#atomic variables

[keshavkumar]

Mastering Thread Safety with the Synchronized Keyword in Java: A Comprehensive Guide

Synchronized Keyword in Java: Enhancing Thread Safety and Efficiency In the world of Java programming, ensuring thread safety and maintaining data integrity are critical aspects. One powerful tool that Java provides for achieving these goals is the synchronized keyword. By allowing concurrent access to shared resources in a controlled manner, the synchronized keyword plays a vital role in…

[itsgerges]

Best Regards The Gravitational Waves Reflection In The Solar System (Analytical Study) (Revised) https://app.box.com/s/yx3tx5lsvwy4025p4j3mwfeliwhtka07 or https://app.box.com/s/9wywdejkxqh7x4g791ntf3p3p01kkm8f or https://www.tumblr.com/itsgerges/759715471336570880/the-gravitational-waves-reflection-in-the-solar?source=share or https://gerges2022.livejournal.com/236389.html

Abstract Paper question How Is Planet Velocity Defined? Paper Hypothesis No. (1) The solar system is one energy moves in space and reflects 3 times - the points of the reflection are the planets- as a result- the planets are created depending one each other by this energy reflection. The Explanation Of The Hypothesis No. (1) I- Preface Why do we need to define Planet velocity here? Because Planet velocity definition disproves The Solar System Classical Description. II- The hypothesis Explanation in details 1 The Energy Reflection Definition 2 The Energy Reflection Proves 3 The Energy Reflection Result 4 The Energy Reflection Objective 5 Saturn Creation Depends On Uranus And The Earth Let's explain the previous items in following I- Preface

Why do we need to define Planet velocity before any other discussion in this paper? Because Planet velocity disproves The Solar System Classical Description. The classical description refutation is a great event because the theories depend on it and – that means- more than 12 theories are wrong in the modern physics book Shortly- more than the half of the modern physics book provides imaginary ideas and wrong theories because the solar system classical description is wrong. Let's see examples to explain that clearly Example No. (1) No Planet Moves By The Sun Gravity- Newton is wrong- I have proved this fact since long time- and I explained that- Planet moves by the force caused its creation- means- the planet creation and motion is done by one force only otherwise this planet would be broken- simply – if two forces have effects on the same planet it would be broken- means- the planet moves with its creation force- again No planet moves by the sun gravity- The example shows a gap between the physics book and the solar system facts – Newton imaginary idea is believed by everyone since 400 years! But- the example doesn't show how great the gap is- in fact the shock is coming from The Sun Nuclear Fusion Theory- let's see the next example Example No. (2) The Sun Is Created By The Planets Motions Energies–The Sun Is A Phenomenon Here we can see the gap clearly The solar planets were found in their orbits before the sun creation and the planets were revolving around a point in space (this point has no light) The planet motion produces energy (1/2 mv^2) and this energy is stored in the space in waves form- the planets were revolving around this point for long periods till the stored motion energy in the space be massive energy-

From this massive motion energy the light beam is created (the sun rays is created) The sun rays is created from this energy- that tells why the sun corona temperature is 5 millions Kelvin but the sun surface is 5800 Kelvin- simply- because The Sun Is Not Doing Nuclear Fusion To Produce Its Rays, the rays is created by the planets motions energies– The Sun Rays Show The Great Gap Between The Physics Book And The Facts The wrong description is the reason behind the imaginary ideas and wrong theories in the physics book- one more example- the scientists won Nobel prize in physics for their discovery for the gravitational waves- these scientists told us – the gravitational waves are produced by the sun gravitational field which is NOT FACT– the gravitational waves are produced by Planet motion energy- where the planet moves and produces energy (1/2 mv^2) and the planet can't store its motion energy inside its body otherwise its temperature would be raised for that the planet motion energy is stored in the space In Waves Form- the scientists discovered these waves and they called them gravitational waves!! Let's provide one more example

Example No. (3) The big bang theory tells us the planet creation is done by random process- in details- the theory tells–some planets are suffered from collisions and these collisions changed their diameters and masses- by that we can't know their original diameters and masses by that the current values of these diameters and masses are found by chance and without any geometrical reasons and should be considered random data- For example- Jupiter diameter now is 142984 km but what's this diameter value in the first creation of Jupiter? The big bang theory and all random creation ideas are wrong and nonsense- shortly- I have my planet diameter equation which proves Planet diameter is created based on a geometrical rule- means- for example- Jupiter diameter is created at first as 142984 km and never changed since its creation- if any planet had collision and changed its diameter this collision results would be recorded in this planet motion features- as happened with Mars- Mars original orbit was between Mercury and Venus and Mars had migrated to its current orbit- and Mars had collided with Venus and The Earth in its migration motion- but Mars diameter equation refers frequently to its original orbit features and data- that tells the planet motion provides a record for its history because all data is required for planet motion- by that – all data depends on geometrical rules and no random process is used in it – let's introduce my planet diameter equation in following…. Planet Diameter Equation (v1/v2)= (s/r)= I v = Planet Velocity and r = Planet Diameter s= Planet Rotation Periods Number In Its Orbital Period I= Planet Orbital Inclination (example, 1.8 degrees be produced as a rate 1.8) v2, s, r and I are belonged to one planet and v1 is belonged to another planet The planet (v1) is defined by test the minimum error

Earth Equation uses Neptune velocity

Mars Equation uses Pluto velocity

Jupiter Equation uses the Earth moon velocity

Saturn Equation uses Mars velocity

Uranus Equation uses Neptune velocity (As Earth)

Neptune Equation uses Saturn velocity

Pluto Equation uses the Earth moon velocity (As Jupiter) (The Equation works from The Earth To Pluto) (the discussion explains the reason) Example Neptune Equation (89143 /49528) = 9.7/ 5.4 =1.8 89143 = Neptune rotation periods number in Neptune orbital period 49528 km = Neptune diameter 9.7 km/s = Saturn velocity 5.4 km/s = Neptune velocity 59800 days = Neptune orbital period (and Neptune rotation period =16.1 hours) 1.8 degrees = Neptune Orbital Inclination The equation tells planet diameter is created based on its velocity –means- Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s The Equation Concept Planet diameter should be a function in its orbital distance –otherwise- this planet would be broken by its motion- the fact is that – The necessary requirement for planet safe motion is to create a function between this planet diameter and its orbital distance BUT- the designer can't create a function has only 2 variables (Planet diameter and its orbital distance)- the function in this case can't be useful because – If this planet changes its orbital distance its diameter would be broken also because the diameter is a direct function in the orbital distance without any other variables -As A Result The designer created the planet diameter as a function in this planet rotation period and the planet rotation period is created as a function in this planet velocity and the planet velocity is created as a function in this planet orbital distance- by that- the function between the planet diameter and its orbital distance is created but the function contains also more variables (rotation period, orbital period and velocity)- by that- if the planet changes its orbital distance- this planet diameter will not be changed but its rotation period, orbital period, and velocity will be changed and the diameter will be saved- NOTICE-Mars is the example for this theory because Mars original orbit was between Mercury and Venus and Mars had migrated from its original orbit to its current one- after Migration Mars changed its motion data but the diameter is saved

NOTICE- Planet diameter equation is very useful to analyze the energy reflection in the solar system because the equation shows the changes in data resulting from the energy reflection- for example- the equation produces the planet orbital inclination-but in Saturn equation- the equation produces the value (0.4) while we know Saturn orbital inclination is 2.5 degrees- the value (0.4) is produced because the energy is reflected in Saturn and that caused effect on the data by that the value (2.5) become (1/2.5) = 0.4- that's why I refer to my planet diameter equation in this discussion because the equation can work as a tool of anatomy which can see clearly what's happening for the energy in each planet- Matter Definition My planet diameter equation provides a new definition for the matter – this definition is found to answer the question- (How Can Planet Velocity And Motion Be Defined Before This Planet Creation?)

What's The Matter And How Is Created? The matter and space are created from the same one energy and both move with the motion of this energy from which they are created- but- the matter creates for itself a distinguish form and moves by different velocity from the space motion (notice the gravitational waves prove the space has motion and not static). This is similar to the sea of water- the space is similar to the sea of water and the matter is similar to a whirlpool (vortex) found on the sea page- The whirlpool (vortex) is created by the sea water and it's carried by the sea water motion- spite of that- the whirlpool is different in its form from the sea waves – also the whirlpool moves by different velocity from the sea waves motion velocity- this example gives explanation for the matter definition- the matter is similar perfectly to the whirlpool on the sea page- it's created by the sea water motion but it has a distinguish form and different velocity from the sea waves- Also The whirlpool dimensions depend on the sea water motion features- for example – we have a whirlpool its diameter is 2 meters, this diameter is formed by the sea water motion features (the water velocity- amount-pressure -……etc) that tells the whirlpool is found later after the sea creation- and the water motion is found before the whirlpool creation- this meaning is a fact for the matter creation and dimensions- the matter dimensions are created based on this matter motion- means- the motion is defined before the matter creation- this is proved strongly by my planet diameter equation- the equation tells (for example) Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s- the whirlpool idea explains how the planet matter data is defined based on its motion- because The original energy was found in motion at first and the planet matter is created from this moving original energy and the planet matter dimensions are defined by this original energy motion features- after the planet creation, the planet moves with this original energy motion means the planet moves this same motion based on which the planet data is created that's why the planet data is in full harmony with the planet motion features. Also the idea shows the planet motion reason- as I proved before- no planet moves by the sun gravity- Newton is wrong- because the planet creation and motion are done by one force only otherwise this planet would be broken if two forces have effects on it Here we see the planet motion reason- the planet moves with the original energy from which this planet is created- What's the original energy? The original energy is one light beam energy- because – the solar planets and their distances are created from one energy and this energy is provided by one light beam –means – the planets are geometrical points found on the same one light beam and the planets move with this light beam motion- By that the planets are similar to carriages in one train and the light beam is this train engine- the light motion causes all planets motions NOTICE - this definition of the matter and planet is very important for our discussion because the paper hypothesis no. (1) tells – the solar system is one energy moves in the space and reflected on some points and these points are the planets- the reflection of energy discussion will show how each planet data and motion depend on the other planet motion by the energy reflection effect- shortly- (The Planet Is A Geometrical Point) this idea is the best one can explain the energy reflection data- by that we can understand how the energy motion and reflection can effect on the planet creation and motion- the energy reflection discussion is found in the paper first hypothesis explanation.

Planet Velocity Definition

Again let's ask ……Why Do We Need To Define The Planet Velocity? ………. Because – the planet velocity definition refutes the solar system classical description- the definition proves the planet is a geometrical point on the moving energy (and refute the classical definition tells – planet is a solid body created independently from the space and other planets) – in fact the planets are created depending on each other – The 9 planets are as 9 knots or snarls on the same one rope or cable – No planet is created independently– also all of them are created by the same one motion and the same one reason- (imagine you have a ladder or stairs is consisted of 9 units- all units are similar and found for the same reason)- the data proves this fact also Planet velocity definition provides a powerful proof against Newton theory of the sun gravity-No Planet Motion Depends On Its Mass- Newton is wrong- the velocity Definition Doesn't Refer To Planet Mass- Also planet velocity definition provides a direct strong proof for the energy reflection in the solar system- also – the velocity definition explains the complex machine behind the planet motion which refutes again the naïve idea of Newton about this motion- The planet velocity definition shows the general design of the solar system where all planets data is defined based on its velocity- means- the planet velocity is defined at first (after the orbit definition) and all other data is defined based on this velocity as we have seen the planet diameter is defined by the rate (v1/v2) by my planet diameter equation and planet orbital distance is defined by the rate (v1/v2)^2 and planet orbital period is defined by the rate (v1/v2)^3- shortly- the motion is the planet life

SHORTLY I refute the solar system classical description and I wanted to put a piece of strong proof in the first pages of my paper to show that the refutation doesn't depend on ideas or logical analysis- but the refutation depends on the contradiction between the physics theories and the planets creation & motion data- If the contradiction is proved that tells the description is wrong because the planets data can NOT be wrong Let's start our discussion How is planet velocity defined? Kelper stated, planet orbit defines its velocity, this rule is proved by the equation (v1/v2)^2=(d2/d1) where (d= planet orbital distance) and (v= planet velocity) BUT How Is The Planet Velocity Defined? And By What Rules? Planet velocity is defined by Three Rules let's see them in following (i) First Rule v1v2 = constant= 322 (my 5th equation)

47.4 km/s (Mercury velocity) x 6.8 km/s (Mercury velocity) =322 35 km/s (Venus velocity) x 4.7 km/s (Pluto velocity) x 2 =322 29.8 km/s (The Earth velocity) x 5.4 km/s (Neptune velocity) x 2 =322 24.1 km/s (Mars velocity) x 13.1 km/s (Jupiter velocity) =322 (Max error 2%) The rule (v1v2=322) tells the velocities are defined in pairs and not individually, each planet velocity has its own complementary- the rule tells the velocities are reflected on one another- the reflection of energy and data will be studied in details in planet velocity discussion- In this rule we interest for the constant (322)- let's ask- why the constant = 322?

The constant 322 depends on the speed 1.16 million km per second because (1160000 seconds = 322 hours) - Means Mercury (47.4 km/s) moves in 6.8 hours a distance = 1.16 million km and Uranus (6.8 km/s) moves in 47.4 hours a distance = 1.16 million km Shortly -we realize that the constant 322 is produced based on the speed 1.16 million km per second- means- the planets velocities are complementary each other because they are defined as functions in this same speed 1.16 million km per second (This is similar to electron and positron are produced from Gamma ray, The two particles depend on Gamma energy in their masses) Based On This Data I concluded there's a light beam its speed 1.16 million km per second and from this light beam energy the solar system is created- and the planets velocities are defined as functions in this speed 1.16 million km per second and that causes the velocities to be complementary each other- (Please note the speed 1.16 million km per second is proved strongly by other data in my paper specially because the light created the space at first before any planet creation by that all distances in the solar system are created by the energy of this light beam and its speed 1.16 million km per second is registered in the data)

(ii) Second Rule v1v2 = 1 The velocity here uses the solar day (86400 seconds) – let's prove that-

Mercury moves per solar day = 4.095 million km Venus moves per solar day = 3.024 million km The Earth moves per solar day = 2.574 million km The Moon moves per solar day = 2.4 million km Mars moves per solar day = 2.082 million km Jupiter moves per solar day = 1.1318 million km Saturn moves per solar day = 0.838 million km Uranus moves per solar day = 0.5875 million km Neptune moves per solar day = 0.4665 million km Pluto moves per solar day = 0.406 million km AND 0.406 (Pluto velocity) x 2.4 (the moon velocity) = 1 (error 2.5%) 0.4665 (Neptune velocity) x 2.082 (Mars velocity) = 1 (error 2.5%) 0.5875 (Uranus velocity) x 3.024 (Venus velocity)/1.772 = 1 (error 2.5%) 0.838 (Saturn velocity) x 1.1318 (Jupiter velocity) = 1 (error 5%) (1.772 = π^1/2) The second rule tells very similar meaning (v1v2= constant= 1) The data uses the velocities per solar day for that the constant is changed from 322 into 1 but the rule is the same- (v1v2= Constant) I want to say- the rule (v1v2 = Constant) tells a clear idea that (The Velocities Are Reflected On Each Other) this conclusion is simple one (A x 1/A= constant=1) The rule proves the energy is reflected in the solar system and this reflection has effect on the planets data and for that the planets velocities are defined by this energy reflection and the velocities are produced complementary each other as a result. Notice The second rule causes confusion because the complementary player is changed- for example Pluto is complementary with Venus (in the first rule 35 x 4.7 x 2 = 322) but Pluto is complementary with the Earth moon in the second rule (0.406 x 2.4 = 1) that tells the players are changed which is illogical idea- how can we solve this problem? The third rule solves it – let's see this rule in following (iii) Third Rule v1/v2 = 0.8 (based on the planets order) 47.4 km/s (Mercury velocity) x 0.8 = 38 (35 km/s = Venus velocity error 7.25%) 35 km/s (Venus velocity) x 0.8 = 27.78 (The moon velocity) 29.8 km/s (The Earth velocity) x 0.8 = 24.1 (Mars velocity) (error 1%) 24.1 km/s (Mars velocity) x 0.8 = 2 x 9.7 (Saturn velocity) 13.1 km/s (Jupiter velocity) x 0.8 = 2 x 5.4 (Neptune velocity) (error 3%) 6.8 km/s (Uranus velocity) x 0.8 = 5.4 (Neptune velocity) 5.4 km/s (Neptune velocity) x 0.8 = 4.3 (Pluto velocity 4.7 the error 7.25%) Please note The error 7.25 is found by the rate 1.0725 – that means 47.4 km/s (Mercury velocity) x 0.8 = 38 = 1.0725 x 35 km/s (Venus velocity) 5.4 km/s (Neptune velocity) x 0.8 = 4.3= 4.7 km/s (Pluto velocity) / 1.0725 29.8 km/s (Earth velocity) = 27.78 km/s (The moon velocity) x 1.0725 We know the rate 1.0725 is found by Lorentz length contraction effect- and we know this rate has effect on around 40% of all planets data – that's why we see this rate has effect on the planets velocities definition-

Let's remember the question- In the rule (v1v2=322) we found that Pluto is complementary with Venus because 4.7 km/s (Pluto velocity) x 35 km/s (Venus velocity) x 2 = 322 But in the rule (v1v2 =1) we found Pluto is complementary with the moon because 0.406 mkm (Pluto Velocity Daily) x 2.4 mkm (The Moon Velocity Daily) = 1 The question asked – if the planets velocities are defined in pairs complementary each other and not individually how can the players be changed? The answer tells – the planets velocities are rated by (0.8) based on the planets order means – the moon velocity daily 2.4 mkm = Venus velocity daily 3.024 mkm x 0.8 The rate (0.8) defines all planets velocities depend on each other by order-

Now let's see Planet velocity final definition – because- the definition uses three planets velocities together and not only two – let's put that clearly in following- (iv) The Planet Velocity Final Definition (A) 47.4 km/s (Mercury velocity) x 0.8 = 38 km/s (Venus velocity 35 km/s) Venus moves per solar day 3.024 million km -But 1/3.024 = 0.3307 million km = Uranus moves per solar day 0.5875 million km /1.77 (note 1.77 = π^1/2) and (38 = 35 x 1.0725) For that 47.4 km/s (Mercury velocity) x 6.8 km/s (Uranus velocity) = 322 (B) 35 km/s (Venus velocity) x 0.8 = 27.78 km/s (The Moon velocity) The moon moves per solar day 2.4 million km -But 1/2.4 = 0.406 million km = Pluto moves per solar day 0.406 million km For that 35 km/s (Venus velocity) x 4.7 km/s (Pluto velocity) x 2 = 322 (C) 29.8 km/s (The Earth velocity) x 0.8 = 24.1 km/s (Mars velocity) Mars moves per solar day 2.082 million km -But 1/2.082 = 0.4665 million km = Neptune moves per solar day 0.4665 million km For that 29.8 km/s (The Earth velocity) x 5.4 km/s (Neptune velocity) x 2 = 322 (D) 13.1 km/s (Jupiter velocity) x 0.8= 2 x 5.24km/s (Neptune velocity 5.4 km/s error 3%) Neptune moves per solar day 0.4665 million km - But 1/0.4665 = 2.082 million km = Mars moves per solar day 2.082 million km For that 13.1 km/s (Jupiter velocity) x 24.1 km/s (Mars velocity) = 322 Shortly Three planets velocities are defined in each equation- that tells the planet velocity definition is a process more complex than the simple equation (v1v2= constant) Notice The 9 planets velocities total is 176 km/s – if we add the Earth moon velocity (29.8 km/s) the total will be 205.8 km/s The planets velocities are complementary also for this velocity 205.8 km/s – let's see 205.8 km/s = Mercury velocity (47.4 km/s) x Pluto velocity (4.7 km/s) / 1.0725 205.8 km/s = Venus velocity (35 km/s) x Neptune velocity (5.4 km/s) x 1.0725 205.8 km/s = Earth velocity (29.8 km/s) x Uranus velocity (6.8 km/s) 205.8 km/s = Jupiter velocity (13.1 km/s) x Neptune velocity (5.4 km/s) x 3 Mercury velocity = 2 Mars velocity by that Pluto will be used for Mars also Max error (3%) Please Note- Saturn is exceptional because 205.8 km/s = 9.7 km/s (Saturn velocity) x 21.4 Where 21.4 hours = 2 x 10.7 hours (Saturn rotation period) Means- the distance is passed by all planets motions in one hour equal the distance is passed by Saturn in 2 rotation periods (21.4 hours) that tells more analysis is required for Saturn velocity- as we should do later. (v) A Question (Why Is The Rate (0.8) Used To Define Each Planet Velocity Based On Its neighbor?) Kepler stated (Planet orbit defines its velocity) and My planet orbital distance equation proves each planet orbit is defined based on its neighbor – means- my equation uses only 2 neighbor planets orbital distances Here also-Planet velocity is defined based on its neighbor – means- this connection enabled Kepler to conclude his statement (Planet orbit defines its velocity)

But Why The Rate (0.8)?? The rate (0.8) is found by the energy reflection effect on Planets velocities definition, for that we need to analyze the energy reflection process deeply to see how the planet velocity is defined by it - The energy reflection process is discussed deeply in the first hypothesis explanation- let's start its discussion in following…

II- The Hypothesis Explanation In Details Let's remember the paper first hypothesis The solar system is one energy moves in space and reflects 3 times - the points of the reflection are the planets- as a result- the planets are created depending on each other by this energy reflection.

