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#because they take themselves SO seriously
gay-dorito-dust · 16 hours
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May I please request any comfort fluff with Jiyan from Wuthering Waves if you're open to those requests?🙏😔 I need bro to comfort me
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‘Are you okay?’
‘I’m sorry?’ You asked, looking up to see Jiyan stood over your seated form with conceding lacing his golden eyes.
‘Are you okay?’ He repeated, sitting down next to you, ‘you’ve been acting differently as of late and I feel as though there’s more to it than just a shift in personality.’
You chuckled humourlessly, the jig was up and you knew it but were too stubborn to accept help from anyone, especially from one who had more important matters at hand than your slight decline in mental health. ‘It’s nothing, honestly, I’m just a little-‘
‘Tired?’ Jiyan cuts you off and suddenly your throat felt drier than a desert and he must’ve known that he caught you in your one lie as he levels you with a stare, leaning slightly towards you. ‘How often have you used being tired as an excuse because people in your past have proven themselves ill equip with handling a difficult situation, despite saying false promises of being there for when life gets hard.’
‘Way too fucking often.’ You replied. ‘It’s like they were only in my life to take something from me, why? I’ll never know because they’re all gone and fucked off, like they didn’t just tore my souls to shreds snd left me to pick up the pieces.’ You concluded and it wasn’t until then did you realise that you had started to cry when Jiyan wordlessly wiped one away with his thumb.
You had let your guard slip, the one thing you’ve promised yourself to never do again in the presence of another person due to how they made it all about them; not to mention how they gone on about how suddenly they couldn’t handle your baggage before ghosting you completely whenever you tried to reach out to them again. You didn’t deserve that type of treatment and you know it, but you’ve less yourself to believe that their reaction will be how others would perceive your situation, and so you never bothered reaching out for help and instead letting it bottle up inside until you cracked.
‘I’m sorry.’ You gasped as you began to violently wipe away at your eyes when Jiyan held your wrists in his hand and brought them away from your face.
‘Don’t apologise,’ he started, ‘never apologise for your own emotions nor the people who’ve made you believe that others would turn a blind eye to your plan, for that is simply not true, but I understand that this is a hard mentality for one to unlearn after so long.’ Jiyan wasn’t well versed in comforting others, seeing as how he spent most of his life in the frontlines of the battlefield as both a medic and general, but that didn’t stop him from recognising that a misdeed had been committed against you and that he wouldn’t allow; So for you, jiyan would try his best to provide comfort that you needed.
‘Oh yeah? And who’s going to change that then you?’ You scoffed.
‘Yes.’ Jiyan answered without hesitation and a seriousness you’ve only ever seen in battle and that alone had you choke on your own words.
‘Why?’ You asked, looking into his eyes in hopes of getting the answer you wanted, you wanted to look for a lie within his eyes but his eyes only told you that he was being genuine with his words.
‘I want to prove that if there is one person who’s willing to shoulder your burdens with you, it’s me.’ He tells you. ‘I will not allow you to suffer alone during you’re in pain. So please, allow me to lend you aid in these difficult times.’
You stayed silent for a bit and Jiyan thought that he may have overstepped a boundary or two but his own worries were put to rest when you gripped onto his hand just as he was about to pull away. ‘If it’s not too much trouble for you.’
‘I wouldn’t have suggested such if it was, which it isn’t.’ Jiyan cuts you off softly.
‘Then I guess it couldn’t hurt.’ You said, slowly beginning to grow hope for this seemingly small promise.
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yakuzacanons · 2 days
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Heyo can i have general headcanons on how the boys would react to hand holding for the first time before they officially started dating their s/o?
HeYO this one has been a long time comin so we are tackling it today. The hcs themselves will be pretty short since this is gonna be long list of boys but if you want more details on a specific guy or guys, just lemme know!
Kiryu Kazuma
It's 50/50 whether he'll take the lead on the hand holding or let you lead. Either way, he doesn't really say much during the event but internally he's like "Oh boy, this is serious now". You might catch him smiling a little too. If you ask him about it, he'll say it's nothing but his smile will only get bigger, as will yours.
Majima Goro
Most likely of all the boys to grab your hand out of the heat of the moment, either of a romantic or threatening kind. It's even more likely to happen if he's trying to protect you, in which he'll just instinctually grab your hand and start walking, only to realize a few feet later than he's doing that. Then he'll suddenly stop and be like "Whoops. Well, too late to stop holdin' yer hand now, huh?"
Saejima Taiga
He's more likely to let you decide when to start holding hands unless it's wintertime. The man is a total cuddle bug when the weather gets cold and would honestly hold your hand under the guise of keeping them warm. If you need a human heater, he's your guy.
Akiyama Shun
Out of all the boys, he's the most likely to initiate hand holding or really any physical intimacy before being in an official relationship because he is a SIMP with a capital S. Don't mistake that for being slimy though, he's a very romantic handholder and it'll be the sappiest sweetest moment.
Tanimura Masayoshi
Honestly, he starts holding your hand by accident! Very meet cute, like he'll be helping you down from a high up spot and just hold onto your hand for too long. He's a bit boyish so something like this might happen before he even confesses his feelings to you. This event might actually just lead to a confession in of itself.
Ryuji Goda
Shockingly for as much of a playboy he can be, hand holding is something Ryuji doesn't do super often unless it's someone he is very serious about. The man takes physical gestures like that pretty seriously. Knowing him, it'll be complete with a romantic and lavish dinner to match. It'll also probably be the moment he asks you to make the relationship official too.
Nishikiyama Akira
Opposite of Ryuji in that this little flirt be holding hands with just about anyone. Still, that doesn't make it any less cute when he starts holding hands with you. In fact, if YOU initiate the hand holding, he might die of cuteness. He'll totally try to hide it with a smart remark but you can see him blushing and he knows it.
Daigo Dojima
Our Daigo has more sexual than romantic experience so he's kind of hesitant to take the lead. More likely to let you initiate physical intimacy unless he's feeling particularly overwhelmed by his feelings. If you two haven't held hands, he'll definitely be holding yours when he asks you to take things to the next level.
Mine Yoshitaka
King of hand holding, the man will be holding your hand right off the bat once you two realize you're more than friends. Also king of rubbing his thumb over yours or squeezing your hand. Man isn't much of a talker but he's fluent in body language.
Tatsuo Shinada
This dork will honestly end up holding your hand while he's trying to show you someplace, probably on a date. He knows all kinds of neat hole-in-the-wall restaurants so he'll just casually be like "Here, take my hand!" while taking you out someplace.
Kashiwagi Osamu
Gentleman is the first word that comes to mind when describing how Kashiwagi goes about getting physical in a relationship. He isn't afraid to initiate it exactly but he'll definitely wait until he can be pretty sure you'd be okay with certain things. He won't make a lot of fuss about it, one day he'll just casually and gently slip his hand into yours. It'll be so natural you might not even realize how big of a deal it is until after the fact.
