#ax 2019

[vileacademyofficial]

How's the capturing carmen goin

she’s still not budging on the axe throwing situation

[dykekarkat]

did anyone here ever listen to tales from the gas station bcus me and my bestie are talking about it for the first time in years and the main character jack is really giving neil josten with a side of andrew to me...

[greenbirdtrash]

Me: hmm...zero likes on that old stageplay-related video, and also not much views..this could have some exclusive clips that i haven't seen yet *clicks on it*

Woman: so this is a story about a man named THE ONCELING-

Me: ...THE ONCELING??

[fazcinatingblog]

Tom de koning with his favourite teammate 🥰

[hawkepockets]

SICKENING SIDE EFFECTS of getting good at gw2 NOW as a mirage main like. i didn’t feel the spec slowing and weakening as it happened with each 2022-23 balance patch UNTIL i started doing endgame pve & running scrapper, and now that i’ve eaten from the tree of knowledge, prem feels awful to play. even in open world, no damage, no support, about to have its evasion gutted with this next patch. 5 years of emotional investment in a character and a 🤌🤌🤌PERFECT🤌🤌🤌 triumph in fashion wars (i shant be humble about this. look at him) just to not be able to use him at all in strikes or raids which are the main things i’m doing, feeling silly even bringing him to guild missions and metas. like. every build is completely bled out. but there’s no other class as chaotically mobile and unpredictable and sexyhot as axe mirage so. now what

[faytelumos]

🌟

🌟 - What is something you've been proud of recently?

Thanks for the ask! :D

I'm very excited about getting to the end of my book. I have been trying to write this damned thing for three years, and even though the current product is not pretty and doesn't reflect my goals for the story, I'm so happy to have finally gotten to a point where I can write this story out enough to explore and discover it.

[transgenderprototype]

When windblown releases i really hope something like Silksong or Crowsworn releases at the same time and takes away all the attention purely due to the way Motion Twin fucking screwed over Evil Empire.

[lesdeuxmuses]

Nucleus - Entity (Me Saco Un Ojo Records, Unspeakable Axe Records, 2019)

[cyberneticdryad]

fiber fair is next weekend!!! and i am trying to set my budget because i will always desire FIBER AND FIBER RELATED TOOLS, but also we are trying to save money rn.

[lets-steal-an-archive]

Screenplays (so far):

Sergeant Rutledge (1960)

In the Heat of the Night (1967)

Sweet Sweetback's Baadasssss Song (1971)

Shaft (1971)

Blacula (1972)

Cooley High (1975)

Car Wash (1976)

The Color Purple (1985)

She's Gotta Have It (1986)

Disorderlies (1987)

Coming to America (1988)

School Daze (1988)

Do the Right Thing (1989)

Harlem Nights (1989)

House Party (1990)

Mo' Better Blues (1990)

To Sleep With Anger (1990)

Boyz n the Hood (1991)

The Five Heartbeats (1991)

House Party II (1991)

Jungle Fever (1991)

New Jack City (1991)

Boomerang (1992)

Candyman (1992)

Malcolm X (1992)

Sister Act (1992)

Menace II Society (1993)

Poetic Justice (1993)

What's Love Got to Do With It (1993)

Blankman (1994)

CB4 (1994)

Crooklyn (1994)

Jason's Lyric (1994)

Low Down Dirty Shame (1994)

Bad Boys (1995)

Clockers (1995)

Dead Presidents (1995)

Devil in a Blue Dress (1995)

Friday (1995)

Higher Learning (1995)

Tales From the Crypt: Demon Knight (1995)

Vampire in Brooklyn (1995)

Waiting to Exhale (1995)

Get on the Bus (1996)

Girl 6 (1996)

Set It Off (1996)

The Nutty Professor (1996)

A Thin Line Between Love and Hate (1996)

The Preacher's Wife (1996)

The Watermelon Woman (1996)

B.A.P.S. (1997)

Booty Call (1997)

Eve's Bayou (1997)

Love Jones (1997)

Miss Evers' Boys (1997)

Soul Food (1997)

Belly (1998)

Beloved (1998)

He Got Game (1998)

How Stella Got Her Groove Back (1998)

Players' Club (1998)

Slam (1998)

The Best Man (1999)

