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#because like ALL of it is coming from tyrian. so it’ll be interesting to see salem + summer + cinder and what that dynamic is like
bestworstcase · 4 months
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Genuine question, do you call Oz's (or Salems) circle a cult based on the ancient definition (i.e. cult of dionysus) or the modern definition of cult with the BITE model (i.e. Scientology, Manson family, etc)? And can you go into why you think they're cults, if that's okay? I'm very curious :>
generally speaking when i say cult i mean it in the non-pejorative sense of a system of religious veneration toward a particular entity, e.g. salem and ozma received cult as god-rulers back in the day. aside from. tyrian. i wouldn’t characterize salem’s present day operation as a cult because it’s Unclear to me whether the others actually worship her in any sense beyond like smiling and nodding when tyrian starts going on about Our Divine Savior. similarly ozpin’s inner circle is not a cult of him, it’s a cult of light.
In This Sense what makes ozpin’s circle a cult is the explicitly religious nature of the group. which is something a lot of the fandom overlooks because a) rwby is cooking the religious narrative very slowly and b) religion is not taken seriously as character motivation. but like, when qrow brings team RNJR into the loop he leads with "not many people are super religious these days and there’s a lot of Fake Made-Up Gods but ozpin says there’s two who Really Exist. they made us and they left behind four divine relics for us to guard from The Enemy." & it’s not an accident that he frames the situation in these terms, not is it accidental that oz presents himself as someone cursed (ordained) by the gods to stop salem. the organizing principle at the heart of this group is religious in nature—the gods entrusted us with these divine relics we must guard whilst we shepherd humanity toward redemption.
*teams RWBY and JNPR aren’t brought into that second part before ruby explodes ozpin’s whole situation by asking jinn her question, but in fairytales of remnant the story of the two brothers is attributed to qrow and overtly states the divine ultimatum:
“I disagree,” the God of Light said. “And we promised to share in the fate of our joint creation.” He gave a mighty yawn. “Let us rest, and when the time comes, we will see what Humanity has become in our absence. At that point, we will judge them. If they are worthy, we will take their forms and walk among them as equals. If not, we will take back our gifts and start over elsewhere. What do you say?” “Who will decide whether they are worthy?” the God of Darkness said. “Humanity will make it plain. If they come together in unity and find a way to destroy the evil in the world and within themselves, then they are worthy. If not … we will let them burn,” the God of Light said.
which ozpin reiterates in the commentary:
Whether or not you believe in the Brothers, or in this story in particular, the underlying message still holds value: We are burdened with responsibility for our world, and we share a common destiny. Like the twin gods, we are intricately connected with one another, and if we can learn to work and live together, we can create things greater than the sum of their parts. Remnant survived the Great War, but while the four kingdoms now cooperate and coexist, our bond seems tenuous. We have a fragile peace, and in some ways, we are more divided than ever. Even if the gods aren’t real, even if they don’t return to judge us for our deeds, we should act each day as though they are arriving tomorrow. In the end, we will be the arbiters of our fates. We will either create a beautiful, peaceful world and live in harmony together or destroy ourselves and our planet, and the gods will judge what we have chosen.
what this tells us is that a) ozpin’s innermost circle knows that the brothers will some day return for the final judgment and that ozpin is working to prepare for this, and b) the idea of the final judgment itself is not something ozma has kept secret, it’s mainstream brother-cult doctrine that ozpin publicly uses his platform as the headmaster of beacon academy to proselytize. the reason none of the kids reacted at all to the divine mandate/the final judgment is they already knew about it in the same way you’re probably familiar with the rapture in basic terms even if you aren’t a christian.
based on the fairytale anthology, i would also argue that all of this is true not only of the inner circle but of the academies writ large, because in the introduction:
When I became headmaster of Beacon Academy, one of my first goals was to introduce a deeper study of the stories that make up the fabric of our world—after all, I am first and foremost a teacher. […] It may seem self-serving to place this book at the core of a new curriculum at the Huntsmen academies; however, it also has been compiled with these academies especially in mind.
ozpin indicates that once he became headmaster he published this set of stories and commentaries and then made it the CORE of a new curriculum for the four academies; and fairytales of remnant is, again, an overtly religious text that exhorts the reader to believe in and act upon brother-cult doctrine. imagine an anthology of stories that included a hodgepodge of aesop’s fables, grimm fairytales, a couple greek myths, and a synopsis of the gospel with a commentary urging you to accept jesus into your heart. that’s what fairytales of remnant is, in essence, and the whole curriculum of the academies is structured around that. these institutions front as secular but they’re not.
(two brothers is also not the only story in the anthology that references the final judgment: the ‘circle’ depicted in the infinite man is explicitly working to “make ready for the final judgment” before they’re put to the sword by adversaries who presumably didn’t like the sound of that. so ozma’s been doing this with varying degrees of subtlety for a good long while.)
ALL THAT SAID,
ozpin’s inner circle is absolutely also a high-control group (which is what people typically mean when they say "cult"). let’s walk through the BITE model real quick ->
behavioral control.
in reality this dimension involves various practices e.g. sleep deprivation, corporal punishment, social isolation, financial control that serve to establish and maintain direct power over group members such that they become physically and/or psychologically dependent on the group and therefore unable to leave. within the world of rwby and the specific context of ozpin’s inner circle, this is Not Necessary because all ozpin has to do is invoke the dangers of mass hysteria and the grimm. we mustn’t cause a panic or the grimm will come and there will be chaos and the world will go to war.
combine this constant drumbeat (“old ozpin would always put his foot down. ‘we can't cause a panic.’ heh, can't tell you how many times i’ve heard that…”) with the reality that huntsmen work is grueling in and of itself, and that we know from 9.10 that ozpin made it a regular practice to call individual members of team STRQ away on hush-hush urgent missions with no advance warning in the middle of the night. on its own, that isn’t inherently problematic (hunting monsters is a dangerous and difficult profession, duh)
but think about what it says about how ozpin operates that working for him means being on call at all hours for top secret dead-of-night emergencies that regularly turned out to just be “routine patrols.” this speaks to his paranoia but—do you want a group of people who are permanently stressed-out and exhausted? this is how you get that, by refusing to stay organized and just set up a schedule for routine patrols such that emergency becomes routine. if nothing else this is a horrible working environment. and this sort of thing is what the dimension of behavioral control is really about, because people who are stressed out and tired all the time are more susceptible to disinformation and manipulation.
the final piece is the inner circle’s perception of ozpin as the one who must guide them because, as glynda tells ironwood, he “has experience the rest of [them] lack.” again, taken in isolation this seems innocuous until to you consider that a) ozpin does not have the experience he claims to posses—he hasn’t been fighting salem for any significant length of time because salem has been Ignoring Him—and b) ozpin does things like LEAPING to the conclusion that lionheart is a traitor on the grounds of the mistral council overruling him, and getting first verbally forceful and then physically violent when the girls start to defy him. what first appears as ozpin taking the lead because he has the most experience turns into, well, lunging at ruby because she disobeyed him
✅ sleep deprivation + fostering an artificially high-stress environment ✅ encouraging groupthink ("we can’t cause panic") ✅ cultivating dependence on the group leader ✅ threats of punishment/dire consequences for failure (the grimm) used to guide behavior
information control.
this dimension. doesn’t need elaborating. lol
✅ deception (in all forms: withholding information, distorting the facts, & systematic lies) ✅ restricting access to unsanctioned sources of information (by keeping everyone too busy to investigate or ask questions, on this see also the way oz frames raven’s decision to leave) ✅ compartmentalization of information (information is heavily controlled, different levels of information provided at different levels of commitment to the group, "we can fill you in on the details once we know you’re with us," ozpin decides who needs to know and when) ✅ encourage spying/monitoring within the group (qrow accuses ironwood of "turning his back on oz," winter + ironwood accuse him of being compromised, summer and raven both feeling isolated/unable to trust others in the group, general high levels of distrust between group members)
thought control.
also very straightforward.
✅ instill black and white, us vs them thinking (specifically, "it’s us protecting the Helpless Frightened Masses against them," and reducing every problem to "we can’t let salem divide us" and "how can we kill all these grimm"—contrast how robyn operates, the difference is staggering) ✅ thought-stopping platitudes ("we can’t cause a panic" and "i always prefer discretion" and "we can’t let salem divide us" etc, with the latter note how rwby delivers the "you’re being divisive" rhetoric through jacques first, specifically to illustrate its efficacy as a tool of control) ✅ allowing only correct / good thoughts (because if negativity then salem wins!) ✅ rejection of critical thinking or constructive criticism (this happens every time someone is informed of the first layer of truth and starts asking why it’s secret; inculcating the group rationalizations to shut down this questioning is always step one) ✅ prohibiting questioning of the group leader (in the most extreme example, ozpin lunges at ruby to stop her from using the lamp, but see also his anger when the kids don’t stop questioning his choices) ✅ other belief systems labeled as illegitimate (the brothers are the only True Gods and other religions that exist don’t count except when we use them to justify keeping secrets) or evil (salem’s rejection of the gods is construed as a desire for the world to end, in some cases overtly, and this is explicitly manipulative)
& emotional control.
the grimm do most of the real legwork here. i won’t go into the Whole Thing on how the huntsman model is an, at best, incomplete understanding of the grimm but suffice it to say repressing feelings is, demonstrably, Not Effective at warding away the grimm and small villages outside the kingdoms with no huntsmen protection are demonstrably capable of dealing with grimm outside of extreme situations (bandit raids, giants like the nuckelavee) where huntsmen would be outgunned too. which i want to emphasize because the extremely dysfunctional way ozpin’s inner circle views negative emotions is NOT practical or necessary within the context of the setting, and in fact is arguably counterproductive to the stated goal of minimizing grimm attacks.
anyways,
✅ manipulate and narrow the range of acceptable feelings (all "negative emotion" is undesirable and actively shamed) ✅ inculcate guilt or feelings of inadequacy (in leaders specifically: "if you are not always performing at your absolute best, what reason do you give others to follow you?" + the condemnation of raven and general attitude of "there’s no shame or disgrace in abstaining, only in retreat") ✅ instilling fear of thinking independently (we see the consequences of this play out in v7-9, with the incredible anxiety over disagreement) and of the outside world (grimm, constant drumbeat of inescapable existential danger which can ONLY be avoided by keeping secrets and keeping the general public complacent) ✅ specifically inculcating intense fear of leaving the group (by ostracizing those who leave [raven] and cultivating the mindset that there is never an acceptable reason to leave [it is disgraceful and shameful to retreat, leaving is "abandoning your training/duties"], plus terrible consequences if someone leaves [without the spring maiden we’re all going to die]; with ironwood this escalates to him going to extreme, violent lengths to get penny back under control and punish winter for defying him)
note how:
many of these behaviors continue and/or escalate after ozpin’s death, because the members of the inner circle continue to follow the example he set and because the kids (ruby n yang especially, having been raised from birth by members of the inner circle) were inculcated with the foundational mindset and beliefs in academies that the inner circle a) controls and b) uses as a recruiting ground; and
since v6, the narrative has been developing character arcs that examine the Many Ways this system traumatizes and breaks people. this is of course exacerbated by the fact of the apocalyptic war happening, but the broken old guard—team STRQ, ironwood, ozpin himself, gretchen rainart—are there to make the point that the inner circle was breaking and traumatizing people long before salem went to war. so the abundance of these high-control methods exists in conjunction with the narrative focusing on how harmful and destructive all of it is; the inner circle is intended to be understood as deeply dysfunctional, and the huntsmen academies as failing institutions doomed by the inner circle’s beliefs and methodology.
so whether the Specific Authorial Intention is to depict a high-control group/cult, in the more general sense the inner circle is overtly meant to be Bad News. things like the sinister framing with pyrrha in v3, ozpin physically attacking ruby when she used the lamp, the throughline from things ozpin teaches ruby in v1 to her breakdown in v9, the whole Situation with summer and raven in the past, etc, all of this weaves together to paint a very fucked up picture of how the inner circle functions and the ripples of harm it causes.
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dragynkeep · 3 years
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Hi there, ironpines! (Love the name btw, I read a really good fic about ironwood being a father-figure to Oscar when RWBY and co. get to Atlas).
So this is probably going to be very long but I’ve really gotta vent about some stuff.
(Also, first ask. I honestly didn’t know how to do this for the longest time. Just got back into tumblr a bit ago).
1. I hate Jaune Arc (a lot of people do), but I want to know why. Do you think/believe he’s an author’s pet? Also, why the HELL did he kill Penny in the first place?!? Why not Winter, Nora, or Ruby? Why did he have to go to the island? Just- WHY?
2. In the first three volumes I really liked Team RWBY, but now….how did they get so skewed? What went wrong? How can Ruby be THAT arrogant that she point-blank says to Qrow: “we never needed an adult’s help.” Like- yes you did! If not for Qrow killing the Grimm in v4 they would have been continuously fighting Grimm. I’m the fight against Tyrian (one of my favorite characters and favorite fights) if not for Ruby getting in the way Qrow wouldn’t have been POISONED!
3. (This is the one I’m going to get cyber-ly killed for). (I also had just started RWBY when volume 5 was airing weekly.) The beginning of Volume 5, in my opinion was good. I liked the first five-six chapters, but when AU watched ‘Rest and Resolutions’ V5C7, I was so angry! Everything about the conversation between Ruby, Weiss, and Yang felt so out of character and out of place. It was so bad and the next episodes following that were not good either (only the raven v cinder fight was any good). The battle of Haven was a train wreck that I honestly have no idea how I even retained braincells after that. Like- why KEEP teasing Weiss v emerald if you aren’t going to do anything with it. Why tease Mercury v Yang if you’re not going to do anything new and interesting with the two (Mercury isn’t even a character anymore!)
4. I wish we got good rep. I really wish we didn’t get confirmation on LGBTQ+ characters from supplemental material (that’s not even canon). And I’ve gotta ask, why do you consider cannon? Cuz for me, the only things I consider actually CANNON to the storyline are the Red, White, Black, Yellow Trailers and the show itself (Grimm Eclipse just for the sake of more cool lore about Mountain Glenn and the fact of mutant Grimm). That’s it. I don’t consider the World of Remnants, manga (DC or otherwise, those were HORRIBLE!), anthologies, and the DISGUSTING novels.
(This is the last thing, I promise!)
5. I’m working on a quasi-rewrite RWBY fic and I didn’t know whether or not I should post the first chapter on my page or not. I just really don’t want the simps to come for my head (though it might happen anyway). But I’ve been writing this for about a year and a half now and I really want to post it but I’m so nervous about the reception and backlash. What do you think?
Thanks for answering me and indulging the fact that it’s okay to like something and still want it to be better (critics/the Rwde tag is my favorite because I can read opinions that I mused share but are too scared to put as a post).
Thanks, we picked Ironpines because we loved Ironwood and Oscar, and then our friends, being the good friends they are, immediately told us it was the ship name for them so now we can't have anything nice.
1) First off, yes, we absolutely think Jaune is an author's pet. We don't really go for self-insert anymore since everyone in RWBY was a self-insert, Monty clearly based them off his friends. But now, Jaune is absolutely an author's pet and has been since the start of the show.
Just look at Volume 1. Jaune literally had more of a storyline than Yang, one of the girls in the title. He then went on to have a dumb love triangle in V2, only to resolve it with Neptune without any input from Weiss, because why not, and then V3 was Jaune finally taking more of a step back for Pyrrha, who was long over due some character.
Until V4 where, rather than everyone mourning Pyrrha, we focused on Jaune mourning her instead. Nevermind that Pyrrha was Ren and Nora's teammate too, probably their only family since they're orphans, or how Ruby literally watched Pyrrha die in front of her. Nope, gotta focus on Jaune. Add that it stretches into V5 also, adding another storyline about his Semblance while Ren, Nora, and Ruby have to stand in the background and wait their turn, while Weiss literally loses all her braincells so she's injured for Jaune's development, how the confrontation with Cinder doesn't go to Ruby, the main protagonist, but Jaune.
Then we get that stupid statue scene in V6 that took over Oscar finally getting some development of his own. It's not even the whole team, because it's only Jaune that gets to meet the lady who totally isn't Pyrrha's mother, it's Jaune that gets the big teary moment, and how Ren and Nora have to stop and comfort Jaune because of course they have to.
I was glad that Jaune finally took a backseat in V7. I actually started to like him again, because he wasn't sucking screentime away from those who need it. But then V8 happened and now I want him dead.
I've said it countless times before so I don't wanna repeat myself, but Jaune is one of the last people that should've killed Penny. He shouldn't have killed her, he shouldn't have had the big tearful scene because another redhead died, he shouldn't have fallen into the void to join Team RWBY, but he did. Now there's no doubt in my mind that Jaune is a fucking author's pet, because the writers won't let him go into the background where he belongs.
2) There's not much to say about Team RWBY. They just suck now.
3) After watching V8, V5 is no longer my least favourite volume. That's how bad it was.
4) Yeah, RWBY's rep is absolute trash and it's because they keep putting it in supplemental material, and also because they look at the LGBT and only see L. The only MLM we have is Scarlet, and he's a catty fae gay stereotype that is so unlikeable and voiced by a creep. Nevermind the whole Fairgame queerbait controversy because this company can't stop themselves for five minutes.
5) I always say that, when you post work on the internet, whether its art of writing, you have to understand that you will get criticism back. It'll suck, especially when you've put so much time and effort into something, but that's the risk you have to take as a content creator.
The good thing is that AO3 has features that let you manage what you see properly. If people just want to hate without giving proper criticism, you can always remove it and ignore it, but I personally believe that people aren't entitled to criticism when it's only said nicely. Sometimes, people will get annoyed and say it in a meaner way, but that doesn't make the criticism any less valid.
Either way, decide based on how you think you'll react to it. If you don't want the stress of criticism, be careful, but if you think you can handle it? Then go for it, the world's your oyster.
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Actual thoughts on the Icebrood finale below the cut, proceed at your own caution.
I don't really have any issues with what happened in the finale, and the whole instance was incredibly cinematic. The short but rad kaiju fight? Ryland's death and Rytlock's + Crecia's grief? Braham being distinctly not dead? :chef kiss: And considering the nature of Champions as filler content, we got about what I expected.
That said, the whole damn thing was just too fast and suffered from devs being forced to cram in this story with limited resources + time. I like the idea of elder dragons being pulled to leylines, Aurene getting to be a prism, etc, however I feel like these are major story beats that should've been slipped in earlier in Champions.
Have Taimi or Gorrik drop some lines through the earlier DRMs about the possibility, make a bigger and earlier deal about having to manipulate Jormag into a fight, etc. so the finale doesn't have to bear quite so much. If Jormag's the dragon of Persuasion, we should have our work cut out for us to get them where we want them. (And please, please have the gameplay reflect the gravity of the finale a little better. It doesn't have to be that super mechanically challenging, but we should be doing something more than pressing our special action key. That's a little hyperbolic, but I'm just thinking about this in comparison to the Mordremoth + Kralkatorrik fights).
Related, I feel bad for asura players and dwarf enthusiasts about the lack of general involvement Primordus had when all's said and done. Not that a dragon whose defining character is 'mindless rage' needs to have more personality, but I feel like the defense-event style DRMs weren't quite enough for us to appreciate his impact. (On that same note, I wish Jormag had more to say in the final instance.)
With the big rocky boy gone, the chances of getting to see the Depths, updates on Asura society, etc. slip further and further away. The same can be said for all the charr and norn development that got dangled at the beginning of IBS, but at least they got a couple of full episodes dedicated to them (well, moreso charr than norn. Sorry norn mains).
Speaking of which...I'm 100% biased because I mostly play charr, but I was so excited for all the core Tyrian story threads that now might never see full closure. Will there be follow up on the whole Khan-Ur situation? Is the Foefire there for good? And what of the minor story beats introduced in IBS? What about that likely Inquest agent in Grothmar interested in Aurene? The lasting impact to norn society of what actually went down with Asgeir and the fang?
Regarding the whole 'killing more elder dragons with little consequence' thing, that'll be probably be a separate post. I feel like a lot of the commenters I'm seeing on reddit and wherever may've not seen the dialogue from Aurene mentioning that most of the magic didn't get absorbed. Maybe she really is capable of containing it, but I don't think we're skipping over that disruption to the All.