Ichiban Kasuga
Before the relationship is official, this man ain't initiating jack fuckin shit cuz he's the most anxious boy in the world. Constantly worried he'll upset you or he's being too forward. Having said that, if you start holding his hand one day, he'll blush so hard that you'll be worried that his face won't return to its normal color.
Tianyou Zhao
This stinky little multi-ring wearing boy is the KING of hand holding in ways you can't imagine. Also loves to take your hand only to pull you closer, it's very flirtatious and ungodly cute. That's probably how the two of you start holding hands anyways, you'll be out on the town on a date as you normally would and suddenly he's got your hand in his and he's tugging you to walk a little closer to him, all with that mischevious grin on his face.
Joon-Gi Han
Similar to Ichiban but with less painfully obvious nervousness. He understands what constitutes intimacy but is just unsure when or where is the right time to start doing certain things. Unlike Ichiban, Joon-Gi is still likely to start holding your hand on his own accord. It'll likely be a private and quiet moment between the two of you, maybe eating a snack on the pier while the sun is setting. He won't say much, just interlace his fingers with yours in peace.
Yu Nanba
Bit shy when it comes to intimacy before a relationship is official. He's kind of old fashioned, somewhat due to his older age. A very sweet hand holder, he might actually just straight up ask out loud if he can hold your hand. Things like this are very small, quiet moments for Nanba but trust me, it's still a big deal even if he isn't saying it.
Koichi Adachi
This man would love nothing more than to hold your hand but like Ichiban, he is not sure if he's got the rizz for that. If he's drunk enough, he'll just start doing it honestly. However, if you start holding his hand first, he'll try to be all coy and say things like "Huh? If you wanted to hold my hand so bad, why didn't you just say something" but inside he's like "Oh hell yes."
Eric Tomizawa
Despite having had quite a bit of romantic experience, he's a little shy during the starting stages and is actually more comfortable later down the line. Similar vibe to Shinada actually in that he'll likely be going somewhere on a date with you and the both of you get lost. He'll give you that little grumpy, sassy sigh and grab your hand all while saying "C'mon, let's go this way." but really he's just trying hard to disguise how much his heart is beating out of his chest.
Yamai Yutaka
This son of a bitch is so smooth that you'll be so busy getting swept off your feet that you might not even notice he's started holding your hand. He's like Zhao in that he can be a bonafide flirt when he feels like turning on the charm, only difference is Yamai has more years under his belt. Probably will complete the whole thing by giving you a kiss on the hand too.
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Laddies we got an Au
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Long post below the cut and some disturbing imagery, so be advised.
So it takes place after Pearl sunk Abalone and his fleeting. This time however her sisters actually stuck around to check on her after everything and actually managed to help her open up…some how.
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Though her heart wasn’t stained black she will never be the same.
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However she was able to build up the strength to talk to Lord Oyster again. She never fully forgave him for giving away her pearl, but he was there after the attacks to take care of the pirates who had somehow managed to avoid dying to take them to justice. This showed the mermaids that some cookies could be trusted. Because of this Pearl became a guardian for The House of Oyster and oh boy did that do wonders for their reputation!
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With her making peace with all her pain she didn’t fully become Black Pearl and is kinda grey(-ish purple) I need to work on her design a bit more obviously, but she followed a lot closer to Crimson and takes her job as a protector seriously enough. Some may wonder if she enjoys a good fight more than defending her friends.
Also her sister and Frilled Jellyfish have her tokens to try and brighten her up some.
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Through all this Lord Oyster swore he would redeem himself to his moon (she asked him not to call her that anymore lol) So he dedicated a good chunk of resources to trying to locate her pearl! This mission was passed down through the generations until finally…
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Oyster Cookie had finally gotten a big lead and was able to send one of the best captains and his crew out to try and recover it.
Unfortunately they ran into a slight problem.
The sea the pearl was said to be found in was rough and could capsize a ship twice their size. Caviar wanted to go alone, but with a crew as stubborn as he they braved it together as one! (Candy Diver died in a different accident and Caviar still managed to find them and bring them aboard because he’s just that good at sniffing out crew mates.)
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Alas it wasn’t just a storm.
It was a trap.
A band of pirates forged a letter hoping Oyster herself would show up so they could get a nice tidy ransom, but when a harder than nails crew showed up in their place they were far from pleased.
The Salty Shark crew hold their ground well, but being outnumbered four to one never seems to end in your favour.
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Caviar was the last to go down and was thrown overboard to his watery grave like the rest of his crew. After The Silent’s crew was demolished completely the pirates set out to “commandeer” her, but immediately things started to go wrong for them. Things went so wrong that at least two were killed on their scramble to get off the boat while many more met their soggy fates as they threw themselves overboard in preference to whatever was on their with them.
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Guess what movie franchise this is based on :D
As the legend says the captain pulled himself up out of the deep that night and sails his waters of the Duskgloom searching for his crew to bring them safely aboard and finally leave that damned place. However the captain’s kindness runs short with strangers who cross his path, especially those who fly the skull and crossbones.
The Silent is still under his full command and all orders are carried out will full efficiency.
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Now Oyster wanted the return of her pearl to be a surprise with a big celebration after, but when the captain never returned and those she sent to look for him disappeared she had few other choices than to send her most capable guard.
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zeevoidlight · 2 days
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what's the deal with these two...
Seriously. Why is the suspicion and joking of their bromance even a thing that exists (outside of just shipping for shipping's sake and ppl making every male friendship a secretly frustrated gay relationship). Is it even a thing?
Do I ship Goku and Vegeta?... yes.. yes I do, I confess myself as part of the problem. But I feel is fair that in a show like Dragon Ball where there's sexually mature references and themes at times I can give myself the freedom to wonder. So i'mmana talk about two pivotal moments that marked a before and after for both of them together as a team: their Majin saga match and the fusion.
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As far as the show goes, there's not really much to go off of. They clearly both have their wives whom they both love very much, children, they love to battle and test themselves, they are bros (now at least), rivals for life, they better each other by challenging one another to get better.
On the other hand my autism tells me that that's not the whole story. Because I normally don't like to take things at face value when i can see more.
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Is interesting to see how both, Goku's compassion and respect for Vegeta, and Vegeta's (albeit unhealthy) obsession over Goku, the fact that they were also the last of their kind and the only ones that could compete with each other to fight between themselves and against others (discounting Gohan since he always slacked on his training and wasn't really interested on fighting), the only ones that could understand how the other felt as being pure blooded, that Goku had a living example in Vegeta of his true origins to learn more about himself (like a walking Saiyan enciclopedia), that Vegeta had in Goku a new purpose in life (until he realized what he had with his family as well), all of that with time combined to create a dynamic where they both felt comfortable with each other. They famously became companions, with time forming friendship/friendly rivalry and some could even see them now being akin to brothers. Something that as much as Krilin was Goku's life long friend and will be forever he could never really fulfill all that Vegeta came to develop with Goku. And in a way I don't think anyone can either.