Life (1999)

Love & Basketball (2000)

Baby Boy (2001)

Training Day (2001)

25th Hour (2002)

Barbershop (2002)

Brother to Brother (2004)

D.E.B.S. (2004)

Beauty Shop (2005)

Inside Man (2006)

I Think I Love My Wife (2007)

Notorious (2009)

Precious (2009)

The Book of Eli (2010)

For Colored Girls (2010)

Pariah (2011)

Middle of Nowhere (2012)

Sparkle (2012)

12 Years a Slave (2013)

Belle (2013)

Dear White People (2014)

Fruitvale Station (2014)

Selma (2014)

Bessie (2015)

Creed (2015)

Dope (2015)

Miles Ahead (2015)

Straight Outta Compton (2015)

Birth of a Nation (2016)

Fences (2016)

Hidden Figures (2016)

Moonlight (2016)

Detroit (2017)

Get Out (2017)

Girls Trip (2017)

Mudbound (2017)

BlacKkKlansman (2018)

Black Panther (2018)

Creed II (2018)

The First Purge (2018)

The Hate U Give (2018)

If Beale Street Could Talk (2018)

Sorry to Bother You (2018)

Spider-Man: Into the Spider-Verse (2018)

Widows (2018)

Harriet (2019)

Queen & Slim (2019)

Us (2019)

Da 5 Bloods (2020)

The Forty-Year-Old Version (2020)

His House (2020)

Ma Rainey's Black Bottom (2020)

One Night In Miami (2020)

Small Axe: Mangrove (2020)

Sylvie's Love (2020)

Candyman (2021)

Judas and the Black Messiah (2021)

The Harder They Fall (2021)

King Richard (2021)

Passing (2021)

The United States vs. Billie Holiday (2021)

Zola (2021)

Black Panther: Wakanda Forever (2022)

Master (2022)

Nanny (2022)

Nope (2022)

Till (2022)

The Woman King (2022)

American Fiction (2023)

The Color Purple (2023)

Creed III (2023)

Origin (2023)

Rustin (2023)

Rye Lane (2023)

Spider-Man: Across the Spider-Verse (2023)

They Cloned Tyrone (2023)

Nickel Boys (2024)

The Piano Lesson (2024)

[little-one-eyed-monsters]

Yo WETV,

I have the perfect pitch for SmartBoom's next project (and y'all need to start shooting right now because we needed that new stuff YESTERDAY)

Ah, I see you inserted that buddy-cop bromance, "Akina", in Top Form, huh?

Well y'all ain't slick, 'cause I know EXACTLY what bromance you were referring to:

Please just do a proper BL remake of Beyond Evil. Both Smart and Boom fit the age gap (although Boom looks quite youthful, but STILL), AND their dynamic would work so well on this. Boom has the acting chops for a broody, desperate Lee Dong-sik character, and Smart's boyish charm and enthusiam is a shoe-in for the know-it-all upstart cop Han Joo-won. Dear God, I can envision the rain confession scene already!

Hmm, not a fan? Well, if that doesn't work for you, I know one THAT WILL.

Oh look at this Untamed-esque bromance. Hmm, "Legend of Gemini", huh? WeTV, trying to jump back into the danmei bandwagon, I see. But this looks QUITE FAMILIAR, WeTV. It looks like the CRIME you committed when you scrapped the airing of:

Immortality (it's been 84 years).

For our friends who've never heard of this before, THIS is a live-action adaptation of danmei The Husky and his White Cat Shizun, about a disciple who used to admire his Master, but turns to the dark arts and attacks his former sect once his Master seemingly betrays him.

Shooting was completed the year after Untamed started airing (circa 2019). After passing the first round of censorship in China, the series was greenlit for a prospective early 2021 release. Fast forward 2025, AND THEY NEVER RELEASED IT. Some reports say it was axed due to censorship concerns, others because of the backlash that hounded the actors of the Untamed after the release of their series; whatever the case, all we have left now are these glorious BTS pics:

So ya'know what WeTV? I'm taking a stand here. Give it to SmartBoom. Make it a proper BL. Intermingle elements from Chinese and Thai cultures. For pete's sake, you already have the costumes!

