#be careful my peeps

[caycanteven]

I drew this instead of eepin, because I got dragged back into the mafia verse (i could never run from the mafiaverse in the first place, thanks for the reminder Mothie lmfao) so now you guys get this delicious midnight snack.

Maybe I'll do a fun lil story to play on his character some hehehehehe

[latimeria-fell-from-heaven]

uhhhhh meant to post this a hot minute ago, but just wanted to tell my followers that i'm probs not gonna be writing for ANY of the natlan characters (minus capitano) or doing any commissions for them. pretty sure i don't even have to explain why, we all know why. it's not even out of spite or having a massive hate boner, just sheer disappointment and my already low expectations being underdone in the worst way possible.

i expected this from mihoyo, but i'm not expecting them to change anything, sadly, because they already pulled this with sumeru. i doubt mihoyo would ACTUALLY listen to the genuine complaints and feedback that certain parts of the fandom have to say. which is disheartening, but imo, if they aren't gonna get revenue from some people, then they'll just focus and pay attention more to the groups who will give them money for the upcoming characters. it sucks, BUT that doesn't mean that you guys can't share your thoughts and opinions on natlan and its cast. everyone is entitled to feel how they feel, and that's okay, great even! but i do hope those people in the fandom genuinely understand why some people think the way they do about natlan and why they're so upset in the first place.

and to anyone who will tell me to "just play a different game," i will admit that genshin has a special place in my heart. it's the game that kickstarted me into writing and doing my comms. however, just because i love a game doesn't mean i can't have genuine criticism towards it! just because you love something doesn't mean you can't point out when it's doing something you feel uncomfortable with.

[baggy-holmes]

tell me what you’re thinking about

[whumpypepsigal]

Road House (2024): “It’s not infected, but I’ll need to suture this.”

[cowboykakashi]

We moved into a new house that has a balcony so now his lordship can watch over us from on high

[tashaclint]

The fact that the taskmaster was only technically taught to imitate the other avengers (aka Natasha’s friends and family (the people she’d least want to hurt, the people who know intimately how she fights)) means that the red rooms main target has always been Natasha. Losing Natasha as the black widow crippled the red room so much, Natasha was the worst possible threat against them that their last defense was engineered specifically to take her down

[lil-beanz000]

"I got back up~"

Messed around with Procreate tonite 0-0" Im unsure if i like it yet~

Different edit below (tw:blood)

[s0fter-sin]

it takes far too long for soap to realise ghost won’t touch him anymore

he doesn’t avoid him, which he considers no small a miracle given how he usually treats his emotions, and he’s too busy being thankful to notice. thankful he didn’t run from him, thankful his simon has returned to him, no matter how changed he is from the man he knew. ghost doesn’t shy away from his touch so long as he knows it’s coming and he spends long nights just tracing the scars on his newly bared face; following half-remembered tracks and memorising new ones

but ghost never reaches back. he’ll press into his hands like a starved man, melt beneath the smallest of touches but he never initiates. and now, his regular touches have disappeared; no longer does he clap him on the back after a job well done, doesn’t cheekily nudge him after making a recruit shit themself just by giving them a look and soap hadn’t realised how much he’s come to rely on them until they stopped. how much he’s grown to care for ghost the way he used to care for simon

he can’t confront him about it; ghost’s fight or flight always firmly tuned to flight when it came to matters about himself. soap would’ve if it meant fight; if ghost would just put his hands on him again, he’d take his violence with the passion of a lover, wear the marks he left behind with grateful pride. but he remembers the look on ghost’s face when he’d ripped his balaclava off, when he’d stripped his barrier and his protection and spat, “i ruined you the moment i touched you!”

so soap waits. he waits for ghost to crawl into his bunk, to take off his mask and surrender himself to his touch; a touch that seems to burn as much as it freed. and instead of taking his face in his hands and worshiping it the way he has every other night ghost’s come to him, soap takes his gloved hand in his own

ghost flinches, the preemptive bliss fading from his eyes as reluctant fear takes its place. soap brings it up so it hovers between them and already feels him edge backwards. he doesn’t let it stop him and gently tugs his fingers free of the glove one at a time until his hand is bare to him; visibly shaking in the dark. soap brings it towards his face, holding firm when ghost tries to yank it back and presses into it; his breath hitching as he finally gets the touch he’s missed for years

