Part two of me analyzing Damon Baker's photoshoot, this time, Kris' pictures.
As in the first post, this is my subjective opinion, you don't have to agree with me. Text under the cut, because this one is going to be REALLY long
Edit: I should have posted this one yesterday and Bojan's today but alas. Bojan will probably get another post for additional pictures at soke point today or tomorrow
So, starting off strong
Right from the get go, we get very unconventional way to portray a man. Damon clearly loves playing with gender roles, which showcases here by putting a headscarf and makeup on Kris. Interestingly, Kris is not looking into the camera here. He is being observed, but is not observing back just yet, as if letting us get used to this way of seeing him.
Another thing that I find interesting about this picture is how he appears almost messy? His hair is messy as well, the only thing the only peace of clothing we see him wear here is the headscarf. Like "look at me, I am naked exceot for this. Onserve it and feel it". It makes me recall that interview where he said he was called a girl a lot when he was younger and before he cut his hair. It's like here, he, it's a callback to that and this time, he is impassive to the reaction. He is simply letting himself be observed.
I think these two, are meant to focus on making Kris come to terms with the fact that he is allowed to be vulnerable. He is not in his full confidence yet, in the bigger picture he is once again, not looking into the camera, and his pose doesn't look entirely comfortable. His arm is bend in a way that looks more like he is hiding his hand than that he is using it to lean on something. His shirt is partially unbuttoned and we see a bit of his necklace, but we can't see the heart on it.
In the smaller picture, he looks more natural. As if he was caught mid-movement while talking, his gaze focused on the the person he is talking to. His pose is more masculine here as well, in comparison. His chin is up and he is taking up more space.
This one is so good. Kris has his arms wrapped around himself, but not completely and he isn't tense. It gives off a sense of someone doing something out if their comfort zone, but still trusting the person to not let him get hurt in such a vulnerable position. Much more comfortable position than the two pictures above, as if he is slowly relaxing into his role.
Perhaps an even more open show of vulnerability, Kris is looking directly into the camera, his eyes half lidded, as he is about to fall asleep, lulled in a sense if safety.
His legs and feet are bare, he is only wearing his underwear and a light white shirt. There is no makeup here, either, all that is shown here is Kris, in a almost childlike manner, especially in this pose.
Even the flower, despite suspecting it's ranunculus flower, that means charm and attraction, takes on a more innocent role here. This pictures is very soft, and I got the vibe that it almost represents Kris' inner child that never got to be vulnerable in his femininity. That he could not be a man and still be feminine, but here he gets to experience it without judgment.
So these four I paired up because they communicate a lot with one another, which is also why I think Kris put them in a separate post.
In these four, I feel like Damon really wanted to play with androgyny of Kris' features. In the first picture, Kris has a stockier pose, his chin is positioned higher and he is looking away from the camera. His stare is more sensual here, almost flirty. He definitely embodies more masculine, energy in which he is more comfortable due to him being used to being seen that way.
In the second one, it's a similar pose, but Kris' hand moved lower, so it almost looks like he is playing with his hair. His eyes are more open and vulnerable and he is also looking away from the camera. It reminds me of the picture "Wanderer above the Sea of Fog", not because they look similar, but they kind of give me a similar vibe, if that makes sense? Someone gazing into something far away, out of their reach.
Also Kris' eyes are so expressive here, I almost feel like I am seeing something private that I shouldn't be seeing.
Important to note that his heart necklace is at full display at the first three pictures.
In the third one, he has the most feminine pose. His chin is positioned lower, and his arm is more in the shadow than in the first picture, making him appear smaller. He is gazing directly at the camera, and one can practically feel his vulnerability.
It feels like these three are a progression of one another. Of Kris subtly shifting from his more masculine to more feminine expression, like he is lowering a shield of what we are expected to see vs what he wants to show.
This doesn't feel childlike like the picture with the flower, though. This is Kris showing he grew enough to know being vulnerable is fine, even when one is grown and I think that's beautiful. I love the way Damon played with how subtle difference in poses, light and expression can change sm.
The fourth picture I feel is truly a balance of masculine and feminine energy from the previous three. Kris isn't hiding his hands, which we have seen a lot in this photoshoot, they are on clear display. He is showing his hand, so to speak, but also, his hands are those of a guiarist and of a man and that doesn't make them any less beautiful.