In following we discuss the energy reflection process in details because the planet velocity definition proves the planets data is reflected on each other and we here try to see as deep as possible how this reflection process is done – the discussion is divided into 5 items which are Item No. 1 The Energy Reflection Definition Item No. 2 The Energy Reflection Proves Item No. 3 The Energy Reflection Result Item No. 4 The Energy Reflection Objective Item No. 5 Saturn Creation Depends On Uranus And The Earth Let's start our discussion in following Item No. 1 The Energy Reflection Definition Here we define the reflection of energy – let's do that in following The solar system is one energy- this energy moves through the space- we can imagine this energy as a light beam or electromagnetic wave- and- the data tells this energy is reflected- let's suppose this energy is reflected from the point (A) to the point (B)- now- these points (A and B) are planets in the solar system- That tells, the planet is a point in space on which the energy is reflected- it's difficult to accept such strange idea- BUT The planets data is more strong than our evaluation- we will see that- the planets data is created by the reflection of energy- this fact is proved strongly and doubtless- For that I analyze the reflection of energy process in details because by this process the planets are created and the energy cycle is completed- for that – we examine the reflection of energy deeply - Now- let's define the energy reflection in following (i) The energy is reflected three times in the solar system- from Pluto to Neptune (1st reflection) and from Uranus to Jupiter (2nd reflection) and from Venus to Mars (3rd reflection) The first and second reflections are unified and work together as one reflection only (later will explain why) - by that – the solar system has 2 basic reflections- the reflection in the outer planets and the reflection from Venus and Mars (ii) The reflection of energy is proved strongly because the planets data are changed as a result- let's write these changes in following v What's used as (A) before the reflection will be used as (1/A) after the reflection. v What's used as (a distance) before the reflection will be used as (a period of time) after the reflection v The velocities be squared –the rate (v1/v2) before reflection will be (v1/v2)^2 after the reflection. v The energy direction is changed by the reflection usually v The players of the rates of time are reflected also – These changes are found in all reflections of energy- that's why the proof is powerful and can't be refuted because the planets data shows the reflection process details (iii) Let's see the changes in the planets data generally

(Venus reflection) By this reflection of energy Venus orbital circumference 680 million km will be used as Mars orbital period 687 days and it defines Jupiter orbital period (4331 days = 2π x 687 days) and also Saturn orbital period (10747 days = 4π x 687 days x (1/0.8)) where Uranus orbital inclination (0.8 degrees) creates effect on Saturn data AND Venus Orbital Period 224.7 days be used as 227.9 million km (Mars orbital distance) AND Also the reflection defines the planets diameters by that Venus circumference 38025 km = Mars Circumference 21346.6 km x 1.772 (π=3.14159= 1.772^2) (more data about this reflection is discussed later) (The Outer Planets Reflection) The reflection is done by Jupiter to Uranus, by that, Jupiter orbital circumference 4900 million km will be used as Uranus orbital period 30589 days where (30589 days = 4900 days x 2π and Neptune orbital period 59800 days = 4900 days x 4π and Pluto orbital period 90560 days = 4900 days x 6π Notice- the reflection in the outer planets depends basically on Saturn and it's more complex than this simple data but I put similar data for comparison and later we will discuss the details ALSO The energy reflection at Venus passes above the Earth to Mars- where the Earth moon suffers from the length contraction effect and its motion distance daily is 2.4 mkm = 2.574 mkm (The Earth motion distance daily) / 1.0725 Similar to that The energy reflection at Jupiter passes above Saturn to Uranus – Where Saturn suffers from the length contraction effect because 1433 million km (Saturn orbital distance) x 1.0725 = 2 x 778.6 million km (Jupiter orbital distance) - And- the Earth moon daily displacement is 88000 km and during 10747 days the total be 940 million km=The Earth orbital circumference (where 10747 days = Saturn orbital period) The previous data shows the reflection energy effect generally- it's important because it compares the data in two different groups and proves the data behaviors are similar- that proves these behaviors are caused by the same one cause- But we will analyze each reflection in more details to see how each data is created Item No. 2 The Energy Reflection Proves (a) Venus reflection of energy is discussed in item no. (4), But - Here We Analyze The Energy Reflections In The Outer Planets- There are two reflections in the outer planets (from Neptune to Saturn) and (from Uranus to Jupiter)- let's explain the energy trajectory The energy is sent firstly from Pluto to Neptune and then The energy is reflected from Neptune to Saturn–means- it's one reflection is started by Pluto and finished by Saturn- later the energy is reflected one more time from Uranus to Jupiter- but we have to ask- if the energy was in Saturn orbit why this energy is returned again to Uranus? The reason is–Saturn is created as a result for an interaction between Uranus and the Earth- means- Uranus is Saturn Father- and the energy is got by Saturn sent automatically to Uranus and Uranus reflects this energy to Jupiter- we will discuss the process in details later. AND I put Saturn and Uranus relationship analysis in point No. (5) to prove that Saturn is Created by Uranus effect- (b) Also there's story I have to summarize before the data discussion- Pluto energy is reflected to Neptune – this is the first reflection- means- Neptune should send this same energy to Uranus and then to Saturn and the other planets-BUT – Neptune didn't send the energy to Uranus but kept the energy in Neptune orbit – Uranus could not release the energy from Neptune orbit- for that- Uranus created the interaction with the Earth to create Saturn – Saturn is the warrior created to release the energy from Neptune orbit- by that Saturn released the energy from Neptune orbit and sent it immediately to Uranus and Uranus reflected this energy one more time toward Jupiter- this story is told in details in the paper discussion – (CONT) Gerges Francis Tawdrous +201022532292 Physics Department- Physics & Mathematics Faculty Peoples' Friendship university of Russia – Moscow (2010-2013)

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[truphysics]

Chapter 21: Three Dimensional Quantum Mechanics

21.1 Introduction to Three Dimensional Quantum Mechanics While we have primarily discussed one-dimensional quantum mechanics up to this point, real-world quantum systems often exist in three dimensions. The principles of quantum mechanics can be extended to describe the behavior of particles in three-dimensional space, leading to a richer understanding of physical systems and enabling the study…

[beakers-and-telescopes]

OKAY THIS ARTICLE IS SO COOL

I'm going to try to explain this in a comprehensible way, because honestly it's wild to wrap your head around even for me, who has a degree in chemistry. But bear with me.

Okay, so. Solids, right? They are rigid enough to hold their shape, but aside from that they are quite variable. Some solids are hard, others are soft, some are brittle or rubbery or malleable. So what determines these qualities? And what creates the rigid structure that makes a solid a solid? Most people would tell you that it depends on the atoms that make up the solid, and the bonds between those atoms. Rubber is flexible because of the polymers it's made of, steel is strong because of the metallic bonds between its atoms. And this applies to all solids. Or so everybody thought.

A paper published in the journal Nature has discovered that biological materials such as wood, fungi, cotton, hair, and anything else that can respond to the humidity in the environment may be composed of a new class of matter dubbed "hydration solids". That's because the rigidity and solidness of the materials doesn't actually come from the atoms and bonds, but from the water molecules hanging out in between.

So basically, try to imagine a hydration solid as a bunch of balloons taped together to form a giant cube, with the actual balloon part representing the atoms and bonds of the material, and the air filling the balloons as the water in the pores of the solid. What makes this "solid" cube shaped? It's not because of the rubber at all, but the air inside. If you took out all the air from inside the balloons, the structure wouldn't be able to hold its shape.

Ozger Sahin, one of the paper's authors, said

"When we take a walk in the woods, we think of the trees and plants around us as typical solids. This research shows that we should really think of those trees and plants as towers of water holding sugars and proteins in place. It's really water's world."

And the great thing about this discovery (and one of the reasons to support its validity) is that thinking about hydration solids this way makes the math so so so much easier. Before this, if you wanted to calculate how water interacts with organic matter, you would need advanced computer simulations. Now, there are simple equations that you can do in your head. Being able to calculate a material's properties using basic physics principles is a really big deal, because so far we have only been able to do that with gasses (PV=nRT anyone?). Expanding that to a group that encompasses 50-90% of the biological world around us is huge.

[batsovergotham]

Chapter 7: Lost to the Unknown Part 2

"Your personal road to ruin. Each will be different. But whatever the story, for you… the nightmare will become real. Just know that I sympathize. Because right now, Angstrom, who poisoned my life threatens everything I love… my nightmare is already real."

Main!Mark Grayson x Psychic! Reader

warnings: more smut </3, panic attacks, angst, baby oliver is a cutie

w/c: 11.5k

a/n: decided i'll finish posting unshaken first before posting my next fic! ty for the feedback :)

The war room is cooler than normal.

Not temperature-wise, though the steel walls and lack of windows give it that artificial chill, but in mood. In the stillness that extends too long between statements. In the way everyone avoids eye contact until they have to look at each other.

Cecil stands at the head of the table. Arms folded. Tablet under one arm, face unreadable. The way it always is when he’s treading a delicate line between diplomacy and control.

Around the table are the highest-ranking Guardian officials. Atom Eve. The Immortal. Black Samson. Dupli-Kate. Bulletproof. A few senior-level analysts. Two additional from the metahuman observation section. You’re not there.

You weren’t invited.

And Mark, he's standing at the back, arms crossed over his chest, his mouth taut. You wouldn’t have realized this meeting was happening if he hadn’t given you a warning half an hour ago.

> Cecil’s calling a closed session. It’s about you.

He’d followed up with a second message seconds later.

> I didn’t know.

୨୧・┈┈・┈┈・୨୧

“Let’s not dance around it,” Cecil says finally, breaking the stillness. “You’ve seen the reports. You’ve studied the footage. This latest glitch wasn’t just a random rupture. It was targeted. Sustained. And Ace was at the epicenter.”

Eve is the first to speak. “She didn’t cause it.”

“No one’s saying she did,” Cecil answers easily. “What I am saying is that her connection to it wasn’t incidental.”

Black Samson leans forward. “We’ve always known her powers were… unstable.”

“Unstable,” Cecil repeats. “And growing.”

The Immortal’s voice cuts in. “So what are you proposing?”

Cecil taps his tablet. The hologram in the center of the table lights up. A pulse graph appears, one of yours, clearly labeled. “Her readings during the event were unlike anything we’ve recorded. Spikes in psychic output. Dimensional field overlap. A surge of reality-bending pressure coming from inside her.”

Dupli-Kate raises a brow. “Is that the same as saying she opened the glitch?”

“No. But it’s closer to saying the glitch opened through her.”

The room goes quiet again.

Mark speaks up, his voice low but cutting. “She didn’t do anything. She was walking. She didn’t touch a building. She didn’t use her powers. It happened to her.”

Cecil turns to him. “You were there. You saw it. Are you saying what happened wasn’t different from every other problem we’ve experienced so far?”

Mark says nothing. Because he did see it. He did feel it.

Cecil glances back at the group. “Ace has always been an anomaly. We’ve kept that secret for years. GDA training. Emotional regulation. Psychic constraints. And yet, every year her authority rises. Becomes something harder to define. We used to classify her as a telepath with kinetic applications. Now she’s a walking quantum variable. And as of yesterday, she’s the first individual to make touch with whatever’s driving these dimensional breaches.”

“Contact?” Eve repeats. “You think she spoke to it?”

“I don’t think it was words,” Cecil acknowledges. “But something reached into her. And she felt it. She said so herself.”

Mark takes a step forward. “And what? That’s enough to pull her off active duty?”

“Temporarily,” Cecil says. “Yes.”

Eve shakes her head. “Cecil—”

“This isn’t disciplinary,” he replies, harsher now. “It’s precautionary. Until we understand what’s happening, I’m suggesting Ace be banned from full field operations. She’ll still have access to intelligence. Training facilities. Controlled labs. But no patrols. No missions. And no near to active breach zones.”

“And if she resists that?” the Immortal asks.

Cecil doesn’t flinch. “Then we have a problem.”

Mark’s voice raises. “You think cutting her out is going to make this better? She’s the only one who’s connected to what’s happening. If we sideline her, we lose that.”

“If we lose control of her,” Cecil responds, “we lose everything.”

Silence.

He lets it sit.

“She hasn’t done anything wrong,” Eve adds finally, voice strained. “She’s been there for us. For months. Don’t treat her like a loaded gun just because she’s scared.”

“I’m not treating her like a gun,” Cecil explains. “I’m treating her like a mirror. Something that the other side is already trying to use.”

He stares around the room, reading the expressions. He’s not searching for agreement. He’s seeking for capitulation.

And after a beat, he gets it.

No one says yes. But no one stops him either.

Cecil turns back to his tablet.

“I’ll talk to her tonight.”

Mark’s hands clench into fists. “I’ll do it.”

Cecil pauses.

“I should be the one to tell her,” Mark adds. “She’ll hear it better from me.”

Cecil nods once, his face inscrutable. “Fine. But make sure she knows the stakes.”

୨୧・┈┈・┈┈・୨୧

You know.

They’re going to treat you like a danger.

Even the ones who claimed they wouldn’t.

Even the ones who love you.

And nevertheless, it still hurts.

You don’t mean to stop walking.

You’re halfway down the corridor, shoes echoing gently on the linoleum, Mark’s hoodie slung over your shoulders because you hadn’t bothered to change after patrol. You thought maybe—maybe—this would simply be a brief check-in. A standard follow-up following what transpired in the district. You knew Cecil wanted to chat. You knew the instant the glitches rippled about you like you were their lighthouse, this wasn’t going to be normal anymore.

But you didn’t expect to hear this.

You’re not even at the door yet. Just near enough for the voices to carry.

“…full containment isn’t off the table,” Cecil replies, voice muted but audible enough through the reinforced glass. “Not indefinitely. Not yet. But I want every branch ready. If she destabilizes again, we need eyes on her, and we need them fast.No holes in surveillance. No more waiting.”

Your breath catches. You slow to a standstill.

Inside the room, the murmur of answers. People agreeing. Some quieter than others.

A new voice—Dupli-Kate, maybe? “Isn’t that a little extreme? We’ve been working with her for months.”

“She’s never synced with an anomaly before,” Cecil answers. “Not like that. That wasn’t simply proximity. That wasn’t simply exposure. She merged.”

“She didn’t mean to,” someone else mutters.

Cecil doesn’t pause. “Intent doesn’t matter if the outcome is world-ending.”

Your heart falls, sluggish and heavy, like a stone dropped into water.

And suddenly, you’re back there. Not on the sidewalk. Not in the shimmer of bending time. No—before that. Before any of this.

Back in the white room. Back under the hum of the collar. Back to the antiseptic calm of the hospital where you weren’t yourself, just a label. A code name. A risk factor. A lovely little lockbox full of stuff they didn’t comprehend.

Your fingers clench on the sleeve of Mark’s sweatshirt, knuckles pale.

And without intending to, you whisper—

“He’s going to lock me up again.”

The words feel like someone else’s voice. A version of you that’s still thirteen, still sitting cross-legged in a white cage, assuming the picture books they handed you represented freedom.

You inch closer to the door. Just far enough to look through the tiny window.

Cecil’s standing at the head of the room, shoulders squared, chin taut. He doesn’t appear furious. He seems like he’s already decided.

“…temporary mission restriction,” he’s saying now. “Field access revoked until further notice. She stays in observation, works via internal debriefings solely. We watch any unexpected surges, follow trends in her talents, and if she shows any symptoms of breach synchronization, we elevate to level six response.”

You flinch.

Level six.

You know what that implies. Sedation. Psychic dampeners. Isolation units two miles below the GDA complex in Colorado. It’s the same approach they employ for dimensional trespassers and renegade multiverse versions.

They’re not only treating you like a danger.

They’re ready to treat you like a weapon.

Someone says something else—soft, careful. “Have we told her?”

Cecil doesn’t glance up from his tablet. “Not yet.”

You take a step back.

You want to burst in. Demand answers. Call them out. Shout. Scream. But your heart is pounding, and your stomach’s already flipping itself inside out. You can’t go in there like this. Not when you already know how it ends. Not when every breath you breathe feels like it’s being measured through glass.

The meeting isn’t done.

They don’t know you’re here.

Not yet.

But they will.

And when they do—when you open that door and confront the room of individuals who’ve spent the past twenty minutes studying your existence like you’re a malfunction waiting to happen—you’re going to have to decide if you go in as a soldier...

…or as something they’ll never be able to box up again.

From the open doorway on the other end of the hall, a voice broke in, sharp, familiar, and dripping with the type of hatred only one person could carry off so nonchalantly.

“Oh, fuck this.”

Everyone turned.

Rex is leaned in the doorway, arms crossed over his chest, eyebrows lifted like he’d just walked in on a bunch of grownups fighting over something minute. He’s civilian clothes, hoodie half-zipped, sunglasses tucked into the collar, and yet looks like he hadn’t slept, shaven, or given a shit in at least three days.

Cecil didn’t blink. “You weren’t invited.”

“Yeah, and yet, here I am. Weird, huh?”

The room is quiet. Dupli-Kate blinked from her place toward the rear. Even Eve appears caught off guard. Not by his presence, no one was actually astonished by Rex stepping up unannounced, but by the look on his face. He wasn’t grinning. Wasn’t smirking. There was no proud twist to his mouth. No cocky, self-assured shrug.

He looks irritated.

And worse, serious.

“Go home, Rex,” Cecil says tiredly. “This doesn’t involve you.”

“Bullshit it doesn’t,” Rex shouts, moving completely into the room. “I was in the Guardians with her. I was there when she pulled Kate out of the crater in Prague. I’ve seen her keep a building together while bleeding out. Don’t tell me it doesn’t concern me when you’re in here talking about boxing her up like she’s some living EMP with anxiety issues.”

Cecil straightens slightly, his voice strong. “You heard the report. She was at the core of the greatest abnormality we’ve detected to far. She’s changing, and we don’t know how. I have a responsibility—”

“Yeah, I know,” Rex interjects, pacing now, teeth tense. “You’ve got a responsibility. To the world. To safety. To bullshit words that justify dumping people in places they don’t belong when you’re nervous.”

He turns, looking Cecil dead in the eye.

“You always do this. Something changes, and you behave like it’s a problem that requires a cage. But what if it’s not a problem? What if she’s the only person who can actually stop this shit, and you’re too busy treating her like an infection to notice?”

“She’s unstable.”

“We’re all unstable!” Rex snaps, voice rising. “That’s the whole gig, man. You think any of us sleep at night after the shit we’ve seen? You think we’re not all one bad day away from snapping? The difference is, she’s never broken. Not once. Even when she had every reason to.”

Black Samson leans closer again, observing him intently. “No one’s saying she’s the enemy.”

“Could’ve fooled me,” Rex chews out. “Cecil’s practically back in the lab, drawing up collar blueprints.”

Cecil’s voice falls, harsh and frigid. “That’s enough.”

But Rex didn’t stop. He seldom did.

“You know what I remember?” he asks, quieter now, edging closer to the table. “I remember being nineteen and scared out of my fucking mind because the Guardians were dead and we were supposed to fill their shoes. She was the one holding it together when the rest of us were coming apart. So okay, maybe she’s a bit cracked around the edges now, but so are we. That doesn’t mean you get to lock her in a cage and call it mercy.”

Eve speaks out from the corner, her voice gentle. “He’s not wrong.”

Cecil turns toward her, and for the first time, he appears really cornered. “I’m not doing this because I want to.”

“Then stop pretending like you have to,” Rex responds. “You want to monitor her? Fine. Talk to her. Work with her. Don’t pull this cold-shoulder confinement shit and expect her to thank you for it.”

Dupli-Kate looks around at the others, apprehensive yet resolved. “She’s been one of us for a while. She deserves more than this.”

Cecil’s jaw tightens. He doesn’t answer.

Rex takes a breath and shrugs, less casual now, more like a last statement.

“I get it. You’re afraid. But if you treat her like a bomb, don’t be surprised when she quits trying to be anything else.”

He turns and walks out.

No explosion. No mic drop.

Just the sound of the door hissing shut behind him, and the heavy weight of a reality no one in the room wanted to carry.

The conference finishes with a hollow-sounding click as Cecil powers down the projection.

Chairs scratch. Voices begin to mumble in low tones—some exhausted, others hesitant, all of them too quiet to cut through the tempest forming behind Mark’s eyes. He doesn’t move. Not at first. Not even when the Immortal pulls back from the table and gives him a long, knowing look before leaving.

The others started filing out. Dupli-Kate brushes by him, hesitating for just a minute like she may say something—offer some kind of quiet apology or uncomfortable reassurance—but then thinks better of it and goes walking.

Mark hardly hears her disappear.

He’s fixated on Cecil.

And when the door finally hisses shut behind the last police, the stillness that lingers is thick. Charged. Alive with the tension he’s been holding back from the minute your name was mentioned like a warning sign.

“You’re out of your goddamn mind.”

Cecil doesn’t even flinch. Doesn’t glance up from his datapad, continuously typing through data. “Good to see you’re still holding in your emotions, Grayson.”

“I sat there and listened to you talk about her like she was some kind of monster.”

“That’s not what I said.”

“No, it’s worse,” Mark snaps, voice rising. “You didn’t say anything directly—you just let your paranoia fill in the blanks.”

Cecil glances up at last, his countenance dull, inscrutable. “You want to tell me I’m wrong? That what happened in the district didn’t show we’re in over our heads?”

Mark moves forward, fists clutched at his sides. “She didn’t do anything. The anomaly discovered her. And instead of asking why, or allowing her space to digest it, you sat in a room full of people and spoke about her like she was already halfway to being a villian.”

“I’m talking about keeping people safe.”

“You’re talking about caging the first person who’s actually connecting to whatever’s going on.”

Cecil stands then, gently. He doesn’t raise his voice. Doesn’t bristle. He merely moves around the table, pausing a few steps from Mark, that same inscrutable face securely in place.

“Mark,” he replies, “you care about her. I know that. And that’s exactly why you’re not thinking clearly.”

Mark shakes his head. “You don’t get to say that to me. Not after everything you’ve done. Not after how many times you’ve used people.”

Cecil’s voice hardens. “And it kept the world spinning. Do you think I like this? Do you think it’s easy, witnessing someone I helped nurture into a soldier transform into something I can’t predict?”

Mark moves in closer, chest rising and falling. “She’s not a threat.”

“She’s not stable.”

“She’s human.” Mark’s voice is firm. “She’s scared. She’s being driven apart by things no one else understands, and instead of helping her, you’re already creating a prison.”

“She is the prison, Mark!” Cecil eventually breaks, the cold mask breaking. “We’re not talking about trauma or volatility anymore, we’re talking about a possible anchor point for a dimensional collapse! If she slips, it won’t be a breakdown. It’ll be an event.”

Silence.

Mark stares at him, teeth gritted, his hands quivering with the effort it takes not to shatter anything.

And then, softer—deadly quiet: “She heard you.”

That causes Cecil pause. “What?”

“She was outside the door.”

Cecil’s mouth parts, barely. “That wasn’t—”

“She heard you planning to isolate her. She heard you call her unstable. She heard you say she might not have a choice.”

Cecil’s shoulders slump, ever so little. “That’s… unfortunate.”

“Yeah,” Mark replies, hollow. “It is.”

He takes a step back, his voice low now, devastated.

“You know what the worst part is? She trusted you. Still. After everything. She told me, once, that you were the only one who never flinched when her powers started appearing early. That even as the collar went on, you stared her in the eye. Like she was still a person.”

Cecil says nothing.

“But now,” Mark goes on, his voice straining, “you’re not even pretending anymore. You’ve chosen who she is. What she’s supposed to be. And you didn’t even have the guts to tell it to her face.”

Cecil drops his gaze. “I made a call based on the data.”

“No,” Mark growls. “You made a call based on fear.”

He turns, striding for the door.

“Where are you going?” Cecil asks.

Mark stops, one hand on the sensor panel.

“To find her,” he adds without looking back. “Before you take the last thing she has left.”

And with that, the door hisses open.

And he’s gone.

Leaving Cecil alone.

With nothing but statistics on a screen,

And the silent thought That maybe—for the first time— He’s made a mistake he can’t calculate his way out of.

୨୧・┈┈・┈┈・୨୧

You don’t recall leaving.

One second, you’re standing in that hallway, outside the briefing room, hearing your name dissected like a problem to be solved, and the next, you’re moving. Fast. Quiet. Like muscle memory took over. Like your body decided it couldn’t bear another second pushed against that glass door, listening to people who once claimed they had your back act like you were a broken lock about to crack.

You don’t make a scene. You don’t burst in or yell or ask why. You just leave.

The fluorescent lights blur above as you move, too quickly, not fast enough. Every footstep resonating in your brain like it doesn’t belong to you. You’re not sure if you’re holding your breath or if you just forgot how to exhale.

You don’t know where you’re headed. You just know you have to get out.

Past the laboratories.

Past the common area where two interns peek up and then away swiftly, evidently advised to keep their heads down. Past the elevators. Down a maintenance stairs you scarcely think to take. The concrete is cool under your boots. Smells like steel and cold and disinfectant. You keep walking. Keep inhaling like it hurts.

Your hands are shaking. You stuff them in your pockets.

‘They’re going to lock me up again.’

You don’t need to speak it loudly anymore. It’s already burnt into the front of your brain, looping like a warning.

‘They’re going to lock me up again.’

They’re going to take away your name and give you a confinement code. They’re going to reduce you to a danger level on a secret chart and assess your humanity in how still you can keep your hands.

You’re halfway down a lower-level hallway when a voice yells out your name.

You stop. You shouldn’t. You want to keep going. But your feet root to the floor like they don’t belong to you anymore.

Mark rounds the corner first.

He seems breathless. And wrecked. Like every word stated in the meeting scratched its way beneath his skin. His chest rises and falls in tight, shallow motions. His jacket’s partly unzipped. His hair’s a disaster.

You don’t say anything. Neither does he—not at first.

Then he lifts a hand, nearly reaching for you, before he pulls it back like he’s terrified to touch you. Like you may break.

“I was going to tell you,” he adds gently. “I didn’t know—he didn’t—Cecil didn’t say it was about containment until—”

“I heard all of it,” you say, voice low and piercing and too even to be anything but a warning. “Start to finish.”

