#both the original and the generations version

[thenamesblurrito]

so. Transformers ONE was a good movie

i HIGHLY recommend going in blind, i do think it's incredibly effective with as few spoilers as possible beforehand! seeing it on the big screen is really really nice too, i encourage you to watch it in theaters without reading up on it first if you can!

long full-spoiler review and dissection of elements below (i reached the text block limit a couple times oops):

general stuff:

gorgeous. just genuinely visually gorgeous. so many details, colors, textures, everything was so beautiful. the stylization itself may not be my favorite but it was executed so well that i ended up loving it. their optics! their colors! their movement! the way the visuals serve the lore and the story is extremely well done too, i felt like everything i was seeing was deliberate, relevant, and a treat for the audience instead of just "ooo visual noise look at how powerful our cgi rendering is" (which is how i felt about the "live action" Lion King prequel(????) ad they showed before). all the little cameos and repaints and everything in the background? mwah. GORGEOUS MUSIC TOO AAAA THE WAY THAT TFP'S MOTIF IS IN THERE AAAA

the visual effects and action, the way they USED their roboticness/transformation sequences/vehicle modes in fighting and moving and emoting, it was VERY GOOD. Orion grabs a Death Tracker and RIPS THEM INTO PIECES BY TRANSFORMING AROUND THEM AND FORCING THEIR FRAME TO SHATTER. insanity

this is ABSOLUTELY the origin story movie the fandom has wanted. even if it wasn't your preferred origin story, this movie SHONE with love and respect for the franchise and drew on so many influences to craft a powerful version of the beginning we all wanted to see

in some ways i wish we had more, i think it would've been extremely effective to see things expanded upon, especially D-16's emotional descent and maybe some more Quints. actually looking at the content and pacing of the movie though, and the audience it's aimed at, i don't think there's anything they should've cut in favor of other stuff. i understand why it wasn't dwelt on more, but hooooo i would've liked to see Dee breaking apart a little more thru the middle of the film. apparently the novelization has more scenes of this and i would love to read it

i had so much fun watching this movie. it was a rollercoaster. it was a TREAT. i was sitting there enjoying every second both times i saw it because it was a good film that rewarded me greatly for being a Transformers fan, giving me so many easter eggs and injokes, while also being perfectly understandable and fun for a complete newbie. excellently balanced appeal to old and new fans alike

there was no wink to the audience about how stupid and childish a movie about robots is, there was no lampshading of how silly sci fi is, there was no betrayal of the emotional tone of the film. so many stories now kneecap themselves by mocking their very concept, and the audience watching them, in a very cinema sins-style irony poisoned way. this movie never does that. its humor is fitting, its drama is real, its emotion is all SINCERE and i love how i was never mocked by any part of the movie for engaging with it sincerely

this movie loved being a Transformers movie

anyways. specific stuff:

love how Wheeljack managed to explode everything despite not even being a scientist. he's just THAT good

THE INJOKES AND REFERENCES. "you don't have the touch OR the power." calling them Gobots. the corny More Than Meets The Eye bits. "don't be a glitch" is a headcanon swear i've been using for years now and they canonized it!! "High Guard, eject". "paging doctor Ratchet." the new take on "all are one". the really interesting way that the term Transformers is an actual significant in-universe name, and how Orion and Dee ARE NOT Transformers at first!

the sheer number of cameos is ASTOUNDING. what an excellent mix of masc/fem designs too, they really made it normal on this Cybertron which i appreciate! apparently Blurr exists here, his name was on the leaderboard!!!!!! good job Chromia i am so proud of you for winning. and the shots of the bots getting cogs at the end was aaAAA!!! <<33 my HEART! Jazz's little smile looking at his new doorwings!!

I GOT ALL MY SILLY OLD DEMIGOD FAVES I GOT THE THIRTEEN EVERY SINGLE ONE OF THEM AAAAAA ALPHA TRION MY GRANDPA god i'm so sorry you're dead but i can't believe you showed up on the big screen <<333 you and your rockin rhino unicorn lion alt mode. and your superpowers. god you're so cool. "old timer" NUH UH HE'S STILL BETTER THAN YOU!!!!! using Zeta for the thirteenth was an interesting choice! i did think he was Overlord for a hot second. it's the lips. Solus wasn't fridged by virtue of everyone else died too yippee!! ALSO MEGATRONUS THE COOLEST ONE WOOOO HES NOT JUST A FIERY EVIL GUY!!!!

the way Dee himself was, in a way, the Fallen of this continuity.... 😭

the way Sentinel was handcrafting his downfall with each touch of the blowtorch. carving the sigil of the Decepticons into the one who will kill him. dooming Cybertron in a moment of petty mockery. AND HE DOESN'T EVEN DRAW IT WELL IT'S LIKE A MESSY CRAYON DRAWING CMON

planetformer Primus in a blockbuster movie? CANONICAL EXPLICITLY STATED PLANETARY ROBO MPREG BIRTH IN THE FIRST FIVE MINUTES???? THEY USE THE WORD BIRTH. BORN. we are never escaping the reproductive insanity in this franchise

Shockwave you whiny tantrum throwing wuss. let Elita beat him up more. it's good for him. also love how that could be construed as a ref to her G1 resistance force

CASUAL MIND READER SOUNDWAVE???????

Elita was perfect, no notes. i would not like her if i met her but i respect her so much. she really is better in every way and down to business. Best First indeed

so much cool implications and fascinating timeline confusion. 50 cycles since the Primes were slaughtered? the way Sentinel leveraged their reputation to make himself beloved, casting himself as their peer? the way he didn't choose to villainize them, the way he apparently openly admitted to the loss of the Matrix and how it impacted the planet? when did cog theft start, and how old is Orion since in the novelization it states his entire generation is cogless? who remembers the og Primes? who is in the know about it all?? hoooghhghhh fascinating.

the implication that the High Guard worked with the og Primes?? the possibility STARSCREAM was a loyal guard for Cybertron's DEMIGODS????

okay i was not expecting a backstory for STARSCREAM'S VOICE in this movie but holy. god. the shippers will be going insane over this one. hoogh holy fit. what is wrong with you. the utter contradiction of being both an instigator and a coward when he gets in over his head and immediately backpedals

also obviously this is the I Love Divorce movie and megop shippers will be having a field day but i DEEPLY appreciate just how solid a friendship Dee and Orion have and how badly they fall apart, even thru a strictly platonic lens. i also appreciate how there was no forced comphet attraction/romance!! i was dreading the possibility of it, i mean Oplita was RIGHT THERE but they didn't force it at all thank youuuuuu. i would rather have this dynamic with its zero intended romance than awkward, OOC attraction shoehorned in to detract from the plot

