#bring it on bitch!

[harrowedsoup]

I refuse to change my headcanon that most of the other people at Canaan House probably thought Gideon was Harrow’s pretty boy toy until she showed them she could actually fight because she acted exactly nothing like a real Cav in anyway. A teenage ruler shows up with a hot butch that clearly isn’t trained to be a ninth Cav or even a normal-ish one? Come on. They probably thought griddlehark were over compensating trying to hide by staying away from each other. 

[lazylittledragon]

the only thing scarier than vampire lords/mind flayers/death cults is meeting the in-laws

[anniebass]

high spice tolerance, my ass

(old man smut)

[minionsuncle]

Nothing I could get my rocks off to

Anyway kind of ironic that it’s called downtime when it’s always the most stressful part of the season

[piss-stained-jorts]

"i wanna see something other than the same edgy horror stuff when a beloved character becomes public domai-"

FUCKING MAKE IT, THEN.

the literal only difference between you and those horror directors who took mickey and winnie the pooh and made them into the horror you hate so much is that they made something and you didn't.

MAKE the romcom. MAKE the deep and existential meta horror you want to see. MAKE something cozy and child friendly. MAKE MAKE MAKE MAKE MAKE

don't just sit there and bemoan the things you don't want to see! MAKE THE THINGS YOU DO WANT TO SEE. BECAUSE NOW WE CAN MAKE ANYTHING. THAT'S THE FUCKING POINT!

YOU DON'T NEED PERMISSION. YOU DON'T NEED TO BE SOMETHING FIRST. JUST MAKE WHAT YOU WANT TO SEE.

YOU CAN'T STOP AN ARTIST FROM TAKING A CHILD FRIENDLY THING AND MAKING IT INTO HORROR. THE LITERAL ONLY PERSON YOU CAN STOP, AND ARE STOPPING, IS YOURSELF.

DON'T FUCKING WAIT FOR SOMEONE ELSE TO MAKE IT FOR YOU. PICK UP A DAMNED PENCIL/KEYBOARD/WHATEVER AND MAKE THAT THING YOU WANT TO SEE, GOD DAMMIT!!!

[avernusreject]

[pucksandpower]

Formula 1 is at its most enjoyable when every race is a soap opera.

[hilacopter]

[buckevantommy]

i'm so glad they brought back tommy for buck. they could've brought back eli. they could've brought back the openly gay firefighter. they could've introduced someone new. but instead they brought back tommy: the guy who was stuck in the old boys' club, as well as figuring himself out around the same age as buck. the guy who wasn't warm or welcoming to chim or hen when they first arrived but who clearly struggled with doing so, and then who came to appreciate them and have their backs and enjoy their friendship. the guy who was there to see how bobby made a real difference to the 118, made it like a family before he left. the guy who was there for bobby's introduction of 'family dinners'. the guy who left the 118 so that buck could take his place there. the guy with the tk initials. the guy who shares a name with 2 other poignant tommys in the narrative for buck. the guy who chim called not once but twice for help and he answered. the guy who was saved by chimney and who will (hopefully) get to return the favour. the guy who made such pivitol personal growth in his time at the 118 thanks to chim and hen and bobby. they brought back the guy who proves that it's never too late to change, to grow, to be open and soft and caring. that it's never too late to learn about yourself, to figure out who you are as well as the person you want to be. that it's never too late to become a better version of yourself.

[gunsatthaphan]

👁️👄👁️.

[ratsonfire]

*Live Dick Reaction*

I LOBE YOU KORY OMFG, DICKS ACTUALLY ME.

Fan art for @garpen ‘s Batfam Twitter AU ^^

[thresholdbb]

I'm a Kai Winn apologist but not because I think she's a good person. She's a compelling tragic character

[munsonfamilyband]

Bitchy Steve who is also touch starved is so personal to me

Like, Steve who is just overall in a bad mood and has been snapping at anyone and everyone all day. Everyone is over at his house and he’s just bitching at everyone for the smallest things. Dustin brushes crumbs off his hand onto a throw pillow that normally Steve would have no issue with, gets him ripping the pillow away from Dustin and shoving it on the couch out of reach. Mike makes a snarky comment and Steve bitches right back. It keeps going until one of the kids (probably Will or El because Max thrives off of Steve’s bitchy moods) goes up to Eddie to beg him to do something, anything, to fix Steve’s mood. Eddie just looks at the kid and then at Steve and is like “I got this.” He walks over to Steve, grabs his arm and pulls Steve with him towards an arm chair. Eddie plops down into it and pulls Steve down on top of him, arms wrapped tight around his waist so he can’t leave.

Steve doesn’t even try to get away, he just huffs and crosses his arms but everyone can see him lean back into Eddie with a frown still firmly on his face. As they keep sitting there, Eddie ending up with a hand in Steve’s hair, they can see the anger slowly drip off of Steve. And even if he still sends snarky comments, they don’t have nearly as much bite to them.

[shorthaltsjester]

there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.

i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.

i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).

trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.

[cabeswaterdrowned]

unstoppable force (Adam’s canonical teacher kink) meets immovable object (Gansey being a professor’s soul in a teenagers body).

[mothmanavenue]

i know my place, i know my place, and THIS IS IT