Mark winces. “I was going to tell you myself. I swear.”

“You let them talk about me like I wasn’t even real.” You don’t mean for it to come out like that. But it does. “Like I wasn’t just outside the door.”

“I didn’t know you were there—”

“That’s not the point.”

Silence. He knows it. You saw it hit him. The remorse seeping behind his eyes like something he’s trying to avoid.

“You’re not alone in this.”

You swallow. Your hands clench into fists in your pockets. “I feel alone.”

Before Mark can speak again, another voice echoes down the corridor.

“Jesus Christ, you walk fast.”

You blink. Look past Mark.

Rex.

He’s jog-walking toward you, appearing as irritated as always but strangely still… different. His hair’s a mess too, and his hoodie’s half-unzipped like he didn’t even bother attempting to make himself appear like a superhero today. But he slows when he sees your face.

And for once, he doesn’t crack a joke. Doesn’t smirk. He merely exhales, long and low.

“You good?” he says.

You don’t answer.

“You heard the meeting,” he says. “Of course you did. And sure, it was a shitshow.”

“You could say that.”

“I did say that. Loudly.” He shoves his hands into his pockets and stares down the corridor. “I’m probably banned again. Which… is surprising, given I didn’t even formally work here anymore.”

You nearly grin. You don’t.

Mark steps closer to you again. “We’re not letting this happen.”

“‘We?” you inquire, glancing between them.

“I mean,” Rex adds, lifting a brow, “I’m not usually one for emotional solidarity, but yeah. We.”

You glance at them. Really look.

Mark, still too stiff, still trying too hard to mend things with his hands while the damage was in the stillness. And Rex, bracing against the moment with snark and impatience because he doesn’t know how to remain still amid someone else’s agony without squirming. But he’s here. They both are.

“I didn’t ask for you to fix this,” you mumble.

“We know,” Mark says. “We’re not trying to fix it. We just… don’t want you to go through it alone.”

You don’t notice you’re shaking until Rex’s voice softens.

“Hey,” he says. “You’re still you. Powers or no powers. Glitches or no glitches. And if they think they can box you up like some sort of scientific project, they’ve got another thing coming.”

You finally breathe. Really breathe. A full breath.

And your voice, cracked, exhausted, human, says

“I don’t know who I am if I can’t use what I am.”

“You’ll figure it out,” Mark promises. “We’ll figure it out.”

Rex nods. “And if not, we’ll blow a hole in the wall and bust you out. Old school.”

You nearly laugh.

And for now, that’s enough.

You don't go back upstairs.

Not straight away.

The three of you sat in the maintenance corridor like students who fled class and sought a quiet stairway to pout in. It's chilly down here, concrete and buzzing pipes, the subtle industrial scent of metal in the air, but yet it feels more honest than the briefing room above. No one’s faking here. There’s no plan, no tact. Just the raw weight of what was spoken, and what it represents.

You sit with your back against the wall, legs splayed out in front of you. Mark’s a few feet distant, head low, forearms braced on his knees. Rex sits directly on the floor, hoodie hood pulled up halfway over his head like he can hide from the shitstorm building over all of you.

No one speaks for a time.

It’s Rex who breaks the stillness first, because of course it is.

He huffs out a breath. “You ever notice how every time we think we’ve figured things out, Cecil finds a way to make everything feel like a trap?”

You tilt your head. “I don’t think it ever stopped feeling like one.”

Mark doesn’t look up. “It’s different now. He doesn’t trust us, he doesn’t trust you. And that changes everything.”

“I don’t think he ever really trusted me,” you add gently, startling yourself with how solid your voice sounds. “I think he just convinced himself he could manage me. Same as the collar. Same as the basement cell. Keep me quiet, keep me confined, make sure the leash is long enough that I don’t realize it.”

Mark finally glances at you. “I don’t think of you like that.”

“I know,” you whisper, gazing away. “But he does.”

“Yeah, well…” Rex mutters, tossing a little bolt he discovered on the floor and catching it again. “Cecil’s whole thing is turning people into weapons and then getting mad when they don’t want to stay pointed at the target.”

You grin weakly, the type that doesn’t quite reach your eyes. “That’s a good line. You should write that down.”

“I would, but then he’d probably have me assassinated.”

That earns a giggle from you. Mark, too, makes a tired huff of amusement, even if he still looks like he’s carrying the weight of the entire debate upstairs.

“I keep thinking…” you trail off, fingers fumbling in your lap. “What if they’re right? What if something’s changing in me and I don’t even realize it? What if the next time I glitch, I pull half the city with me?”

“You won’t,” Mark responds quickly.

“You can’t know that.”

“I do,” he affirms, voice quiet but definite. “Because I’ve seen you fight harder to stay grounded than anyone I’ve ever met. Even before we realized what you were capable of. You’re not reckless. You’re afraid. And that’s okay.”

You swallow heavily, throat burning.

“But being scared doesn’t mean you’re out of control,” he continues.

Rex lays out alongside you with a groan. “Also, side note, if you ever did pull half the city with you, I’m like 80% sure I’d still be on your side. Might complain the whole time, but I’d be there.”

You laugh, actually laugh, and it’s a touch wobbly, a little shocked. “Thanks, Rex.”

“Hey, I’m a man of loyalty. And sarcasm. Sometimes both.”

You rest your head back against the wall, staring up at the ceiling. “I used to think that if I stayed good, if I followed the rules, if I made myself useful enough… they’d stop being afraid of me.”

“And?” Mark asks softly.

“They’re never going to stop being afraid.”

The words hang in the air like frost.

Rex shrugs. “Fuck 'em.”

You gaze at him.

“No, seriously,” he adds, supporting his elbow on one knee. “Let them be scared. You’re not here to make them feel safe. You’re here to be you. And if that comes with a little chaos? Fuck it.”

Mark exhales gently. “You don’t have to earn your right to exist. You’re not a weapon. You’re you. And that’s okay.”

You nod. Your eyes hurt.

And you don’t say it, but you think it:

I want to believe you.

A long stillness follows, yet it’s not heavy. Not this time. It’s the type that creeps in when there’s nothing left to protect and no sense pretending.

Finally, Mark gets himself to his feet and reaches out a hand.

You take it.

He lifts you up, steady and warm, his fingers lingering around yours.

Rex stands too, reluctantly, with a groan, and raises his arms above his head.

“So what now?” he says.

You wipe at your face, swallowing the last of the shakiness in your chest. “Now?”

You peek up the stairway toward the conference room, the chamber that still smells like uncertainty and policy and control. Then you look back at them, Mark, with his loyalty so intense it hurts; Rex, with his cynical voice and surprising sensitivity.

And you take a breath.

The sun hasn’t yet fully set as you push through the glass doors at the front of HQ. The air outside is sharp and crisp, early evening chill stinging against the warmth still clinging to your skin from the walk down. Street sounds are distant, muted by the thick paneled walls behind you. Mark and Rex are still somewhere inside, wrapping off loose ends with the briefing aftermath. You’d told them you needed air. That you only needed a minute.

You weren’t lying.

You just didn’t realize how little time you had left.

You’re halfway down the front stairs when it hits.

It’s not gentle. Not slow. Not like the earlier pulses that bled in at the edges of your senses like whispers in the dark.

This is violent.

A tug in your chest, swift and sharp, like a hook inserted beneath your sternum, pushed forward by unseen hands. Your knees buckle and you grab yourself on the steel railing with a strangled gasp, hand burning from the friction. Your vision becomes white for a second, then dark, then wrong.

The world bends.

The city before you, cars, streetlights, the gentle glow of offices in the tower across the street, all of it twists.

The air around you warps like heatwaves, yet there’s no heat, only pressure. Crushing. The sky overhead spreads thin, like paint stretched across canvas too fast. Colors flow into one another, amber into violet into green into something you don’t have a name for. Everything feels too slow and too fast at the same time, like time itself is trying to go in two ways at once and can’t decide which one to select.

Your air shudders out of you in short spurts.

You strive to focus, to anchor. You smack your hand against the rail, attempting to anchor yourself with pain, with feeling. It doesn’t work. You can feel yourself flickering, your thoughts changing in and out of rhythm with the environment around you. Your fingers appear overly long one second, too short the next. The cityscape in front of you swirls, becomes rural, then old, then alien.

Your knees strike the pavement. Hard.

You don't recall falling.

A scream is swelling in your throat, but you don't let it out. You can’t. Because somewhere behind the pandemonium, someone is watching you again. You can feel it. Like a presence just beneath the curve of space, pressing against the seams of the cosmos.

Then the voice returns.

Not uttered. Not out loud.

Not again.

It’s thought. But not yours.

The pressure surges, and the world around you shatters—at least that’s what it feels like.

The sidewalk slips away like paper. The air turns to glass and eventually to smoke. You see flickers, images sewn together like frames from several films: your own face, older; Mark’s figure, bloodstained and bleak; a battlefield under two suns; Rex standing in a corridor of mirrors, staring at something he doesn’t recognize.

You attempt to yell his name, but your voice melts into static.

And then—

It everything slams back.

Like someone snapped a rubber band across the sky.

You’re on the steps again, face pallid, chest heaving, palms scraped open. Your knuckles sting from how firmly you must’ve squeezed your hands. Your body is shivering uncontrollably, your whole neurological system screaming for a solution your brain doesn’t have.

But the street? The city? Back to normal.

Pedestrians stroll past if nothing happened. A man examines his phone as he passes you, hardly even glancing your way. Like you didn’t just glitch through time itself.

You’re still on your knees.

You can still feel the imprint of that voice behind your eyes.

Footsteps behind you—fast.

It’s Mark. And behind him—Rex.

You attempt to speak, but your throat is raw. Mark’s already kneeling alongside you, hands on your shoulders, anchoring you, frightened. You can see it on his face. He’s seen you afraid before. But never like this. Not like you’ve just came back from somewhere else.

“I’m fine,” you manage, but you sound far from it.

“No, you’re not,” he replies, eyes searching you like he’s checking for wounds he can’t see. “You’re shaking—what happened?”

Rex crouches on your other side. “What the hell was that? You look like you just went through a blender.”

You chuckle once, short, empty. “I think I just… went somewhere. Or everywhere. I don’t know.”

Mark’s jaw tightens. “You glitched.”

“No,” you answer, voice hushed now. “This wasn’t a glitch.”

They both glance at you.

And when you finally lift your head, eyes wide and wild, voice quivering with the weight of what you felt, what you heard, you say

“It’s getting closer. Whatever it is. It’s looking for me.”

You're still kneeling as the next wave hits.

It’s not as sharp as the first, not a blade this time, but a pulse. Rhythmic. Deep. Like the city itself is breathing, and the breath is wrong. Too sluggish. Too loud. You feel it through the soles of your boots, the bones in your jaw. The type of emotion that doesn't come from outside, it blossoms inside your blood, like your own heartbeat has gone out of rhythm with time.

And suddenly the world flickers.

Hard.

The sidewalk under your palms fractures, not with cracks, but with possibilities. You see flashes of it as stone, as sand, as nothing.The skyscraper opposite from HQ, glass-fronted, elegantly corporate, sputters like a dying bulb. One second it’s clean, next it’s a skeleton of itself, twisted metal beams stretching like fingers into a bruised crimson sky. You blink, and it’s back. Blink again, and it’s gone, replaced by its own devastation, then with something… alien. The city continues moving around you. Layered.

You double over, gasping, but the air’s too thick now. Tastes like static. Smells like ozone and ash.

“Hey!”

Mark’s voice rips through it again, but this time it’s not alone.

More footsteps. The unmistakable sound of powered boots, of hard impact, of gasping terror and armor plates sliding. The Guardians are rushing outside. Eve, already gleaming. Bulletproof searching the horizon, anxious and ready. The Immortal with his jaw set like a thunder cloud.

“What’s happening to her?” Eve sighs as she draws to a standstill, eyes widening at the warped skyline.

Black Samson doesn’t answer. He’s looking, frozen. Because the buildings? They’re not just flickering. They’re clashing. Existing and unexisting in jagged spurts, like time is struggling to remember which version it wants to retain. Every window becomes a coin flip. Whole streets dissolve into themselves before springing back.

And you—at the core of it.

You grasp the sidewalk like it’ll hold you attached, but even your hands are splitting, replicating in flashes, one minute bleeding, the next scarless. One hand tiny and childish. Another older, weathered, sporting a ring you’ve never seen.

Mark says your name again, gripping your shoulder now. His grasp is solid, anchoring. He’s kneeling with you, ignoring the flickers, gaze fixated on you. “Stay with me. You’re here.”

But then you see her.

The original version. Just to your left.

You turn, and there you are. But not you. A version of you, slumped over and bleeding out, eyes vacant. Another, across the street, limping, face half-covered in soot and ash.

You can’t breathe.

You stand without realizing it, wobbling upright, Mark rising with you in fear.

“They’re me,” you say, breath fogging in the thickening air. “I’m seeing… versions of myself.”

Eve’s voice is near now, wavering yet firm. “What do you mean?”

“They’re all me,” you remark, glancing around. “Dead. Different. Like the barrier’s gone. Like they’re leaking in.”

Bulletproof’s scanning grows quicker, more agitated. “I’m picking up energy signatures I can’t track. This isn’t just her, it’s multiversal bleed. All across the block.”

“No,” you murmur. “Not the block. Just around me.”

And then, another flash.

This one feels like it rips through you.

Your knees buckle, and suddenly, the city’s gone. Or not gone, replaced. You’re standing in a crater. Rubble. Screams. A crimson sky filled with smoke. And in front of you, Mark, broken and immobile, a version of him dead at your feet. Your knees strike the earth with a hollow sound, your lips wide in a mute scream. And then—just as fast—it’s gone.

You’re back.

Still on the HQ stairs. Still surrounded by people chanting your name.

You slump on Mark’s chest.

“I saw a version where you died,” you gasp, voice strained. “Where I killed everything. Where I—I don’t even think I was me anymore.”

He hugs you tighter.

“Listen to me. That’s not this timeline. That’s not you.”

“How do you know?” you snap, trembling. “How do you know I’m not becoming her? That thing—whatever’s pulling at me—it’s growing stronger. It’s not random anymore. It’s reaching through.”

You glance at him, desperate. “And I think it wants me to help it.”

The streetlights overhead flicker.

The air pulses again—slow and deep. A heartbeat. Not yours. Not human.

Behind you, Rex whispers: “Okay. Yeah. We are gone over red alert.”

The Guardians create a half-circle around you as the air begins to twist again. And Mark, still holding you, stares up at the changing sky, his mouth tight.

“We need to get her inside. Now.”

“I don’t think inside’s going to matter,” you mumble. “If it wants me, it already has me.”

And even while they strive to shelter you, to protect you, to fix whatever this is…

You realize

They’re not fast enough.

No one is.

Because the fractures aren’t only in the world anymore.

They’re in you.

The surge collapses like a wave reaching shore.

No huge explosion, no cinematic end. Just a long, rattling sigh from the cosmos, as if it had been holding its breath through you, and finally let go.

The metropolis returns to itself in parts.

The flashing ends. The buildings settle. The lights stabilize. That awful vibration in your bones begins to lessen, not evaporate, but recede like a predator that’s gotten its full for now. The distortion in the air disappears, leaving a peculiar silence behind. Not peaceful. Stunned.

You’re still crushed against Mark’s chest, your fingers fisted in the fabric of his jacket like it's the only solid thing left in your world.

“I didn’t mean to,” you mumble. It comes out hoarse. Weak.

“I know,” Mark breaths into your hair. “I know.”

But the others, Eve, Samson, Bulletproof, they’re all still there. Watching. Not with terror, not precisely, but with a kind of wide-eyed tension that aches more than you want to acknowledge. Like they want to believe in you. Like they're trying. But the vision of skyscrapers melting into ruins and your own shattered self standing shoulder to side with shadows of who you may become, it’s new. Still engraved in their pupils like afterimages from a too-bright light.

You can feel it. The change in the air.

The fear.

And then—

Footsteps.

Measured. Familiar. Cecil.

He passes through the wrecked HQ door carefully, signature red tie blowing softly in the air, clipboard discarded for once. No security crew, no guards. Just him. And that look on his face, that terrible, inscrutable expression you know too well.

He doesn’t appear furious. That would be easy. Anger is harsh and loud and predictable. But this?

This is disappointment. Confirmation.

He steps across a cracked chunk of pavement. The pavement where you slumped is still charred, still shimmering faintly with leftover electricity. There are signs where the concrete split, charred lines spiderwebbing away from where you stood like lightning scars.

He pauses a few feet in front of you, observes the street like he’s filming the crime scene of something inevitable.

And then, gently, like he doesn’t need to raise his voice to gut you—

“You just proved my point.”

Your heart lurches.

Mark’s body tenses around you, but you’re already pushing away, staggering to your feet. Your hands won’t quit shaking. Your skin’s chilly and burning at once. You’re not sure how you’re still standing.

“You don’t understand,” you say, breath shallow. “It’s not me. It’s something else, something that’s using me. I didn’t do this!”

Cecil’s face doesn’t alter. “That distinction may not matter anymore.”

The words struck harder than anything else that’s happened all day.

You feel your chest constrict. Like a fist is tightening around your lungs. You gaze at Mark, but he’s still frozen. Still torn between protecting you and digesting what just transpired.

“I can’t go back,” you remark abruptly, your voice rising. Your eyes widen at the understanding. “I can’t—I can’t go back to the facility. You’re going to lock me up again, I know it.”

Cecil’s quiet is deafening.

You step back. “No. No—no, I’ve been there. I’ve done it. You can’t—”

Mark starts as he says your name, advancing near you again.

You shake your head. “You said you wouldn’t let them do that again. You promised—”

“I meant it!” he shouts, but it sounds too thin now. Too little next to what you just done. What you are becoming.

Your breathing spirals. You can’t feel your hands anymore.

You backpedal like you’re under assault. “It’s not me—it’s not me! I was trying to stop it, not cause it—God, I didn’t ask for this—”

“Then control it,” Cecil adds.

Your vision blurs. “You think I didn’t try?”

You feel the panic rising in your chest, acidic and quick. You want to run. You want to scream. You want to dig your fingers into your flesh and pull whatever this thing is out of you until you’re clean again, human again.

But you know it won’t work.

That voice wasn’t wrong.

“I don’t know how,” you gasp out. “I don’t know how to stop this.”

Cecil takes one step closer, and even though he doesn’t raise his voice, the weight of it crushes the gap between you.

“That’s exactly why we have to contain you.”

You snap.

“No,” you say, too loud, too fast. “No, I’m not going back in a cell. I’m not going to be your experiment again. I’m not your mistake to take care of.”

And your voice—your power—echoes when you utter it. Just barely. Just enough to make the air ripple.

Eve steps forward then, cautiously. Hands lifted.

She whispers gently. “Just breathe, okay? Nobody’s taking you anywhere.”

But you don’t hear her. You’re already withdrawing within your thoughts, terror flashing like broken lights. Because you know how this ends. You've seen it. You just saw it.

You don’t get to be the hero.

You get to be the anomaly. The event. The variable that becomes too unstable to live freely.

And now the worst part? You’re starting to believe they’re right.

Mark says your name again, voice breaking now, coming between you and Cecil. “Look at me. Just—look at me.”

You do.

And for a minute, it’s only the two of you.

“You’re not alone. I’m still here. No matter what.”

You believe him. And you don't.

Because the tempest inside you doesn't care who loves you.

It only knows how to develop.

And in the silence that follows, you mumble the one thing you’re actually terrified of.

“I don’t think I can come back from this.”

Mark comes forward like a hurricane coming to a standstill, fast and sharp, yet terrifyingly silent. You’re still breathing behind him, your body trembling so violently your knees are barely holding you upright. But you don’t fall. Because he’s already there. Not simply in front of you—in the way.

His voice, when it comes, is low. Measured. Too calm. And it’s the type of stillness that causes everyone in the radius stop breathing.

“She’s not going anywhere.”

Cecil doesn��t blink. His hands are folded behind his back, tie flapping lightly in the breeze, the shattered concrete below breaking faintly from the residual energy still vibrating through your body. He keeps his eyes on Mark, but the air between them seems like it’s going to crack.

“I wasn’t asking,” Mark says, louder now. “She’s not going back.”

Rex moves next you, calm for once. No jokes. No sarcasm. Just observing with that unique, coiled knowledge of his that only shows up when things are going to go very awful.

Cecil’s eyes dart past Mark. To you.

You feel it—his stare like a weight over your shoulders, measuring you up like statistics, like figures. Not Ace, but a threat profile. A prospective occurrence. A ticking clock.

Mark sees it, too.

And something in him snaps.

“You don’t get to look at her like that,” Mark yells, pushing forward again until they’re nearly chest to chest. “Like she’s a problem you’re going to solve if you just put her back in a box.”

Cecil doesn’t move. “She just fractured three timelines, Grayson. In the midst of downtown. No warning. No control. You really want to tell me I’m wrong to be cautious?”

“I want you to shut the hell up about her like she’s not standing right behind me, terrified.”

You’re hardly breathing.

It’s too much. The air. The electricity still fizzing under your skin. The versions of yourself still flashing across your memory, burned-in ghosts of who you could be, who you will be, if this monster inside you keeps driving you apart.

You grip your arms firmly over your chest, like it’ll protect you from drifting away.

“I can’t—I can’t go back there,” you say, voice weak and cracking. “Please—Mark, I can’t. I can’t be locked away again. I’ll break. I’ll—I’ll lose myself. I’ll disappear and you won’t even know me when—when—”

Mark turns, fast, holding your face in both hands, pushing you to look at him.

“Hey. Look at me. You’re not going away. Not without me. Not like that.”

“I hurt people—”

“No, you didn’t,” he says. “You held it in. You stayed. You fought it.”

“But what if I don’t next time?”

“Then we handle it together. But I will not let them put you in a cell again and pretend they’re helping.”

You hear it, then.

The despair. The terror he’s concealing underneath the wrath.

He’s just as afraid as you.

And then Cecil speaks again—calm, cold, terrible.

“…Fine.”

The phrase drops like a cold stone in water.

Mark narrows his gaze. “What?”

Cecil exhales slowly. “She doesn’t go back. Not yet.”

Your knees buckle, and Rex takes your arm, steadying you.

“But,” Cecil adds, stare going steel-sharp again, “if she loses control again—if someone dies, or if the city folds in half, or if she tears another hole in the goddamn multiverse—then I won’t ask twice. Not again”

The quiet is immediate.

Final.

“And I won’t send a team next time,” he continues. “I’ll come myself.”

Mark moves forward again like he’s going to swing, but you seize his hand, fingers shaking.

He stops. But only just.

Cecil greets your eyes. For the first time, you see something flash there, not malice. Not cruelty. But something that hurts. Something that looks a lot like guilt wearing a mask.

“I don’t want to do this to you,” he says. Quiet. Honest. “But I will. If it comes to that.”

He turns, going back toward HQ.

And for the first time, you don’t feel safer inside.

You stand there for a moment, the air chilly against your sweat-damp skin. The sun has fully set now, and the destroyed block is lighted by emergency lights and the faint hum of shattered streetlamps. Everything’s still.

Mark hasn't let go of your hand.

Rex sighs alongside you. “So. That was fun.”

You don’t laugh.

You just glance up at the sky, where the colors finally stopped moving.

But you know it’s not over.

The city holds its breath around you.

Somewhere in the distant, sirens blur into the wind, their warbling call dying off as fast as they came. Above, the sky has finally settled into a genuine night, no more changing purples and greens, no flickering stars spilling across histories. Just a peaceful, cloud-cloaked black extending over the ruins below. But the stillness isn't peace. It's aftermath. That dreadful silence following the scream, where everything is too motionless, too meticulous.

You can still feel it humming under your skin.