Bee was actually good! like yeah he's def the kid appeal character and i prefer it when he's in a younger gen and not OP's peer, but he was wayyyyy less annoying than i was expecting! i think he fit the movie and did his job in it well, and i absolutely laughed at him multiple times. "i get to work for the GOVERNMENT! :DDDD" bee. please. the fact that he's been going insane and desperate after isolation for so long really helps make his character work instead of being just irritating

Airachnid you are so cool. you are TOO COOL. PLEASE TONE DOWN YOUR COOLNESS. i adore how she is not good at facial expressions thank you evil autism moments. love how her signature move is stabbystabbystabbystabbystabbystabby

Sentinel. god. Sentinel. SENTINEL!!!!!!!!!!!!!

i need to draw him getting ripped in half. it's like they distilled the worst parts of every single iteration and combined them into a SuperBad version. horrifically realistic kind of guy. i love to hate him. real Metro Man from Megamind energy. and megachurch pastor energy. the IRONY that Orion and Dee were probably actually helping him, that he was probably being genuine in the medbay when he said he loved what they did by racing, that he may have been honest when he said he was gonna have them fixed up in his own facilities and had them tour the mines! because them racing increased energon production by 150% and Sentinel needed that!!! he needed that for the Quintessons!!! i think he was being genuine when he first met Dee and Orion and then Darkwing ruined everything!!!

Darkwing is the curly straw of this continuity

the Quintessons were hoooooooooooooooo. whoooooooooogh. hoohhhhhhhhhhhh. the biomechanical. the shapes. the textures. eugh. icky. creepy. excellent. the way their ships looked like the Nemesis. the way they're STILL a looming threat. i wanted to see more of them but i get why the movie wasn't about them. i hope we see more in the future

the way Orion is the kind of guy who, in an attempt to be selfless, keeps making selfish or thoughtless decisions was SO INTERESTING. it set up the dynamic of his and Dee's friendship very well, with Orion always wanting the best for his buddy but ultimately overwriting or ignoring what Dee says!! the way Dee clings to the social contract of protocol for safety because that's all he knows and his ANGER when it's broken, even when it's Orion breaking it, because that's not SAFE it's an UNKNOWN it has CONSEQUENCES WHEN YOU DEVIATE. and then it's revealed that the social norms have been a lie the whole time and Sentinel has "broken protocol" more than ever and Dee has no safety left because it was always broken. Orion wanted to be more, he could feel there was more. Dee just wanted security

Dee spent so much of the movie complaining and arguing and it was very funny and good characterization but it was also a hint at how much bitterness was under there the whole time. so much of his complaints were threats of violence. he always had Orion's back and then when he learns the truth he abruptly. stops. do you notice he doesn't really have Orion's back after this? he's no longer by his side? he's there, but he's not... there. he was the first to shoot an enemy and took joy in it. all of his emotions were so justified and then what he does with them is what makes it a tragedy. he didn't have to do this. augh

i really, really like the fact that they managed to pull off the ending without it fully turning into a "boohoo if we do anything violent we're as bad as the bad guys waaaa". the specific phrasing of "rebuilding cannot start with an execution" went HARD. and it's demonstrated in their actions too like, Dee was out for REVENGE and it was PERSONAL, Orion was fighting for JUSTICE and it was UNIVERSAL. Sentinel was beaten, everyone knew the truth. it was over. but Dee in his (very justified!) anger and broken trust was too overcome to back down. they were given the power to change their worlds, but Dee was thinking only of his world. Orion was thinking of everyone

ironic that as soon as Orion starts thinking of other people and considering what they need instead of forging ahead, Dee decides to center his own feelings and actions to the point of murder. even after Sentinel was dead, he just kept shooting, he did NOT AT ALL care that some of those shots were clearly hurting innocent civilians/going wide and shooting out into the city/damaging actual important infrastructure and not just Sentinel statues. i believe it's Bee who said "he's gonna kill everyone" and he proves it by attacking Elita and saying "I won't stop until every last one of his followers is dead". THE FACT THAT HE FELL SO FAR AS TO SEE ELITA, HIS PEER AND FELLOW FREEDOM FIGHTER WHO WAS THERE WORKING AGAINST SENTINEL WITH HIM FROM THE START OF THIS QUEST, AS ONE OF SENTINEL'S FOLLOWERS.... by the end of it, Dee really was nothing but blind anger

and the way kneeling was a common thread!!!!! aaaaaaa. Sentinel betrayed the world by kneeling to the enemy. Dee won respect by refusing to kneel. Orion gained followers by willingly kneeling to his peers. hooghh

Orion jumping and stumbling and falling this whole movie because he just THROWS himself into things because he BELIEVES in things, he's the one to take leaps of faith, to take that step out into the unknown! and Dee refusing to save him as one final nail in the coffin, so clearly feeling like Orion jumping in front of the blast was yet ANOTHER way Orion is forcing his hand, corralling him into doing something he thinks is best but did not consult him on, finally FINALLY saying NO and leaning in to the tragedy!! and in the exact same way Sentinel handcrafted his enemy in Dee, Dee has now handcrafted his enemy in Orion!! AAAAAAAAAAAAAAA and now that Orion took that last leap of faith and fell, now is when he RISES. ONE SHALL FALL AND ONE SHALL RISE. god. it reminds me of Spiderverse, the way they use falling and rising

the way the tragedy is worse for how well everyone was working together.... for one shining moment, the miners and the High Guard, the rescue mission, it was going so well. they were doing it. they were winning. it didn't have to turn to slaughter. if there was to be an execution it should've been by trial, by the voice of the people, not Dee deciding for Cybertron as Sentinel decided what truth was. augh.

in an abruptly different note, the way they have characters move and fly is so cool. i love the jetpacks. i love how flight is not "flyer" exclusive. it's fascinating and i think really fitting for the general city of Iacon itself. all those towers going up and down

THE TRAINS!! THE MOVING ROADS!! HOW COOL IS THAT!! LOOK AT THAT WORLDBUILDING IM OBSESSED WITH THIS CYBERTRON HOOGH. this movie was VERY good at building a rich, functional world of detail and making it very alien in a way i want to chew on forever. the moving mountains and greebled energon mines. the living planet. the deer!!! ooghghh. PRIMUS LOOKS LIKE A STAR

i do like this Primus actually, yeah it was a deus ex machina but that's the POINT. Optimus himself is an act of god and his presence heralds miracles. Dee couldn't bring justice to Cybertron because justice is restoration. justice is healing what was hurt and doing right by the wronged. yes that often means consequences upon the perpetrator but that's NOT what Dee was doing, he wasn't even THINKING of anyone else!! would killing Sentinel get ppl out of the mines? would it restore their cogs? would it bring equality to a clearly oppressive society? like he LIVED this (cogless bots with limited options, the talk of tiers as if they are social castes you can be demoted from, lower city levels where ppl can be banished, etc) but it was Orion who ultimately addressed this. i'm sorry if it feels like insult to injury to rub his Primacy in your face, Megatron, but stealing a cog just like Sentinel and declaring the age of Primes over, when it was the age of Primes ending that made you cogless and oppressed in the first place, is only an extension of your trauma, anger, and violence, and is not solving the problem!

