a/n: not sure if other countries have rubbish chutes but my country does! i have to get out of my house to go to the common floor chute to throw my rubbish so this is just a little drabble based on that + spider-man!gojo :) / tagging @osaemu @jabamin @shotorus @hyomagiri @mysugu ✶
“yes, yes! i’ll take out the trash—” you’re shouting to your mom when you’re called upon again, the third time within ten minutes to take the trash out. through your one-sided airpods (your left one always dies first), you can hear your mom tying the plastic bag and cleaning up at the sink.
it’s always been her bringing it to the chute outside your house; occasionally, you’d help but routine has never really let you do it, so later when you’re awkwardly tucking your phone into your pocket and listening to charlie burg’s voice through the right airpod, you can’t help the grimace that takes over your features at the wetness all over the trash bag.
“oh, it’s just water; stop being dramatic!” your mom chastises whilst on her nightly cup of water, gulping down the beverage before nodding towards the master bedroom, “i’m gonna go to sleep first.”
you hum in a half-hearted response, a little annoyed that you were interrupted from your lazing around but you still manage a soft goodnight when she disappears into the room and the house falls quiet. apart from the background classical music that plays from the stereo in the room and the laughter of the older kids downstairs outside, you’re living in a world of both music and silence, feeling a little disoriented by the one-sided song.
the walk to the outdoor chute is short in your oversized puffer jacket, flip-flops seemingly slapping against the floor in attempts of waking up all your neighbours beside you but thankfully they don’t seem to mind when you walk past their homes. it’s cold, feeling the snow that beats into the open corridors that lead to the rubbish chute. beside it, there’s a ledge that overlooks the other buildings, too.
with one swift step to the foot lever, the chute opens and you’re dumping the trash bag into the dirty, stained metal device and with a listening ear, you grin when you hear the bag travel through the tunnel and reach the bottom with a big plunk!, not really realising the ledge now held something.
or someone.
“h—”
if your slippers didn’t wake the neighbours up, your scream definitely did when spiderman himself hops off the ledge and leaps forward to place his palm over your mouth. it only fuels your desire to scream even more before you remember that your damn boyfriend is the vigilante that the police are looking for and citizens are rooting for more and more and that calms your racing heart just a bit.
but you still give him his due treatment . .
“what!” smack. “the!” smack. “fuck!” smack. “were!” smack. “you!” smack. “thinking?!” smack.
. . even if the widening of his spider-man mask eyes were adorable.
“sorry! sorry, sorry—” spider-man!gojo only continues to apologise but you can tell he’s enjoying it at least a little, hands gripping your biceps to help you to centre yourself. and as you predicted, once your boyfriend pulls off his mask, there’s a shit-eating grin and a cheeky glint in his eyes.
you muster the most unimpressed face you can — “really? i’m starting to think you’re not really sorry,” your mouth twists when you roll your eyes, getting ready to make a show of heading back into your house before he brings you into his arms. even with a hint of faux protest from you, you’re melting into his embrace, grumbling into his chest.
there’s a hint of wetness along his suit that you feel against your body, probably from the snow outside, but mostly you can feel the cold air against your hair and laboured breaths in your ear.
“i am! i missed you . .” he mumbles, suited fingers gripping your body tight against him like you were an apparition, “i just wanted to, uhm—”
it’s rare that you see your boyfriend having such a hard time with words, but it’s a cute sight when he pulls away and stumbles in his sentences and quickly removes the backpack that he’s webbed to the wall outside. there’s a noise of surprise from you as you watch him crawl outside on all fours and rip the backpack, scrambling to remove something from it.
and you’re so caught off-guard — in his hands are a ruined bouquet of flowers and a mixtape he’s put together for you — that you giggle at the state of it and coo at his downcast expression. he’s looking in the bag, outside, anywhere for what might’ve been the culprit to make the flowers turn out that way until he realises he had bought them a tad bit early and had been swinging around with it the whole day.