Your body feels like it’s been stretched thin across realms. Your fingertips hurt. The bones in your legs feel like glass. But worse than that, you still feel it. That thing inside you. The echo of a tug that hadn’t come from outside, but from within. It’s quiet now, coiled someplace deep, but it’s still there.

Waiting.

Watching.

And you don’t know if it’s asleep or simply being patient.

Mark hasn’t moved since Cecil went away.

Neither have you.

The rest of the Guardians linger around the periphery, Eve, arms crossed and face pale, watching with concern but giving you space. Bulletproof muttering quietly into a comm, trying to coordinate a safe perimeter around the city block that just witnessed three alternate timelines crash into each other like waves.

And Rex? Still on your left, one hand clutching your arm, not tight, not constraining, just steady. Grounding. In case you fall again.

Your knees hurt. You’re still trembling. You haven’t uttered a word since Cecil departed, but the ringing in your ears hasn’t stopped.

Cecil’s words replay in your thoughts like a hammer on a bruise.

“If she loses control again… I won’t ask twice.”

The threat was almost gentle, and strangely that made it scarier. He wasn’t being harsh. He wasn’t even being theatrical.

You finally find your voice, silent and empty. “I don’t think I can fix this.”

Mark’s hand tightens around yours. “Yes, you can.”

“I don’t know how,” you mumble. “This isn’t just telepathy. Or projection. It’s not a power I can shut off. Something’s waking up in me, and it doesn’t care if I’m ready.”

Your chest tightens again. “It doesn’t ask. It takes.”

You gaze up at him, blinking tears from your eyes.

“And what if next time… it’s not me anymore? * What if it turns me into something you can’t stop?”

Mark’s jaw tenses. His eyes flare with something urgent, something hot and furious below the terror. “Then we drag you back. We fight for you. We don’t toss you in a goddamn prison.”

He draws you closer, voice low. “I’m not letting them take you from me.”

Your breath catches.

And suddenly, behind you, Rex speaks, dry but not nasty. “Yeah, seconded. For the record.”

You gaze at him.

He shifts uncomfortably, massages the back of his neck. “Look, I’m not exactly known for... emotional intelligence. Or stability. Or anything useful, actually. But I do know what it looks like when someone’s going to spiral and everyone around them starts flinching.”

He flicks his chin toward HQ. “That’s what they’re doing. Flinching. Preparing for the version of you that goes nuclear.”

You gaze at the ground.

Rex steps closer. “But you’re still here. Not some glitch. Not a recollection. You.”

“And we’re here, too,” Eve murmurs gently from the shadows. She goes over, kneels by you. “If this thing is in you, whatever it is, we figure it out. Together.”

For the first time since the world bent around you, something in your chest moves. Not fear. Not power. Just something small.

Hope.

You slump to the concrete again, this time not because you’re falling, but because you need to sit. Because you need to feel the earth and remind yourself that it’s real.

Mark sits next you without reluctance. Shoulder pushed to yours. Warm. Steady. Rex crouches on your other side, bouncing slightly on the balls of his feet like he can’t keep still even in comfort. Eve crosses her legs in front of you. She’s gleaming faintly. Always.

The city is slowly returning to normal. Or at least trying to.

But you’re still terrified.

You sit there in the rubble of your darkest moment.

Hands bleeding, flesh tingling with something not quite yours.

The darkness breaks wide open.

You barely have time to scream before the world itself breaks open behind Mark.

No warning. No signal from your power. No gut-deep instinct like previously. This time it comes from somewhere else. A wound in space—vertical and bright green, sickening and pulsating like a pulse out of tune with the cosmos.

Mark turns—too late.

The tear taking him.

One second, he’s standing alongside you, hand on your back, chest rising with the same breath as yours. The next, he’s jerking forward like somebody lassoed him from the chest.

“Mark!”

Your scream doesn’t echo. The sound gets swallowed by the gateway, drawn into the infinite, churning light. Green arcs of electricity wrap around his limbs like they were *waiting* for him, dragging him toward the breach.

It’s him.

It’s not random.

This isn’t a glitch. It’s a target.

Mark’s fingers claw at the air, grasping for you—his eyes wide.

You don’t hesitate.

You launch toward him with everything you have left.

Your fingers find his wrist, grip tightening until your knuckles become white. He clutches your forearm in response, just as urgently. You sink your heels into the earth, already sparking with mental energy, pushing against the pull like you’re attempting to keep back the water.

The city transforms again around you. Pavement warps. Wind howls. Debris flies toward the green light like it’s being fed into a vacuum.

You lock eyes with him.

“I’ve got you,” you say, voice trembling. “I’ve got you!”

But even as you say it—you feel it in your core.

You’re losing him.

His grasp starts to slip. Not because he’s letting go. But because the pull is greater than anything you've ever felt, stronger than the universe wants you to be.

Eve’s shouting your name, but it’s far. Rex is rushing toward you, energy gathering in his palms.

Mark’s voice bursts over the thunder of the gateway.

“Let go.”

“No!”

“You have to.”

“I won’t.”

His fingers are slipping. His hand’s shaking so violently you can’t tell whether one of you is breaking apart quicker.

You see it in his face.

He knows.

This is the only way.

If you don’t let go, you’ll go with him.

And then, you make the mistake of looking into the portal.

You see it.

The other Mark. The one grinning. Standing just over the threshold. White clothes bathed in black-red blood. A reflection of the man you love, warped by something evil and eternal. He extends his hand in a false wave, then tilts his head, daring you.

Your grasp falters for a fleeting second.

It’s all the gateway needs.

Mark’s fingers fall from yours—

—and he’s gone.

Swallowed whole.

The gateway crashes shut with a sound like thunder underwater.

The street is silent.

The wind ceases.

The world halts.

And you—

You’re still grasping for him.

Your arm is stuck mid-air. Your body still shaking from the exertion. But your hand is empty. The space in front of you is empty. Your chest is—

Gone.

The scream that exits your mouth isn’t a sound. It’s a wound. It breaks loose from your ribcage like it had claws. You drop to your knees, not because your legs gave out, but because everything else did.

He’s gone.

Mark is gone.

And the last thing he did was make you let him go.

Rex falls to your side first, grabbing you before your face meets the concrete. “Shit, shit—stay with me.”

You’re not hearing him. You’re seeing green.

Eve is already on communications, her voice breaking. “We just lost Mark—Cecil, did you see that? Did you see that?!”

But even despite the mounting fear, the reinforcements rushing to the scene, the Guardians attempting to put together what just occurred, one thing becomes plain to you.

This wasn’t about your power.

This wasn’t about a mistake.

The breach came for Mark.

Specifically.

And now he's somewhere else.

Alone.

Or worse… with another version of himself.

You clamp your palms to your lips, shivering so furiously you can't breathe.

“I was holding him,” you murmur. “I was holding him.”

And no one knows how to answer you.

Because the truth is too terrible to express out loud.

You were.

And you still lost him.

The stillness once the gateway closed was awful. Not the tranquil kind, the sort that follows explosions.

The sort that fills your ears when your heartbeat is too loud, too sluggish, too empty.

You’re still kneeling where you collapsed, right hand floating mid-air like it’s waiting for his fingers to return. Waiting for him to bring you back to your feet as he always does, like this was just another near-death event to add to the long, terrifying list.

But he’s not there.

And this time, you know he isn’t coming back. Not today. Maybe not ever.

You taste blood in your tongue. You don’t remember biting your tongue, but it makes sense—somewhere in the shrieking, somewhere in the sob that tore away from you like it had a mind of its own. You can’t feel your throat anymore.

You can’t feel anything.

Says your name, one hand clutching your shoulder, his voice shorn of its typical harshness. “Come on. Look at me.”

You can’t.

Because if you look at him, it’s real.

If you speak it out loud, it’s true.

You blink hard, and a tear slides down your face, slow and bitter. You shake your head, still looking at your own hand. “I had him. Rex, I had him. I felt his hand. He was right there.”

Rex’s hand tightens.

“I didn’t let go,” you reply, softly. “I didn’t. I swear to God, I didn’t let go.”

Rex doesn’t answer. He doesn’t say ‘of course you didn’t’ or ‘it’s not your fault.’ Because he knows better. He understands such comments don’t help. They don’t touch this type of loss.

Behind you, Eve’s footsteps crunch over the concrete. She’s chatting swiftly into her earpiece—her voice tight, clipped, frantic.

“—Yes. Green energy signature, verified portal breach. No trace of Mark. No reaction from transponder. I said he’s gone, Cecil. Gone.”

She pauses when she sees you. Her face softens.

Her brilliance dims.

She lowers her arm.

You eventually glance up. Your face is pallid. Lips cracked. Eyes dull.

“I think he knew,” you whisper. “I think Mark knew it was coming. Right before it took him—he didn’t even fight it. Not really.”

Eve steps closer. “He was trying to protect you.”

You let out a faint, broken laugh. “He always does. Even when I don’t want him to.”

Rex sits back on his heels, stroking a hand over his hair. “That thing was looking for him. It wasn’t a random glitch. It came for him. You saw it, right?”

Eve nods, mouth hard. “Yeah. And the green? It’s not Ace’s color. This wasn’t her. This wasn’t her power.”

Your head is swimming. “Then whose was it?”

No one answers.

Because no one knows.

Rex rises immediately, pacing. “Okay. Okay. So we find out where it went. We figure out way to track it. We rip the universe a new one if we have to. But we get him back.”

“You don’t even know where he is,” you whisper. “He could be in a dead timeline. An alternative Earth. A collapsed dimension. We don’t know the rules anymore.”

“So what?” Rex says. “This isn’t even in the top five weirdest things we’ve faced.”

You gaze up at him again, eyes rimmed crimson.

Rex shrugs. “I mean. Maybe top three.”

That draws a puff of breath from you. Barely a chuckle. But it’s enough to help him ease a bit.

Eve kneels in front of you now. Her voice is gentle. Steady. “We’re not going to stop. You hear me? We’ll figure out where he is. We’ll discover a way to trace the energy signature, hell, Cecil’s got a whole wing of dimensional physicists already. And you? You’ve seen things no one else has. Whatever this thing is, you’re tied to it.”

You swallow. “So it’s my fault.”

“No,” she says, sternly. “It means you’re our best chance.”

You gaze back at the charred land where Mark vanished. It still hums slightly, like the planet hasn’t entirely healed.

You don’t feel healed either. You feel broken.

But somewhere inside the ache, something snaps.

Resolve.

You adjust your weight, bring your feet beneath you. Rex extends a hand and helps you up.

You wobble, knees weak, yet you stand.

And when you speak, your voice is stronger.

“Get Cecil on the line. Tell him I need every scan of that gateway. Every frequency, every variation, every frame of film. I want to know what took him.”

Rex blinks. “Damn. Okay.”

You keep going. “We’ll build something if we have to. A tracker. A gate. I don’t care. I don’t sleep till we bring him back.”

Eve nods, a gentle grin blossoming through the pain. “There she is.”

You don’t grin back. But the fire’s back in your eyes.

And this time, you’ll rip through reality itself if that’s what it takes to bring him home.

Far away, miles, maybe dimensions, removed from the flickering city skyline and the shattered street where you last stood shouting Mark’s name into a quiet emptiness, he watches.

Not via a screen.

Through a crack.

A window that doesn’t reflect light but bends it. One that hums quietly in the midst of a black chamber, the edges pulsating with residual energy drawn from a dozen dead timelines. It isn’t simply glass, it’s a creation of connected worlds, a multi-dimensional interface bound together with pure will and a deep, burning yearning for power.

And Angstrom Levy is quiet.

Poised.

Patient.

He leans forward with both hands on the edge of the platform, his mismatched eyes mirroring the final seconds of the mayhem in your timeline, your knees striking the pavement, Mark ripped from your hold, the horror on your face as the portal swallowed him whole.

Despair.

Not panic.

Not anger.

Not defiance.

Despair.

The type that unroots you. The type that makes even someone like you hesitate.

Angstrom’s smile curves slowly, carefully. Not wide. Not manic. Controlled. Calculated.

“She’s vulnerable now,” he says, more to himself than to the dimmed lab of alternate-tech and suspended variables around him. “Just what I needed.”

He straightens, the quiet echo of his footfall gentle on the metal floor. All around him, inactive gateways hum faintly, kept in stasis. Each one meticulously adjusted to a version of reality where you’re dead. Even when you never stopped fighting. And a few—his favorite—where you stood at Mark’s side till the end of the world.

He never liked those ones.

Too happy.

He looks to one of the closest monitors. The picture turns slowly—a version of you, fragmented, changed, younger. Held in a containment chamber. Not unlike the ones Cecil formerly used. You were dangerous there too. But tiny. Manageable. Full of possibility that hadn’t yet developed claws.

“I told them she was a liability,” he adds, touching the border of the screen. “They should’ve listened then.”

The picture flickers. Changes. Now it's you again—but this you, there and genuine, hunched amid the debris of your city block, hands clinched around nothing, jaw shaking in the aftermath of loss.

“But now… now you’re mine.”

His eyes travel to another screen. A static-ridden vision of Mark, somewhere away. Struggling in a setting not designed for him. Not human. Not anything he understands.

Angstrom tilts his head, looking.

“Don’t worry, Grayson. She’ll come for you. That’s the point.”

He moves away, hands clenched loosely behind his back.

His voice softens, almost gentle.

He grins again, teeth gleaming and even amid the glow of broken light.

“I’ll be waiting.”

And behind him, a dormant gateway flickers.

Green. Hungry. Alive.

And ready.

୨୧・┈┈・┈┈・୨୧

You don’t remember the walk to Debbie’s house.

Not really.

You remember the streetlights passing like ghosts. You remember the cold. How it started to creep into your bones around the time you left the wreckage of HQ, after the emergency teams showed up and Cecil tried to offer you a place to “rest,”like rest could undo what happened. Like a cup of coffee in some sterile GDA room would be enough to stitch back the gaping hole where he had been.

You walked away without answering. You didn’t trust your voice to work.

And now here you are.

Standing on her porch with shaking hands and a shattered soul, unable to bring yourself to knock on the door. You can feel the heat of the house just behind it. You can hear the faint sounds of the TV playing inside, the laugh track of some sitcom echoing through the walls, blissfully unaware of what the universe just stole from you.

Your knuckles hit the wood before you make the conscious decision to do it.

Three sharp knocks.

The sound of them is loud. Jarring. Final.

The door opens faster than you expect.

Debbie stands there in leggings and a sweatshirt, her hair pulled back, eyes tired but warm. She was probably just settling in for the night. She smiles when she sees you, until she sees you.

Then the smile drops.

Because you look like you’ve been through something.

And the second you see her face, that familiarity, that quiet kind of strength that only mothers have, you break.

It doesn’t happen all at once. It never does.

It starts in your throat, a sob that trembles before it escapes. Then your knees weaken. Your arms wrap around your own chest, like you’re trying to hold your pieces in. Your breath stutters. Debbie says your name, already stepping forward. Her hands come to your shoulders. “Hey—hey, sweetheart. What happened?”

You can’t answer. You can’t breathe.

“I—” you try. “I lost—I—”

And that’s it. You’re gone.

You fall into her arms like gravity decided to stop pretending. Your body crumples forward, and she catches you like she’s been doing it her whole life. She pulls you inside, one arm wrapped tightly around your back, guiding you gently, urgently, to the couch. She doesn’t ask anything else right away. She just holds you.

Your sobs come in waves. Gut-deep. Ugly. You clutch at the front of her sweatshirt like a child, like someone drowning. Your whole body trembles with the weight of it.

Debbie just strokes your hair.

“I’m here,” she whispers. “It’s okay. I’ve got you.”

It’s not okay.

But she says it anyway.

Because that’s what Mark used to say.

That thought makes it worse.

“I tried,” you cry. “I tried to hold on. I didn’t let go. I swear—”

She doesn’t say anything.

What can she?

After a while, when your sobs have dulled into tremors, she pulls back just enough to look at you. “What happened?”

And before you can answer, a soft little voice pipes up behind you.

“Ma?”

You turn.

Oliver stands at the threshold of the hallway in tiny pajamas, hair sticking up in wild tufts from sleep. His little feet shuffle as he rubs one eye with his fist, the other hand clutching his toy elephant. When he sees you, his eyes widen.

You try to smile. You fail.

“Bra Bra?” he asks. His voice is small.

Your heart cracks wide open.

You press a hand over your mouth as the tears start again, silent this time. All you can do is shake your head.

Debbie goes to Oliver, scoops him up into her arms. He curls against her chest, sleepy and confused.

“Where Bra Bra?” he asks again, blinking at you.

You inhale shakily. Your voice is a ghost when you speak.

“He’s gone.”

Debbie looks at you over Oliver’s head. “Gone… how?”

You swallow, hard. “A portal. It wasn’t mine. It was something else. Green. It… it opened behind him. Took him. I tried to stop it. I had him, Debbie. I was holding him. But it still—”

You break again, burying your face in your hands.

“I couldn’t save him.”

Debbie doesn’t speak for a long moment. You think she’s processing. Or maybe holding herself together for Oliver, who’s still curled against her, not fully understanding, but sensing the sadness in the room. He watches you with wide, solemn eyes.

“He will come back,” she says finally. Quiet. Steady. “You’ll bring him back. I know you will.”

You shake your head. “You didn’t see it. The thing that took him—it wanted him. This wasn’t random. This was intentional.”

Debbie walks back to the couch, sits beside you, holding Oliver in her lap. She rests her free hand on your knee.

“You brought him back from worse,” she says. “And you’re not alone. We’ll help you. I will. Whatever it takes.”

You look up at her. Your vision blurs again.

“But what if I’m not enough?”

She smiles, tired, broken, but real.

“Then we’ll be enough together.”

Oliver leans out from her arms and crawls awkwardly into your lap. He tucks his little body against yours and rests his head on your shoulder. You cradle him instinctively, your fingers trembling in his soft hair.

“Bra Bra okay,” he mumbles, sleepy.

You press your lips to the top of his head.

You want to believe that.

God, you want to.

But all you have now is the memory of Mark’s voice, his final words.

"Let go."

And the promise you made to yourself in that moment.

You will not rest. Not until he’s home.

୨୧・┈┈・┈┈・୨୧

taglist: @ladynoirx321

comment if you'd like to be apart of the taglist<3

[apod]

2025 April 27

IC 418: The Spirograph Nebula Image Credit: NASA, ESA, and the Hubble Heritage Team (STScI/AURA); Acknowledgement: R. Sahai (JPL) et al.

Explanation: What is creating the strange texture of IC 418? Dubbed the Spirograph Nebula for its resemblance to drawings from a cyclical drawing tool, planetary nebula IC 418 shows patterns that are not well understood. Perhaps they are related to chaotic winds from the variable central star, which changes brightness unpredictably in just a few hours. By contrast, evidence indicates that only a few million years ago, IC 418 was probably a well-understood star similar to our Sun. Only a few thousand years ago, IC 418 was probably a common red giant star. Since running out of nuclear fuel, though, the outer envelope has begun expanding outward leaving a hot remnant core destined to become a white-dwarf star, visible in the image center. The light from the central core excites surrounding atoms in the nebula causing them to glow. IC 418 lies about 2000 light-years away and spans 0.3 light-years across. This false-color image taken from the Hubble Space Telescope reveals the unusual details.

∞ Source: apod.nasa.gov/apod/ap250427.html

[the-necromancer-wife]

"I could explain more about the Laplace Demon concept if you, dear readers, are interested but that would be for another occasion. Another essay hehe."

Pleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleasepleaseplease 🛐

Explaining Laplace's Demon tehory in the context of 14dwy.

Thank you so much for giving me an excuse to talk about this dear anon!

In this post i'll elaborate further about something i said in the end of this super long post. As always TW for 14dwy spoilers!

(Joke's on you, sir, i DID come here for the tales of old)

And this tale in specific is really old. Around two hundred years old to be specific. In 1814 a man known by the name Pierre-Simon de Laplace wrote an essay about a deterministic concept known later as the "Laplace's demon" (although he already seemed to be exploring this concept since 1773)

We may regard the present state of the universe as the effect of its past and the cause of its future. An intellect which at a certain moment would know all forces that set nature in motion, and all positions of all items of which nature is composed, if this intellect were also vast enough to submit these data to analysis, it would embrace in a single formula the movements of the greatest bodies of the universe and those of the tiniest atom; for such an intellect nothing would be uncertain and the future just like the past could be present before its eyes.

(Pierre Simon Laplace, Philosophical Essay on Probabilities.)

But what does this all mean? Well basically this man spoke about a hypothetical "intelligence" (he didn't precisely used the word "demon") that, knowing the precise location of every particle in the universe and where they were headed, they would be able to guess the past and future values for any given time. In other words, we would be referring to an almighty hypothetical "thing" able to see the past and future of every single thing in the universe.

Of course this is all a model, a theory, an exploration on what would happen if something like this existed in the first place. After all, it was all a philosophical essay in the first place, wasn't it?

"Une intelligence ... Rien ne serait incertain pour elle, et l'avenir, comme le passé, serait présent à ses yeux."

Of course, Mr. Laplace wasn't the only one to explore the idea of an almighty intelligence since other philosophers like Condorcet, Holbach and Diderot also wrote about it.

Now there are several theories (some more modern than others) to explain why an intelligence of this nature will never be possible to exist but there is one that might ring a bell for some people "The Chaos Theory"

Or as some might know it: The butterfly effect.

This theory basically poses that minor variations between the starting conditions of two systems can result in major differences. That's why you say that "A butterfly flying in certain direction today can lead to huge catastrophes tomorrow" it's not something (so) literal but it is useful to illustrate how small can be the variation and how huge can be the result. Of course the change doesn't have to be huge. It can be a minor change, but a change nonetheless.

Btw chaos theory is applicable when knowledge of the system is imperfect, whereas Laplace's demon assumes perfect knowledge of the system, therefore the variability leading to chaos in chaos theory and non-variability in the knowledge of the world Laplace's demon holds are noncomparable.

But, What does this all has to do with 14dwy?

Glad you ask. Actually a lot.

Starting off with the idea of how perfect is this game integrating even its genre (Visual Novel) to the theory. I believe there is no bigger example of the butterfly efect than a Visual Novel, where choosing (or not) certain options can lead to certain results (big or small). Very much like the butterfly effect. And funnily enough, it's us, the player, the embodiment of this umpredictability, since we are the ones that make the choices in the game. We are the antagonists of a hypothetical Laplace's Demon. We are it's antonym. We are an angel. The idea of a change that the system cannot predict. Of course this is questionable. Because as much as we have certain "freedom" we still need to abide by the choices that the very game gives to us.

This takes us back to the question of who is the entity that speaks to us in this cryptic messages on day four? Who is this (allegedly) Laplace's Demon? and what are my personal arguments on why i don't think it's [REDACTED].

Let's start by breaking down the messages. I have them all decoded in my previous post along with a really easy (i hope so) explanation on how the cipher works.

"...ATTEMPTING TO REWRITE WHAT HAS ALREADY BEEN ORDAINED SINCE THE BEGINNING"

Here, the entity mentions the certainty of the past, but not the certainty of the future.

"...ATTEMPTING TO DIG UP THE ROOTS OF FATE AS THOUGH IT WERE A WEED AND PLANTING YOUR OWN CORRUPT SEEDLING IN ITS PLACE"

Here, the entity presumably refers to the idea of our (very limited) free will and how we're pushing the limits of the system (in this case by attempting to keep advancing on a route that supposedly leads nowhere else). To make this more clear, this entity speaks to us when we load the save file multiple times trying to keep advancing down that path when the course of action contemplated is that we should just stop and load another save file. We're persistent creatures, after all.