I've also hardly talked about character stuff here, but I'm curious what/if any character development Braham will have now that his major arc is complete. Will he get to tag along with us in EoD? (On the other hand, I feel like Rytlock's going to be sidelined a bit after this. He's got a lot to work through).
Also I know I joked about Bangar being a puddle earlier, but it'll be interesting to keep him around. Not that I'm expecting/hoping for a redemption arc, but like with Braham, I wonder what Anet has planned for the character. Plus it's Graham McTavish, come on.
Lots of negativity, but I think it's mostly because I'm saddened about the potential IBS had that got squandered. I feel even worse though for the devs who had to cut their plans short. That said, I'm not any less excited for what's coming ahead (hellloooo armory and more legendaries), and I still appreciate all the parts of IBS I initially enjoyed! Grothmar to this day is still one of my favorite maps and story steps.
I'm getting the impression a lot of people, players and devs alike, are ready to move on. I'll be curious to see how people feel about it a few months from now and further on down the road.
One last note, I'm replaying through all of IBS from the start rn, and I want to see how all of Champions feels as the one big episode that it is. Will probably have more input then!
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coweggomelet · 3 years
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volume 6 lads
from what i remember this one is similar to 4 in that it gives us a bit of an emotional break
don’t get me wrong i know there’s some stuff but i think overall it’s a little less intense
- ahhhh they’re all fighting together againnn it feels so right
- hey. hey yang and blake. i’m gonna need you to stop. cause my little heart can’t take it
- this dude really was challenged once and had a full blown murder tantrum. that’s fragility my guy
- ruby is SO CUTE look at her little happy face
- oh yeah. take a train. you guys have a great track record with trains
- i also keep getting like three versions of the same ad about getting vaccinated and it’s got all these workers from tv & movie sets and it’s so awkward this one guy looks so annoyed during his whole part
- it’s not just the turrets y’all oz is withholding shit once again
- don’t fuckin shove my boy!!
- i love that qrow immediately steps back when ruby comes forward. like he 100% respects not only her authority as a team leader but also her ability to solve situations and talk to people. he knows man. he knows his niece is something else
- MARIAAAAA MY GIRLL YES
- uh oh the train crashed. who could’ve seen that coming
- cinder really is just too angry and spite filled to die isn’t she
- hehe maria you’re funny
- it’s so funny that oz is still refusing to tell them everything knowing that everything is revealed in the next episode
- oh oz. i know he was your friend. but all these kids saw was the insane amount of harm and death he caused. trying to defend him to them is not gonna go well
- oscaarrr i love you!! you’re so good!!
- oooo chills
- uuugghh i love jinn she’s so cool
- oz. my dude. the ship has sailed. you can’t stop this anymore
- this, my friends, is what we call a lore episode
- this whole sequence gives me chills it’s so gooood
- eurgh i hate how the god of darkness moves like i get it it’s part of the aesthetic but you really don’t need to do that it’s creepy
- salem was so smart to use a super powerful sibling rivalry to get what she wanted
- she really didn’t deserve to watch the love of her live just get revived and killed over and over again
- jeez the gods are assholes. they’re all oooohh maintain balance and then they torture a woman who just wanted her husband back by making her live forever. for what??? for daring to be smart?? ugh
- c’mon gods you gotta respect the hustle
- you think that making someone immortal will make them realize the importance of life and death?? idiots
- god her face
- she’s so smart what the FUCK
- “the hearts of men are easily swayed” really reminds me of galadriel’s “the hearts of men are easily corrupted” in lotr
- a couple hundred humans attack them and the god of darkness decides “you know what? i’m gonna eliminate all of humanity. that feels like the right choice. yeah. i feel good about this.”
- the fact that salem wasn’t even like… a real villain until she tried to kill herself in order to escape her torture and suffering and the grimm juice made her Big Mad
- like it wasn’t even her, it was the grimm juice. i really do believe that without that she wouldn’t have become salem the Villain
- i’m sorry i don’t know a ‘deathly hallows’ i only know the relics
- ohhh fuck i forgot about this!!! oh rwby’s totally gonna end with the gods judging humanity when the relics are brought together. maybe not end end but it’s definitely gonna be close to the end and it’ll be a Big Thing where they strategize about how to convince the gods that humanity is good
- obviously the first maidens weren’t their kids but boy is there a theme going on here. and maybe even something plot relevant cause their kids could do magic
- all the main characters being able to witness this and us seeing their reactions is such a good touch like god, the impact of this reality is so much heavier because we get to see the characters actually affected by it react to watching it unfold before them
- ohhh my boy. you didn’t deserve this burden before but now that you know fully what it means you really don’t deserve it. i mean look at him!!!
- oh qrow!!! you are doing good! i mean i get it, your whole world’s been shattered and the man you gave your life to lied to you about a lot of important shit but you are doing good i promise!!
- fuck yeah maria use your sassy wise old lady authority
- oh god emerald you poor thing you’re just a babey— oh god i felt salem’s hand on emerald’s shoulder fuck dude this show is so effective
- truly, this is a master class in manipulation
- uh oh salem your ex is back
- UH OH ITS THE FARM RUN YALL
- i like that weiss is wearing what looks like very thin tights, a strapless dress, a lil jacket thing, and the animators said “here she’s got a scarf she’s warm now”
- ruby didn’t kill torchwood y’all, he got chomped. like a lil bitch
- oh god this episode
- yaaaayyy
- before this episode my friend went “you ready for some horror?” and was grinning
- oh yeeeaaah the corpses. lovely
- god as soon as they opened the door to where the cellar entrance is it immediately started affecting weiss
- oh the DOOR nope no thank you get the fuck OUT
- watching this show with my friend was also the origin of me being sad cause this shit is sad and her going “oh i’m having a great time” and this episode in particular she was enjoying herself WAY TOO MUCH if you ask me
- little jump scares kept getting me and she LAUGHED and said “that got you?!?” YES it DID i’m a WUSS
- oh the journals!!! the way they incorporated that was so interesting and added SUCH good creepiness and suspense without giving it all away or ramping it up too fast
- ruby’s so good i love her!!
- uuugghh it’s getting them already how haven’t they noticed???
- the eyes got me good the first time
- their weird fuckin attitudes were the creepiest part of this episode
- ruby said not my friends you bitches
- mariaaaa i love you you’re so smart
- god when they’re reading from the journal at the very end…
- neo’s so tiny!!
- talk about some girlbosses 
- MARIAAAAA YOURE SUCH A BADASS i love her backstory
- love her outfit too
- OOOO THE FUCKIN CROCODILE CLOCK LADY ooooo this is so cooooool
- the ticking!!!!
- oh maria you poor thing. but also you’re so smart like that was such a good move
- aww haha qrow’s a fan. awww he based his weapon off hers!! we love a fanboy
- “i wanted to be as good as the grimm reaper.” “well, im nothing but a disappointment, so you’re well on your way” DAMN MARIA SAVAGE
- oh nice they made to argus! NOW SHOW ME THE BABY
- “CUTE BOY OZ” me too nora
- THE BAAAABBYYYY
- and jaune’s sister and her wife!! I LOVE THEIR GAY LIL FAMILY
- yang is good with kids. marry me
- YOURE GODDAMN RIGHT THATS A BABY AND I LOVE HIM
- HUN!! god i love saph and terra
- “shut up there’s food!” heh me too ruby
- aahhh cordo
- she and maria are totally exes who had a bad breakup and now they hate each other. a tenzin/lin situation if you will
- jaune… my boy… i know you’re angry but oscar is really trying his best
- “i don’t know anything” me neither ruby
- wait cinder didn’t have her grimm arm yet so how did ruby’s ability trigger?
- uh oh my boy’s missing
- remember when you were having fun being the bad guy emerald. remember that. it’s almost like… it was only fun for you cause cinder was there
- it makes me so sad that not only did emerald actually believe that cinder cared about her, but she actually considered cinder family and her emotional health was so connected to cinder being there
- “all you ever learned was pain and violence and now you’re too afraid to leave it” tyrian excuse me i’m the one with the commentary and analysis that’s rude stay in your lane
- oh god oh fuck. the pyrrha statue is comin up isn’t it
- AH FUCK THE LEAF
- oh there she is. my love
- i still wanna know who this lady is. like she’s even the same voice actor as pyrrha. and she’s got red hair. i don’t think pyrrha ever talked about family members, but my money’s on her mom
- this moment fuckin got me dude. i was doing the full tearing up, lil sniffles, choked up thing. uuuuggghh
- god they love each other so much
- i am NOT gonna cry again
- oh qrow. you poor thing
- THE BABYYYY HI ADRIAN DO YOU KNOW I LOVE YOU
- young man!! you scared us half to death! do you know what time it is??
- his lil outfit i i looovveee hiiimm
- oscarrr!! you’re so sweet!!
- THE CASSEROLE
- FUCK YEAH RUBY TELL HIM
- qrow’s like… damn. ruby’s right
- here we goooo infiltration time
- oh FUCK yeah they kill adam soon
- adrian what a smart babyyyy i love youu
- hehehehehe maria is luggage
- honestly this is such a good plan it just goes to shit cause these kids can’t catch a fuckin break
- y’all need. to stop. looking. at each other. like that.
- qrow stop being emo
- mariaaaa i love youuuu you’re such a great old lady
- uh ohhhh problems with blake
- i would love it if they used qrow’s semblance strategically. like in some sort of heist/infiltration situation, sending him behind enemy lines to fuck up their luck
- ruby’s so good at speeches
- depressed? feeling bad about yourself? feeling emo and riddled with guilt? just get a Ruby Speech(TM) and you'll be cured!
- qrow’s face
- oh yeaaaahhh big metal guy
- cordo
- hey cordo
- are you uh
- maybe takin it a lil too far
- why are so many atlas military people so fuckin intense with maintaining order and big shows of power and controlling other people???
- ADAM YOU BITCH YOURE GONNA DIE
- yeah you’re a source of trauma for her but GUESS WHAT SHE HAS A SUPPORT SYSTEM
- at this point dude it’s real pathetic how obsessed with blake you are
- thank god for auras or falling damage would be a much bigger problem
- cordo can you maybe chill
- weiss earthbended!!
- jaune you’re so smart
- ren said things may be complicated but boy oh boy do i care about that strong lightning lady
- “rightfully in charge??” shut up cordo and go be gay with maria
- noooo her fun coat!!
- oooo Dramatic waterfalls
- YES BITCH IM SO PROUD OF YOU YOUVE LEARNED SO MUCH
- adam i’ll kill you
- YEEEAHHHH WHAT AN ENTRANCE YANG MARRY MEEEE
- aaaaggghh the music holy shit
- i love how the fight scenes progress through the volumes it’s so cool
- the parallels between yang and adam are also really interesting. like their semblances, their tendency to lead with strong emotions. interesting
- ooooo he doesn’t like when they look at each other hehehehehe SHE HAS A GIRLFRIEND NOW BITCH HAHA
- HOLDING HAANDSSS THEYRE SO GAY
- he’s so basic too. like he looks like a frat boy.
- y’all do your jobs. there’s a big water boy coming but you don’t know cause you’re too busy being goddamn bootlickers
- oscar is so smart and ruby is so brave i love themmm
- uh oh cordo it’s a ruby speech watch out
- ya she is nuts
- THEYRE GONNA WIN CAUSE THEYRE IN LOVE
- ya but you’re a bitch adam and yang is fuckin amazing
- I LOVE THIS FIGHTTTT
- yeet the blake
- FUCK YEAH YANG GET HIM
- i fucking love that they killl him with the pieces of blake’s weapon. like there’s something to that. they kill him with the pieces of a thing he destroyed
- if he wasn’t dead enough he got crunched too
- I LOVE THEM
- hahahahaaaaa cordo they got you
- yeah cordo!!! argus is danger cause you were more worried about fucking “proving the might of atlas” or whatever against some teenagers you fool
- ohhhh shiiiittt cinder’s atlas outfit!! they’re going to a super cold snowy place and cinder said you know what i should wear short shorts and a sleeveless top with super tall boots and a lil cape. that’ll work. and she’s right. it does. have i mentioned i love cinder?
- uh oh big boy swims watch out
- cordo shut up this your own fuckin hubris
- god cordo’s desperation is so heartbreaking
- when are people gonna learn to trust ruby and her friends man
- their willingness to keep fighting and risk their lives and also a Ruby Speech(TM) made cordo believe in them which i love
- i love jinn she likes lil ruby and her friends
- hi summerrrr
- cordoooo i’m so proud of you. she gave up part of this insane symbol of atlas’s power to help ruby and her friends. like she put aside her own ego and i’m so proud of her
- fuck yeah!!!
- awww such a good uncle
- damnnn atlas is gorgeous
- even mercury is terrified by salem’s weird grimm shit
- the fuckin wicked witch with her flying gorillas
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warriordreamer95 · 4 years
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RWBY Volume 7 Crew Commentary Notes!
All credit goes to Sweetfable over on Reddit! Sweet, if you’re on Tumblr and have already posted this or want to, let me know and I’ll take this down!
Chapter 1
Featuring Kerry Shawcross and  Miles Luna.
Miles says he was hoping people didn’t figure out Atlas was a floating city in the sky before they got there. Even in World of Remnant, they were very careful with how they worded things to avoid spoiling this fact.
A large portion of ep 1 was intended to be in V6
Originally it was going to end with Penny being revealed, dealing with the Grimm, and ending on “Salutations”
Almost everything up until the Penny moment was how it was going to be in V6. For production and story reasons they decided to end V6 with just seeing Atlas.
Mantle is a little more Blade Runner and utilitarian looking, while Atlas was made to look like it was created by Apple. Two different futuristic looks.
When making the four kingdoms, they compared it to parts of the real world. Atlas and Mantle were two different versions of America
The drunk guy (Drunk Mann) we see insulting Blake is based off of Joel Mann and the other is Dustin Matthew (Grape-kun).
We saw Pietro (his hand) for the first time in Volume 3. They didn’t want to make him too similar to Dr. Weller from gen:LOCK, and so they made him to be like a ‘big’ kid. It’s where Penny gets a lot of her attitude from.
Kerry wants to do a show with all the old RWBY characters
V8 was harder to write than V7
It was a challenge in this episode to make it clear that Atlas is a new place for some characters, but a familiar one for several others, but that the Atlas in V7 is a different one than what they remember.
They try to theme the grimm to the location. So Grimm from Atlas are those that are from the Ice Age.
Miles compare Grimm to Pokemon. Some will pop up in every region, while others are region specific.
They had a lot of discussion surrounding what they wanted Penny 2.0 to look like. They considered giving her a conflict of her being a clone or not having her memories, but ultimately with the amount of stuff that needed to happen this volume they felt that it wouldn’t have been able to be done well.
Chapter 2
Featuring Kerry, Conner (director), and Kiersi
Forest became a fan-favorite
This episode was tricky to write because it was getting close to being an exposition dump
They had to balance movement and how much the characters can emote (especially when characters lie this episode)
Ironwood’s office shifting to present his plan was a cool idea + it was another way to stay in the room without having things get boring
Really wanted team RWBY to feel like they were on the right path and had something to follow. Establishing the trust theme early on.
Qrow and Ironwood’s relationship is super interesting to Kerry, and he wishes they could have explored it more. Conner pushed for Qrow’s hand to be lower in the hug scene (lol)
Conner jokes that he also proposed Ironwood should propose to Oscar when kneeling
Ironwood giving the relic back was his biggest sign of trust
They comment about how positively Penny states ‘it’ll be just like Beacon again!’ when she got destroyed there in V3
Kerry calls Watts ‘Daddy Long Legs’
Chapter 3
Featuring Kerry and Miles
They were confused when they saw people on Reddit and Tumblr think that this volume would have a shopping montage
Team RWBY jumping out of a plane is a callback to landing strategies and to see how far they have come since V1
The crew thought everyone would love Jaune’s new haircut, and was shocked when everyone immediately hated it. Miles wanted to see Jaune grow up a bit, so he liked the change.
They wanted team RWBY to start acting like and learning from professional huntsman
Miles wanted Atlas to feel like the Beacon days at first, and first came up with the idea that some Atlas academy professors would teach them. But that evolved into mentors, which eventually became Atlas’s best of the best.
The Ace-Ops are not only fun characters, but also foils to some of our main characters to help move their stories along
The Ace-Ops having five members + a team name not based on a color was very intentional. It was to show that Ironwood doesn’t care about Oz’s rules and would rather have an efficient team.
Eddy came up with the name Ace-Ops. Each member is based off an Aesop fable.
The mine scene has us seeing the SDC logo everywhere. Adam, as a terrible of a person as he was, when he was younger, was arguing with someone at a SDC place and the other person grabbed a brand and gave him his scar. So seeing the logo all over the mine was very intentional to put that in the forefront of Blake’s mind, and Yang notices
The fight with the Centinel grimm was originally supposed to be a bit longer and there was going to be an alpha variant of the centinel (which they imply we will see in the future)
Some characters got more upgrades than others. Weiss is already perfect, so she didn’t need any changes. Miles was excited that they were able to give Ren heavy rounds to shoot with. Ren has his father’s dagger on his arm
Many things that seem like retcons are actually not, and instead is just Kerry and Miles learning how to tell a story while simultaneously telling a story. So things were not always explained well early on.
Qrow and Clover were an interesting couple of characters, Miles says. For a long time Qrow was the guy that worked best alone (compared to Shadow the Hedgehog) and wanted him to interact with people that aren't his nieces and their friends. Clover was made to be a total bro and like Captain America- who always makes luck puns. He constantly feels like he is in an action movie because things always go right for him, so he doesn’t need to look where he’s about the jump. Which ultimately leads to someone who relies too much on their semblance. He rides the line of confidence vs arrogance. Clover is kind of person that Qrow always wanted to be. At the beginning of their friendship, Qrow doesn’t really like Clover and finds him irritating. But eventually it evolved into friendship, and later tragedy.
They left RWBY out of the battle of the Ace Ops vs the Geist to showcase how they didn’t need RWBY to get things done. It was their moment to shine
Wanted to give a sense in these first few episodes that, maybe everything will work out okay
Spoiler alert: It won’t
Chapter 4
Featuring Paula (co-director), Dustin (co-director), Eddy Rivas, Kerry Shawcross
Wanted a chance for the characters to breathe a bit before bigger things went down
Kerry loves the lighting in the first scene. They referenced how lighting looks in the tundra
The first draft of the scene where Ironwood is giving orders originally happened in his office
From V5 they learned it’s great to be efficient with sets but they can fatigue the audience and the crew
Originally the celebration wasn’t going to be in Amity, and instead it was going to be in Atlas’s version of an auditorium.
The ship Jacques arrives in is the same one Winter arrives from in V3. It’s a Schnee company ship
Paula thought it was important that Blake hold Weiss’s hand and be the first to stand by her side when Jaques is yelling at Weiss since Blake knows what it is like to be in an abusive relationship. Ruby and Yang didn’t even really know a father would talk like that to his daughter.
They were excited to write Penny and Winter’s ‘mirror-destiny’, which they laid some of the foundation for this episode
Qrow talking to Ruby was barely on the outline for the episode, but it was on their wish list if they had time to get it in.
Dustin says ‘fatherly’ when describing the moment and Kerry is like, ‘you just opened up a whole can of worms’
Eddy loves the ‘Jim’ gag when referring to Jaune.
Watt’s entrance was a difficult shot to execute properly because of the door.
Chapter 5
Featuring Conner, Eddy, and Kerry
They originally weren’t sure about having a montage in this episode
The penguins we see for a moment were possibly going to be grimm penguins
Kerry wants RT to sell the cards Clover has, and Eddy thinks it’s funny he would have cards with him emblem on them.
They liked having the moment of Clover and Qrow in the middle of this episode to show that Qrow is now becoming a mentee of sorts.
Adding in the Robin encounter was a late addition to the outline. She wasn’t going to be introduced until Chapter 6 during her rally
But they wanted to put the two factions head to head earlier on.
It was also the first moment of Clover being a bit duplicitous.