“aw . . satoru, they’re still pretty!” you take the gift with grateful hands, something you cherish despite his busy schedule of school and fighting villains. “but maybe don’t go on missions when you’ve got fresh flowers in your bag?”
satoru whines at that as he instinctively webs his backpack again, sulking until you’re leaping forward to give him another tight hug. alas, you would’ve preferred the comfort of his familiar hoodie but you can settle for the spandex of his suit as you squeeze him tight, ignoring the cold air that seeps into your bones.
“thank you, thank you ’toru . .” you smile, pulling away slightly before you take in the state of him. you didn’t have much time before, but now you can fully appreciate his white stark hair that matches the snow outside and the blue of his eyes that mirror his suit.
“it’s the thought that counts right?” he asks awkwardly, scratching his head with the hand that clutches his mask.
you burst out laughing, “yes. yes it indeed is,” you smoothen out his hair, but not before you’re forming an idea, “i’ll— i’ll go put these in water and see if i can salvage them. you, stay here.”
with one peck to his cheek, you’re off back to your house but the bouquet of flowers is only left on your bedside table. in your hands are something else, a scarf and beanie that you take back to the area of the rubbish chute.
it’s not a place you deem romantic, but you’d never pass up a surprise visit from your superhero boyfriend. when you get back he’s removing the fallen petals from his bag, interrupting his activity when you place the scarf around his neck.
“here,” you smile, wrapping it around once and tucking in the ends, “it’s cold.”
satoru looks at you like everything good in the world, a bright grin breaking through when your eyes meet his in the midst of your adjusting.
“just so you know, you might not see this scarf ever again, sweetness.”
you laugh, “why? cause it’s got my scent all over it?”
gojo shrugs and gestures, “partially, but also it might fall off while i’m doing big boy things and swingin’ around in the neighbourhood.”
you push his shoulder lightly and joke, “if my scarf touches the city ground, you’re never hearing from me again.”
and all he does is cross his heart and hold out his hand, “i humbly hold your promise to my heart, your royal highness.”
gently you pull him towards you with the scarf ends, careful not to choke him. there, your lips collide with his glossed ones that manage to stay like that despite the cold weather, while your chapped ones only surprise him. but he swallows the shock soon enough, humming into the kiss softly as he wraps his suited arms around you. you’re so warm, puffer jacket and all and his neck is already heating up from the scarf and his flustered state, enough heat to fuel him through the night.
when oxygen becomes scarce you find that you need to pull away, met again with his pretty eyes that soften just by looking at you, but you both know that he needs to go when the notifications on his phone don’t stop. it’s probably his trackers notifying him about the villain, so you help him put on his mask, making sure the eye holes fit exactly where it needs to go and the sewing lines up with the rest of his suit. the beanie goes on last.
“baby— i . . i just needed to come see you before i fight green goblin,” he mumbles, brushing hair from your face and even with the barrier between the both of you, you know he’s smiling under, “some good luck would suffice, don’t ya think?”
“it would. now, go.” you pat his cheek, pulling away reluctantly as he slings his backpack and you suddenly feel cold again. “stay safe, spider-man.”
satoru cannot wait until he’s in your arms again, so he lunges forward and pulls his mask up just to his nose to give you one last kiss and you indulge him; when your eyes open, he’s already on the ledge.
“merry christmas, baby.” you can see the familiar stunning smile and a soft confession before he’s hopping off and you’re running to it to watch him swing away with a loud, lovesick laugh that sounds a little too much like the star student, gojo satoru, but it doesn’t matter when you know you’re the only one who knows his secret.
part two
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Writer Spotlight: Jamie Beck
Jamie Beck is a photographer residing in Provence, France. Her Tumblr blog, From Me To You, became immensely successful shortly after launching in 2009. Soon after, Jamie, along with her partner Kevin Burg, pioneered the use of Cinemagraphs in creative storytelling for brands. Since then, she has produced marketing and advertising campaigns for companies like Google, Samsung, Netflix, Disney, Microsoft, Nike, Volvo, and MTV, and was included in Adweek Magazine’s “Creative 100” among the industry’s top Visual Artists. In 2022, she released her first book, An American in Provence, which became a NYT Bestseller and Amazon #1 book in multiple categories, and featured in publications such as Vogue, goop, Who What Wear, and Forbes. Flowers of Provence is Jamie’s second book.
