#blind terror

[cinemaquiles]

FILMES DE VÁRIOS GÊNEROS COM PERSONAGENS DEFICIENTES VISUAIS QUE VALE A PENA CONFERIR

[banjolandsblog]

Bird Box Barcelona | Official Teaser | Netflix

[abrahamvanhelsings]

the terror (2018) requires a rewatch not only bc it is so good it will settle in the core of your brain and grow and spread there like a fungus until you die but also bc it is a show about a hundred something bearded victorian white men on a ship in the same clothes and by the time you start figuring out what name is attached to which guy half of them are already dead

[georgeromeros]

Tombs of the Blind Dead (1972) dir. Amando de Ossorio

[victorian-nymph]

Saw someone in a tiktok comment section saying they got their sexual awakening from Kurt Russell in The Thing (1982) which is absolutely hysterical to imagine trying to watch THE THING for the first time and then all of a sudden your brain starts doing this:

Relatable ngl I do this when I watch the thing

[lemonadeslice]

🩸 🩸 🩸 // ❄️❄️❄️

i watched a scary boat show. i have been thinking about it for weeks.

[weirdlookindog]

La noche del terror ciego (1972)

[jopzer]

something about roy tucking his face into jamie's neck during 2x12 as a direct contrast to jamie having fully melted into the hug during 2x08 but still taking a few beats before his eyebrows turn and He tucks in his face and starts hiccuping. yea

[secretmellowblog]

It’s fascinating to see how much Jean Valjean’s characterization lines up with modern descriptions of PTSD. When Jean Valjean is triggered by upsetting reminders of the galleys —or believes he might be forced to go back to the galleys—he often forgets where he is, has “panic attacks” where he becomes disconnected from reality, doesn’t hear people when they’re talking to him, and behaves frantically/desperately or attempts to flee as if he’s being attacked even if no one is actually attacking him.

When he comes across the chain gang with Cosette, he becomes frozen in terror and seems to believe for a moment that he is the one being pursued:

Jean Valjean’s eyes had assumed a frightful expression. They were no longer eyes; they were those deep and glassy objects which replace the glance in the case of certain wretched men, which seem unconscious of reality, and in which flames the reflection of terrors and of catastrophes. He was not looking at a spectacle, he was seeing a vision. He tried to rise, to flee, to make his escape; he could not move his feet. Sometimes, the things that you see seize upon you and hold you fast. He remained nailed to the spot, petrified, stupid, asking himself, athwart confused and inexpressible anguish, what this sepulchral persecution signified, and whence had come that pandemonium which was pursuing him.

(….)

Jean Valjean returned home utterly overwhelmed. Such encounters are shocks, and the memory that they leave behind them resembles a thorough shaking up.

Nevertheless, Jean Valjean did not observe that, on his way back to the Rue de Babylone with Cosette, the latter was plying him with other questions on the subject of what they had just seen; perhaps he was too much absorbed in his own dejection to notice her words and reply to them.

In Arras, he spends most of the night overwhelmed by a sense of unreality that often turns to terror, and at one point even blindly runs through the empty halls of the courthouse “as if pursued” in a moment of panic:

He sought to collect his faculties, but could not. It is chiefly at the moment when there is the greatest need for attaching them to the painful realities of life, that the threads of thought snap within the brain. He was in the very place where the judges deliberated and condemned. With stupid tranquillity he surveyed this peaceful and terrible apartment, where so many lives had been broken, which was soon to ring with his name, and which his fate was at that moment traversing. He stared at the wall, then he looked at himself, wondering that it should be that chamber and that it should be he.

(…)

As he dreamed, he turned round, and his eyes fell upon the brass knob of the door which separated him from the Court of Assizes. He had almost forgotten that door. His glance, calm at first, paused there, remained fixed on that brass handle, then grew terrified, and little by little became impregnated with fear. Beads of perspiration burst forth among his hair and trickled down upon his temples.