The plot line of tying the supplies through Robin’s storyline was a late addition while writing
Weiss vs Winter with summoning is a callback to V3C4 with them training together
Weiss being able to sit on hard-light (a block) is something Kerry was unsure about at first
Originally Weiss and Winter going to see Fria was going to be Winter getting an alert from Ironwood and having to leave, and Weiss following her suspiciously. But it worked better as Winter revealing a secret while Weiss was still keeping one
Chapter 6
Featuring Paula, Kiersi, Miles, Eddy, and Kerry
Eddy is the one who came up with the idea for the middle part of the season while he had a really bad fever
Originally Tyrian was going to make it look like a bunch of Atlas soldiers fired on civilians in Mantle. Then Eddie thought it should frame RWBY, but ultimately they went with framing Penny.
Nobody has ever offered Penny a fist bump before, so she wanted to do it perfectly
An old draft had the team and Ironwood doing an investigation at this warehouse post-massacre
There was also no montage in C5, just them sitting around a table talking about what they did
Miles also mentions there was going to be a scene in C3 with Marrow trying to bond with Blake about being a Faunus, and also about him specifically being a Faunus in Atlas who is a part of Atlas’s military team. But that episode was so packed they wanted to move it to C6, but then that episode also became too packed. But they plan to get to it in future volumes
They wanted to show how much the Happy Huntresses care about each other and about Mantle
They also originally did not want to have anything political in this season. But the more iterations they did, they felt it was the best course of action to do that with the story.
They wanted to give the heroes a high personal moment with Renora kissing right before things went down
Penny was not used to fighting sneaky enemies, so that is how Tyrian got the upper hand
While they don’t usually check back up on extras, things turned out that we kept seeing Drunk Mann and Grape-kun throughout the season to represent the city of Mantle
Chapter 7
Featuring Conner, Kiersi, Miles, Eddy, and Kerry
Fiona’s semblance was originally going to be Torchwick’s semblance, and it was called Deep Pockets. But they never found a moment for him to use it. So they decided he could be a great example of how some people don’t unlock their semblances
Originally some of C7 was meant for C4 where they found out earlier that Tyrian was involved with things
Miles wrote the description we got of Tyrian’s past (Salem first contacting Tyrian), and it was one of his favorite things to write.
Qrow looking at Clover when he is willing to go with Ironwood’s plan was meant to show some distance growing between the two
We were going to get more of Ren explaining why he was feeling the way he was and agreeing with Ironwood, but ultimately they are pushing it to next volume
Originally Blake and Yang were going to directly reference Adam when they had their talk, but they later figured out how to reference him indirectly
The arm robot Pietro has in his office was originally going to have more of a character like the robotic arm Tony Stark has
They tried hard to get Maria more scenes, but there was often no room for it
Miles realizes he was dumb to suggest that Pietro cover Watt’s face with his thumb while looking at a picture since they already did that with Raven in V3
The lady in the photograph with black hair is not Cinder’s mom (which was apparently a fan theory)
Robin encountering the Bees was a late edition to the outline. But it gave every member of RWBY a moment
They wanted the vault in the Academy to feel similar to the one in Haven but not a direct copy
Miles believes that if Ironwood would allow himself to be more vulnerable more often things would’ve gone differently
The invitation to the Schnee manor was originally going to be to a news conference
Chapter 8
Featuring Dustin, Miles, and Kerry
They didn’t specify what the hood ornament on the car would be, so Dustin was happy when it came back as a velociraptor, which references a raptor Monty Oum would put in photos with RWBY characters
Fans have guessed what direction they are going with Whitley. He starts off as a jerk, but Miles implies that is going to change. It is also an easy way to remind the audience of how the elite act
At the table, Jacques’s chair is bigger than everyone else's
Miles wrote the gag of JNR sabotaging Whitley’s conversation with Weiss and expected it to take only a few seconds, but as more people worked on it the longer it got
The stack of food was taller than Dustin expected it to be, and they even had to scale it back because it was going to be even taller
Another power move of Jacques is to only give a few people wine, as well as not giving Penny any food
Willow was originally going to be in the intro
A joke was made about Salem being Jaune’s sister in the V6 intro before everyone knew who she was
None of the writers expected Penny and Winter to have such a bond this volume initially
Miles wanted to portray when Weiss is talking to Willow that she doesn’t really know how to act around an adult with such an adult issue. Since Weiss is quite young (Miles compared it to him having to help an adult with an adult issue when he was 13)
Chapter 9
Featuring Paula (director), Kiersi, Eddy, and Kerry
It was difficult to keep the shots interesting in the dining room
We see Grape-kun and Drunk Mann again this episode
In earlier chapters they made sure to have an orange glow to represent the heating in Mantle since they knew it would be turned off in chapter 8
They wanted to showcase that Ironwood was starting to have doubts, which would later be clearly seen in episode 11
The foot soldiers (AKs) that the Grimm are able to overwhelm in only a few seconds were meant to represent that Atlas wouldn’t provide them with much defense against Grimm because they don’t care enough
Every storyline was coming together in this episode, and it’s tricky to make a setup episode like this not seem like filler
Ruby and Oscar’s awkward interaction came from them both ‘riding the high’ of the moment where it seems like they each have great plans that will go well.
Oscar is starting to tap into some of Ozpin’s memories, as alluded to when he mentions how Atlas is held to a higher standard
Terry the grimm being hit by a fireball (part of a plane I believe) was a call back to Jurassic Park
They struggled a long time with where to put the Neo reveal
Chapter 10
Featuring Conner, Dustin, Kiersi, and Kerry
They felt that if they showed a lot in the first scene of the episode, they wouldn’t have to saturate the background with other fires and crowds.
The shot of Weiss’s knight being summoned and overshadowing Marrow is setting up their fight in C12
When seeing the shots of the enemies infiltrating the kingdom, they didn’t know if they wanted to show Neo and Cinder or Tyrian and Watts first. But they went with Neo and Cinder because it would show that they thought their cover was blown, when it would really be about the other two.
The place Neo and Cinder are staying at is an Atlas ‘high-life’ apartment
They always knew Elm would have a rocket launcher/bazooka, but never got the time needed to show it until now
They had to restructure Mantle a bit to allow the huge elephant to fit in the streets
The main characters working with the Ace Ops in this episode was to make it so things hurt so much more after events in the following one
All the background characters apparently have little backstories as they made sure they didn’t appear in two places at the same time
Ironwood jumps down a ridiculous number of feet to meet Watts. They had to cheat to not make that so obvious as well as say this is animation logic so people working on the shot would stop questioning how he could possibly make it.
Chapter 11
Featuring Kerry, Paula, and Miles
Originally a gravity biome in Amity was going to appear in V3C5. It was going to be Sun and Neptune vs Pyrrha and Nora. It was written, boarded, and ready to go but they realized there wasn’t time for it
This was a hard episode to write. A lot of stuff that needed to happen, and happen in a specific way
Watt’s gun was inspired a 20-shot revolver Kerry saw on Reddit
Ironwood losing another hand represents him losing another part of his humanity (possibly confirming he lost his one organic arm)
The first cut of this episode was 23 minutes and was deemed too long so they had to scale back, but they still felt they kept in everything that was needed to make the episode great
Initially the Tyrian vs Qrow, Robyn, and Clover fight was going to be a chase that turns into a fight that turns into another chase. And Qrow is the only one that could keep up with Tyrian since he can transform into a bird. Qrow would land in front of Tyrian and say ‘that’s enough’ and Tyrian would ask, ‘are you able to talk when you’re a bird or do you have to wait until you’re a person to throw your one-liners?’ (Tyrian asking the real questions here) Tyrian’s lack of self-preservation would be shown even more. He would have run down an alley packed with Grimm and would just trust that he could’ve made it through
The fight with Tyrian was initially going to be more of a Tyrian vs Qrow fight, but Miles loves that they made it a 3 v 1 so it could show off Tyrian’s exceptional skill
The fight was also a callback to the first Tyrian vs Qrow fight, where Ruby tried to be good back up for Qrow but was ineffective. But instead this time have Robyn and Clover be effective and more experienced teammates
Clover is defense, Qrow is offense, and Robyn is picking away at Tyrian with her long-ranged weapon
There was going to be more discussion of where Oscar was at the end of the episode, as well as a whole bit where the Ace Ops and the kids land and they get a hand-written note saying they’ve been compromised instead of getting it via scroll, but it turned out to be too much
The scene of Ironwood talking to RWBY and his turn to being against them was the most important scene in the episode, and something everything in the season had to build up to
Miles said it was about time the two sides met face to face with RWBY meeting Salem
They wanted to make Ironwood’s progression into villainy subtle and make sense
Salem made things personal for Ironwood, so he felt like he had to come up with a solution
They wanted more Cinder and Neo in the volume but had to cut back. But to compensate they had to be instrumental to the collapse of Ironwood (Miles first said collapse of Atlas so wonder if he slipped up)
Chapter 12
Featuring Dustin, Conner, Kiersi, Eddy, and Kerry
They wanted to have a false sense of resolution in the previous episode just to blow everything up here
Eddy handled the Ace Ops vs RWBY and Winter scenes while Kiersi handled the rest
Kerry learned from V5 that having everyone in one room for a fight doesn’t work well
Eddy is a big Weiss stan
Clover has no idea who he’s up against with Tyrian, and thinks of Qrow as the big threat, as well as Tyrian manipulating Qrow
Clover saw both Qrow and Tyrian on the wrong side of the law, so he felt like he had to fight both of them no matter what
They made sure team RWBY can’t just stomp on the Ace Ops, but still show their teamwork. Plus the lack of Clover being there didn’t allow for the team to have a ‘cheat code’
This is another episode they had to trim down in length
Cinder was always going to lay waste to the medical facility and attack Winter
They also wanted to do a Qrow vs Tyrian reprisal
Kerry said he loves Clover
It was crazy for Qrow to meet someone that was a genuinely good person
Chapter 13
Featuring Miles, Kerry, and Eddy
The Neo vs ORNJ fight could have been shorter
At one point they wanted to show Cinder using maiden magic to bring some dead AKs (Atlesian-Knight) back to life to fight Penny (was going to be some sort of puppet joke).
But Miles realized that Cinder could just blow up the room and bust through the walls
Ren is struggling with some heavy emotional stuff that is not resolved at all this volume, but it is hinted there will be a lot more for him next volume.
The writers knew a lot of people wouldn’t be happy with Ren’s attitude this volume. But he still cares about Nora, even if he doesn’t always communicate it well
Miles cried during the voice over session of Fria’s scenes for this episode
They had a lot of talks about how the maiden power would be transferred. They debated if Penny would have to kill Fria.
Originally one pod was going to be broken, with the one with Fria being in tact. But because Penny is a robot, she could ‘remote-interface in’ and get the powers. But that still felt like stealing, and they didn’t want to go that route.
Oscar has matured so much in his role (joking call him Farm Man)
Ironwood is still expecting Oz to show up. He still really wants that guidance
Ironwood arguing with Oscar was the finale scene they wrote this episode
Ironwood feels that he is backed into a corner and is doing the only sensible thing.
Winter was waiting to be the Winter Maiden her whole life, but in a split second she gives it all up
There was one line in Oz’s monologue they were struggling with for a whole day
They loved the idea of ending the volume on almost an identical shot from where they started
Neo’s look after Cinder takes the relic and doesn’t thank Neo for getting it is setting up some things for V8 (probably a betrayal)
Oz came back at that moment because he heard what Oscar said to Ironwood and that made him brave enough to return
Miles reveals that the Grimm whale is based on Monstro from Pinocchio
It is once again said that Volume 8 is the hardest one they had to write so far. Miles seems super excited about it
Volume 8 was made with some fan-input in mind (since it was still being written by the time V7 ended), but Volume 9 will be the first one written in a vacuum
51 notes · View notes
rwbyconversations · 4 years
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Volume 8, Chapter 1: Divide thoughts
I don’t think it’s gonna be easy for me to figure out how I feel about the premiere until Volume 8 wraps as this is very much a setup episode to conclude some threads from Volume 7 and setup the season’s main plots- Cinder wants Penny, Salem wants Oscar, Ruby wants the tower, Ironwood wants Penny, Yang wants to join Robyn’s Home Owners Association. It’s very Volume 5 esque. Right down to not having a fight scene, which is probably gonna hurt my feelings on this in retrospect.
I’m surprised how much I liked Cinder’s content. I feel the flash’s a bit on the nose- DO YOU GET IT SHE’S SCRUBBING THE FLOOR SHE’S CINDEREALLA DO YOU GET IT  YET- but she was... not terrible in this episode? She’s actually got character, and nuance, y’know, things she didn’t have the last few years. I thought there’d be more of a gap between Salem arriving and Cinder going to meet her, but nah they get that out of the way. I do hope that since they’re literally opening on Cinder having a flashback, this sticks out and we finally get Cinder some fleshing out that she’s been well overdue for.
Most of the villain stuff in general is really cool, albeit I called most of this- Cinder gives Salem the Relic, pins the victory on herself, Neo looks pissed, Salem is vague and speaks in general terms about her plan and gives the kidnap order on Oscar. Tyrian’s already here, so I’m already happy, and I adore how Cinder’s back for all of six minutes before Tyrian’s roasting her. "So devoted to someone so incompetent" like.. Jesus Tyrian she hasn’t even taken her shoes off yet. 
I’m very happy, if apprehensive, to see Emerald and Mercury again. Like, y’know, favorite characters in all, I’m obviously eager to see their arcs continue, but given how I just criticised RWBY like two weeks ago for having massive character bloat problems in Volume 7, adding Team MEH to the pre-existing roster is... a judgement call that we’re sure going to see the results of before the season’s out. I want to be hopeful, but in general I’m starting to have the same apprehension I had when Volume 5 started. We’ll have to wait and see.
I do really like their outfits though! At least right now I do. I do have to wonder where they got them but I’ll take them finally getting new gear after seven years. Hazel’s though... 
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Oh man what happened to you Hazel. I’m gonna steal someone else’s joke and say this is what a Magic Mike AU Hazel would dress like.
As for the Team RWBY stuff it’s more of “setup for the season at large.” Oscar gets reunited, the party’s been split, Yang and Ruby are having issues... it’s hard to talk about because it’s basically a lot of exposition about what the plan is for the season, and as such this, again, lives or dies on where Volume 8 takes it. If good, it’s good setup, if bad, it’s not great. I’d like to see Ruby and Yang have a wedge driven between them but we’ll have to wait and see on that front. I will say I’m moderately interested in Oscar keeping Ozpin’s return a secret, though again, we’ll have to see where the plot’s going with that. 
That being said, Yang can go shut up. The gall of her to say Ruby’s been making bad calls since Mistral when she went behind Ruby’s back to tell Robyn about the Amity Tower, which played a huge role in RWBY and Ironwood splitting ways? Fuck you. 
Ironwood’s scene though? Ehhhhhhh I’m getting bad vibes. I do not like him shooting the Councilman, it feels like way too far a step for him to take coming off of Volume 7, especially with the whole “protecting Atlas and its people is James’s entire reason for his descent and now he’s shooting what’s likely a friend of his in cold blood.” It was one thing to shoot Oscar as that can be read as James shooting Ozpin and not seeing Oscar like... you know, the rest of the cast in all honesty... but shooting Slate? Kinda just feels like shock value. After how good James’ arc in Volume 7 was and showing his gradual descent, him gunning a civilian down is... disconcerting. It feels too far a step for him to take this early in the season. Down the line, this could make sense, but as is, not a great showing for James in the premiere.
The opening’s OK, I think the music has a bit of a halt in the chorus I don’t like, most of the OP stuff is cool, other people can say it better than me. 
Again, I don’t really know how to feel about this episode right now besides the immediate hype of Emerald and Mercury’s return. A lot of this episode’s individual quality will lie on how the rest of the season uses this as foundations. Which makes it annoying to talk about. I don’t think it’s bad? But I think in a few years, if the season doesn’t deliver on executing these ideas, it’ll be seen as one of the weaker premieres of the series with how some of the talking scenes can drag. It’s hard to call now, but really barring my immediate revulsion at Ironwood’s scene and the excitement of seeing Em and Merc? I’m kinda forgetting a lot of this premiere already. And it only came out four hours ago at time of writing. 
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astraguardian · 5 years
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Fair Game Parallels
Since there’s still debate over whether Clover and Qrow were meant to be romantically-coded, I’ve decided to make a list of the times that Fair Game paralleled either a) scenes that the fandom largely considers flirt or romantic-coded, or b) scenes between pairings that are either romantic in-canon or heavily implied. Note that this doesn’t cover every interaction in detail, since it’s focused on the parallels specifically.
In animation, every small detail matters. Someone chose to include that expression, to have the character make that gesture, or to frame a show in a certain way. CRWBY is aware of this. We’ve even heard about some of the small changes they made to scenes this volume to ensure the proper tone came across. So, for this analysis, all of those small details are, no pun intended, fair game.
(TW for blood and death)
1) Lucky you
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In volume 4, we had a scene where a waitress very clearly flirts with Qrow. She winks at him, we get a joke about his semblance, and he grins back at her. Pretty straightforward, which is what makes it a great scene to parallel.
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Here we have Clover saying the same “lucky you” line as the waitress, also accompanied by a wink. Right before this line, he also gives Qrow a look that’s suspiciously similar to Qrow’s reaction to the waitress. We also know from Kim Newman, who worked as an animator for RWBY up to Volume 7 Episode 9, that CRWBY were well aware of this parallel, with Kim even making a joke about the implications.
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Even ignoring the obvious parallel, the line comes across as flirtatious. While some people have suggested it was a bit of banter between friends, Qrow and Clover weren’t friends at this point. In fact, it had been established to both the audience and Clover that Qrow wasn’t all that excited to be working with him.
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There was no friendship between the two at this point and suggesting that the wink was an act of friendship largely misses the context of the interaction.
2) Staring
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RWBY’s particularly fond of using the eyes to add subtext for both Bumbleby and Fair Game, to the point that this parallel is just the first of three involving character’s eyes. This Fair Game scene, while not focusing on Qrow’s eyes, uses his gaze to add subtext. The first thing to note is that Qrow didn’t need to be in this shot. He has no dialogue in this exchange, he’s really only there for Clover. In this shot, Clover explains how Ace-Ops are picked to perfectly complement each other. And, as we were shown previously, Clover is the only Ace-Op without a partner. Qrow’s in the scene to indicate that he’s the perfect complement for Clover. It’s also worth pointing out that despite having started off cold towards Clover in the previous episode, so likely no more than an hour before in-universe, Qrow gazes warmly at Clover not once, but three times during this shot, while also mirroring Clover’s stance the entire time.
3) Reacting to a compliment
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In episode 3, we see Blake reacting to Yang complimenting her arm by putting a hand behind her head bashfully. Only two episodes later, we see Qrow do the same movement upon receiving a compliment from Clover. Qrow’s reaction didn’t need to mirror Blake’s. There are other ways they could have had him react, but they chose to parallel a character receiving a compliment from their romantic interest.
4) Truck scene
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We have two scenes in the back of a truck where we get to see characters having quiet, but important conversations. Our scene with Bumbleby shows the couple trying to figure out what they think is right, while our scene with Fair Game has Qrow talk about his sobriety for the first time and get a much needed compliment from Clover. These scenes show the characters in their most open state, with Blake questioning if Yang and her had done the right thing in dealing with Adam, and Qrow getting the chance to discuss his feelings about everything that’s happened in the past volume or so.
5) Banter
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Two scenes of lighthearted banter, and the first of several parallels to the scene in volume 6 where Blake leaves Yang to take out the radar.
6) Staring after the other looks away
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We’re back to eyes again, this time looking at how characters’ stares tend to linger on their love interest, even after the other turns away. The Bumbleby scene has some good shots of this, but it’s a personal favorite of Qrow’s. Volume 7 makes a point to show us how often Qrow stares at Clover even when Clover’s turned away, and how it almost always tends to last several seconds longer than it needs to. Episode 8 stands out, with Qrow not only watching Clover walk away after their banter, but continuing to stare at the door he had gone through even after it was closed. He only looks away after being spoken to by a waiter. Seeing as prolonged gazes, both in-universe and outside of it, are associated with love, it sends strong implications.
