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lexicorp · 5 months ago

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Transformers Earthspark: Another Place, Another Prison

Got another chapter where it switches from Megs to Star, although they don't actually interact again yet this time lol. This one ended up being pretty long, and I split a section that was originally in this chapter off into its own. Cuz i hadn't planned Meg's section in my first outline, but it felt p necessary to add.

Megs is a bit salty, Prowl kinda wants to do a moida, Optimus is an optimistic bean, and Starscream is fucking tired of all this shit-

I swear dude it is getting increasingly hard to decide on screenshots for these chapters-

Previous Chapter: A Broken Boogeyman

First Chapter: The Need For Read

Next Chapter: Settling Into Circumstance

Chapter 8: The Illusion of Freedom

Once they had finally managed to tranquilize Starscream through his absurd amount of flailing, Megatron had carried his mangled frame to the medbay. Arcee was seen to by Wheeljack first, of course. Megatron had found himself on auto pilot as he watched and waited until he could finally release the seeker from his periodically tense hold.

Soon enough, Elita-1 took Arcee to a separate room to lie down, and Megatron carefully approached to place Starscream on the medberth. Leaked Energon dripped from Megatron’s servos and spotted the ground. He stared down at it. Then back at Starscream.

“Are you alright, Megatron?” Optimus’ servo was suddenly upon his shoulder and he flinched.

“Ah– Yes. Yes of course…” He responded with a gentle brushing away of the attempt at comfort from the sentimental mech. Megatron’s gaze flickered only momentarily to address the question before falling back upon the air commander. The sparking, practically entirely severed, crushed limb. The scorched, leaking chasm in the wing. Every dent, crack, and burn.

“Would you like to be given a quick check at least? You took quite the blow yourself–”

“No.” Megatron snapped a bit too forcefully with a hand raised to silence him, then in-vented in a practiced means at cooling his nerves. “Starscream requires such attention more than I, at the moment.”

Wheeljack shrugged as he turned back towards the medberth with newly acquired materials. “Alrighty then. Might I ask y’all what ol’ Screamer did ta get this banged up?”

“How about you focus on your work instead of bothering yourself with such details, medic.” Megatron forcefully kept his tone as monotone as he could. He often tired of how needlessly talkative the Autobots could be. There was no reason to talk about such things after it had already been done. How would describing just how Starscream had severed his own ped from his frame, in some insane act of desperation, possibly aid in repairing it?

Prowl looked as if he was ready to berate him for the comment for some reason or another. He was only stopped by Optimus inserting himself between them with his more softly toned criticism, “I know you are concerned Megatron, but do refrain from lashing out at your team. Perhaps you should take a seat, and we all may discuss the past hour’s events.”

Megatron’s optical ridge furrowed as the frown deepened on his face. He had hardly lashed out. These mechs could be so sensitive. Even so, he knew Optimus was right. Perhaps it would be good to discuss it, to some regard. There were a good deal of things to consider, in a matter of building upon what the future would hold as a result. That must have been what Wheeljack had meant all along. Megatron’s anger had always been quite a volatile thing to balance.

“Fine.” He inevitably relented to join Optimus and Prowl at a cluster of crates used in place of chairs.

“Yeesh, I’d bet we could cut this tension y’all got goin’ on with the dullest knife in the bottom of my tool box.” Wheeljack commented ridiculously, but at least he was finally beginning the patch job as he should. Then, as the mech actually gave more precise focus to his work, he hummed and tapped at a few select places on Starscream’s chassis. The most noticeable being the odd red cracks extending down from the optics. “This ain’t any of your doin’ I reckon.” As he tested it with a scalpel, Starscream tensed and a reactive crimson light shone dimly from somewhere within his broken cockpit.

Megatron’s eyes widened, “Leave that be.” He ordered, but then remembered again that it might be better to give more explanation. “...He seems to still be connected to the effects of the more chaotic side of the Emberstone. It would be wise not to test it, as we do not know what exactly triggers the episodes.”

“Did you know about this?” Prowl questioned in a rather accusatory tone.

“Only recently.”

“That is soon enough to inform your team of the obvious threat! How could you just let such a thing linger, and wait until it explodes on us?” Prowler’s stance was practically revving to jump from his seat, as he leaned forward just enough to gesture a servo in Megatron’s direction around Optimus.

Optimus of course, raised his hands placatingly to diffuse the growing situation. “Megatron informed me about what he had seen as soon as he could, Prowl. We simply underestimated what it could entail.”

Prowler immediately reeled himself in to assume a more professional posture, “I see… Well. I must admit, Optimus sir, that I also find it a bit strange that we brought such a clearly volatile Decepticon here to be repaired. Would it not just be a waste, when as soon as he’d come back online he’d no doubt cause us continued trouble? If we cannot keep him contained in the brig, and we cannot nullify whatever power he has harnessed, then it would be the most effective solution to simply terminate him.”

Megatron clenched his fists and glowered his optics. “Effective…?” He breathed in a near whisper at the absolute gall of the proposition. As an infamous Decepticon trapper, was that how this mech had orchestrated his operations during the war? Execution merely based on fear? Or an overt disregard for the lives of their enemy if they outlived their supposed usefulness, or tipped some untold scale of risk? Optimus would never allow such a thing!

Then again, the Decepticons had carried out such orders towards Autobots during the war as well. The realization made his shoulders slump as a more somber air replaced his anger. There…could be some logic in Prowl’s query, he supposed. He was certainly no mech to judge the thought, after all.

Regardless, Megatron would not allow what he’d just witnessed to be left to become yet another regret to haunt his processor. Starscream was not beyond redemption. He was sick. There had to be something they could do. Megatron couldn’t simply toss Starscream to the Pit this time. He wouldn’t.

“We do not terminate our prisoners.” Optimus started with an assured lilt in his tone as he kept Megatron in the edge of his vision. “Instead, we must determine an alternative approach.”

The plainly obvious statement left both Megatron and Prowl staring at the Prime silently. To Prowler’s credit, he seemed to be having a thousand thoughts running through his head in some effort to piece together the answer. Megatron only found his own thoughts rather blank. He wasn’t sure what they could do. What would be the best way to handle Starscream’s erratic nature? Not to mention the strange affliction the seeker had given himself. Who would Starscream possibly be swayed by?

…The Terrans?

Finally, Prowler spoke up as he realized that it seemed they were all waiting for someone else to make the next move. Although only in an effort to gain some clarification from his leader. “Which would be…what, sir?” Perhaps he had become more hesitant to voice his own choice of action.

Optimus pulled a servo to his chin in a contemplative gesture, “Hm, I admit I am a bit unsure in that regard.”

“Well, if ya ask me, the only other place we really have in the matter of alternative accommodations would be with those Malto’s.” Wheeljack contributed whilst still amidst his tinkering. An admittedly impressive feat. “Now I know it may seem a bit risky to let our con commander here ‘round the kids, but I’m sure we all know how capable they can be.”

“Oh, yes, perhaps some access to the outdoors could aid Starscream after being cooped up for so long. Like what I was telling you earlier, Megatron!” Optimus motioned to him with a flick of his antennae and a grin as if he alone had come to that revelation. Megatron couldn’t help but give a small, fond smile at the mech.

Prowler took in a long breath, oddly similar to Megatron’s own methods at stabilizing himself, and realigned his previously lost optics to be flat, and rather resigned. “I will trust your judgment.” Then he stood with a new pace of determination on his faceplate. “However, if we will indeed be proceeding with such a course of action, I will insist on precautionary measures.”

“I’d expect nothing less.” Optimus watched his tactician rummage through their supplies, with a newfound gleam of hope in his eyes. Then, he turned his attention to Megatron, “What do you think? Do you believe this approach could work?”

He hesitated a moment as he pondered over his words, “Well… the thought did come to my own mind, in passing. Starscream had shown some strange fondness towards the Terrans… at least Hashtag, to my knowledge. Despite what he had done. She had been able to bring out something within him once. I do not doubt it possible again.”

Optimus nodded and followed Megatron’s wandering gaze towards the seeker. Wheeljack had just about finished smoothing out the patch on the wing, and was now arranging to replace the cracked cockpit. Did repairs always take this long?

“I will contact Bumblebee to get him up to speed on the new arrangement.” Optimus announced as he took to his peds and made his way towards the door.

“Hm, yes.” Megatron ceased his anxious tapping and stood to join him. “I will call Dorothy. She will no doubt have some grievances to be quelled about the idea.”

The medbay door closed behind them, and they each took to their own spot in the hall to make their calls. Megatron placed a digit to his helm and sent the signal to Dorothy’s cell. His comm played a little rhythmic tune of sorts as he waited for a response. It was just as mundanely aggravating as the concept of elevator music. He should really disconnect that silly feature.

Finally, Dorothy’s voice came through with her signature greeting, “What’s up Megs?”

“Hello, Dorothy. There is something we must discuss as a result of a recent development. Regarding Starscream.” Megatron was relieved to hear his friend's voice, yet also knew just how precarious this conversion was bound to become.

“That right?” She of course quickly caught on to the anxious air.

“Yes, he had tried to escape, and…it was quite the spectacle. He was just about ready to die before allowing himself to return to his cell. I admit, it was rather startling. So, we have come to the decision that perhaps time elsewhere could serve him better.” Megatron tapped his finger against the railing as he attempted to filter his thoughts, and prepare for her response to them. “Under the supervision of you and your family.”

“Really now? Are you honestly telling me that the best idea you’ve got, is to send that maniac here, around my kids? Megs…”

“I know…But I do believe your children to be the exact influence he needs. As it has been, his mental state has only seemed to worsen which only aids to increase the danger he poses. We can’t simply send him back to the brig where he just may as well do something foolish.”

“You’re worried about him.” They both remained quiet for a moment. He wasn’t sure if he could admit it, but she understood as she so often did. Dorothy sighed, obviously still unsure, but willing to relent nevertheless. “Okay. If you’re sure. I’ll discuss it with the rest of them. But you’ll have to promise me–that bot won’t ever be allowed to hurt any of my babies again. Got that? You have a plan, don’t you?”

“Yes. I promise.”

***

Everything ached. That wasn’t exactly new. Although the lingering pain in a peculiar corner in his spark was certainly…something.

Starscream groaned as his systems struggled to come back online with at the very least, adequately functional sensors. Sound was garbled like a horribly received connection that he needed to internally adjust until it could make any form of sense. When he tried to begin onlining his optics, it was revoltingly bright, and he had to once again filter through his settings to find something tolerable.

Where was he?

What had happened?

…Why couldn’t he move?

A gripping fear suddenly strangled his spark as he realized that he couldn’t bring his servo to his faceplate, and his wings felt far too cramped as they were pressed against some constricting surface.

Starscream pulled at the clamps holding him firmly in place. Not again. He was not going to be those humans’ robotics projects. He desperately cycled his optics to try and make sense of his surroundings. He could hear the steps and chaotic chatter of those vermin all around him. There was equipment beside him. What were they going to do this time? Whatever it was, he wasn’t going to lay there and take it.

An oddly large shadow loomed over him with extending servos. Mandroid’s voice echoed in his audials, “Struggle all you like. But it will not change your fate.”

Starscream yanked painfully against the brace on his wrist until a burst of energy allowed him to break it and throw a punch at the offending silhouette. He wanted to shout some deserved obscenities at the pest, but his voice box wouldn’t work. When his fist connected with metal, he assumed he’d simply been blocked, which infuriated him. That fissure in his spark stabbed through his frame, and he began to shake ridiculously. What was that? Wait. His free servo was stuck again. And his digits were being individually bent in some odd pattern, for some reason.

Then, he started to hear a voice he hadn’t heard in quite some time, calling his designation. “--Scream, Starscream! Hey, c’mon, what’s goin’ on in that crazy processor of yours? Calm down will ya?” Wheeljack? Why was he here?

Starscream blinked. Something wasn’t right. He tried his best to steady his vents as he focused on the ridiculous sensation the mech insisted on inflicting on his servo. Eventually, he could finally make out the white, red, and green overseeing him. As well as a second pair of Autobots across the room. Prowl, and the Prime.