a cog stolen from him at birth! and then he steals it from Sentinel in symbolic revenge, stolen again, but even that wasn't Sentinel's, it was stolen too! the way he discards the cog from Onyx, willingly gifted to him, to continue the trend of desecrating the dead! man. MAN. the name he took, the cog he took, the symbol he took, all from his hero, the one he looked up to, the coolest Prime, and THEN DECLARED THE AGE OF PRIMES OVER

the gilded pompous showmanship of it all was so gross, the way Sentinel's face was everywhere, the way he had instant access to everyone in Iacon via announcements that took over the media. but this was clearly derived from the previous Primes!! we see their statues, we see their stately tower, and unless Sentinel had all that built in "mourning" (which is totally plausible imho) he was really just setting himself up as an inheritor of that hyperwealthy standard! we don't know anything about the rule of the og Primes beyond that they're favorably remembered and loved (possibly because of propaganda but i think it was also genuine) and that they may have been losing the Quint war (considering that info was from jerkwad supreme i find it suspect) but just by comparison to Sentinel i think they HAD to be better rulers. there weren't cogless bots forced to mine for 20 shifts in a row back then!!! Sentinel is stealing their aesthetic as if that gets him the same power and acclaim. he's trying to steal their legitimacy. he paints himself across the face of Iacon to hide the fact the planet itself went into a coma because of him. he has ALWAYS been rejected. i call him a megachurch pastor but really symbolically i could say he's a fallen angel, and his visual design really fits too

i'm coming back to the deus ex machina thing bc i know it may be considered weak in a plot construction sense but i want to engage with it as literal. like, there is a literal in-universe god in the machine. they know it. they worship it, at least a little bit. i would consider this story to be analogous to Prince of Egypt, in that the deific is a real and tangible character with impact on the plot, and not a meta excuse to save the day. Orion made his choice, and as a result Primus made HIS choice. it's not necessarily a happy ending but if even Megatron acknowledges that GOD mandated this guy to be a Prime and the planet itself responds by COMING BACK TO LIFE.... i keep thinking of it like a cityspeaker, how they're the ones who commune with Titans to know their needs and tell them what needs to be done. is a Prime just the cityspeaker of Cybertron, able to help it remain healthy and functional?

the divine right to rule is REAL on Cybertron. you can like it or not but you have to contend with that when discussing fair leadership, political accountability, and representation of the masses re: Cybertronian government and Primacy

god i'm still so obsessed with the Thirteen i need to see them better i need to look at them. i love them. insane. i really need to invest in a chewtoy

also i know it may be a throwaway line but i'm very curious why Primus had to transform and sacrifice himself to save the universe. Unicron, maybe???

also how did Alpha Trion narrate the archival stuff telling the fake story of how the Primes died and the Matrix was lost. did Sentinel get a deepfake of his voice?? is that part of how he made the transition to power?? AUGH THE DISRESPECT KEEPS COMPOUNDING

Alpha Trion. my blorbo. my old man. holding you so tight. like an ancient rescue dog. im gonna groom you and give you treats and buy the biggest plushest dog bed from costco for you

anyways

good movie, guys

[burdigel]

Theories and Headcannons Pt. 22

So new week, new theory about Doc's new poker game and the hermits decided to be used as the monarchs and joker for each type of deck. Innovated from the French-suited playing cards, Doc's poker deck has four suits, diamonds, hearts, clubs and spades, and each suiting having three court cards, King, Queen and Jack. This results in only twelve available spaces considering one hermit takes one court card each and leaves fifteen hermits unable to be represented by the cards. Nethertheless even with the limited representation of the hermits, each cards has its depth and lore.

Starting with the suit of diamond, has Doc representing its King, Gem representing its Queen and Scar representing its Jack. As diamonds is represented as a valuable material considering its bartering and trading value in Hermitcraft, being the main currency for shops, it's reasonable that Doc would be the face of Kings of Diamonds. Gem's reasoning is also obvious due to her talent considering both PVP and her building skills. Finally Scar, being the Jack of Diamonds is poetic due to his bartering (scamming) skills built from his charisma to trade for "diamond" tiered items with common items.

The court of Hearts is a different story considering its representatives are Rendog for the King, Falsesymmetry for the Queen and Bdubs as its Jack. With the symbol of Hearts often depicted as red and hearts in general epitomising the living flesh of a person, Ren as the King is perfect. As RentheKing in Hermitcraft Season Nine and the Red King back in Third Life, Ren deserves the position of King of Hearts. Second to the King of Hearts, is Falsesymmetry, the winner of Season's 10 demise. With hearts also depicting the life and soul of a person, it's also fitting for the winner to recieve the mantle of Queen of Hearts. The final court of Jacks is Bdubs, who in Season Nine of Hermitcraft was the assistant or right-hand man to RentheKing. Resulting in his title of the rank below the King, Jacks of Hearts.

With the court of Spades, majority of its court was already explained by Doc in his previous Hermitcraft 10 episode, (29) with the Jack of Spades being Mumbo, a spoon, Etho being definitively cool and the suit of Spades being objectively cool (in Doc's perspective), and Pearl fitting the role of Queen of Spades. But the reasonings run deeper than this besides Mumbo's spoon reasoning. Take Pearl, the Queen of Spades. Back in Season Nine, she was the Cleaning Lady, taking on jobs of cleaning chestmonsters and other messes with a price. Spades is often linked with the concept of cleaning so it was natural to pick Pearl. The final court card, Kings of Spades, is given to Etho and rightfully so because of his connections to Shade-E-E. Originally Shade-E-E was a "subscription service" and later evolved to a "gardening service" which entailed him using dirt and other blocks to create pixel artworks for the other hermits in saeson seven. And what else is connected to dirt, spades, hence the King of Spades being Ethoslab.

The final suit, Clubs, consist of King of Clubs being Xisumavoid, Queen of Clubs being ZombieCleo and Jack of Clubs being Grian. Although the listed hermits' connections to the suit of Clubs may be vague, there is a connection hidden between the layers of history the deck of cards retains. With majority depictions of a deck of cards using French-suited playing cards, other versions of the standard 52-card deck is found throughout multiple continents with German depications of the Club being an acorn. Acorns also being a symbol of strength and resilience, a trait Xisuma has constantly demonstrated throughout the decade Hermitcraft has been running. Cleo's connections of the suit of Clubs includes her role as an enforcing monarchy, the Queen, with a royal baton otherwise known as a sceptre being a symbol of royalty. Finally, Grian's relation to the Club are the multiple depictions of the suit of Clubs being of a plant. Plants and weeds like the clover and acorns are all edible to a range of bird species, both domestic and wild and with the fandom's collective decision to represent Grian has a human with avian features, it's his connections to birds that create his relationship with the Jack of Clubs.