7) Fond Looks
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The last parallel to the volume 6 Bumbleby scene is especially strong. Yang’s expression as she watches Blake, who she clearly cares deeply for, walk away, is practically identical to Qrow’s after he watches Clover show off for him. RWBY has already established this expression as one of warmth and love, and they chose to put it on Qrow for his moment with Clover.
8) Even the villains see it
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When the Bees fight Adam, there’s a moment where he looks between them before remarking on their relationship. In the fight against Tyrian, we watch Tyrian, who had previously been focused on Qrow, look over at Clover and then back to Qrow, before moving to attack Clover. The scene clearly establishes that it’s Clover he’s looking at, as Clover is in the center of the light while Robyn is off to the side, and while Robyn barely moves, Clover is seen adjusting his weapon and turning to face Tyrian. We’ve already established that Tyrian is a serial killer and Qrow’s the victim who got away, so why would Tyrian change targets and give Qrow that look? Tyrian’s decided that the best way to hurt Qrow would be instead to hurt Clover.
9) Tyrian/Adam fight
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Two dynamic shots of characters attacking a villain who personally wronged by, followed by a shot of their partner helping them deal the blow. While Clover isn’t also attacking in this case, he’s the one holding Tyrian in place so that Qrow can deal the blow.
10) Art style of violent scene
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This art style is only used twice in the show proper (once in the Black trailer), and both cases involve someone watching their partner suffer brutal violence at their expense. It’s worth pointing out that Qrow is actually much more emphasized in his scene than Blake is in hers, even though Blake’s scene features her abuser hurting her love interest. Blake could even be missed in her scene, with her silhouette not standing out much with the position she’s in. Qrow, on the other hand, has almost as much focus as Clover and Tyrian. The scene is capturing both Clover’s death and Qrow’s despair as he watches helplessly.
11) Mementos
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We take a quick break from Bumbleby parallels for an extremely strong Arkos parallel. In volume 7 episode 3, we get a shot of Jaune holding the fabric from Pyrrha’s sash in his hands. Ten episodes later, we get the same shot, except now it’s Qrow with Clover’s pin. It’s a particularly easy callback to pick up on, seeing as it’s framed the same way. Qrow’s mourning is shown to mirror Jaune mourning Pyrrha, his canon love interest.
12) Fear of growing close to someone
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It’ll be just like Beacon again. Following the events of volume 3, Blake separates herself from the rest of the group, believing she’s no longer worthy of anyone’s love. In the next volume she explains, “Everyone thinks they can help me, but they can’t. You saw Ilia last night and she’s not even the worst! No. No more. They’re better off without me. I made my choices and I’ll deal with the consequences because they belong to me.” That sounds painfully familiar to another character who watched someone they cared for get hurt in a stylized scene which they blamed themself for. Blake runs, feeling like she brings harm to those she’s close to. From Blake’s perspective, volume 3 proved her worst fears to be true. Now we’re at volume 7 and Qrow’s in the same situation. He’s separated himself from the group, choosing to go into custody instead of finding his nieces, and he clearly blames himself for what has happened. And in time, Qrow might get to parallel Blake’s recovery.
Feel free to add any parallels you think I missed, but please refrain from arguing on this post. I’m looking to share evidence, not to debate.
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rwby-nwbe · 4 years
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Just Finished RWBY Volume 4...
...and I actually liked it?
[Spoilers Ahead, Y'all Know The Drill]
I mean, from what I've heard the Volume gets a lot of flack but honestly? I don't think it deserves it.
Yes, this is the first volume without Monty, and yes, the fights lost a bit of their momentum compared to earlier volumes, but aside from that... it's actually pretty good?
Alright, let me give you the play by play character style.
Ruby Rose
There goes my baby... off to destroy evil.
Ruby hasn't changed much, at least to a noticeable degree, compared to the rest of the cast. Actually, no, that isn't true, she just hasn't changed in a way that would force her overall character to noticeably shift. And I think that's fine. She's still a child at times, and is still really optimistic. But the thing is, she has matured. She doesn't immediately jump head first into danger like she used to, and it's clear she's still trying to process what happened at the Fall of Beacon. And yet, she's pressing on, and I'm glad that she and the rest of Team RNJR have each other's backs.
My only concern is what will go down in Mistral...
Weiss Schnee
Welp, Jacques Schnee, congrats! You've joined Cinder and Adam on the hit list I'm writing up!
The a-hole aside, I really like how Weiss played out this volume. According to what I've heard, volume 4 took place about 6-8 months after Beacon, so I'm kinda sad that Weiss was stuck home for all that time. On the bright side, we get a look at her progress on her summons, which looks to be coming along quite nicely. Then we see the concert, and ooh does that make my blood boil. I'll get to Jacques in a bit, but personally, I'd have no qualms watching him burn, figuratively, or literally.
Fly, Weiss, fly from the coup. Give your bastard of a father the metaphorical middle finger he deserves! (P.S. Klein is best dad.)
Blake Belladonna
Oof. I hurteth.
So Blake tends to stay away out of fear that she'll hurt her friends (i.e. some alternate version of survivor's guilt). In order to make amends from her point of view, she heads home to Menagerie. And once again, we're reminded on why humanity sucks sometimes!
Humans: Here, have this desert island for your large spanning species that covers just as much ground as we do.
Faunus: But... but it's so small!
Humans: Is it? Oh well, we can't have everything!
Me: Y'all LITERALLY have several freaKING CONTINENTS-!
*Ahem* That said, Sun came along! And we met Blake's parents! But first, Sun; I'll admit, I had mixed feelings about him being there at first, but that was mostly because Blake was being angsty and despite Sun's best intentions, virtually nothing he did help. Although, towards the end of the Volume, he managed to help Blake realize why her way of thinking was wrong, so props to him for that. Uh, Sun, could you maybe knock like a normal person? Wait, Blake, DON'T SLAP HIM FOR IT!!!
Ah, Kali, you're just as chaotic as Sun, oh dear... Ghira, never change, man. Never change.
Yang Xiao Long
Oof. I hurteth again. (ADAM!! LET ME DESTROY YOU, DANGIT!!!)
So Yang has been... adjusting to life after Beacon and without an arm. Oh, and Adam gave her PTSD! Isn't that just swell?
[When the find your corpse it'll have Wilt running through your spine and your skull severed with bullet shots from Blush I swear-]
Luckily, Yang gets a prosthetic from Atlas. I was afraid she'd reject it, but it's actually kinda nice to see that she takes to it rather well. And after seeing Oobleck (YAY!) and Port again, it's cool that she's just trying to find her footing. Though, Tai, you might wanna consider NOT flying to close to the Sun Dragon, capiche?
And all this culminates in Yang finally getting back out in the end of the Volume, hoping to find some answers. Hopefully she takes Tai's words to heart.
Jaune Arc
IT'S BIG BOI SWORD HOURS!!
But seriously, it was... kinda off-putting to see Jaune act so... morose. Granted, we all know why (PYRRHA!!!), but still. I'm glad his team is looking out for him and that he's slowly starting to recover like everyone else. His conversation with Ruby in Kuroyuri was also really touching. Come to think of it, didn't Blake have a similar conversation with Sun? The PARALLELS!
Also, that upgrade, tho. CUT THAT NUCKELAVEE INTO DUST, MY DUDE!!!
Nora Valkyrie+Lie Ren
You can't talk about one without bringing up the other.
Guys, this was as much a Renora volume as it was a RWBY-Post Beacon volume. The Fall triggers some odd behavior in Ren, but we figure out why pretty quickly once we reach the Kuroyuri episode.
First, young Ren and Nora... adorable!
Second, I was NOT ready for when Nora had to talk Ren out of charging blindly at the Nuckelavee. The slap. The way Ren sees young Nora and then sees current Nora. Nothing could prepare me. Nothing.
They are so SOFT together, it's just... <3
New Characters (and Old ones, too)
Lightning round, baby!
Qrow Branwen. So Qrow serves as the inside man. He knows what's been going on, and he fills the rest of us in. We also know why he tends to keep his distance, because his semblance brings bad luck to allies and enemies alike. The poor birb. Glad he managed to survive Tyrian!
Jacques Schnee. Egotistical manipulative piece of garbage whom I will not feel sorry for once he's put in his place. 'Nuff said.
Whitley Schnee. Mixed feelings. Mixed feelings everywhere. 'Cause on one hand, I've seen plenty of the fandom's takes on his character putting him in a positive light, but on the other he starts getting kind of unbearable after Weiss loses her title as heiress. Then I have to remind myself that Whitley is the "Fawn" reaction to trauma. Weiss is "Fight," Winter is "Flight," their mother is "Freeze," and Whitley is "Fawn." Stuff like that helps me contextualize that when Whitley says things about their dad like "It's foolish to not do what father asks," or "It's barbaric. It's beneath me. Beneath father," Whitley's not just saying that 'cause he's a bit of a brat. That's his coping mechanism to the abuse Jacques put him and the rest of his family through, and it's probably been a long time that he's been telling himself stuff like this so he can keep in his father's good graces and not risk getting a slap to the face like Weiss, while also trying to deal with the fact that Weiss and Winter get a freedom that he never had a chance to get. And you have to remember that Winter and Weiss were abused to, and that trying to blame Whitley's current condition on the two of them doesn't make things any better. They're not obligated to care about Whitley just as much as Whitley isn't obligated to care about them. It would be nice if either one of them could get through to him, but they were all trying to combat Jacques in one way or another. Whitley was just the odd one out. And if you really think about it, the biggest brain play you can take from all this is to blame it solely on Jacques. I swear, when I get to Volume 4 in my NWBE AU, one of my top priorities will be getting Whitley the ever loving hell out of that accursed mansion alongside Weiss, mark my words.
Klein Sieben. Ladies and gentleman, the only valid man under the Schnee roof! And a Seven Dwarves reference no less. Thanks, I love him! Glad he helped Weiss escape his father's clutches.
James Ironwood. Oh boy, boss man is starting to lose his grip on things. Granted, he's trying to do the right thing, but it's clear his paranoia is getting to him. You know crap is getting bad if the most valid person in all of Atlas simultaneously needs to be told to get a grip from Jacques of all people (especially if he's making a point). Hope this doesn't trigger a downward spiral...
Ghira and Kali Belladonna. Ghira is done and Kali just wants to have fun. I love their dynamic and interactions with Blake and Sun! It was a nice wind down from everything else going on, though I don't think that'll last for long.
White Fang. So we got three more WF members: Fennec, Corsac, and Ilia. The Albain brothers are sleezeballs already, since they're working with Adam and all. Ilia's working with them too, but I'll have to withhold my judgement since she appears to have an as yet undisclosed connection to Blake, but I don't want to get my hopes up since she already stabbed Sun, so... Low expectations, but still expectations.
Salem's Group. Yup, Salem's a villain alright. I'll be keeping my eye on her, she just reeks of trouble. Cinder apparently lost her voice... eh, probably for the best. Emerald, Mercury, get the ever-loving FRICK outta there, you're clearly out of your element! Hazel, you're... fascinating. Neutral Evil, perhaps? Watts, you're on my radar, especially with the last episode of the Volume. And Tyrian... well, he's clearly beyond the point of no return, entirely devoted to Salem, and his psycho-sadistic tendencies are enough to freak Cinder of all people out. Needless to say, I hope something or someone takes care of him before the damage becomes irreversible.
And for now, I'll wrap this up with Oscar Pine. I'll admit, it was interesting how they set up Oscar's character as a slow burn this Volume. We learn he lives a quiet life with his aunt in a barn, and at first we're wondering "Who the heck is this kid?" But then Ozpin shows up and suddenly everything is like "Oh... wait, WHAT!?" So yeah, Ozpin just brought another child into thia conflict. At least they're both not happy about it, and hey, they met Qrow! Hopefully that keeps things from getting too crazy down the line. We still need answers, after all.
Well, those are my thoughts. Sorry they took so long. Hopefully Volume 5 won't be so hard to complete. Well... cheers!
-Mathewton, the RWBY Newbie (15 May 2020)
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littlemisssquiggles · 4 years
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👑About what u said to the anon,about oscar doing more on his own,I think that's true as well,Iv seen the joke oscar going missing each volume is his thing,
It was said the hero's would take a detour be for going to vacuo,an I now strongly believe,there going to Becan not for the crown but to get oscar,
Either Salem will take him there to get the crown or he'll get there by him self some how
…Yeahhh, the whole Oscar disappearing each season has become a running gag with him since V6 since it is a repetitive thing that the showrunners like to do with him as part of his story. I don’t mind Oscar disappearing or going missing from the story, my one issue with this gag is that often more times than none, it does little to nothing for Oscar’s development as a character.
Even now with him becoming Salem’s prisoner and the showrunners thinking it’d be a brainiac idea to have Salem physically torture Oscar, it’s a tad overdone at this point. As a matter of fact, allow me to rant here for bit anon-chan because this squiggly Pinehead needs to get something off her chest regarding Oscar’s current predicament in the show.
I think it’s obvious to say that as a Pinehead, I really didn’t “enjoy” the Oscar torture scene from the fourth episode. My rationale for my disdain of that scene doesn’t just stem from a place of that scene making me feel very, very uncomfortable to watch but…I also didn’t like it for the context of it. 
Why would Salem physically torture Oscar? While I understand that Oscar is the current incarnation of Ozma and Salem has her beef with Ozma---I get that part yet I still find myself asking the same question. Why would Salem physically harm Oscar…despite the fact that physical torture of any kind stands the risk of potentially killing him in the process?
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As the observant audience member as I try to be, I was of the opinion that Salem…y’know needs Oscar alive in order to get the answers for the relics that she so desperately seeks.
That being said, why use a torture method that could kill your captive who you know is immortal and you just implied in the same scene that you spent years trying to find him...
“...My long lost Ozma...found at last...”
...Even though…Salem knew that Ozma was Professor Ozpin and she knew that he was at Beacon Academy and...she also ordered Cinder Fall to kill Ozpin back at Beacon and even egged the Fall Maiden to confirm that she did in fact kill Oz back in V4...
I mean....Salem didn’t really do anything to capture Ozma when Professor Ozpin was alive but there she is going after him as Oscar so....yeah...?
This is one of the core reasons why I utterly despise the fact that Eddy Rivas---the credited writer for V8CH4--- wrote Salem torturing Oscar physically. It seems so…odd (for use of a lighter word) of her to do especially when you consider the angle that she needs Oscar alive and if Oscar dies from a physical injury that he sustained while being tortured then Salem would have to start from square negative zero with finding Ozma’s next reincarnation, granted that he even returns within the same timeline.
So…yeah the whole physical torture of Oscar to me now feels like it was thrown in purely for “shock value”. Like if Salem were to actively torture Oscar, I always imagined it would be sparingly while her main means of torture would be mentally torturing Oscar cause at least with the mind, Salem can get what she needs without the risk of killing Oscar as her victim. Not to mention that mental torture is a nice way to prove Oscar’s strength since we know that mentally Oscar is more vulnerable given his strained relationship with Oz. Salem mentally torturing Oscar fit more for his character than physical torture. Same for Salem since I always figured Salem was able to keep her pawns on such a tight lease due to her playing off of their emotional vulnerability.
This is what I pegged from her back in V4 with Tyrian Callows. With Tyrian, Salem didn’t need to resort to physical punishment to hurt Tyrian. All she simply had to say was that she was “disappointed” in Tyrian and that was enough hurt the Scorpion Faunus more than any physical pain could. Salem played into a torture method that’s fitting for whoever is in front of her.
So…why use physical torture on a kid who you know is the reincarnation of your “greatest adversary” who you are fully aware is as immortal as you and any attempt at killing him could render your entire scheme of using him to gain knowledge on the Relics null and void. Especially when you also consider the fact that Oscar was weak in that moment and his aura is broken. So he is going to feel every hit and blow that is dealt to him now which adds onto the point that he could potentially die from any injuries he gets while captive.
So again, I ask the obvious sensible question here---Salem needs Oscar alive so she could get him to disclose the information she needs about the Relic which is within his mind. So why the fudge would you NOT use mental or psychological torture means instead which can get you the information you need without the risk of ever killing Oscar.
The more I think about the Oscar torture scene from RWBY V8CH4, the more I hate it. At first it just deeply upset me because it’s my favourite character being hurt onscreen before my eyes in a moment that could be potentially triggering to certain folks given the circumstance---but now I just hate it because of how nonsensical it feels when you consider the characters involved. But as always, this is just my opinion on the matter.
Bottom-line, I’m not looking forward to any other Oscar torture scenes to come from the upcoming two episodes because my immediate reaction is that I’m going to strongly despise them all and I’m going to despise the writers even more for subjecting Oscar to this kind of ordeal yet again for “shock value”.
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As if they haven’t put him through the ringer enough as it is. My only saving grace is that Oscar walks away from his imprisonment with a stronger relationship between him and Oz than previous seasons. 
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Either that or…Oscar’s captivity ultimately lends to Ruby Rose being captured by Salem too (since she was a person of interest to the Wicked Witch from since V4 as a Silver Eyed Warrior) and what’s worse is that Oscar’s victimization by the villains is even used as bait to lure out Ruby despite the little prince’s efforts to endure the pain at the expense of never giving Salem the satisfaction of knowing that she can break him.
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I’ll discuss more on this headcanon in an upcoming Pinehead Headcanon. But for now, that’s it for my rant on that. Sorry for the small tangent there anon-chan. Regarding your point about the group taking a detour for Vacuo, where was that mentioned?
The only thing about Vacuo I got wind of was when Eddy Rivas mentioned that the group will be in Vacuo briefly. Not sure if that was referring to V9 or the small glimpse of the Vacuo Desert that we glimpsed in last week’s episode, but that’s as much as I know about that.
I can definitely gleam that at some point the group will need to return to Beacon---especially since the Crown of Choice seems to be more important to Salem currently than the Sword of Destruction locked away underneath Shade Academy. But I’m not sure if this means that Salem will have Oscar held prisoner for that long. I’m still hoping for the assumption that Oscar is either saved or escapes Salem by the end of V8.
I would rather it be a case where Oscar returns to our heroes and they end up splitting up again---with one group heading for Vacuo to join their allies at Shade Academy to safeguard the Sword of Destruction while another group heads back to Beacon to join their allies there in securing the Crown. And since Oscar---as Ozma’s current incarnate---is the only one with knowledge of the crown’s true location due to his memories, he would need to be present in Vale.
It wouldn’t surprise me if part of V9 will be spent between Vacuo and Vale. Then again, this is all just speculation.
But for now, that’s how I’m seeing it since, as I’ll stress again, I REALLY, REALLY DON’T WANT V8 TO END WITH OSCAR STILL AS SALEM’S PRISONER. 
Not unless Ruby joins him and V9 is about the two smaller, more honest souls surviving imprisonment together before escaping and trying to journey to Vale on their own to meet up with their friends.
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Since V8 showed a division in leadership with Yang going off on her own against Ruby’s direction, imagine if…this volume ends with Yang being forced to take up leadership in Ruby’s place since Ruby got taken by Salem and the heroes have no choice but to leave Ruby (and Oscar) behind as they’re forced to make the tough decision on protecting the remaining relics from Salem a opposed to saving their friends. Or…something like that.
Doubt something like this would come to fruition in the canon but…it would be interesting if it did. Seeing Ruby as Salem’s prisoner too and seeing how the little red rose would handle a predicament like that---being far away from her friends in the witch’s tower, forced to behave herself out of fear that Salem would do more harm to Oscar whose life Salem is still using as collateral against Ruby.
Watching a storyline where a lone Ruby Rose is stuck at the mercy of the main series’ villain and forced to use her wits and trust in her own judgement (which was challenged for this season, mind you) to manoeuvre her way through the villain’s labyrinth of a lair as a means of finding Oscar and figuring out a way for them both to escape captivity together and make their way back to their friends in Vale…I think that would be an absolutely fascinating story to watch play out. Like imagine if that was the narrative for the second half of V8 or even V9? Wouldn’t that be interesting?
I mean…I doubt it’ll be canon but…still it’s worth mentioning here cause…what if…y’know what I mean?
~LittleMissSquiggles (2020)
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huntsman-ash · 4 years
Text
RWBY LiveThoughts: V8E7
Since I finally have time for it today, lets make sure Im all caught up for the hiatus. 
