#but 3 people wanted me to do these reviews

[demodraws0606]

My thoughts on the latest episode (aka HU IS THE CULPRIT I WILL DIE ON THIS HILL)

Warning : My sassy attitude is not directed towards anyone else, I'm simply amusing myself and also I've only gotten barely 5 hours of sleep god save me.

This is gonna be very long and messy so strap in folks

It's so obviously not Eden or Ace it's painful (idc 'i'll die for my hubris). Not even just because Eden lying and being the culprit after all of that would be both underwelming and just...miserable. But also because of how the way we're getting the reveal in advance that it could only be Ace and Eden. The fact the cast was already on Eden's throat as well just makes this point even more clear to me.

This isn't like fucking Korekiyo in chapter 3 of DRV3, this isn't how a culprit reveal happens. Especially not when there's so much we don't know yet.

So who is the culprit ?

...

It's Hu, it's literally Hu.... and like 1 pourcent chance it's Nico but I think both of them are accomplices here.

The thing is, I don't buy any of the shit Nico is saying, their admission of guilt is strangely quick and detached. They also seem to go along with anything people say about them (like them framing Hu) which makes it even more suspicious, they could've just said they used Hu's weapon out of conveniance ? The only thing this episode has proved me is that Nico is an Active accomplice rather than a Passive one like I thought. For what reason ? I honestly don't know fully yet but again we don't know a lot about Nico anyways.

Hu's behavior really makes me think she did it and is acting out, mostly out of guilt. She seems really stressed this trial which while makes sense for character reasons, it also makes sense if she's the culprit and feeling guilty. It would explain her defending Eden and Nico mainly I think despite her probably being the culprit she doesn't want the perception that Eden/Nico has to be broken (especially not bc of her). I've already explained how Hu being the culprit makes sense from a character perspective so I'm not gonna get more into it.

By the way any arguments in this post being like "it would be out of character for Nico or Hu to do that" should honestly review their own hypocrisy if they think Eden did it, or even Ace for that matter.

Another thing that makes me even more convinced that it can't be Ace or Eden is that...you can't fucking prove any of them did it with 100 pourcent certainty. David fucking threw the BDA rule out of the window, so we can't be sure Eden didn't do it but like what decisive evidence would make it clear between the two of them.

The only pieces of evidence we have left is :

-The sticky ball of clothes (most likely turpentine because the soil of the relexation room would cause the ball to have stains on it)

-The alibi for the relaxation room water

-The missing glove (which I think i've changed my opinion on what it could mean here)

Eden did know about the ball of clothes (but that piece of fucking evidence has strings attached so we'll get to that) and Ace doesn't have an alibi against taking the water like Eden does.

The missing glove is the only evidence left untouched here and honestly I actually don't think it had anything to do with the glove having someone's hair or anything, mainly because first of all the culprit could've technically just removed any hair on the glove even if it was sticky.

And also there's something else that makes more sense.

I think they probably had to use the glove to avoid rope burn while trying to set up the mechanism to kill Arei. Especially with how high the playground's ceilling is, it wouldn't be child's play. I'm not really good at deciphering what could've possibly happenened directly in the murder but I'd argue it's just more likely that the culprit would be put in a situation were rope burn could happen. This murder set up would require a lot of physical effort, and if the culprit even slipped for a second their hands would end up being damaged from rope burn making them obviously look guilty (also ouchie), which I think is what happened.

It would also explain the scuffs on the floor, maybe the culprit was struggling to hold onto the rope leading to them causing marks with their feet while trying to pull on the rope.

The reason why I think the glove is missing is probably because it's damaged and the culprit wanted to avoid the cast knowing they used Arei's glove during the murder. In fact it's the only piece of evidence that is completely missing

But why ?

Has anyone realised something about, I argue, the three other main suspects here ?

Nico, Eden, Ace ?

They all have gloves.

"But a huge portion of the cast has gloves this doesn't mean anything, it's just a stylistic choice !!" Yeah, the majority of the cast has gloves.

I think now you can understand why the culprit wouldn't want the cast to know that the glove was used. Because if the cast did see the glove that was probably damaged, they would assume the culprit wore it and it would narrow down the suspect list to an extremely narrow pool. This forces them to basically take the glove and hope to fucking god the cast doesn't catch on which they clearly haven't yet.

You know who doesn't fucking wear gloves.

HU JING

My girl got no gloves on !!!!