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But there's also an important note to make about this relationship/friendship. Vegeta is the one that gives it more meaning than Goku does (at first). I feel like Goku is simply being his loving caring happy free self, while Vegeta takes it personal and takes so much weight on what Goku says and does and how it affects him. As he later puts in words in Super (Granola arc i think), Goku is an egotist while he himself is an egocentric. And that difference is important to get to the point because from now on for a while the question is "Why does Vegeta".
Why does Vegeta put so much weight in their fight in the Majin Saga that he's willing to kill innocent people again just to have a match with Goku (going with the latin dub again since is more accurate to the original japanese one). And it isn't just about his ego, is about what he doesn't say as well.
Why is Vegeta the only character that is so against fusion, with Goku specifically because he has only fused with him and we don't know how would he react to fusing with someone else if it's needed.
Why is Vegeta so averse to touching Goku. At least after their fight and after him dying in the Majin Saga and once he is allowed to go back to Earth.
Why on the brink of the universe destruction was Vegeta acting like a cheated on girlfriend when he discovered that Goku had a new transformation and didn't told him about it (I would be mad at him too to be fair but i also understand why Goku wouldn't want to do so and he did it to not hurt Vegeta's feelings and have a good time under fair conditions. he gets half a point for the sentiment).
The Majin Saga
From all the examples people like to pull up when trying to argument sexual tension between these two there's only a few that I feel have some significance. And I can tell you when did it cooked enough to be a possibility. And that is right when Goku announced he was going to go back to Earth for one day and one day only, presumably forever. That's where something started, but it was brewing since Goku died to Cell and Vegeta lost Goku, his purpose, his obsession, his will to fight, and entered a depressive episode that lasted 2 years (aprox, since Bulma tells Chichi that Vegeta had been training for the last 5 years in the 7 year time skip).
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Once he knew Goku was coming back he just had to do anything in his power to fight against him again, no matter what it took (he looks so excited too, that's cute). His entire meaning as the person he perceived he was and his meaning as a warrior and Goku's foil depended on it. But after realizing that they might not have their match because of Supreme Kio's pink menace, nothing else mattered, not Bulma, not Trunks, not the Earth or the universe or everything he had been building for so many years without Goku. Goku was the single catalyst for his relapse. Like... how is it possible that fighting with him and proving his worth is more important that it's been a rock in his boots for years now. But ok, he's a warrior so I can understand why, also because he was going through a Major (with capital M) identity crisis where he's trying to negate his newfound value in his family and new home while thinking that is what was making him weak, though he never really believed that since he knew Goku never needed to be cruel to surpass him, it was just a jolt reaction to not knowing how to handle it, and Goku could see through that very clearly by asking him if he really believed that bs about feeling good by being cruel and being a slave of his own mind.
But the thing is that during their fight it is clear that more than winning (which he would have enjoy to no end if they finished their fight and Goku didn't had a new plot convenient powerup hiding under his eyebrows again, though that wouldn't have helped him to grow), both were very much enjoying the act of fighting (since Goku said he wanted to end the fight soon so Buu doesn't get the energy but he didn't because he could have used Ssj3 and end it quite fast), Vegeta fighting against his previous rival now companion Kakarot. Sparing with him in perfect synchrony in an equal fight because what Vegeta actually wanted with the Majin Magic was to close the powergap and convince himself he had an excuse to not feel remorse because of the magic. And i say that because before Goku dying to Cell he really saw him as competition, but after he lost him i feel that alongside his remorse and embarrassment for the disaster that was that saga, in part because of his gigantic ego, he must have felt alone, now truly being the last pure blooded Saiyan alive and not in condition to call himself a warrior anymore under his own standards. And although he had Gohan, which he respected a lot because of his courage and his immense power, it was not the same since Gohan is a pacifist and didn't had the same passion for fighting like a pure blooded Saiyan so he wasn't even training. So by the time of the Majin Saga and once Goku came into the picture again I think he subconsciously regarded him differently and he ends up realizing it during their fight (although he doesn't vocalize it).
During their fight there's a specific moment. After Goku throws Vegeta to a cliff side and he makes a hole in it to liberate himself, Goku comes to him and they both get very close just floating in the air and powering up, looking at each other. Vegeta is beyond pissed, Goku taking the fight very seriously. Then Goku smiles to Vegeta challenging him and showing he's enjoying their fight, and Vegeta relaxes for a moment changing his attitude and showing a smile back to him in empathy, sharing to him that he is enjoying it too and wants to challenge him back as well.
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This whole fight is Goku's way to show Vegeta how much he actually cares about him and his well being despite what Vegeta might have believed up until then, how much he respects him as a warrior and an equal too, even risking Earth and Majin Buu's return. He did the unthinkable and menaced Kaio Shin with death if he dared to stop their fight, which Vegeta sure noticed and even reacted with complete disbelief.
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I know a lot of people joke about Vegeta being a repressed homosexual because of his obsession with Goku, and i'm not saying he is, but this fight is charged with sexual tension, mostly on his part, among other things of course. And is interesting that Vegeta, ever since the Namek experience, is the most emotionally fragile of the bunch and an unstable character. He feels everything very intensely and reacts in the same way while trying to hide under a curtain of pride, ego and his title of Prince.
Goku knew what he was getting into by agreeing to fight with Vegeta. He wasn't going to just let them set the score, he was going to give Vegeta the most intense therapy session ever by letting him discharge all that literal energy and anger, guiding him through his feelings, playing by Vegeta's rules. Help him overcome whatever he had been brewing in his mind since they day they met thinking on where was the moment everything went wrong for years, so he could move forward...
And then... this happens...
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... I don't think anyone expected something like this to even be a thing that he could do as a power that we will only see one time ever in the entirety of the show and is in here, lol. And not long ago I watched a semi abridged semi analysis commentary video on the fight and yeah, we coincide that there was something else going on here at the same time. Vegeta got a little too excited... The same way a football player suddenly gets rock hard without realizing because they got too much adrenaline from a very exciting match. And I didn't mentioned it but being that Saiyans were a warrior culture there exists some real life relation of warrior societies (like greeks, romans, spartans, norse, some aztec societies) and homoerotic practices as part of that philosophy. Fighting is everything and everything revolves around fighting. And finding a brother in arms could develop into something else out of admiration, or from hypermasculinity with the purpose of dominating the other and demonstrating power. And i'm not saying that that was part of Saiyan culture, just that there might be some similarities with what we're seeing.
There's a fine line between pain and pleasure, hate and love, fear and excitement, rivalry and attraction. And in moments of intensity where both opposite feelings collide can produce an equally intense and confusing response. And here Vegeta is going through a rollercoaster of emotions and given that he is the most emotionally charged character it can go all places.