Before we get fully started, an idea; Its not a war crime if they’re Grimm. Then its just self defense. So break out the napalm, the cluster bombs, the chemical weapons, the fun stuff. Make em regret it, yeah?
And we start off...on a farm. Looks like my moms old farm in South Dakota. Even on Remnant, hay is best used in bales.
Waiiiit. Thats the place the Whale set down isnt it. I see a Sayber running. Ah, and the Atlas military! Surely, the vanguard of a massive force to hold the line! Also Im glad to see a close up of the helmet for once, I want to make my own. Also, the gloves, and the rifle itself. Not sure why it doesnt have a stock, seems kind of silly...
And airships too, so they got some fire support...whats that wall behind them though?
Also it TOOK US 8 FUCKING SEASONS to get a close up of these FUCKING Weapons. 8. FUCKING. SEASONS. Okay maybe more like 5 cause they didnt first appear till 3 or so but come on. Im so picking this shit apart later. 
Pfft, bros got some nerves going on. Come on man, its just some Grimm, you’ll be FINE.
Atlas field harvesters resemble Halo’s JOTUN Farming equipment. As wel as our own. No surprise there.
Alright, bunch of Saybers, not seeing much of a threat here.
Hey, Paladins! Damn, they...look way different than I remember them to be. 
I wont lie, I dont like the Paladin design. Way to much visual noise, I cant tell where anything IS. 
Also that is the most 2D grass I have sever seen in my fucking life. What the hell are they growing here...
Huh, the whale has two sets of teeth. Wait, its just there? And its wpewing out Grimm. So...why isnt the air force firing on it? 
Yeah its not moving, its just raising its head and slamming down and vomiting out more Grimm. Im not sure what the issue is here, just...seal the mouth. 
Oh, huh. Apathys. Let me guess, RTs gonna try and tell us depression is going to kill most of Atlas. Oh for fuck sake. IM NOT IMPRESSED RT. IM REALLY NOT. IM MORE FUCKING ANNOYED THAN ANYTHING
Okay so...I see what this is. Its farm land outside of atlas proper and there’s an additional wall behind them, plus the power lines I guess? Seems like a viable place to make a stand. 
...thats it. Please tell me this is just a single detachment of the Atlas military because there is less firepower here than a NATIONAL GUARD UNIT ASSIGNED TO ONE CITY
Im fairly certain there are more people assigned to ONE UNIT attached to JBLM then I amm seeing here. 
Not to mention this is an OPEN FIELD the Grimm have to run through. This is a literall fucking TURKEY SHOOT. Running across an open field anywhere is a ticket to DYING.
Just ask the poor fucks on D-day.
Also uh...why is everyone in line formation? What is this, fuckin’ 18009s combat Napoleon style?
And did the distance suddenly change, I feel like the whale suddenly got a hell of a lot closer.
Just...I dont get this. This makes no sense. Did Ironwood learn how to deploy forces from a fairy tale book? This is legitimately some fuckin Lord of the Rings shit here.
RIP that one specific trooper hit by that Behemoth though. Dont worry friend, the thing walked next to a Paladin. Its getting its eye blasted out
And cut back to Ironwood. Doing...fuck if I know what.
Staring angrily it seems.
“Dammit, my tactical deployment by line formation and parade ground tactics isnt holding back the Grimm, curses!”
Well MAYBE IF YOUD THOUGHT TO INVEST IN SOME FUCKING AIR SUPPORT...Seriously.
I know people have told me why this is. I understand myself why this is. But it really just...does...not...jibe with me. At all. 
Okay so more details; first, apparently Atlas has a subway. Makes sense, its a big island. Inter-system transits probably a given. Second; Was that Mantis Squad Omega? Some kind of unit maybe...interesting.
 Also I love how this guy just questions Ironwood. Like, bro, if the General says do it, do it.
Hold the fuck up, why is everyone outside? It looks like fuckin’ Cali during our lockdowns...what ever happened to martial law huh?
Also “underground subway stations”. Yes, thats...kind of what a subway IS. I guess maybe they have overhead ones like New York does. Mass transit be weird like that.
I mean HELL the signs on it are almost identical to the ones in NYC too! Even with the colored circles and train cnumbers. 
According to the sign here they’re at Pickens Square Station. 
Oh boy. Ironwood just fed these poor bastards into a meat grinder. Anyone here ever played the Metro game series, or read the books?
Remember the Dark Ones? The Nosallias? Yeah. Tight corridors and monsters only work out well for angry vodka fueled Russians.
Didnt see it very well but I THINK those Mantas had some kind of wing gun. Either thats new, a separate armament setting, or RT forgot what ind of weapons they gave their ships AGAIN.
Cant get the shields back up, yeah, no shit, they DETACHED ONE OF THE FUCKING PILOTS YOU IDIOTS.
Also hah, they arrested Yang, Ren and Jaune. Not surprised.
Beta squads apperently been hitting the whale. ‘Bombs, missiles, we cant make a dent, sir.” ...while Im not surprised by this, I also hear shades of the opening of Halo 2s level Metropolis. “Where’s the rest of your platoon?” “Wasted, sarge. Blew right through us. Rockets, fifty cals, didnt do nothing.”
Honestly they could have SHOWED THAT too. Them just saying it feels like a cop out to me. Take that as you will. But if you want us to see the things hard to kill, show it. 
Not that I figure Atlas’s rockets are much more than Dust in a propellent tank. Not exactly a Hellfire or TOW.
Nice to see proper military talk for...a moment anyway.
Or what I figure RT figures is proper.
Oh so now the whales moving. Okay...huh.
Jaunes commentary is the same as mine. Though I guess the size seems to shift depending.
Ohhh. Its MANTA. As in the gunships. Alright, sure that works. And this guys making a good call. If you cant hit the big one go after the smaller. Of which there seems to be a HELL of a lot. Actually holy fuck that Grimm spew is across like...ahlf the fucking island right now. Time to fuckin torch and burn people.
Ahhhhhh and they get to the proper idea.  If you cant punch it from the outside, hit it from the inside.
I knew a crew...three madmen, names of Keegan, Lahni and Mac. The Hivebusters. Something tells me a Venom bomb would do the trick...if it can rip apart Swarm creatures as big as a Snatcher or a Swarmak and reduce them to green slime, I think it’ll work on Grimm. 
Something tells me RT isnt gonna give em a bomb though. Too obvious.
NEVER MIND. “Science team is putting together a bomb.”
Also I LOVE how Winter’s pupils expand and retract in fear as she realizes what Ironwoods asking her to do.
Awww now shes getting the shakes too.
Salem directing this shit like shes some kind of orchestra leader. I mean it FITS but...I dunno.
Ah so the command deck is directly behind the whale’s glowing nose. Basically inside where the spermacetiy organ would be in a real sperm whale.
What the fuck is Emerald doing there?
Sneaking I guess. Huh. Why’s she sneaking around the whale. Also, huh. guess seeers can get fooled by Emeralds semblance.  Is HE STILL BEATING UP ON OSCAR? Jeez dude. Take a breather.
Honestly if this was TRUE I would be okay with it. Replace the Huntsman with, I dont know, a massively overequipped military for each Kingdom, let them run rampant...stomp the Grimm out or push them back to nonexistence...everyone lives happily ever after
Lets be real here, the idea of the academies? Really really fucking dumb. Its cute. Fairy tale like.
But if theres one thing this show has taught me its that fairy tales SUCK. Reality...tends to be worse.
Ah theres one of those torture hooks they mentioned a few episodes back. Nice of the whale to have a specific interrigation room.
And at last we get some information on how Salem works. Alright so...what happens if you seperate the parts then? Sink one in the ocean, launch one into space.
Sounds like Oz/Oscars telling the fans what we’ve been saying forever, Companion Book be damned; Salem wants to die.
These mind games bore me. Its cute, but I dont like it cause I cant follow that shit. Give me a straight up fight any day, fuck this sublty backroom fuckery
No lies from them both here honestly.
Medical supplies in Atlas seem almost the same as here on earth interestngly. Also, soup. Or...coffee, tea?
Blake with the obvious here. But I mean thats not really saying much cause...well. Not hard to outfight the Atlas military it seems like.  (Long suffering sigh)
Im gonna make a seperate post about my frustrations with that and leave it there. But dont expect me to stop fully complaining about it because everyones gotta have something to bitch about with this show, and I’ll be DAMNED if I start joining the BB whiners.
Good question, Ruby. Might be that YOUR NOT LIVING IN A FAIRY TALE
I’d like to see these people dying in Mantle. I refuse to believe that there isnt SOMEONE in the nation that once brought Remnant to its heel that wont stand and fight. Unless Im wrong about that too...
May backstory? May backstory. Yeah.  Not amazingly complicated but it works. Cant tell if shes Henry though...or was. 
Dramatic lightning flash
Cute you think that Ruby. Theres sides. Always are.
Further proof honestly.
Hazels look of though is amusing. Cant tell if he doesnt believe Oscar, or if his tiny peabrain is runing full bore to think this through.
Coordination between farm boy and professor.
Oh. OHHHH. Plants the seed of doubt in Hazels tiny mind, he uses the last question for himself, sees the truth... Clever, Oscar. Clever.
Hazel peabrain go THUNK
Ah so Mercs going off to Vacuo. Guess that means everyone else is going there next too. Eat that, random Discord person, I called it.
Course, CFVYs there so...maybe we get to see Yats beat up on him.
Oh hi Tyrian. Do you just...randomly roam the halls of the whale waiting to DRAMATICALLY REVEAL YOURSELF and give violent expositon? Im very much okay with that.
Also I love how he just...accepts this. Totally fucking bonkers, totally down with it. 
Oh shit, Tyrian and Mercury going to Vacuo? Damn thats gonna be INTERESTING. I guess Tyrian’ll fit in well enough honestly.
Flying Beringal literally out of the roof. 
I remember back when this season first started and I said those weird bone platforms looked like VTOL launch bays. Guess what? They are.
Merc and Em emotion blah blah DONT CAAARRREEE
Jaune thinking tactically for ONCE IN HIS FUCKING LIFE. An I mean military tactical of course.
Also I like how the Aces say they dont let emotions cloud their shit WHEN THEYVE BEEN DOING THAT THE WHOLE FUCKING TIME.
This ENTIRE PLANET is emotionally run. Thats why the Grimm are such an issue! Makes small note to make Remnant Adeptus Mechanicus cult
Seriously though...
I wont lie though, Hare isnt wrong. Wonder what happened to that Tortuga guy. Tyrian, is my guess. Love how Ren interrupts the moment they almost mention Clovers name.
Expendable, yes. Replacable, no. You should have a talk with squadron leader Grey from Star Wars Squadrons Ren
ANNNNDDD SEMBLANCE EVOLUTION. Or the edibles just kicked in.
This is cool and all but its really fucking dumb and hamfisted. Explain all you want. Mention emotions all you want.
The Aces are fucking huntsmen. HUNTSMEN. FUCKING. SUCK. They always have. Its a dumb idea. Yes, lets stop the hordes of monsters invading this world BY SENDING IN SINGLE OPERATIVES WITH FUCKING MELEE WEAPONS
I’ll make this clear to you, Ren, right here and now. If you faced a REAL elites, you wouldnt have stood a chance. Nor would RWBY. Their bodies would have been three-shot from 20 meters out with a breach and clear and stacked against the wall like cords of wood, one final shot to the dome to make dead sure they were down. None of this stupid flipping and acrobatic crap, none of this clashing weapons and Dust and semblances...no. 
You’d be dead before you knew they were there and they would move on. You’d just be another body to the pile, one more faceless corpse to add to their kill count. A meatgrinder in human form. 
Professionals. Dont. Lose. AND THE ACES ARE NOT PROFESSIONALS!
Because thats not what RWBYs about, never has been.  And that is what annoys me slightly. That and the fact I cant distangle what I know of other universes and our own from RWBY’s. Its hard to hold a universe on its own when everything they make points towards it being like ours, but they change it when they see fit. 
I feel like thats bad writing.
Hehehe. Winter touched Elms boob.
Glad to know that Winters got her priorities right. Course, that bomb probably aint gonna do shit cause its Dust based.
...again, hoping its a chemical weapon...
Wait, the Atlas forces from earlier are STILL FIGHTING? Damn, these Grimm must suck if they couldnt wipe them out in that little time...
Also I cant tell if its getting dark cause of the storm or if its the dawn of the next day.  Or did...they shift time around? I lost track. I SWORE the sun was setting the last time we saw everything.
Also return of the shitty 3D grass...
Marrows gonna defect.
Awww poor Winters got emotions. HEY MAYBE DONT SEND A MENSTRATING WOMAN OUT ON A FIELD OP, ATLAS!
So according to May there’s still front lines. Cool. 
AYYY ITS KLIEN! HES BACK
Oh, I guess hes a doctor too. Oh he MAD.
Ayyy Whitleys being USEFUL for fucking once in his shitty life.
Shes gonna hug him isnt she.
CALLED IT. For fuck sake...whatever. Cute. But whatever.
Oh annnnddd now Grimmquake?
No. It stopped...Bolide?
No. PENNY.
Annnnddd shes leaking coolant. And sparking. And dead.
RIP Penny.
The concept art of the beached whale looks so fucking silly. Seriously, just...detach the whole section there. Drop the fucking thing. 
Oh well.
And thats it for almost two months! Be prepared for me to BULLSHIT MY WAY THROUGH ALL OF IT and continue on with my military fanwank because THATS HOW IM SURVIVING 2020!
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itsclydebitches · 5 years
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RWBY Recaps: “Out in the Open”
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Last night, out of morbid curiosity and perhaps a smidgen of self-hatred, I asked myself, “Huh. I wonder how long my RWBY Recaps are?” Not the whole project, just this season’s writings. So in the fifteen minutes between being a functioning member of society and falling into bed, I copied all my recaps from Volume Seven, chucked them into a Word document, removed the images, fixed wonky spacing, and ended up with:
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Over 40,000 words. I have, arguably, written the equivalent of a middle school grade book. If middle schoolers were interested in reading salt about a web series. …Which now that I think about it, they probably are. The point though is that there’s a lot here and some of you have read every single word of it.  That’s seriously impressive and I want you to all have virtual cookies. Especially when I watch “Out in the Open” and realize how absolutely off the rails this show has gone and I consider it a minor miracle that any of us are still sticking with it.
First off, let me lay out the things I really liked about this episode:
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Setting the trap for Watts at Amity Arena. Provided that Ironwood really can beat him solo (does his skill deserve that amount of self-confidence? Especially after recognizing that he should craft a team of three to go against Tyrian?), that was just an all around smart move on his part. Watts now has enough control over the technology of Mantle and Atlas that he would have come across the Amity project eventually, so best to just spill the beans on his own terms. The terms being claiming it’s complete when really that’s just a lie in order to lure Watts out into the open. And uh, yeah... take note that this was another lie. If viewers honestly believe that leaders must never ever lie/keep anything from their people simply because it’s morally wrong, then start calling out Ironwood for this now. Because we don’t get to praise some lies when they work out well (like now) and others when they don’t (like with Ozpin).
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Setting up the fight at the Arena itself with Watts having control over the dust there, essentially turning the whole area into one massive weapon. If Rooster Teeth makes use of even half the possibilities here, that should make for an absolutely epic fight.
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Watts’ steampunk-esque, dramatic as fuck gun. That weapon is a thing of beauty.
Yeah, basically if it has Watts in it I enjoyed myself. Everything else? Not so much.
We open on Mantle positively overrun with grimm. No surprise there. We’re once again shown though how absolutely devastating grimm remain as an enemy. Ironwood’s soldiers are able to kill the lesser grimm with their guns, but in seconds one is taken out. The older, mammoth-like grimm take at least two to three highly skilled huntsmen to defeat and, as we saw with Blake, Yang, and Elm, they’re going to be really out of breath when they’re done with just one of them. Really then, with a team of only fifteen or so, how are they going to manage all of this:
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Obviously they do manage and I can’t truly fault Rooster Teeth for giving us a solution that doesn’t quite align with the problem. It’s common enough in any story to set big stakes and then have the heroes, somewhat miraculously, come out on top. Rather, this is only an issue as it pertains to the conflicts Rooster Teeth themselves have introduced, namely what telling people about Salem will do to the rest of the world as it pertains to grimm attacks. I’ll get to the details of Ironwood’s announcement in just a moment (oh boy...), but we’re seeing that same sort of ~everything is magically okay, just hand wave away the issue~ writing here. It’s one thing to watch the group struggle and then have all those grimm conveniently defeated off screen, to have the audience fill in those magical blanks during a single battle. It’s something else entirely though to do that for one of the major problems you’ve set up for a season. Ironwood is right to worry about the grimm because everything we’ve been shown tells us that an announcement of this nature would decimate the world. Mantle gets that many grimm, of that age and power, because their heat has been off for half an hour? But telling them about a woman hell-bent on their destruction doesn’t change the situation in the slightest? Everyone just conveniently cheers in solidarity rather than experiencing a base function they have no control over: fear? If RWBY adhered to its own logic that announcement should have been Mantle’s ruin. It would have been another Fall of Beacon. Because all the “We can beat her!” encouragement isn’t going to override the basic terror that comes with learning that a) someone is actively trying to kill you and b) at least two of that person’s minions are currently in your city, doing a damn good job of it. To say nothing of the added anger at learning that Ironwood was keeping this from them, that this is why he was taking resources, that he still hasn’t managed to fix things, etc. The only reason this announcement didn’t lead to Mantle’s destruction is because, again, RWBY prioritizes one very convenient emotion over all the others. Mantle miraculously comes together, putting aside all their previous fury and only feeling hope in the face of even worse news, conveniently keeping more grimm from arriving. That’s... not how an angry mob works. And as I’ve pointed out numerous times before, RWBY is no longer a fairy tale unconcerned with realism. This isn’t, as I’ve seen others insist, a wonderful moment of hopepunk. This is the writing turning repercussions on and off at their will.
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But I’m getting way ahead of myself. Before all this we see Nora taking out some sort of saber-toothed cat grimm, then looking put out at the horde rushing towards her. Which for me just re-emphasizes how huntsmen are the only ones capable of handling this kind of threat. They’re almost bored at times, whereas the normal fighters are straight up dying. All of which should be a problem because there’s like twenty fully trained huntsmen in Atlas right now and we had a whole arc about how Lionheart managed to wipe out a ton elsewhere. How will the world handle these kinds of grimm attacks when the one group of people capable of beating them are so few and far between? Again, it’s not a question that is answered or shown to have any consequences attached to the implied answer of, “They can’t.” Because all those hundreds of grimm are just taken care of off screen. Somehow, someway. 
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During all this we get a nice moment where Weiss saves Marrow with her knight. Love new team-ups like that! Too bad Blake and Yang are still attached at the hip. Will they ever be allowed to be girlfriends while also maintaining other relationships? Who knows.
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We also see Nora dealing with the above mentioned angry mob and the only reason she’s not put into the position of defending herself against civilians is because Ironwood and Robyn conveniently pop up on the screen to make their announcement. 
Okay... Here we go. 
I’m going to be honest with you readers. I don’t even know how to write about all this. It’s just a colossal mess and my thoughts are so scattered I haven’t even figured out how to pull them together yet, let alone start expressing them to an audience. So I apologize that this recap is a mess all its own. However, I can at least start with this.
Ironwood didn’t tell them about Salem’s immortality.
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That’s the crux of EVERYTHING here. I could point out how astoundingly stupid it is to tell the people this while they are currently being attacked by grimm and how, again, the only reason why that didn’t result in his people’s massacre is because the writing is straight up inconsistent about when grimm are a threat. I could spend this whole recap criticizing this moment---another moment---where we see Ruby smiling over the horrible situation she’s helped create, the story painting her as a perfect hero. I could also talk in-depth about how flawed Ironwood’s logic is. Salem inciting hatred has never and will never be the problem. What, does he think that with a common enemy the racists will suddenly open their doors to the faunus? Or that the bandit attacks will stop? That people like Jacques will suddenly start loving everyone who can’t give them more money? I’ve gotten a lot of asks over the last year regarding real life issues, asking me how we solve these horrendous problems. My answer is always the same: there is no simple solution. There is no one, convenient thing that we can implement and then bam, racism, sexism, ableism, etc. is solved forever and always. It takes generations of slow, methodical, one-step-forward-two-steps-back work in order to enact change, the precise sort of work that Ozpin was doing in the form of schooling and advocating for tolerance across Remanant. Ironwood, meanwhile, has given the people that band-aid solution. Salem is the reason we’re divided. Salem is the reason why we’re in danger. Don’t think about our own prejudices or the separate threat of the grimm. Just come together against her and it’ll all be fine, I swear. 
