#bleach role play

[longagoitwastuesday]

Every day I am haunted by the fact JJK could be amazing but it will be just idk Bleach or something

[bleachbleachbleach]

There's a new Rock Bleach Musical coming out in 2024 👀

https://x.com/RM_BLEACH2024/status/1736212115650707770?s=20

THANK YOU FOR THINKING OF US WITH THIS NEWS. I associate Bleach Rock Musical with Christmas, because I'm pretty sure when we first watched one it was Christmas Eve, and this was how we ended up subjecting a large number of our family members to our very specific niche tastes.

I'm so glad they're moving into later parts of the story! Though I wonder how far they plan to get. I could see a very poignant play wrapping with Orihime's goodbye/leaving with Ulquiorra. But I feel like also the musical I have in mind is Orihime-focused and also takes place primarily in Orihime's apartment and the Advance Team arc, hahaha.

We (B3) have now seen quite a few anime stage plays, whether musicals or 2.5Ds or whatever a 'live spectacle' is (including some for anime we have not actually seen); and I'm curious to see whether BRM's vibe will be different in this 2024 era, as the genre (from my vantage point) has moved. Each one has such a different flavor, nearly unique unto itself, but there are a lot of really pushed the envelope with the genre and shifted the baseline for what an audience might expect on stage.

I will say, I feel like they're making these JUST for me. I have seen more theatre this year (anime stage plays, student theatre of various levels, community theatre, Broadway, and I got introduced to the StarKid musicals--so really, the whole gamut) than any other form of media, which is new for me. So like, I'm primed, MY BODY IS READY, BRM!!!

I hope they reprise "DEATH!!" plssss

[wallbeatjournal]

You okay? Haven't seen you around too much lately.

i've been very distracted by Posting over on main lately tbh! i'm in the middle of writing a zine lesbian-coding the filmography of my favorite b movie character actor and all-time scream king babygirl kyle gallner. INCLUDING all of his one-off appearances on terrible court/cop procedurals like law&order <3

i'm doing stupid data analysis. i'm outlining. i'm soliciting peer review. you're welcome to join me over there in Scholarship OR you're welcome to blocklist my kyle tag and avoid the whole mess <3

(btw if kyle gallner had been on riverdale as an adult he would've had a kerr smith principal honey/dawsons creek situation where they'd write him in playing a not-quite-exactly-continuous adult version of his queer mass-murderer character from veronica mars. he'd of course be a betty antagonist, since betty is veronica mars. maybe a friend of chicles. maybe a friend/victim-enabler of hal's. much to ponder)

[raamitsu]

oh wait, unohana is here!! she looks so dope 😭😭😭

[namizc]

I am too lazy to make an actual promo, so you will have to suffer with this. Please give this a ♡ or a  ↻ ( PREFERABLY ) if you would be interested in interacting with a canon, independent, crossover-friendly, and highly selective Nami of Eiichiro Oda's One Piece! Navigated by Morgen. Please read my CARRD before interacting!

icons & banners commissioned for me by .desuetmort

[hiyorisarugaki]

[kumiwrites]

skskskskdjdkfkfn honestly i’m impressed my soft spot for toshiro has persisted since the moment i laid eyes on him in third grade, but being an adult ™ means falling in love with hirako shinji bc he’s silly and goofy and also sexy as hell

[muzetrigger]

I’m wrapping up my campaign journal, so buckle in for way too much text and (most of) the messy thoughts that come with trying to build a world for a group of Mecha RPG players! This time, I’m focusing in on Vetika, the planet Daybreak takes place in.

[oleworm]

“But this is not that king, nor is this his song.”

Aegon, inspired by this portrait of Stephen of Blois. Drawing by my friend. They also wrote some meta about it, under the cut. The quote is from The Green Knight (2021).

“His name should be “the Unfortunate.” Or, perhaps, “the Unready.”

In his behaviours, crimes and heroics, he feels like a quintessential local king. I have too little care for the ethics of feudalism to pretend that one bleached flea is more moral than another, I am not going to justify this fictional fool or any of his fellow ticks on the bodies of kingdoms.