Boom speaks Mandarin! Smart can do graceful poses and perform the flowy fight scenes--he's a professional dancer! And the best thing about these two, they're both down to do the NCs included in the original material-- they've proven it in Top Form!

WeTV, honey (pun intended), please get to work right now. If you're good, we won't give it to Viki.

Honestly, at this point please make Smart and Boom an official couple. These two are absolutely KILLING their roles in Top Form and their chemistry and dynamic are ON FIRE; I can't wait to see them nail other storylines (and possibly, each other onscreen).

[whirlpool-blogs]

July 12, 2019 | Devils Prospects Go Axe-Throwing at Development Camp

[katboykirby]

I've talked about this at length on Twitter, so I'll try to keep it short and sweet:

OBEY ME IS NOT ENDING!

I've seen a lot of people panicking and a lot of people doomposting about the games being shut down, about how Solmare is abandoning the franchise, etc.

THIS IS NOT WHAT'S HAPPENING.

- From Solmare's announcement a couple of days ago.

The main story in Nightbringer is being wrapped up, but that's it. The games are not being shut down. The games are not going anywhere. You can still play the original Obey Me! and Nightbringer as much as you want. The main story will simply be finished at Lesson 60.

The franchise itself is not ending, either. Solmare has made multiple statements about this and has made it very clear that Obey Me! the series itself will continue. And the voice actors have confirmed this as well!

In addition to both games remaining, there are multiple new Obey Me! projects coming next year!

According to Solmare, the next era of Obey Me! will include new content, live in-person events, new merch, collaborations, and more that will be announced in 2025.

Believe me, I completely understand the disappointment that comes with this news. I'm deeply saddened and disheartened to know that the main story will be wrapping up so soon. I had been following Obey Me! since before the first game even came out (ever since the promotional trailer was shown at AX in 2019) and I've been a daily player of both games since Day 1. It's absolutely valid and expected for people to be upset.

However, I do think that we need to stop spreading misinformation. There have been a LOT of posts on both here and Twitter by people claiming that the series is over and that the games are being shut down. THIS IS NOT TRUE. Not only have I seen far too many people repeating these false claims, I've seen far too many people believing them at face value. I have seen too many people saying that now they're going to delete the games from their phone and leave the fandom, and I've seen fic writers and artists say that they're going to start deleting their works "because it's over now so why bother"

PLEASE DON'T. Obey Me is not ending! The games aren't being shut down! The series is still continuing with new content coming next year!

Repeating this misinformation isn't just damaging for the people who believe it, but if you're pushing players away from the fandom/series because they believe it's been shut down, then that's going to harm Obey Me! as well. We will only continue to get more new content and new OM projects if the series is successful, and alienating fans won't help anybody.

There's been a lot of anxiety and doomerism these past couple days. And while I totally understand feeling disappointed, PLEASE do not make false claims or spread misinformation. The games are not going anywhere and you can still play both of them as much as you want. The Obey Me! series is continuing with multiple new projects next year!

[literaryvein-reblogs]

Milestones in Human Evolutionary History

TIME — EVENT

15 billion years ago (bya) — The Big Bang (origin of universe)

4.7 bya — Earth forms

3.7 bya — First life emerges

1.2 bya — Sexual reproduction evolves

500–450 million years ago (mya) — First vertebrates

365 mya — Fish evolve lungs and walk on land

248–208 mya — First small mammals and dinosaurs evolve

208–65 mya — Large dinosaurs flourish

114 mya — Placental mammals evolve

85 mya — First primates evolve

65 mya — Dinosaurs go extinct; mammals then increase in size and diversity

35 mya — First apes evolve

6–8 mya — Common ancestor of humans and African apes evolves

4.4 mya — First primate with bipedal locomotion (Ardipithecus ramidus)

3.0 mya — The australopithecines evolve in savannas of Africa

2.5 mya — Earliest stone tools develop—Oldowan (found in Ethiopia and Kenya, Africa); used to butcher carcasses for meat and to extract marrow from bones; linked with Homo habilis

1.8 mya — Hominids (Homo erectus) spread beyond Africa to Asia—first major migration

1.6 mya — Fire evidence; likely hearths; linked with African Homo erectus

1.5 mya — Invention of Acheulean hand axe; linked with Homo ergaster (tall stature, long limbs)

