by: Tia Williams
Published: Apr 12, 2016
Genre: Romance, Fiction, Contemporary
363 Pages, Audio Book (HH:MM) 11:48
★
GoodReads Synopsis:
Jenna Jones, former It-girl fashion editor, is broke and desperate for a second chance. When she’s dumped by her longtime fiancé and fired from Darling magazine, she begs for a job at StyleZine.com from her old arch nemesis, Darcy Vale. But Jenna soon realizes she’s in over her head. She’s working with digital-savvy millennials half her age, has never even “Twittered,” and pretends to still be a Fashion Somebody while living a style lie (she sold her designer wardrobe to afford her sketched-out studio, and now quietly wears Walmart’s finest). Worse? The twenty-two-year-old videographer assigned to shoot her web series is driving her crazy. Wildly sexy with a smile Jenna feels in her thighs, Eric Combs is way off-limits – but almost too delicious to resist.
My Review: ***SPOILERS***
Baaaaaaaaaaaaaby, hated it!
Jenna is too damn old to be making reckless mistakes like sleeping with this young photographer who turned out to be her new boss' son!
They say with age comes wisdom well, Jenna only has the age. Everything about the circumstances screams, LET ME FOCUS ON SELF but nooooooooo, she's perpetrating and pretending in front of people who couldn't care less about her. She's pining after this young man like she's never had some good D before! Cringe fest.
Jenna and Eric move from all-night sex benders in the house to being out in public, and guess what? Of course, some IG famous model who knows Eric sees them out. Obvious! Darcy threatens her job because of this close relationship between her and Eric. Obvious. Girl, this is an HR manager's nightmare.
All of that aside: the age difference between Jenna and Eric, the obvious plotlines, and the lack of critical thinking and good decision-making, were all bad but the ending is where I really wanted to throw this book into a dumpster fire.
I 1000% do not like when women feel like they're taking the "high road"* by not including a man, the father, in the lives of their children. I hated that Jenna said nothing about being pregnant, never reached out, sent an IG DM, or anything. That burned me up. Then (another obvious plot line) Jenna just happens to run into Eric 4 years later and then presents him with his son, Otis -- I hate this name -- and Eric is overjoyed. WHAT?! This man has been purposely left out of this child's life for 4 years and in the end, he just, walks off into the sunset with you. I wanted him to cuss Jenna's dumbass out! Hell, I cussed enough for him just reading this.
*by "high road" I mean, this idea of not wanting to upend the man's life or inconvenience the man by dropping a baby that he wasn't planning on having, into his lap. by volunteering to be a single mother so that you don't distract/disturb the man and his dreams and goals. It's bullshit and I hate it. Meanwhile, Jenna's whole life gets tossed into a Vitamix while she juggles her career and being a mom and Eric gets to live his best life. All the while, living said best life, he has missed out on years with his son. Ugh, I'm getting mad all over again.
One-Word Summary: Trash
Other Tia Williams' books I've reviewed:
Seven Days in June
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20 Years, 30 Multicultural Books, 275 Fun Educational Products
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It’s hard to believe that Sounds in the House – Sonidos en la casa, our first children’s mystery, was published 20 years ago! It’s been quite an adventure (since our first publisher died the day we were to print). We’ve had a lot of wild and funny exploits—and are gratified to be among the few publishers for young readers to survive two full decades.
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By year’s end, we’ll have 30…
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The most recent episode of Interview with a Vampire let's us see Lestat's side of the story and see how it compares to Louis' accounting of their relationship. As a result, it reaffirms just how unreliable of a narrator Louis is, but it also further illuminates elements of his character that the director and writers have been playing with since the beginning of the show.
There's this part in the episode where Lestat turns to Louis and apologizes and it's framed with Lestat turned to Louis on one side and Claudia on his other side. They're the angel and devil on Louis' shoulders, but who is the angel and who is the devil? And as my friend said, Armand and Daniel are placed into that same dynamic with Louis later on. We are being asked to decide who to trust, who's telling the truth, who's the good guy, but the fact of unreliability robs us of that decision.