"PERHAPS WE ARE THE SAME, THEN"

Of course fucking ✨not✨

"I TOO FIND ENJOYMENT IN DISRUPTING THE VINES OF KISMET AND WATCHING HIM STRUGGLE"

Now i swear i never heard the word "kismet" before this day. But it seems to be some sort of archaic synonim of the word "fate". Although according to Cambridge Dictionary it is actually "A force that (some people) think controls what happens in the future, and is outside human control"

Also, this entity seems to be having its fun with Ren/REDACTED's struggles. It doesn't really see our unpredictability (yet) as a threat.

"TWAS I WHO GAVE HIM HIS GIFT, AS I DID WITH OTHERS..."

AND THIS

This right here boy oh boy.

I gave him his gift: A rant about human deities through the holy act of programming.

(As pretentious as this title is, please hear me out)

There's a really interesting article named Embracing Λόγος: Programming as Imitation of the Divine that basically says:

The programmer must begin by defining things – material or conceptual. “We are unable to reason or communicate effectively if we do not first make the effort to know what each thing is.” (Rayside, Campbell) By considering the ontological questions of the things in our world, in order to represent them accurately (and therefore ethically) in our programs, the programmer enters into the philosophical praxis. Next, the programmer adds layers of identity and logic on top of their ontological discovery, continuing in the praxis.

But the programmer takes it a step further – the outcome of their investigation is not only their immaterial thought but, in executing the program, the manifestation of their philosophical endeavor into material reality. The program choreographs trillions of elementary charges through a crystalline maze, harnessing the virtually infinite charge of the Earth, incinerating the remains of starlight-fueled ancient beings in order to realize the reasoning of its programmer. Here the affair enters into the realm of Ethics.

“The programmer is attempting to solve a practical problem by instructing a computer to act in a particular fashion. This requires moving from the indicative to the imperative: from can or may to should. For a philosopher in the tradition, this move from the indicative to the imperative is the domain of moral science.” (Rayside, Campbell) Any actions taken by the program are the direct ethical responsibility of the programmer.

Furthermore, the programmer, as the source of reason and will driving a program, manifesting it into existence, becomes in that instant the λόγος σπερματικός (“logos spermatikos”) incarnate. The programmer’s reason, tapped into the divine Reason (λόγος), is generated into existence in the Universe and commands reasonable actions of inanimate matter.

Basically the programmer goes through each and every stage a deity would go through when creating the universe.

AND GUESS WHO IS A PROGRAMMER IN 14DWY???

(Ren/REDACTED in case you don't know hehe)

When the entity says "I gave him his gift" i believe this is exactly what he is referring to. While a Laplace's Demon knows every particle in the physical systems (and assumes it's knowledge of said system is perfect), a programmer works with Operative Systems (Windows, Linux, Ubuntu).

As for us, the angel, the antagonist of the demon of Laplace, we are the chaos theory, the one that conceives the knowledge of the system as imperfect.

Btw the person manipulating some choices in certain moments? Totally Ren/REDACTED. As they have the power of messing with the game and are totally self-aware of this being a visual novel.

But who gave Ren/REDACTED this power? Was Ren/REDACTED so skillful that they were able to defy the laws of worldbuilding? Picture this: the equivalent would be a programmer in the real world so skillful that they become able to defy the reality itself.

I believe the responsible is this "all knowing entity" since it just said it itself "It was I who gave him his gift". After all he is, and i quote, "THE PAST, PRESENT, AND FUTURE, COMBINED INTO ONE" really ominous shit.

There are obvious gaps in this theory but it's the best i can do with the limited knowledge i have. I am not a physicist so i can't really dwell in formulas and numbers as much as i would. Maybe i'll interview a professor in college in the future but for now i hope this is enough.

[rabidbatboy]

SYSTEM / ALTERS ALTERNATIVE TERMS

[ 🧪 ] SCIENTIST THEMED

[ system ] — laboratory, study, observatory, amalgamation, department, cranium, organism, test site, cerebrum, nucleus, composite, datum, synthesis

[ alters ] — experiments, tests, chemicals, subjects, labrats, reactions, atoms, vials, beakers, cells, variables, theories, particles, synapses, hypotheses, creations, modules, molecules

( @disrealities was the epic inspiration btw really cool system terms )

[yuriosakawa]

Atom Eve hovered just above the city skyline, the moonlight barely catching the tired slump of her shoulders. After a particularly annoying day of saving a mall from imploding and an even more draining argument with her dad about how “superheroes aren’t a real career,” she finally retreated home, landed on her balcony, and faceplanted into her bed.

“God,” she mumbled into her pillow. “I need a break. Or a drink. Or a dimension where parents don't suck.”

Instead, she settled for Steam.

Booting up her laptop, she planned to mindlessly browse until something caught her eye—a coping ritual she'd perfected over the past few months. But then… there it was. In all its weirdly pink, sparkly glory.

"Super Love Crisis: Teen Team Edition!": An immersive dating sim where YOU romance the boys of the Teen Team!

Her eyes narrowed. “The hell?”

Curiosity outweighed pride. She clicked. She downloaded. She booted it up.

Two hours later, Eve sat cross-legged on her bed, eyes locked onto the screen. Her character was currently in a café, sipping a cappuccino across from a brooding artistic still-frame version of Robot.

Robot: “It is not logical for me to express emotions… but when I am with you, I feel a variable increase in serotonin levels.”

Eve blinked. “Did… did they actually make that hot? Am I okay???”

She clicked again, giggling as Robot awkwardly offered her a cube-shaped rose he had “synthesized using lab-grown petals.” Then she gasped—her stats jumped. +10 Intelligence and +5 Romance. Her character blushed.

“Oh my God.”

It didn’t stop there. Rex’s route was chaotic in the best way, filled with shirtless training montages, stupid puns, and misguided attempts to woo her with fireworks that spelled out “U HOT.” And Invincible?

Invincible’s route had the most heart—sincere late-night conversations, shared trauma bonding, and awkward first kisses under digital starlight.

By 3AM, Eve had unlocked three CGs, two bonus scenes, and was heavily invested in a love triangle between her, Rex, and Mark.

But the question clawed at her brain: Who the hell made this?!

——————————————————

Eve flew to the college dorms with one mission: find the masterminds. After some casual stalking—er, investigating—she cornered William and Amber in the common room, where they were laughing over a laptop.

William jumped when she appeared behind them. “Jesus! Eve! Don’t do that!”

“You made it, didn’t you?” Eve pointed accusingly at the screen. “Super Love Crisis: Teen Team Edition. That was you two.”

Amber blinked. “...You played it?”

Eve crossed her arms. “I lived it.”

William grinned. “Good, because I wrote Robot’s route.”

“And I did Rex,” Amber added. “But Mark helped us with his own dialogue. We figured, who knows Mark better than Mark?”

Eve’s mouth dropped open. “Mark knows about this?!”

William snorted. “He found it hilarious. We even recorded him saying ‘Did someone say cuddling?’ for the bonus voice pack.”

Eve flushed. “Okay. Okay. This is insane. And illegal. And probably violating at least seven IP laws.”

Amber smirked. “But did you like it?”

Eve hesitated.

“…I romanced all three of them and can’t decide who I love more.”

William and Amber high-fived.

[thaltro]

Random question about Psych - Sorry if this is a little outdated as I'm basing it on his old reference sheet. Also sorry it's so long haha.

As I understand it: He has reversion magic - and by touching somebody he can revert them back to a state before they experienced some sort of trauma. If multiple traumas occurred, Psych can exert a lot more energy to go back several stages. However, direct contact with his soul is a lot more potent/unstable and can result in a lot more extreme outcomes.

As for my question, let's use a typical fanon Passive Nightmare story as an example (sorry, I'm not really all caught up on Atrophy's whole deal and I think regular UTMV Nm may fit the scenario better LOL), where usually it'll be something like:

Passive chilling -> Passive gets attacked -> Passive eats the apples -> "HELP ME PLZ IS COR---Corrupted.exe: I here HAHAHA"

Let's assume eating the apples here was the main, "big" trauma, and getting attacked, although still traumatic, gets lumped into the general bullying thing and was bog-standard by this point (i.e. that specific instance of bullying didn't lead him to eat the apples, but it was rather the culmination of all the bullying lead up to that incident, and that was the straw that broke the camel's back.)

If Psych were to use his powers on that Nightmare, at what "stage" would he be reverted back to? Would it be right before the Apple incident, (the beginning of Substance Corruption) and then ergo that means Nightmare would still be pretty banged up? Or would he just be 6 years old again with none of the injuries? And if the latter, when in time would his code be? A day before the trauma? A week? Or would it place him in some random time before, with some variability? (E.g. performing two separate reversions on Nm could pull his code an hour before the incident and then 3 weeks before the incident).

OR, if the former, let's assume that one Negative apple is okay for you, but 999 isn't. Would this, again, revert him right before Nm supposedly takes a bite? Or somewhere in the midpoint of Apple eatery? Again comparing this to Substance Corruption, it is noted that:

"A potent substance that shouldn’t be within a monster gets in a monster and overwhelms their code permanently."

This implies that there are possibly instances where a substance does get in a monster's body, but the body is able to fight it off/expunge somehow, if I'm getting that right? So in this example, Maybe Nightmare gets reverted to only having 3 apples, because maybe 3 apples is okay for his body to deal with. But 4? Crossing the line there, bub. SUBSTANCE CORRUPTION INCOMING!!!!!!!!!!!!!!

Again though this is all sort of based around UTMV Nightmare and I know how Atrophy came about is extremely different from the standard Dreamtale story, so I can understand if maybe the semantics here of UTMV Nightmare can't really be applied in Nightwatch as a whole. I also understand the concept of Psych's abilities reversing trauma might've been changed for the concept of reversing corruption, so forgive me if this entire thing is asking questions about no longer relevant information haha.

Also sorry if this was a bit ramble-y and didn't make sense. I tried my best to make it as understandable as possible but I completely get it if there may be some confusion, haha.

Good question, I’ll explain how the cannon reversion works now.

So essentially I dropped the trauma states thing because it brought up many issues, mostly what is defined as trauma or traumatic enough. Didn’t really wanna work through that.

So instead reversion works as a code destroyer. It atomizes parts of a code in some way reverting things to their original basic states. That’s why it’s useful for corruption. Corruption is complex but it’s essentially code with changes or additional features to it.

In nightwatch monsters have an organic code which is code that happens naturally. This code is more set in place and hard to get rid of. Corruption is when inorganic code is applied onto that organic code.

This isn’t always extreme, most commonly flus and sickness are corruption as it’s a foreign code that interrupts the normal organic process. Most monsters can survive this, but reversion shots and pills are made so you can get almost instant reversion of those loose weak inorganic codes.

But Chronic Corruption is different

Think Geno Sans or Atrophy, this is when that loose inorganic code is so strong it becomes attached permanently to the organic codes.

This is when Psych needs to come into play because he is trained to do procedures to manually remove those parts. Which again because the inorganic codes are so potent and viral, it makes it much more difficult to remove as you don’t want to accidentally destroy original organic codes.

Think of how a problem with chemo therapy for cancer, the whole body is affected with the treatment and in the process of removing the cancer it also removes normal healthy cells. Psych is supposed to negate that issue and he guides his magic to only remove the corruption.

Typically resulting in reconstructive surgery as the body might need to be repaired after this very invasive procedure. It’s not always perfect, but psychs reversion procedures and surgeries are very affective to reverting amalgamations. Memory being one of his successes

Now to answer your nightmare question

Atrophy eats one apple and he instantly corrupts btw, his slime just melts and consumes the rest of the tree after. But if I’ll work with typical nightmare, maybe a few apples is corruption that would make one very ill and in need of a injection. But after an overwhelming amount of inorganic code, the corruption would be chronic.

And If psych where to revert atrophy, the code would be set back to somewhat match the bone density of a monster instead of slime, and form something soul like. Atrophy’s soul is dispersed in peices around the slime so it’d be very difficult to selectively protect those parts. Psych would have to take that now purified slop and surgically rebuild atrophy to look like a person again. It’s what he did to memory already.

Mentally he’d still be an adult because psych would avoid reverting that organic code. Just would be free of corruption and with a newer body.

What if psych didn’t selectively revert and instead just,, did it? Without thinking?

You’d die, even immortals could die since their code would be fully atomized. That’s what happens if you jump into the atomization void at the end of the multiverse (where the core leads you) as it indiscriminately disperses your codes across time and space. If you somehow survive it leaves a damaged husk of what you used to be. In nightwatch it’s called atomization syndrome which core frisk and some gasters have!

But most the time you just straight up die. Psych really could kill people if he was smart but he’s not

I know this doesn’t answer everything since the questions framework was on the outdated magical system, but I’m glad I can answer some parts and I just like talking about my dumb dumb world building. I really liked this ask thank you

Other post related to the vial of anti corrupt, there’s a better drawing then what I drew in a few seconds here haha

[uinferno]

If Vasher is in fact the one who made Gavilar's anti-Light then this man has invented 2 completely unrelated weapons of mass destruction.

Walk with me.

Anti-Light is very clearly the investiture equivalent of antimatter. Like antimatter, which has the same "mass" as regular just opposite charge, anti-Light has the same energy (wavelength) as Light, but opposite amplitude. When combined, they're completely eradicated as they're transformed into energy (explosion). This applies to antimatter and—as seen in Rhythm of War—anti-Light. Not only can this create a bomb, but it can perhaps create the bomb.

The issue with most conventional weapons (and any source of fuel, really) is that their conversion into energy is imperfect. There's numbers floating around out there about the percentage of energy actually put out per source from wood to gasoline to plutonium. The big thing about all of them is that they create some byproduct besides the energy. Methane combustion for instance always puts out carbon dioxide and water.

In Einstein's famous equation, E = mc^2, we are given a "perfect conversion" between mass and energy. You can X kilos of matter from Y Joules of energy and vice versa, assuming you don't lose anything to byproducts. This is a shit load of energy. That c in the equation isn't a variable like E and m are. It's the speed of light. 299,792,458 meters per second.

By and large, tapping into this energy is really super hard. As I mentioned, there's always byproducts. Even ignoring the issue of entropy and diffusion of energy into an environment, most of it is preserved by the aforementioned material byproducts that come out of chemical reactions. The most efficient reactions we have in the modern day is all nuclear in nature, be it fission like decaying atoms in nuclear reactors or fusion like within the sun. But even then, for all the energy they release, you will still come up with matter in the end.

That is unless you have antimatter.

The amount of energy you will release from a kilograms worth of an antimatter bomb is 1000 times stronger than that released from Fat Man dropped on Nagasaki. Half of that of the largest nuclear bomb ever tested, the Tsar Bomba. 90 petaJoules of energy.

If Harmonium/Trellium was the Invested equivalent of a nuke (hi, this is a Cosmere post, remember?) then antiLight is far and away worse, and it's been invented on two separate occasions, once by Navani (#girlboss), and—if theories turn out to be correct—Vasher, who's given us other hits like the God Killing Sword.

[zxxyue]

赤羽業 & 浅野学秀: the Venus de Milo problem

The results of the second semester finals between Gakushū and Karma were a convergence of their respective narratives throughout the school year—two students molded by opposing forces. Their teachers, reflections of each other’s antithesis, shaped their worldviews, while their relationships with those around them sculpted their distinct approaches to solving the final math problem. The infamous image of Venus de Milo was not just an emblem for the question; it was the perfect metaphor for the philosophical gap between the opposing sides in the academics area of Assassination Classroom.

"Atoms" and "body-centered cubic structures"... I can't let those terms throw me. The question itself is quite simple. "You are inside a box surrounded by enemies... calculate the volume of your territory". Since our powers are equal, our attacks nullify each other. In other words, everything on the inside is my territory.

I'm surrounded by eight enemies inside this cube. Which means I need to calculate the volume of eight seals... and deduct that from the entire cube to get the volume of A0!

For Gakushu, the math problem was a test of control, an exercise in subjugating chaos to rationality. His solution was methodical, precise, and insular. To him, the box was a microcosm of his reality: a confined space where the rules are absolute, and success is achieved by bending those rules to one’s will. His focus on the “body-centered cubic structure” was emblematic of his fixation on the quantifiable. Pareto efficiency: Gakushu operates under the assumption that resources (or, in this case, space) must be allocated with optimal precision, leaving no room for inefficiency or external variables.

Yet, his flaw lies in his refusal to acknowledge the world outside the box. His worldview, while brilliant, is fundamentally limited by its rigidity. Gakushu does not look beyond the immediate; his vision, though sharp, is narrow.

Occam’s Razor is a philosophical principle suggests that the simplest solution is often the correct one. Gakushu eliminated extraneous elements, breaking the problem into its most essential parts to focus on what can be controlled within the given parameters. This is not to say he was wrong- we know that Gakushu's solution was correct. What decided the exam results was the race against time, which all comes back to how fast they arrive to the answer. Gakushu shaved down the details of the problem to maximize time and efficiency. In his own words: "The question itself is quite simple". Yet in his haste to simplify the problem, he unknowingly complicated it unnecessarily for himself, which ended in his loss.

The animation captures Gakushu’s mindset perfectly: his field of vision narrows, spotlighting only the part of the question he deems essential, with the rest fading into darkness. While his approach is flawless in theory and execution, it leaves no room for alternative interpretations or broader connections, leading to that inadvertent inefficiency. In another context, his approach would have been unbeatable.

I was only looking at this single small cube, but... since this is a crystal structure built from atoms... that means the same structure continues on the outside. In other words... there is more to this world than this single cube.

And if I look around me, I can see that everyone has their own unique talent... their own territory. And everyone else can see that too!

"Everyone has their own unique talent… their own territory," is an example of moral relativism, the idea that no single territory, talent, or solution is inherently superior to another.

Karma initially approached the question with the mental schema that it required extraordinary talent or effort to solve. By rereading and reframing the problem, he adjusted his schema to understand that the solution lay in simplicity and clarity, rather than overthinking or exceptional skill.

In contrast to Gakushu's animation, Karma’s mental process is visually chaotic, the animation mirroring his initial overwhelm. The camera pans dizzyingly across the paper, as if he’s grappling with the sheer surface-level complexity of the problem. But this momentary disorientation sparks something critical: a shift in perspective.

His realization has the essence of metacognition, which is the ability to think about one’s own thinking. He steps back from the problem, recognizing its context within a larger framework. This is the dialectical opposition between them: while Gakushu seeks to rule the box, Karma understands that the box is merely one part of a vast, interconnected world. His solution acknowledges the multiplicity of perspectives, valuing the contributions of others as integral to his own success.

Rather than avoiding the problem’s complexity, he embraces it (literally opening his arms lmao) using his own experiences and relationships as a lens to find clarity. Karma’s breakthrough is not his alone. It’s a culmination of the lessons from Korosensei and the camaraderie of Class E. These influences allow him to reframe the problem, breaking through its apparent complexity and arrive at an easy solution. Gakushu just didn't have that luxury from his father and Class A.

The Venus de Milo as a Metaphor

The Venus de Milo is known for its iconic missing arms, which were long gone before the statue was even discovered. Because of this, many interpretations of how the statue of Venus was posing and what the artist was trying to portray arose. In the same way, the final question symbolized a challenge that was both finite in its mathematical boundaries yet infinite in the ways it could be perceived. Here lies the thematic brilliance of the sculpture and the exam question: both demand the solver to confront the known and the unknown simultaneously.

[itsgerges]

Best Regards

The Sun Can NOT Be Created Before The Planets Creation

or

or

or

Paper Major hypothesis

The Sun Is NOT Doing Nuclear Fusion To Produce Its Rays- Instead - The Planets Motions Energies Total Is Used To Produce The Sun Rays- That's Why The Sun Can Not Be Created Before The Planets Creation And Motion   

In Fact- The Sun Is A Phenomenon created by the planets motions- means- The Planets were created and moving in their orbits before the sun creation- the planets were revolving around a point in space for a long period of time before the sun creation and the sun is created and put on this point around which the planets revolve-

This fact shows the great gap between the solar system facts and the physics book- 

BUT- Can This Theory Be A Fact? let's see how this can be possible

(i)

This Is Extraordinary: Gravity Can Create Light, All on Its Own

https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83

This new article tells the gravitational waves can move by speed of light and can produce a light beam- I claim the sun rays are produced based on this method by the gravitational waves motions and not by the sun nuclear fusion process- also –No star rays is produced by the nuclear fusion process but all rays are created by the gravitational waves motions energies as the article states-

Here we see the article produces a light beam by different source of energy (the gravitational waves motions energy) in place of the sun mass which is used by the nuclear fusion process to produce the sun rays- here – the source of energy is the motion energy of the gravitational waves 

The importance here is that- the solar system is rich in the motion energy and by that the sun mass as a source of energy is not required

(ii)

I claim

The gravitational waves are created by the planets motions energies and not by the gravitational field-let's see if this can be possible

Planet motion produces energy (1/2 mv^2), where's Planet motion energy? the planet can NOT store its motion energy inside its body because it would raise its temperature and No planet temperature is raised by its motion- logically- the planet motion energy is stored in the space in waves form- means- Planet motion energy creates waves in the space- Planet motion in the space is similar to a fish swimming in the sea- as the fish swimming creates waves in the water the planet motion energy creates waves in the space- let's see this picture clearly- the fish swims because it hits the water by its body and that creates waves in the water- we conclude, the water waves move by a velocity equal the fish velocity because of the reaction force- similar to that- Planet moves in the space and its motion energy creates waves in the space and these waves move by velocity equal the planet velocity- for example- Mercury (47.4 km/s) moves and its motion energy creates waves in the space and these waves move by equal velocity (47.4 km/s)- based on this idea- All planets move and their motions energies create waves in the space where each wave moves by velocity equal its planet velocity

AND

The planets revolve around the sun in the same one direction and for that their motions energies create waves in the space and these waves move perpendicular on the revolution direction (Toward Pluto orbit)

AND 

In Pluto orbit these waves are unified together into one unified wave- this wave moves by a velocity = 205.8 km/s why? The 9 planets velocities total=176 km/s but I add the Earth moon velocity (29.8 km/s) that makes the total to be 205.8 km/s – I add the moon velocity because the energy is stored finally in the moon orbit-

Note- The moon and the Earth revolve around the sun together for that the moon velocity is considered equal the Earth velocity relative to (the sun) –

Shortly

The planets motions energies are unified into unified wave revolve around the sun and moves by velocity (205.8 km/s) and this is the gravitational waves

The question is that

The scientists discovered waves in the space and they told these waves are produced by the gravitational field but why?? because planet motion energy analysis proves the motion energy must be stored in the space as moving waves- so the discovered waves  are created by the planets motions energies and not by any gravitational field – also I prove the sun doesn't produce a gravitational field which proves my theory tells the gravitational waves are produced by the planets motions energies

(iii)

The previous analysis shows the sun rays are created from the gravitational waves motions and the gravitational waves are produced by the planets motions energies- that explains how the sun can be a phenomenon created by the planets motions energies

(iv)

The major hypothesis elementary proves

The Sun corona temperature is 5 million Kelvin but the sun surface is 5800 Kelvin because the energy is NOT produced by the sun body but out of the sun body- the energy is coming from the planets motions energies- that's why the energy out of the sun is greater the energy inside the sun  

Planet velocity analysis proves that the sun is created after all planet creation and motion where no any planet can be created or added to the solar group after the sun creation- this fact is proved by planet velocity analysis discussed by the paper. 