So, Vegeta tells Goku if he pretends to defeat him quickly as he said, Goku responds that he's trying to do that, and Vegeta asks if he thinks he can do it *slap slap* (the disrespect). He's trying to provoke him but the way he does it is kinda similar to what you'd do in a sexual encounter since he's not really hurting him too badly (which is really funny). And I'm pretty sure he wasn't thinking about anything sexual, just pure anger towards our buddy Kakarot so that doesn't change the fact that he did just lost his marbles to blind rage and wasn't thinking at all, just feeling intensely and acting freely on it. "Listen... don't you think this is enough humiliation I got from your part *hit hit punch hit*. This attacks are not enough to set the score. How is it possible that a Prince of Saiyans, that possesses such a big pride, was humiliated by a warrior like you (In the English version there's a series of flashbacks with dialogue but that's not a thing in the japanese and latin version). What saddens me the most is that you saved my life, worm (i don't remember if he's referring to Cell because Gohan saved him there, or way back in the saiyan saga when they first met since for a warrior is way worse offense to get their death in battle denied since he now has to suffer all what he's been through). You deserve to die! I'll break you to pieces right now! I'll start with the arm...".
Unfortunately for Goku Vegeta didn't share the safe word and he had to free himself so he wasn't actually dismembered by the intensity of Prince Vegeta and they continued their fight, once again Goku leveling the field into a in a less emotionally charged more equal fight all things considered. They talk again and Vegeta admits to him that he understands that he's never going to surpass him because Goku is more skilled at fighting, now getting into the real meat of the matter with him and his frustrations. We get to Vegeta almost breaking in tears again, torn by the realization of his situation confessing all about how he wants to be who he was and how he cannot cope with his new life on Earth having all this new feelings for his family and being passive that make him feel like he is not himself. Which tells a lot about how he still doesn't know how to function outside of conflict and his deeply rooted self image since childhood, and to me it says that it almost feels to him like he's afraid of disappearing as an individual if he cannot go back to being something he recognizes and is familiar with as he doesn't recognize himself being something else, a who that is completely opposite to what he has ever known. Is something some people that had lived through a deeply traumatic upbringing experience. On top of it being a Saiyan it must have been really confusing and difficult but Goku is the only one that could probably understand that in some capacity as pure blooded Saiyan.
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And i love how Goku doesn't give up on him though after everything and he is still willing to listen and help. Without his help here Vegeta wouldn't have confronted and put into words his reality to later internalize it and fully embrace his love for his family, fully embrace his feelings, giving Trunks later his first hug. That was all Goku's doing.
Of course things happened since they were still in the middle of total annihilation at the hands of the strongest pink ball of bubblegum. and from this fight and his explosive sacrifice/ acceptance of his destiny and for who he was, going forward Vegeta actually starts acting a little different. A lot more relaxed with Kakarot, more open and sincere, more focused on helping than competing, more agreeable and no longer ignoring or being embarrassed of his feelings for his loved ones (like we see when he gets convinced by Goku to do the fusion using Vegeta's love for Bulma). And I'm pretty sure he felt grateful and in life debt to him. Not only for his help with unjumbling his feelings during that fight but for everything he's done for him since the day Goku spared his life way back in the day. A real true honest best friend/rival for life. (Though he still was being a bit stubborn about wanting to fight Buu himself in the anime, but in the manga he just doesn't charge head first into trying to battle him, he just doesn't like the idea of fussing with Kakarot).
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Then the fusion thing...
The thing about the fusion is that Vegeta usually never wants to do it because he's embarrassed by the dance (which yeah... that's absolutely fair) but this is not the metamoran one, is the Potara, and they don't need to dance. His usual complains then change to "I just don't like to be fused with him" or "I don't like the idea of uniting bodies with him" when they have to do it later (either in canon or movie). And I don't know how doing a fusion with someone would feel like but the Potara at least has two ways it can go. For the Kaios just one person becomes the main, getting some physical characteristics and power of the other, and the other becomes dormant, just one person gets to be conscious. But for mortals, both actually remain conscious and they both "live" inside the body of each other as one new combined persona who is a combined identity, mixing mentally and physically, sharing memories, thoughts, feelings, everything in unison either the other wants it or not because when they are fused they are cooperating in a single brain so they think the same under this persona even if later they have separate thoughts on the same thing when they de-fuse, even better actually if they are rivals because they get the rival boost. Is not too crazy to think that some would consider it a very intimate act, even more because is permanent (until the retcon), which Goku is so considerate to tell Vegeta at the very last minute and he's like "WTF!" and Goku is just down with it while Vegeta is regretting ever meeting this guy but does it anyways.
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And we have seen other characters combine but they don't think much about it, Trunks and Goten specifically just find it fun because they are best friends and just think about having the time of their lives beating up the bad guys. But I think Vegeta specifically does feel like it's something too personal and intimate that requires a lot his will power to do. His concept of it is different for a lot of reasons that all derive from being a very reserved person in general in many aspects. But ultimately and reluctantly agrees for the sake of his loved ones and saving his new home.
Goku certainly didn't thought much about it, just another way to become even stronger by cooperating with someone in a new way. Better if it's Vegeta because the power boost is much greater to save the Earth and he considers him a real friend at this point. He's so excited when Vegeta accepts because it means so much, it's the demonstration to Goku of his turn to an actual good guy, fighting for others and not just himself, and he's so proud. And the result is this very playful, sassy confident and cocky warrior that we all know and love because is the best thing ever and I don't have Vegetto favoritism.
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But something did changed in both of them after the fusion. I know is an anime only thing for better pacing (at least until Super came and made it a thing again in small ways of its own), but after the fusion thing Goku started to unnecessarily get into Vegeta's personal space more (I mean, I don't think there's anything more intimate than fussing and you'd have to get a level of trust and understanding with that other person like with no one else ever afterwards regardless). Like, I like that when they do the cheek to cheek attack, which again was completely unnecessary, Vegeta feels dirty about it, even muttering to himself "He's an opportunist (as in like, Goku taking advantage of him), I would have preferred the fusion" and Goku asks him is he's finished blasting Buu bits and Vegeta recoils and yells "Don't get close to me!". (In the manga there's not really that much fuss about it when they separate, they just get to work and directly from separating to Buu's brain). The fusion represents the pinnacle of their growth together as partners. Probably even more than that at this point for how much they share as rivals and how much they understand about each other above any other person, including their own wives in some regards for all they have gone through on things only they can share between themselves like their love for battle.
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And if they both were friendly before while still keeping their cards up, now is when they start to act more like brothers and cooperating. Goku with his power and techniques and Vegeta with his strategic planing at the end of the Buu saga. Goku even becomes more playful with Vegeta, even sharing funny moments together. And as pointed out, I believe the fusion made them know the thinking, memories and intentions of the other to a degree.
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This is the turning point for Goku as well regarding accepting his heritage as Saiyan. Because from then on he also accepts the values of the Saiyans as warriors and accepts feeling pleasure in having a good fair fight without aid and relying only in his strength and talent just for the thrill he gets of it (much like what he felt as a child/teen), which he demonstrates by breaking the second pair of Potara earrings while Vegeta responds by telling him that he's so proud of him for going into the fight the Saiyan way. Also from then on others start to recognize Goku as a Saiyan.