Right. This was the Autobot base. Not G.H.O.S.T.'s.

Well that was embarrassing.

Starscream’s wings twitched, as much as they could given his position. Wheeljack looked some type of determined. A reflexive response no doubt. Prowl looked a mix of surprised and appalled, it was actually quite hilarious– except that Prime’s stupid face ruined it. He didn’t need nor want that self-righteous mech’s pity.

“Ya with us there Screamer?” Wheeljack asked more directly as he finally began to release Starscream’s servo.

He stared at him, confused and a bit annoyed. Had he not already given them a response? What sort of question was that?

Ah, apparently it would seem as though his vocalizer was still on the fritz. Starscream raised a servo as indication that he needed a moment as he recalibrated his voice box. This was pathetic.

When he only managed to sputter beeps and clicks, red sparks flared off him angrily a moment as he punched his chassis until the words could be forced out. Wheeljack chastised him for it, but frag him. “WHAT–” Starscream adjusted his volume– “What, is going on here?” Had they really brought him to their technician after he’d almost escaped? That seemed absurd. Perhaps they’d implanted a remote explosive somewhere in his frame.

“Well, I fixed ya up, added Prowl’s little boot, and those two got a deal for ya. Sorry ‘bout the restraints.” Wheeljack began to release him from the medberth. None of this was answering his question. “We weren’t sure if ya’d go immediately ballistic or somethin’ when ya woke up.”

Prowl crossed his arms. “I’d say we were certainly right to do so.”

As Starscream stood, he just about stumbled with a wave of disorientation, but skillfully used it to transition into a snarky servo to a tilted hip. “Of course.” He glared at them until he noticed how one of his peds felt heavier than it should, and lifted it to complain. “But what on Cybertron is this, for?” Then he remembered Wheeljack’s previous statement and straightened himself with an air of guarded curiosity. “And what is this about a deal?”

“That,” Prowl gestured to the ugly, boxy device attached to Starscream’s ped, “Is insurance. All you need to know, is that if you try anything with that power of yours, that device will render you imobile.”

“It tracks your sparkbeat, power surges, fun stuff like that.” Wheeljack listed on a pair of digits, which Prowl didn’t seem too happy about. “I promise it won’t blow up or nothin’!” Coming from this mech, such a promise hardly meant anything.

“Yes, you have my utmost confidence, Wheeljack.” Starscream rolled his optics tiredly, then kicked his ped in a display of his distaste for the accessory. “It is entirely impractical. How do you expect me to transform with this blasted thing?!”

“Exactly.” Prowler crossed his arms with an expression void of any sympathy. Primus did his faceplate look punchable.

Starscream whined with a slight slump to his wings, before the Prime interjected himself to continue the dreadful conversation. “In regards to the deal, we have decided that you will no longer be staying in the brig.” Starscream perked at this, although couldn’t help but be skeptical. “Instead, you will stay with the Malto family.”

That was not exactly what he was expecting.

Starscream stared blankly at them a moment before remembering to speak, “...What will such an arrangement entail, exactly?” Surely it was some new scheme of theirs to pacify him. He didn’t trust it.

The Prime seemed oddly surprised by his response, then took a step forward, an action of which Starscream forced himself to not reactively back away from. “Well, given your obvious distress, we thought you’d benefit from the opportunity to have access to the outdoors. You could perhaps learn to appreciate what Earth has to offer. Observe how well a family made of transformers and humans can function. My hope, is that it could be your own path towards redemption alongside Megatron!”

Starscream’s faceplate scrunched in disgust at the mention of his former leader. “Redemption. Right.” Although the prospect of appreciating Earth would be laughable.

Prowler sent him a discrete glare with narrowed optics. The Prime only looked like a kicked cyberdog. Perhaps they were hoping he’d get on his knees to praise their ever expansive mercy. That he should thank them for such an offer. As if it even were one. This wasn’t a deal. It was an order.

He in-vented steadily before preparing them a smile, and arranging a loose, confident posture as he strode towards them. “That sounds just wonderful.” He crooned in a disguised taunt as he slid by Prowl, then practically danced around the Prime. “I promise to be on my best behavior! I am truly honored that you all have decided to permit my grand exit from your lovely accommodations. Such a gracious act, that I will make certain not to let go to waste, I assure you!” Starscream led the way out of the medbay with the two bots trailing behind him.

“You’d better not.” Prowl commented in a cute little threat as he split away from them.

“What he means is,” The Prime began as he caught up by Starscream’s side, “This could be a very important step in us truly being able to trust you, Starscream. Which would in turn lead to the possibility of your true freedom, and permanent alliance with the Autobots, if you so choose.”

Starscream scrutinized the mech from the corner of his optic, and held his servos behind him professionally. If they actually wanted his alliship as the Prime proclaims, they would have accepted his offer back at the Titan. They’d only pulled this out of their afts now out of newly realized necessity, after the rather explosive display he’d given them. They didn’t care. They just wanted to control him. All it was is a new, creative way of containing him. They couldn’t con a con.

“Yes, I’m sure that is what he meant.” It was clear sarcasm, and yet he aligned his vocalizer to imitate pure sincerity. Well, as much as he could.

The Prime actually looked a touch annoyed with partially lowered optical lids. How amusing. “I do urge you to take this seriously. You realize the risk involved in this.”

Starscream scoffed in half feigned offense with a servo to his chassis. “Of course I do. Do you take me for a fool?”

The Prime hesitated as if an affirmation of the rhetorical question floated just behind his intake. Rude. Regardless, they eventually came upon their first destination that consisted of a trailer, and those two Autobot femmes. That was foreboding.

“Ready when you are Optimus.” The one he recognized to be identified as Elita-1, reported stoically.

With the uncomfortably upbeat Arcee adding, “So we’re really doing this? Y’know– you and I really should have a rematch sometime Screamer! You can’t pull a cheap shot on me twice!” She apparently saw it appropriate to approach him and throw her arm around his neck to pull his helm down close to hers. She prodded his chassis to emphasize her challenge, but the energy she exuded was beyond confusing. “I. Will. Destroy you.” There was a painful pause as her touch lingered. “But that's fun for another day!” Then she finally broke away from him to flip into her alt mode beside the trailer.

Starscream hadn’t realized just how tense he had become until his wings flicked back into place and he chuckled anxiously. His blasted vocalizer cracked again. “Oh yes, fun! I– look forward to it…” He examined the situation before him and regarded the open trailer with contempt. Especially when the Prime began leading him towards it. “Is this–” He gestured to the metal box– “Really necessary? Surely we could simply walk-”

“Nope.” Elita-1 slapped a servo to his arm and yanked him down to be shoved inside. What was with these femmes in tossing him around! And who designed this blasted trailer! It was like being stuck in a fragging compactor.

“Apologies, Starscream, but without access to your alt form, this is the most efficient means of transportation.” The Prime said stupidly as the trailer was tilted to be adjusted onto his frame.

Starscream was sealed inside this absurdly small containment for obviously no more reason than their own amusement. His wings were pulled in tightly with mere centihics between him and the walls. There was absolutely no, fragging, way, to get comfortable in the slagging thing. The walls were too close. The most he could do was have one knee lifted halfway with one servo placed upon it while he leaned at an awkward slant so he didn’t ram his helm on the top. He felt stupid. It was too slagging cramped in this mistake of manufacturing.

Primus Starscream wished Skywarp and Novastorm had destroyed it when they’d had the chance. He was certainly going to make it his first act of justified pettiness on these Auto-glitches, to blow it into melting slag the nano-klick he got his missiles back.

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shaunashipman · 18 days ago

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Could make a tutorial for creating subtitles on Photoshop for beginners! Thank you so much, continue the amazing work!

thank you nonny! i'm glad my tutorials are helping at least one person.

creating subtitles is quick and easy. i'll go over simple subtitles, and also making subtitles appear partway through a gif. once you know how to make them i recommend saving an action for it, for your most common gif sizes, that way you can just press one button and then type in your subtitles.

Font Overview

it's good to have a go-to font. i use Calibri Bold Italic, but any clean, simple print font can work

these are my font settings below. quick rundown of each option

A- this your font family B- this is the specific font; light, regular, bold, italic etc. C- this is the font size D- this is the spacing between each row of text; it's default setting is [auto], which uses the built-in font spacing, but all fonts have different spacing and you could end up with a huge gap between rows. the spacing pt's also don't necessarily match up with the font size, so experiment to get the spacing you want E- this is the space between letters; if you think the letters are too close together then increase the number into the positives, if you think they're too far apart then decrease the number into the negatives F- this will "stretch" the letters sideways; not really used for basic subtitles G- this will stretch the letters up and down; not really used for basic subtitles H- this is your font colour

the setting above are my go-to for 540px gifs, though i occasionally adjust the font size between 18-22, and then also adjust the row spacing to match. for 268px gifs, i'll usually use a font size of 16px

Basic Subtitles

to make the subtitles, select the text tool the left hand toolbar, the icon that looks like a "T", and your cursor will turn to a text selector line in a dotted square. put your cursor at the bottom left of the gif; it doesn't have to be exactly on the corner, but so long as it's close the the edge of the canvas it will "lock on" to the corner.

click and drag to the right side of the gif, and up as big as you want the "text box". there will be a pop-up tell you the width and height of the box you're making. width should be the full width of the gif, and for the height i've set it to 40. the top of the text box will be the very top of the letters on the top row.

the size of the text box can always be adjusted later by clicking a side and dragging.

type your subtitle into the new text box, and then click anywhere outside the workspace (the canvas and the grey area behind it) to "exit" the text layer

now the text looks pretty good here, because the parts of the gif under it are dark. but a different gif might be lighter, or you might be using a different text colour. to make sure the subtitle is visible and readable on any gif, you're going to go to the menu on the bottom right, with the text layer selected, and click the fx button. any option in the menu that appears will open the same box, just on a different option, i always just click blending options

the layer style box will open. all the options on the side are various effects that can be applied to the text. the ones with a plus sign will allow you to add multiple instances of that effect on the same text. the 2 we'll be using on the subtitles are stroke and drop shadow, so one at a time click on the row for both and a check-mark will appear in the box. you'll also see that effect labelled under the text layer

this is the menu for stroke. stroke is simply an outline of the text/object

A- this is the size of the stroke, the width of it B- position can be outside, inside, or centre. for subtitles it should always be on outside C- this changes the blend mode of the stroke, which will have essentially no effect if the stroke is black or white D- the opacity of the stroke E- you can have a stroke made of a solid colour, a gradient, or a pattern F- the colour of the stroke

this is the menu for drop shadow.

A- blend mode, again, doesn't do anything if the colour is black or white B- colour of the drop shadow C- the opacity of the drop shadow D- the angle of the shadow E- make sure this in unchecked, otherwise it can screw with the angle F- this is how far from the text the shadow will be G- this makes the edges of the shadow sharper or harder H- this makes the overall shadow sharper or harder

the options under "quality" i never adjust

click ok on the layer style box and you have your basic subtitles!

Fade In Subtitles

now maybe you have a slightly longer gif, where the character isn't speaking at the beginning of it and you want to time the subtitles with the speech. so we're going to use keyframes!

keyframes do various things, by setting two (or more) points on the gif, and the gif will automatically change between those two points, depending on which keyframe you use. (hopefully this will make more sense a little further down)

first play the gif a few times in the export preview window to see when the talking starts and then move the frame tracker (the red line) to 2-3 frames before the speaking begins, in this gif the character starts speaking at frame 50, so move the frame tracker to frame 48

when you click the arrow at the start of the layer, it opens a dropdown of the layer and gives various options to use keyframes on, depending on what kind of layer it is. clicking the little stopwatch will create the first keyframe

transform- this lets you change the size/orientation of the text opacity- this lets you change the opacity of the text style- this lets you change the layer style of the text text warp- this lets you animate the warping of the text

when you click the stopwatch, a keyframe will appear on the timeline on the frame selected, and next to the stopwatch two arrows with a keyframe point between them will appear. the arrows move you from one keyframe to the next, and the point between the arrows will add a keyframe on the selected layer, or remove the keyframe if there is already one there. if you click the stopwatch button again, it will remove all keyframes

while the tracker is on a frame that has a keyframe attached, anything you do that falls under that type of affect while on that frame will be recorded by the keyframe. on opacity there's only the one thing that will be recorded—opacity.

since we want the text layer to be invisible when the gif starts, turn the opacity down to 0, while on the frame with the first keyframe. now move the tracker to the frame where the speaking begins. add a new keyframe on frame 60 using the new keyframe button. then turn the opacity on the text layer back up to 100

now the text layer will go from 0 opacity to 100 opacity over between the 2 keyframe points, and gradually appear as the character begins talking. if the timing isn't quite right, you can click and drag the keyframe points along the timeline.