These twelve court cards all with their representative hermits all have depth and lore leading their portrayal as the monarchs and Jacks of each suit.

---------

So this theory is finally here and I hope it made up for the multiple weeks without theories. Still have to cope with exams but soon I will be free from these shackles.

[rosenotactuallyquartz]

amethyst & rose

(an analysis on their dynamic)

amethyst & rose have a very fascinating dynamic. amethyst looked up to rose, believing that she made everything better. the feeling was mutual. they never quite knew just how alike they were, but they inspired each other nonetheless.

"rose said i'm perfect the way i am!" — amethyst, crack the whip

“one very important relationship is amethyst with rose, because amethyst is what rose wished she could be." — steven universe podcast, volume 3, episode 1

from the beginning, rose felt a connection to amethyst. there were little pieces of rose’s soul in everyone she loved. from there, she wanted to give them the environment that she never had in her early years.

for example, rose perceived greg as the human version of herself in a lot of ways. their minds worked the same way. garnet & rose connected as gems who shared similar beliefs, and they bonded over their experiences related to love & interpersonal connections—the beauty they saw in things that were considered wrong in the eyes of homeworld’s society. as for pearl… she contrasted rose in many ways, and that made their connection meaningful in its own way, as partners. still, when it came to emotions, they were similar (i.e., how they felt when they wanted to protect something or someone, how they loved, etc. in general, they also felt everything very strongly, so strongly that it hurt them). rose was deeply inspired by her loved ones & often admired the traits & skills that she didn’t share with them. however, the similarities between rose & her loved ones likely played a role in what she wanted to do for them. she wanted everyone to have the environment she never had on homeworld. while there were no rules & freedom for all the crystal gems to be who they are (among other things), rose was very extreme, as sugar states.

"the thing that she really lacks is balance, any ability to temper her extremes. this is part of her character throughout her forms: she's always very extreme." — rebecca sugar, end of an era

“[amethyst] was sheltered from knowing the full truth of her origin & therefore she was not free to build on that aspect of her identity. both the advantages of freedom & the disadvantages of lack of structure manifested in her." — steven universe podcast, volume two, ep two

nevertheless, the way rose revered & loved everyone around her was incredibly sincere & intense. her guilt, self-hatred, & lack of self-acceptance made it hard for her to feel empathy for herself. at the same time, she gave so much care, love, & acceptance to all these little pieces of herself. she never realized just how similar she was to those she loved because she often hid things. to amethyst, rose had all the answers, and every day with her was relaxing, fun, and she felt loved. rose was older than her, the nurturing mom friend who (as amethyst said herself) made everything better. at the same time, it was hard for amethyst to fully understand rose's choices and she never saw a lot of her vulnerabilities.

amethyst & rose were so incredibly similar, & they had no idea just how much they had in common. still, they both knew they were similar. both are playful & young-at-heart. both feel emotions deeply, but they cope with their intensity by trying to make things lighthearted.

they share a sense of wonder that makes them see beauty in the most unusual and odd things—moss, random foods. they probably both brought back the most ridiculous things from missions, much to pearl's dismay.

while rose kept secrets, she also did everything in her power to shield amethyst from anything that might hurt her. because here’s something that pearl + rose have in common: they both want to help so much that it hurts them. they want to prevent harm, to protect those they love & see as precious, but they can’t control everything, & that causes a lot of pain.

"i'm not supposed to be small. and everyone's always acting like there's no problem. you can be anything you want to be. no! i can't. i can't even be the one thing i'm supposed to be, you know?" — amethyst, steven versus amethyst

“rose teaches amethyst: you can be anything you want to be! huge advocate of shapeshifting, self-expression, anarchy—however, amethyst can sense shame from rose and pearl over the kindergarten.” — rebecca sugar, end of an era

literally & figuratively, amethyst and rose both felt smaller compared to the other quartzes and diamonds, respectively. though their situations were different—rose coming from homeworld, & amethyst learning about it later—other quartzes made amethyst feel insecure, powerless, & "wrong," much like rose felt as a diamond. despite this, they both became crystal gems, rebels choosing to be their own individuals, knowing they don’t have to follow homeworld’s rules about their gem’s purpose. they both love living on earth.

"what? you mean about the bad thing? how this bad place is where bad gems came to grow more bad gems? is that what you're talking about?" — amethyst, on the run

"rose's message began to resonate, to pink diamond's dismay. her colony was falling apart. so, like a coward, she called for her diamond allies, yellow & blue, to help." — garnet, your mother and mine

their beliefs also made them ashamed when they looked at their gems. rose, though she became her own person and acted as if the past never happened, still remembered being a diamond.

"i never asked for it to be this way. i never asked to be made!" — amethyst, on the run

"[rose] couldn't stand herself; self-destruction is a huge theme throughout the show—the struggle of the feeling that you shouldn't exist, & what that can do to a person. a lot of the themes of the show exist within rose." — rebecca sugar, end of an era

knowing everything that the diamonds did fueled her self blame & only worsened her feeling that she shouldn’t exist. amethyst feels similarly, and while she became her own person and those around her acted like the kindergarten never happened, she felt like a “big mistake.”

"i’m not going to let you stand there & remind me of everything i hate about myself!" — amethyst, on the run

"[rose] reveres them instead, because they are better than she could ever be, & that reverence is so honest & intoxicating that it draws everyone closer to her, without them understanding the deep self-hatred that pull is coming from." — end of an era, page 88

for a variety of reasons, they both struggle with low self esteem. pink felt insecure around diamonds on homeworld & amethyst felt insecure around quartzes on homeworld, making them feel smaller not just physically but emotionally. they often felt like they needed to change themselves to fit in. they also struggle with the feeling that their closest loved ones are better than them, although the reasons may look a bit different. amethyst knows that garnet, rose, & pearl fought in the war and aren’t from the kindergarten, while rose also feels guilt about where she’s from and feels weak & “bad” compared to the others.

