#autistic communication at its best

[youreviltwin]

dan harmon is, in no small part, responsible for the objective best good autistic representation (abed nadir) and bad autistic representation (rick sanchez). do with that information what you will.

[gatsby-system-folks]

OK tumblr I need your help with something.

We volunteer in a library today, loved it, and are now very seriously considering changing our major to become a librarian.

Our current major is communication studies, aiming to get into an HR position, then later on go back to school for sociology and psycology.

My question to you, librarians of tumblr, do you think it's worth it?

I feel like it bears saying that we're autistic, plural, and queer; interact well with people but could be wayy better

[shimaiitsoh]

idk if this sounds dumb but i feel like 🤯 putting aro ace and autistic in my bio . been hiding and masking i had a melt down at work finally and it just feels good to at least let the internet know im autistic . im having a hard time everywhere, i literally cant understand sarcasm or read between the lines especially when im tired i do everything so literal and it causes me problems. i hope to let my special interests come out and maybe i can learn how to make work easier for myself. im just glad to have patient coworkers that can see my efforts(i try really hard). im always dedicated to my craft and on task but i was so over stimulated today i just couldnt visualize anything, i couldnt imagine my next steps and my coworkers were kind enough to give me suggestions on what to do next. sometimes i just want to admit im autistic to people but ive never done that.

[genderfluid-druid]

finally learning emotional intelligence as an adult in my 30s feels like playing with goddamn tinker toys while i watch other people my age building these beautiful emotional ecosystems out of hand carved mahogany. but the alternative is to continue being glib and dismissive of every emotion i experience for the rest of my life so 👍 pass me that green rod i guess. and do you see any more hubs

[helicoprinus]

i wish vacationing to another flight didn't come with a 1500g price tag. i'm partially considering switching flights but i don't want to go through the whole deal only to find out i don't like the new one and want to go back but have to wait 6 months And scrounge up *1500* gems on top

(tags of this post veer into a personal vent about my first time being a sheet attendant, just a head's up)

[ei-mugi]

i enjoyed getting heated over something silly for fun but im just now seeing some past distress ppl had over the poll on the blog & i feel a little bad haha i dont actually have any problem with ii or its fans like ive said i was one myself in the past

[soullessjack]

every day I remember that this fandom simply does not care about autistic people and, much like every other fucking thing I experience as an autistic person, the concept of it being a collective found family becomes increasingly alien to me. love this place.

[theood]

falling down an aba therapy rabbit hole god so many people just treat autistic people with fluctuating abilities as subhuman there is always a better workaround for kid AND parent but really its not about the parent here its abt the kid

[fridgevespidae]

man. ppl who hate ppl using tone indicators bum me out!

[drchucktingle]

From Chuck Tingle, author of the USA Today bestselling Camp Damascus, comes a new heart-pounding story about what it takes to succeed in a world that wants you dead. Misha is a jaded scriptwriter who has been working in Hollywood for years, and has just been nominated for his first Oscar. But when he's pressured by his producers to kill off a gay character in the upcoming season finale―"for the algorithm"―Misha discovers that it's not that simple. As he is haunted by his past, and past mistakes, Misha must risk everything to find a way to do what's right―before it's too late.

----

BURY YOUR GAYS cover has been released today and theres something TRULY INCREDIBLE about it, something that bends timelines and melts away the edges of the void and brings tears to my eyes. can you see it? let me explain in a thread as you PREORDER NOW... 

for nearly ten years i have been publishing my stories despite pushback that they are too odd. us buckaroos are the outsiders, but this community has kicked open the door for art that is sincere and strange and beautifully unique. that is my trot and that is OUR trot as buds

we came out of nowhere and made CAMP DAMASCUS a usa today bestseller. every step of the way that book overperformed. buds were CONFUSED that a book from ‘silly meme erotica author’ could take flight. but us buckaroos knew it was inevitable because we know the power of love

i still recall the question ‘are you SURE you do not want a new horror pen name?’ HECK NO i am proud of the tingleverse. i am not ashamed of these queer erotic stories i drag up from bottom of my heart and spill with raw sincerity across irony poisoned timelines

i have been mocked my whole life as author that is ‘ridiculous no-content meme’ by those who have never read it. that my work is ‘not real’. i have been mocked for my autism and queerness and told THIS WOULD NEVER WORK. which brings me back to cover of my new book BURY YOUR GAYS

looks like the name chuck tingle is NOT a liability for the mainstream. all devils who doubted can gaze upon this cover and see bold CHUCK TINGLE staring back at them PROUDLY from the shelf in all its queer autistic glory... HOVERING ABOVE THE TITLE AND JUST AS BIG AND PROUD

thank you nightfire and chucks manager and chucks agent for believing in me. these buds have always had my back. thanks to BUCKAROO COMMUNITY who have always supported my way, this next step in our trot is not just about me IT IS ABOUT US. we kick open these doors together

so heres to making this world a little more unique and strange for those of us who are, ourselves, unique and strange. heres to bending timelines to us, instead of us bending to them. heres to name CHUCK TINGLE big and bold ABOVE the title on a big five traditional published book

and remember the best way to support an author, especially someone on outside pushing their way in, is to PREORDER THEIR BOOK. because of publishing business model it is SO IMPORTANT so if you would like to support chuck then PREORDER BURY YOUR GAYS NOW