Can you tell us about how The Flowers of Provence came to be?
I refer to Provence often as ‘The Garden of Eden’ for her harmonious seasons that bring an ever-changing floral bounty through the landscape. My greatest joy in life is telling her story of flowers through photography so that we may all enjoy them, their beauty, their symbolism, and their contribution to the harmony of this land just a bit longer.
(Photograph: Jamie Beck)
How do your photography and writing work together? Do you write as part of your practice?
I constantly write small notations, which usually occur when I am alone in nature with the intention of creating a photograph or in my studio working alone on a still life. I write as I think in my head, so I have made it a very strict practice that when a thought or idea comes up, I stop and quickly write the text in the notes app on my phone or in a pocket journal I keep with me most of the time. If I don’t stop and write it down at that moment, I find it is gone forever. It is also the same practice for shooting flowers, especially in a place as seasonal as Provence. If I see something, I must capture it right away because it could be gone tomorrow.
(Photograph: Jamie Beck)
You got your start in commercial photography. What’s something you learned in those fields that has served you well in your current creative direction?
I think my understanding of bridging art and commerce came from my commercial photography background. I can make beautiful photographs of flowers all day long, but how to make a living off your art is a completely different skill that I am fortunate enough to have learned by working with so many different creative brands and products in the past.
(Photograph: Jamie Beck)
Do you remember your first photograph?
Absolutely! I was 13 years old. My mother gave me her old Pentax 35mm film camera to play with. When I looked through the viewfinder, it was as if the imaginary world in my head could finally come to life! I gave my best friend a makeover, put her in an evening gown in the backyard of my parents’ house in Texas, and made my first photograph, which I thought was so glamorous! So Vogue!
You situate your photographic work with an introduction that charts the seasons in Provence through flowers. Are there any authors from the fields of nature writing and writing place that inspire you?
I absolutely adore Monty Don! His writing, his shoes, and his ease with nature and flowers—that’s a world in which I want to live. I also love Floret Flowers, especially on social media, as a way to learn the science behind flowers and how to grow them.
How did you decide on the order of the images within The Flowers of Provence?
Something I didn’t anticipate with a book deal is that I would actually be the one doing the layouts! I assumed I would hand over a folder of images, and an art director would decide the order. At first, it was overwhelming to sort through it all because the work is so personal, and I’m so visual. But in the end, it had to be me. It had to be my story and flow to be truly authentic. I tried to move through the seasons and colors of the landscape in a harmonious way that felt a bit magical, just as discovering Provence has felt to me.
(Photograph: Jamie Beck)
How do you practice self-care when juggling work and life commitments alongside the creative process?
The creative process is typically a result that comes out of taking time for self-care. I get some of my best ideas for photographic projects or writing when I am in a bath or shower or go for a long (and restorative) walk in nature. Doing things for myself, such as how I dress or do my hair and makeup, is another form of creative expression that is satisfying.
What’s a place or motif you’d like to photograph that you haven’t had a chance to yet?
I am really interested in discovering more formal gardens in France. I like the idea of garden portraiture, trying to really capture the essence and spirit of places where man and nature intertwine.
Which artists do you return to for inspiration?
I’m absolutely obsessed with Édouard Manet—his color pallet and subject matter.
What are three things you can’t live without as an artist?
My camera, the French light, and flowers, of course.
What’s your favorite flower to photograph, and why?
I love roses. They remind me of my grandmother, who always grew roses and was my first teacher of nature. The perfume of roses and the vast variety of colors, names, and styles all make me totally crazy. I just love them. They simply bring me joy the same way seeing a rainbow in the sky does.
(Photograph: Jamie Beck)
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