“amethyst finally understands rose... wanting her to shapeshift... not feel obligated to be a quartz... suddenly feels sympathy... kinship. it wasn’t amethyst being inspired by rose. rose was inspired by them!” — end of an era

“the truth is that the people in her life would be so much more understanding than she believes they will be.” — end of an era

“i know you feel bad! believe me, i get it! sometimes it feels like you're never gonna like yourself but it's possible, man!” — amethyst, i am my monster

whenever people ask me what rose needed to do in order to heal, my answer is long & complicated. but i will say, i always include connie’s quote from mindful education. “you have to be honest about how bad it feels so that you can move on!” rose needed to be honest & vulnerable with her loved ones. this includes conversations about the past that she was ashamed of. this is why i never joined the fans who say pearl’s reaction to finding out rose kept secrets from even her was inherently wrong or harmful to rose, as a partner.

i always wished we saw more scenes of rose & amethyst. their dynamic is fascinating, & if rose could see amethyst by the timeline of future, she would understand just how much she could relate to her. opening up was difficult for rose, & for a good reason. revealing secrets she was ashamed of, taking accountability, & apologizing for things would always result in abandonment (isolation) or physical & emotional pain (punishments) during her early life on homeworld, with no positives in the end. hiding must have felt like a necessity for survival, & her fear of being caught by the diamonds worsened her anxiety, making her feel used to always hiding. nevertheless, rose really did contribute to a safe environment for amethyst’s early years & i think that’s incredible.

despite the tragic parts, amethyst & rose had a dynamic that was both close & meaningful. amethyst loved the life she had with rose, & now, she completely understands rose’s actions & everything rose did for her. as for rose, she loved someone who she knew well enough to be able to relate to, on some level. seeing their similarities, even the ones that are as simple as personalities, probably helped rose love herself a bit more.

[imtashamonet]

🤝🏾 [Mod Release] Generate Random Friends

The Generate Random Friends mod allows you to add random new friends to your Sims' lives, tailored by age group.

📋 Features

Generate 1-5 random friends for your Sims

Choose specific age groups for new friends

Easy-to-use menu through the mailbox

ℹ️ How to Use

Shift-click on the mailbox in the game

Select "Generate Random Friends" from the menu

Choose the desired age group for new friends

This mod adds a quick way to diversify your Sims' social circle. Perfect for storytelling, challenges, or just mixing things up in your game.

☑️ Requirements

The Sims 4 base game

Lot51's Core Library (must be installed separately)

⚙️Installation

Download and install Lot51's Core Library

Download the Generate Random Friends mod file

Place both files in your Mods folder

Ensure script mods are enabled in your game options

📥Alt DL (Always Free): SFS | Ko-Fi | Patreon

📢Terms of Use

Feel free to:

✔️ Link back to the original download page when sharing

✔️ Translate the mod into other languages. Please provide me with the link to the translation and link the original translation on your translated version

Do not:

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[the-busy-ghost]

Men Called Him Sir Gray Steele

Having many Strange and Norrell thoughts at the moment, but since I'm not exactly the type of fan who goes through and annotates and analyses I'm probably missing things or overthinking other details that have already been noticed.

That being said I've arrived at Chapter 51, "A Family by the Name of Greysteel" and this reminds me of my old theory about Flora Greysteel's name. Potentially the most famous Flora in British history was Flora MacDonald, who in 1746 assisted Charles Edward Stuart in escaping to Skye in the aftermath of the failed Jacobite Rising. I may be overthinking this aspect, since as a Scot I'm naturally conditioned to associate the name Flora with both that story, and stories about women who help historical and mythical "heroes" generally (note- no opinions are to be given on the character of Jacobite claimants in this post, but I have many).

What I am now less convinced that I'm overthinking is the 'Greysteel' aspect. Now Greysteil was a ballad which was extremely popular in sixteenth century Scotland (though like many popular ballads and poems from this period it may have its roots on the other side of the border in northern England as well). The references to Greysteil in Scottish history are probably related to the poem Sir Eger and Sir Grime, which may be fifteenth century in origin, but chiefly survives from 17th century versions, including in Bishop Percy's collection. The plot synopsis on wikipedia makes it clear that this is a poem replete with strange knights, and, perhaps more importantly, helpful female characters who go around giving gifts of magical swords to the heroes or generally acting as 'cunning' leeches (a leech was the term often given to a medical person, but it's more ambiguous than the rather more specific terms 'surgeon' or 'physician'). The name Greysteil refers to the antagonist of Eger and Grime in the poem- he is a mysterious knight who lives in the 'forbidden' country.

In preparation for reading chapter 51, therefore, (and while my food is cooking), I'm skim-reading a copy of the version of this poem in the Percy folio and trying to keep any important details in mind so I can compare it with Strange and Norrell. (Copy printed here)

What I do notice immediately is that when Greysteil (clad in red and gold) defeats knights who have the misfortune of coming across him, as a prize he takes the little finger of the man's right hand. This is his calling card.

It's a bit early in my read to say for certain but this absolutely calls to mind the fact that the gentleman with the thistle-down hair takes the little finger of Lady Pole's left hand as a token of the agreement when he agrees to help Norrell bring her back to life. Now taking a little finger may be a common motif in other literature too, I'm not sure, but given that there are other reasons to connect Strange and Norrell to the old poem Greysteel I have to wonder if this is significant.

In heraldry, the man's coat of arms often went on the right or dexter (viewer's left) and the woman's on the left or sinister. From what I've come across over the last decade this tends to be seen in other depictions of male-female relations in mediaeval and early modern culture, with maleness associated with the right and female associated with the left (bearing in mind that these were often married couples where the straightforward gender binary was at its most evident). So I have to wonder if Greysteil taking the little finger from the right hand of his (presumably all) male enemies, and the fairy in Strange and Norrell taking the little finger of the left hand of the woman he enchants, can be compared.

Again I have no idea yet what this may mean for the significance of Flora Greysteel, and whether we are to assume that her family has some connection to either the figure in the ballad or the gentleman with the thistle-down hair- I have yet to actually re-read chapter 51 and find out. But I'm posting this here in case it's useful to more observant fans than me and in case anyone can offer any insight. It was always a question I'd have loved to ask the author if there was ever a Q&A but I may be twenty years too late on this one.

Anyway, on with my re-read of Sir Eger and Sir Grime (and dinner)!

[murkystarlight]

So you remember the Netflix version of minecraft storymode? And it had dubs?

I was never a fan of dubs in general. But there was this random dialogue, that doesn't really mean mean anything, but it became so darn funny because of my language

So, the word 'apple' and 'apology' have the same spelling and they sound the same too

So in the first episode, when Lukas comes back with an apple and apologies- it just makes a funny dialogue. I'll try and explain it he best I can

So Lukas comes back saying "I picked some apples" and "there's enough for everyone" and Jesse replies with

"Are you apologising?"

So- in my language, apple and apology sound the exact same- so we got Lukas giving *apples* as an apology

I know it makes no fucking sense. But it is funny. I swear-

So pretend that the word apology has been replaced with apple. So both the fruit and the action that was originally called 'apology' is now called apple

So now- the lines would be

Lukas: "I picked some apples(fruit)"

Then Jesse's line becomes something like

"..is this supposed to be an apple(apology)??"

It- I don't know how to explain it anymore- but my friend gave me an idea for a bonus panel so-

Also,

They have 👅

Like- the mouths up close look so... creepy- I never noticed it but the inside has volume- and a actually functioning, moving tongue(also in volume)??