So yeah, with the glove being untouched evidence yet I think it will be the main decisive thing to point out who the culprit truly is, and I just don't think it's just gonna be like "oh let's just search everyone to see which one has the glove !". For all we know the culprit could've fucking eaten the glove, I don't think we're getting another Min in trying to search shit on people's person.

Anyways I'm gonna transition to other stuff to explain how the Nico and Hu theory makes sense from a logical standpoint here.

Let's get on to the sticky ball of clothes.

First I want to get it out there that I do not think the ball being sticky is due to the soil of the relaxation room. Mono-TV's talk about the "special formula" was mostly to foreshadow the floor of the playground's properties, also the fucking ball would have stains on it.

For me this means the ball of clothes has to have been covered in turpentine especially now that we have confirmation from Ace directly.

This is extremely huge and I'm flabbergasted has no one has mentioned this. Pray tell where the fuck did that piece of cloth go, did it get isekai'd into another world ?

This question actually has multiple meaning here because that fucking ball of clothing actually has massive implications. It confirms a lot of things and also puts a lot of doubt in things that seemed to be confirmed.

Before that I also want to say that Arei 100 pourcent got knocked out with turpentine. I don't want to argue over and over again that it was used because I've done this before but I have to since there are multiple reasons why she had to have been knocked out.

The floor is extremely prone to scuffs, if Arei was struggling then we definitely would've seen more than just a few marks in one area.

The method of murder would have been extremely difficult if she was struggling, like to a ridiculous point. Especially with someone like Arei who has been shown to have been sneaky and very prone to attacking people in their weak spots.

The tape binding Arei's hand in hindsight actually probably wasn't to avoid her struggling, it was most likely due to how the mechanism of the murder work. Keep in mind how the murder had to have worked and imagine if Arei's hands were just loose and flopping around. There could have been possible injuries with her arms that would ruin the culprit's obvious plan to make it look like a suicide. It also just makes sense for weight reasons, again Arei having her arms flopping around would make moving her body even more difficult.

And even if you want disagree with all of that, the culprit could've just binded her tape to avoid the same mistake that happened with Ace with him waking up from the turpentine.

Now that I've made my case about Arei being knocked out, let's get on the actual new arguments I want to make.

First, we know for a fact that a piece of cloth was used to knock out Ace meaning it has to have gone somewhere, if you say "well they could've just thrown it away" I will personally come into your home and shit in your shoes. And you're also wrong because I've already proven that Arei had to have been knocked out.

This means the only piece of cloth available to us would be the sticky ball of clothes.

But...like let me just explain everything that's mind boggling about all of this.

-This ball of clothes had to have been made for Ace's murder to knock him out

-The only people who knew about the old clothes were Hu, Teruko and Whit. Eden only knowing later on, way after Ace's murder was planned probably, because Hu told her about it.

-The culprit used this ball of clothing against both Arei and Ace

-The cloth is suspiciously absent from the murder scene, which makes no sense considering Nico's account rely on them not having left the gym while trying to murder Ace. Them leaving to chuck the cloth aside only to come back to the gym doesn't make sense with the timeline in how we discover things.

Yep, I'm making the claim that Nico didn't actually kill Ace here, I still think it's Hu. Again you can try and complain all you want about how it's out of character for Nico but the reality is...shit is not adding up.

It's really suspicious how silent Hu becomes when her weapon is brought up, immediatly clamming up and not defending Nico anymore. When Teruko makes assumption that Nico lied to Hu to get her weapon, she doesn't reply with a betrayed "Nico is that true ?" or even a sentence she responds with "That's...". The amout of ellpises both Nico and Hu give are extremely suspicious and just make me side eye both of them extremely hard.

I'm gonna go on another tangent here, on the subject of Hu being suspicious. Mainly because I do wanna point out a moment that both makes Eden seem a lot more innocent and makes Hu a lot more guilty.

The subject of Arei potentially committing suicide.

Now, it's very clear that the way Arei was hung was meant to make it look like Arei killed herself, this was very much meant to be the culprit's intention. Both to hide the true murder mechanism and probably to mislead the cast. The fact that it's only an incidental red mark of Arei's wrist that proves she didn't kill herself, proves that the culprit intended for it to look like a suicide.

However guess who argues against this...Eden, which, if she is the culprit I don't see why she would do something like that (and if you say "well why is Hu defending Nico and Eden" I already explained it). Clearly the Eden!Culprit theory relies on her being capable of manipulation so there's no reason why she would be so caught up in her own feelings to just ruin her own plan like that.

You know who seems to really be into the idea of Arei killing herself though, Hu.

That's all I have to say on that, now let's get onto how I think Nico actually helped Hu.

