#augh. they make me so insane

[clay-pidgeon]

they call it a nuclear family because it gives you radiation poisoning

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[bakedtato223]

I think they should all kiss and make up

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[coeluvr]

Teehee ✨️

[perenians]

oh merrill...

[sakasakiii]

ohhHHHh brother,,, is this another sketch dump after an undisclosed number of weeks of absence and online inactivity? yessir it sure is but i sure hope it won't stay that way 🤞 apologies again for disappearing, but im on break for the next couple of months for the summer so i have a lot planned and im hoping to catch up with... everything!

i put a little status update under the cut but feel free to skip that cuz its just me explaining some things ive had on my mind hoho 😙😙 happy 1st of june everyone!!!

a lot of things have been happening irl that im still getting used to, but thank you for always being very patient 🙇‍♀️ i apologise for disappearing again after i promised id start being more active again in... januARY??? man oh man the year is passing by tooooo fast holy smokes

i havent had much time to be on social media since then, but ive gotten some email notifs from ppl sending in such kind messages via inbox, and its really made me go AUGHHHHH in the midst of whatever im doing cuz it means the world to me 🥺❤️ if youre someone who's sent in something over the past year since i started hiatus in march 2023, IM REALLY SORRY AGAIN 😭😭 i always try to keep up with my policy of one-art-piece-per-ask, but because of that sometimes i just procrastinate a lot or get stuck on finding relevant things to draw as thanks. ive been brainstorming some ideas, though, and its my goal to get through a hefty sum of em before things get real busy again in a few months 😤

im really sorry again for being so inconsistent this past year, but im gonna do my best! i hope everyone on here's been doing good and im raring to see everything new with silm tumblr ❤️❤️ also if anyone has any recs for any new content pls feed me for i am starvedddd

[aimervee]

AAAARGHH EVER SINCE YOU REVEALED PIPER TO EVENTUALLY EVOLVE INTO AN ESPEON… ITS GOT ME THINKING HOW THAT FITS SO WELL THEMATICALLY… Sun eeveelution…. Clementine’s dialogue about precious things correlating with the sun…. IT JUST FITS.

And on that note; do you think she’d have ‘Morning Sun’ as one of her movesets…? I JUST- WAA!! I LOVE THINKING ABT IT.

OH MY GOD FUJIIIIIII. YOU GET IT.

This is EXACTLY why I chose Espeon for Piper's evolution; I love the sunrise and sunset symbolism in the game SO much and I just had to choose the sun eeveelution to match it.

AND PARTNER'S DIALOGUE... YOU'RE SO RIGHT. Hero is the Partner's sun, and Piper is Clementine's sun as well. YOU'RE MAKING ME EMOTIONAL WITH THISSS

(And yes. YES she would absolutely have Morning Sun in her moveset ;) I'm so glad you made that connection)

They are each other's sun your honor... (WAILS)

[candyskiez]

I'm not a super big ekurei shipper but I have to admit the fact that Dimple can possess Reigen while he's unconscious and yet Reigen will be fully present anyway is Very compelling regardless of your explanation for it. Dimple was very specifically trying to wake Reigen up and used most of his power to do so? Hell yes, love it. Reigen being very atune to spirits because of. Well. The past four years. And going WHAT THE FUCK and waking right back up only to immediately go "oh. It's just dimple." Fascinating scene idea. Looking directly at it. So much potential for a fascinating missing scene there. Ekurei is growing on me at alarming rates. Help.

[flying-cat]

thinks about bakudeku and falls to the floor

[solasfenheral]

I’m so insane over Loghain and Anora’s relationship. The way her facade of poise only breaks when she sees the Wardens mean to kill her father, and won’t accept a chance bargain for his life. The way he would never have harmed her, Anora knew this (while also knowing Howe WOULD) and thus she gambled expertly with that hand to free herself while making the best case for this plan to the Wardens. The way he doesn’t decry to her denouncement of him during the Landsmeet, out of love AND the fact he knows she, like him, believes herself to be acting in the best interests of the country. The way he tries to comfort her upon facing the certainty of his own demise.

[isa-ah]

making a fursona is fun but getting to retire an old traumatized time capsule of yourself and make a new, happy, grown version of yourself is so fuckin nice.

[kaeyapilled]

i am still not over the fact arlecchino is referred to as "father" by the house of the hearth kids btw. the gender of it all

[carnivalcarriondiscarded]

shoutout to Asteroid City for making me pace and cry for a solid ten minutes after watching it

[sammygender]

of genderswapped sam and dean. who has the short haircut.

THE REAL QUESTION. i could see a case for either. short hair is probably more convenient for hunting after all....

i think dean wears her hair long as a kid because it reminds john of mary. you could make the case that he'd cut her hair because it reminds him of mary too much, but i can't see it really, i think he'd want to preserve the innocence he sees in girlhood that he doesnt seem to in boyhood (a la that whole journal entry about wishing he had girls and how sons have to be soliders). continuing that, i cant actually really see her cutting her hair short at all because it ties her to her mother in her eyes. i think girl dean is like so obsessed with mary. can you imagine like. her whole life is about avenging mary and she's her daughter and the only girl in the family now. she has no adult female role models except her dead mother. she plays into being john (still loves cars and classic rock and wears flannel and leather jackets and is generally 'masculine') but she still sees herself as mary. john sees her as mary too even though he expects her to act exactly like him also. so i think she keeps her hair long. she probably has childhood memories of mary brushing it and wants to hold onto them. i think she likes it long, and i think john likes it long, and i think it reminds them both of mary, and i think they both like that.

sam? well sam is a lot less invested in playing the Role that's expected of him, so. girl sam is victim to levels of misogyny previously unthought of especially in the way where both john and dean see her as soooo weak and little and in need of protection. and they probably rely on the girl thing a lot to infantilise her. so i can totally see her cutting her hair off in a Fuck You to john at some point. tbh i reckon girl sam would have hair like canon sam's later season hair. though rly i can see anything with sam. also i feel like she'd have grown up with a shortish bob because it's easier maintenance (for dean john winchester is NOT bothered with looking after sams hair <3)

also both of those answers are in an au where one of them's raised a girl and the other isn't. but if we're talking total femchesters? john having two daughters? need to think on this more but im still leaning towards sam. i think girl dean commits to being a Girl the same way canon dean commits to being a Guy, even though both of them are shrouded in the same machismo. but sam fights any role hes given

tldr: sam

[pixlokita]

Hi i hope this nasty plane left you alone at last. Have this ani-plane baloon.🎈 (they actualy used big baloons during the bombardings of London)

They weren’t so bad last night at least 😭🙏 thank you aaaa 💖💖💖

Just throw balloons at them see how they like it (ㅇㅅㅇ❀)