[falled-over]

this was interesting

[mrfoox]

Ok but being in a group with only people with autism/ADHD is an interesting experience

Plus the gap between those who have ADHD and autism seem major

[moonmunson]

either way / no doubt

a/n: either way and no doubt by Odie Leigh have been on repeat currently and I relate to them so heavily so I word vomited on a Google docs. its a little rushed but oh well LMAO (I'm also always writing with a plus sized reader in mind)

cw: over thinker fem!reader, autistic coded reader, not knowing how to enter into a first serious relationship, kind lover boy!Eddie, no use of y/n

wc: 2.1k

It is the beginning of Spring when she meets Eddie Munson. Genuinely meets him, not just sees him around town and wonders what it’s like to be in his orbit. Working at the local diner, she sees him and his group of friends often. She’s served them a couple times, and they’re always respectful - albeit rambunctious. They tip well, stack their dishes for the busboys to clear, wave to her on the way out. 

It’s the day Eddie comes in by himself that marks it as different, new. He sits in her section of the diner, glances her way and then averts his gaze when she meets it. That’s odd, but she doesn’t think much else of it. Not until the end of his meal - consisting of a solitary cup of coffee and a slice of apple pie - does he stop her when she checks to see if he needs anything. 

He asks if she’d want to hang out sometime, and she laughs - a forced exhale of nerves. He asks why she’s laughing, and she doesn’t know what to say. After a few moments of awkward silence, she relents and shrugs. What would we do? He says anything she wants. What if she doesn’t know what she wants to do? He says they’ll figure it out together. 

They end up sitting in the back of Eddie’s van, the open doors facing Lover’s Lake. She’s fidgety, and stumbling over her words. He keeps staring at her when she talks and she’s not used to anybody doing this much work to stay focused on her and what she has to say, especially because she’s not saying much of substance. He asks her so many questions, and mundane ones at that. How are classes at the community college? What’s your major? She answers as best she can. 

The feeling of someone looking at her makes her skin crawl. She doesn’t know what to do with her hands, she’s uncomfortably aware of the position of her nose on her face, which seems incredibly silly, and then she’s thinking about just how silly that is when he asks her if she’s alright. 

“Sorry?”

“I was just asking if you felt alright. It looked like you went away for a second there,” Eddie ducks his head down to catch her line of sight. Eye contact has always been difficult for her, but this is different - warm - like sunshine. “I know I’m not the most exciting person to talk to, but I hope you’re having a good time. I enjoy talking to you.” 

“I’m here, sorry. I like talking to you too.”

“You don’t have to apologize, it’s okay.”

“Sorry. Oh-” She sucks in a breath and places her hand over her mouth, eyes wide at the realization of her mistake. He giggles, a sweet boyish sound, and it warms his face. She thinks she could love that face, if he let her. If she knew how. She laughs too, despite herself. “It’s a bad habit. I really have to stop apologizing so much.” 

He’s still smiling when he says it’s okay, he understands. 

Later, when he drops her off at her apartment, the sun has gone down. The ride he’d offered her is relatively quiet. It’s a strange thing, to see the way someone adjusts themself around you. The usual loud heavy metal is absent here. The fast driving and sharp turns are traded in for complying with the speed limit, graceful steering and soft brakes. When he looks at her, she directs her gaze out the window - when she looks at him, he is focused on the road. 

He stops her as she takes off her seatbelt and goes to open the door, jumping out of his own and running around the front of the van to open it for her. She leads him to her front door, and he asks if he can see her again, if he can have her number. She nods, and rummages around her purse for a few frantic seconds before finding her waitress notepad and pen. When she rips the page out that she’s written her number on and hands it to him, he clutches it to his chest and smiles.  

“I’ll call you when I get home, if that’s okay. Just to let you know I made it back safely.”

“And if I want to keep talking to you?”

“We can talk for as long as you want to.” 

“Okay.” 

Eddie walks backwards for a few seconds, keeping his eyes locked on hers, paper still against his heart. By the time he’s made it back to his van, he lifts a hand up for a short wave goodbye, and turns to face the vehicle. 

Now or never. 

“Eddie?” In true Munson fashion, he whips around completely at the sound of her calling out to him. 

“Yeah, sweets?” 