1.2 mya — Brain expansion in Homo line begins

1.0 mya — Hominids spread to Europe

800 thousand years ago (kya) — Crude stone tool kit used—found in Spain, linked with Homo antecessor

600–400 kya — Long, crafted wooden spears made and used; linked with Homo heidelbergensis found in Germany

500–100 kya — Period of most rapid brain expansion in Homo line

200–30 kya — Neanderthals flourish in Europe and western Asia

150–120 kya — Common ancestor for all modern humans (Africa) evolves

100–50 kya — Exodus from Africa—second major migration [“Out of Africa”]

50–35 kya — Explosion of diverse stone tools, bone tools, blade tools, well-designed fireplaces, elaborate art; found mainly among Homo sapiens, rarely among Neanderthals

40–35 kya — Homo sapiens (Cro-Magnons) arrive in Europe

30 kya — Neanderthals go extinct

27 kya–present — Homo sapiens colonize entire planet; all other hominid species are now extinct

Note: These dates are based in part on information from a variety of sources, including Johanson and Edgar (1996), Klein (2000), Lewin (1993), Tattersall (2000), Wrangham, Jones, Laden, Pilbeam, and Conklin-Brittain (1999), Galway-Witham, Cole, and Stringer (2019), and the references contained therein.

Source ⚜ More: Writing Notes & References

[fatehbaz]

I'm very interested in tidalectics, I hadn't seen the word before finding your blog but from what I can find it seems very much up my alley. Is there anything you'd recommend reading for an introduction?

I use 'tidalectics' as a sort of shorthand for a constellation or archipelago (pun intended, lol) of related concepts maybe better described as 'archipelagic thinking' and 'poetics of Relation' by Edouard Glissant, 'repeating islands' by Benitez-Rojo/Brathwaite, and 'sea of islands' by Epeli Hau'ofa. I also use it for related things like Black Atlantic, 'Caribbeanist' thinking, 'oceanic thinking,' transnationalism, 'intimacies of four continents,' etc. Much of this deeply, deeply connected to Afro-Caribbean thinking and literature. Unsurprisingly. Comes up often in discussion of eco-poetics and the postcolonial. This discussion is kinda becoming vogue in environmental humanities ('blue humanities' and critical geography) and postcolonial studies, but this has of course been discussed for years and years and years by Caribbean and Pacific scholars, especially Glissant (Martinican/Caribbean), Brathwaite (Barbadian/Caribbean), Cesaire (Caribbean), and Hau'ofa (Tonga/Fiji/Pacific).

The Caribbean(ist) journal Small Axe has also been a big arena for discussing the concept. Two of my fave authors on colonial histories and multispecies ethnographies, Sujit Sivasundaram and Elizabeth DeLoughrey, also focus on oceanic/archipelagic thinking. Highly recommend those two. Another, Lizabeth Paravisini-Gebert, also covers Caribbean eco-poetics and frequently describes archipelagic thinking in accessible ways. You can search their names/publications for articles to read online. (Macarena Gomez-Barris--author of The Extractive Zone: Social Ecologies and Decolonial Perspectives--is currently working on a text about "fluidity of colonial transits and the generative space between land and sea.)

Heavily involves what you could describe as 'emotional ecologies' or 'environmental perception.' About the fluidity of tidal zones, the sea, mangroves, estuaries, deltas, seasonally flooded rivers. Very much about materiality of land/water/bodies, but also very much about imaginative place-making and belonging-in-space. Invokes centrality of ecology to place-making and identity. How these landscapes (tidal, seasonal, fluctuating, flowing) transcend, subvert, defy, exist beyond nation-state borders and bounded properties. Also implies transnational shared concerns of people inhabiting sacrifice zones and imperial peripheries (from Caribbean to Fiji to Philippines).