[chelsiegeorgia]

Speed Highway is probably my favorite Sonic level  

without the text

[anghraine]

Okay, breaking my principles hiatus again for another fanfic rant despite my profound frustration w/ Tumblr currently:

I have another post and conversation on DW about this, but while pretty much my entire dash has zero patience with the overtly contemptuous Hot Fanfic Takes, I do pretty often see takes on Fanfiction's Limitations As A Form that are phrased more gently and/or academically but which rely on the same assumptions and make the same mistakes.

IMO even the gentlest, and/or most earnest, and/or most eruditely theorized takes on fanfiction as a form still suffer from one basic problem: the formal argument does not work.

I have never once seen a take on fanfiction as a form that could provide a coherent formal definition of what fanfiction is and what it is not (formal as in "related to its form" not as in "proper" or "stuffy"). Every argument I have ever seen on the strengths/weaknesses of fanfiction as a form vs original fiction relies to some extent on this lack of clarity.

Hence the inevitable "what about Shakespeare/Ovid/Wide Sargasso Sea/modern takes on ancient religious narratives/retold fairy tales/adaptation/expanded universes/etc" responses. The assumptions and assertions about fanfiction as a form in these arguments pretty much always should apply to other things based on the defining formal qualities of fanfic in these arguments ("fanfiction is fundamentally X because it re-purposes pre-existing characters and stories rather than inventing new ones" "fanfiction is fundamentally Y because it's often serialized" etc).

Yet the framing of the argument virtually always makes it clear that the generalizations about fanfic are not being applied to Real Literature. Nor can this argument account for original fics produced within a fandom context such as AO3 that are basically indistinguishable from fanfic in every way apart from lacking a canon source.

At the end of the day, I do not think fanfic is "the way it is" because of any fundamental formal qualities—after all, it shares these qualities with vast swaths of other human literature and art over thousands of years that most people would never consider fanfic. My view is that an argument about fanfic based purely on form must also apply to "non-fanfic" works that share the formal qualities brought up in the argument (these arguments never actually apply their theories to anything other than fanfic, though).

Alternately, the formal argument could provide a definition of fanfic (a formal one, not one based on judgment of merit or morality) that excludes these other kinds of works and genres. In that case, the argument would actually apply only to fanfic (as defined). But I have never seen this happen, either.

So ultimately, I think the whole formal argument about fanfic is unsalvageably flawed in practice.

Realistically, fanfiction is not the way it is because of something fundamentally derived from writing characters/settings etc you didn't originate (or serialization as some new-fangled form, lmao). Fanfiction as a category is an intrinsically modern concept resulting largely from similarly modern concepts of intellectual property and auteurship (legally and culturally) that have been so extremely normalized in many English-language media spaces (at the least) that many people do not realize these concepts are context-dependent and not universal truths.

Fanfic does not look like it does (or exist as a discrete category at all) without specifically modern legal practices (and assumptions about law that may or may not be true, like with many authorial & corporate attempts to use the possibility of legal threats to dictate terms of engagement w/ media to fandom, the Marion Zimmer Bradley myth, etc).

Fanfic does not look like it does without the broader fandom cultures and trends around it. It does not look like it does without the massive popularity of various romance genres and some very popular SF/F. It does not look like it does without any number of other social and cultural forces that are also extremely modern in the grand scheme of things.

The formal argument is just so completely ahistorical and obliviously presentist in its assumptions about art and generally incoherent that, sure, it's nicer when people present it politely, but it's still wrong.

[stupidstupidratcreatures]

the entirely different way that eidolons are conceptualized in partizan vs c/w is really interesting... that they're specific people instead of gods or ideals makes me wonder who gets to be an eidolon and also how they get to their progenitor names from their derivative names

[sweetandglovelyart]

Are there any other Kirby fans on here who are also fans of Star Trek? I know of a couple people already, but I’m trying to see if there’s anyone else. I personally see a lot of parallels between Kirby and Star Trek, and some of my Kirby fanart is Star Trek-inspired, so that’s why I’m asking.

[dracaelus]

"i hate when a villainous character gets popular enough to become a hero and writers try and retcon their histories so they never fucked up in the first place" "#magneto" sorry but may i ask if theres a particular example? i'm trying to catch up on the modern comics and i have been bracing myself for seeing this sort of thing cause. you know. nuance is dead lmao

So, I've only recently started to read magneto's comics, and I'm reading mostly some old stuff, so my knowledge is limited, and I can't say if it's a recurring problem in recent comics (I mean, I hope is not, but Idk)

When I tagged magneto on that post I was thinking specifically about the first issue of Magneto's 2023 run, which had been released recently:

Now, I can see the reasoning behind this - magneto was a really one dimensional villain when he first appeared and it is a bit weird to read the Uncanny X-men #01 when you consider his later characterization. And marvel loves trying to give an explanation for everything...

Honestly, now that I finished reading the comic, and thought a bit more about it, I think it was a honest attempt. The comic does acknowledge that his later actions as magneto were not simply an act, that he did let himself get carried away by his rage. Tho still, this explanation does feel a bit hard to believe and makes you go damn man, your logic is weird af and it's so silly. I don't think they were trying to justify his later actions so much as they were trying to explain his first appearance

... without making him look too bad. Because Magneto (1993) already did that, showing magneto's descent into:

But still, I don't mind that much what they did in magneto (2023). I think both explanations are fine when you keep in mind that marvel really wanted to keep the uncanny x-men #01 as canon. As a dc fan I find it hard to understand why... But I appreciate their loyalty. Between the two, I still much prefer the 1993 version bc it has more nuance, and i'm not averse to the idea that magneto had some really low moments and had to go through some personal growth over the years. I'm not whimsical enough to truly like the sillier version, as much as they tried to make it look less silly and more believable.

[izzy-b-hands]

Didn't think the 1989 version of The Woman In Black would be scarier than the one with Dan Radcliffe in it

I was Wrong flkjdsafkldsja, but I'm delighted to have been wrong. I had missed getting scared with more practical effects/careful timing of things in the background of shots appearing and disappearing, and this one scratches that itch well.

[inbarfink]

When talking about the distinction between Simon Petrikov and the Ice King,  it’s important to remember that originally, the Crown wasn’t trying to turn Simon into Ice King -

It was trying to turn him into this guy.

At the time, the Ice Crown - or rather the Wishing Crown - was programmed with Gunther’s wish to become Evergreen. So everything related to making the current wearer like Evergreen is a very direct result of the Crown’s Magic. The physical changes -

And the obsession with the name ‘Gunther’ -

And maybe some of the irritability and anger issues -

That is something the Crown is very directly forcing unto its current wielder. 

But everything else?

Ice King, personality-wise, was not much like Evergreen at all, or even like Gunther's view of him. And Ice Finn of the Farmworld Universe was also pretty different from the both of them.

