#both quite fitting

[izar-tarazed]

What tarot card are you?

The Moon

(for Izar) You avoid corners and doorways - do you know why? Have you looked inwards recently? Do you understand what is happening there? Your mind is muddled and dusty, a mirror you haven’t been able to clean properly. Smudging the nervousness just leaves streaks on the glass, which makes your face harder to see, which makes you nervous. What are you nervous of, darling? What keeps you up at night? Why haven’t you confronted it? Do you know what it is? Can you answer my questions? Are they making you nervous? Am I frightening you?

The Hermit

(for Ensha)

It’s a skill, to look inside yourself, one you have mastered. The endless corridors and shifting thoughts are mapped to very carefully. This all takes time, of course. And those twisting hallways are so very difficult to map. It would be so easy to get lost. You know this space so well. Wouldn’t it be a lovely place to stay? So well-known and comforting. Why go back? How nice, how easy, to dissolve, to hide from the rest of the world and all the people in it. Why bother, when you are so good at looking inside yourself. Like enlightenment, the self. Retreating this far inwards is like retreating just as far out, into the vast ether. So comforting. The thing that was you looks at the thing that was the old woman. There is no you anymore. Goodbye.

Tagged by @rotten-pest (thank you!) Tagging whoever wants to do this!

[tubbytarchia]

got an urge to design ponies oops

[vampireposter]

meeting wyll at the grove, as someone who the tieflings trust enough to train their children, says so much about him. it's so sad that he doesn't get explored in acts 2-3 as deeply as the other companions, when his problems are equally intense. the average player probably long rests once before coming across the grove, but even if not, in that time wyll has already proven to the tieflings that they can rely on the Blade of Frontiers.

this is the immediate first thing he chooses to do after being condemned to slow death via ceremorphosis. his priority list in the first conversations with tav is: 1) hunt down a dangerous devil, 2) help zevlor with the goblins, 3) once nothing threatens the tieflings he will gladly search for a tadpole cure. wyll is perpetually his own last priority, and i wonder if it has to do with the lore about souls.

if he believes mind flayers' souls have been destroyed, and fiend warlocks will all have their souls sent to the hells after death, then becoming a mind flayer isn't the worst possible way for him to die. he would never become a mindless monster to save his own soul, but he's not gripped by horror the way that some of the other origin characters are. lae'zel has been made revoltingly impure to her people, astarion is terrified of losing the scrap of bodily autonomy he just regained, gale is guilt-ridden over the orb detonation if he dies, shadowheart has to survive to prove herself to her cult leader, and karlach has also just regained bodily autonomy and is desparate to live.

this is just another quest for the Blade, whose persona guards wyll ravengard against the vice of self-concern when he ought to be concerned for those in need.

[tolkienillustrations]

“It [The Lord of the Rings] is finished, if still partly unrevised, and is, I suppose, in a condition which a reader could read, if he did not wilt at the sight of it…now I look at it, the magnitude of the disaster is apparent to me. My work has escaped from my control, and I have produced a monster: an immensely long, complex, rather bitter, and very terrifying romance, quite unfit for children (if fit for anybody); and it is not really a sequel to The Hobbit, but to The Silmarillion.”

— J.R.R. Tolkien to Sir Stanley Unwin, 24 February 1950

[ganondoodle]

you know im unable to shut up when i have any opinion on zelda (though i try and have thus far succeeded at not commenting on any other concept from the darn book)- i find most totk ganondorf concept art worse than what we got to insulting even (of those i have seen) ..... this one though

much more the one in the background than the one up front, still at least he has the collar and the weapon we saw in the first trailer of things that never happen in the end (like so much else)

[coffeebanana]

having thoughts about the marinette and nathalie hug because like.

my god.

marinette's just had her world turned inside out

she's just a kid and how's she supposed to carry all this alone and what is she supposed to do and what does she tell adrien?

and then, suddenly, there's someone there to share the burden. an adult. someone who has a reputation for getting things done

so maybe, just this once, everything doesn't have to balance on marinette's shoulders alone

but it's nathalie--who, sure, adrien obviously cares about. but not someone marinette's at all close to. certainly not someone she probably thinks of as warm or parental or even very trustworthy. maybe marinette's even started to put the pieces together--if gabriel was monarch, then mayura must have been...??

those doubts seem insignificant when she actually sees nathalie

the last time marinette saw her, she was dying. and now marinette knows what gabriel wished for--at least some of it. she knows he did one good thing in the end. that he finally, to some degree, put adrien first

then another horrible truth dawns on marinette: nathalie doesn't know--of course she was aware gabriel was dying, but she still doesn't know he's dead

marinette's probably already thought up a hundred different ways she might break the news to adrien--even if she discarded them all just as quickly. she hasn't thought at all about breaking the news to nathalie

what's she supposed to say? however complicated things were in the end, gabriel was obviously someone nathalie cared about

marinette struggles to find the words, but nathalie just knows. she already suspected, because how would she be here if gabriel was as well? and now the truth's written all over marinette's face

it's not just marinette who needs that hug--though nathalie would probably never admit it, which is why it's marinette who's running to her

how many weeks has adrien been gushing to nathalie about marinette? about how she's so creative and strong and compassionate and full of love

and in that moment, nathalie understands

[aardvaark]

im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.