Now, about Vegeta with the fusion, if he wasn't too sure about the fusion first, now every time the fusion is required he almost feels violated by the suggestion (which right before the kid Buu fight he actually didn't mind fusing again and kinda wanted it in the anime while this wasn't in the manga but ok). And of course, if he didn't had much thoughts on getting close and personal with Goku when battling because it meant nothing (like the arm riding in the Saiyan saga and their bondage session prior), now he recoils from him in certain situations (it also didn't help that the first time they fuse they went dick first...).
And onto Super, they made this thing about Goku asking Vegeta to grab his hand in order to instant transmission but Goku knows very well that's not necessary, he could have said to Vegeta to grab his shoulder like others do but he wants him to grab his hand, and Vegeta gets all flustered and nervous every time as if people are going to make fun of him for being gay or something (since we are told by the Pilaf gang that holding hands is very romantic and a sign of being a couple, and something to be embarrassed about, although from a childish perspective of course but this information was set up for the audience when Trunks wanted to hold hands with Mai). Like... Goku, do you have something to share to the class as well?
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They later spent 3 years in the hyperbolic chamber at Goku's request... 3 years together just sparing in a void where there's nothing but infinity and them (which again, it wasn't really necessary because as Vegeta points out that wasn't going to make much of a difference in terms of power because they are at their limit of what their bodies can achieve by just fighting). And Bulma even got jealous/angry about Vegeta accepting the invitation.
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It's become such a well known thing that there's something going on that even in official material (not canon exactly but official) acknowledges it. Maybe Goku knows something we don't since the fusion happened but it goes a little beyond just a joke from his part XD. And i haven't talked about it but Goku has no shame or filter. He does seem to display asexual tendencies but he's either oblivious to sexual stuff at times and how it affects others, or does it on purpose because he feels not much about it but does know how it affects others.
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In GT there's actually not too much, they just remain companions and friends for life... Vegeta again reminiscing of everything they've gone through and accepting his role in the powerscale and being very freaking cute with Bulma, being such a dad and all. The highlight is the fusion again though, where Vegeta is the one that says he wants to do the fusion to which Goku just laughs saying that he feels happy because is the first time Vegeta asks him to do it, and Vegeta is just averts his eyes and says he hates him, lol.
Of course, the bromance tones might be just fanservice (I didn't knew that in shonen is actually very common). But either if there's something or not I don't really care much about that. Because as characters I have seen them grown so much and they have learn so much about themselves and each other it might as well be just another aspect they allow themselves to explore if they're down with it, with whatever canon or the anime presents us to see and guess, just like they have with their own families, wives, form friendships, discover new feelings, ways of thinking, how they have become stronger and how they have change the people around them, meta speaking as well. Either they are just friends, honorary brothers or something more I'm happy with who they have become thanks to each other. And the trust they have for each other is what is beautiful to see reflected. I'm so proud of them and what they have achieved. Now they are inseparable as the best duo in history.
And I'm my conclusions I would say that Vegeta might feel something towards Goku for how much he has helped him and how he has come to admire and respect him in levels unimaginable... in a spartan kinda way if you like and if he ever was down with it. And Goku is just Goku. He loves in a storge kind of way because that's what he does. He knows Vegeta to a T, knows what he needs, and wants him to be happy as well and become the better version of himself, to feel comfortable and feel loved too because he admires him as well, and if he can help him he will do so. Is not really a physical sexual attraction but there is attraction and love in a different way.
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Hi! You're brilliant. Literature major here and someone who's loved Swift a lot growing up. I absolutely loathe who she is as a person now that the blinders have been off for a year and also the utter embarrassment that is TTPD. I'm seeing Swifties say "actually Taylor IS allowed to use female rage because she's had AI porn of her, been sexually harassed multiple times and won the court case for it, belittled for her art and is never taken seriously despite being stolen from" and despite the very obvious argument that "the TTPD setlist has 0 songs alluding to any of this to supposedly be about her female rage", I would LOVE to hear your take on this argument. My perspective is that despite these being very real experiences *building* to female rage Taylor has been through, she has never once spoken about them seriously outside of how they have impacted her as an individual. In this very album she's the epitome of a pick-me with her "you said other girls were boring" and "i can fix him" lines in her songs about the rat. This is opposed to the deep rooted community backing that comes with representing female rage as a topic (again, Paris Paloma's Labor is so good at representing that). Anyway I just have been subject to too many Swifties claiming Taylor has every right to co-opt Female Rage and it's making *me* rage. I don't have plans to battle anyone about it cuz the critical thinkers are coming to these conclusions themselves but I would love to hear your very well articulated thoughts on this supposed "argument" Swifties have about her being allowed to use the term. The fact that she's been through sexual harassment in the past and continues to despite being the biggest artist in the world.
Hello! First, I am so happy to hear you are a fellow Literature major <3 <3 Wonderful! And thank you for your kind words, I appreciate it. I hope you enjoy your study while finding it all as beautiful and important as I do!!!!! Sorry, it took me so long to write back- I was busy thinking it all through. I understand your frustration though, believe me. I feel it too.
Okay, let’s talk about your question. It’s an intense question- but I do think that just shying away from the conceptual point within the Swifties argument would be to give a shield against criticism- and I truly believe that nothing is above criticism. Criticism keeps us grounded in reality- but more than that it keeps us humble in self-reflexivity.  
The argument is as follows: Taylor Swift is allowed to claim the term “Female Rage” because she has experienced harassment based on sex classification- correct? The swifies then levy four pieces of evidence for her experience of sex-based harassment, 1- she has had AI porn made of her, and 2- that she was in a sexual harassment lawsuit, 3- her art is often belittled, 4- her masters were never owned by her. 
Okay, now that I’ve laid out Swifties argument- I am about to go full Analytic Philosophy major on it. <3.  
The first piece of evidence is about the AI porn scandal. I want to express that the current mess of AI porn being made of women is despicable- there are sick, sick men out there who seem to think themselves entitled to viewing any womans naked body- real or fake. I am firmly against the creation of AI porn- and truly feel empathy for Swift having experienced it. I am sure that it was a negative experience. However, how exactly is this evidence in favor of her using the term “Female Rage” to describe her work when in fact none of her work addresses the AI Porn issue? Her work never even describes or addresses any of the issues implicit to the patriarchally permissive culture that allows for men to feel entitled to create AI porn in the first place. If this is to be a direct defense of her calling her actual body of work “female Rage” then I am going to need to see evidence of her being mad about the AI porn in her work.  