At the time, I remember people assumed Ice Finn’s behavior is more indicative of what the Crown is actually trying to do with its wielders. That Ice King is so different because of Simon’s subconscious resistance against the Crown - while Finn’s much younger and dumber brain is a lot susceptible to the Curse’s influence to become some sort of mad world-conquering emperor of ice and snow. 

But, with the context of the Crown’s actual backstory. That doesn’t seem very likely anymore. I think what’s actually happening there is that the Crown is just trying to make its wielder an Ice Wizard on par with Evergreen (who was the Actual Goddam Ice Elemental) and that means pumping the wielder’s brain so full of Magic, Madness and Sadness to a level that is bound to overwhelm anyone.

And Simon’s and Farmworld Finn’s very different behaviors after putting on the crown is indicative, more than anything, of how their psyche reacts to Madness and Sadness in general. You know, Finn has a very proactive and kinda aggressive personality - and you add Crown-induced-Madness-and-Sadness and a compulsion to use Ice Magic as much as possible and you get all of…. this 

Meanwhile, for Simon, the compulsions of the Crown originally filtered exclusively via the language of protection 

As his madness always manifested as romantic obsession 

And using goofy humor to try and deny the pain he’s going through 

Because that’s how Simon’s mind specifically reacts to being flooded with so much Madness and Sadness.

That’s why there’s so many parallels between Ice King and the sort of mistakes and screwed-up stuff Simon does right now! He’s even kidnapping people again!

Because the Madness and Sadness of Ice King might’ve been induced by the Crown, but now Simon has plenty of personal home-grown Madness and Sadness inside him - and it’s no surprise that Curse-Induced or not, his mind reacts to it in a sorta-similar way. (Although obviously not as intensely, again, there was a LOT of MMS in the Ice Crown).

Now as for Ice Thing, and the fact that he seems to be actually rather well-adjusted under effects of his version of the Wishing Crown. I mean... not by the time of the 1000+ Era, but that’s literally eons in the future and also maybe more Gibbon’s fault. Even if the Crown will eventually take some sort of toll on him, for now he seems to be doing pretty well considering his wish. I mean, there's still some sort of Loss of Identity stuff going on

But everything we've seen of Ice Thing (in the present day, at least) shows him as a friendly and cheerful individual that gets along well with others. A far cry from how maladjusted every single wielder of the Ice Crown acted.

At the very least, if there's any notable amount of Sadness in him, we really haven't seen it yet.

There might be several factors here:

First things first, I should acknowledge the possibility that it’s just that Orgalorg’s eldritch brain is better at intaking all that MMS juice. That could play a part, but I think it’s probably more important, at least thematically, to look at the distinction between ‘I wish to be Evergreen’ and ‘I wish to be Ice King’. 

First in the sense that while Ice King was occasionally mean to Gunter at times - he was generally much kinder than Evergreen ever was for ‘his’ Gunther. So, like, pretty much the one Personality Flaw of Ice King that you can directly link to the Ice Crown’s attempt to mimic Evergreen is the occasional anger issues.

And how they relate to Gunther’s view of Evergreen, so grumpy and controlling and constantly saying ‘NO!’

(Both Finn and Simon’s demonstrable not-crown-induced trauma responses can make them pretty short-tempered as well. So I’m not going to say this is purely the effects of the Crown. It still probably plays some sort of factor at why the wielder of the Ice Crown is Like That).

And that is not a factor in how Gunter views Ice King. For him, Ice King was a doting and loving father figure - so if the Crown was ever trying to implement any sort of specific negative personality traits, this is absolutely no longer a factor. Because the original Ice Crown was a reflection of Evergreen’s abuse, and now Ice Thing is a reflection of Ice King’s fatherly love.

Which is, itself, probably an echo or remnant of Simon’s own strong parental instincts. 

Secondly, while the Crown was trying to make the Ice King just as powerful as Evergreen…. Ice King was obviously not as powerful as Evergreen. Because he was already a second-rate copy of the Ice Elemental’s power, and because Ice King was often just too doofy to use his powers correctly and probably because some remnant of Simon’s original sensible self is subconsciously holding his powers back.

Either way, being ‘like Ice King’ as Gunter sees him requires less Magic than being ‘like Evergreen’ as Gunther saw him - and therefore less Madness and Sadness. Leading to the wearer or, um, the eater being a lot more well-adjusted from the get-go.

And I think that the implication that Ice Thing has fused with the Crown, so there's never going to be another poor sap who puts on the Crown and gets Ice King'd. But if there is one somehow... at least the process is going to be less mentally detrimental that time around?

Maybe one day Simon could look back and appreciate how much he (or Ice King, or both of them, or however you want to look at the situation) is responsible for basically neutralizing the Crown that ruined his life in the first place.

[ryin-silverfish]

So You Want to Read More about Chinese Mythos: a rough list of primary sources

"How/Where can I learn more about Chinese mythology?" is a question I saw a lot on other sites, back when I was venturing outside of Shenmo novel booksphere and into IRL folk religions + general mythos, but had rarely found satisfying answers.

As such, this is my attempt at writing something past me will find useful.

(Built into it is the assumption that you can read Chinese, which I only realized after writing the post. I try to amend for it by adding links to existing translations, as well as links to digitalized Chinese versions when there doesn't seem to be one.)

The thing about all mythologies and legends is that they are 1) complicated, and 2) are products of their times. As such, it is very important to specify the "when" and "wheres" and "what are you looking for" when answering a question as broad as this.

-Do you want one or more "books with an overarching story"?

In that case, Journey to the West and Investiture of the Gods (Fengshen Yanyi) serve as good starting points, made more accessible for general readers by the fact that they both had English translations——Anthony C. Yu's JTTW translation is very good, Gu Zhizhong's FSYY one, not so much.

Crucially, they are both Ming vernacular novels. Though they are fictional works that are not on the same level of "seriousness" as actual religious scriptures, these books still took inspiration from the popular religion of their times, at a point where the blending of the Three Teachings (Buddhism, Daoism, Confucianism) had become truly mainstream.

And for FSYY specifically, the book had a huge influence on subsequent popular worship because of its "pantheon-building" aspect, to the point of some Daoists actually putting characters from the novel into their temples.

(Vernacular novels + operas being a medium for the spread of popular worship and popular fictional characters eventually being worshipped IRL is a thing in Ming-Qing China. Meir Shahar has a paper that goes into detail about the relationship between the two.)

After that, if you want to read other Shenmo novels, works that are much less well-written but may be more reflective of Ming folk religions at the time, check out Journey to the North/South/East (named as such bc of what basically amounted to a Ming print house marketing strategy) too.

-Do you want to know about the priestly Daoist side of things, the "how the deities are organized and worshipped in a somewhat more formal setting" vs "how the stories are told"?

