anyway, and i saw an older woman clutching onto a donkey cart where her son's body was, refusing to let go of it. i asked my colleague what the smell was, he said it's dead bodies under the rubble. it was the first time i familiarised myself with the smell. the son's body was decaying and the woman told me about cats and animals eating away at it. i've had children talk to me about birds eating away at their parents' decomposing bodies and not being able to chase them away."

"it seems so silly to go to hospitals for minor sicknesses now. i can't even think about how many palestinian children are going to be terrified of hospitals now. there was a girl who was taken to the hospital to get treatment for injuries by one of the bombs, and while she was in the bathroom another bomb landed nearby. the impact from that sent the ceiling crashing down on her.. she got another injury while getting treated for her first one."

"i hate how people talk about our resilience - as if it's okay that this is happening to us. we are only surviving because we have to, because we have no other choice."

rahma brought up the way family homes are set up in palestine and asked plestia to elaborate. "basically, there are floors. someone will live on the ground floor, and then their married son lives with his children on the floor above them, and then their successors above them and so on. so when family homes are targeted, they wipe out entire families. many families officially no longer exist."

"i used to wear my journalist helmet and vest all the time, felt naked without it, even slept with the vest on sometimes until i realised it only made me more of a target. they didn't give me any protection, only headaches and back pain."

"i am an optimistic person, i loved covering sweet sentimental things, like at my graduation asking parents of top graduates how they feel about their children graduating. that's what i love reporting on. i wanted to cover things like that when i came back to gaza, show the beautiful side of gaza that the media didn't really show, but i didn't have the chance." "do you think they'll give you right of return?" "i can only hope."

plestia mentioned how hard it was being a journalist with limited access to the internet, charging facilities, no mics, lack of equipment and how difficult it was uploading things. rahma asked her what's one story that wasn't really recorded or posted due to these constraints; plestia said "the evacuations. sometimes they informed us about them, sometimes they didn't. you have no idea how hard it was, everyone looking for their family members, making sure every one was there, taking to the streets in 5 minutes and not knowing which way to go. i remember i went to my friend's house for shelter for 30 minutes before the first evacuation was announced and we ran to another family's house, stayed there for 2 days before another evacuation was announced. me, my friend, and that family all evacuated together to another family's house. there were already so many people there seeking shelter, it wasn't just one family staying there. none of us knew how long we had in any place."

before october 7th, palestinians were used to limitations on electricity. plestia used to plan her day's tasks around when the electricity was working. "for example when the electricity was on from 12 to 4, i would say i will do my laundry and charge the phones during this time. life wasn't exactly 'normal', but all of us pray to have those days back in comparison to what we are experiencing now." plestia also said that cars are running on cooking oil now because there is no fuel.

on hygiene: "many pregnant women have to give birth without any pain medication or medical attention. once we ran out of medicine, that was it. women who had to get C-sections couldn't stay to recover or get followup treatments because someone else needed the bed. we have no water, no tissues, no pads, barely any bathrooms. in the shelter schools you have to wait an hour before even getting to use the bathroom because of how many people are there."

"something you don't hear about is how many people die because of sadness. there's so many ways to die in gaza, because of the bombardment, because of starvation, the lack of resources, but i also know many elderly people who died because their hearts couldn't take it anymore. i have been in gaza before and lived through 4 aggressions, but nothing compared to this one."

a recurring sentiment that was echoed in the video: "sometimes i thought to myself: who am i recording this for? because we've already shown everything, we've already talked about everything. everything has already been said, the proof is everywhere, nothing i talked about today is new." rahma said the first video posted about what's happening in palestine should've been enough.

she is 22 today. plestia's closing words: don't stop talking about us, don't stop boycotting, don't stop protesting, please don't get bored of fighting for palestine.

[twyllodrus]

You see, you were nimble-minded, even back then. I was a moron.

[calypsolemon]

dance on a razor's edge

[heartorbit]

searching for a star that's still unknown to anyone!

[nothatsmi]

The impossible duo (the simpletons)

THIS SHIT is the only thing that makes me happy these days. Only volleyball players on my mind. all day long. how do you expect me to work in these conditions...

I sure hope I can draw more of these fellas, there are so many characters that I like (my favorite is Nishinoya, he's definitely the one I'll draw next).

Anyway here's some kagehina, I totally ship it.