I like his story though. The way he viciously rejects his heritage and embraces it at the same time, more Andal than Valyrian who still holds the strongest bond with the physical manifestation of Valyrian ideas, something that both upholds and discredits their predatory traditions. A king doomed by others to become a king, the one who doesn’t want to rule but grows into it to the point of giving his all. He’s ready to fight and burn among his people when they show him loyalty but turns cruel and unstable when they defy him. His future is bleak, his past is disgusting. Remember those lines in The Green Knight film? “Is this all there is?” - “What else ought there to be?” He’s not Gawain, of course. Please give me Plato’s number, I’m going to telephone him to hear his hot take on this shit.

But I find a pleasant fatalism in that he’s not only chosen by his family to play a role of a contender, those who then wash their hands of it, but also in how his story comes from a faux chronicle of events long gone, done and decided, a story that might be tweaked here and there, but will not be rewritten. It’s almost like he is aware in a fun way that he is long doomed—and tries to flee unsuccessfully, cowardly, violently even, only to be brought back into the cycle that must continue like the chains on his neck. They imply Rhaenyra is one of the prophecies, but him fleeing his destiny and fitting it so well resembles one of the many doomed kings from the old tales, the crowned blaze in the shape of a man doomed to face his grim fate no matter how far he has gone to escape it. But he is not that king. His song seems of a different breed. The unwilling and unworthy man cursed with the scourge of greatness. I think he should die in a public mass cannibalism incident.”

[schistostegapennata]

can you talk about moss poaching i'm actually really curious

How can I refuse! Absolutely!!! It sounds kind of ridiculous, but it's actually very sad.

So, let's start off with some numbers. Every year, the moss black market is estimated to garner up to $165 million for trafficking approximately 82 million pounds of moss.

I cannot even wrap my mind around how much moss that is.

You might ask, why does moss poaching exist and why is it so lucrative? Well, the quality that has made mosses the prey of an illegal trade is simply their aesthetic appeal. Soft, velvety, and moist, mosses are extremely pleasant to the touch and calming to look at. Some people are willing to pay large amounts of money to collect them and put them in private gardens. However, most of the mosses that move in this underground black market are actually sold to companies/wholesalers for use in potting/gardening soil, plant nurseries, decor, and as craft materials. The majority of the preserved mosses in your run-of-the-mill chain craft store, planters, floral wreaths, or very-much-dead living wall decorations are gathered illegally, bleached to death, and then dyed green. This goes for a lot of prepackaged peat moss and soil mix blends as well.

Even though it is illegal to gather moss in public places (in the US, at least), people still harvest it. Why? Probably because there's a fair amount of money to be made and the consequences are very rarely enforced, and when they are, they are quite light--usually a $50 fine at worst if you're caught. Most of this black market moss is actually poached from the national park system, with Appalachia and the Pacific Northwest usually being the hardest hit regions.

Mosses play vital roles in many ecosystems, provide homes for threatened species, regulate water distribution in forests, and help with erosion, so their loss is a terrible blow. Additionally, moving such large quantities of mosses from one location to another may spread unwanted, invasive hitchhikers, like insects that lay their eggs in the plants, or even seeds and spores.

I'll end on this thought:

It can take 20 years for a small patch of moss removed from a fallen tree to grow back with the right moisture conditions.

How long would it take to regrow 82 million pounds?

[reasonsforhope]

A reef that has been degraded—whether by coral bleaching or disease—can’t support the same diversity of species and has a much quieter, less rich soundscape.

But new research from Woods Hole Oceanographic Institution shows that sound could potentially be a vital tool in the effort to restore coral reefs.

A healthy coral reef is noisy, full of the croaks, purrs, and grunts of various fishes and the crackling of snapping shrimp. Scientists believe that coral larvae use this symphony of sounds to help them determine where they should live and grow.

So, replaying healthy reef sounds can encourage new life in damaged or degraded reefs.

In a paper published last week in Royal Society Open Science, the Woods Hole researchers showed that broadcasting the soundscape of a healthy reef caused coral larvae to settle at significantly higher rates—up to seven times more often.

“What we’re showing is that you can actively induce coral settlement by playing sounds,” said Nadège Aoki, a doctoral candidate at WHOI and first author on the paper.

“You can go to a reef that is degraded in some way and add in the sounds of biological activity from a healthy reef, potentially helping this really important step in the coral life cycle.”