The sun velocity 2 km/s (the sun circumference 4.37 million km/ the sun rotation period 25.4 days) this velocity proves the sun is the stationary point in the solar system which is required to create the sun rays –

The sun diameter = Jupiter circumference x π and also

(the sun mass /Jupiter mass)=  π x (Jupiter mass/ the Earth Mass) (error 5%) because Jupiter defines The sun creation data with the inner planets  

The total solar eclipse geometrical design is found by Jupiter- because Jupiter uses the total solar eclipse to define the sun position in the sky after the sun creation- the total solar eclipse data shows Jupiter creates the whole design 

The paper discuses these proves and many others in details

The Major hypothesis Explanation

The major hypothesis depends on 4 hypothesis which are

1st hypothesis

The gravitational waves are produced by the planet motion energy and Not by the gravitational field- Moreover- the sun doesn't produce a gravitational field -Shortly- the planet motion produces energy (1/2 mv^2) and this energy is stored in the space as moving waves – these are the gravitational waves- also the gravitational waves are reflected in the solar system and the wave reflection causes to square the wave velocity

2nd hypothesis

As discussed before

The Sun Is Not Doing Nuclear Fusion To Produce Its Rays– Because

This Is Extraordinary: Gravity Can Create Light, All on Its Own

https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83

This new article tells the gravitational waves can move by speed of light and can produce a light beam- I claim the sun rays are produced based on this method by the gravitational waves motions and not by the sun nuclear fusion process- also –No star rays is produced by the nuclear fusion process but all rays are created by the gravitational waves motions energies as the article states.  

3rd  hypothesis

The planets Motions use different rates of time – the rate of time depends on the velocities rate – example- Mercury velocity = 1.6 the Earth velocity because of that (One Second Of Mercury Clock  = 1.6 Seconds Of The Earth Clock)

4th  hypothesis

Neptune motion caused to create relativistic effects in the solar system because

This Is Extraordinary: Gravity Can Create Light, All on Its Own

https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83

the new article tells the gravitational waves can move by speed of light-

and the gravitational waves move by speed of light but Neptune caused to decrease the wave speed by 1% and by that the speed be equal 99% of speed of light (=297000 km/s) which caused to created relativistic effects in the solar system- also- Neptune caused to create two wave reflections in the outer planets which one reflection only was enough- means- if Neptune is removed from the solar system the wave reflections in the outer planets will be one reflection only and not two reflections 

NOTICE

In following I provide the explanations and proves for the four hypothesis- BUT- Before – I have to provide refutations for 15 theories in the modern physics book-

I want to say-

NOT only – The sun nuclear fusion theory is wrong –BUT – also there are 15 other theories are wrong in the modern physics book-I put them in the preface before the four hypotheses explanation   

The Paper 4 Branch Hypotheses Proves Discussion

Preface– Refutations Of 15 Physics Theories

I provide refutations for 15 theories in the modern physics book which are

The Physicist Vision Contradicts The Nature System

The physicist supposes Planet moves and doesn't produce motion energy

Einstein is wrong (Space Has Mechanical Features)

Einstein is wrong (The Sun Doesn't Produce A Gravitational Field)

Newton Is Wrong (No Planet Moves By The Sun Gravity)

Newton Is Wrong (Mass Gravity Can NOT Cause Any Motion)

The physics book is wrong (The Gravitational Waves Are Produced By The Planets Motions Energies)

The Sun Is Not Doing Nuclear Fusion To Produce Its Rays

The Big Bang Theory is Wrong (No Random Creation)

Newton is wrong (Planet Motion Does Not Depend On Its Mass)

Einstein is wrong (The original speed of light is 1.16 million km per second)

Giant- Impact Hypothesis is wrong (Mars Caused The Moon Creation)

Tidal Locking Theory Is Wrong 

Lorentz Transformation Are Correct

Newton Is wrong (The gravitation equation is wrong)

First Critic   The Physicist Vision Contradicts The Nature System

I study the solar system Geometry since long years- and- I have found the physicist and astronomer can't understand the solar system designer vision– in fact their vision contradict the Nature designer vision- let's prove that in following  

The Physicist Vision

The physicist supposes that there's (a unit of building)- by that- the physicist sees the mass (for example) as wall and this wall is consisted of bricks (small similar units) and for that the physicist searched for this (unit) because it's the (unit) by which the wall is building (the mass is building)– this is the physicist thinking direction- he believed there's a small unit by which the great building is built

For that the physicist searched and found the particle and then the particle is divided into Molecules then the Molecule is divided into atoms and the atom is divided into nucleus and electron moves around and the nucleus is divided into proton and Neutron- and the proton is divided into quarks …etc

The physicist searches for the building unit- the unit by which the building is built – or the unit by which the mass is built – for that the physicist divides (any thing) to see its contents till reach to the unit which can be used as the building unit. 

The Nature System Vision

The Nature designer aims to create integration- as the marriage – male and female- the relationship will cause to give birth for a child

INTEGRATION this is the word inside the designer Mind

No building unit- the marriage answers- because in marriage both (male and female) are required and no one of them better than the other – both work together and give equal effects on the same one process and give together one result- I explain the idea by the marriage because it's easy to understand- I want to put the word (Integration) as the basic concept in the designer mind.

AND

I want to explain how the physicist causes fatal error for the research method

While the physicist divides the elements one after one (from matter to particle to molecule to atom to proton to quarks …etc) this division from out into inner till reach to very small unit which he considered the building unit – that causes to destroy the geometrical design of the integration process

Let's return to the marriage- the marriage requires two players (male and female)- they have different bodies and the process give birth for children- Suppose we remove one player what would happen? (where can we find a woman pregnant by herself?)

I want to say- the division from (matter to particle to molecule to atom to proton to quarks …etc) destroys the general geometrical design which uses the integration process- let's give other examples

Example No. (1)   

Einstein told us (He can't find slightest meaning for the word SPACE) by that he can't define (what's the space) and also he found the space has no mechanical features because no definition causes these features – this is the physicist vision - Let's see the designer vision

Planet moves and its motion produces energy (1/2 mv^2) and where's the energy? the planet can't store its motion energy inside its body because this energy would raise the planet temperature and no planet temperature is raised by its motion- so- where's the planet motion energy? logically we suppose that- the energy is stored in the space in waves form- means- the planet moves and its motion energy creates waves in the space (as the fish swims in the sea and its motion creates waves in the sea water) similar to that the planet motion produces energy and this energy creates waves in the space- by that we can define the space and conclude the space nature and features- simply we conclude the space has mechanical features because the energy is stored in the space as moving waves- the gravitational waves prove the space has motion- why we can solve the question which Einstein couldn't solve? Because he supposed the planet is independent from the space- the integration concept is not known by him

Notice

The waves are produced by the planet motion energy are the gravitational waves, the paper first hypothesis proves these waves are produced by the planets motions energies and not by the gravitational field also the hypothesis proves the Sun doesn't produce a gravitational field.

More examples are provided after the hypotheses explanations 

Second Critic The physicist supposes Planet moves and doesn't produce motion energy

Planet motion energy analysis can refute many basic theories in the physics book as we will see in this discussion- for that- the physicist supposed planet motion doesn't produce energy- while- the mechanics basic law tells us (Any moving body produces energy =1/2 mv^2)-but- the physicist never answered the question (where's Planet motion energy?)-because- planet motion energy analysis proves the space has mechanical features and proves Mass gravity can NOT cause any motion and also proves the gravitational waves are produced by the planets motions energies and not by the gravitational field (even if found)- also it proves the sun is NOT doing nuclear fusion to produce its rays-

Here I explain why the physicist never answer the question (where's planet motion energy?)- the following critic uses planet motion energy analysis to prove that the space has mechanical features

Third Critic     Einstein is wrong (Space Has Mechanical Features)

Any moving body produces energy (1/2 mv^2) – for that-

Planet motion produces energy (1/2 mv^2) but where's this energy? the planet can't store its motion energy inside its body because this energy would raise the planet temperature and no planet temperature is raised by its motion- so- where's the planet motion energy? logically we suppose that- the energy is stored in the space in waves form- means- the planet moves and its motion energy creates waves in the space (as the fish swims in the sea and its motion creates waves in the sea water) similar to that the planet motion produces energy and this energy creates waves in the space- by that we can define the space and conclude the space nature and features- simply we conclude the space has mechanical features because the energy is stored in the space as moving waves- the gravitational waves prove the space has motion- by that- we are sure that the space has mechanical features

Notice – these waves are the gravitational waves

Fourth Critic   Einstein is wrong (The Sun Doesn't Produce A Gravitational Field)

The Refutation Of The Sun Gravitational Field

The Sun Doesn't Produce A Gravitational Field Nor Has Massive Gravity – let's prove that in following

(i)

The sun rotation period is (25.4 days– at equator) and (34.4 days – at pole) that shows the sun has no massive gravity nor even ordinary gravity equal any planet gravity otherwise the sun would rotate around its axis in one period of time- 

(ii)

No Planet Moves By The Sun Gravity–Newton is wrong- because- the planet moves by the force caused its creation- means- the planet creation and motion is done by one force only- because- if two forces have effects on the same one planet this planet would be broken- now- suppose the planet is created (by any force) and the sun gravity attracted this planet and forced it to revolve around the sun by the sun mass massive gravity (as Newton imagined) that would force the planet to move against its inner structure and will cause this planet to be broken- this is similar to a human is forced to walk on his hands in place of his legs and when this human refuses to do that (they told him we can force you by our power) for that this human walk on his hands forcedly and later this human is dead by this motion- shortly- the planet is NOT broken by its motion because the planet creation force is the force causes this planet motion- it's one force caused the planet creation and motion-

Newton mistake is that he didn't know how the planet is created and by that he didn't realize that planet creation and motion are done together by the same one source- simply- the sun didn't cause to create any planet and for that the sun doesn't cause any planet to move- this analysis shows logical base but left us with puzzles to know (by what rule the planet moves?) and (Why is the sun found in the solar system if it doesn't cause the planets motions?) these questions are answered in the paper abstract and discussions.  

(iii)

The mass gravity force can NOT cause any motion- again Newton is wrong- the mass gravity creates a bond between two masses- (the Earth and the moon are bond by the mass gravity)- by that they are similar to a lorry and its trailer – if the lorry moves the trailer will move with the lorry- but the mass gravity can NOT cause any motion- why? suppose the moon moves by the Erath gravity force- the moon moves and produces energy (1/2mv^2) and we have to ask from what source this energy will be provided?- from the mass itself- means if the Earth causes the moon to move the Earth and the moon masses should be decreased by the motion energy- this is a wrong definition for the mass gravity- the mass gravity creates a bond between two masses (The Earth and the moon) if some outer force causes the Earth to move the moon will move with the Earth and in this case the outer force will provide the motion energy for the Earth and the moon-

(iv)

The planets order contradicts Newton gravitation equation- where- the gravitation equation tells (greater mass necessitates shorter distance)- clearly- Jupiter the greatest mass is not the most near planet to the sun- means- the planets order contradicts the equation- when we asked the physicist told us this problem is done by (the initial conditions)- all these are nonsense clearly- planet orbital distance does NOT depend on the sun mass nor on the planet mass- planet orbital distance depends on the neighbor planet orbital distance – my equation proves this fact- let's see it

Planet orbital distance equation (my 1st equation)

d^2= 4do (d-do) where d= planet orbital distance and do= its neighbor distance

Example (1) Venus orbital distance (108.2)^2 = 4 x 57.9 x (50.3)                             

d= 108.2 million km = Venus Orbital Distance

d0= 57.9 million km  = Mercury Orbital Distance

50.3million km=The Distance Between Venus And Mercury  Venus Depends On Mercury

Example (2) Saturn orbital distance (1433)^2= 4 x 778.6 x 655

d= 1433 million km    = Saturn Orbital Distance

d0= 778.6 million km  = Jupiter Orbital Distance

655million km=The Distance Between Saturn And Jupiter Saturn Depends On Jupiter

All planets orbital distances are defined based on their previous neighbor planets orbital distances- the equation is correct perfectly and all planets orbital distances are defined by it- my paper tests and discusses this equation

Shortly- planet mass has no any effect on this planet orbital distance definition.

Notice

Planet orbital distance definition depends on its neighbor orbital distance this fact is proved by many other different methods my equation is one method only of them, all these methods don't use any planet mass- all planets orbits are defined based on their neighbor orbits- (Please note- Newton gravitation equation is wrong- I don't critic it by many critics to short the discussion- but- the fact is that- the light beam created all planets orbits before any planet creation- the light created each planet orbit depends on its neighbor orbit- I prove this fact in the paper discussion- logically this fact kills the gravitation equation because the orbit is created before the planet creation)  

Notice -Newton is so far from the truth- let's give one more example- Newton told us planet moves by the sun mass gravity- the fact is that- the Sun itself is created by the planets motions energies- that's why Newton ideas are not interesting for discussion because his ideas are imaginary have no part of truth-

(v)

Also-Newton told-planet motion depends on its mass- means-planet velocity depends on its mass- this also is imaginary idea- I define planet velocity in the paper abstract- planet velocity is defined by many rules all of them don't use any planet mass- at all Planet mass has no rule in this planet velocity definition.

Fifth Critic       Newton Is Wrong (No Planet Moves By The Sun Gravity)

This critic is written in the previous one (Fourth Critic)

Sixth Critic      Newton Is Wrong (Mass Gravity Can NOT Cause Any Motion)

Also this critic is written in the previous one (Fourth Critic)

Seventh Critic The physics book is wrong (The Gravitational Waves Are Produced By The Planets Motions Energies)

(1)

Planet Motion Energy Analysis - Let's remember planet motion energy analysis

Planet motion produces energy (1/2 mv^2), where's Planet motion energy? the planet can NOT store its motion energy inside its body because it would raise its temperature and No planet temperature is raised by its motion- logically- the planet motion energy is stored in the space in waves form- means- Planet motion energy creates waves in the space- the planet motion in the space is similar to a fish swimming in the sea- as the fish swimming creates waves in the water the planet motion energy creates waves in the space- let's see this picture clearly- the fish swims because it hits the water by its body and that creates waves in the water- we conclude, the water waves move by a velocity equal the fish velocity because of the reaction force- similar to that- Planet moves in the space and its motion energy creates waves in the space and these waves move by velocity equal the planet velocity- for example- Mercury (47.4 km/s) moves and its motion energy creates waves in the space and these waves move by equal velocity (47.4 km/s)- based on this idea- All planets move and their motions energies create waves in the space where each wave moves by velocity equal its planet velocity

(2)

These Waves Are The Gravitational Waves (My Hypothesis)

Means- the waves are produced by the planets motions energies- these waves are the gravitational waves- it's my paper hypothesis- the gravitational waves are not produced by the gravitational field (moreover the sun doesn't produce a gravitational field) instead the gravitational waves are produced by the planets motions energies 

AND

The planets revolve around the sun in the same one direction and for that their motions energies create waves in the space and these waves move perpendicular on the revolution direction (Toward Pluto orbit)

AND 

In Pluto orbit these waves are unified together into one unified wave- this wave moves by a velocity = 205.8 km/s why? The 9 planets velocities total=176 km/s but I add the Earth moon velocity (29.8 km/s) that makes the total to be 205.8 km/s – I add the moon velocity because the energy is stored finally in the moon orbit-

Note- The moon and the Earth revolve around the sun together for that the moon velocity is considered equal the Earth velocity relative to (the sun) –

The Conclusion

The Planet Motion Energy Creates Waves In The Space

Means - The Space Must Have Moving Waves  -

Now -the scientists had discovered waves in the space- And- they considered these waves are produced by The Sun Gravitational Field – BUT Why?

The planet motion energy analysis proves the waves must be produced by the planets motions energies- and I have refuted the sun gravitational field theory- by that- the gravitational waves must be produced by the planets motions energies

(3)

These Waves Reflections Effect and Proves

The paper proves that, the gravitational waves are reflected in the solar system three times and these reflections cause effects on the planets data and motion- the first branch hypothesis provides powerful proves for this fact which proves the gravitational waves are produced by the planets motions energies and not by any gravitational field (even if found)

Eighth  Critic  The Sun Is Not Doing Nuclear Fusion To Produce Its Rays

This Is Extraordinary: Gravity Can Create Light, All on Its Own

https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83

This new article tells the gravitational waves can move by speed of light and can produce a light beam- I claim the sun rays are produced based on this method by the gravitational waves motions and not by the sun nuclear fusion process- Means- the sun is not doing nuclear fusion to produce its rays- this is the paper main hypothesis – also I claim no star rays is created by any nuclear fusion process- but all stars rays are created by the gravitational waves motions as our sun

The paper all discussions and proves prove this hypothesis basically 

Ninth Critic   The Big Bang Theory is Wrong (Planet Diameter Is Created Based On A Mathematical Equation- No Random Creation)

The big bang theory tells- Planet is created by random process- and we asked (what does mean "By Random Process"?) the theory tells

Jupiter– for example- is created by random process-means- Jupiter diameter and mass are created with some unknown values for us- and during the history Jupiter is collided many times and these collisions changed Jupiter diameter and mass-

As a result the current value of Jupiter diameter (142984 km) is a value found by random because of the historical events   

Based on these ideas- the planets diameters are found without any rule or geometrical reason- means

While we know all planets diameters correctly- the astronomer couldn't use these diameters to discover the geometrical rule behind these diameters creation- the theory told No geometrical rule or reason-simply–Just Random process- the theory is wrong-      

In following I provide my planet diameter equation to prove planet diameter is created based on a mathematical equation and a geometrical reason

My Planet Diameter Equation (v1/v2)= (s/r)= I

v = Planet Velocity                          

r = Planet Diameter

I= Planet Orbital Inclination   

s= Planet Rotation Periods Number In Its Orbital Period

v2, s, r and I are belonged to one planet and v1 is belonged to another planet

The planet (v1) is defined by test the minimum error 

Earth Equation uses Neptune velocity                        

Mars Equation uses Pluto velocity

Jupiter Equation uses the Earth moon velocity      

Saturn Equation uses Mars velocity

Uranus Equation uses Neptune velocity (As Earth)

Neptune Equation uses Saturn velocity

Pluto Equation uses the Earth moon velocity (As Jupiter)

Example  Neptune Equation (89143 /49528) = 9.7/ 5.4 =1.8                  

89143                   = Neptune rotation periods number in Neptune orbital period

49528 km   = Neptune diameter            

9.7 km/s = Saturn velocity and

5.4 km/s      = Neptune velocity             

1.8 degrees= Neptune Orbital Inclination

59800 days = Neptune orbital period (and Neptune rotation period =16.1 hours)

The Equation Concept (A Summary) Planet diameter should be a function in its orbital distance –otherwise- this planet would be broken by its motion- BUT- the designer can't create a function has only 2 variables (Planet diameter and its orbital distance)- because– If this planet changes its orbital distance its diameter would be broken also because the diameter is a direct function in the orbital distance without any other variables -As A Result- the designer created planet diameter as a function in this planet rotation period and the planet rotation period is created as a function in this planet velocity and the planet velocity is created as a function in this planet orbital distance- by that- the function between Planet diameter and its orbital distance is created but also it contains many variables (rotation period, orbital period and velocity)- by that- if  the Planet changes its orbital distance- this planet orbital period, and velocity and rotation period would be changed but its diameter will be saved

NOTICE

The big bang theory is wrong in principle because it supposes the changes in the planet diameter (or mass) doesn't change this planet motion-

this is the main problem behind- and to see the picture more clear- let's give example

The physics book has theory explains the Earth motion- Now- the Earth diameter is 12756 km and we have to ask (if the Earth diameter be 18000 km) what are the changes in the Earth motion would be happened?

Generally- Nothing would be happened because the theory doesn't take into account the Earth diameter at all – means (whatsoever the Earth diameter be the theory will be the same) that explains the big bang wring ideas are not limited to the big bang theory but it extends in the physicist ideas and theories-

Tenth  Critic   Newton is wrong (Planet Motion Does Not Depend On Its Mass)

Planet velocity analysis shows planet velocity is defined by many rules No one of them is related to this planet mass- at all Planet mass is not mentioned in this planet velocity definition proves the mass has no any role in Planet velocity definition– please read Planet velocity definition in point no. (**) 

Eleventh Critic Einstein is wrong (The Original Speed Of Light Is 1.16 Million Km Per Second)

The solar system is created from one light beam energy- means- the solar planets matters and their distances are created from one energy and this one energy is provided by one light beam and this light beam moves by speed = 1.16 million km per second

The light (its speed 1.16 million km per second) built the solar system starting from Mercury orbit toward Pluto orbit- the light created the planets orbits before any planet creation- means- all orbits are created before any planet creation- the orbits are created based on each another (this fact is proved by my equation for planet orbital distance) after the light created all orbits and reach to Pluto orbit- the light energy is consumed in the space creation- and the rest energy is found in one light beam its speed is (300000 km/s = the known speed of light)- we understand this is one light beam its speed was 1.16 million km per second before the space creation (In Mercury Orbit) and its speed becomes 300000 km/s after the space creation (in Pluto orbit) as result for the energy consumption in the space creation- 

In Pluto orbit - the light could Not move any further to build any more orbits because any additional space creation will consume more energy and that will decrease the light speed to be less than 300000 km/s (the known speed of light) – and – No known light moves by speed less than 300000 km/s – means- the light had no energy to move any further after Pluto orbit- for that- the light returns to its origin point (Mercury orbit) for that the light is reflected with speed (300000 km/s) from Pluto orbit to Mercury orbit passing through the built orbits– no energy is required in this motion for that the light beam moves with speed of light (300000 km/s) till Mercury orbit.

The paper provides many powerful proves for this fact- here I refer to 3 proves only

(1st Proof)

Planet Velocity Analysis proves the speed 1.16 million km per second

Data

322 = 47.4 km/s (Mercury velocities)  x 6.8 km/s  (Uranus velocities)                         

322 = 35 km/s  (Venus velocity)       x 4.7 km/s (Pluto velocity) x 2                     

322 = 29.8 km/s (the Earth velocity)          x 5.4 km/s (Neptune velocities) x 2  

322 = 24.1 km/s (Mars velocity)       x 13.1 km/s (Jupiter velocity)                        

322 = (17.9 km/s)^2 (Ceres velocity)                               (Max error 2%)

Discussion

This is one rule used to define planet velocity- we know this rule (v1v2 = constant =322) – other rules are discussed in planet velocity definition- here we ask only

Why the constant is 322?? Because 1160000 seconds = 3600 x 322 hours

Means- the light moves 1.16 million km but we see it as 1160000 seconds and based on this period the constant 322 hours is defined and based on this constant the planets velocities are defined- means- the planets velocities are defined as functions in the speed 1.16 million km per second

(2nd Proof)

The planets orbital circumferences total is defined by light speed 1.16 million km per second- let's prove that 

100733 million km = 86400 seconds x 1160000 km/s

100733 million km = The Planets Orbital Circumferences Total

86400 seconds       = The solar day

Means- light its speed 1.16 million km per second passes in a solar day a distance = 100733 million km = The Planets Orbital Circumferences Total

The planets data analysis proves that the solar day is the major period of time in the solar system- that because- all planets orbits are defined based on it- the paper proves this fact strongly

(3rd Proof)

The planets orbits and orbital distances are created from the energy of the light beam its speed is 1.16 million km per second- for that- this speed is registered in the distances data – let's prove that in following

Example

778.6 million km (Jupiter orbital distance) = 1160000 km/s x 671 seconds

721 million km (Jupiter Mercury distance) = 1160000 km/s x 629 seconds

Where

671 million km = Jupiter Venus Distance

629 million km = Jupiter Earth Distance

This example tells that

The light (its speed 1.16 million km per second) created the distances based on each other- means

The light uses 671 million km (Jupiter Venus Distance) as a period of time 671 seconds to pass the distance 778.6 million km (Jupiter Orbital Distance)   

Also -the light uses 629 million km (Jupiter Earth Distance) as a period of time 629 seconds to pass the distance 721 million km (Jupiter Mercury Distance)   

By this method the light (1.16 million km per second) creates the distances based on each other- the previous data is example for so many other distances let's see them in following

(778.6 / 671)= (721/629) = (629/551)= (2x551/940)= (4900/4188) = (5906/5127)= (5127/4437) = (4345/3717)= 1.16

Where

778.6 million km = Jupiter Orbital Distance 

721 million km    = Jupiter Mercury Distance 

671 million km    = Jupiter Venus Distance 

629 million km    = Jupiter Earth Distance 

551 million km    = Jupiter Mars Distance 

940 million km    = Earth Orbital Circumference

4188 million km  = 2 x 2094  million km (Jupiter Uranus Distance)

4900 million km  = Jupiter Orbital Circumference

5906 million km  = Pluto Orbital Distance

5127 million km  = Pluto Jupiter Distance

4437 million km  = Mercury Neptune Distance

4345 million km  = The Earth Neptune Distance

3717 million km  = Jupiter Neptune Distance

The paper provides so many other powerful proves for the speed 1.16 million km

Notice

 (1.16/0.3) x 2π = 24.3

The equation tells, because the solar system is created by light beam its speed 1.16million km per second with its other speed 300000 km/s

For that - the space is created in curved lines (2π) and the time is created based on the solar day (24 hours)- that explains why the planets orbital circumferences total depends on the solar day period

Twelfth Critic Giant- Impact Hypothesis is wrong (Mars Caused The Moon Creation)

Mars Is The Planet Caused The Earth Moon Creation

Let's prove that in following 

Mars Original Orbit Was Between Mercury And Venus with orbital distance = 84 million km

The order (Mercury– Mars – Venus – Earth) shows correct order in planets diameters, and orbital distances (and masses) 

BUT – Mars had migrated from its original orbit (between Mercury and Venus) to its current one (227.9 million km) and Mars had collided with Venus and then with the Earth in its migration motion – and Mars itself has caused the Earth moon creation.  