“I just wanted to tell you I had a really nice time with you today. I can’t wait for you to call me later.” She tucks her hair behind her ears, needing to do something with her hands to offset the nausea brought about by her impulsive vulnerability. He smiles wider, if that’s even possible. 

“I’m glad you had a good time. I’ve been wanting to ask you out forever, Gareth and the guys kept busting my balls about it. I promise I’ll call when I get home.” 

She nods, her eyes tracking his steps as he makes it to his car. She watches him drive off. It feels so strange, this immediate wanting him to come back, wanting him to come inside and crawl into her brain. To know her fully. It scares her in a way she’s incredibly unused to. When she can’t hear the music blasting from his speakers anymore, she makes her way inside and slumps against the door for a few seconds. 

He does call when he gets home, and they talk until the sun rises. 

__

They spend the next few days talking on the phone. It’s easier like this, she thinks. She doesn’t have to worry about the way she looks when she’s thinking of something to say. She doesn’t have to avoid his white hot gaze, the way she can feel it trail over her face when she’s speaking. If he notices how much more she opens up to him when they’re not actively sitting next to each other, he doesn’t mention it. 

When they’re not on the phone, he clings to her brainspace like moss on a tree. She can’t stop thinking about him, to the point she’s worried she’s obsessing over something that isn’t there. He’d said he had a good time, he said he enjoyed talking to her, so why does it keep bothering  her so much? He feels safe. He does feel safe, but she’s not used to conversations with no expectations. No guise, no hidden agenda. If he notices the way she starts to pull away due to her overthinking, her sentences shorter and stunted, he doesn’t mention it. He carries on as usual, calling her to talk about what he’d done that day. It makes her smile. 

When he asks, unprompted, if he can see her again, she says yes. 

__

They go to the lake again. It is an early March morning, the last tendrils of Winter still grasping desperately for some kind of recognition against early Spring. He brings a blanket and hot cocoa for both of them, and she feels it in her chest - warm and sweet and chocolatey, like his eyes. It’s easier this time, talking to him. She spends less time worried about her posture and cadence - more time really listening to him speak and trying her hardest to maintain eye contact. 

The early morning breeze makes ripples on the otherwise still surface of the water. It’s so beautiful. He’s so beautiful. He’s so expressive when he speaks. She used to think he was careless, jumping on tables and riling up the people he knew didn’t like him. Seeing him up close like this, she realizes it’s kind of the opposite. It’s careful, planned, the way he uses his hands, his eyes. Even when he’s talking about a book he's read a million times, she feels like she's there among the scenery and characters he describes. It’s entirely captivating. She wants to be more like him. Carefully carefree. 

She’s never done this kind of thing - the relationship kind of thing. If that’s what this is, she has no idea how to traverse this new terrain. She can’t find her footing, she doesn’t know what the formula is, what the proper way to go about it looks like. She doesn’t think about sounding weird when she asks:

“What are we doing?” 

Eddie pauses mid sip, brings the cup back down to his lap. 

“Currently? Or like, with our lives?” He chuffs out a little laugh. Not in a teasing way, though it's hard for her to differentiate. “Because currently, from my perspective at least, I’m sitting in my van with a pretty girl talking about our favorite books. What I’m doing with my life is something a lot of people, including me, would really like to know.” 

Levity, she recognizes. 

“Sorry if it's a weird question, I just…” She trails off, breaking eye contact, looking at her hands in her lap. He scoots forward a bit, the side of his thigh touching hers as their legs dangle off the back of the van. He doesn’t push her to say anything, doesn’t acknowledge the unneeded apology, doesn’t fill the silence with his own voice.  He just waits, patiently. She doesn’t think she’s ever seen him sit this still. 

“I really like you, and I really like talking to you. I’ve never done anything like this,” She uses her pointer finger to gesture between the two of them, drawing a connecting line between their bodies, “I don’t know how to, if that makes sense. I’m not really a lot of people’s type, I guess.” 

“Hey, look at me,” Eddie sets the cup down next to him and very gently takes her hand, locks their fingers together. When she raises her eyes to meet his, he continues. “There’s no rush, I mean it. You set the pace here, okay? I like you, like a lot. If all you wanna do is sit here and talk, I’m totally fine with that. We don’t have to do anything you don’t want to.”  

“Yeah?” 

“Yeah, sweets.” 

“What if you find out how weird I am and decide you don’t want to talk to me anymore?” 

At this, Eddie relinquishes his grip on her hand, hops down from the lip of the back of the van, and stands in front of her. 

“Y’know who you’re talking to?” two thumbs pointed towards himself - eyebrows raised, mouth quirked in a goofy grin, “King of the freaks, misfits, and ne'er do wells. I don’t think you could scare me off, but you’re certainly welcome to try.” 

“So just… be myself?” She scrunches her face up - the idea of being genuine is almost totally foreign to her. 

“Be yourself!” 