Corals are immobile as adults, so the larval stage is their only opportunity to select a good habitat. They swim or drift with the currents, seeking the right conditions to settle out of the water column and affix themselves to the seabed. Previous research has shown that chemical and light cues can influence that decision, but Aoki and her colleagues demonstrate that the soundscape also plays a major role in where corals settle.

The researchers ran the same experiment twice in the U.S. Virgin Islands in 2022. They collected larvae from Porites astreoides, a hardy species commonly known as mustard hill coral thanks to its lumpy shape and yellow color and distributed them in cups at three reefs along the southern coast of St. John. One of those reefs, Tektite, is relatively healthy. The other two, Cocoloba and Salt Pond, are more degraded with sparse coral cover and fewer fish.

At Salt Pond, Aoki and her colleagues installed an underwater speaker system and placed cups of larvae at distances of one, five, 10, and 30 meters from the speakers. They broadcast healthy reef sounds – recorded at Tektite in 2013 – for three nights. They set up similar installations at the other two reefs but didn’t play any sounds.

When they collected the cups, the researchers found that significantly more coral larvae had settled in the cups at Salt Pond than the other two reefs. On average, coral larvae settled at rates 1.7 times (and up to 7x) higher with the enriched sound environment.

The highest settlement rates were at five meters from the speakers, but even the cups placed 30 meters away had more larvae settling to the bottom than at Cocoloba and Tektite.

“The fact that settlement is consistently decreasing with distance from the speaker, when all else is kept constant, is particularly important because it shows that these changes are due to the added sound and not other factors,” said Aran Mooney, a marine biologist at WHOI and lead author on the paper.

“This gives us a new tool in the toolbox for potentially rebuilding a reef.”

Adding the audio is a process that would be relatively simple to implement, too.

“Replicating an acoustic environment is actually quite easy compared to replicating the reef chemical and microbial cues which also play a role in where corals choose to settle,” said Amy Apprill, a microbial ecologist at WHOI and a co-author on the paper.

“It appears to be one of the most scalable tools that can be applied to rebuild reefs, so we’re really excited about that potential.”"

-via Good News Network, March 17, 2024

[vectorisheree]

Cowboy redesigns from forever ago that I forgot to post ^^

(Design notes and stuff under the cut)

Sundown and Moonhigh are two performer animatronics that have a sort of 'cop and robber' routine where Sun plays the role of a sheriff and Moon the criminal. While they make put on an act of hatred on stage, behind the curtains, the two are inseparable

Moonhigh

Behind Moonhigh's swave and laid back veneer, he's just like any other Moon, a lover of mischief and play

I was also like 100% sure that moonhigh was an actual term??? Its not!!!!! It's from warrior cats

Moonhigh's clothing is desaturated due to sun bleaching and dust, his clothing is not as well taken care of as Sundown's both because of neglect from staff and Moonhigh's general distrust of them. This neglect is also the reason for his damaged faceplate as it was deemed too expensive to completely replace it and the injury enhanced how scary he was as a villain

Moonhigh's cape also doubles as a blanket! He takes good care of it and even washes it himself. It’s also handy for applying pressure to wounds, not that Moonhigh would ever need to use it for that purpose.

Moonhigh's designated flavour is coconut and he's usually seen in the Fazwest's milkshake bar between performances

Sundown

Sundown is a lot sweeter than most Suns though he does have his moments of apathy towards others due to him not quite understanding other's troubles due to his cushy treatment from staff

He shares the same general anxiety and mannerisms as his predecessors, he's always twitching and bouncing around

Sundown was similarly injured at to Moonhigh at some point but his faceplate was fixed, giving him a shiny green eye

Sundown has scarily accurate aim

Sundown's designated flavour is mango and he's usually seen in the horse stables in between performances

[stormsthatrage]

Have a Bleach extended-winter-war time-travel-fix-it idea. In this AU Kaien's death happened before the whole turn-back-the-pendulum arc. (Yes, another Bleach time-travel AU, I know, shut up.)

As Ichigo and Kisuke are planning to go back to the past, Kisuke makes sure to emphasize to Ichigo that they have to protect Shiba Kaien. Apparently, it's of the utmost importance.