She literally never even condemns the patriarchy in her music. Not even one of her songs is about how the patriarchy, in connection with the digital age, allows for men entitlement to bleed over in the creation of AI porn. It is a systemic issue too- more than just Swift experiences AI porn being made of them without consent- so it could be the subject of song to express “Female Rage” at this being a systemic issue- yet Swift did not do this. Thus, it is not an accurate defense for calling her work “Female Rage” 
It is much the same case for the second piece of evidence. The closest we get is her singing “Clean” in Denver a year after her trial concluded, and during the time leading up to “Lover” in which a “dollar” was an Easter Egg. She famously wanted only a dollar for winning her trial. That easter egg, however, never had anything to do with the trial. In any case, there is still nothing in her work to suggest “female Rage” about being sexually assaulted. As far as I can tell- and I’ve listened to every song she’s ever written multiple times- there are only a few songs that can be loosely interpreted as dealing with anxiety and sadness. If we want to give benefit of doubt here- anxiety could tie into her experiences; I find this loose tie, however, uncompelling, because most of her music about anxiety- directly ties into some proto-capitalistic fear she is expressing.  
Again, I’m sure that she did experience something negative during her trial- and did feel passionate about its verdict; however, there is nothing in her music about this instance- nothing. There’s no Paris Paloma style call-to-arms against the Patriarchy for enabling men to commit sexual assaults.  
Before I move on- about the first two pieces of evidence- Swift is not obligated to write music about it- but if she is going to claim her work is “Female Rage” based on her experiences with either of the two things above- then I would expect to see reflection of these experiences in her work.  
Onto evidence three and four. The claim is that her art is belittled based on sex-discrimination thus qualifying it as female rage. The connecting claim is that she was never given the opportunity to own her masters.  
Her art is often regarded as simple pop-music made for adolescents- because that is what it is. I failed to see how this is belittling. It’s saying that the music does what Swift wants it to do- which is entertain children, teenagers, and those among us who want “family-friendly” pop-music. What’s the problem? I like simple pop music. I listen to a lot of pop music, because it’s fun and easy and simple. It does what it sets out to do- how am I belittling her by saying she writes basic pop music- not poetry.  
People often only draw issue with her music when she tries to claim it is more than simple pop music. I draw an issue here- because it doesn’t live up to the standards of real, robust artistic music. It just doesn’t- again it’s not really belittling anything. This is the difference between belittling- and giving legitimate criticism. None of these complaints against Swift’s musical ability, lack thereof, or lacking creativity as a groundbreaking talent is at all related to discrimination based on sex or on her identity as a woman. It literally has nothing to do with her being a woman- she's just not a serious writer. She’s clearly not even a classically trained musician.  
The fourth piece of evidence is again predicated on industry standard injustice. She did not own her master's- and was not offered the chance to own her master's. I, however, don’t really believe she was never offered to buy her own catalogue- I think she just gave a low-ball offer and got rejected. Personally, I feel like the amount of capitalistic rage that was unleashed after that- and the spiteful nature of her re-record issue- is because she was angry about getting her offer rejected. We all know, by this point, Swift can’t stand being told no. In any case, her not owning the masters of her catalogue is industry standard.  
It could be likely that perhaps the two men buying and selling her music were rather sexist- I do recall the “I own Taylor Swift” Scooter incident. While that is clearly a sexist remark, I do think that Swift’s response to this incident is less directly correlated to feminist effort and more in line with her own personal feelings of dejection- and feeling capitalistic rage. If anyone want further detail on that- it's all in my previous post on Swift’s rage in my discussion on “Mad Woman” (2020).  
The closest we get to a feminist-forward remark is her saying “Master of spin has a couple side flings” in which she is essentially outing Scooter as a cheater. That can only loosely be described as female rage- if you squint and look at it sideways. Otherwise, it’s just her trying to denotate a bomb in his life- it's very “eye for an eye” revenge that really doesn’t correlate to feminism or female rage. Because “revenge” is not the point of “Female Rage” or Feminism- The Point is JUSTICE and Showcasing WOMEN as Equals To MEN! AHHHH! It’s not like the guy was even cheating on her- she literally just wanted to ruin his life. (Not that I have sympathy for him. I’m just saying this situation was a personal vendetta for Swift- not some grand feminist declaration). But again, the interior motivations of her rage at Scooter- and the rage of women for centuries culminating into Female Rage as a movement- are drastically different motivating factors. In this instance she is lashing out with personal rage in which she is only advocating for her own point of view and personal hurts - not the community-driven concept of female rage. 
I do also find it strange that only on point three and four, the two points directly connected to her power and money, are the only two things we can directly trace into her music and her work. She literally only gets angry about threats to her money and power-  
Thus, I support my conclusion from my other post on Swift’s so-called female rage, that she is expressing corporate rage, or capitalistic rage. It is a different thing altogether, because, as I said in my other post:  
Female Rage is grounded in experiences of oppression and injustice- yet marked too by its ability to clearly advocate for women’s rights in systemic, patriarchal issues. Female Rage necessitates extending empathy to other women- who have suffered the patriarchy too. It’s a call to community and a call-to-arms against intersectional forms of patriarchal abuse.  
Never, in any of her four points of evidence, does she legitimately utilize her music to critique the patriarchy- which is an implicit necessity for art relaying themes of female rage.  
If she ever did actually broach the subject in her music in a way that gives legitimate criticism to the patriarchal standards she claims to hate- then I will change my mind.
Where exactly has Taylor Swift ever really advocated for anything? She gives us the world's most lazy, throw away lines about “Girl Power” and “Being a Boss” and even a few “you can want who you want/ girls and girls and boys and boys” (“Welcome to New York” 2014) - yet never does it culminate into any remark upon injustice in society. She never once modulates into a reflection into the mores of society in which some demographics are considered lesser- it's all just bleak pop-music wherein she appeals only to the most populist- surface level aspects of social issues. Notice too- that she only ever mentions social issues when it becomes most likely to have good reception from the public. She only became a feminist- after it became popular on social media.  
Where was she when I was a young lesbian feminist fighting for my life in the early 2000’s? Oh yeah, she was writing homophobic versions of her debut singles- and adding lines like “My Daddy’s gonna show you how sorry you’ll be” (“Picture to Burn” 2006) as an appeal to the patriarchy - I forgot. LOL. Where was she when feminism couldn’t be commodified- made fluffily and easy to “copy and paste” into her shitty pop-songs? Nowhere. 
It’s not about feminism, or female rage, for her- or standing up for anything at all in the face of the larger social system. For her, it’s about commodification and economic power.  
She's literally not a feminist. She’s not a LGBT activist- She's a goddamned opportunist and that has made her incredibly rich.  
Anyway, about TTPD, specifically, I need a whole separate post to talk about the overt anti-feminist, pro-patriarchy messaging of that album. Can’t do it here- I've rambled long enough. And I have a boat load of textual evidence to incorporate into my discussion on Swift so-called “feminist music” that I want to discuss in depth soon. I also have a Feminist-Marxist analysis lined up- that one I did just for fun 😊 
Ps- If you like any aspect of this argument or think that it might be true feel free to use it if anyone brings up the argument with you again. Sharing is caring. 