My Theory (Mars Migration Theory) answers many left questions by Giant-Impact Hypothesis – for example -

Why Does Venus Have No Moon?

Mars had migrated from its original orbit (between Mercury and Venus) – and moved to its current orbit (227.9 million km) – BUT- Mars had moved under force and push – and then Mars had collided with Venus –and Mars had pushed ALL DEBRIS with it in its Motion Direction because of its strong motion  

Venus had found No Debris around and for that Venus couldn't create its moon

But– the Earth gravity is greater than Venus' and the debris lost some of their momentum for that the Earth could attracted some debris and created its moon.

Mars has 2 moons and this fact supports my theory because Mars with small mass could attract two  moons because the debris were around it while Venus has greater mass but couldn't create its moon because the debris are moved with Mars motion.

The rest debris are attracted by Jupiter gravity and created the asteroid belt 

My paper provides many powerful proves for Mars Migration Theory

Thirteenth Critic Tidal Locking Theory Is Wrong 

The moon orbital period = the moon rotation period =27.3 days Not because of any tidal locking – this theory is wrong

The moon periods equality is found necessary to be used by Planet Diameter Equation

In fact- my planet diameter equation can work by depending on one planet its rotation period = its orbital period- this feature was Venus feature- means- in ancient Venus orbital period was equal Venus rotation period =243 solar days and my planet diameter equation depended on Venus to defines each planet diameter

But Neptune caused to create relativistic effects in the solar system- the relativistic effects caused to cerate Lorentz length contraction effect with the rate 7.1 and the solar system uses this rate by geometrical modification as (1+  7.1/100) = 1.0725  

Shortly- Venus orbital period (as many other planets data) is effected by the rate 1.0725 and so Venus orbital period is decreased from 243 days to be 224.7 days

Because Venus orbital period (224.7 days) becomes different from Venus rotation period (243 days) that caused great problem for planet diameter equation and put all planets diameters in serious risk –

For that-Venus created an effect on the Moon motion and caused the moon rotation period to be equal the moon orbital period =27.3days and by that my planet diameter equation can work normally again by using the moon motion in place of Venus motion

Shortly –No tidal locking is used to make the moon rotation period to be = the moon orbital period

Fourteenth Critic Lorentz Transformation Are Correct

Lorentz transportation tells us

If a particle moves by high speed motion (near to speed of light), this particle length would be contracted and its mass would be increased and its time would be dilated

BUT -

Many physics Books tell the following

(NO Real Change Is Done For Any Particle Data Moves By High Speed Motion But All Changes Are Illusions Of Measurements)- means-

While a particle is moving by high speed motion and the experiments results show contraction in its length and increasing in its mass and dilation in its time – these changes in measurements are just illusions and the particle itself has no change in any data

Tenth of books tell this meaning clearly and with confirmation and the physicist killed Lorentz work and made Lorentz transformation measures illusions and not facts- regardless the empirical proves-

I stand in front of the books and can't realize what's happening –I refuse these books idea because

The Physics Is The Measurements Science And What's Measured Is The Fact

If no real changes are done how the problem of Michelson and Morelly experiment is solved?- also- we can't understand why the synchronous events in one frame can't be synchronous in another (as Einstein stated) where no change is found for any data- the distances are Not contracted nor the time is dilated nor the mass is increased why the events can NOT be synchronous in any frame?  

If the particle own data are measured correctly while it moves by my motion velocity and these measurements are suffered from illusions because the particle moves by high velocity motion relative to my motion velocity that means (I'm the universe reference point)

We notice- Lorentz length contraction equation can't distinguish between particle length and a distance, both can be contracted by the same one equation- that supports my theory tells (Matter And Space Are Created From The Same Energy)– If the space is similar to the sea of water the matter will be similar to a whirlpool (or vortex) on the sea page- both matter and space are created from the same one energy- that gives chance to change the matter dimensions by its motion

My planet diameter equation proves Planet diameter is created depending on its velocity- means- for example– Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s- this fact is proved by my Equation strongly - that tells the motion has effect on the matter dimensions and data definition which supports the same meaning of Lorentz transformation.

In fact- my planet diameter equation is the main motive behind this fighting because the equation proves strongly Planet diameter is created based on its velocity- the velocity is defined before creation- the problem here is in the definition of matter- the wrong definition of matter caused this problem while my planet diameter equation proves that the planet diameter is defined based on its velocity

Please read the paper definitions which change the matter definition and prove the matter data is created depending on its motion

Fifteenth Critic Newton Is Wrong (The Gravitation Equation Is Wrong)

What's the first mistake in the physics book? (The Gravitation Equation)

The main problem here is that – the gravitation equation contradicts the planets order- the equation tells (more mass necessitates Shorter distance) but the planets are ordered in opposite direction – for example- (Mercury- Venus – Earth) this order tells more mass necessitates Longer distance

The equation clearly contradicts the planets order-( Jupiter the greatest mass is not the first planet) 

But- the physicist doesn't see this problem and invented ideas to cover this contradiction- for that- the physicist told us (Planet Initial Condition Prevents The Planet To Follow The Gravitation Equation Rule)- that tells the gravitation equation lost all support from the planets data and even it contradicts the planets order but the physicist knows the secret of this contradiction and we should trust this contradiction is not real one

This was a sad day in the human history- because we needed ideas can explain the planets motions and data but the physicist ideas removed even the planets data which is the only facts we have- and the physicist gave us lies and imaginary pictures that was the starting of the errors occupied the physics book since long time

Now – let's ask – How does planet define its orbital distance? Planet defines its orbit based on its neighbor orbit (planet mass has no relationship)- let's see the proof

My Planet Orbital Distance Equation d^2=4 d0 (d- d0)

d = A Planet Orbital Distance AND d0= Its Direct Previous Neighbor Planet Orbital Distance

VENUS ORBIT                     (108.2)^2 = 4 x 57.9 x (50.3)                                       

d= 108.2 million km      = Venus Orbital Distance             

d0= 57.9 million km       =Mercury Orbital Distance

50.3 million km             = The Distance Between Venus And Mercury 

Venus Depends On Mercury

SATURN ORBIT                   (1433.5)^2 = 4 x 778.6 x (1433.5- 778.6)          

d= 1433.5 million km    =Saturn Orbital Distance    

d0= 778.6 million km     =Jupiter Orbital Distance

Saturn depends on Jupiter

URANUS ORBIT                  (2872.5)^2 = 4 x 1433.5 x (2872.5- 1433.5)                

d= 2872.5 million km     = Uranus Orbital Distance    

d0= 1433.5 million km  = Saturn Orbital Distance 

Uranus depends on Saturn

The Paper Tests My Equation With All Planets Orbital Distances And Discusses The Equation Concept-

Please Note- light created the space in orbits depending on each other before any planet creation- means- the planets orbits are created before any planet creation and by that planet mass has no relationship with its orbit definition-

In fact- the planets orbits are created by light motion and that is proved by different powerful planets data –my planet orbital distance equation is one method only and there are many other methods prove the orbits are created based on each other without any effect of any planet mass- shortly- the basic idea is wrong

The paper provides these different methods and proves the planets orbits are created by light motion before any planet creation

PAPER FIRST HYPOTHESIS

Paper first hypothesis

The gravitational waves are produced by the planets motions energies and not by the gravitational field (Moreover the sun is not producing a gravitational field) and

The gravitational waves are reflected three times in the solar system (from Pluto and Neptune to Saturn) and (From Uranus to Jupiter) and (from Venus to Mars) –

The gravitational waves reflection causes changes in the planets data- and these changes are repeated with each reflection- means- these changes are found by rules because it's repeated with each reflection clearly- that shows the planets use similar behaviors to create their data which proves one reason causes to create all this data

Also- the wave energy reflection causes to square the wave velocity – the velocity square is the most important feature of the energy reflection because it enables the waves to move by speed of light- that explains how the gravitational waves can move by speed of light in the solar system- the motion by speed of light is produced only by the wave energy reflection (and without the reflection this motion can't be done)     

Paper 1st hypothesis (The objective of the hypothesis)

I prove that the gravitational waves are produced by the planets motions energies and these waves are reflected in the solar system three time and the reflection of the wave energy causes to square the wave velocity (the velocity squaring is the important feature I prove in the paper because the light beam is reflected but its speed is NOT squared and that means the wave velocity squaring is feature of the space) and it's very important to prove the wave velocity is squared by the reflection because this process enables the waves to move by speed of light and that explains how the gravitational waves can move by speed of light – as this new article states

This Is Extraordinary: Gravity Can Create Light, All on Its Own

https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83

The article tells, the gravitational waves can move by speed of light and can produce a light beam- here I explain how the gravitational waves can move by speed of light (please note the article still believes the gravitational waves are produced by the gravitational field – I refuse this idea – the gravitational waves are produced by the planets motions energies but the article states that the gravitational waves can move by speed of light and can produce a light beam and I accept this idea and I explain and prove how the gravitational waves can move by speed of light) 

Paper 1st hypothesis Proof (The Proving Method)

I compare between the planets data in the three reflections of the wave- I put the planets data in comparison to each other for each reflection to prove the planets use similar behaviors to define their data and this similar behavior proves one force (or one reason) is found behind- and this one reason is the wave energy reflection which causes to create all this data –

The wave energy reflection effect on the solar system design (A Summary)

The reflections cause defined changes in the planets data – and

The most important change is (the wave velocity square) – and this velocity squaring is very important because it enable the gravitational waves to move by speed of light – the motion by speed of light is very effective on the solar system design because it defines the planets distribution between the sun and Pluto– this fact is explained in point no. (**) 

Paper 1st hypothesis Explanation and Proof Discussion

Paper 1st hypothesis Explanation and Proof Discussion

The explanation is discussed in two parts

1ST PART

I- Preface

II- The Comparison

III- The explanation of the wave energy reflection effect on the solar system design

2nd PART

The Gravitational Waves Reflection Detailed Discussion

(Paper 1st hypothesis Explanation) 1ST PART

I- Preface

(1)

Planet Motion Energy Analysis

Planet motion produces energy (1/2 mv^2), where's Planet motion energy? the planet can NOT store its motion energy inside its body because it would raise its temperature and No planet temperature is raised by its motion- logically- the planet motion energy is stored in the space in waves form- means- Planet motion energy creates waves in the space- the planet motion in the space is similar to a fish swimming in the sea- as the fish swimming creates waves in the water the planet motion energy creates waves in the space- let's see this picture clearly- the fish swims because it hits the water by its body and that creates waves in the water- we conclude, the water waves move by a velocity equal the fish velocity because of the reaction force- similar to that- Planet moves in the space and its motion energy creates waves in the space and these waves move by velocity equal the planet velocity- for example- Mercury (47.4 km/s) moves and its motion energy creates waves in the space and these waves move by equal velocity (47.4 km/s)- based on this idea- All planets move and their motions energies create waves in the space where each wave moves by velocity equal its planet velocity

(2)

These Waves Are The Gravitational Waves (My Hypothesis)

Mans- the waves are produced by the planets motions energies- these waves are the gravitational waves- it's my paper 1st hypothesis- the gravitational waves are not produced by the gravitational field (moreover the sun doesn't produce a gravitational field) instead the gravitational waves are produced by the planets motions energies 

AND

The planets revolve around the sun in the same one direction and for that their motions energies create waves in the space and these waves move perpendicular on the revolution direction (Toward Pluto orbit)

AND 

In Pluto orbit these waves are unified together into one unified wave- this wave moves by a velocity = 205.8 km/s why? The 9 planets velocities total=176 km/s but I add the Earth moon velocity (29.8 km/s) that makes the total to be 205.8 km/s – I add the moon velocity because the energy is stored finally in the moon orbit-

Note- The moon and the Earth revolve around the sun together for that the moon velocity is considered equal the Earth velocity relative to (the sun) –

The 1st Conclusion

The Planet Motion Energy Creates Waves In The Space

Means - The Space Must Have Moving Waves  -

Now -the scientists had discovered waves in the space- And- they considered these waves are produced by The Sun Gravitational Field – BUT Why?

The planet motion energy analysis proves the waves must be produced by the planets motions energies- Now let's refute the sun gravitational field theory- the refutation gives support for the conclusion – the gravitational waves are produced by the planets motions energies and NOT by the gravitational field because there's NO Gravitational field.

(3)

The Refutation Of The Sun Gravitational Field

The Sun Doesn't Produce A Gravitational Field Nor Has Massive Gravity – let's prove that in following

(i)

The sun rotation period is (25.4 days– at equator) and (34.4 days – at pole) that shows the sun has no massive gravity nor even ordinary gravity equal any planet gravity otherwise the sun would rotate around its axis in one period of time- 

(ii)

No Planet Moves By The Sun Gravity–Newton is wrong- because- the planet moves by the force caused its creation- means- the planet creation and motion is done by one force only- because- if two forces have effects on the same one planet this planet would be broken- now- suppose the planet is created (by any force) and the sun gravity attracted this planet and forced it to revolve around the sun by the sun mass massive gravity (as Newton imagined) that would force the planet to move against its inner structure and will cause this planet to be broken- this is similar to a human is forced to walk on his hands in place of his legs and when this human refuses to do that (they told him we can force you by our power) for that this human walk on his hands forcedly and later this human is dead by this motion- shortly- the planet is NOT broken by its motion because the planet creation force is the force causes this planet motion- it's one force caused the planet creation and motion-

Newton mistake is that he didn't know how the planet is created and by that he didn't realize that planet creation and motion are done together by the same one source- simply- the sun didn't cause to create any planet and for that the sun doesn't cause any planet to move- this analysis shows logical base but left us with puzzles to know (by what rule the planet moves?) and (Why is the sun found in the solar system if it doesn't cause the planets motions?) these questions are answered in the paper abstract and discussions.  

(iii)

The mass gravity force can NOT cause any motion- again Newton is wrong- the mass gravity creates a bond between two masses- (the Earth and the moon are bond by the mass gravity)- by that they are similar to a lorry and its trailer – if the lorry moves the trailer will move with the lorry- but the mass gravity can NOT cause any motion- why? suppose the moon moves by the Erath gravity force- the moon moves and produces energy (1/2mv^2) and we have to ask from what source this energy will be provided?- from the mass itself- means if the Earth causes the moon to move the Earth and the moon masses should be decreased by the motion energy- this is a wrong definition for the mass gravity- the mass gravity creates a bond between two masses (The Earth and the moon) if some outer force causes the Earth to move the moon will move with the Earth and in this case the outer force will provide the motion energy for the Earth and the moon-

(iv)

The planets order contradicts Newton gravitation equation- where- the gravitation equation tells (greater mass necessitates shorter distance)- clearly- Jupiter the greatest mass is not the most near planet to the sun- means- the planets order contradicts the equation- when we asked the physicist told us this problem is done by (the initial conditions)- all these are nonsense clearly- planet orbital distance does NOT depend on the sun mass nor on the planet mass- planet orbital distance depends on the neighbor planet orbital distance – my equation proves this fact- let's see it

Planet orbital distance equation (my 1st equation)

d^2= 4do (d-do) where d= planet orbital distance and do= its neighbor distance

Example (1) Venus orbital distance (108.2)^2 = 4 x 57.9 x (50.3)                             

d= 108.2 million km = Venus Orbital Distance

d0= 57.9 million km  = Mercury Orbital Distance

50.3million km=The Distance Between Venus And Mercury  Venus Depends On Mercury

Example (2) Saturn orbital distance (1433)^2= 4 x 778.6 x 655

d= 1433 million km    = Saturn Orbital Distance

d0= 778.6 million km  = Jupiter Orbital Distance

655million km=The Distance Between Saturn And Jupiter Saturn Depends On Jupiter

All planets orbital distances are defined based on their previous neighbor planets orbital distances- the equation is correct perfectly and all planets orbital distances are defined by it- my paper tests and discusses this equation

Shortly- planet mass has no any effect on this planet orbital distance definition.

Notice

Planet orbital distance definition depends on its neighbor orbital distance this fact is proved by many other different methods my equation is one method only of them, all these methods don't use any planet mass- all planets orbits are defined based on their neighbor orbits- (Please note- Newton gravitation equation is wrong- I don't critic it by many critics to short the discussion- but- the fact is that- the light beam created all planets orbits before any planet creation- the light created each planet orbit depends on its neighbor orbit- I prove this fact in the paper discussion- logically this fact kills the gravitation equation because the orbit is created before the planet creation)  

Notice -Newton is so far from the truth- let's give one more example- Newton told us planet moves by the sun mass gravity- the fact is that- the Sun itself is created by the planets motions energies- that's why Newton ideas are not interesting for discussion because his ideas are imaginary have no part of truth-

(v)

Also-Newton told-planet motion depends on its mass- means-planet velocity depends on its mass- this also is imaginary idea- I define planet velocity in the paper abstract- planet velocity is defined by many rules all of them don't use any planet mass- at all Planet mass has no rule in this planet velocity definition.

The 2nd Conclusion

The Gravitational Waves Are Produced By The Planets Motions Energies And Not By The Sun Gravitational Field- Also-There's No Gravitational Field At All

(4)

The Wave Reflection Trajectory

Let's remember what we know till now

(a)

Planet motion produces energy (1/2 mv^2) and this energy creates waves in the space and each wave moves by its planet velocity- these waves move toward Pluto (perpendicular on the revolution direction) and in Pluto orbit these waves are unified into one unified wave moves by velocity = the planets velocities total = 205.8 km/s  

Means- while the planets revolve around the sun in their orbits by their velocities- there's one unified wave revolves around the sun moving by 205.8 km/s and this unified wave revolves around The Sun In Pluto Orbit-this unified wave is The Gravitational Wave  

Now- this unified wave is reflected from Pluto to Venus orbit- Means- the unified wave is reflected and sent from Pluto to Neptune to the next planets till reach Venus 

The unified wave is reflected three times in the solar system

(from Pluto and Neptune to Saturn) and

(from Uranus and Jupiter) and

(from Venus to Mars)

With each reflection of the wave defined changes are done for the planets data

But let's refer to the general design behind these three reflections in following

(b)

We remember this new article

This Is Extraordinary: Gravity Can Create Light, All on Its Own

https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83

The article tells, the gravitational waves can move by speed of light and can produce a light beam-

My hypothesis tells (the reflection of energy causes to square the wave velocity)

Let's put the ideas beside one another to see the general design

The gravitational waves can move by speed of light AND can produce a light beam – How?? if the motion is done by speed of light (C=300000 km/s) how can this motion produce a light beam? Because the light beam is produced from the value (C^2 = squared speed of light) – here we see the energy reflection effect- the wave moves by speed of light and when this wave is reflected its velocity is squared and produced the value (C^2 = squared speed of light) from which the light beam is created-

Means

The machine needs one reflection to change the speed from (speed of light C=30000 km/s to the value C^2 =squared speed of light) and by that the light beam is created

Now – let's ask -

How can the wave moves by speed of light?

We remember- the one unified wave (the gravitational wave) moves in Pluto orbit with velocity 205.8 km/s – how can this gravitational wave moves by speed of light? 

By another reflection of energy – let's see that in following

300000 km/s = (205.8 km/s)^2 x 7.1

This equation tells

The unified wave (the gravitational wave) moves by 205.8 km/s and it's reflected, the waves reflection causes to square the velocities

(205.8 km/s)^2 = 42683 km/s

Means the gravitational wave after the reflection moves by a velocity 42683 km/s

BUT

If a particle moves by speed (=0.99 C=297000 km/s), this high velocity motion causes to create relativistic effects specially Lorentz length contraction effect with rate 7.1

Means- the distances should be contracted by the rate 7.1

BUT

The waves reflection causes to reflect the geometrical effects and by that the rate (7.1) will cause to increase the length in place of the length contraction- means- the distances will be increased with (7.1) as a result for Lorentz length contraction effect

The velocity 42683 km/s will be 42683 x 7.1 = 300000 km/s (Speed Of Light) 

That explains how the gravitational waves move by (205.8 k/s) can move by speed of light (C=300000 km/s)

Here we see clearly that

The machine needs one energy reflection only to accelerate the wave velocity from 205.8 km/s to move by speed of light (C=300000 km/s)

And

The machine needs one more reflection only to change the wave speed from the speed of light (C=300000 km/s) to (C^2 =squared speed of light) by which the light beam is created

Shortly -the machine needs only two reflections of energy to produce the light beam from the gravitational waves motions

Now – let's ask– Why Are There Three Reflections Of Energy In The Solar System? If The Machine Needs Just Two Reflections Why The Machine Uses Three Reflections? 

Because of Neptune negative effect on the solar system motion- Neptune caused to repeat the energy reflection and by that the solar system uses 2 reflections in the outer planets and one reflection in the inner planets- this result is done by Neptune negative effect on the solar system motion – as explained in details in the third hypothesis.   

(c)

Please note- the two reflections in the outer planets are done to produce a result of one reflection only and for that the two reflections are complementary one another as we will discuss- shortly- we can say there's one unified reflection of the wave in the outer planets and one single reflection of the wave in the inner planets because the two reflections in the outer planets are complementary each other and produce a result of one reflection only – spite of that- the planets data prove clearly there are three reflections in the solar system- means- while the wave reflections are three they do effect of two reflections only – as we will discuss in details in following

(5)

 The Wave Acceleration Process

Now we know the unified wave velocity is 205.8 km/s and this wave is accelerated to move by speed of light (C=300000 km/s) by one reflection and then this wave moves by speed of light is accelerated one more time to produce the value (C^2= squared speed of light)  by another reflection   

But where's this happened? In which planets orbits this is happened?

Shortly

The wave moves by 205.8 km/s in the orbits of Planets (Pluto – Neptune and Uranus) and

The wave velocity is accelerated to move by speed of light in Saturn orbit

Means- Starting from Saturn orbit the unified wave moves by speed of light – the wave speed is speed of light in all orbits from Saturn to Venus

And

Venus reflected the wave to Mars and that causes to accelerate the wave velocity from the speed of light (C=300000 km/s) to (C^2= squared speed of light)- in the moon orbit between Venus and Mars    

(6)

 Planet Definition 

(A)

The physics book defines the planet as (Planet is solid body created independently from the space and the other planets)–if so- how can the gravitational waves reflection have effects on the planets data??