A Few Random Notes

some people use white for an entire gifset, even if more than one person is speaking, and some people use different colours to show who is speaking. you can have set colours for speaker #2, #3, etc. but when possible, i like to use the eyedropper to select a pixel colour for the other speaker that is already in the gif, but not prominent where the subtitles will show, so i don't add a colour that wasn't already present, and reduce the number of colours in the gif itself

if the subtitle is long enough to go on two lines (or more) try and cut it to be somewhat even i.e. don't have the top line stretch from side to side, and the bottom line only had 1 or 2 words; if there's a comma or semi-colon in the text, splitting it there as a natural gap/pause

if there are two people speaking in 1 gif, and you want to show their dialogue at the same time, you can put the two different speakers on separate lines of the same text box, highlight one of them, and change only that colour

#cleo gets mail #anonymous #tutorial #gif tutorial #typography tutorial #photoshop tutorial #gifmakerresource #completeresources #*tutorials

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steddieunderdogfics · 10 days ago

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I Want Someone Badly by ahoysteve

@ahoystevee

Rating: Mature

18,402 words, 1/1 chapters

Archive Warning: No Archive Warnings Apply

Tags: Gay Eddie Munson, Gay Steve Harrington, Mechanic Eddie Munson, POV Eddie Munson, Bottom Eddie Munson, Eddie Munson Has a Crush on Steve Harrington, Steve Harrington Has a Crush on Eddie Munson, Soft Eddie Munson, Eddie Munson is a Little Shit, Eddie Munson Needs a Hug, Hurt Eddie Munson, Robin Buckley & Steve Harrington Friendship, Steve Harrington is a Sweetheart, Steve Harrington is a Tease, Steve Harrington is Whipped, Steve Harrington is Bad at Feelings, Eddie Munson is a Menace, Eddie Munson is Bad at Flirting, Steve Harrington is a Little Shit, Steve Harrington is Obsessed with Eddie Munson, Pining Steve Harrington, Mutual Pining, hanky code, Fluff and Humor, Romantic Fluff, Fluff and Hurt/Comfort, Implied Sexual Content, Strangers to Lovers, Enemies to Lovers

Summary:

Eddie Munson has no clue about the hanky code. Which becomes painfully clear when Steve Harrington—who’s been trying to flirt with him by showing up at Eddie's auto shop with increasingly suspicious car troubles—has to spell it out. Turns out, Eddie might not know much about the hanky code—but he does know how to make Steve fall for him without even trying. "You just said I was a bottom, out of the blue, on a Tuesday afternoon, and you're gonna tell me to forget it?" "I just thought you were, like—signalling." Eddie squints harder. "Signalling?" "Yeah?" "Signalling what? That I need a better life because I dropped out of high school and work in a garage for pennies?"

This rec is a part of Challenge Monday. The challenge this week was Fics Featuring Argyle.

Know a fic that deserves extra love? Submit through our asks or the submission box!

#steddie #steddieunderdogfics #fic rec #steve harrington #eddie munson #stranger things #steve harrington x eddie munson #steddie fic rec #challenge monday

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whencyclopedia · 4 months ago

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The Kingdom of Kush

Kush was a kingdom in northern Africa in the region corresponding to modern-day Sudan. The larger region around Kush (later referred to as Nubia) was inhabited c. 8,000 BCE but the Kingdom of Kush rose much later. The Kerma Culture, so named after the city of Kerma in the region, is attested as early as 2500 BCE and archaeological evidence from Sudan and Egypt show that Egyptians and the people of Kush region were in contact from the Early Dynastic Period in Egypt (c. 3150 - c. 2613 BCE) onwards. The later civilization defined as 'Kushite' probably evolved from this earlier culture but was heavily influenced by the Egyptians.

While the history of the overall country is quite ancient, the Kingdom of Kush flourished between c. 1069 BCE and 350 CE. The New Kingdom of Egypt (c. 1570-1069 BCE) was in the final stages of decline c. 1069 BCE, which empowered the Kushite city-state of Napata. The Kushites no longer had to worry about incursions into their territory by Egypt because Egypt now had enough trouble managing itself. They founded the Kingdom of Kush with Napata as its capital, and Kush became the power in the region while Egypt floundered.

Kushite kings became the pharaohs of Egypt's 25th Dynasty and Kushite princesses dominated the political landscape of Thebes in the position of God's Wife of Amun. The Kushite king Kashta (c. 750 BCE) was the first to establish himself on the Egyptian throne and appointed his daughter, Amenirdis I, the first Kushite God's Wife of Amun. He was followed by other great Kushite kings who reigned until the Assyrian invasion of Egypt by Ashurbanipal in 666 BCE.

In c. 590 BCE Napata was sacked by the Egyptian pharaoh Psammeticus II (595-589 BCE) and the capital of Kush was moved to Meroe. The Kingdom of Kush continued on with Meroe as its capital until an invasion by the Aksumites c. 330 CE which destroyed the city and toppled the kingdom. Overuse of the land, however, had already depleted the resources of Kush and the cities would most likely have been abandoned even without the Aksumite invasion. Following this event, Meroe and the dwindling Kingdom of Kush survived another 20 years before its end c. 350 CE.

Sponsorship Message

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#History #Aksum #Amun #Egypt #WHE #[#]

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jadewritesficshere · 2 years ago

Text

Sitting Pretty

This is just pure filth like barely a plot ok 😫🥴

Eddie Munson x Female!reader

18+ONLY

Warnings: pet names (baby, pretty girl), slight degradation and condescending language (use of slut) (this really isn't degradation in my mind but that's cause I'm used to a lot worse so technically it is but), boot riding, squirting

Eddie dropped the box on the coffee table with a loud thud. It landed next to the other boxes he had carried, and the one you had. After a long day of work, he was tired. He wanted to sit down, relax, and do absolutely nothing. Of course, when you called and said you needed help moving boxes, he came. He knew he was entirely fucked. Wrapped around your fingers. You could tell him to jump and he'd ask how high.

Eddie pushed a strand of hair out of his face, it briefly getting caught on his fingers, making him shake his hand to get it unstuck. He glared at the partially grey hair still wound around his fingers (you said it made him look distinguished and metal. He couldn't complain too much at that). You set your own box on the table and smiled at him,"Thanks Eds, I know you're tired. It means a lot to me you would do this." Eddie hummed,"mhm. What is this stuff anyways?" "Oh, my uncle and aunt were getting rid of a bunch of stuff, so they gave it to my parents, who got rid of more stuff, aaaannnd dumped it on me," you shrugged," I'll go through it and see if there is anything good, then send it to the secondhand store."

Together, you and Eddie started going through the boxes. Eddie pretended to be wounded finding a dungeon master's guide, you found a harmonica and attempted to play a Corroded Coffin song (which had Eddie wheeze laughing and joking about adding a harmonica solo to their next single), he had tried on a pink jacket at your insistence while you had put on a hat that didn't fit (both of you traded items and agreed they looked better on each other then yourselves before promptly tossing the items back in the box), and then you struck gold.

You pulled out a pair of light brown leather cowboy boots. The intricate stitching on the side had caught your eye at the bottom of the box. The tips of the shoes slightly pointed and squared off. You blink at them and hand them to Eddie. Eddie looks at them before scoffing," Nope, those will squish my feet. You see the ends of them?" You roll your eyes," Eddie, if they hurt people's feet why would cowboys wear them? They work on their feet all day!" Eddie was tempted to tease you and say cowboys aren't real, but then you pout at him. The pout making your lips stand out caused him to hesitate. "Please?" He sighed and couldn't help but give you a quick kiss before grumbling and sitting to put the boots on. He could hear your faint cheers as he sat on the recliner.

Your focus was on the box in front of you until you heard Eddie clear his throat and ask,"Well, what do ya think?" You turned and-

Damn.

Eddie stood there with his hands on his hips. Your eyes trailed over him. His curly hair was frizzy from the humidity and a long day of working and sweating at the auto shop. His skin pale, save for a smear of oil on his cheekbone. His tank top showed off his arms beautifully, muscles straining, his bicep wrapped from a new tattoo he had gotten. The tank top tight against his skin, showing you his waist. You could see the bump at his belly button where his piercing was. His jeans were slightly loose, the only light wash pair he owned that he threw on when he hadn't done the laundry. Those stupid cowboy boots sat on his feet, the slight heel giving him extra height. He turned and held his arms out, striking a few poses. They weren't heels, but they made his ass pop (God, now you wanted to see him in heels). The light jeans making his ass look bigger, perfect to hold. Slap even.

"Ya know, they actually are kinda comfortable," Eddie turned back to face you with a smile," they don't- oof!" Eddie lands on the recliner with a grunt from you pushing him. He glares at you," you have to quit doing that! You're gonna strain my back or some shit." "Hm...stop being so fuckable then," you climb on top of his lap and lean close to his ear to whisper," besides, you like it." Eddie clears his throat and grasps your hips. You roll your hips slightly into his, watching him inhale sharply. The scruff of his unshaved jaw beckons you forward, kissing it lightly before trailing down his neck.

You nip and suck at his neck, smirking as he tilts his head to give you better access. His hands that firmly grasp your hips, shift to grab your ass instead. You hum as you pull back, staring at the glistening neck and the lovely purple mark you left. It may be childish to leave a hickey, but you couldn't help but want to mark Eddie up, adding shades of purple and red near his existing tattoos. Eddie's eyes are blown, his pale face flushed a deep red. You shift on top of him, rolling your hips into his again, feeling his hardening length. The feeling of you grinding against him makes him groan. Unbuttoning his jeans, you awkwardly try to unzip them, leaning back into Eddie's hands. He takes that moment to squeeze your ass. You whimper at the feeling and lean forward to kiss him, thoughts of removing his pants forgotten.

His lips are soft, slightly chapped, but still so plush against yours. Your mouths move in tandem, tongues darting out. Eddie licks into your mouth, groaning as he takes control. He sucks on the tip of your tongue before pulling back. Both of you taking deep breaths. "Take these off baby," Eddie mumbles, tugging at the hem of your shorts. You nod and clamber off him.

You push your shorts and panties down, balancing a hand on Eddie's knee as you step out of them. You go to get back on Eddie but he stops you," Now hold on, baby." You let out a whine in annoyance. Eddie chuckles and clicks his tongue at you," You seem all pent up, what's got you like this?" "You, now let me on-" "Nah, I think it's something else. Like my boots, Baby?" You nod emphatically, attempting to straddle Eddie again, but he puts his leg out in front of you. The sole of his boot presses against your stomach, and he pushes you back lightly. "Prove it pretty girl."

You pause and tilt your head slightly before grasping Eddie's boot covered ankle. Eddie nods to his foot and taps your stomach with the sole. You step back and bend at the hips, eyes locked with Eddie's, and kiss the tip of the boot. He chuckles and motions you with a finger to continue. You give the boot another kiss, and another. The leather firm against your mouth. Eddie smirks," You can do better then that." "I'm not licking the boot." You stand up and drop Eddie's foot with a thud. Eddie relaxes back spreading his legs, "Who said anything about licking? What's that saying...save a horse, ride a cowboy?"