I do think there's still a 50/50 on them working directly together or just Nico catching onto Hu's plans and deciding on their own to help her.

I do think Nico directly helped her though in two major ways

First, the water, it's the obvious one. Nico probably ended up giving the water the Hu here weither they did so with/without knowing Hu's intention doesn't really matter since they're deciding to keep quiet about it now.

I also want to quickly mention how Hu getting water from the relaxation room makes a lot of sense. Hu was busy with Eden in the kitchen and Teruko had taken all the drinks from the gym, so it's likely Hu was forced to take the water from the relaxation room.

Second, the note

Oooo baby let's get into my favorite realisation in watching this episode.

One piece of dialogue has made me realize something

This made me puzzled too, because yeah, who would be listening in and how did Arei not notice when she went into the room ?

Let me take you all back to Chapter 2 Episode 5

Rose and Teruko have a conversation about Rose's secret and that conversation lasts a good while, until...

Nico was actually shown to have been there the entire time, Teruko and Rose were talking without noticing they were there.

Nico then explains themselves like this, pretty much proving this is something they just like doing casually sometimes.

This actually would explain everything on how the eavesdropping happened, Nico was on the literal fucking floor of the infirmary leading to them listening to everyone's conversation. Which tmeans they could have had the information to write the note.

This would explain the inconcistencies as to why would the culprit know to eavesdrop and how they didn't get caught by Arei when she was barging into the room (if they were outside by the door).

Now this leads to two possibilities with Nico and their relation to Hu.

Either they worked together with Hu and they both came up with the murder together. Which means either of them could've written the note.

Or Nico helped Hu without her knowledge, making the note to help her (edit : just realised this doesn't make a lot of sense ignore this).

I believe this is all I have so far and I'm very tired so you won't get a conclusion

Oh wait I hear something in the background...

"WHAT ABOUT THE TAAAAAAAAPE"

First of all, y'all gaslit me into thinking Ace couldn't have taken the tape so I'm already sick of this tape bullshit being used as decisive unshakeable evidence.

You know what I think probably happened ? Ace took the tape, after all it disappeared when he woke up and it's possible that he just then threw it away in the trash.

I mean Ace did say he was gonna "commit a murder of his own", it would be in line with him taking the tape.

Why isn't he talking about it then ? Because he'd be seen as the fucking culprit and also Ace is not really the most honest bitch out need i mention Ace witholding info about David and Arei's conversation.

[astrangetorpedo]

IN INTERVIEW

Julien Baker, the interview 6/8/2016

At just 20 years old, Julien Baker gave us last year a first album of intense and rare emotional force, the superb Sprained Ankle reviewed here . A moving record that left a deep and lasting mark on me. It was therefore impossible to miss the young American's arrival in Paris and not to take advantage of the opportunity to try to get to know this outstanding artist a little better. A meeting was thus organized thanks to the invaluable help of Sean, her manager, in a café in the 12th arrondissement, two hours before the young lady's very first Parisian concert, on May 24. A one-on-one meeting that revealed to me an adorable and voluble young woman, incredibly touching and sincere, and above all determined to seize life with all her might! A moment of exchange and sharing that I am not ready to forget.

Hello Julien!

Julien Baker : Hello!

First of all, thank you very much for granting us this interview. I am a big fan of your music and it makes me really happy to meet you!

Oh, thank you! It's a great pleasure for me too, you know! I still can't believe that people like my music enough to want to meet me to talk about it. So thank you, from the bottom of my heart, really!

Perfect! Let’s start at the beginning of your story. I read that you’ve been making music for a while now. Could you summarize the journey that led you to where you are today?

Yeah, sure! I started listening to music in middle school. It was rock, I was really into it with painted nails, black eye makeup, all that stuff! [laughs] Then I started playing in bands, punk bands mostly. Then I joined Forrister which is the band I still play in today. We were playing shows in cities around our area. Then I went to college and a friend of mine who worked in a studio there offered me to record with him for free. Since my band couldn't be there, I did it solo, without any specific plans. I put the album out on Bandcamp for $2 or $3 a copy.

That's when Sean [Julien's manager] contacted me and suggested we release the album in a more official and professional way. I told him that I was actually in a band, Forrister, and that no one would be interested in me as a solo artist. He insisted and even though I didn't believe it at all, I agreed to give it a try. I'll always remember the day he called me to tell me that NPR [National Public Radio] was going to play my single. I hung up crying and immediately called my mom all excited to tell her the news! But then, as things seemed to start to take off for me, I started to doubt myself. I felt guilty towards the rest of the band, thinking that they would resent me for doing this project without them. So I called the drummer and asked him what they thought and he said they were just proud and super happy and not mad at me in any way. So I kept going and here I am! I never thought I would come to Europe and do all this, it's crazy, really!