Ichigo doesn't know exactly how Kaien's continued well-being plays into saving the future. Kisuke never really explains it, or gives him a straight answer when he asks. But Ichigo knows that the Shiba Clan-Head carried a great deal of political power, and Ichigo also knows that Kaien -- according to Kukaku and Rukia -- was highly competent, incredibly noble, and fundamentally kind. It's not exactly unintuitive that a person like that could be important to bringing down Aizen.

So Ichigo listens, when Kisuke tells him to protect Shiba Kaien. He memorizes how Kaien died in the original timeline. He's attentive as Kisuke reiterates for the thousandth time that Aizen will keep trying to assassinate Kaien until he succeeds. He takes notes when Kisuke hypothesizes about what Aizen's various assassination attempts might look like -- poison during a meal, hired assassins at night, an ambush during a mission.

Ichigo ingrains the assignment into his core: protect Shiba Kaien, because if Kaien falls, the mission fails.

So when Kisuke slips a paralytic into Ichigo's tea and places Ichigo in the middle of the time-travel kido array and drains the entirety of his own spiritual energy to activate the array, a sacrifice that Ichigo never would have agreed to--

Well. The first thing Ichigo does when he arrives back in the past, numb and alone and only able to function by focusing on the duty that is his purpose -- is track down Shiba Kaien.

After all, if Ichigo is going to kill Aizen -- and he is, no matter what it takes -- he needs to keep Kaien alive.

Ichigo goes straight to the Shiba family grounds. In true Shiba fashion, they accept him immediately as family. They tend to his wounds and give him a meal and welcome him home. They let him get away with his weak excuses and explanations, and they defend his presence to the rest of Soul Society.

Kaien, in accordance with everything Ichigo has heard about the man, personally takes the newest addition to the family under his wing.

Ichigo's plans to deal with Aizen take shape around his need to keep an eye on Kaien.

Ichigo, instead of running as far and fast as he can from the Shiba clan, accepts the offer to live in the Shiba compound. He gets to know every clan member and retainer, subtly vetting for traitors. He sleeps in a room near Kaien's, allowing him to both guard against assassins at night and place warding runes around Kaien's door without having to worry about being caught somewhere he has no business being.

He joins the Court Guard in the 13th division instead of the 5th, because the only real way to protect Kaien on a mission is to be there with him. Ichigo knows that if there's an ambush, or if the mission details have been tampered with, he'll be more than enough fire power to get Kaien out of it. And it's easy to always get paired with Kaien; Kaien -- reliably taking every opportunity to hover around Ichigo that he's offered -- does most of the work, leveraging his status as lieutenant and Ichigo's combat ability to keep them together.

Ichigo finds himself frequently taking meals with Kaien and Kaien's friends. Kaien always invites Ichigo, and Ichigo accepts so he can subtly check the food for poison.

(Ichigo does not tell Kaien about Aizen. Ichigo is still unsure what Kaien's role is in the whole fight, and in the meantime, telling him about Aizen is a sure way to get him killed.)

Things heat up. Ichigo prevents both Miyako and Kaien's death, killing Metastacia before it can hurt anyone. Ichigo's shadow war against Aizen gets more intense. Ichigo sneaks out regularly to dismantle Aizen's illusions, destroy his labs, and attack his network of power, slowly weakening him.

Ichigo waits for the assassination attempts against Kaien, but they don't come, even several weeks after Metastacia fails. Ichigo takes it as a sign that he's got Aizen distracted.

Things continue for a while. Ichigo falls into a strange routine.

(And Ichigo tries not to break, seeing so many of his loved ones alive and unknowing of him. It is agony, to be around Shunsui, who is not his mentor, and the Visored, who are neither visored nor pack.

But the worst is when Captains Urahara and Shihouin catch on to his war against Aizen. He finds himself working with them as allies.

Allies. Mere allies, instead of --

Well. Not that it matters anymore.

All that matters is his duty.)

Time passes. Aizen weakens. There are no attempts on Kaien's life yet.

And then Aizen's web has unraveled enough for Ichigo to attack.

It's a long battle. It's a bloody battle. It's a very public battle.

Ichigo wins.

And it's only after it's all over -- after Aizen's crimes are revealed and Soul Society is at peace and the future is saved; after Ichigo finds himself still alive and adrift, with nothing left obligating him to keep going and everything telling him to give up; as Kaien refuses to leave Ichigo alone and escorts him to regular appointments with Unohana and forces him to talk about the truth of his past --

It's only then that it clicks.