You blink at him as your mouth falls open. Eddie taps the boot against the hardwood ground, causing clicks to echo. "Go on pretty girl." You can feel your arousal slowly drip down your thighs at the thought of Eddie's request. It was demeaning, dirty, and damn if it didn't delight you. You slowly kneel at Eddie's feet, lowering yourself until your core hit the leather.

The fabric was stiff and slightly rough against your pussy. Your arousal dripping onto the boot, causing it to slicken and make it easier to move. You look up from where you're situated to look at Eddie. You can't help the moan that escapes at the site of him. The once slightly baggy jeans are now very filled out from his bulge. One hand resting on it, squeezing lightly. The top of his unbuttoned jeans showing off his happy trail. The opal belly button piercing glinting in the light. The tattoo of the dragon above the jewelry moving with every deep breath he takes. A hickey on his pec from last week. The rest of his tattoos scattered about, glistening from sweat. The scruff on his jaw and neck. The grey hairs at his temples. The smirk on his face, even though it is flushed. The demeaning look he gives you.

You grind against the boot, faltering slightly under his gaze. "Look at you, sitting pretty," Eddie coos at you, patting your head. He knows you hate that, making you feel small. Stupid. "Such a good slut, making my boots all wet." His words make you clench around nothing, throbbing with want.

You buck your hips quicker against his boot. You shift angles slightly and moan as the boot rubs against your clit. The sensation is too much. The pleasure invades your brain, coherent thoughts gone. You feel the pressure building in your lower stomach. A tingly warmth spreading out from your core. "Fuck I'm-" your breath hitches and your hips fumble losing rhythm. "Come for me baby," Eddie grasps your jaw firmly, tilting your head up to face him," Drench my boots like the good slut you are, pretty girl." You gasp as the pressure builds to a crescendo. Your eyes close and you moan head falling back in pleasure. Lights flash behind your eyes as euphoria spreads throughout your limbs. You distantly feel the wetness gush as your hips buck wantonly. Your brain goes fuzzy with static from euphoria. You briefly hear Eddie moan a fuck.

You come back down to earth, loosening your grip on Eddie's thighs. You hadn't even realized you were gripping them. You scoot away from his boot, still on your knees. The light brown leather is soaked, turning a dark brown. A puddle of your release is on the boot, making you feel warm from embarrassment.

"Fucking hell...you squirted," Eddie shakes his head and chuckles. You stand on shaky legs, Eddie helping hold you in place. You glance down at the puddle slowly dripping off his shoe and onto the floor. "Can I ride you now?" You ask saccharinely.

"You're gonna have to give me a minute," Eddie's eyes dart away from yours, clearing his throat. He shifts and you glance at the movement. His jeans are slightly loose again. The light denim jeans having turned dark at a wet spot. "Made me come like a fucking teenager," Eddie stands grabbing your hand. He tugs on your arm, leading you towards the bedroom.

You were definitely keeping the cowboy boots.

#Is this the same Eddie from Wrecked yes yes it is will I ever write a part 2 to that uh maybe #I love this older Eddie with a belly button piercing he has invaded my brain and taken up residence in my heart #I realized after I finished this you are basically doing a Winnie the Pooh in over half of this #You really did soak his shoes making them shine #Anyways no Eddie isnt a cowboy but he could be he has the swagger for one #This isn't even really degradation in my mind but I know it is to some so #eddie munson x you #Eddie Munson x y/n #Eddie Munson x reader #Eddie Munson/you #Eddie Munson/reader #Eddie Munson x female!reader #Eddie Munson smut #Eddie Munson/female!reader #Stranger Things #Also please go read and enjoy cowboy Eddie fics cause they are so good #ALSO if anyone is reading this I did try to make like a header picture thing but it kept deleting paragraphs when it was added #So I went without cause really we dont need that we need the words #Is this well done no but it is done and I am well so #Jade is Talking

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livelaughlovetoread · 6 months ago

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Floating Comment Box

I updated the code from THIS POST.

It does a couple of things different:

Displays Kudos in a scrollable box. If you want to show more kudos change the height to 50 or remove everything after "position: relative;" in that section and it will show them all. You can also hide the kudos by putting none where block is.

It adds a white background behind the comments so they are not floating in a clear background (hard to read that way).

It also changes the position of the comments to relative so they don't jump to the top of the page.

UPDATE: Added a scroll box for the comments after they are shown so if there are many it does not take over the screen.

div#feedback { position: sticky; bottom: 9px; margin: auto; z-index: 20; background-color: white; } #feedback textarea.comment_form { min-height: 5em; } #kudos { display: block; position: relative; height: 40px; width: auto; overflow-y: scroll; } #add_comment_placeholder { position: relative; background-color: white; } #comments_placeholder { position: relative; height: 300px; width: auto; overflow-y: scroll; }

To add the skin:

Then hit SUBMIT.

Then hit USE.

It Should look like this

(You can see the start of the Kudos, put your curser there and you can scroll)

This is what it should look like for mobile.

You can shut it off on moble if you want

#ao3 #ao3 skins

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jovial-thunder · 1 year ago

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Pre-alpha Lancer Tactics changelog

(cross-posting the full gif changelog here because folks seemed to like it last time I did)

We're aiming for getting the first public alpha for backers by the end of this month! Carpenter and I scoped out mechanics that can wait until after the alpha (e.g. grappling, hiding) in favor of tying up the hundred loose threads that are needed for something that approaches a playable game. So this is mostly a big ol changelog of an update from doing that.

But I also gave a talent talk at a local Portland Indie Game Squad event about engine architecture! It'll sound familiar if you've been reading these updates; I laid out the basic idea for this talk almost a year ago, back in the June 2023 update.

youtube

We've also signed contracts & had a kickoff meeting with our writers to start on the campaigns. While I've enjoyed like a year of engine-work, it'll be so so nice to start getting to tell stories. Data structures don't mean anything beyond how they affect humans & other life.

New Content

Implemented flying as a status; unit counts as +3 spaces above the current ground level and ignores terrain and elevation extra movement costs. Added hover + takeoff/land animations.

Gave deployables the ability to have 3D meshes instead of 2D sprites; we'll probably use this mostly when the deployable in question is climbable.

Related, I fixed a bug where after terrain destruction, all units recheck the ground height under them so they'll move down if the ground is shot out from under them. When the Jerichos do that, they say "oh heck, the ground is taller! I better move up to stand on it!" — not realizing that the taller ground they're seeing came from themselves.

Fixed by locking some units' rendering to the ground level; this means no stacking climbable things, which is a call I'm comfortable making. We ain't making minecraft here (I whisper to myself, gazing at the bottom of my tea mug).

Block sizes are currently 1x1x0.5 — half as tall as they are wide. Since that was a size I pulled out of nowhere for convenience, we did some art tests for different block heights and camera angles. TLDR that size works great and we're leaving it.

Added Cone AOE pattern, courtesy of an algorithm NMcCoy sent me that guarantees the correct number of tiles are picked at the correct distance from the origin.

pick your aim angle

for each distance step N of your cone, make a list ("ring") of all the cells at that distance from your origin

sort those cells by angular distance from your aim angle, and include the N closest cells in that ring in the cone's area

Here's a gif they made of it in Bitsy:

Units face where you're planning on moving/targeting them.

Got Walking Armory's Shock option working. Added subtle (too subtle, now that I look at it) electricity effect.

Other things we've added but I don't have gifs for or failed to upload. You'll have to trust me. :)

disengage action

overcharge action

Improved Armament core bonus

basic mine explosion fx

explosion fx on character dying

Increase map elevation cap to 10. It's nice but definitely is risky with increasing the voxel space, gonna have to keep an eye on performance.

Added Structured + Stress event and the associated popups. Also added meltdown status (and hidden countdown), but there's not animation for this yet so your guy just abruptly disappears and leaves huge crater.

UI Improvements

Rearranged the portrait maker. Auto-expand the color picker so you don't have to keep clicking into a submenu.

Added topdown camera mode by pressing R for handling getting mechs out of tight spaces.

The action tooltips have been bothering me for a while; they extend up and cover prime play-area real estate in the center of the screen. So I redesigned them to be shorter and have a max height by putting long descriptions in a scrollable box. This sounds simple, but the redesign, pulling in all the correct data for the tags, and wiring up the tooltips took like seven hours. Game dev is hard, yo.

Put the unit inspect popups in lockable tooltips + added a bunch of tooltips to them.

Implemented the rest of Carpenter's cool hex-y action and end turn readout. I'm a big fan of whenever we can make the game look more like a game and less like a website (though he balances out my impulse for that for the sake of legibility).

Added a JANKY talent/frame picker. I swear we have designs for a better one, but sometimes you gotta just get it working. Also seen briefly here are basic level up/down and HASE buttons.

Other no-picture things:

Negated the map-scaling effect that happens when the window resizes to prevent bad pixel scaling of mechs at different resolutions; making the window bigger now just lets you see more play area instead of making things bigger.

WIP Objectives Bullets panel to give the current sitrep info

Wired up a buncha tooltips throughout the character sheet.

Under the Hood

Serialization: can save/load games! This is the payoff for sticking with that engine architecture I've been going on about. I had to add a serialization function to everything in the center layer which took a while, but it was fairly straightforward work with few curveballs.

Finished replacement of the kit/unit/reinforcement group/sitrep pickers with a new standardized system that can pull from stock data and user-saved data.

Updated to Godot 4.2.2; the game (and editor) has been crashing on exit for a LONG time and for the life of me I couldn't track down why, but this minor update in Godot completely fixed the bug. I still have no idea what was happening, but it's so cool to be working in an engine that's this active bugfixing-wise!

Other Bugfixes

Pulled straight from the internal changelog, no edits for public parseability:

calculate cover for fliers correctly

no overwatch when outside of vertical threat

fixed skirmisher triggering for each attack in an AOE

fixed jumpjets boost-available detection

fixed mines not triggering when you step right on top of them // at a different elevation but still adjacent

weapon mods not a valid target for destruction

made camera pan less jumpy and adjust to the terrain height

better Buff name/desc localization

Fixed compcon planner letting you both boost and attack with one quick action.

Fix displayed movement points not updating

Prevent wrecks from going prone

fix berserkers not moving if they were exactly one tile away

hex mine uses deployer's save target instead of 0

restrict weapon mod selection if you don't have the SP to pay

fix deployable previews not going away

fix impaired not showing up in the unit inspector (its status code is 0 so there was a check that was like "looks like there's no status here")

fix skirmisher letting you move to a tile that should cost two movement if it's only one space away

fix hit percent calculation

fix rangefinder grid shader corner issues (this was like a full day to rewrite the shader to be better)

Teleporting costs the max(spaces traveled, elevation change) instead of always 1

So um, yeah, that's my talk, any questions? (I had a professor once tell us to never end a talk like this, so now of course it's the phrase that first comes to mind whenever I end a talk)

#lancer tactics #lancer rpg #indie game dev #made with godot #godot engine #godot 4 #Youtube

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kiki-de-la-petite-flaque · 3 months ago

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Important Shortcuts Keys For Computer

CTRL+A. . . . . . . . . . . . . . . . . Select All

CTRL+C. . . . . . . . . . . . . . . . . Copy

CTRL+X. . . . . . . . . . . . . . . . . Cut

CTRL+V. . . . . . . . . . . . . . . . . Paste

CTRL+Z. . . . . . . . . . . . . . . . . Undo

CTRL+B. . . . . . . . . . . . . . . . . Bold

CTRL+U. . . . . . . . . . . . . . . . . Underline

CTRL+I . . . . . . . . . . . . . . . . . Italic

F1 . . . . . . . . . . . . . . . . . . . . . . Help

F2 . . . . . . . . . . . . . . . . . . . . . Rename selected object

F3 . . . . . . . . . . . . . . . . . . . . . Find all files

F4 . . . . . . . . . . . . . . . . . . . . . Opens file list drop-down in dialogs