Though I won't recommend diving straight into the entire Daozang or Yunji Qiqian or some other books compiled in the Daoist text collections, I can think of a few "list of gods/immortals" type works, like Liexian Zhuan and Zhenling Weiye Tu.

Also, though it is much closer to the folk religion side than the organized Daoist side, the Yuan-Ming era Grand Compendium of the Three Religions' Deities, aka Sanjiao Soushen Daquan, is invaluable in understanding the origins and evolutions of certain popular deities.

(A quirk of historical Daoist scriptures is that they often come up with giant lists of gods that have never appeared in other prior texts, or enjoy any actual worship in temples.)

(The "organized/folk" divide is itself a dubious one, seeing how both state religion and "priestly" Daoism had channels to incorporate popular deities and practices into their systems. But if you are just looking at written materials, I feel like there is still a noticeable difference.)

Lastly, if you want to know more about Daoist immortal-hood and how to attain it: Ge Hong's Baopuzi (N & S. dynasty) and Zhonglv Chuandao Ji (late Tang/Five Dynasties) are both texts about external and internal alchemy with English translations.

-Do you want something older, more ancient, from Warring States and Qin-Han Era China?

Classics of Mountains and Seas, aka Shanhai Jing, is the way to go. It also reads like a bestiary-slash-fantastical cookbook, full of strange beasts, plants, kingdoms of unusual humanoids, and the occasional half-man, half-beast gods.

A later work, the Han-dynasty Huai Nan Zi, is an even denser read, being a collection of essays, but it's also where a lot of ancient legends like "Nvwa patches the sky" and "Chang'e steals the elixir of immortality" can be first found in bits and pieces.

Shenyi Jing might or might not be a Northern-Southern dynasties work masquerading as a Han one. It was written in a style that emulated the Classics of Mountains and Seas, and had some neat fantastic beasts and additional descriptions of gods/beasts mentioned in the previous 2 works.

-Do you have too much time on your hands, a willingness to get through lot of classical Chinese, and an obsession over yaoguais and ghosts?

Then it's time to flip open the encyclopedic folklore compendiums——Soushen Ji (N/S dynasty), You Yang Za Zu (Tang), Taiping Guangji (early Song), Yijian Zhi (Southern Song)...

Okay, to be honest, you probably can't read all of them from start to finish. I can't either. These aren't purely folklore compendiums, but giant encyclopedias collecting matters ranging from history and biography to medicine and geography, with specific sections on yaoguais, ghosts and "strange things that happened to someone".

As such, I recommend you only check the relevant sections and use the Full Text Search function well.

Pu Songling's Strange Tales from a Chinese Studios, aka Liaozhai Zhiyi, is in a similar vein, but a lot more entertaining and readable. Together with Yuewei Caotang Biji and Zi Buyu, they formed the "Big Three" of Qing dynasty folktale compendiums, all of which featured a lot of stories about fox spirits and ghosts.

Lastly...

The Yuan-Ming Zajus (a sort of folk opera) get an honorable mention. Apart from JTTW Zaju, an early, pre-novel version of the story that has very different characterization of SWK, there are also a few plays centered around Erlang (specifically, Zhao Erlang) and Nezha, such as "Erlang Drunkenly Shot the Demon-locking Mirror". Sadly, none of these had an English translation.

Because of the fragmented nature of Chinese mythos, you can always find some tidbits scattered inside history books like Zuo Zhuan or poetry collections like Qu Yuan's Chuci. Since they aren't really about mythology overall and are too numerous to cite, I do not include them in this post, but if you wanna go down even deeper in this already gigantic rabbit hole, it's a good thing to keep in mind.

[mossylane]

Toadstool (updated) 🐸

still promise not all the swatches have frogs on them although, maybe they should tbh...

update includes: better/smoother overall textures, swapped the tied shirt around the waist for a higher quality version + added a short sleeve shirt version & shirt overlays for mix 'n matching!

children, unisex

3 versions (shorts & jeans with/without tied shirt!)

jeans vers. 12 swatches / shorts vers. 21 swatches

disabled for random townies !!!

properly tagged and all that jazz

jeans vers. compatible with most boots (occasional clipping issues with some knee length boots)

credits: linzlu & caelhinn & ea

📁 | download - [alt]

❗ Notes:

v1 & v2 of the toadstool overalls are the same exact files as the old ones (aka the dungaree versions) & you CANNOT have both. either the new OR old files. toadpup (v3) is a brand new package.

if you downloaded the toadstool dungarees you will need to delete your localthumbcache.package (located in your sims 4 documents folder) in order for the new thumbnails to generate

the original post can be found archived here.

[askfordoodles]

A detail I don't see mentioned about the confrontation between Blitzø and Stolas is that while Blitzø is understandably angry and lashing out, he also ends his rant with an invitation to Stolas, imploring, no, demanding he meet him at his level, to get as angry as he is, to FIGHT HIM, right then and there.

We've seen frequently that imps are violent in general, they're originally native to Wrath, and we see that most of their bonding rituals often involve violence and/or bodily harm (just look at how much Millie and Sallie May messed each other up at the end and while being able to laugh about it; a broken bottle fight and broken bones is their version of a light-hearted pillow fight)

While Blitzø is also very self-destructive, even by Hell's standards, it should be noted that he's technically begging for Stolas to connect with him in this moment, to speak a language he understands. "At least respect me enough to fight me! If you care, why walk away? Get real with me, if we can't get physical with our genitals, then at least let us get physical with our fists!"

Unfortunately, Stolas has had the exact opposite cultural upbringing, having been taught his whole life that emotional outbursts are unseemly and improper, so his main go-to for conflicts is avoidance. He avoided confrontation with his father, he basically avoided Stella as much as he could even when she was openly shitting on him at parties; and ONLY just recently has he managed to stand up for himself and when he finally does, it's not to strike back, but simply stand his ground for once, emboldened his new-found love for Blitzø and the knowledge that his daughter isn't fooled by the act anymore and will soon be of age anyway.

It is not currently in Stolas' nature to be confrontational the way Blitzø desperately needs him to be.

Blitzø says: "Please, if you ever actually cared, you'd fight for us Get mad, show me that you care!"

What Stolas hears is just the most literal interpretation with zero subtext, because he isn't attuned to the subtleties of arguing and especially not what it looks like for imps, i.e. he focuses on the "I always hated you" interpretation.

Both gave the other an opening, but only heard dismissal, because it wasn't spoken in a language they were familiar with.

I'm not saying either handled things well here, Blitzø shouldn't immediately respond with anger and Stolas shouldn't default to walking away, that's my whole point.

I just thought it was an interesting angle that their differences aren't just societal (privilege/wealth/respect) but also cultural in how it influences how they each handle emotional confrontation, or, in the case of Stolas, how they don't.