“Ew. Yeah, alright, fine.” She sighs in resignation and shrugs a shoulder. Doesn’t think about how convincing he is, or how willing she was to drop some of her defenses. Carefully carefree. She can do it. 

They share a laugh, finishing their luke-warm cocoa together and talking until the sun is high in the sky and the temperature rises too high for them to ignore any longer. This time, the drive home is less quiet. She meets his gaze when he looks over at her from the driver’s seat, she hums along to the sound of the radio, it's nice. Comfortable. 

Just like last time, Eddie hastens to run around the van and open her door for her. He extends a hand to help her down and out, and they stay connected on the short journey to her apartment’s front door. Eddie watches while she digs the keys out of her purse, unlocking the door and leading the both of them inside for a drink. He kicks his shoes off by the welcome mat, and they look like they belong there. 

It is the beginning of Spring when Eddie Munson permanently plants himself in her life, a steadfast source of comfort and nourishment. It is hard for her, and it takes longer than most for her to truly open up. To show him all the nooks and crannies of her mind. He takes it all in stride - her overthinking, her quirks and neuroses. He shows her that it is entirely impossible to trust someone enough to take part in the watering and flowering - that it's not a weight she has to hold alone. She can bloom.

__

if you enjoyed this story please like and reblog!!

[bafvkun]

Labru is just, so perfect in my eyes.

On one side you got a basic blond white man who’s only spark is his premium autism and that constantly gets into awkward social situations because of it.

On the other you got the pretty boy and smooth talker who’s overly aware of his social interactions and always tends to overthink and over analyze everything in his environment in order not to make things awkward at any given point.

In the end Kabru can absolutely not escape the awkwardness with Laios no matter how much he thinks things over, he always has to take the weirdest paths to talk with him, saying things he never thought he would and willingly putting himself in awkward situations in order to bound with Laios.

But its also good in a way because it inevitably pushes Kabru to be true with Laios and himself, he never gains anything from lying to him. Honesty is the best route with autism, communication is so important with autistic people. Kabru is so good at talking but sucks at being honest with his words and actually communicate his intentions while Laios is the complete opposite, being so so bad with words and interpretation but the most honest a man could be.

Just them really, they live rent free in my mind

[catmask]

do you ever find it hard to just....Keep Drawing? what keeps you motivated? what keeps you inspired? i've been finding it hard to pick up a pen lately despite loving drawing and wanting to do it more than anything, how do you do it? also, i hope you have a nice day!!

oh i absolutely do. i think like.. last night i was having a bit of a rough one. and talking to my boyfriend about it.

sometimes motivation for anything (not just art) feels like if i stop moving, ill fall flat on my face. its difficult for me to get going, especially if i get interrupted or get suddenly thrown into a social situation.

on one hand, drawing has always been my stim/self soothing activity of choice (as im autistic). but 'work drawing' can sometimes be difficult when im scared i might be interrupted in the middle of the day, or if someone might need me to like 'be a person' suddenly.

all this to say, i try my best to stay motivated by taking care of my body and my brain, because if those things go out of whack then i know for sure i wont be able to draw well. and then, in terms of artistic motivation... i look at other people's art, and i go on walks a lot.. and i spend a lot of time alone with my brain/feelings.

art sort of is just like... an engine through which i am taking the outside world, processing it and pulling it through to show everyone how i feel about it. sometimes its as simple as 'this thing was beautiful, i want to show you' 'this thing was cute, i want to show you' but sometimes its also 'this is something i learned, let me teach you' 'this is something that hurt me, let me heal it with you'

... in a lot of ways if i dont keep drawing, i dont know how id communicate with other people, really. so i guess, i have to keep drawing because id get very lonely otherwise.

[itsaspectrumcomic]

Apparently in Scotland I think, they would believe autistic children are we’re called “children of the fae” that they took the kids and now they are one of them. And the best part is, they are so chill about it, like “ya, there’s nothing we can do, he’s like this and always has” like hell ya that’s so cool, I wanna go dance in a fairy ring, that’s awesome. 🤩♾️🌈

Yep there's folklore about changelings in many parts of Europe, including Britain, Ireland and Scandinavian countries! Traditionally they're about children who have been abducted by the fae and replaced with a changling, and it's been theorised that this was a way to explain the behaviour of neurodivergent children as well as those with other diabilities. The 'replaced' child might be particularly mischevious, communicate differently, look different, or have abilities far beyond their age, all of which were seen as characteristics of a fairy.

I'm afraid it's not always a positive story though; unfortunately it was often used as an excuse to abandon children who were considered 'different'. Fairies didn't always have the nice reputation they have now - they were often seen as dangerous and unpredictable.

That said, growing up I often felt like I wasn't really of this world, and I like the idea of the reason being that I'm actually one of the fae. It's a really interesting topic to think about, and I've always been fascinated by folklore and its origins in general.