F5 . . . . . . . . . . . . . . . . . . . . . Refresh current window

F6 . . . . . . . . . . . . . . . . . . . . . Shifts focus in Windows Explorer

F10 . . . . . . . . . . . . . . . . . . . . Activates menu bar options

ALT+TAB . . . . . . . . . . . . . . . . Cycles between open applications

ALT+F4 . . . . . . . . . . . . . . . . . Quit program, close current window

ALT+F6 . . . . . . . . . . . . . . . . . Switch between current program windows

ALT+ENTER. . . . . . . . . . . . . . Opens properties dialog

ALT+SPACE . . . . . . . . . . . . . . System menu for current window

ALT+¢ . . . . . . . . . . . . . . . . . . opens drop-down lists in dialog boxes

BACKSPACE . . . . . . . . . . . . . Switch to parent folder

CTRL+ESC . . . . . . . . . . . . . . Opens Start menu

CTRL+ALT+DEL . . . . . . . . . . Opens task manager, reboots the computer

CTRL+TAB . . . . . . . . . . . . . . Move through property tabs

CTRL+SHIFT+DRAG . . . . . . . Create shortcut (also right-click, drag)

CTRL+DRAG . . . . . . . . . . . . . Copy File

ESC . . . . . . . . . . . . . . . . . . . Cancel last function

SHIFT . . . . . . . . . . . . . . . . . . Press/hold SHIFT, insert CD-ROM to bypass auto-play

SHIFT+DRAG . . . . . . . . . . . . Move file

SHIFT+F10. . . . . . . . . . . . . . . Opens context menu (same as right-click)

SHIFT+DELETE . . . . . . . . . . . Full wipe delete (bypasses Recycle Bin)

ALT+underlined letter . . . . Opens the corresponding menu

PC Keyboard Shortcuts

Document Cursor Controls

HOME . . . . . . . . . . . . . . to beginning of line or far left of field or screen

END . . . . . . . . . . . . . . . . to end of line, or far right of field or screen

CTRL+HOME . . . . . . . . to the top

CTRL+END . . . . . . . . . . to the bottom

PAGE UP . . . . . . . . . . . . moves document or dialog box up one page

PAGE DOWN . . . . . . . . moves document or dialog down one page

ARROW KEYS . . . . . . . move focus in documents, dialogs, etc.

CTRL+ > . . . . . . . . . . . . next word

CTRL+SHIFT+ > . . . . . . selects word

Windows Explorer Tree Control

Numeric Keypad * . . . Expand all under current selection

Numeric Keypad + . . . Expands current selection

Numeric Keypad – . . . Collapses current selection

¦ . . . . . . . . . . . . . . . . . . . Expand current selection or go to first child

‰ . . . . . . . . . . . . . . . . . . Collapse current selection or go to parent

Special Characters

‘ Opening single quote . . . alt 0145

’ Closing single quote . . . . alt 0146

“ Opening double quote . . . alt 0147

“ Closing double quote. . . . alt 0148

– En dash. . . . . . . . . . . . . . . alt 0150

— Em dash . . . . . . . . . . . . . . alt 0151

… Ellipsis. . . . . . . . . . . . . . . . alt 0133

• Bullet . . . . . . . . . . . . . . . . alt 0149

• ®️ Registration Mark . . . . . . . alt 0174

• ©️ Copyright . . . . . . . . . . . . . alt 0169

• ™️ Trademark . . . . . . . . . . . . alt 0153

• ° Degree symbol. . . . . . . . . alt 0176

• ¢ Cent sign . . . . . . . . . . . . . alt 0162

• 1⁄4 . . . . . . . . . . . . . . . . . . . . . alt 0188

• 1⁄2 . . . . . . . . . . . . . . . . . . . . . alt 0189

• 3⁄4 . . . . . . . . . . . . . . . . . . . . . alt 0190

• PC Keyboard Shortcuts

• Creating unique images in a uniform world!

• é . . . . . . . . . . . . . . . alt 0233

• É . . . . . . . . . . . . . . . alt 0201

• ñ . . . . . . . . . . . . . . . alt 0241

• ÷ . . . . . . . . . . . . . . . alt 0247

• File menu options in current program

• Alt + E Edit options in current program

• F1 Universal help (for all programs)

• Ctrl + A Select all text

• Ctrl + X Cut selected item

• Shift + Del Cut selected item

• Ctrl + C Copy selected item

• Ctrl + Ins Copy selected item

• Ctrl + V Paste

• Shift + Ins Paste

• Home Go to beginning of current line

• Ctrl + Home Go to beginning of document

• End Go to end of current line

• Ctrl + End Go to end of document

• Shift + Home Highlight from current position to beginning of line

• Shift + End Highlight from current position to end of line

• Ctrl + f Move one word to the left at a time

• Ctrl + g Move one word to the right at a time

• MICROSOFT®️ WINDOWS® SHORTCUT KEYS

• Alt + Tab Switch between open applications

• Alt +

• Shift + Tab

• Switch backwards between open

• applications

• Alt + Print

• Screen

• Create screen shot for current program

• Ctrl + Alt + Del Reboot/Windows®️ task manager

• Ctrl + Esc Bring up start menu

• Alt + Esc Switch between applications on taskbar

• F2 Rename selected icon

• F3 Start find from desktop

• F4 Open the drive selection when browsing

• F5 Refresh contents

• Alt + F4 Close current open program

• Ctrl + F4 Close window in program

• Ctrl + Plus

• Key

• Automatically adjust widths of all columns

• in Windows Explorer

• Alt + Enter Open properties window of selected icon

• or program

• Shift + F10 Simulate right-click on selected item

• Shift + Del Delete programs/files permanently

• Holding Shift

• During Bootup

• Boot safe mode or bypass system files

• Holding Shift

• During Bootup

• When putting in an audio CD, will prevent

• CD Player from playing

• WINKEY SHORTCUTS

• WINKEY + D Bring desktop to the top of other windows

• WINKEY + M Minimize all windows

• WINKEY +

• SHIFT + M

• Undo the minimize done by WINKEY + M

• and WINKEY + D

• WINKEY + E Open Microsoft Explorer

• WINKEY + Tab Cycle through open programs on taskbar

• WINKEY + F Display the Windows®️ Search/Find feature

• WINKEY +

• CTRL + F

• Display the search for computers window

• WINKEY + F1 Display the Microsoft®️ Windows®️ help

• WINKEY + R Open the run window

• WINKEY +

• Pause /Break

• Open the system properties window

• WINKEY + U Open utility manager

• WINKEY + L Lock the computer (Windows XP®️ & later)

• OUTLOOK®️ SHORTCUT KEYS

• Alt + S Send the email

• Ctrl + C Copy selected text

• Ctrl + X Cut selected text

• Ctrl + P Open print dialog box

• Ctrl + K Complete name/email typed in address bar

• Ctrl + B Bold highlighted selection

• Ctrl + I Italicize highlighted selection

• Ctrl + U Underline highlighted selection

• Ctrl + R Reply to an email

• Ctrl + F Forward an email

• Ctrl + N Create a new email

• Ctrl + Shift + A Create a new appointment to your calendar

• Ctrl + Shift + O Open the outbox

• Ctrl + Shift + I Open the inbox

• Ctrl + Shift + K Add a new task

• Ctrl + Shift + C Create a new contact

• Ctrl + Shift+ J Create a new journal entry

• WORD®️ SHORTCUT KEYS

• Ctrl + A Select all contents of the page

• Ctrl + B Bold highlighted selection

• Ctrl + C Copy selected text

• Ctrl + X Cut selected text

• Ctrl + N Open new/blank document

• Ctrl + O Open options

• Ctrl + P Open the print window

• Ctrl + F Open find box

• Ctrl + I Italicize highlighted selection

• Ctrl + K Insert link

• Ctrl + U Underline highlighted selection

• Ctrl + V Paste

• Ctrl + Y Redo the last action performed

• Ctrl + Z Undo last action

• Ctrl + G Find and replace options

• Ctrl + H Find and replace options

• Ctrl + J Justify paragraph alignment

• Ctrl + L Align selected text or line to the left

• Ctrl + Q Align selected paragraph to the left

• Ctrl + E Align selected

__________The End__________

#unknown

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kairiscorner · 2 years ago

Text

˗ˏˋ ✮ kairi's AUtober !

day 2: mechanic miguel o'hara

you grumbled as you begged your car not to give out on your way to the nearest auto repair shop. it wasn't that fancy, not that any auto repair shop you came across was anything too grand, but if the mechanic inside did the job right, you wouldn't kind waiting here for a few hours.

you cussed as your engine sputtered and your air conditioner gave out, but you were right on time as you parked the hunk of junk inside the garage, and might've accidentally bumped into one of the mechanic's under chassis trolley, knocking all their tools over with a series of loud clangs and clinks. the sound of the back door to the home connected to the auto repair shop flew open, and a big, tanned complexioned man with a white tank top and low rise ripped blue jeans entered the garage, muttering some things in spanish.

"puta madre, qué diablos trajiste a mi garaje?" he asked you in a gruff, irritated tone. the mechanic ran his hand through his tousled, dark, curly brown hair and breathed in through his teeth and shook his head, he picked up all the wrenches and screwdrivers that fell over and put them all in his tool box.

you climbed out of your car and accidentally stumbled over in your haste to apologize. "sorry, it's just, my car's–woah!" you exclaimed as you stumbled and fell down on your knees. he sighed and clicked his tongue as he went over to you to help you up, extending his large hand out to you that was a bit stained with oil and dust, but one that wanted to help you get up on your feet after you failed trying to help him out.

you took the man's hand, and as though you were nothing but a feather in his hand, he lifted you up with ease and set you down on your feet. he walked past your fazed figure, fazed and dazed at how strong the man was. it wasn't surprising, his size was nothing to joke about, he was... very, very built. "tell me, what's wrong with this thing?" he asked you as he began to lift the hood of your car, the muscles on his back flexing as he did. you couldn't help but check out every curve and bump on his back; from his shoulders down to his waist, and even lower than that.

you gulped and tried explaining to him how your engine was giving out for the past few weeks, to which the mechanic sighed and put the hood back down and wiped the sweat off his forehead from the blazing hot sun beating down on you two. "this might take a few hours, this baby's been begging for maintenance." he muttered as he walked over to put on his gloves and to get his tools.

he pulled up a chair for you to sit in, and when you didn't sit, he raised an eyebrow at you. "por qué no estás sentado? don't make me feel like a bad host, take a seat." he insisted as you darted your eyes from his glistening, sweaty collarbone and neck to the chair he was holding out for you. you mumbled out your thanks and awkwardly sat in the chair, shifting from here to there as the mechanic nodded to you in response.

"ah, thanks for... you know, doing this." "you're paying me for this, the money will be enough thanks from you." he told you as he got down underneath the car and began to check the bottom of the vehicle. you chuckled awkwardly and shifted in your seat again, fidgeting with your thumbs. "right, right... um, i never got your na—" "o'hara." he responded promptly. you coughed a little at his response. "i meant your first name." "...miguel, miguel o'hara." he introduced himself as you nodded. "well, thanks for fixing my car, miguel." "again, thank me when this is over–" he said as he pushed himself out from underneath the car and looked at you with a piercing gaze, with those pretty light brown eyes of his that were so hypnotic. "–and in cash." he muttered in the end, his eyes glued to you for a few seconds until he went back underneath the car to begin fixing it.

though... maybe he would bring the fee down a little, if you'd stay there and keep talking to him to keep him company; but he'd keep that offer on the table, show him a good time with some equally good company and he'd probably do this for free–but that's all just a probably.

tags !! @miguelswifey04 @hearts4gabri @hisachuu @wreakingmarveloushavok @fictarian @yuridopted0 @simsrandomstuff @luvstarrstruck @popeheywardssecretgf @meeom @arachnoia @melovetitties @fable-library @ophanimgold @smokeywhalee @capnshtfce

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whatsnewalycat · 1 year ago

Text

Passenger / Chapter 6

Pairing: Trucker!Din Djarin AU x OFC Charlie Wanderlust

Wyoming (Part Three)

[ Previous Chapter ][ Series Masterlist ][ Next Chapter ]

Chapter Summary: Charlie strikes a deal with the mechanic.