“stop, john,” ghost whispers and it hurts to hear the pain in his voice; closer to begging for the soft touch to end than he’s ever been under torture

“no,” he refuses, pressing a kiss to the centre of his palm

his eyes shine in the dark, arm twitching as he fights himself; pulling back against his grip and leaning into him in turn. (how can he stand to put his mouth on him; can’t he taste it? the dirt and decay that lives under his skin? the maggots that swim in the slow beat of his blood; the rot he’s been trying so hard not to spread to him but he’s weak.) “you don’t know how broken i am. i’ll ruin you, john.”

soap kisses him again; thick, phantom blood coating his lips. “i’m not letting you slip through my fingers again,” he promises, swallowing it down. “i’ve missed you too much to be afraid of getting cut, simon.”

[grimalkinmessor]

Hi welcome to my very tired rant

[commandertartarsmoocher]

If anybody is curious who I ship the funny telephone with... Here is my super awesome and long awaited answer:

🎉 Nobody 🎉

[7roaches]

what if they learn nothing and just go back to being clingy & self sacrificing and pathetic what then

[maxphilippa]

actually a big problem i have with romantic tacopad is that people don't even get them platonically. people don't really care about them on a platonic aspect and it shows. ouhhhh yeah yeah you like them kissing but do you actually get their thing outside of that???? do you get why mepad wants to help her? why he cares about her? why they actually work? and also do you care about mepad as a character? i think you just want to kiss taco and project onto the guy like no WAY everyone just suddenly likes tacopad because they actually get the ship

[nebuladreamz]

MOM THE FUCKING DEMON POSSESSED ME AGAIN AND IT DIDN'T WANNA WORK ON ANIMATRONICS BANGS HEAD

Singles under the cut!

[the-kipsabian]

in a some kind of an effort to make myself visible i guess. heres my art links

fic blog / fic tag on main blog / ao3

art tag

gif tag

ko-fi shop for bracelets

[luna-lovegreat]

Error 404 Luna.exe has stopped functioning

Sorry guys the account is going down now, you've overloaded me

...

Ok fine I'll be serious. Follower milestone time!! Four hundred hehe.

It's been under two years since I've joined tumblr and I don't have a good frame of reference to know if 400 followers in that time is impressive or not. It feels impressive tho, so it counts as a follower milestone for me :))

Its wierd to me cause like. I don't post art. Or writing. Everyone following me is just here because you like my rambles? I make insane rants with a ton of pictures of my favourite characters, and I've never had a group of people I'd rather share my thoughts with. You guys are so cool and every time I get an ask, or an ask game, or tagged I slightly explode inside. Gosh, yall will literally ask just me for my thoughts and opinions and that's. A huge honour for me. I love you and you matter <3 thanks for chilling in this little corner of the world with me.

Here's a more satisfying number of 400 for everyone who likes round numbers, I just wanted to make a joke about 404 XD

Thanks guys <33 keep going because it matters and you matter- yall are some of my favourite people on the planet /gen

:))

[gingermintpepper]

hi I love your tags so so much! they were so sweet and so interesting and creative and the whole Aphrodite type of beauty thing sounds really interesting do you have any articles and recommendations to read further into it??

-hogoflight

Hello my fine feathered (I am assuming possession of feathers if you are, indeed, capable of flight) @hogoflight! I'm always always happy to hear that people appreciate my frenzied rambling in the tags :D! I have a lot of articles and recommendations :D!! Ancient Greek notions of beauty and representations of it in their art and sculptures is a pretty well studied topic! There isn't any way for us now to know definitively what the beauty standard was (it varied widely from region to region and culture to culture after all) but here are a couple of my favourite reads about Aphrodite and what her representations tell us about idealised beauty!