If you disagree and wish to burn me in effigy- Well, catch me if you can. <3 hahaha 
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vixenveil · 12 hours
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✨ Quick "Celeb Crush" Pick A Card Tarot Reading
What would your celeb crush think if they met you? Note: I am focused more on influencers than the ultra-famous, but I suppose it could apply as well. Minors Do Not Interact, since there are adult themes mentioned.
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Disclaimer: Do not act on this information as it is for entertainment purposes only. Seriously. Don't harass or stalk anyone (especially those who have created firm boundaries with you). Don't do crimes. I'm not a professional.
Also, energy changes with your ideas, thoughts, beliefs and effort. Also, don't be a crazy psycho stalker or go out of your way to meet this person just because of this reading. Okay?
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Let's start!! I used the Star Spinner Tarot for this reading.
Just imagine your crush and choose the image you're gravitated to the most.
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1: 🔥✨ ace of wands: Sexy. They find you attractive. Alternatively, they see that you have a lot of creative ambition and would love to work with you. They see a business opportunity with you! AWESOME.
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2: 🤔🎆the tower: Erection. They would have one for you. Alternatively, this could be an event where something shocking or devastating happens and you both experience it. You could bump into them and one of you gets injured or they might see you get injured from afar. They could also be seeking reprieve of some sort, but a fan or some fans found them / spotted them out doing something. Maybe even something they will get mocked for doing if it makes it to the media or certain social groups.
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3: 😂😔10 of wands, ace of swords: They are fucking too tired to exist right now. You either say or do something that enlightens them. They think this is a learning opportunity for them. Example: they are too busy or overwhelmed to greet you so they remind themselves to not disappoint their fans again by getting burnt out or overworked.
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4:🦋🎇 5 of wands rx: They feel like you're not competing for them or with them. They admire you respecting differences and being "good" or "polite." Basically. Like how adults tell the quiet well-mannered kid "you're such a good girl/boy/kid" and so on. They will view you like that. "The ideal fan."
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5: 🎆💗ace of cups: They will love you right away. This is adoration from someone who really is connecting with you. You will actually have the opportunity to form a relationship on an emotional level with them. You touch their heart out of everyone else.
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6: 😆🌈10 of cups: They think you have a happy life or family. They feel good in your presence though, like you are just like family to them. Soul-family vibes. They would think you were friendly and try to make friends with you. They would think you're cool.
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7: 🤷😈6 of coins sideways: They aren't sure if you're bread-crumbing them or not. They are toying with the idea of playing with you. They like to be a player and are thinking of playing you or like ... playing mind games with you. If not romantic, they are thinking you aren't giving them much to go off of or they aren't sure how to respond to you. You aren't doing anything wrong or weird, by the way. They just aren't too sure if they think you are generous with your words / praise or stingy. It's okay though. They can't tell if someone wants something from them most of the time, but if you asked they would probably feel obligated to give it to you. Like a selfie or autograph? I feel like now isn't the best time to meet them, but maybe later on.
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8: 😔😶 the hermit: They think you are a loner or don't want to be bothered. You might be looking for something, someone or some place and they see you trying to find it / them / your way there. Your Celeb Crush may also just try to sneak off and be alone right now. They don't seem very social. They want to hide away and not be bothered.
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9: 👀😃 knight of swords; They probably think " damn, she was fast" like you approached them quickly and were like "hiIfuckinloveyou" out of nowhere. They probably think your a stan or fan girl. They would smile and take it, sign your autograph and be off. I know that probably sounded off-putting, but that's not how you should take it. I'm seeing you be like excited to meet them and they have a teeny smile, but they're exhausted from work or not sleeping well. or fuckin' all 'em bitches late at night. idk. :)
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(c) vixenveil 2024, all rights reserved. (whatever that means?)
don't steal plz and ty.
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egnogginbits · 2 days
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lady whistledown will always be a major point of contention be it for the viewers or for the characters themselves. im NOT here to discuss nor engage in any of that but rather im here to advocate for more explorations of penelope leaning into that aspect of her. yup.
penelope will forever be the most interesting and complex character for me especially in bridgerton because the addition of lady whistledown in contrast to the bright, airy, and sort of fantastical setting of bridgerton is so highlighted, but it's done well that it serves as a tool that not only propels the plot but also fractures the brightly-colored lenses we watch the show through and makes the characters more grounded in reality (because she holds the mirror to every person of the ton, including herself, reflecting that they are equally messy as they are refined in the way they carry themselves).
anyway, dear me, im rambling! what im advocating for is more of penelope being LW, like really leaning into that "Who's Afraid Of Little Old Me?" aspect of her because she is tame. she is gentle. until, of course, this circus life made her mean. but don't worry folks, they already took out all of her teeth! oh, but honey, she will leap from the gallows and levitate down the street, crash the party and like a record scratch she'll scream, "who's afraid of little old me?" and honestly, you really should be.
and cut scene to her pushing love (in the shape of a stubborn, stubborn but equally tormented man) away because seriously, colin bridgerton! she's already got a lot on her plate! there are mobs hunting her down, the queen is hunting her down, the world is hunting! her! down! and he won't ever have it in him to handle this—all of this...even if she wants to. even if everything in her is screaming to let herself go for it. because how could she? how could she when she knows she doesn't deserve this and that it'll hurt her even more when she confirms that he's as afraid of her as everyone else.
lady whisteldown was a girl's angry cry to the void that somehow landed on the people's ears until it became this whole thing that's bigger than her, bigger than the world that never welcomed her in its fold. it's a double edged sword that granted her the means to fight for herself and for the space she was discouraged of taking up, but came with it a nasty glaring wound that never closes just festers. it cripples her as much as it empowers her, it's a dichotomy, an interesting paradox that shouldn't be perceived in black and white.
and then as we explore her stepping into that power she will have to face the ugly parts of her and grapple with the conflicting feelings of guilt, anger, and isolation. like that's powerful.
ive read a fic of this nature once and i LOVED it and it was amazing ++ it also explores characters like eloise and edwina (another untapped character!) it's called gone girl and i still think about it at least thrice a day.