Which may have been a decent way of getting people to defeat Salem---we’ll tackle the other issues later---if Salem could be defeated.
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Everyone realizes this is just a massive version of what Ozpin did, right? Please tell me people get that. Ozpin had a small group of people, told them about Salem, they logically worked under the assumption that they could beat her, and when her immortality was revealed he was condemned for that supposed manipulation. You sent us to fight a war we couldn’t win. How dare you?
Now Ironwood has done the same thing, but dramatically increased the number of people involved. They find out about Salem, they’re encouraged via no corrections to believe that she’s beatable, and thus this city is preparing for a war that many would view as unwinnable if they had all the information. Every one of our leaders has manipulated in this manner now. Ozpin did it, Ruby perpetuated it, and now here Ironwood is doing it again. Except that, again, given the more specific context of each scenario... I still think Ozpin was the most justified. He never wanted the group involved. Rather, they insisted they be a part of things. The group at least are all made up of skilled fighters, not everyday civilians. Telling willing huntsmen in training that they need to “take care of” Salem with the hope that they’ll continue the work of keeping her at bay is not the same thing as letting Ironwood take resources from Mantle for a doomed plan, or Ironwood telling a city of mostly defenseless people that it’s their responsibility to help him deal with this threat. This is who he is calling to action: 
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Not skilled volunteers, but terrified people unwittingly drawn into the situation, and the only reason why their terror hasn’t taken over is because they’re allowed to function under the assumption that Salem can be killed. I’m all for stories where the “useless,” non-combat characters help turn the tide (it’s one of the reasons why I love Pacific Rim so much), but that scenario only works when there’s a clear end in sight; when sacrificing this peace is worth it because banding everyone together will actually lead to victory. But that’s not the case here. All Ironwood has done is set up a situation where the people, like that council member last volume, are going to start asking, “Do you think he can win against Salem? He has to. He’s our only hope. So why hasn’t he beaten her yet? Why aren’t you doing something, Ironwood?” It’s going to be this moment right here on a massive scale. 
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A mob of angry people closing in on an innocent, demanding to know why Ironwood isn’t fixing a problem. What the hell is Ironwood going to do now that he’s set up an expectation he can’t fulfill? More importantly, why would he do that in the first place? I really hate how stupid RWBY has made its characters, shooting themselves in the foot in the name of “Well, secret keeping is bad.” It’s not a setup I agree with, but I could at least stomach it if everyone was on the same page regarding where they place blame. However, once again we see how Ozpin is the only one who got heat for these choices.
Everyone remember Yang’s fury over, “How could you not tell us this?” That wasn’t so long ago, folks. So why isn’t she gunning for Ironwood the second he makes his announcement? How could you tell Mantle about Salem but not that she’s immortal, the exact thing Ozpin did to us and we screamed at/physically assaulted him for? Or, more realistically considering that Yang doesn’t seem to know Ironwood has been informed about the immortality yet, why isn’t she gunning for her sister? How could you put Ironwood in the position where he does to an entire city what Ozpin did to us? This is what I keep talking about in regards to the hypocrisy. The group is endlessly furious at Ozpin for his choices, but when they make those same choices, or others make those same choices… nothing. No reaction. Or the reaction is praise. Why the hell does Ruby look like this
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while watching Ironwood put an entire city into the position she was in during Volume 6? It’s the same thing! Either the city of Mantle is duped into fighting an impossible war without all the pertinent information---the thing that the fandom has raked Ozpin over the coals for supposedly doing to the group---or they’re told about the immortality later and you’re faced with all the same dangers. Who’s going to attack innocents in their fear and anger? Who’s going to dive back into their addictions? Who’s going to give up completely? Who is going to join Salem? “He’s doing it,” Ruby whispers even though hypocrisy remains the name of the game and “doing it” achieves nothing. Seriously, what did Ironwood accomplish here besides briefly emboldening his people? He could have done that through teaming up with Robyn alone. All revealing Salem has done is set up a host of new problems and put an entire city into the position the group thinks Ozpin is morally horrific for putting them in. “Telling us about Salem but not that she’s immortal is Bad” was the emotional center of Volume 6, but now suddenly it doesn’t matter anymore? Would the writing please acknowledge the double standards here? 
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Especially given how many secrets still remain. In the last few hours I’ve seen multiple posts with fans writing about how happy they are that everything is coming to light when... it’s not. This is by no means a clean slate, devoid of secret keeping. In fact, you need a list to keep track of who knows what right now:
Yang: Knows that her mother is the Spring Maiden
Weiss: Knows that her sister is set to become the next Winter Maiden
Blake and Yang: Know that they told Robyn about the Amity secret
Ruby and Oscar: Know that Ironwood now knows about Salem’s immortality. The rest of the group presumably doesn’t know they told him 
Ironwood: Knows about Salem and her immortality but (potentially) not that the relic still has a question, it draws grimm, or the real reason why Ozpin left. Those secrets weren’t acknowledged either way
Robyn: Knows about Salem but not her immortality. Presumably does not know about the relics, the Maidens, etc.
Mantle: Knows about Salem but not the fact that they can’t beat her
At this point I’m just a broken record and I do apologize for that, but what else is there to say when RWBY keeps making the same mistakes every episode? More sloppy setups, more hypocrisy, more picking and choosing when there will be consequences for actions, or when characters will get angry, or even when realism applies. It says a lot about a story that I’m wincing over a shot of our supposed hero smiling and actively agreeing with the villain. Watts is 100% right when he said that “Our tin soldier’s heart has cost him his head.”
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And we’ve still got half an episode of nonsense left. I’m just going to power through the rest of this. 
Hated Jaune’s ridiculous “line up!” moment. That just read as so stupid to me. I get that other people loved it but it just didn’t work on my end. There are better ways to demonstrate growth than having him learn the (oh so difficult?) skill of giving an order via treating adults like five-year-olds. 
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Tyrian goes off to cause more chaos in the form of trying to murder Robyn, only to find that Clover and Qrow are there to back her up. I liked Qrow’s little line about getting a crack at him first because yeah, for him this fight is personal. Last time they met Qrow nearly succumbed to his poison and Ruby was nearly kidnapped. He deserves to get in any killing blows if Tyrian is set to die this volume. 
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We learn that Neo is off to try and steal the lamp from the “farm boy” and oh yeah, wouldn’t it have been great if there was a way to avoid this whole scenario? If the group had, just maybe, put the relic into the vault like they’d intended to do from the start? Or at least give us a good reason for carrying it out in public, at the Schnee mansion of all places. RWBY is chock-full of the most contrived situations I’ve ever seen, relying entirely on random bouts of stupidity for them to “make sense.” No one thinks twice against carrying around their most precious object in a city they know has been infiltrated by Salem’s men. Ironwood starts talking about his secrets in front of the people he’s keeping secrets from. Is it really that hard to come up with scenarios that don’t rely on our heroes randomly losing a large number of brain cells?
Meanwhile, Cinder is going after the Winter Maiden and will no doubt find that Winter is guarding her. Back at the fight, Ruby tries to use her silver eyes but is too distracted. That at least is a limitation on her power, even if it doesn’t make much sense that she’d be more distracted now than when she had a leviathan grimm bearing down on her. 
Penny takes a massive hit and for a brief moment I thought, “Here! Ten episodes in and we’ll finally see Ruby have some reaction to Penny’s resurrection. After all, seeing her friend lying on the ground like that is going to trigger some pretty traumatic memories.” But no. Penny pops up with an “Ouch!” and it’s once again just another joke.
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I did like them using the grimm’s own tusk to take it down though. That was a good and visually interesting plan. We also get to see Penny as the darling of Mantle again, including Robyn complimenting her over the comms. So again, what was the point of framing her, either from the villain’s or the story’s perspective? Who knows. We’re not given a reason. It’s just a thing that happened that, like always, led to no consequences. 
Watts walks into his trap, reveals that he has control over the arena, pulls out his gun, and Ironwood absolutely roasts him with, “You always were a pain in the ass.” Highlight of the episode. Everything else remains a chore to watch.
Three more episodes. Just three more and we can put this mess of a volume behind us. Or at least I can.
Until next Saturday 💚
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blackcatmanor · 5 years
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RWBY V7 Episode 12 Photo Review (Spoilers)
..................WUT
I mean….I can’t really process what happened
 So let’s get this part out of the way:
The Good: 
Penny and Winter are the true BFFs
Penny becoming more human is endearing to see, and it’s been interesting to see her struggle with understanding emotions against Winter, who also struggles to understand them, in a way. Penny challenging Winter but never abandoning her to join RWBY is nice, and their light conflict is very well done because it shows Penny’s growing humanity struggle against Winter’s much chillier perspective.  I really like the dynamic between these two and hope they continue on in the next volume (If Winter dies too this volume I’ll ragequit RWBY), and to be honest it’s become more of a cute bond than Ruby and Penny this volume. Don’t @ me 
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The fights
Although a lot of the “fights” in this volume were done off screen, when there is fighting this volume it has been extremely good. The camera moves around a lot less so we get a better sense of what is going on, and the moves feel more deliberate to whoever is doing the fighting, such as Ruby and Harriet who dart around a lot, delivering only occasional blows (and Ruby taking more of the blows because she’s not as good as Harriet in hand-to-hand), while Yang and Elm go all-out lady brawl (and it’s nice to see Yang’s semblance again)
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Exception: Weiss. 
Weiss’ over-reliance on Summoning is making her boring to watch in fights. Seeing the 300 different ways the animators show her spinning around and waving her sword like a magic wand is getting OLD. If you’re going to have her summon all the time, fine, but stop focusing the camera on her. Just show her very distantly in the background waving her sword/wand and focus on how people fight whatever she summons.
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 The meh:
RWBY vs Ace Ops- welp… I didn’t think the Ace Ops were gonna lose, I thought RWBY would flee and barely get away because the Ace Ops were supposed to be the best of the best. I guess I’m glad they didn’t just go down like total chumps (except Vine- sorry dude), but apparently if you train with the Ace Ops for 6 weeks, you’re as good as them. *Shrug* Who knew? It’s like Fitness Bootcamp- Train with a soldier on an obstacle course once and you’re basically ready to become a member of Seal Team 6, right?
 I wish they would have explained this a little more- maybe looping back to the discussion they had in Episode 4 about being friends vs teammates. Maybe RWBY’s personal bond gives them more incentive to win, while the Ace Ops are just going through the motions because it’s just a job to them. Plus I think Elm and Marrow’s inner conflict also maybe helped tipped the sales towards RWBY, perhaps they weren’t trying their hardest, but I wish this was a little more clear
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 JNPR vs Neo
It’s kind of weird that Neo didn’t incapacitate Oscar, if she was planning to try trapping JNR as well… Or maybe Oscar barely managed to get away? Regardless, Neo had the lamp, so why stick around and wait for more people to show up? The plan was for her to get the lamp FROM Oscar, not necessarily grab Oscar as well. Maybe Neo has her own agenda, which would be cool, but from this episode it looks like she completed her objective but then waited around to fight some more. Maybe getting the lamp was too easy and she likes a challenge...? Who knows (I am saying that a lot for this episode, huh?)
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 Cinder vs Winter and Penny
This is obviously meh because not much happened, and it’s just set up for the big final fight. With the Ace Ops incap’ed, hopefully RWBY can come in as well to finally fight Cinder directly after dancing around her in V5. I think most of this will go down probably in the Relic room because a grand fight in a cramped hospital room is hard, so I think Cinder will be able to Grimm-snatch the Winter Maiden powers and go down to the relic room, or she will incapacitate whoever does get the powers and drag them there, only to be stopped by RWBY for a big battle. However I don’t think it’ll be Winter Schnee getting the powers since it’ll take too long for the transfer device and they are out of time. I KINDA think now it might be Penny- a girl with an aura/soul- somehow she’ll receive them and it’ll be part of her becoming a real girl (like Pinocchio).  Who knows? At this point who gets them is totally up in the air.
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  The Ugly:
 I guess I was right about Tyrian escaping custody again, but it wasn’t because of Salem intervening with Grimm like I thought. It was because Robyn is a terrible person!
Robyn- Please kindly f- off:
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 I officially HATE Robyn the most. After teetering on a “meh-leaning-towards-general-dislike” feeling, I loathe her now and I hope she gets killed off quickly. She’s a one-dimensional generic hothead character with no personality that is purposely stuck in to create conflict. She is the good guy’s Tyrian- but Tyrian has a reason to be chaotic: He’s an insane zealot. Robyn is just a poorly written idiot. 
Robyn just does stupid things that get in everyone’s way all of the time, and actively works to undermine the hero’s at each turn. She prevented the launch of Amity by stealing all the supplies, and now she is going to try and fight in the middle of a cramped ship, risking Tyrian’s escape rather than waiting 5 minutes to duke it out with Clover once Tyrian is safely in jail. The entire time they were squaring off on the ship I kept thinking “Uhm Tyrian’s right there….Tyrian is RIGHT THERE! He’s gonna get out!” Robyn is a liar. She doesn’t care about the people of Mantle, because she’s doing things that could (and did) lead to a serial killer who killed Mantle Citizens escaping.
Not to mention she could have taken Qrow’s advice and talk to Ironwood first! Literally 2 episodes ago you were saying the General had your support and now you’re like “I’LL FIGHT ANYONE, ANYWHERE. Forget talking to people to get the full details and actually following through upon that trust I claimed I had in Ironwood two episodes ago, I’m gonna risk everyone’s lives to fight this out RIGHT here!” She’s the worst! 
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  Confrontation with Qrow and Clover- 
This falls under the Ugly because, despite some good dialogue between Clover and Qrow, with Qrow expressing that he feels manipulated while Clover tries to explain his own point of view, every decision made from here on Qrow’s part is inexcusable and totally irrational. 
Tyrian joins the fray and inexplicably Qrow agrees to team up with him to take down Clover because THAT can’t possibly fail spectacularly. 
Tyrian suggests “putting the kid to bed” but the entire time I knew Tyrian would betray Qrow and go too far with attacking Clover because OF COURSE HE WOULD. But I thought he would sting Clover as a chance to get away, because Qrow would have to focus on getting Clover help. However, what we got was…much, much worse. 
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Qrow’s questionable decision making
Hey DUMMY- Why not team up with Clover first to neutralize Tyrian again, and then you and Clover can duke it out. Or you and Clover can go talk to James like you wanted to 10 minutes ago!
Oh right…because “You got a score to settle” with Tyrian because this is now a cheesy western where your ego is more important than logic.
I think his bad luck semblance is really just an idiot semblance- like occasionally his semblance makes him do stupid things, leading to horrible outcomes but he mistakenly chalks it up to “bad luck.” It’s also frustrating because this volume they were setting Qrow up to grow into a good character- someone with a lot of anger from the past who learns to cope with it, and learns to accept friendship from others. I guess that’s all over. 
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So, sadly, Tyrian then murders Clover. It was shocking I will say that...I actually GASPED, and it led to this really cool shot: 
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But the shock was partly for the wrong reason. Like I said before, I thought Qrow being a dumb-dumb would lead to Clover being injured, sure, but KILLED? Yikes! Qrow’s idiocy leading to Clover being injured would be frustrating, but not unforgivable narratively and he could learn from it. He would learn to not treat his friends as transactional, and automatically write them off when one hint of struggle happens. Qrow’s idiocy in teaming up with a serial killer and getting Clover killed kinda makes Qrow unforgivable in my book. Does CRWBY want me to hate Qrow? I guess so, especially because Clover’s dying scene didn’t exactly stick the landing and alleviate my anger towards Qrow either.... 
So poor dying Clover is lying there, and a visibly shaken Qrow kneels next to him. So the thought is Qrow is going to realize his horrible mistake, and dive down a pool of self-loathing: tearfully blaming himself, blaming his bad luck,  APOLOGIZING, upset about how it’s all his fault, etc. Instead, he delivers (with a straight face) the weirdest line ever about James taking the fall. UHHH- WUT? You teaming up with Tyrian led to this. WHAT IS HAPPENING?!
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  This sucks. On several levels. Clover’s death was just plain poorly done and a good character was wasted. I really liked Clover. I thought Qrow was going to actually get a break from being shit on this entire series and finally get, at a minimum, a friend that would continue to help him grow and develop as a character, pushing Qrow to see the best in himself and stop continually hating himself. With that cut short, I of course felt super sad and emotional about Clover’s death, even to the point of almost crying.
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However, I can’t pretend like a significant part of that isn’t pure frustration anger about how this episode played out. Not only did Clover’s death came about in the dumbest way, but his final words with Qrow were wasted by the weird “James will take the fall” bit. 
Qrow should have blamed himself and his semblance (I mean...it actually kinda is his fault, not gonna lie), and Clover could have maybe been the ultimate friend to him, telling Qrow that it happened because Qrow was fighting for what he thought was right, and even though the outcome was horrible he shouldn’t stop fighting for what he believes in…? I dunno….ANYTHING other than “GRRR James will pay”
 I can’t help but remember a mere few minutes ago.....
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This episode.....woof. 
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 In a long series, you want your hero’s to sometimes lose just to keep it interesting, and to give them something to have to crawl back from. However, what’s interesting is seeing the characters try their best, make reasonable and decent decisions and still suffer a loss, because it makes us want to continue to cheer them on and watch as they make a triumphant comeback. Seeing hero’s simply choke and fail because they make the dumbest, irrational decisions with no logical reason is just frustrating and excruciating to watch, and seeing those moments lead to other characters suffering makes your “hero’s” unlikable. 
This argument was made for the V6 climax- that RWBY made a dumb decision and others suffered the consequences, making them “evil” to some hateboner watchers, but I thought this assessment was over dramatic. You have to take things in context, and literally nothing came of RWBY’s decision to steal an airship: the universe was the same as it was before with some filler in the middle. No one was injured or killed, and even the damage to the city was minimal (one roof). Clover, though, is full-on dead and that is entirely Qrow’s fault. I just can’t believe the writers put this down on paper, re-read it, and though- “yea....Someone who totally make the decision to team up with a murderer to subdue their good friend....this is gonna be GREAT.”
But who cares about the story- NEW MERCH DROPPING SOON AMIRITE?! 
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Ok that was a low blow, but the writing and characters inexplicably took a logical nose dive this episode, after having a lot of thought put into last episode. The characters (especially Qrow, but also Robyn and to a lesser extent Clover) could have made some reasonable and logical decisions and Clover still could have died, which would have had way more impact and made the situation seem way more hopeless. Instead we got Robyn kicking off the shitshow by being just the worst, and Qrow taking the shitshow torch and cranking it up to 11, effectively un-doing all of the development we’ve seen from him this season. 
Lastly, even if you are going to have the characters completely fail at making decisions and it leads to a horrible outcome, at least stick the landing and don’t have them go off on some odd tangent about how this is someone else’s fault. *facepalm* 
Overall I’d give this episode a very generous 2/10.
The 2 points is because of the decent fight animation and occasionally decent dialogue.
I’m tired... 
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Text
RWBY V07E05 - Sparks
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Wow, this could be about anything and everything.I saw a thumbnail with Robyn in it so I know she appears, so that's something. I think Sonic Harriet throws sparks when she's powering up, Yang's semblance has sparks too. It could also be about the "spark the fires of revolution" or "the spark that can ignite hope." Considering the current political climate I'm guessing it'll probably be closer to the former than the latter.
Let's do this!
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What a blessed way to start the day and the episode. Penny is living her dream considering staying close to her friends was the only reason we heard about why she wanted to stay at Beacon.
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This is so wholesome that every day I fear more and more for everyone's lives.
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The one thing I don't like about the Maya style is the way they enlarge the eyes anime-style for cuteness points. I'm sure it _could_ work but it just looks weird and somewhat out of place to me. I remember Yang and Weiss cooing over Saphron's child looking more disturbing than cute.