[1800-lemon-boy]

Friendly reminder that Jason having a Roman funeral was probably the last thing that he would want.

<33

[lieutenantselnia]

Random appreciation post for TV shows about special task forces that are also oddly endearing (found) families, they just have a very special place in my heart❤️

Hogan's Heroes (1965-1971)

The Penguins of Madagascar (2008-2015)

Star Wars: The Bad Batch (2021-2024)

[gabriestat]

true detective: the long bright dark / disco elysium: jamais vu (derealization)

[ancientbygone]

shall we renounce

from where we've come

and who we were?

[greasypigeonart]

Seeking revenge has altered your ego, wouldn't you say?

[fictionadventurer]

Have I mentioned lately that creating AUs is the most fun thing ever? You get to take a story you love and then mash it against another type of story you love and fit all their pieces together like they're a jigsaw puzzle. You get to find all the unexpected points of similarity where the stories fit together really well, and see the places where their differences change and make commentary on the original stories/genres in really interesting ways.

And then once you fit the pieces together, you get to look at the new world you've made and see how these characters in this specific world have different conflicts and explore new themes, and you get to play with another level of puzzles as you figure out what this means for this story.

It's the most fun ever. It's my favorite game.

[letsjam-art]

kiba wolfsrain and johnny are two very similar people and i had to draw about it. both incredibly prideful/soulful individuals with singular devotion to their ideals often at a cost, both 'leaders' in a sense that start out not caring at all for their followers, that become much more tempered and changed through an experience with death. theres also the song 'could you bite the hand' from the wolfs rain ost that is literally something johnny couldve written word for word, and the op stray fits well for both of these characters. i think its cool to muse on how these are both kinda anachronistic characters or characters that stick out and fight against the current of urban despair and decay in their respective worlds

anyways old art that i needed to get it over with

[heartless-aro]

Reminder that just because a character isn’t explicitly referred to as aspec doesn’t mean that it isn’t harmful to the aspec community when the character is written in a way that implicitly ties their cruelty or their violence or their evil acts to their disinterest in romance, sex, or other forms of relationships. Dexter Morgan may have never been called aromantic or asexual in-text, but when I came out as aro ace to my family, I still got a reaction of “Oh, so like the main character from Dexter! He doesn’t have interest in those sort of relationships either, because he’s a serial killer.”

J.K. Rowling may have never called Voldemort aromantic, but she did directly tie his evil acts and his choice to be a genocidal monster to the fact that he cannot feel love. People have told me that this wasn’t arophobic of her at all, because “his inability to love is psychopathy, not aromanticism!” Ableism against people with personality disorders aside, this doesn’t actually change the fact that Rowling’s writing, specifically her characterization of Voldemort, is deeply arophobic. When I read the Harry Potter series as a kid, it made me feel broken and dirty, and I remember realizing abruptly that this writer whose work I had gotten so invested in would likely have seen a part of me—which I didn’t yet have the words to describe but which was a core part of my being—as something evil, immoral, and shameful.

Anyway, a character doesn’t have to identify as aromantic or as asexual to be written in a way that’s arophobic and/or acephobic. Discussions of aro coding and ace coding are often relegated to the realm of headcanons, and that can make it feel almost like we aren’t “allowed” to call out arophobia and acephobia in mainstream media. This character who kicks puppies and commits genocide every other Tuesday due to being incapable of love isn’t really aromantic, right? That’s just a headcanon.

But even without our words being used to describe these characters, we are still harmed by the existence of characters who are evil because they don’t love or who are just too evil and gross for the writers to feel comfortable imagining them in a sexual or romantic relationship (We don’t want to think about Dark Lord Puppy Kicker kissing someone or having SEX! Ew! He’s far too repulsive to be thought of in such a light. Let’s just imply he doesn’t care for such things.). This rant is a bit messy and disorganized because I’m very tired, but hopefully y’all get what I’m trying to say.

[blackhholes]

Teen Wolf as Arthurian Characters

Kira Yukimura as Morgan le Fay