Rating: Explicit (18+ only)

Word Count: 7.3k+

Content / Warnings: yearning, slow burn, horny thoughts, food mention, eating, handcuffs, one bed, shower, dog grogu, guns

Notes: None really. Hope you like it, thank you for reading!

A bell chimes when Din pushes open the door to Giddyup Auto, and again when he lets it swing shut behind you.

It’s just as cluttered inside the shop as it is outside. Pornographic magazines have been stacked alongside NAPA catalogs and tattered notepads on top of tool boxes. Promotional branding from popular auto parts manufacturers patch the steel walls, occasionally broken up by snarky signs that read things like KWITCHERBITCHIN AVE and I CAN FIX ANYTHING EXCEPT STUPID.

Country music crackles from blown speakers at the back of the shop, echoing off the tall ceiling. The rough, strained sound blends horribly with a high-pitched whir coming from beneath a 1989 Dodge Ram 250.

Din inhales the scent of motor oil and metal shavings. Adolescent nostalgia wells up in his chest like pride, some vague understanding of what it means to be a man. The responsibility of maintenance. Caretaking and custodianship.

He catches a glimpse of his adoptive father wringing his hands with an oil-soaked rag while rattling off the basic components of an internal combustion engine. Then he blinks it away.

Out of the corner of his eye, you adjust your grip on the wriggling dog, slipping one hand beneath his bottom and the other across his chest. Grogu huffs at the intrusion, but once he’s steadied to a higher vantage point, he seems pleased. His ears stand at attention, jowls sealed shut, the tip of his snout twitching with curiosity.

Both you and the dog look around the garage with the same kind of wide-eyed wonder. Two explorers ready to investigate this whole new world. Din leads the way deeper into the automotive bay, following the shrill grinding sound to the old rusted-out truck.

When he comes to a halt, so does the noise, then Paul slides out from under the truck on a creeper.

“Hey there! Sorry, I didn’t hear y’all come in,” he gestures to the impact wrench in his hand as he sets it down.

“Hi, Paul,” you greet him with a cheerful smile.

Rising to his feet, he beams, “Miss Charlie, how’re you today?”

The twinkle in his bright eyes makes Din feel uneasy. Strands of gray streak his dark beard and pepper his slicked-back hair. Hard-earned wrinkles crease his face. He’s twice your age at least, and Din can’t quite determine whether his intentions are cordial or flirtatious.

Either way, you hardly seem to mind. You perk up at the attention, taking a step towards him as you reply, “Can’t complain. Yourself?”

“Oh, just fine. Annie get y’all set up at the motel?”

“She sure did. It was nice to sleep in a bed for once, y’know, after being on the road for so long. Thank you for recommending it to us.”

“‘Course. Yellow Seed’s been treatin’ you alright?”

“Yeah! We got to poke around a little yesterday. Went and got supper at the Outlaw Saloon, which was good,” you glance at Din and chuckle a little, “The locals didn’t seem too keen on us. Got a few dirty looks, but that’s not surprising.”

Paul laughs at this, crossing his arms as he leans back against the truck, “Well, you know, we small town folks don’t always like outsiders.”

“I’m used to it,” you shrug dismissively, then your face lights up, “But, hey, I talked to the owner and they’re gonna let me play a couple sets tomorrow night if you wanna swing by.”

“No shit?” Paul grins and catches himself, “Pardon my language—”

“It’s fine,” you wave it off.

“Playin’ a few sets at the Outlaw Saloon,” Paul repeats, shaking his head with amusement, “What kinda music you play?”

“I know a little bit of everything. These kinds of gigs, I try to feel out the crowd. I catch a country music kinda vibe around here, so probably some Hank Williams Jr, Alan Jackson, Johnny Cash. Stuff like that,” you tilt your head at him, “Got any requests?”

“Know any Waylon Jennings?”

“Sure, I have a few of his tunes up my sleeve. Any particular song?”

“Surprise me,” he winks.

Din tries to retain his stoic demeanor despite the discomfort writhing beneath his skin. The dog must pick up on this, because he whines at his owner and starts to squirm in your grip.

Struggling with Grogu’s protest, you ask Paul, “Is it ok if I set him down?”

“Go on ahead, darlin’,” Paul tells you, then turns to Din, “How about you? Settling in ok?”

“How much will it cost to fix?”

Paul raises his eyebrows and pushes off the truck, “Right down to brass tacks, huh?”

“He’s not much of a talker,” you smirk as you set the dog on the cement floor and start roaming around the shop, leash in hand.

“I can respect that.” His gaze lingers on your wandering form for a moment longer before he looks at Din and sighs, “Well, I had some luck calling around to a few junkyards lookin’ for salvaged or used parts. Found a good price for what I need. With that ‘n’ labor, it’ll run you twenty-five hundred, long as everything goes smoothly.”

Din weighs the cost against his bank account, factoring in the motel room, gas to get to the next job, and food for a few days. It would run him dry. His stomach tightens and twists. Before he can formulate a response, you chime in.

“Is there any way we can knock that price down?”

Paul crosses his arms across his chest and gives you a sympathetic shrug, “Way it stands, ‘fraid I can’t.”

You nod as you consider this, furrowing your brow at the floor, then look up at him, “What if we make a trade?”

“A trade?” Paul frowns.

“Yeah, or, you know. Some kind of a deal. We scratch your back, you scratch ours.”

Paul’s blue eyes flick between you and Din, “Wha’d you have in mind, sweetheart?”

Din’s first instinct is to shut down the conversation. But when you glance at him as if searching for approval, he doesn’t protest. You turn back to Paul and nod over your shoulder, “I noticed your sign out front is pretty faded. I could paint it if you knock a couple hundred off?”

Paul shifts his weight to one leg and wrinkles his nose. Not sold. You don’t let it deter you.

“I’ve done murals before, so this would be a piece of cake. It looks pretty shabby now, but I can make it,” you smack your lips, “pop. Maybe it’d bring in some more business for you.”

Shaking his head, he smirks at Din, “She’s persistent, ain’t she?”

“She is.”

“I am,” you confirm with a wide, toothy grin, “Whaddaya say? I do the sign, take off $500?“

Paul works his jaw from side to side, then slackens and sticks out his hand, “Five hundred.”

“Plus the cost of supplies,” you add.

“Plus the—” he cuts himself off with an amused chuckle, “You’re somethin’ else. Fine. Five hundred plus costs.”

When you shake his hand, a victorious, blinding smile spreads across your face. The corner of Din’s mouth turns up at the sight. He fails to correct his expression as you take a step back and glance at him. His heart skips in that brief moment where his eyes meet yours, before you drop your gaze to your feet and tuck a lock of hair behind your ear. Blush rises to your cheeks and neck, rosy splotches that bloom soft and full in his chest.

“Whaddaya think, should $100 do it?” Paul asks.

“I think we can make that work,” you nod, “Do you have paint brushes or rollers? Sandpaper?”

“Reckon I do. Hang tight, I’ll get y’all some cash, ok?”

Once he’s out of earshot, Din studies you, wondering out loud, “Why are you helping me?”

“Rule number ten: Be a stand up tramp,” you shrug, crouching down to scratch Grogu between his ears, “Plus, I don’t know, it just seems like… the right thing to do.”

Your answer perplexes him. He can’t come up with a response other than, “Thank you.”

“You’re welcome,” you grin up at him, then rise to your feet and change the subject, “I’m hungry. We should get lunch. And maybe get some groceries, too, so we—er, you don’t have to spend as much on eating out.”

The authority with which you suggest this causes him to chafe. He wants to push back for no reason other than to reclaim the upper hand. Your reasoning is sound, though. It’s not a bad idea.

“We can do that.”

“Yeah?”

He nods.

Your gaze lingers on him for a moment, lips curving into a delicate smile. Something flutters in his stomach, frantic and timid, urging him to put up a wall between you. But he keeps his eyes anchored to yours despite his internal warning bells.

The tight wire of tension slackens as Paul returns, counting a stack of wrinkled bills, “Here you go.”

You step forward to accept the cash, “Perfect. Thank you, Paul.”

“Are y’all gonna be able to carry everything back here, or do you wanna borrow my truck? Might be a little easier that way.”

“Really?” you grin and knit your brows together into a gracious expression, “We were thinking of grabbing lunch and getting some groceries, too. Would that be ok?”

“Fine by me, just bring it back in one piece,” Paul answers, fishing a set of keys from his jumpsuit pocket and handing them to you, “Ford F-150 out front.”

“Thank you, Paul. I—we really appreciate it,” you tell him, then look at Din and raise your eyebrows expectantly.

“Yes, thank you,” Din nods in agreement.

“Don’t mention it,” Paul says, then ambles back to the old rusted-out Dodge, whistling along to some old country song.

Keeping pace at his side as he starts towards the exit, you jangle the keys and ask, “Do you want me to drive?”

“Dream on, kid,” he scoffs, holding his hand out.

“Worth a shot,” you grin and place them in his palm.

“Would it be too predictable to put a horse on the sign?” you ask, frowning at your rough outline, “I feel like there are a lot of places out here that lean into the western motif, so it might be overdone. But the place is literally called Giddyup Auto, so…”

When Din doesn’t respond, you glance up and can’t quite tell if he’s looking at you or something in your general direction.

Stupid goddamn aviators.

“You know, it’s considered polite to take off your hat and sunglasses when you go indoors.”

Again, nothing.

‘Off in lala-land’ if you’ve ever seen it.

You blink at him a few times to no reaction, then raise your voice, “Did you hear me?”

This seems to do the trick.

It’s difficult to explain how you know his eyes are on you when they are. Maybe the microscopic tilt of his head or the twitch of his eyebrows. Mostly though, you would say that his attention carries a force. One minute you’re sitting there wondering if he’s looking at you and then—bam! It hits you. Absolute certainty.

Anyway, he looks at you and asks, “What?”

“Why do you insist on wearing your Unabomber costume all the time?”

He frowns and shakes his head like he doesn’t understand.

“You know, because—Oh for cripes’ sake, nevermind,” you scoff and sit up in your seat, turning your notebook to face him, “Here. Tell me what you think.”

He looks down at your notebook and pulls it closer. As he quietly studies the sketches, discomfort twists your skin raw. Imagining all the criticisms lingering at the tip of his tongue, you can’t stop yourself from speaking preemptively.

“The first one is pretty boring, but I think the font adds a little flair. I’d blend shades of orange for the background to make it stand out and white for the text.” You prop your chin up on the heel of your palm and lean forward, pointing to the second option, “I like the covered wagon as a concept, but it would take me a long time and I’m not sure if it fits the vibe since wagons are kinda slow. The horse is fast, obviously,” you tap the third sketch and shrug, “But, like I said when you so rudely ignored me, the western motif is sort of tired in this neck of the woods.”

Nodding, he comments, “They look… nice.”

Such a way with words.

You stare at him for a moment, waiting for additional input to no avail. Raising your eyebrows, you release a big sigh and fold your legs up into the booth, “‘Nice.’ Ok, sure. Well, let me ask you this: Which one is your favorite?”

After a few seconds of contemplation, he taps the bucking bronco silhouetted over a mountain range, then pushes the notebook back across the table.

“Why that one?”

He shrugs, “It’s called Giddyup Auto.”

Instead of pointing out that you said the same thing earlier, you mutter, “Sure is, big guy,” and flip your notebook to a blank page, then start jotting down a shopping list, “We should get something for the pup while we’re out. I feel bad for leaving him behind.”

You wrinkle your nose at his silence, looking up to confirm that once again, he has drifted away.

Curiosity gets the best of you. You follow his line of sight, craning your neck over your shoulder to see the waitress approaching with a serving tray. Din straightens when she sets a plate in front of him.

“Ok, we have a breakfast platter number two,” she sets another plate in front of you, “And french toast with fruit.” Tucking the tray under her arm, she smiles between you and him, “Anything else I can get for you guys?”

“We’re fine, thank you,” Din tells her, a small smile gracing his lips.