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This is the cutest thing I have ever seen.
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Yeah, yeah, fights, explosions, grimm, * yawn *, whatever.
Finally, here's the huntsman I want to see. There's no way this "simple" mission doesn't end up with him somehow becoming a hero.
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Or perhaps he is already a hero.
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A highly wanted hero.
This is amazing. And tragic. He has everything he ever wanted when he had just entered Beacon, and now they are all probably at the bottom of his priority list.
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I'm not sure how to interpret this. Winter gets distracted and Weiss feels like she's not doing enough to impress her sister? It kinda fits with their little moment in the OP, but I hope Weiss grows past that this season. It's not exactly a healthy dynamic.
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Ooh, one more OP scene.
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I feel like my mind is blowing. He does have a ton of aura, what if he could harness it for more than just healing? Is his semblance just "healing" or is it actually aura manipulation (since he's actually just jumpstarting the other person's aura generation)? I already want to see where they go with this. Something like Vine and his arms? Or something more like a larger shield around him?
Note from the future: I had a complete brain fart when I wrote that and forgot that his semblance is “aura amplification” but most of what I wrote still applies. I’m really curious about what can he do with a _lot_ of aura.
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I think this tiny line is just enough to make me more interested in Ren than I have been since Volume 4.
There was a hint with him blowing off Nora because he wanted to focus on the mission. Was it just that or does he want to become a better/stronger huntsman for something different than the obvious (which would be to protect people from having the same fate as his parents) to the point of considering everything else as secondary? I remember Nora was speculated to be from Mantle... How does it all fit?
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My heart.
And Ruby is the other one who's living her dream, she _always_ wanted to be a Huntress. No doubts, no late night conversations about her future next to a fire, no soul-searching questioning. And it probably helps that while while this montage is happening, she doesn't have to question her decisions or think too deeply about the future.
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Aw. I like the progress from getting his mug stolen to giving Marrow one.
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oh no
no
no
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She's _really_ good at poking insecurities, huh?
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I'm speechless. Nora is riding her weapon like a witch.
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Here's another example of what I was talking about. In any previous season Ren would have shook his head, smiling at the lovable scamp that is Nora. Now he almost looks sick of her attitude?
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Woo! They are talking!
Now talk about death.
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Sorry, _this_ is the cutest thing I have ever seen.
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WHY WOULD YOU DO THIS, WRITERS. WHO HURT YOU.
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thinking emoji
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Nevermind everything I have said about Ironwood. He's evil and deserves everything bad that's probably going to happen to him.
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The biggest mood. In real life _and_ for, well, everyone in the show, but especially Ruby.
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I'm not sure if it's her sleepy face or something else but Ruby looks really grown up here.
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From one ship to the other.
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Poor Clover, wasting his efforts complimenting the guy when Qrow has a thousand-feet high shield made of self-hatred.
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oh?
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oh my god, he's perfect
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AAAAAAA FINALLY, ROBYN!
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So that grafitti _was_ important.
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I was thinking the same thing. Wouldn't she, being a candidate to being elected, need to keep her nose clean?
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There goes the possibility of one of the Ace Ops being a traitor for Robyn's group.
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Did she fail a dice roll on her semblance check?
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Hmm. Only Qrow has used that word so far in the show, once of Ruby and once for Oscar. Probably a coincidence but still.
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By showing us how willing Robyn was to attack a military convoy, she either thinks she's going to lose the election (maybe because she thinks it's rigged) or thinks it won't matter for some reason. Why would she risk the possibility of fixing things from the top otherwise?
There are no traitors (yet) in the Ace Ops because she'd know why Amity is so important.
Did she call off the attack because Penny is a powerhouse or because she only thought she could win by ambushing them + a number advantage? Maybe it was all a bluff to get more information.
For having such a short intro scene, Robyn is _really_ interesting.
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And she seems to have fewer scruples than Ironwood, making her and the whole conflict even more interesting.
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Where's Ruby and Nora with the popcorn!?
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Okay, nevermind, I misunderstood Weiss's deal earlier. Go Weiss!
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Aw, she likes that Weiss is finally standing up to her a little.
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But is that what Weiss really wants? Now that I think about it, we haven't heard anything about that since... I don't know, V2? Beacon changed a lot of things and getting disowned changed even more.
Her main goal was to get her family back, both RBY and Winter, but now with that done, what does she want? Does she still want to clean her family name?
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Wow, this is an even more interesting conflict between them.
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...yeaaaaaaaah, sure How many episodes before that's proven wrong? Unless Ironwood is really being setup as the total Anti-Ozpin and he really did tell everything to Winter? Naaaah. Since she knows about the relics and the maiden, maybe it'll have something to do with Amity Arena? Orbital weapons, anyone? No?
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All the technology in the world and they haven't invented chairs.
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She's either been all over the world or she's painting what she's never been able to see. Both are tragic, considering her current state.
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Wow. I guess that's one way to make sure the power goes to Winter but wow, that's awful.
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...you know what happened to the last person who said that?
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On the other hand, maybe the fact that Winter choose of her own volition to become the winter maiden, with all the time in the world, without Ozpin breathing down her neck, is going to make all the difference.
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They _really_ nail his awful, awful character.
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He's strong-arming the population into voting for him. But doesn't he have Watts fixing the elections for him? Or is it _because_ of Watts that he's doing this? Nothing says riots and unhappiness like having a ton of people suddenly become unemployed.
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yyyup.
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The montage was okay (with some cute and interesting character moments in between all the fighting) and FNKI's cameo was fun, but everything after that was _gold_.
Poor Ruby, she pairs with Penny, Yang and Weiss this episode but no Blake. Those lines they spoke to each other in the past couple of episodes were too much.
I'm really curious about what's going with Ren. They have been showing him just enough that it has to be more than a coincidence. It really feels like he suddenly gained a focus towards being a huntsman that he didn't have before and that, so far, came from nowhere. But why? Is it Nora related? Is it even going to be explained this season? He's just background enough that the writers could be setting up for next season. The big Yang/Blake drama arc is over so they are introducing Ren's? Uhm.
Jaune being thirsted over is amazing and he deserves it. I want to see what he's going to do with his aura, especially now that Tyrian is back, he expressed a direct interest in him so maybe a fight is coming (since he already had his chance with Cinder for the time being)
Ruby living her dream life is so cute that I'm just waiting to see how it all crashes and burns. Penny's words about having to choose between what she wants and what she needs to do were very on the nose about Ruby's situation. Well, everyone's situation since Winter apparently had to deal with that and _chose_ to make both the same. Have we had anyone who chose the opposite? I guess Raven, making her a pretty good contrast to Winter.
Weiss's future is still in the air but I hope she doesn't abandon reclaiming her family name. Unless Whitley actually ends up becoming a sane human being and Weiss ends up entrusting everything to him to continue being a Huntress?
Clover is being pushed pretty hard as an all-around perfect good guy. So he's either going to die, he's a traitor or had an awful _awful_ past. Because nothing good lasts in Remnant. He did seem genuine when he wished Robyn luck though (even if it's probably kind of his thing).
Robyn was on screen for maybe four minutes and it was enough to make me very intrigued about where this season is going. The way they are setting up the conflict as [grey vs grey] vs black, with multiple interconnected plot threads, is pretty ambitious so I hope they manage to stick the landing.
There's the election, Robyn apparently not caring about the election, Jacques definitely not caring about the election, the villains' plot that requires general discontent, Ruby's secrets, Ironwood's plan, Ironwood's secret secrets, Winter possibly becoming the Winter maiden or dying or both. And then you have the smaller things that may or may not happen, like Ren's thing, Clover's being too good for this earth, _Penny_ being too good for this earth, the way it feels like it's going to be Beacon V2. Neo and Cinder are still missing but we know are on her way.
In comparison V6 was a walk in the park, with a pretty clear goal all the way through. So, yeah, I'm a bit worried about where this is all going. It has a _ton_ of potential though so I can't wait for the next episode. Until next time!
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commandervisor · 5 years
Note
Since you're just about to start vol 7, is there any theories you have going forward? Is there something you really want to see happend? Have you been spoiled for anything?
Putting this under a “Read More” because this is just one thing after another… 
Theories? In hindsight after writing all of this, most of it is not the main cast because I guess at the moment, they’re rather well-adjusted and/or recovering from their issues rather well lol, so I can’t make big enough guesses on them right now.
Emerald and maybe Mercury GTFO there, I think being stuck in Salem’s castle with Hazel until whatever goes down in Atlas I guess will 
Emerald becomes a Maiden, my guesses are:
A “redeemed” Cinder thinks of Emerald in her last moments, but it’s kept vague if she was thinking of her because she actually cared about her or because of something completely unrelated to that (ex. “Emerald better have-*gets killed midsentence*”).
Otherwise, Cinder finds out Emerald is now a Maiden and turns against her. Now Emerald has to deal with her mother figure, the woman who saved her life, wanting her dead.
Either way, I think this could lead to her redemption.
Mercury is pretty hard to read, especially after what he said in V6 about why he acts the way he does and how he feels about his relationship with Cinder and Emerald. Tyrian summed him up as just putting up a tough exterior because he doesn’t know anything else, so if something like Emerald going rogue happens, then it’ll be interesting to see how long he’ll keep those barriers up against Emerald.
Cinder “redemption” arc. I don’t know how, but it would constitute showing her backstory (because that infatuation for power and not wanting to be powerless has to come from something, and she’s based on Cinderella, so.). V6 already had Salem basically kicking her out of the house for disobeying her (albeit she’s apparently still keeping an eye on her…), so Cinder left to her own devices could end up doing a lot more loose cannon-y things outside of trying to get revenge on Ruby and this eventually leads into her becoming an anti-villain and something of an anti-hero?
Pyrrha’s and maybe Amber’s souls are actually connected to Cinder, kind of like with Ozpin and Oscar, because 1) Maiden mechanics? and 2) It seems strange to me that back in V3 when they hooked up Pyrrha to Amber in that aura transfer machine, they made a big deal out of how Pyrrha “might not be the same” if the transfer works but then she died anyways so that part seemingly didn’t matter outside of brief angst? At the moment, I don’t know where this would go other than Pyrrha and Amber kind of haunting Cinder like ghosts, maybe this could lead to her “redemption”?
After what happened with Vernal, I don’t know what to make of Winter Schnee and Summer Rose as possible Maidens, but it seems relevant? We’ll just have to wait and see.
Likewise, I don’t really know where Hazel’s arc may go, either they’ll keep him as someone who refuses to move forward and ends up dying a bitter, meaningless life, or he’ll finally realize that and maybe help the heroes against Salem and/or Em & Merc leave Salem (I think him trying to take the blame for Cinder’s failure in V6 was foreshadowing), probably at the cost of his life because I can’t imagine him turning against Salem and managing to walk away alive.
Weiss tearing Jacques a new one, because we got Yang doing that to Raven in V5 and Blake (and Yang) doing it to Adam in V6 too, so I think we’ll continue to see cycles of abuse, hate, spite, and so on get broken from this point on.
And also take Whitley and GTFO there too, it’d be neat to see him unlearn his behavior from being under Jacques this whole time and I guess “redeem” himself… I have no idea who should take him in but he could stay with Maria if she and the group are parting ways in Atlas, it probably wouldn’t be safe for him to tag along with RRAYNBBOW (or however they’re called now lol). I pretty much envision this as what Eh**z said about Azulademption if it had happened in ATLA (”I’m happy.” “Yes, we know you are, Whitley.”).
Tai fighting, because they’ve established him as being retired while Raven and Qrow are still in action, so I think we might see him fight at some point as things come to a head.
Because RWBY is a good show that knows how to properly “subvert expectations”, it is to be expected that a lot of questions and mysteries will get answered (ex. Almost everything about Summer, Raven/The Spring Maiden subplot to come back, probably if a Maiden killing another Maiden actually boosts their power or not, whatever they have to do to teach Salem her lesson, etc.), and there are a lot of endgames they’re likely building up to (ex. Salem is defeated, Oz and Salem reunite and reconcile in the afterlife, Oscar is the last Oz reincarnation because Oz’s quest finally gets a happy ending, the Gods leave Remnant alone, maybe the Grimm disappear from Remnant, etc.).
Things I want to see happen (outside of ships because I think y’all know already lol):
I think this is a victim of the show trying to find its footing early on, which does happen, but I think it would be/have been neat if we got to see Ruby’s friends from Signal at some point (I’m guessing this might be prime self-insert OC material) or at least get a glimpse of the “elementary”/”primary” Huntsmen academies, if only because I like worldbuilding/lore and Chekhov’s guns/foreshadowing :P. Though I doubt this will happen since the show is moving in a really different direction from the school setting it had back in V1-V3, which is fine.
Jacques joining Adam in clown hell
STRQ flashbacks, and maybe a TRQ reunion? Again, I can see this as something happening as things come to a head, especially since this would require Raven to kind of turncoat back to the good guys.
EDIT: I would also like to see Goodwitch come back, but I guess that might be a while since we’re focusing on Atlas at the moment and then presumably Vacuo?
Watts shaving his dumb moostash
More anime voice actors, because OH WOW IT’S AMAZING HOW THE ACTING INDUSTRY WORKS, HUH VI? 
I think that’s all I can think of for now… Anything else I usually wonder about is something I bring up in my liveblogs? I think??
Have I been spoiled for anything? Yeah, I guess, but it was because of people rb’ing RWBY on my dash/TL/whatever before I started watching the show, so I didn’t have context and I didn’t think much of any of it beyond that they looked neat. That, plus me having the memory of a goldfish about all of that probably helped… For example, ask me about Homestuck, The Adventure Zone, Critical Role, The Arcana, etc. because I see those on my dash a lot, but I have no idea what they’re about other than maybe some general info and a couple of character names.
That being said, I knew/know about some characters that hadn’t/haven’t shown up yet because that’s pretty hard to avoid (at the beginning, I only really knew RWBYJNPR, Sun, Penny, and also Ozpin, Qrow, and Summer but pretty much in name only; back when V7 started, I did notice a lot of popularity with certain characters from that volume), and some things I did know like someone being able to turn into a bird (when the Faunus lore got introduced, I thought this was going to be a Faunus power lol*), Blake was or was not a cat-person, Summer being gone, Bumbleby being the ship, and maybe more that I can’t remember at the moment.
* …“What I expected vs. What I got: RWBY Edition” is probably something that warrants its own post. Hmm…
It’s 3 AM and this is a huge garbled mess, but as you might guess, I’m really invested in RWBY right now and it’s fun wondering where they’ll take the story next. This is quality.
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psyga315 · 4 years
Text
Fixing RWBY Volume 4
Volume 4 is… interesting, to say the least. It is obviously a breather volume, but at the same time, it tries to hammer home that every character is suffering to some degree. It also tries to do a sort of Game of Thrones-style “location-based arcs”, where multiple plots unfold across different areas. The only problem is that not everyone gets that spotlight. I can point you guys to the scene where Ruby sees Jaune training and nothing comes of it.
This is where I was beginning to see the problems of RWBY (dropped out midway through Volume 1 and only picked it back up before Volume 3), but I couldn’t quite put my finger on where exactly. Some critics have pointed to Volume 4 as a place where things begin to fall apart, especially in regards to Blake’s character. Then again, she was drawing pictures of the man who abuses her so…
As such, I’m going to tackle this Volume and try to tweak it so that it’s better. As before, I’m not going to reinvent the wheel or slap unneeded characters around. At this point, the only biggest change was Hazel’s appearance earlier in the show. With that in mind, we should begin with a meta-story first.
Keep Moving Forward
Volume 3 was a success and hype for Volume 4 was at its peak. Because RT managed to sell the idea that RWBY was gonna get dark way earlier than they did, I don’t see them using RWBY Chibi for anything other than training people to use Maya. Although there were plenty of animators from Volume 2.5 that used Maya, the ones RT picked out had experience with Poser and thus, they need to bridge the gap before the big Volume.
Around the same time, Miles and Kerry begin to realize that they’ve undertaken a rather ambitious task. Realizing the limit of their age earlier than they did (no joke, part of the reason the Faunus subplot got ditched was because they considered themselves too young and inexperienced to properly tackle it), they had an emergency meeting to figure out how to handle this Volume.
One solution was to simply keep the girls separated for one or two episodes before they’re reunited, nipping the problem in the bud and allowing the plot to continue. Miles insists that there should be a longer degree of separation. After all, all these girls have been traumatized and this isn’t going to be a simple pat on the back for them. The idea is then extended to one volume, to which Kerry suggests that the girls spend two Volumes separated. One where they’re getting over their trauma and the other where they’re doing something about their situation.
Instantly, the idea sticks and plans for both Volumes 4 & 5 began to take shape. Now comes the question of how to handle the high concept of four, maybe five plots going on at once. I’d assume that, with the Volume 2.5 thing, RT would have a lot of animators they could call upon. And so, a means to tackle the idea was formed: Much like how RWBY split up, so too should their animators. Miles and Kerry would continue to write scripts for the episode (barring suggestions from each animation team) and the four animation teams would handle their respective arc.
We have Team Mistral, the main team that deals with all the RNJR scenes and scenes that don’t involve the other members of RWBY, such as Salem’s Lot and Oscar. Then we have Team Atlas, who handles Weiss’s scenes. Team Menagerie handles Blake’s and Team Patch deals with Yang’s.
M&K also decide, this time, that, if they’re going to get serious, they should at least set up some sort of timeline. This leads to a month of brainstorming between them and other members of the crew to figure out what sort of hijinx would happen in a 6-8-month timespan and more importantly, how the saga would unfold. Should it all be at the same time or split across different points? Miles argues that it’d get too confusing, so at the same time would do.
They also decided to plot out how Volume 4 would unfold. Each episode will have RNJR as a major focus, with the members of RWBY sharing focus each episode. The way it works would be as follows:
· Episodes 1, 11, and 12 would focus on RNJR and WBY.
· Episodes 2, 5, & 8 would focus on Weiss.
· Episodes 3, 6, & 9 would be on Blake.
· Episodes 4, 7, & 10 would be on Yang.
· Some episodes would sprinkle in scenes of Salem’s Lot and Oscar.
This obviously messes up the flow of Volume 4, but at the same time, it would give everyone proper focus instead of randomly across the entire volume.
With the hype of Volume 4 reaching critical mass, it premieres on October of 2017 (remember, they delayed Volume 3 by a year to get the additional animators) and this is how Volume 4 would be tweaked…
Salem’s Arc
The first thing we see is Salem’s group celebrating their victory over Beacon while berating Cinder over getting injured. Salem destroys any vague wording she had given in the original and outright says that the method of which Cinder took her powers was considered unnatural and that she did not expect Ozpin to have a Silver-Eyed Warrior in his academy. Hopefully the audience can put two and two together that she’s talking about the Grimm-
[cue that clip of the audience reacting to the Volume 4 trailer and someone shouting “IT’S SUMMER!”]
… Salem explicitly points out that Cinder used the Grimm and that’s why she got fucked up by the Silver Eyes.
Most of these scenes stay as they are with the exception of Hazel being the new member of the group and thus be introduced to Watts and Tyrian, the latter of which being the one who saved Cinder last Volume. Hazel shows some remorse to the Fall of Beacon (to the point where he takes over Emerald saying “it’s almost sad” from last Volume) but when Salem says Ozpin was killed, he is relieved. At least something good came from the bloodshed.
Another change would be that Salem assigns Watts to Atlas instead of Haven. Her reasoning is that, with the CCT being down, she’d need to find a means to see what’s happening in Atlas. Watts understands and prepares a transport to Mantle, knowing he can hack into it with relative ease. When Hazel gets his assignment to talk with Sienna Khan, he asks if Tyrian would be a better choice, since… Y’know, Faunus. When Salem considers switching Tyrian’s job with Hazel’s (hunt the Silver-Eyed Warrior) Hazel and Tyrian instantly reject the offer. Hazel because he doesn’t want to hurt Ruby and Tyrian because he wants to hurt Ruby. Note that Salem doesn’t mention anything about the Spring Maiden. It’ll become apparent why in Tweaking Volume 5.