As intro, maybe:

Routes and Roots: Navigating Caribbean and Pacific Island Literatures (Elizabetth DeLoughrey), especially introduction chapter: "Tidalectics: Navigating Repeating Islands"

"Toward a Critical Ocean Studies for the Anthropocene" (Elizabeth DeLoughrey, English Language Notes 57:1, 2019)

"The Political Ecology of Storms in Caribbean Literature" (Sharae Deckard, The Caribbean: Aesthetics, World-Ecology, Politics, 2016)

At this blog, I've previously tried to summarize it by condensing excerpts here: DeLoughrey's "Submarine Futures"; Paravisini-Gebert's Caribbean eco-poetics of extinction; archipelagic thinking in South Pacific; Harney, Moten, and Sandra Ruiz discussing archipelagic and continental thinking; oceanic fugitivity and "thinking at the land-water boundary" in Hawaii; the "horror of the sea" and "environmental histories of colonialism" compared in Caribbean vs. English/US lit; the "hurricane does not roar in pentameter," poetics of storms, and "special geography of the Caribbean" which provides an overview of Caribbean writers on relation; the "Black Mediterranean" and contemporary archieplagic thinking relating to refugees/migration (a lot more too, but can't go through archives where I'm stuck right now).

-

Also has come to be provocative framework for thinking about non-literal islands. You'll see 'archipelago' also applied to other spatial and ideological formation things like 'carceral archipelagoes' and 'plantation archipelagos' and 'poverty archipelagos.' Basically, that US-European empire treated the Caribbean as a laboratory for how to isolate, contain, extract, commodify, and experiment on people, labor, land, industry, ecologies, etc. during instantiation of 'modernity.' (While Spain and Portgual played around with this in the Caribbean they also did something similar in the early modern spice gardens and ports of Southeast Asia, while Britain/France/US continued similar in both regions too. So archipelagos of both 'East' and 'West' brutalized.) Added weight because British and then later US naval force understood and capitalized on importance of oceanic networks to maintaining global empire (think British Navy; Lisa Lowe's writing on Britain importing Chinese and South Asian laborers to Caribbean during technical abolition of chattel slavery; US building Panama Canal; US naval force in twentieth century linking Philippines, Hawaii, Panama, Puerto Rico). You might've seen me talk about Kuntala Lahiri-Dutt and others writing on the history of British takeover of Bengal 1780s-1850s, and how the seasonality and deltas and rivers frustrated imperial attempts to fix and tax property; Elizabeth Povinelli describes this process of colonial fixation of 'solid' land in Northern Territory in Australia, too.

And these forms persist in extractivist settings and spatiality of labor, incarceration, industrial sites. Think Cancer Alley in Louisiana; archipelagos of Southeast Asian, West African, or Brazilian plantations along corridors of highways and railroads; low-income residential neighborhoods or 'workforce' housing compartmentalized along transportation corridors near logistics nodes; prisons in upstate New York; Commencement Bay's industrial sites and immigrant detention in Seattle-Tacoma, etc. Like hotspots or blinking lights along corridor. Australia, the US, and the EU all still use islands for migrant detention. At the same time, if global empire yokes together East and West, then empire's malcontents can perform the same trick. You can look at correspondences and writing from colonial subjects and radicals in like 1890s who explicitly described how anticolonial actors could and should also invoke transnational networks. (Linking networks in Buenos Aires, Havana, Los Angeles, Barcelona, Paris, Cairo, Istanbul, Tokyo, etc. And today still, too. Archipelagos of cooperation, not just on islands. What happens in a housing commune in Athens is related to movements in Puerto Rico, connected by defiance of same empire, market, capital, etc.

So since at least 1500-ish, 'globalized' world(s) involve circuits, networks, routes, often mediated by the sea. But people living on islands often have relationship with that sea long predating modernity. Glissant and others talk about a submarine/subterranean connecting tissue between islands, so that, even if they are apparently physically isolated or separated by Hispanophone/Francophone linguistic tradition, there is something akin, shared, in common.

But more than that: Relationality and relation to landscape asserts agency, autonomy, belonging. Especially with Glissant, this involves language, poetics, translation, reclamation of 'submarine' histories. Hau'ofa says "we are the ocean."

Maybe reminiscent of Indigenous resurgence, constellations of resistance, fugitivity, opacity/refusal, pedagogies of deep listening, maroons/marronage, resonances, and writers like Harney and Moten, Leanne Betasamosake Simpson, Achille Mbembe, Katherine McKittrick, Sylvia Wynter, Dixa Ramirez D'Oleo, and others.