His hair is messy and covering his eyes, hiding the most vulnerable part of him, but he also seems much more relaxed, almost as if he isn't posing. His chin is lowered and his head is titled to the side, coding it as a more feminine pose.
Despite the hair hiding his eyes, I am pretty sure they are open? Or at least, it's giving the effect of him gazing back at the viewer, observing them as much as they are observing him.
And last but not least, Kris' picture in color. And my god, what a picture to finish off with.
We have the element of water, which is very often associated with feelings. Water flows freely, but it also cleans and cleanses of anything stagnant left on us.
The closeup of Kris' face with a golden eyeshadow is just beautiful. It's messy, but we can now see that it's messy on purpose. As I said before, it reminds me of the makeup trend young girls used to do, where they would experiment with makeup before a shower. That way, they could let themselves be as creative as they liked and try more unconventional makeup, because they would take a shower immediately after and no one but them would see it.
This gives me the similar vibe, with Kris letting himself experiment with femininity again, the water running over his face representing his letting his feelings flow freely again.
All in all, I absolutely adored this, Kris is certainly an amazing model and I love that Damon was very creative with his photoshoot. If anyone wants to add any other thoughts they have, feel free to, I love hearing other people's opinions on this!
65 notes
·
View notes
thinking again about corrie guards fundraising. today i am thinking about the most comprehensive production line of fairy cakes you’ve seen in your life.
“harris, what’s this item line for flour?” fox asked, walking into the quartermaster’s office, datapad held before him like a blaster. “there’s two hundred extra kilos of it. are you planning to use the stuff for munitions?”
harris didn’t look up from her own ‘pad. “you sighed off on it, right? sir?”
“yes. because you backdated the ‘request’ and the stuff is squatting in the delivery bay, inviting something called weevils, according to the supply officers. why do i now know what weevils are, harris? also why do you need a venator weight of…” fox made a show of consulting his datapad. “butter, sugar—“
harris looked up. “did you get the flimsi cases?”
“corporal harris. i did not put in the requisition form. you put in the requisition form. did you order flimsi cases? if so, may i be so forward as to ask kriffin’ why— the haran is this now?”
having booted open the office door like he was working a drugs bust, thire marched in, shoulder checking fox; fox tried not to take it personally, since thire was obscured behind a tower of boxes. he kicked thire in the shin nonetheless.
“what the kark— sir, is that you? didn’t know you baked,” thire said.
“i don’t—“
“he bakes?” harris asked, speaking past fox like he was a line item. “thorn didn’t say he baked.”
“what does thorn—“
“here,” thire said, again speaking over fox, as he thunked the boxes on the edge of harris’ desk. several styluses rolled to the floor to join their fallen comrades. neither thire nor harris reacted. “as ordered. you owe me three arm sessions. minimum.”
harris sighed gustily but nodded. “did you get the vanilla?”
“it’ll be here tonight. i talked to my smuggler contact in—“
fox remembered from command training that retreat was a valid option when overwhelmed by forces of utter horseshit. he made for the door.
two days later he ate his weight in fairy cakes and immediately signed off on harris’ waiting requisition orders.
24 notes
·
View notes
Aro & Ace Books: F/nonbinary ships
Baker Thief - adult sff - aro bi bigender MC / demisexual woman MC
The Many Half-Lived Lives of Sam Sylvester - YA paranormal - nonbinary acespec MC
Adrift in Starlight - adult scifi romance - asexual woman MC
She Who Became The Sun - Adult historical - nonbinary ace-spec-coded MC
The Mariah Mission - YA contemporary - nonbinary ace love interest
Fire Becomes Her - YA historical fantasy - demidemi MC, nonbinary ace love interest (qpr)
Two Dark Moons - YA fantasy - arospec girl MC / nonbinary MC (qpr-ish)
The Thread That Binds - NA fantasy - agender greyace MC (has both an agender qpr, and a female love interest)
The Unbalancing - Adult fantasy - nonbinary demisexual MC
#aspec books / aspec database / tumblr masterpost
60 notes
·
View notes