Also, I’d keep Salem’s motherly nature in this scene because that was always the nice contrast to Ozpin and considering how I dialed up the untrustworthiness of Oz, having Salem treat her minions like children instead of tools or assets would set up a huge contrast.
Cinder’s scenes are kept the same. At some point, I want to establish that the reason characters seemingly teleport all over the place is that it’s something Salem’s Seers can do. This would be done by placing multiple Seers across Remnant, which his why Watts is also going to Atlas, and then using one Seer to teleport to the other.
Oscar’s Arc
I like to thank Vexed Viewer’s video on how the creators screwed up introducing Oscar, since it gives me an easy means to avoid all the shit they did.
Oscar’s arc begins same as it does, but this time, his aunt (who we actually see) enters his room and asks if he’s okay. This has been the fifth night in a row where Oscar has had night terrors, almost centered around the exact same thing: the Fall of Beacon. Despite living so far away from Vale, he remembers the massacre vividly. More importantly, he remembers fire. Lots of it.
One of the episodes would end with focusing on him, only for a voice to pop up: “Hi! I’m Professor Ozpin!” That’s clearly more of an ending bit than a beginning bit.
Episode 6 and 7 would be where we see a good chunk of Oscar’s story unfold. Obviously, we have Ozpin trying to get Oscar to go to Haven, Oscar wants nothing of it. He has dinner with his aunt where, slowly, Ozpin takes over Oscar and forces him to go to Haven, convincing Oscar and his aunt that he always wanted adventure. Even without a body, Oz manages to find someway to ruin someone’s life to have his way.
Also, we don’t have him take the train. That’d be like if in Lord of the Rings, everyone was walking into Mordor and suddenly some 12-year-old kid flies in on the hawks. He’d be in actual walking distance from Haven. About an hour away. The encounter with Hazel stays the same, but Oscar has a slightly longer conversation with Hazel where he asks him if he’s ever been pressured to do something he doesn’t want to do. Hazel, having no idea about Ozpin’s reincarnation, tells him he has, but the reward would be to have peace of mind. This motivates Oscar to fully commit to going to Haven.
Also, skip the stinger because we’re going to use that for Volume 5.
Yang’s Arc
It’s mostly the same, but Port and Oobleck aren’t in the house since they’re dead. Also, Ironwood states in a letter that he apologizes for DQ’ing RWBY and that there’s no need to thank him for the arm so we can get rid of that meme.
There’s another plot detail, one that I’ll establish in Weiss’s arc, but the long story short of it is that the news plays footage of the ball where the Trophy Wife laughs about Vale lacking proper defenses, setting the already upset kingdom into fury, since those defenses were Atlas’s and as far as everyone knows, they were part of the problem. Taiyang is forced to go out and help quell the demands to go to war on Atlas.
Here’s how I’d structure it:
Episode 1 would have Yang adjusting to life without the arm. The simple montage of her doing chores which gets interrupted with Adam flashbacks.
Episode 4 has Taiyang giving her the prosthetic. She tries to wear it, only to have flashbacks of not only Adam, but injuring Mercury and Blake leaving her. She gets her signature hand trembles as she remembers the train from Volume 2, Gretchen’s death, and Raven telling her about Summer. It ends with her asking if she should really become a Huntress.
Episode 7 shows her watching the news when the Trophy Wife footage comes on and sees Weiss attacking her with a Boarbatusk. For the first time since arriving in Patch, she feels concern for her teammates. She knows that Ruby would be safe since she has Jaune and the others and Blake can die in a fire for all she cared. Taiyang comes home, tired and even battered a bit, having to stop some people from committing Atlasphobic attacks, which led to a Grimm attack. They have a chat about the state of Vale and Yang asks Taiyang why she even became a Huntress in the first place, to which Taiyang replies that she wanted to be like her mom, Summer. After she left and was presumed dead, Ruby had been menaced by a small bird Grimm (I’m going there) and Yang tried to fend it off. This was the spark that led to her being a Huntress. Yang, however, doesn’t buy the idea and goes to bed.
Episode 10 would bring the Atlasphobic attacks right to Yang’s home as the house is bombarded with people citing Taiyang as “Ironwood’s bootlicker” and “a droid sympathizer”. They want Taiyang’s head because if he’s not with them, he’s against them. The sad thing is that most of them are traumatized people who lost loved ones to the attacks. Yang wants nothing of it, but the moment the group grabs Taiyang and tries to string him up, her anger flares up, grabs the arm, and slaps it on her. She goes in and saves Taiyang from getting lynched but when it comes time to attack the crowd, she flinches and remembers attacking Mercury and recalling the words of doubt Blake casted in her head. She ejects the arm and, realizing she’s fighting people without awakened Auras, fights to knock them a few out before calling everyone out for letting fear control them. This obviously doesn’t instantly resolve the tensions with Atlas, but it does inspire Yang to return to being a Huntress.
Episode 11 has Taiyang, after healing up from the beating he got, talking to Yang about Raven. Because she knows about STRQ in this tweak, we don’t need to do the whole “oh, so now you talk about her” thing, but Yang does ask what Raven meant with Ozpin valuing Summer as a Pawn. Taiyang asks when she met Raven and notes that she would add that little detail. He then explains to her that Summer was special, just like Ruby, and that she was sent on special missions that none of the others were invited to. With Ozpin kicking Raven out, having favoritism placed on Summer and making Qrow his personal Huntsman, he slowly dismantled STRQ and Taiyang has quite a bit of upset over that. Realizing that this is what’s happening to RWBY, Yang decides to head to Haven…
Episode 12 has her using her motorbike, only to be stopped by a Huntress, Heather Shields, who asks for her help in tracking down a bunch of bandits. She isn’t interested until Heather says that their leader is possibly in league with the White Fang as they have a Grimm Mask. This piques Yang’s interest since this could either mean Raven or Adam.
The reason I added this subplot about Atlasphobic attacks is that I really didn’t want that ballroom scene to be in a bubble and I also wanted to emphasise the whole “angry at Atlas” thing.
Weiss’s Arc
Quite literally the same arc, but with a battle between Weiss and Jacques because he didn’t really have any earned comeuppance in Volume 7 and it’d be a better place for “This Life is Mine”’s rock version than battling giant bumblebees.
Episode 1 has Weiss more subdued than her earlier Volumes, showing her father’s leash is well on her neck. She is asked to visit her father, leading into episode 2, which has no actual changes outside of the reasoning for Ironwood’s embargo being more vaguely worded, since we want to illustrate that he’s going 1984 right now.
Episode 5 is Episodes 6 & 7 of the original mashed up into one episode. However, we get a shot of Watts recording the ball, then using the Seer to teleport to Vale and hand his recording to a local news outlet before moving to Mistral with the Seer.
Episode 8 is Weiss mastering her summon and sneaking out… Only to be caught by Jacques. Jacques is well aware that Weiss’s songs were nothing but hate speeches to him and he demands respect. Weiss refuses, telling him that he’s a poison on the family. Jacques remarks that she’d technically be poison too, since the Schnee children share his DNA. It soon leads to a battle in the Schnee manor where Jacques over relies on Dust as he isn’t a skilled fighter while Weiss over relies on her summon. As such, the two are evenly matched until Jacques runs out of Dust. Realizing that her fighting has become sloppy, she goes back to using her Glyphs and uses one to pin Jacques in place in a manner similar to how Watts pinned Ironwood in their V7 fight.
Episode 11 has her try to get on an airship before Ironwood stops her and tells her about the closures in place… Then assures her she has clearance to go, inquiring that she goes to investigate Winter’s findings on Haven. She jumps at the chance because she thinks Winter is there. Episode 12 is her on a private military aircraft with Pilot Boi.
Blake’s Arc
… Oh boy. You can tell why I saved this one for second last. Blake’s arc is by far the most infuriating of the arcs and really sets a bad standard for her. I remembered flipping her off when she said “we’re not going to fight the White Fang” when I was first watching Episode 11 because I had it up to here with her tomfoolery.
So, instead of making the battered abuse victim abuse Sun and chilling at her parents’ place as the rest of her team suffers while being stalked by someone who has a big lesbian crush on her, we’re gonna rehaul her entire arc.
Episode 1 has her secure passage on a boat. It’s not as grand as a liner in the original, but it’s not the rinkydink rowboat she was on in the comics. Rather, a simple cargo ship she had to bribe in order to get on. She has no clear goal in mind and when asked where she’s going, she says “nowhere. I just want to keep running.”
Episode 3 plays similarly to Runaways and Stowaways, but Sun stalking Blake is removed. If he wanted to be a good Samaritan, he shouldn’t dress up like some fucking cultist for no discernable reason other than “le bait and switch!” Instead, he’s there because SSSN need a lot of supplies and money to back to Haven and Sun is just doing his job as a security guard. He plays catch up with Blake whose moody nature causes a Grimm to attack them. The Grimm is defeated, but the ship has taken damage and must make a pitstop. When asked where it’s landing, the captain says “Menagerie” and this fills Blake with fear.
Episode 6 has Sun and Blake arrive on Menagerie, where it’s actually crowded this time. Failing that, the big problem is that they’re intolerant towards humans, since this is their turf. Obviously, the captain is met with tons of scrutiny and forces Blake to do the one thing she’s avoided her whole life: Talk to her mother.
I should explain something before we continue. In this tweaking, Ghira was killed by that group of people in Adam’s short. This explains the sudden shift between White Fang leaders and Adam’s words in Volume 3. In honor of Ghira leading a noble cause, Kali was given the title of Chieftain of the village I forgot the name of (Kua Kuana?) With her status, Kali could grant humans a temporary pass. And so, Blake reluctantly visits her and we get a touching reunion.
We also see Blake get introduced to the Albains, who in this tweaking aren’t telegraphing that they’re bad guys and are genuinely trying to get in Kali’s good graces. When Blake gives the Albains the business of the White Fang killing people, they state that they’re well aware, as they have Adam in custody and will sentence him to exile in the wilds of Menagerie where he’d most likely meet his end at the hands of monsters. Keen eared viewers would notice that Salem said that Adam was meeting Sienna Khan so… what gives? Well, that’s going to be explained in…
Episode 9 has Blake and Kali talk a bit about Ghira, we have that much needed talk, but instead of Sun busting it, it’s Fennec. He reports that Sun had been kidnapped by renegade White Fang members, but not saying that it was their members that kidnapped Sun. This causes Blake to give chase and goes to the outback where we get to see one of the vicious monsters Blake talked about instead of leaving it to the imagination or DC.
There, we see Sun and Blake were able to defeat it with moderate difficulty before they see Adam. The three fight, but as Blake’s trauma kicks in, Sun protects her and ends up knocking Adam senseless, revealing that it isn’t even Adam, but Ilia using a Semblance that makes her camouflage as other people (think Neo’s Semblance, but on a smaller scale). Blake and Sun are confused before Ilia knocks Sun out and retreats. I should also mention that in the battle, they also knock the scroll out of her.
Episode 11 has Blake explain to Sun why she ran (without her being a bitch about it) and Sun says why that reason’s bullshit. Kali and Corsac come in and they converse about how Adam is still out there. Kali shows plans for a raid on Haven and Corsac feigns condemnation of Adam’s actions. Blake then states that the White Fang has gone too far with its corruption and must be destroyed.
Episode 12 isn’t focused on Blake, but rather on Ilia, as she reports to the Albains and informs them on why she had to disguise herself as Adam. It’s here we find out that, yes, the Albains were in on Adam’s plans the whole time, but had to keep up appearances. They then explain that their goal is to try and prevent Menagerie from going to Mistral’s aid.
Ruby’s Arc
Finally, we get to RNJR. This is gonna be a long one since they’ll have all 12 episodes, even if they appear in only one scene. Let’s knock these out of the park by saying that Episodes 1 & 2 relatively stay the same, but episode 2 has them arrive in Shion just as Raven’s team attacks. This leads to a battle where Ruby battles her sister’s mom and doesn’t even know it. However, Ren sees the mask and freaks. Making matters worse is that the Nuckelavee appears and forces Raven to retreat. The group manages to hold off the Nuckelavee, but are unable to defeat it, leading them to run with a Huntsman following them, the same one that died in the original.
Episode 3 has Ruby talking to Ren about what the hell was up with his freak out but Ren refuses to talk and Nora isn’t helping matters. The huntsman introduces himself as Shiro Wan and says how he’s been assigned by Lionheart, the Headmaster, to investigate a recent string of bandit attacks. He then says that, if they can help him with the bandit, he can get a good word in to bring the group to Mistral. Ruby later confronts Jaune on his training with Pyrrha’s video as Jaune berates himself for letting Pyrrha die at Beacon, saying that if he was stronger, he would have helped her. We end the episode with him confiding in Ruby something: “Ozpin tortured Pyrrha…” That or he wants to kill Cinder.
Episode 4 reveals that Qrow is not only following them, but is talking to Raven about the Spring Maiden. Raven feigns ignorance, but her wording leads Qrow to confirm that she knows where the Spring Maiden is. Also, I want him to say this:
Qrow: If you don’t tell us, we’re all going to die.
Raven: And who’s this ‘we’ you’re referring to?
Qrow: EVERYONE, YOU DUMB FUCKING EDGELORD BITCH!
… I just want to do that.
Episodes 5, 6, and 7 are relatively the same, but Tyrian kills Shiro. Episode 8 has Jaune lay into Qrow about Pyrrha and Qrow tries to defend Oz by saying that Pyrrha chose, but Jaune brings up how he saw the contrary, even asking Qrow if they informed Pyrrha about Salem and the Relics, to which he sadly says no. Episode 9, 10, 11, and 12 are relatively the same as well, with only two exceptions. The first is that, in the flashback for Kuroyuri, we see that Ren makes friends with a ten-year-old girl before Raven and her bandits attack. Nora is also there and with her depression and the bandits, the Nuckelavee is let loose onto Kuroyuri, the ten-year-old last being seen with Raven and looking at the destruction with remorse. During the Nuckelavee fight, Ruby’s silver eyes act up, freezing the Nuckelavee in place for Ren to hand some final blows, rather than “hold arms down to win”.
The stinger isn’t really plot important, but reveals what will immediately happen in Volume 5 as Jaune, Nora, and Ren, with Pyrrha’s shield (if you’re gonna say she has extras, at least show she has extras), carry it over to a house and knock on the door… It’s clear what’s going on, but as the door opens, we cut to black. To be continued in Volume 5.
DVD Extra
I’d say four extra stories starring each member of Team RWBY. Maybe even adapting a story from the comics?
And that’s Volume 4… The next tweaking is going to be my final one and I’m gonna go out on a bang.
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marithlizard · 5 years
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Thoughts on RBWY v7c8, “Cordially Invited”
Last week felt like being at the top point of the roller coaster.  Now we’re just starting that sick-feeling slide down, knowing the acceleration’s about to kick in. 
- Oscar with the strategic observations! (I've seen a theory that he and Oz have already quietly merged to some extent,  based on this scene and his conversation with James last episode.  Maybe.  But they also had months together 24/7, on the farm and then in Haven; there's been a lot of time for "and here's another thing I wish I'd known when I was your age". Plus it's implied that Oscar has always been well-read and thoughtful. )
- They can't possibly have any doubt that the election was hacked, after the massacre, can they? Apparently they can.  
- James, you are so lucky you have RWBYJNR to do obviously sensible things like 'have Weiss investigate the mansion' and 'give Robyn some evidence that you are not a sinister megalomaniac', because apparently you would never think of them.
- Huh, the outside of Schnee Manor does not look at all like I thought it would.  That's not remotely residential architecture.  Probably the intended effect is "Versailles", but what I see is "major governmental office building".  
- Hovercars!  Also, no dressing up, I see.  Jacques doesn't deserve it anyway.
- I like the way James' expression lightens just a bit when Winter snarks back at him.   We're being given the understated impression all through v7 that the two of them have an excellent working relationship.  She's the Glynda to his Oz. ( @fairy-anon-godmother has pointed out that Lionheart had no support staff at all, in contrast.   How's that for an angstfic idea:  the day Lionheart's second in command realized the truth and made herself walk away from him.)
- The bitterness of Whitley could freeze mercury (no pun intended, but come to think of it the two of them have some similar outlooks).   Called it about Klein.  Hmmm....the manor must have a huge staff, but the heir is on door duty?  I don't think so. He's on “handle your sisters and the General” duty and was watching from the window for their arrival.  And he's actually pretty polished with the refined snark himself.
- Incidentally (sorry my brain is tangenting more than usual),  have we ever seen Weiss be anything warmer than borderline rude to Whitley, under any circumstances?  And he and Winter are completely ignoring each other here.
- Oh, yeah,  Qrow's falling.   At this point I have to hope Fair Game works out for his sake,  even if it's not the ship I favor.   *worried*
- C'mon girls, a moment of support for your uncle who just turned down a drink would be nice.
- Weiss has no counter at all for Whitley's spite here.  She wasn't any good at trading barbs with him in v4, either.   But she was certainly fluent in Bitch when she arrived at Beacon.   She's outgrown that and gotten so used to being among genuine, warm people that she can't and won't play the game with her family anymore.  It showed in her earlier conversations with Winter, too.
- Portrait of Whitley and parents to the right of Jacques, clearly taken after Weiss left for Beacon. And a very crudely thrown gauntlet in the dining arrangements. Subtle this family is not.  
- Ugh, Robyn must've hated coming here with every fiber of her being.  That she did so anyway says a lot about her political moxie.
- Does the council have only three people on it, or are these the only two Jacques could rope into this little power play?
-Oh, Penny.  Ironwood thinks of you as a person...as much as he thinks of any soldier under his command as a person.   But he's not defending you against the people who think your'e a soulless murderbot. He hasn't stood up for you as a person at all, has he, because he doesn't see it as relevant to the current crisis.  This is so cruel.
- (Yet another tangent:  I would love to see a crossover of Penny getting to spend time with Murderbot from the Martha Wells books.   Murderbot would have a lot of opinions on the entire Atlas situation.)
- Nora bouncing like a homicidal chipmunk.  Can I get them, boss? can I can I?
- The faunus waitstaff:  Hm, they're taking entire platters of food out of our hands and clearly planning to do something disruptive. We will inevitably be blamed.  It'll be worth it.
- Young padawan,  you are still new to the dark ways of the Schnee, to slink off in defeat so easily.
-Ugh. Things I really, really, really hate:  when Jacques Schnee is right.  The "whole "protection against war" line of rhetoric makes absolutely no sense if you don't know about Salem;  right in the first ever episode of RWBY, Glynda tells us the world is glowing with peace and prosperity since the end of the Great War.   And the more James talks about possible unknown hostile forces, the more he sounds like a power-crazed frootloop.
- Declaring everything classified even from your supposed peers in the council doesn't help.
- Ironwood's face as Winter explodes:  oh crap.
- Robyn's face at the same moment:  oh interesting.  Thanks to Blake and Yang she knows what the Amity project is, though not why it's being kept secret.  She knows Blake believes James has good intentions. And the sincerity wafting off Winter Schnee is palpable.  
- Jacques' face at the same moment:  oh checkmate. 
- Winter: It'd be better if I could act more like a soulless robot.   Penny: There are so many things wrong with that,  I can't even.  Execute "conversation_nope.pny".
- "Your party".  "You...left."  Willow is so out of it she's not even tracking major events?  That's kind of scary. And not new, from Weiss' reaction.
- Willow: "I am doing something about it.  Inverting this bottle."
- All the Schnees have excellent tailoring. I love the aesthetic.  
- In case you ever needed to what, Willow?  How long has she had those cameras up, and what contingencies is she planning for?  I hope she's better at protecting her personal staff than Weiss was with Klein.
- "A man came by".  She recognized Watts, but doesn't want to name him directly to Weiss. And then gives her the phone knowing it'll all come out.  Probability of Watts-Jacques family relationship increasing.
- She's not expecting to survive whatever is coming down.
- We were cued to expect the heating grid hack last episode, but that made it no less chilling to watch.  (yeah, yeah, but no other adjective fits so well.)  AUGH.  
- Almost forgot!  I don’t think it was prudent to bring Oscar to this,  even though I was whining for more screen time for him earlier.  Since Haven they have to assume  the enemy has been briefed about him.   Kidnapping Oz as a personally giftwrapped present for Salem would make Tyrian ecstatic. 
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