At a certain moment he made that indescribable gesture of a sort of authority mingled with rebellion, which is intended to convey, and which does so well convey, “Pardieu! who compels me to this?” Then he wheeled briskly round, caught sight of the door through which he had entered in front of him, went to it, opened it, and passed out. He was no longer in that chamber; he was outside in a corridor, a long, narrow corridor, broken by steps and gratings, making all sorts of angles, lighted here and there by lanterns similar to the night taper of invalids, the corridor through which he had approached. He breathed, he listened; not a sound in front, not a sound behind him, and he fled as though pursued.

When he had turned many angles in this corridor, he still listened. The same silence reigned, and there was the same darkness around him. He was out of breath; he staggered; he leaned against the wall. The stone was cold; the perspiration lay ice-cold on his brow; he straightened himself up with a shiver.

In the bishop’s house, he panics at the sound of a door opening:

He decided on his course of action, and gave the door a third push, more energetic than the two preceding. This time a badly oiled hinge suddenly emitted amid the silence a hoarse and prolonged cry.

Jean Valjean shuddered. The noise of the hinge rang in his ears with something of the piercing and formidable sound of the trump of the Day of Judgment.

In the fantastic exaggerations of the first moment he almost imagined that that hinge had just become animated, and had suddenly assumed a terrible life, and that it was barking like a dog to arouse every one, and warn and to wake those who were asleep. He halted, shuddering, bewildered, and fell back from the tips of his toes upon his heels. He heard the arteries in his temples beating like two forge hammers, and it seemed to him that his breath issued from his breast with the roar of the wind issuing from a cavern. It seemed impossible to him that the horrible clamor of that irritated hinge should not have disturbed the entire household, like the shock of an earthquake; the door, pushed by him, had taken the alarm, and had shouted; the old man would rise at once; the two old women would shriek out; people would come to their assistance; in less than a quarter of an hour the town would be in an uproar, and the gendarmerie on hand. For a moment he thought himself lost.

He remained where he was, petrified like the statue of salt, not daring to make a movement.

He often behaves as if on autopilot, mechanically doing actions without seeming to understand what he’s doing or hear who he’s speaking to, the way he unfortunately does with Petit Gervais:

“My piece of money!” cried the child, “my white piece! my silver!”

It seemed as though Jean Valjean did not hear him. The child grasped him by the collar of his blouse and shook him. At the same time he made an effort to displace the big iron-shod shoe which rested on his treasure.

“I want my piece of money! my piece of forty sous!”

The child wept. Jean Valjean raised his head. He still remained seated. His eyes were troubled. He gazed at the child, in a sort of amazement, then he stretched out his hand towards his cudgel and cried in a terrible voice, “Who’s there?”

Prison had such a massive horrific effect on his mind, and on the way he interacts with the world. He’s constantly living under this sense of terror and paranoia that he’s being pursued, that he will be brought back to the galleys, a terror that often turns into blind almost-mindless panic.

It’s been mentioned before and is a kinda basic analysis, but Jean Valjean’s prison sentence was really far more than nineteen years— the severe mental physical and emotional trauma from those nineteen years lasts his entire life.

[darkerthanblack-666]

there are two types of people:

[rubysharkruby]

Cannibalism foreshadowing 💀💀💀

[puppyeared]

How do you do fellow human?

if i answered this 2 weeks ago i would have said i want a quick and easy death <- currently on school break

[bespectacled-bookwyrm]

Colress: Um, Grim? W-why are you pretending we're all chummy with Ghetsis?

Grimsley: We need money.

Colress: So you’re scamming him?

Grimsley: I was thinking more like flat-out stealing from him.

Colress: *who is VERY aware of what the Shadow Triad and Ghetsis are capable of* What? No way.

Grimsley: Why not? We already stole his puppet king.

N: Hi, new uncles.

Colress: No, we didn't. N is a bright young man - he can do whatever he wants.

N: I wanna steal.

Colress: *mortified gasp*

Grimsley: *cackles*

[nomilkinmyteaplease]

The Vices of Terror

[patart-illustrations-stuff]

Tombs of the Blind dead

[frostwyrhm]

Bringing this over from twitter, because I’m still thinking about the Shaxx dragon. ‘twas just an impulse i had