Ichigo is whispering secrets about the future into Kaien's chest, Kaien's arms wrapped tight around him, when Ichigo confesses that he messed up, that he put the Shiba clan in unnecessary danger. Ichigo tells Kaien about his death in the original timeline. He talks about how Kisuke told him that in this timeline, Aizen would try and kill Kaien again if the first attempt failed. Ichigo promises desperately that he never would have sought out the family -- would have kept the danger far, far away from them -- if he hadn't thought he had to watch Kaien's movements so closely.

And Ichigo admits that Aizen never actually tried again. Ichigo admits that he and Kisuke miscalculated, that Ichigo brought danger to the Shiba's doorstep for nothing.

It happens like this:

First, the words leave his lips, "Kisuke" and "miscalculated" in the same sentence. Hearing himself say it lays bare the absurdity of its premise.

Then, Kaien draws away slightly, to look Ichigo in the eyes. Ichigo sees, plain on Kaien's face, a terrible, damning gratefulness.

Then, Kaien says -- fierce and defiant in the face of what could have been -- "I am so glad you came home."

And it clicks. At last, Kisuke's final manipulation reveals itself to Ichigo's eyes.

The emotions flash through him: the sting of betrayal; a flavor of love that bursts across his tastebuds as hurt; a familiar brand of exasperation that, a split second later, has his knees giving out under the weight of old pain made fresh.

Kaien catches Ichigo before he hits the ground and holds him as he shatters. And Ichigo can barely breathe through the knowledge that Kisuke would have been so smug to see them.

A sob rips itself from Ichigo's chest, and it's followed by another, and another.

Ichigo's older cousin holds him, in the home of their family, through it all.

_________

THE END except not really.

This must immediately be followed by a whole arc where Kaien, much to his own dismay, finds himself trying to hook Urahara up with his little cousin.

After all, Future-Urahara sent Ichigo to the Shiba clan. Future-Urahara tricked his little cousin into bypassing his own self-destructive tendencies to seek out family and love and support. Clearly, Urahara would actually be good for Ichigo.

And, you know, Ichigo clearly loves Younger-Urahara, judging by Ichigo's whole... well, everything, whenever the two interact.

(This whole matchmaking endeavor is made easier by the fact that 1) Kisuke is already infatuated, fascinated, and not a tiny-bit madly in love, and 2) Yoruichi is also, from the other end, trying to set Kisuke up with Ichigo.

This whole endeavor is made more difficult by the fact that 1) Ichigo is in denial that he loves this younger Kisuke since he never thought this younger Kisuke could also fall in love with him, 2) Kisuke is in denial that he loves Ichigo because that is a Shiba and he himself is a creepy low-born ex-assassin mad-scientist, and 3) neither Ichigo nor Kisuke know what it looks like when someone is interested in them.)

Poor Kaien. He succeeds eventually, but not before witnessing truly legendary social ineptitude.

[namizc]

I am too lazy to make an actual promo, so you will have to suffer with this. Please give this a ♡ or a  ↻ ( PREFERABLY ) if you would be interested in interacting with a canon, independent, crossover-friendly, and highly selective Nami of Eiichiro Oda's One Piece! Navigated by Morgen

[spuffybot]

Hey hi! I saw your post about Buffy being your favorite show and what do you mean "you know what’s happening with certain characters based on the colors they are wearing"? That's SO cool and something I've never noticed despite being such a tv nerd, do you have examples?

Ohhhh my gosh I love this question!!! There are a few characters who come to mind (Buffy & Willow) but I’m gonna talk about Spike because I love to talk about Spike.

So Spike is a character who very much has a uniform and this uniform is linked to his identity. It’s important to note that this is an identity he crafted. Because as we know Spike started out as William, a man who was sensitive and kind and who was unappreciated by his peers. When he became a vampire he wanted to shed that weakness and he uses his hair, accent, and clothing to reinforce the idea that he is a strong, tough, and evil being.

Spikes official uniform is perfectly slicked back bleach blonde hair, a red shirt, dirty black jeans, combat boots and his signature leather duster. This is Spikes armor. It’s how he embodies Spike and leaves William behind. The red shirt is also quite critically linked to his “evil era” as I’ll call it.