She nods before turning to go, dragging his attention along with her. You watch him watch her, studying his wandering gaze. A grin spreads across your face. When he notices you staring, he immediately becomes defensive.

“What?”

Dead giveaway.

Suppressing a smile, you grab a butter knife and shake your head at your plate, “Nothing.”

“What?” he asks again, this time more pointed.

“I didn’t say anything!”

He scoffs and hunches over the plate to shovel scrambled eggs into his mouth.

After smearing whipped butter on your french toast, you pour syrup over your plate, glancing up at him when you ask, “Do you have a crush on the waitress?”

“No.”

Denial sours the word in the most obvious way.

Raising an eyebrow, you cut your food into bite-sized pieces as you tease, “I didn’t take you for a liar, Din. But I also didn’t take you for the kind of guy who has a soft spot for pretty service workers, so what do I know?”

Of course, he doesn’t say anything. And of course, you decide to push the conversation further.

“I just mean… If you do—you know, like her or whatever—you should ask her for her number. Take her on a date. See if you can’t live a little while you’re holed up in this town.”

“And what am I supposed to do with you in that scenario?”

Twirling a chunk of french toast around on your fork, you shrug, “Maybe she wouldn’t mind your prisoner third wheeling. That’s probably not a red flag, right?”

“Not at all.”

You snort at him and he lets a small smirk tug at the corner of his mouth. It seems to soften the atmosphere, both of you relaxing back in your seats. While chipping away at your food, you ponder a little to yourself, then out loud.

“Suppose your line of work, you don’t go on many dates, do you?”

Frowning at the strip of bacon pinched between his fingers, he tells you, “Not in the traditional sense.”

“What does that mean?”

Instead of answering the question, he pops the bacon into his mouth. When he swallows and you’re still staring at him, he shakes his head, “Forget I said anything.”

“Come on, Din,” you meet his flattened expression with a grin, “You so know I won’t let this go. Might as well just spill the beans.”

He crosses his arms in front of his chest and stares at you like a challenge. You narrow your eyes at him, tilting your head with equal determination.

“‘Not in the traditional sense.’ So you do have romantic or sexual experiences, but society wouldn’t typically deem those experiences ‘dates,’ right?”

He says nothing.

“Hmmm… interesting,” you lean your elbows on the table, studying him, “You seem reluctant to talk about it, which indicates… Maybe you’re ashamed of it? Although, you’re pretty reluctant to talk about everything, so I don’t know how much weight to place on that. But you’re a trucker. Transient. Don’t seem like much of a ‘family man’ to me. So, what… you’ve gotta be a hookup guy or a sex worker guy, right?”

The way he squirms at the question makes your chest tingle.

“It could be both, too. I feel like you would be more of an opportunist than a strategist when it comes to fucking. Am I right?”

His jaw shifts from side-to-side. He glances around before leaning in, “And you’re much different?”

“No, not really.”

Most people would ask follow-up questions or awkwardly segue into a different subject, but not Din. He seems as content with your answer as you are with his. But where he goes back to eating, you feel a loose end rattling at the tip of your tongue and speak it into existence.

“I think… I think people like us don’t lay down roots for anything less than the spectacular,” you search his face, “Right?”

With his fork lifted halfway to his mouth, he pauses to look at you and nod, “This is the way.”

Din brings the shopping cart to halt in the middle of the aisle when you stop to examine jars of preserved nut and fruit spreads lining the shelves.

You pull a big plastic container of generic peanut butter from the lineup and toss it into the cart, “Four dollars, twenty-nine cents.”

He jots down the price in your notebook and adds it to the running total while you wrinkle your nose at the ingredient list of strawberry preserves, then set it next to the peanut butter, “Three sixty-nine. Gotta love that food desert markup. What’re we at?”

“Twenty seven, give or take,” he answers, crossing two items off the list.

“What else we got here?” Sidling up to him, you peek at the paper, “Snacks. Wow, ok past me, very specific.”

When you start walking again, he does too, and he wonders how you can possibly smell so good without the aid of perfumes. While not a definitive scent, it inspires a sensation much like when he’s parched and sets his sights on a glass of ice water. It’s enticing, like your very foundation radiates temptation.

He cannot have this. This thing in his chest, gnawing at his bones, trying to escape. It snaps at the walls when you’re nearby, which is always.

Maybe if he could relieve some of the pressure buckling under his skin it would quiet. But he can’t, so it doesn’t.

It begs and pleads and promises to absolve him of consequence as long as he promises to move a little bit closer, hold his hand to your back a little bit longer—just one more second and I’ll be content. Maybe another. What if you slid your hand around her waist and pulled her body to yours? How would she react? I bet she would like it. I bet if you kissed her she would finally be speechless. Just a taste, please?

He comes to a stop beside you and follows your gaze to the wall of chips. Hundreds of bags in all different sizes and colors, all of them glossy in the fluorescent light.

“Well, big guy. What’s your chip of choice?” you ask without looking at him.

Grinding his teeth together, he shakes his head.

“Yeah, I don’t know, either. Too many of the same goddamn choices,” you step forward to narrow your eyes at a price tag, “Am I crazy or does that say five dollars?”

“It says five dollars.”

“What the fuck, that is obscene. Do we really need chips?”

“Does anyone?”

“I guess not technically,” you sigh and start wandering further down the aisle, so he follows you. “But we don’t have to be so utilitarian about it. Junk food is for the soul, not sustenance. And sometimes the soul needs something salty and crunchy, you know?”

Nodding, he comes to a stop and points to the display of microwave popcorn, “We could get this instead.”

“Six bags for four dollars,” you raise your eyebrows, “Salty, crunchy, and cost efficient. Hell yeah, I’m sold.”

He grabs the box of generic popcorn in question and walks it back to the cart while you meander towards the sweets. When he meets you in front of the cookies, you glance at him, “Original or chewy?”

“Original.”

“Ten four, good buddy.” You grab the blue package of chocolate chip cookies and toss it in the basket, “Do you ever get to say that on your radio? Have a real trucker moment?”

“Yes.”

“Adorable,” you chuckle, catching his gaze for a moment before you look down and tuck your hair behind your ear, “Are you gonna help me with the sign today, or do you have other plans?”

“What do you need help with?”

You exhale through slack lips, then shrug, “Well, today is just prep. I have to scrape off the old paint, sand it down, and prime. It has to dry overnight, but I think I’ll be able to finish the rest tomorrow or the next day if we get up early…” Pausing to chuckle, you shake your head, “Sorry, I’m getting ahead of myself. What I mean is, you could help me with scraping and sanding. It’s a real bitch and would be easier with your muscle. If—well, you know, only if you want to. You don’t have to or anything…”

“I can do that.”

Your eyebrows draw together as you search his face, “Yeah?”

He nods, “It’s the least I can do.”

As the two of you near the checkout line, a frail woman with closely-cropped white curls shuffles from a back office to the one and only cash register.

“How are we doing this? Splitting it?” you swing the backpack off your shoulder and start rummaging through it, “I should have some money in my wallet. It’s not much, but it should—”

He holds up a hand, “I’ve got it.”

“You sure?”

“I’m sure.”

That thing in his chest whimpers when you smile at him, big and bright and gap-toothed, sparing him a polite, “Thank you,” before you start unloading the groceries onto the conveyor belt.

Balancing the tips of your toes on the highest ladder rung, you stretch your roller towards the unprimed stripe of sign, but can’t quite reach it.

“Goddamnit,” you mutter, returning all fours to the ladder with a huff, then look back at Din, “Hey, can I borrow your tall?”

Your question bounces off him with no reaction.

Between the visor of his cap and the tablet glued to his face, you can’t quite tell if he’s ignoring you or if he just plain old can’t hear you. All that’s visible is his furrowed brow. So you shimmy down the ladder and set the paint roller in the tray, brushing your hands on your jeans as you approach his lawn chair, waiting for him to notice you.

When the brisk October air nips at your dirt-caked, sweat-soaked skin, you skip closer, tapping your foot against his calf, “Hey.”

He jumps as if broken out of a trance, then raises his eyebrows at you, “What?”

“Can you help me with something?”

His mouth flattens into a straight line. He looks down at the tablet, then turns off the screen and sets it aside to look up at you.

“See the top of the sign, how it’s all shitty still?” you point at the evidence, “Can you get it for me? I can’t reach.”

“Use the big ladder.”

“I didn’t think to grab it before Paul locked up for the night.”

He releases a big dramatic sigh, glancing down at the tablet before rising to his feet. As he passes you the handle of the dog leash, you grin and plop down in the warmed-up lawn chair, “My hero!”

“Uh-huh,” he shakes his head and starts towards the drop cloth.

Beneath the lawn chair, the dog wakes from his nap and tries to follow Din, huffing and puffing when the leash goes taut, then walks back to your feet and sits on your shoelaces. His big satellite ears stand at attention while his person shimmies up the ladder with a roller brush in hand.

The two of you sit there and watch Din with the same level of ardent attention, both perched on the edge of your respective seats, unable to tear your eyes away for a second.

At first you try to tell yourself that you’re not even looking at him, just mapping out the illustration you’ll start tomorrow. But the truth is, it’s hard not to be drawn in by the view. By his panoramic shoulders and muscle-bound arms stretching out the fabric of his flannel as he rolls the brush up and down, back and forth, spreading thick white primer across the freshly smoothed wood…

Despite the waning sunlight and icy gusts spilling off the mountains, heat bubbles up to the surface of your skin.

You know that once he’s finished, you’ll go back to the motel for the rest of the night. Given the thick layer of grime you each accumulated throughout the day, showers will likely be in order. Which, of course, means stripping down to nothing while he’s in the bathroom with you. And vice versa, probably.

Your imagination wanders to his naked body and how it would feel against yours. What if you argued in favor of water conservation, asking him to join you in the shower? What if he agreed? How would he look at you without those sunglasses covering his eyes? How would he touch you if morals weren’t involved?

Din climbs down off the ladder and walks over, taking off his cap to wipe the sweat from his forehead, “Is that it for today?”

He replaces the hat and takes off his aviators, cleaning the lenses with his shirt as he meets your gaze. The full force of his big brown eyes turns your saliva tacky and makes your heart stutter. He raises his eyebrows at you expectantly.

Fuck, did he ask you something?

“Is that—? Oh, um,” you clear your throat, then nod, “Yep, that should do it. Thank you, I appreciate it.”

Flicking his eyes around your face, he nods, then turns back to the drop cloth, where he starts consolidating all the painting supplies.

With his legs stretched out across the perimeter of the bathroom’s tile flooring, back resting against the tub, Din types ‘Tom Boucheron’ into the search bar of a Portland-based web forum.

The search yields 83 matches. He starts sifting through the results, scrolling past subject lines that indicate general complaints about property management like rising rent and evictions and gentrification. Every once and a while he comes across subject lines that take on a more conspiratorial tone, though, mentioning the weight of his influence or his ties to police presence throughout the city. When he finds these posts, he clicks on the thread, copying and pasting the urls into a separate document.

He can delve deeper into these later, once he’s able to better focus. But right now, with the roaring cascade of the shower behind him and your enthusiastic rendition of Tiny Dancer by Elton John, this mechanical sorting is the maximum concentration he can muster.

Squinting at the screen, he wipes away the fog forming on his tablet. Moisture reclaims the area just as soon as it clears. He sighs and turns off the device when your vocals start ramping up to a volume he can’t ignore.

“—But oh how it feels so real, lying here with no one near. Only you, and you can hear meeee, when I say softlyyyy, slooowly—”

“Are you almost done?”

“You ruined the best part.”

“We’re going to get a noise complaint.”

You scoff, then he hears the thunk of you turning off the water. In his peripheries, your arm stretches out from behind the shower curtain to snatch the folded white towel off the toilet lid.

A few seconds later, the curtain pulls back and you announce, “I’m decent.”

He climbs to his feet while you step out of the tub, one hand securing the bath towel around your body, the other grabbing his arm for balance. Once sure-footed on the pink tiles, you let go and murmur, "Sorry,” before opening the door and padding off into the motel room.