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duckiemimi · 1 day
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hi i am going to ask a silly question as a newer fan. why do u (or other people) consider gojo morally grey? am I missing something about his characterization? i thought he was similar to yuji, but more "realistic", I suppose? i realize how crazy off that could be, I'm really asking out of curiosity!
hi! this isn't a silly question at all, don't worry!
to clarify, i don't quite consider him morally grey! i think of him as someone with motivations that align with the protagonists' big-picture ideology (i used to call them the "good guys," the colloquial way people usually refer to protags, but i think people get the wrong idea when i use that term, so i'll use "protagonists" from now on!). to put simply, his morality generally lies on the side of the perspective jjk is told from—a perspective pushed to be seen as favorable by us readers!
i think "morally grey" has become a buzzword people throw around to describe characters who aren't borderline altruistic or characters who don't have explicitly stated emotionally-driven motivations. could you really label a character "morally grey" if in their universe, combat is commonplace and power systems exist? what context-appropriate lines will we use to distinguish what's black, and white, and grey? we'll get to that later. now let's talk about the specifics: his individual motivations.
characterization-wise, i think most people consider gojo "morally grey" because of his teenage apathy and some of the less tactful things he's said (he's very point-blank and he doesn't sugarcoat). i also think that nanami's description of him in the afterlife scene retconned what was already established of him, in turn affecting the perception of his character as well (click for a post i wrote on this). and now the concept of "monstrosity" in relation to his character has been introduced into the story, too.
gojo is a very pragmatic character for the most part. i don't think gojo sees things through a rigid "right and wrong" lens. i think he sees them for their practicality in reference to what he already knows to be true. for more context, i'd say compared to geto (his foil), who put righteous meaning to his duty pre-defection and self-justified meaning to his ideals post-defection, gojo's idea of duty towards non-sorcerers is an extension of his learned role. it's not something he feels particularly strongly for—it's just something he was born and bred for.
but that doesn't mean he doesn't care! he does care, otherwise we wouldn't have a story in the first place. he just shows "care" differently, less towards the subject of jujutsu protection and more towards his peers, the people he's been surrounded by his whole life. but even then, he takes his duty of protecting non-sorcerers (protecting all of humanity, really) very seriously and that's apparent in the shibuya arc!
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if we were to look at his actions (not surface-level attitude!) throughout the story, chapter 261 included, gojo has never done anything that isn't aligned with the protagonists' big-picture ideology. looking at it more abstractly, if we were to frame the major clashing ideologies in jjk on a "morality" spectrum with "good" on one end and "bad" on the other ("good" being analogous to the protagonists and "bad," the antagonists), then he'd be a relatively "good" person. he's never really been an ambiguous guy, i'd say. just emotionally constipated.
i think he could be compared to yuuji, yea! they both have this crippling tendency to place blame wholly on themselves. but i guess compared to yuuji, gojo is a very "do first, feel later" type of guy and he often compartmentalizes to operate. he's got the world on his shoulders—there's no time to think about what that means for himself, only for what it means for the world. alas, jujutsu's atlas has fallen. but yea! thanks for asking!
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velvetvexations · 1 day
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(this is from yesterday so this entire thing is written out and just copy pasted in.)
The more I see how you've been treated by other trans people, the more hollow all the posts repeating variations of 'love all trans women! Listen to all trans women! Have kindness and grace for all trans women! Even the bad and ugly and annoying ones!' become to me.
One one hand, these posts almost without fail dissolve into active vitriol the moment someone (foolishly and naively) tries to mention any other kind of trans person, which the OPs often shut down and treat as insulting, hostile, nefarious or a deliberate attempt to take away (steal?) the kindness away from transfems (like it's a finite resource?)
On the other, I follow a lot more transfems than transmascs, meaning I got to see how some of them felt about it. The anecdote that lasered itself into my brain was seeing a butch trans woman saying she felt bitter and kinda hopeless sharing that kind of message because her experience was that not even other trans women had any kindness or grace for her.
And then how this has played out for you. You and another trans woman disagreed, and instead of saying 'you're annoying me and I disagree with your opinion' she presented you as misgendering her (it's apparently not enough that you use they/them by default to account for all the genderfuckery on Tumblr. How dare you not be clairvoyant.), she didn't care that you corrected yourself and told the person crawling out of the woodwork to talk shit about her to fuck off, she said you 'threatened to share' her nsfw account when you censored the url and told the anon to get lost, and blamed you for a shitstorm resulting from her saying something controversial.
Going further, you get that asshole demanding you 'give the URL of your transfem mutuals'. It reminds me of how everyone, including other transfems, were screaming at Tumblr's CEO to show 'proof' that predstrogen had said or done something worthy of being banned. And it's just... Does anyone hear themselves? Why is everyone okay demanding personal or potentially intimate information about transfems for the sake of 'proof?' Why do you have to hand off the URLs of people you know so some asshole can presumably judge them and dismiss them for not being good enough? Does no one else find it insane that it's okay to bulldoze transfem's privacy for the sake of 'proof'?
Is this why those positivity posts are so often structured like commands? So that everyone can nod their head and pat their backs self righteously for doing the 'right thing' of passing this command along to the unspecified OTHER meant to ACTUALLY work on treating transfems better? Did everyone press the reblog button to look good or something? I thought everyone, trans people included, agreed that the point was tangibly and personally putting in some effort to do better?
I always internalised those posts as a rallying cry to do better, all of us, but it seems like it's played out as an excuse for people to use personal pain to justify lashing out and pushing the DOING better part onto 'someone else'.
Yeah, like. So much of it just comes off as virtue signaling? I recently got accused of being an anti-SJW for using that term lol but that's an actual thing that actually happens. It's so performative. It's theory.
And it really does frustrate me that I can't take those posts seriously. Regardless of what anyone else thinks, I have serious chest thumping anxiety about the constant, terrifying situation we're all in. We as in "me as well". So I want to take comfort in those posts that are about how the OP will support trans women with their dying breath, I did take comfort in those posts, but then I look for five seconds on OP's blog and find ten posts about transandro bros and I want to never hear someone say they support me ever again because they're all fucking snakes and their support is completely worthless to me.
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hshouse · 2 years
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z
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a lot of people talk about abed comparing troy to comfort TV, but not enough people talk about the implication of how, by saying that, abed positions himself as a parasocial fan
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charcubed · 8 months
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oh everyone and their DISCLAIMERS about how “lokius will never be canon because disney and marvel are awful, but”........ well I have nothing to lose so. fuck disclaimers! this is my idea of fun! what if it CAN and WILL be canon, huh? what if the story is gonna go where it seems to be headed. what if I say they’re going to kiss on international streaming television. who’s gonna stop me
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omegalomania · 1 year
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fall out boy is like listen nothing we do matters and life is a painful climb that never really gets better so maybe you should put on a chicken suit and cluck cluck on live tv with your best friends about it because we might as well have some fun while we're here and i respect that so hard and i am being one hundred percent serious
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elodieunderglass · 10 months
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I’m glad to be included in gender, and it’s an honor to trans your gender, but gender is astrology to me. “Girl sun boy moon.” You don’t agree, but now you get me better. Send post
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spllwys · 14 days
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delighted though i am for ghost's growing success i'm keeping my fingers crossed for an obviously low-budget ghovie like the chapters before it. because the papa nihil darth vader breathing and seestor's car crash montage and the shitty nihil ghost effects and copia living in the hall outside a bathroom with no door etc all add a certain je ne sais quoi
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flecks-of-stardust · 5 months
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wholeheartedly and with as much gentleness as possible, i truly think there needs to be more discussion about downpour in the community as it is now. for a variety of reasons.
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