Throughout the show there are key moments where Spike deviates from this uniform and it’s always linked to a crises of identity.

The first moment I want to talk about is Spike in the Hawaiian shirt. He’s just been chipped, he’s relying on the Scoobies for survival, the core tenants of his identity (predator, killer, lover of Drusilla, leader of a vampire gang) have all been stripped from him against his will. He looks ridiculous wearing Xanders clothes because we know it’s ridiculous (at this point) for him to just be one of the Scoobies.

This is not unlike Tabula Rasa (which has a deliciously layered theme of loss of identity both literal with memory loss and metaphoric with each of the characters personal lives) where we see Spike once again out of uniform completely and lacking his identity. Now like I said on the surface he has truly lost his identity he has no memory of who he is. But it’s no surprise that he draws the (incorrect) conclusion that he’s a vampire with a soul on a mission of redemption because for the past few months he’s been playacting that role. After Buffy died Spikes entire identity was usurped by the need to live up to her memory. He babysits Dawn. He patrols with the Scoobies. He lives a mundane and neutered life because he thinks it’s what she would have wanted. Except now she’s back. And she’s opening up to him in ways she never has before. And she’s kissed him. And this is simultaneously the most incredible and terrifying thing to ever happen to Spike because it’s all he wants but he knows deep down, it’s not who he is. He has no soul. He has no remorse. He is not good.

Now let’s talk about some less overt examples. Because the wardrobe team does an incredible job of making subtle shifts to Spikes uniform that communicate his emotional arc.

In Crush, we see Spike swap the red shirt for a light blue shirt (blue is going to be a theme!) and lighter pants. By doing this he communicates to Buffy that he’s different than before. He’s lighter and softer. A man she could be interested in. But of course, just like the uniform of Spike is a performance, this too is a performance and one Buffy sees through quickly.

Blue comes back again in Smashed, an episode where once again Spike’s identity comes into play. He has been play acting at being a Scooby but we know that’s not who he really is. Now, suddenly he finds that he can hurt Buffy without activating his chip. All of a sudden he gets a glimpse of his old self and it infuses him with confidence and purpose. The blue shirt in this episode is deep and rich, verging on purple. By wearing this shirt it shows us how deeply conflicted Spike is. The war between his selfish love for Buffy and his feelings of being trapped and controlled by his chip (and his feelings for her) is coming to a head. And of course, by showing his teeth he gives Buffy the push she needs to sleep with him.

Ok so now we get to talk about my FAVORITE season when it comes to Spikes loss of identity and the use of his uniform to depict that: season 7.

When we first see Spike in season 7 something very important is happening: his hair is completely disheveled and curly, with his natural brown roots showing. This is the closest we have ever seen Spikes hair resemble Williams hair and this is important because as we know, Spike now has a soul and so he is closer now to William than he has been in over 100 years.

When Spike finally leaves the basement he is in a bright blue shirt and lacking his signature leather duster. The duster becomes a key plot point in season 7 with the introduction of Robin Wood (considering it was his mother’s jacket and Spike killed her.) Now, Wood is a controversial character but I personally think having Spike have to reckon with the consequences of his past all tied up in the metaphor of identity that is his leather jacket is chefs kiss.

Speaking of the leather jacket, in episode 15, Get It Done we see Spike put the jacket back on for the first time since Seeing Red. This is a moment of reclamation of identity. Souled Spike is listless and guilt ridden. And as the potentials point out, even a demon can kick his ass. When he puts that jacket back on he takes back a piece of who he is and starts on the journey of self discovery that we will see him continue in Angel season 5. Because ultimately it’s not Spike or William but the fusion of the two that make Spike who he is. AND TO BRING IT BACK FULL CIRCLE while Spike reclaims the jacket, he does not bring back the red shirt.

One other interesting thing about season 7 is that Spike is no longer as wiry and muscular as he was in season 6. Now, James Marsters has said that this was deliberate on his part because he was tired of being naked on the show and figured if he stopped working out (he has also said that he created his season 6 body deliberately upon being told he would be naked all the time) then they would stop making him take his shirt off. And while this is obviously not a deliberate choice on the part of the show, I do think it’s interesting that Spike becomes less angular and sharp after he gets his soul. He releases some of the hardness that defined him emotionally and physically. Which ties in nicely to this overarching theme of identity crises. It also hints at a certain level of toxicity on set if one of your lead actors feels the need to take drastic measures to protect themselves but that’s a whole different essay.