My definition for the planet is

Planet is a geometrical point carried on the moving energy (or Planet is a geometrical point found on a light beam) – let's explain this definition in following

The matter and space both are created from the same one energy- means

The planets matters and their distances both are created from the same one energy- the matter and space move depending on the motion of this energy from which they are created-means- the matter isn't moving by the mass gravity – Newton is wrong- the matter moves by the motion of the energy from which the matter is created- 

Based on this idea

The space is similar to the sea of water- and the matter is similar to a whirlpool (vortex) is found on the sea page- the matter creates for itself a geometrical frame (a distinguished form from the space) and moves by a different velocity from the space motion- as the whirlpool (vortex) on the sea page- it's created by the sea water but it has a distinguish form from the sea waves and it moves by a different velocity from the sea waves- this explanation shows how the moving energy can effect on the matter creation data- for example- we have a whirlpool (vortex) its diameter is 2 meters how is this whirlpool created? and why does its diameter equal = 2 meters? The diameter is created as a result for the water motion velocity, pressure, amount and motion angle and many other features of (the moving water)- the moving water creates this whirlpool with diameter 2 meters and as long as the water motion is not changed this diameter will not be changed also-   

Let's give another example

The energy motion is similar to the blood motion in a creature body- suppose- we examine now a liver of human - the blood motion causes this liver to work perfectly but if the blood motion is changed that would cause changes for the liver cells and job – suppose the blood have some poison the liver will be dead- suppose the pressure is raised- I want to say- the liver is a piece of body (matter) but it depends on the blood motion and this blood motion defines this liver dimensions and data- 

Shortly–the matter is similar to a muscle in a creature- the muscle may be so strong as a rock but it depends on the blood motion (similar to that the matter is found depending on the motion of energy from which this matter is created)

That explains how the gravitational waves reflection have effects on the planets data- still the planet is a solid body and the wave is a wave- the wave can be reflected but the solid body can NOT be reflected spite of that the planets data is reflected one another because the reflected waves have effects on the moving energy by which this planet (solid body) is created-

(B)

We should see the depth of this new definition-

The definition tells us

The matter (planet) is created by energy and the matter moves with this energy- means- this energy is the mother of this matter- this energy created the matter and caused this matter motion-BUT- this definition tells- the matter motion is defined before the matter creation- means- Planet motion is defined before this planet creation- How can that be possible? Because –

The energy is found alone in motion (the sea water was in motion) and the energy created the matter and this matter dimensions and data is defined based on the energy motion features (as discussed before- the whirlpool "vortex" is created with diameter 2 meters and this diameter is defined by the water motion features "velocity- pressure- angle- amount …etc") by that the matter dimensions are defined by the mother energy motion features - AND after the matter creation, the matter moves with the mother energy- by that- the created matter moves the same motion based on which this matter dimensions and data is defined- that explains how the planet motion is defined before the planet creation-

This fact is proved by my planet diameter equation because it proves strongly that the planet diameter is created based on its velocity- means- the equation proves – for example – Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s and Neptune velocity is defined before Neptune diameter- let's remember this equation

My Planet Diameter Equation (v1/v2)= (s/r)= I

v = Planet Velocity                                                       

r = Planet Diameter

s= Planet Rotation Periods Number In Its Orbital Period

I= Planet Orbital Inclination        (example, 1.8 degrees be produced as a rate 1.8)

v2, s, r and I are belonged to one planet and v1 is belonged to another planet

The planet (v1) is defined by test the minimum error 

Earth Equation uses Neptune velocity

Mars Equation uses Pluto velocity

Jupiter Equation uses the Earth moon velocity

Saturn Equation uses Mars velocity

Uranus Equation uses Neptune velocity (As Earth)

Neptune Equation uses Saturn velocity

Pluto Equation uses the Earth moon velocity (As Jupiter)

Example    

Neptune Equation (89143 /49528) = 9.7/ 5.4 =1.8               

89143                   = Neptune rotation periods number in Neptune orbital period

49528 km   = Neptune diameter

9.7 km/s      = Saturn velocity

5.4 km/s      = Neptune velocity

59800 days = Neptune orbital period (and Neptune rotation period =16.1 hours)

1.8 degrees = Neptune Orbital Inclination

The Equation Concept (A Summary)

Planet diameter should be a function in its orbital distance –otherwise- this planet would be broken by its motion- BUT- the designer can't create a function has only 2 variables (Planet diameter and its orbital distance)- because– If this planet changes its orbital distance its diameter would be broken also because the diameter is a direct function in the orbital distance without any other variables -As A Result  

The designer created the planet diameter as a function in this planet rotation period and the planet rotation period is created as a function in this planet velocity and the planet velocity is created as a function in this planet orbital distance- by that- the function Planet diameter and its orbital distance is created but also it contains many variables (rotation period, orbital period and velocity)- by that- if a Planet changes its orbital distance- this planet orbital period, and velocity and rotation period would be changed but its diameter will be saved-

(C)

The previous explanation helps us to see how the planet is created- also we remember Kepler rule (Planet Orbit Defines Its Velocity)  

The orbit is created at first and the orbit defines the motion velocity and the planet diameter is created based on this velocity –means- the space is created before the matter creation- Shortly- The planet orbit is created (from the mother energy) before this planet creation and the planet is created later (by this energy motion features) and the planet data is defined based on this motion features and the planet moves after Creation with this mother energy motion- and– in case any planet after creation changes its orbit the planet motion data be changed but its creation data is saved- we should note that the space must be created based on a geometrical design-means- the solar system space (all orbits) is designed based on one geometrical design before any planet creation

(D)

The planet is a geometrical point on the mother energy and moves with it –Or

The planet is a geometrical point on the same light beam and moves with it

That tells

The solar planets are geometrical points found on the same one light beam and move with this light beam motion

By that- the planets are similar to carriages in one train –and the light beam (the mother energy) is the engine of this train- the light moves and causes all planets motions  (as the sea water moves and causes all ships motions)

Here we conclude that the planets motions are similar to the chess board motions because it depends on geometrical rules in all details- that's why the analysis is so useful because it can show the geometrical design found by the planets motions integration.

(E)

The planet definition answers the question

If The Gravitational Waves Are Reflected Why This Reflection Have Effects On The Planets Data?

Because the waves reflection causes to define the energy motion direction and by that the planets data is changed and effected by the moving energy through these planets-

The effects on the planets data is very useful because it proves the reflection is a fact as we discussed later

(7)

 The Energy Distribution In The Solar System

Now we know

The unified wave (the gravitational wave) moves by 205.8 km/s in the orbits of Pluto, Neptune and Uranus and

The unified wave motion is accelerated to move by speed of light (C=300000 km/s) in all planets orbits Starting from Saturn to Venus

And Venus reflected the wave to Mars and by that the speed of light is squared to produce (C^2= squared speed of light) by which the light beam is created  

Can The Wave Different Speeds Have Effect On The Solar System Design? YES

The three planets (Pluto, Neptune and Uranus) have great areas because the wave velocity is 205.8 km/s means massive amounts of energy is stored in these orbits as waves move by 205.8 km/s-

But

Starting from Saturn orbit the wave moves by speed of light (C=300000 km/s) that doesn't need great areas because the energy is found in waves move by speed of light that explains why the planets orbits be small orbits (from Saturn to Venus) and even the inner planets have very small orbits because the energy is not stored in the inner planets orbits but the energy is used directly to produce the sun rays- that shows the planets distribution between the Sun and Pluto is related to the wave velocity changes

(8)

 Planet Motion Definition

Let's ask

This Is Extraordinary: Gravity Can Create Light, All on Its Own

https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83

The article tells, the gravitational waves can move by speed of light and can produce a light beam- now we ask- if the gravitational waves move by speed of light- why is it necessary the gravitational waves move by speed of light relative to the sun point of Space? Or let's ask this question by another method

Pluto velocity is 4.7 km/s relative to what? relative to the sun

All Motions In The Solar System Are Done Relative To The Sun – let's explain why

Let's remember how the sun point is created

We understand the space is similar to the sea of water and it's in continuous motion and NO stationary point can be found in it- the sun point of space should be a stationary point- for that the sun point of space creation needed specific procedure 

The planets were found before the sun creation and the planets revolve around a point in space (any point in space) the revolution creates two velocities on both sides of the revolution- the two velocities are equal in value opposite in direction- the total be Zero- means- the revolution motion creates a stationary point in the revolution center-

By that the sun point of space is created as a stationary point- and the sun point is the only stationary point in the solar system- for that all motions are done relative to the sun point of space- but let's ask

What does mean Pluto velocity is 4.7 km/s? it means – the sun point of space is a stationary point and its velocity is 1 km/s (Zero approximately)- and that means- the space around the sun has waves move by velocity 1 km/s while Pluto velocity is 4.7 km/s and that means the space around Pluto has waves move by 4.7 km/s  and by Pluto motion the waves around the sun moves by 4.7 km/s because of Pluto motion effect

Shortly- the sun is the stationary point in the solar system and all motions are done relative to the sun because it's the minimum velocity in the solar system.

II- The Comparison

The gravitational waves are reflected in the solar system three times

(From Neptune to Saturn) This Is The First Reflection

(From Uranus to Jupiter) This Is The Second Reflection

(From Venus to Mars) This Is The Third Reflection

Here we compare among the data of these planets- the comparison provides 7 groups of data in each group we compare the planets data because I want to prove that the planets use similar behaviors to produce their data – means- this all data is created based on geometrical rules which proves that there's one reason caused to create all this data and this reason is the gravitational waves reflection- In the comparison I start by Venus reflection (the 3rd one) then Uranus reflection (the 2nd one) and Neptune reflection (1st one) because Venus is very simple data and can be understood easily-

The Data Changes

 The gravitational waves reflection causes basic changes in the planets data let's refer to these changes in following

What's used as (A) before the reflection will be used as (1/A) after the reflection.

What's used as (a distance) before the reflection will be used as (a period of time) after the reflection

The velocities be squared –the rate (v1/v2) before reflection will be (v1/v2)^2 after the reflection.

The energy direction is changed by the reflection

The players of the rates of time are reflected also –

Notice – the gravitational waves reflection needs three planets –as we have discussed- the 1st reflection (from Neptune to Saturn) and between them Uranus – also the 2nd reflection (from Uranus to Jupiter) and between them Saturn–  and also the 3rd reflection (from Venus to Mars) and between them The Earth– that shows three planets are used in each reflection- the middle planet is effected also by the wave reflection as we will see in the data discussion – shortly – No reflection can be done by two neighbors planets - 

These changes are done with each reflection for the gravitational waves- the planets data proves this fact as we will see in the comparison of the data and the detailed analysis for the wave reflection (CONT)

Gerges Francis Tawdrous +201022532292

Physics Department-  Physics & Mathematics  Faculty 

Peoples' Friendship university of Russia – Moscow   (2010-2013)

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[i-am-church-the-cat]

you want 917 words on clones and Logan Sargeant? yes you do, keep reading

--

Athletes are freaks of nature. Not everyone can be an athlete, even if they have the drive, passion, and opportunity. You can be too tall for a sport, too short, you shoulders could be too wide, your legs too long. There are a hundred and one genetic variations that can keep someone in competing professionally within the rules of athletics.

So why waste your time on chance? Why put all that money and time in if you can't be completely sure that it's going to be worth it? Wouldn't it be easier to just remove the unknown variable altogether? That way we can truly test how far the human body is able to go.

But when does it stop being human? When you can hand-select the color of a baby's eyes? When you pump the fetus full of drugs? How about when you grow it in a lab? Is it still human then?

Logan Hunter Sargeant was made for fighting. Sargeant Trading payed billions of dollars to create the perfect All-American soldier, the kind you'd find on posters. He was bred for speed, for strength, for durability. He was programmed to follow orders even if it limited his ability to think strategically. Logan was made to be the perfect weapon for the U.S. Government, and in exchange, gain Sargeant Trading back a hundred-fold what they shelled out for him.

But something when wrong in that lab, is what Logan's been told. That while the scientists could make his body perfect for fighting, they couldn't make Logan a perfect fighter. Because the problem with clones, at the end of the day, is that they're still fucking people. And people have feelings.

Weapons aren't supposed to have feelings.

So Logan was a failure. Is a failure, as his uncle likes to remind him. No, not his uncle, Harry Sargeant III has no relation to Logan, whose DNA was cultivated from a variety of donors. Just because Daniel Sargeant took a failed experiment in and raised him alongside his own son, doesn't mean Logan is a Sargeant where it matters.

But what does a weapon that isn't capable of being a weapon supposed to do? Logan can't escape the urge to push his body to its limits, can't ignore the pull towards things that get his adrenaline pumping. His body craves the thrill like an addict, not because of any choices that he made, but because his creators put him together that way.

Racing is the only thing he's ever done that soothed that itch. That kept him from unleashing all his pent up energy as violent outbursts that made him hate himself and scared of his own body. Being in a plane, in a boat, in a four-wheel kart spinning around the edges of a racetrack kept all his atoms soundly inside his body.

Logan couldn't be a soldier, but his body was made for being pushed to his limits. Racing was the only thing that met his threshold for physical activity. Unlike the other kids who had to train their bodies for the pull of gravity, Logan's body was made for it.

Sometimes it felt a little too perfect. Like someone had messed up and made him a racing clone instead of a fighting one. And other times - usually when he was slamming into some barriers and getting the wind knocked out of him - he knew it was all just a happy accident.

The FIA doesn't have any rules restricting clones from competing. Logan's pretty sure that's because no one really knows they exist. They're something from science fiction, maybe some abstract future concept, not a fledgling industry for the rich and ethically defunct. Logan can't imagine ever telling anyone what he is. The thought that someone might think he's a dangerous freak is second to the possibility that someone might think he was cheating, that he wasn't working just as hard as everyone else. Yeah, he lucked out by having a hand-coded body type and rich pseudo-parents, but that can be said for most of the kids on the Formula track.

When Logan wins the World Karting Championship, he knows this is more than just science, nothing like destiny. This was his choice from start to finish.

And he was certainly going to finish it now. He thinks about the sprouts of conversations surroundings clones in professional sports and has to laugh at the thought. If anyone wants to argue that being made for athleticism gave an inherent advantage to a person, they can just point them Logan's way. Billions of dollars went into him. He might have the speed and the strength and the dexterity, but he's a shit fighter and now, a shit racer, too.

Being made in a lab didn't help him when his car was fighting him every step of the way. It didn't help him retain information faster or track the most efficient route around the track. It just made him strong enough to take a hit. And the last two years have proved it. If there's anyone that could be kicked while they were down, it was Logan Sargeant.

He isn't sure what he would do with himself if he doesn't have racing. His body was made to fight but his heart couldn't handle it. His heart yearned to race but his brain couldn't handle it.

He was a twice-failed epitome of human strength. He was made in a lab somewhere. And it didn't fucking matter at all.

[bubbloquacious]

Zariski topologies

So if you take kⁿ, the n-dimensional coordinate space over some field k, the Zariski topology on kⁿ is the topology whose closed sets are of the form

Z(S) = { x ∈ kⁿ : f(x) = 0 for all f ∈ S }

for some subset S ⊆ k[x₁,...,xₙ]. That is, the closed sets are the common zero loci of some set of polynomials over k in n variables, i.e. they are the solution sets for some system of algebraic equations. Such sets are called algebraic sets. If I is the ideal generated by S, then Z(S) = Z(I), so we can restrict ourselves to ideals.

Now if you take a commutative unital ring R, we let Spec R denote its prime spectrum, the set of prime ideals of R. We let Max R ⊆ Spec R be the subset consisting of the maximal ideals, the maximal spectrum. The Zariski topology on Spec R is the topology whose closed sets are of the form

Z(S) = { P ∈ Spec R : P ⊇ S }

for some subset S ⊆ R. A prime ideal P contains S if and only if it contains the ideal generated by S, so again we can restrict to ideals. What's the common idea here? Classically, if k is algebraically closed, then Hilbert's Nullstellensatz (meaning Zero Locus Theorem) allows us to identify the points of kⁿ with those of Max k[x₁,...,xₙ], by mapping a point (a₁,...,aₙ) to the maximal ideal (x₁ - a₁,...,xₙ - aₙ), and the Zariski topologies will agree along this identification. There's nothing very special about these algebraic sets though.

Let X be any (pre-)ordered set with at least one bottom element. For a subset Y ⊆ X, define the lower and upper sets associated to Y as

L(Y) = { x ∈ X : x ≤ y for all y ∈ Y }, U(Y) = { x ∈ X : x ≥ y for all y ∈ Y }.

We call a lower [upper] set principal if it is of the form L(x)= L({x}) [U(x) = U({x})] for some x ∈ X. If X is complete (any subset has at least one least upper bound and greatest lower bound), then any lower or upper set is principal. Note that ⋂ᵢ L(Yᵢ) = L(⋃ᵢ Yᵢ), so lower sets are closed under arbitrary intersections; they provide what's called a closure system on the power set of X. The lower closure of a set Y is the intersection of all lower sets containing Y. We have that Y ⊆ L(x) if and only if x ∈ U(Y), so the lower closure of Y is given by L(U(Y)). If the lower sets were furthermore closed under finite unions (including empty unions), then they would form the closed sets of a topology on X.

This is not generally true; first of all, note that any lower set contains the bottom elements of X, of which there is at least one, so the empty set is not a lower set. As for binary unions, generally we have L(Y₁) ∪ L(Y₂) ⊆ L(Y₁ ∩ Y₂), but this inclusion might be strict. This is something we can fix by restricting to a subset of X.

We say that p ∈ X is prime if p is not a bottom element and for all x, y such that for all z such that x ≤ z and y ≤ z we have p ≤ z, we have that p ≤ x or p ≤ y. That is, if p is smaller than every upper bound of x and y, then p is smaller than x or y. Furthermore, we say that p is a prime atom if it is a minimal prime element. Let P(X) and A(X) denote the sets of primes and prime atoms of X, respectively. For a subset Y ⊆ X, let the Zariski closed set associated to Y be given by

Z(Y) = L(Y) ∩ P(X) = { p ∈ P(X) : p ≤ y for all y ∈ Y }.

We again have ⋂ᵢ Z(Yᵢ) = Z(⋃ᵢ Yᵢ), so the Zariski closed sets are closed under arbitrary intersections. Note also that Z(X) = ∅, so the empty set is closed. Now let Y₁, Y₂ be subsets of X. We find that Z(Y₁) ∪ Z(Y₂) = Z(U(Y₁ ∪ Y₂)). Clearly if p is smaller than all of the elements of one Yᵢ, then it is smaller than every upper bound; the interesting part is the other containment.

Assume that p ∈ Z(U(Y₁ ∪ Y₂)), so p is smaller than every upper bound of Y₁ ∪ Y₂. If p is smaller than every element of Y₁ then we are done, so assume that there is some y ∈ Y₁ with p ≰ y. For every y' ∈ Y₂ we have that p is smaller than every upper bound of y and y', so because p is prime we get that it is smaller than y or y'. It is not smaller than y, so p ≤ y'. We conclude that p ∈ Z(Y₂), and we're done.

As before, the Zariski closure of a set of primes Q ⊆ P(X) is given by Z(U(Q)). Note however that for a point x ∈ X we have L(x) = L(U(x)), so the Zariski closure of a prime p is Z(p). It follows that A(X) is exactly the subspace of closed points of P(X).

So we have defined the Zariski topology on P(X). How can we recover the classical examples?

If X is the collection of algebraic subsets of kⁿ ordered by inclusion, then P(X) consists of the irreducible algebraic subsets, and we can identify kⁿ itself with A(X). Our Zariski topology coincides with the standard definition.

If X = R is a unital commutative ring, ordered by divisibility, then being prime for the ordering coincides with being either prime for the ring structure, or being equal to 0 if R is an integral domain. Note that this ordering is not generally antisymmetric; consider 1 and -1 in a ring of characteristic not equal to 2.

A more well-behaved version of the previous example has X = { ideals I ⊴ R }, ordered by reverse inclusion. Note that for principal ideals (r), (s) we have (r) ⊇ (s) if and only if r divides s. We have P(X) = Spec R and A(X) = Max R, and our Zariski topology coincides with the standard definition.

You can play the same game if X is the lattice of subobjects of any structure H. If H is a set (or a topological space) and X is its power set, then the primes and prime atoms are the same; the points. The Zariski topology is the discrete topology on H. If H is a vector space, then P(X) is empty, because any non-zero subspace V can be contained in the span of two subspaces that don't contain V. It seems that the sweet spot for 'interesting' Zariski topologies is somewhere in between the rigidity of vector spaces and the flexibility of sets.

If H is an affine space, then again the prime elements are exactly the points. The resulting Zariski topology has as closed sets the finite unions of affine subspaces of H.

An interesting one is if X is the set of closed sets of some topological space S (generalizing the first example). The prime elements are the irreducible closed sets, and if S is T1 (meaning all points are closed), then the points of A(X) can be identified with those of S. Then the Zariski topology on A(X) is the same as the topology on S, and the Zariski closure of an irreducible closed set is the set of all irreducible closed sets contained in it.

[verdantlights]

Symbolism

Hey chat its me ya boy skibidi rizz (im so done im sorry)

i was inspired by @rockwgooglyeyes and @sotogalmo to do symbolisms for each of my ocs!! In order: Animal, Flower, Tarot, Solar, and Sin.

this ones gonna be pretty long since im adding images, I'll be updating this post later with my 2 new ocs' symbols (both s41), so for now itll just be Toki, Clove, Hori, and Sera.

some choices have extended meanings, some dont!

Toki

Animal: Hare (usually fertility,,,, but um... no. just imagine a predatorial rabbit lmao)

Flower: Red Spider Lily (death)

Tarot: I The Magician, reversed. (Manipulation, cunning, trickery, deception)

Solar: Red Giant. A star that is nearing the end of it's life, it is so overwhelmed with energy and heat that it's about to explode.

Sin: Gluttony

Body: Teeth (to take apart)

Clove

Animal: White Tailed Deer (gentleness, kindness, grace, and sensitivity)

Flower: Orchids (hope, resilience, and endurance)

Tarot: XII The Hanged Man, upright (feeling trapped/confined, self-limiting, uncertainty, needing release, contemplation, lack of direction)

Solar: Rho Cassiopeiae. Rho Cassiopeiae (in the Cassiopeia constellation) is a single star, and is categorized as a semiregular variable. As a yellow hypergiant, it is one of the rarest types of stars.

Sin: Sloth

Body: Heart (compassion)

Horizon

Animal: Bat (transformation, true sight, power, rebirth)

Flower: Black Pearl Asiatic Lily (transformation, rebirth, and the hidden depths of the human psyche)

Tarot: II The High Priestess, upright (mystery, intuition, divination, esoteric wisdom/knowledge, things yet to be revealed)

Solar: Event Horizon. The event horizon is the 'surface' of a black hole. It is the point of no return. Once you are past the event horizon, you cannot leave, time and space continuum are warped and your perception of the plane is... gone. You will not be able to escape, it's a one way ticket to your fate: the singularity.

(the event horizon is the warped space around the black hole,,, it warps light as it passes through)

Sin: Sloth

Body: Eyes (The doors to the soul)

Seraph

Animal: Dove (prosperity and peace)

Flower: Lily of the Valley (beautiful, but poisonous)

Tarot: XVIII The Moon, upright (illusion, vagueness, instability, deception, misconception, subconscious, insecurity)

Solar: Singularity. The singularity is the center line of a black hole, it is also the end point. Do not see the black hole as a sphere, see it as a tunnel. The true singularity is the end of the tunnel, where everything is (yes this is a legit term) spaghettified. Light, matter, molecule, element, atom. Everything that passes the event horizon will end up in the singularity. You will die.

(theres no like,,, super cool image of a singularity,, not even what itd look like obv... also, the idea of the singularity is a tad bit outdated and the structure of a black hole has been reworked i believe, but for sake of. my sanity. were going with endpoint/center.)

Sin: Wrath

Body: Shoulder blades (if humans had wings, where would they be?)