Probably the most empirically extensive one I can list is Krönström's thesis which compares statues of Aphrodite and literary text referring to both the goddess and mortal women to determine physical ideals for women in five specific eras of Grecian antiquity. Including measurements of the statues there are many descriptions of Aphrodite as 'curvy' with a 'voluptuous figure' and with 'ample buttocks and bosom'.

"When the beauty traits are described in the texts, they are never extreme or anything that could not be found in normal people just that they are more beautiful in every aspect. Furthermore, the sculptures’ physical forms look healthy, they are tall and have distinct curves. Great examples of this are the Knida sculpture and de Milo (the Melian) sculpture."

Of course, these images are still idealised, and there was still a concept such as 'too fat' or 'too skinny' found in written records (and this thesis even includes analysis of pornographic writings and descriptions of the fashion and stylings of pubic hair of women from different regions!!) but from an interpretational standpoint? There is absolutely no reason why these can't refer to a fuller figure. Height was also a very important factor after all and over the course of many eras, it seems like being well proportioned in addition to the length and appearance of one's hair were the most important factors (and, like Apollo, greater beauty was given to those with curlier hair)

Mireille M. Lee's 'Other Ways of Seeing' essay which talks about the forgotten female viewers of Knidian Aphrodite which is also extremely illuminating on how Aphroditic sexuality and sensuality was perceived totally differently from the well documented male voyeuristic gaze (which was overly preoccupied with the statue's nakedness and therefore over-sensationalised the statue's physical appearance) vs women's perspective on the statue which is more centered on the beauty of simplicity in Aphrodite's garment and decoration and in her power and ability to captivate both in her finery and without it. I think it's especially useful in exploring the importance of finery, jewellry and adornment in representations of Aphroditic beauty.

"Some of the small-scale copies are heavily jeweled, especially those from the eastern Mediterranean, for example the Hellenistic gilded terracotta statuette in the Çanakkale Museum (Fig. 5) in which the goddess wears, in addition to the armband on her (right) arm, the following: a necklace with multiple pendants; cross-bands extending over both shoulders and hips, with a cascading pendant in the center; a coiled snake armband on the left arm and another snake on her left thigh, and a twisted anklet on her right leg. (The left leg has been restored, and might also have featured an anklet.)"

"Jewelry is especially associated with Aphrodite in Greek literature. As seen above, in the Homeric Hymn to Aphrodite, the goddess adorns herself with gold jewelry, dress-pins, and earrings in the shape of flowers (162–3)..."

Finally, and to me, the most important one in the argument for an interpretation of Hyacinthus as fat, beautiful and fundamentally Aphroditic comes from Brilmayer's brilliant brilliant thesis done on Aphrodite's work and influence in Archaic Greek Poetry which does away with all of that masculine preoccupation with physical proportion, measurement and bodily ideals for a focus on a Sapphic Aphroditic ideal centered in clothing, ornamentation and, most importantly cunning as symbols of Aphrodite and ultimately a feminine idealised form of beauty. This paper also discusses Pandora and Helen in these terms and it is just kind of a wonderful read tbh.

"Combining Homeric and Hesiodic elements with her own ideas, she [Sappho] alters the way female beauty is viewed. For example, the Homeric war chariot – a symbol of male, military prowess - comes to symbolise the totality of Aphrodite’s power uniting in itself male and female qualities. Having addressed the concept of beauty directly, Sappho then concludes that beauty lies in the eye of the beholder. With the help of Helen of Troy and her beloved Anaktoria, Sappho sets out to reinvent the concept of female beauty as a godlike, subjective quality that may be expressed in many ways, yet remains inspired by Aphrodite."

The conclusion to all of this of course is that Aphroditic ideal beauty is much more fluid compared to its stricter Apolline masculine standard. The nuances and understandings of both are of course, constantly being studied, analysed and scrutinised but really, if Dionysus who was both bearded and clean shorn, effeminate, birthed and rebirthed (and twice gestated!) and strongly associated with vegetation can be popularly portrayed as fat and handsome, why can't Hyacinthus?!