I hope this answers the question and I would loooove to hear what other people think about this. I know I didn’t touch on every Spike moment but I wanted to highlight ones I feel are critical parts of his narrative.

[berzahoes]

snow lands on top | tom blyth

summary: a sutherland (not donald) and the younger version of president snow walk into a bar . . .

an: terrible summary ik but eh <3

when tom told you he had auditioned for the part of a young coriolanus snow, you got flashbacks to attending premieres of the hunger games movies. your grandfather was always taking you to the set of whatever film he was starring in and you loved it. sometimes you even got to yell ‘action’ or ‘cut’. your favorite memories were always on the hunger games set when your grandfather played president snow and now you received the news that your boyfriend auditioned for the younger version of said character.

“what do you think your grandfather would say? it is his character. what if he hates that i’m doing this? say something, you’re making me nervous!” tom said when he noticed how quiet you got.

“i’m just thinking . . you’re going to bleach your hair. i love your brown hair so much.” you ran your hands through his soft brown hair.

“we don’t know if i have to bleach it, i haven’t gotten the part.” tom reassured.

“yet. don’t think about my grandfather, think about how you’re going to be coriolanus snow.” you kissed him.

“but-”

“tom, if it bothers you that much, you can talk to him about it. i’m having lunch with him tomorrow and i’m sure he wouldn’t mind if you joined.”

and that’s how you ended up having lunch with your grandfather and boyfriend. it had been weeks since you last had lunch with your grandfather and you missed him dearly.

“it’s such a beautiful day. we should go on a walk after.” donald said as he picked up his glass of water to drink.

“it is. a walk sounds nice, but i think tom would like to tell you something first.” you nudged your boyfriend side.

“is that so? don’t tell me you kids got married and didn’t invite me. i always told you that i wanted to walk you down the aisle.” donald said sternly.

“no, sir, we did not get married, but i do intend to marry your granddaughter. she is the love of my life and i know how much it means to her that we have a proper wedding with you there. this is about . . . something else. um . . i recently had an audition for a role you’re familiar with. i’m sure you heard that another hunger games film is being made, but this one doesn’t involve the original cast-” donald cut off tom.

“you’re playing president snow.” he said.

“nothing is confirmed yet, but i’m hoping i get the part. but if you want me to back out, i understand.” you could hear the hurt in his voice. you reached for his hand under the table and squeezed it.

“why would you do that, tom?” donald asked.

“it’s a role made famous by you, sir, it’s your character. i don’t want to mess up such an iconic character like snow.“ he admitted.

“tom, i’ve seen you act. my granddaughter made me watch billy the kid twice. you could never mess up our character.” your grandfather smiled warmly.

“our character?” tom questioned. your grandfather nodded.

“i think i’m going to cry.” you spoke.

it was days after the ballad of songbirds and snakes premiered and the fans were loving it. positive reviews about the cast and film came out and you couldn’t be more prouder of your boyfriend and his bleached hair. it took some time to get used to, but he was soon back to his brown hair.

tom was currently doing an interview in your shared office on his laptop with josh horowitz from mtv. you were catching up on your favorite show when you heard josh ask tom a question that caught your attention.

“your girlfriend, she’s part of the sutherland family. her grandfather is the og president snow, I need to know if you were nervous playing snow because of who your girlfriend is related to.” josh chuckled when he saw that tom laughed.

“i was and then the three of us had lunch. that’s when i told him i had auditioned for the role of snow and he was so nice about it. by the end of it, he actually called snow ‘our character’ and it just warms my heart that he supported me taking on this role.” tom explained.

“and did donald sutherland have any involvement with your take on snow? any advice?” josh asked.

“the first day of filming, he texted me the usual ‘good luck, have a great day’ but there is a line i said in a scene with peter dinklage that’s in the end of the film. ‘snow lands on top’ that line was actually written by donald sutherland and he told me to say it because he knew that it fit the character of snow really well.” tom explained.

you smiled to yourself as you listened to tom. who knew the character of coriolanus snow would come back into your life after many years?