This whole story is about Louis, he's the protagonist, though not the narrator, and he is constantly being pulled in two directions, no matter when or where he is in his story. He's a mind split in two, divided by nature and circumstance. He's vampire and human, owner and owned, father and child, angel and devil. He's both telling the story and being told the story. His history is a story he tells himself, and as we've seen, sometimes that story is not whole.
Louis is the angel who saved Claudia from the fire but he's also the devil who sentenced her to an life of endless torment, the adult trapped in the body of a child. He's the angel who rescued Lestat from his grief and also the devil who abandoned him, who couldn't love him, could only kill and leave him.
He's pulled in two directions, internally and externally at all times and so it's no wonder that he feels the need to confess, first to the priest, then Daniel, and then Daniel again.
He's desperate to be heard, a Black man with power in Jim Crow America who's controlled by his position as someone with a seat at the table but one who will never be considered equal. He doesn't belong to the Black community or the white community, he can't. He acts as a go-between, a bridge, one who is pushed and pulled until he can't take it anymore. He's a fledgling child to an undead father, he's a young queer man discovering his sexual identity with an infinitely experienced partner. He's confessing because he wants to be absolved, that human part of him that was raised Catholic, that child who believed, he wants to be saved. He wants to be seen.
Louis wants to attain a forever life that is morally pure, but he can't. He's been soiled by sin, by "the devil," as he calls Lestat, and he can never be clean again. Deep down, I think he knows this, but he can't stop trying to repent. He tries to self-flagellate by staying with Lestat and then tries to repent by killing him, but can't actually follow through. He follows Claudia to Europe to try and assuage his guilt. He sets himself on fire, attempts to burn himself at the stake, to purify his body, rid himself of the dark gift.
Louis is a man endlessly trying to account for the pain he has caused and he ultimately fails, over and over again, because he can't get rid of what he is. A monster. He's an endlessly hungry monster. He's hungry for love, for respect, for power, for forgiveness, for death. He's a hole that can never be filled. He can never truly acquire any of those things because he will always be punishing himself for wanting and needing them in the first place. He will never truly believe he deserves them and as a result, can't accept them if they are ever offered. He can never be absolved for he has damned himself by accepting the dark gift and thus has tainted himself past the point of saving.
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by: Tiffany D. Jackson
Published: Sept 6, 2022
Genre: Horror, Young Adult, Fiction
416 Pages, Hardcover
★★★★
GoodReads Synopsis:
When Springville residents—at least the ones still alive—are questioned about what happened on prom night, they all have the same explanation... Maddy did it.
An outcast at her small-town Georgia high school, Madison Washington has always been a teasing target for bullies. And she's dealt with it because she has more pressing problems to manage. Until the morning a surprise rainstorm reveals her most closely kept secret: Maddy is biracial. She has been passing for white her entire life at the behest of her fanatical white father, Thomas Washington.
After a viral bullying video pulls back the curtain on Springville High's racist roots, student leaders come up with a plan to change their image: host the school's first integrated prom as a show of unity. The popular white class president convinces her Black superstar quarterback boyfriend to ask Maddy to be his date, leaving Maddy wondering if it's possible to have a normal life.
My Review:
Maddy knows that she is different, she is not like the other kids in Springville: she knows this, everyone knows it, so why can't they just let her be?
In her small town of Springville, Georgia, Maddy wants to disappear into her surroundings and let the rest of her high school class enjoy their senior year without even noticing her. She is perfectly fine going the rest of the school year, 100% unnoticed. That is until a brief, freak rainstorm rolls in out of nowhere and upends everything that she knows to be true, thus far.
This is... She's All That, 10 Things I Hate About You, and Carrie (the original, not the 2013 remake) all smashed into one book. With the backdrop of a racially divided small town and social media.
I enjoyed the writing style. I enjoyed the characters. I could have passed on the podcast interjections but, I didn't hate them. Maybe if they were police interrogation transcripts, I don't know -- but again, didn't hate it.
I hope there is another book to follow this, I'd love to hear about Wendy and how her life turned out; Kendrick and where he is, hopefully living his life to the fullest; and of course, where is Maddy?!
One-Word Summary: Blackface
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