-

Anyway, four classics:

The Arrivants: A New World Trilogy (Rights of Passage; Islands; Masks) (Kamau Brathwaite, 1973)

The Repeating Island: The Caribbean and the Postmodern Perspective (Antonio Beniteze-Rojo, 1989)

The Archipelago Conversations (Eduoard Glissant and Hans Ulrich Obrist, 2021)

We Are the Ocean: Selected Works (Epeli Hau'ofa, 2008)

-

And some others:

"Submarine Futures of the Anthropocene" (Elizabeth DeLoughrey, Comparative Literature 69:1, 2017)

Waves Across the South: A New History of Revolution and Empire (Sujit Sivasundaram, 2021)

"Archipelagic Interiority: Notes and Reflections on Poetic Voice and Trans Writing in the Philippines" (shane carreon, Kohl 9:1 Special Issue: Anticolonial Feminist Imaginaries, 2023)

"On the Unfolding of Edouard Glissant's Archipelagic Thought" (Michael Wiedorn, Karib-Nordic Journal for Caribbean Studies 6:1, 2021)

"Wet Ontologies, Fluid Spaces: Giving Depth to Volume through Oceanic Thinking" (Philip Steinberg and Kimberley Peters, Environment and Planning D: Society and Space 33:2, 2015)

"New Materialisms, Old Humanisms, or, Following the Submersible" (Stacy Alaimo, NORA-Nordic Journal of Feminist and Gender Research)

"Sensing Grounds: Mangroves, Unauthentic Belonging, Extra-Territoriality" (Natasha Ginwala and Vivian Ziheri, e-flux Journal Issue #45, May 2013)

"Storied Seas and Living Metaphors in the Blue Humanities" (Serpil Oppermann, Configurations 27:4, 2019) and Blue Humanities: Storied Waterscapes in the Anthropocene (Edited by Serpil Oppermann, 2023)

Hydrofeminist Thinking with Oceans: Political and Scholarly Possibilities (Edited by Tamara Shefer, Vivenne Bozalek, and Nike Romano, 2024)

"From the black Atlantic to the bleak Pacific: Re-reading "Benito Cereno"" (Alexandra Ganser, Atlantic Studies 15:2, 2018)

"Literary Ecologies of the Indian Ocean" (Hofmeyer, English Studies in Africa 62:1, 2019)

"Archipelagic Readings: towards a Poetics of Creolization" (Hugues Azerad, Trans-Revue de litterature generale et comparee, Special Issue: Insularities/Archipelagos, 2020)

"Water Enclosure and World-Literature: New Perspectives on Hydro-Power and World-Ecology" (Campbell and Paye, Humanities 9:106, 2020)

"A Poetics of Planetary Water: The Blue Humanities after John Gillis" (Sidney Mentz, Coastal Studies and Society, 2022)

"Tending the Forests Beneath Anthropocene Seas" (Williams and Zalasiewicz, in Oceans Rising: A Companion to Territorial Agency: Oceans in Transformation, 2022)

"Caribbean Archipelagos and Mainlands: Building Resistance against Climate Change" (Lizabeth Paravisini-Gebert, The Black Scholar 51:2, 2021)

Colonial Phantoms: Belonging and Refusal in the Dominican Americas, from the 19th Century to the Present (Dixa Ramirez D'Oleo, 2018)

"Oceanic Routes: (Post-it) Notes on Hydro-Colonialism" (Bystrom and Hofmeyer, Comparative Literature 69:1, 2017)

"Foreword: Ocean Space and the Marine Social Sciences" (McKinley, in The Routledge Handbook of Ocean Space, 2023)

"Atomic histories and elemental futures across Indigenous waters" (Hi'ilei Julia Hobart, Media + Environment 3:1, 2021)

"On Oceanic Fugitivity" (Hi'ilei Julia Hobart, Ways of Water series by Social Science Research Council, 2020)

Undrowned: Black Feminist Lessons from Marine Mammals (Alexis Pauline Gumbs, 2020)

"Materialities in the Making of World Histories: South Asia and the South Pacific" (Sujit Sivasundaram, Oxford Handbook of History and Material Culture: World Perspectives, 2020)

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Thanks, take care.

[dasabucket]

Bendy’s axe (REMASTERED)

2025, 2022, 2021, 2020, 2019, 2018 and 2017