Grogu runs into the bathroom to investigate as Din slips out and takes a seat at the foot of the bed. He tries to anchor his vision to the floor, but finds his gaze drifting towards your movements out the corner of his eye. Humming to yourself, you comb your fingers through dripping wet hair and pull a few articles of clothing from your backpack.

“Are you gonna hop in too?”

His eyes tick to yours as you turn around, clutching a pile of clothing to your chest.

“Because, you know… if you need me to be in there with you or whatever, that’s fine,” you cast your gaze to the floor with a shrug.

He studies your bashful demeanor for a moment before responding, “I’ll have you sit in there with me once you get dressed.”

Without looking up, you give him a nod and walk over to the bathroom. As you put on clothing, Din uses all his will power to stare at the ground.

“What do you wanna do after that? We could watch a movie.”

His eyes cheat to the mirror on the wall, where he watches your reflection wrestle with a t-shirt. He catches a glimpse of your bare back before returning to the floor and clearing his throat.

“I thought you weren’t much of a movie person.”

“Well,” your footsteps soften onto the carpet, then your voice is closer, “If you have a better idea of how to pass the time in a seedy roadside motel, I’m open to suggestions.”

He meets your heated gaze long enough for something to spark deep within his belly. The air between your body and his thickens with a palpable magnetism. His lips part to respond, but only one suggestion plays over and over again in his head. The mad yapping of that thing in his chest.

Before he can say or do something stupid, though, you look away and start fidgeting, “So, I’m dressed. Are you ready?”

Swallowing his tight throat, he pushes himself to his feet and locks eyes with you, “Go sit where I just was and put your head between your knees.”

“Wow, you’re taking this very seriously.”

“Let’s just get it over with, ok?”

You roll your eyes a little, but acquiesce.

Din trails behind you into the bathroom, shooing the dog from the room before closing the door. When he turns around, he finds you curled up on the floor, back pressed to the tub basin with your face buried in your knees.

“Like this?”

“Perfect. Stay like that, I won’t take long.”

For some reason he expected you would stay quiet while he disrobed, but you just continue talking as if you were accompanying him on any other menial task.

“I think it’s funny how you have me do this whole thing so I don’t see your dick, but when I need privacy, the most you give me is a turned back.”

Din glances at the top of your head while unbuckling his utility belt, then turns to spread it out across the bathroom counter, “That’s not the only reason I’m having you do this.”

“Then why?”

“Are you familiar with the concept of involuntary captivity?”

While you scoff and most likely try to come up with a rebuttal, he shucks off his flannel overshirt, then unfastens his shoulder holster and lines it up on the counter below the outspread belt. His hands work without much thought as he systematically unloads all three of his pistols. Eject the magazine, count the rounds, check the chamber.

“What the fuck are you doing?”

Ignoring the question, he moves the unloaded guns and utility belt to a high shelf over the toilet, then pulls off his undershirt.

“Can you at least confirm you’re not gearing up to murder me right now?”

If he wanted to tear your frayed edges, he could mention that you were begging him to do exactly that less than 48 hours ago. But since you’re somehow more irritating when in a foul mood, he doesn’t.

“If I was going to kill you I would have already.” He turns on the shower and takes a step back to make sure you’re still covering your eyes, then takes off his pants.

“Would you do it if you had to?”

The question gives him pause as he pulls back the shower curtain.

“Why would I have to?”

“I don’t know, because they asked you to do it.”

He frowns, “I wouldn’t do it just because someone asked me to.”

“You wouldn’t?”

The hopeful air in your voice eats at his stomach lining. Instead of answering or clarifying what he meant, he steps into the shower.

“Ok, but let’s say they gave you a good reason, and you were going to do it… kill me, I mean. How would you do it?”

“I’m not going to tell you that.”

“Why not?”

He shakes his head and grabs a bar of soap off the shower ledge and starts to lather it against his skin.

“Are you ignoring me or thinking?”

“Ignoring you.”

“You know, I appreciate the honesty.“ Then, after a few seconds: “I promise not to leak your trade secrets, big guy. Come on, how would you do it?”

“I don’t want to talk about it.”

With this, you go quiet.

Silence fills the bathroom for the remainder of his time in the shower, but Din’s thoughts are as loud and intrusive as your questions.

His mind becomes populated with scenarios in which you would end up in the sights of his pistol. Under what circumstances would he pull the trigger?

He imagines you stealing from him. He imagines trying to escape. He imagines it coming down to you or the money. He even goes so far as to imagine it coming down to you or him.

But each time the imaginary him goes to take aim, he falters.

While Din tosses a bag of popcorn in the microwave, you survey the Room 10’s VHS collection.

“Ok let’s see,” you tilt your head sideways and read the titles, “Aladdin, Batman Returns, Twister—”

“You choose.”

Beeps sound from the microwave, then it hums to life.

You pull Aladdin from the shelf and admire the familiar cover art. Little flakes of deteriorated plastic break off the exterior and stick to your fingertips when you trace the title. You wince and mumble an apology to the inanimate object before prying it open to pull out the tape.

After feeding it to the VCR, you press rewind and hold up the cover to Din, “Ever seen this?”

When he takes a step closer to examine it, you note the details you’re not normally privy to. His damp curls and the heat of his pulse. Mostly, though, you become fixated on his eyes. Those devastatingly dark and warm eyes. His heavy brow and hooded lids, all the lines of age creeping out from the corners.

He meets your gaze and you swear you hear the snap of his full attention locking onto you when he frowns, “Can’t say I have.”

Somewhere far away, the popcorn starts popping. You feel yourself succumbing to his gravitational pull, subconsciously drifting towards him, and can’t really remember if you had a point in mind when you asked.

“It’s-it’s good,” you nod, letting your eyes drift to his mouth for a moment before you shrug, “I mean, from what I remember at least. I was obsessed with it when I was a kid. It drove my grandma crazy cuz I’d make her watch it on repeat…”

It doesn’t really register how much information you’re disclosing until his eyes get all wide and doughy, at which point you take a step away from him and tuck your hair behind your ear, “Sorry, um, anyway. I liked it.”

He chuckles, causing you to grin, “What?”

“Nothing.”

His face tells you it’s definitely not nothing. It’s something if you’ve ever seen it. Something so gooey and hot it makes you ache. Dangerous, that’s what it is.

The VCR clicks and shifts gears, then the TV lights up with disclaimers. Taking it as a sign from above, you start back towards the bed and tease, “I totally get why you wear the sunglasses, by the way. Your eyes give everything away.”

Rather than admit you’re right, Din raises an eyebrow at you, then turns around to pull the microwave open before the timer reaches zero. While you slide under the covers and prop the flimsy pillows up behind your back, he pries open the steaming hot bag of popcorn and brings it to you.

“Thanks.”

He grunts in response and disappears into the bathroom for a few seconds, returning with the shiny metal handcuffs, “Lights on or off?”

“Off.”

When the lights go out, the dog jumps onto the bed, spinning around a few times before curling up into an adorable white ball. Din tosses the cuffs to your side as he crawls into bed beside you. Once you think he’s settled in, you offer him some popcorn, which he accepts.

“Do I have to put them on right now?” you ask, in reference to the cuffs.

He frowns and shakes his head, “I can wait until you’re ready.”

Nodding, you study his profile in the dim illumination from the TV. You don’t even realize you’re staring at him like a full-on creep until he says, “Stop giving me goo-goo eyes and watch the movie.”

Embarrassment flares up your neck and cheeks. You scoff, “I am not giving you goo-goo eyes,” and wriggle deeper under the covers, diverting your gaze to the TV.

I will not look at him for the rest of the night, you vow. Even if he asks me to, or talks to me, I won’t look at his stupid face until the sun comes up tomorrow.

You almost fulfill the vow, too.

Well… almost might be an exaggeration, but you make it to the end credits and that’s further than you really believed you could make it.

With the motel room all dark save for the faintest glow from the credits rolling onscreen, he asks, “Are you awake?”

You remind yourself of your promise and try to ignore him. If you say something, you’ll look at him. And if you look at him, you lose.

“Charlie?” he nudges you.

Fuck.

“Yeah,” you glance over, and of course you catch his eyes, “Is it handcuff time now?”

He nods, almost apologetically.

“Can I use the bathroom first?”

“Go ahead.”

When you exit the bathroom and turn off the light, you find the room cloaked in darkness. The only reference point you have is the red glow of 9:12 on the alarm clock. You stretch your arms in front of you and start taking cautious steps towards it.

“Oh my god, I can’t see shit.”

“Want me to turn the lamp on?”

“No, I’ve got it.”

Your fingertips brush up against the bedspread, then you follow the alarm clock beacon to the side table.

“Here.”

His hand finds yours in the darkness. You grab ahold of it, trying your very hardest not to dwell on the warmth of his palm against yours as he gently guides you. When you finally settle between the sheets, he releases your hand. You almost wish he didn’t.

“Ready?”

“Sure.”

He closes the cold heavy steel around your wrist, then his. For a while, neither of you move. Anxious energy buzzes beneath your skin. You close your eyes in an attempt to trick yourself into being tired, but it only makes you notice how fucking quiet it is.

Resigning from your motionless state, you start wriggling around in an attempt to get comfortable. Din is accommodating while you do this, letting his wrist ragdoll wherever you drag it. You lie facing the wall for a while, fondling the knife you have tucked under the pillow. It doesn’t feel right. You flip onto your back and stare at the ceiling. Same problem.

Then, when you can’t stand it anymore—the dark, the quiet, the nerves—you roll on your side facing him.

“Din.”

“What?”

“I can’t fall asleep.”

He doesn’t say anything.

“Din.”

“What?”

“I said I can’t fall asleep.”

“I heard you the first time. What do you expect me to do about it?”

You open your mouth to ask him to fuck you, but nerves rob your tongue.

“Just talk to me for a while.”

“About what?”

“I dunno, whatever you want.” You tuck your cuffed hand beneath your cheek and scoot a little closer.

His silence holds the weight of contemplation, so you prompt him, “What would your genie wishes be?”

“Hang on, let me think.”

A few quiet seconds go by before he clears his throat and rolls on his side to face you. The back of his cuffed hand rests against yours, which brings you a shred of comfort.

“Financial security. Property rights to some land and a house, something out in the country.”

“Like a farm?”

“Something like that. Self-sustainable and off the grid. Maybe get a few animals and so I could live off the land.”

“That’s the dream, right? Fuck off to the middle of nowhere and not have to rely on anyone?”

“Yeah, that’s the dream.”

You hum, then ask, “What’s wish number three?”

“I… I’d rather not say.”

Your gut instinct is to push back, but you resist the urge and instead tell him, “That’s fine.”

“Thank you.”

There’s enough sincerity in his voice that a tinge of guilt twists in your belly, and you feel obligated to bring up an earlier conversation.

“I’m sorry, by the way. For pushing you to answer me when you were in the shower. Sometimes I don’t know when it’s time to shut the fuck up and let it be.”

“Don’t worry about it, kid.”

“Ok,” you wiggle around a bit and manage to find the perfect position, then close your eyes and release a content sigh.

“What are yours?” he asks.

“Mmmm… you know, I’ve thought a lot about this question—” A yawn swells in your chest, cutting you off. When it passes, your limbs feel heavy and warm. You continue, “I’d wish for the genie to be free.”

He lets out a disbelieving chuckle, “And what else, world peace? An end to climate change?”

“I hear your snark, sir, and I don’t appreciate it. No, I wouldn’t wish for world peace or the end of climate change. I wouldn’t wish for anything. Tricky bastard can keep his wishes, I make my own luck.”

“Tricky bastard, huh?”

Another yawn takes over. Lethargy seeps through your body, making your worlds come out slow and murmured.

“Yeah, y’know… all the, umm… the fine print. Too many strings attached, I don’t trust ‘em.”

“You sound tired.”

You hum, snuggling deeper into your pillow, “You sound tired.”

“Get some sleep, kid. You’ve got a big day tomorrow.”

“Mmmkay,” you mumble, “Sweet dreams, Din.”

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