During the band's time, did you already have this desire to write your own songs?

I don't think I had any real unfulfilled desire to do this.

But you were writing?

Yes, I wrote my own songs. But not because the band was holding me back or preventing me from doing it within the collective. It's just that sometimes you write songs but they don't fit the moment. So I put those lyrics aside, like that, without any specific goal. I've always written and played in different bands. There was enough space for all that, things didn't have to be done exclusively in one framework or another.

Were your parents musicians?

Not really. Well my dad bought me a guitar and showed me how to play it. So I started playing by practicing at home on my own. I also took piano lessons but for a very short time. My teacher didn't really like me because I didn't work hard enough. I just played by ear without wanting to learn to read music and he didn't like that. So I taught myself. But my parents were big music fans. They played records all the time at home. When I was younger I wanted to go to a concert, my dad would come with me to make sure I was safe! He was the only adult in the middle of all these tattooed and pierced kids! [laughs] Oddly enough it never bothered me. When he made a surprise appearance at the Bowery Ballroom for my concert in New York, I was so proud! He and my mom have always been a great support!

This is really great!

Yes I know !

In addition to being an author and composer, you are also a student. Are you still going to university?

I just finished my semester. It's currently summer vacation. But I think I'm going to take a break in the fall. I completed the theoretical part of my literature course thanks to online courses. The last thing I need to fully validate my teaching diploma is the practical part, in school with students. I tried to do it last fall but it's complicated to carry out both projects at the same time: give lessons during the week then take a plane to California or New York on the weekend to play a concert, before returning to teach on Monday morning! So I'm going to take a break to devote all my time to music.

Do you want to teach one day?

I think I would really enjoy teaching. I love it. As a teenager I was a summer camp counselor, I love children. So yes it would be really cool to teach!

You studied literature. Did that influence your way of writing?

Yes, totally! I try to feed myself as much as I can from all these different ways of perceiving life and emotions that I find in books. It enriches me intellectually speaking. I have the feeling of learning new things about myself each time I discover a new author and this is then reflected in my writing I think, consciously or unconsciously.

Are you familiar with French literature?

Voltaire! I often joke with my professor friends that I would really like to have a big Voltaire and Cervantes tattoo! I already have a Gabriel Garcia Marquez tattoo [Julien then shows me his 2-part tattoo on the inside of his 2 wrists]…

Is he your favorite writer?

One of my favorites, I can't choose just one! And so when my students would complain that Voltaire is an old man who's not cool, I could show them my Voltaire tattoo and prove to them that it's really cool! [laughs] Reading Candide really changed my life. It was incredible! I think the translation of the title is The Optimist , which is quite ironic. Cervantes wrote Don Quixote and we have this word in English, "quixotic" which means optimistic but optimistic to the extreme, to the point where even if everything is going wrong in your life and you know it, you continue to believe in it despite everything. There is a really romantic and admirable dimension to that attitude I find. Same for Candide where there is this quote that I always come back to when I feel really bad and which says: "I wanted to kill myself a hundred times, but I still loved life" . I think I cried when I first read that sentence. Anyway, I could talk about literature for hours, don't drag me down that dangerous path! [laughs]

Haha, ok. So back to the music! Listening to your album I couldn't help but think of two other artists I really like: Sharon Van Etten and TORRES…

I love TORRES!

Me too! I even did my very first interview with her!

Wow! She's amazing!

Do you agree with this comparison even if the artists in question do not come from the same scene as you?

I totally agree with this comparison! As a teenager I only listened to punk and thought that anything that wasn't punk was worthless. Then I grew up as a musician and learned to appreciate all styles. When you really love music, you love an artist as long as their music is honest and good, no matter what the style. It doesn't matter if it's hip hop or country or whatever!

I totally agree!

And so I'm a big fan of TORRES! I loved her first album, the one before Sprinter . The song Honey is the very first one I heard from her.

The same !

And oh my god, what a song! I played with her in Chicago, I was added as the opening act at the very last minute, I felt so honored! On my way to the dressing room, I ran into her and as I was saying "Oh sorry, I don't want to bother you" she said "No, come on, this is a shared space, you have as much right to be here as I do" and she kindly invited me in. As for Sharon, it's funny because the first time I met her, she asked me to have lunch with her, can you imagine having lunch in New York with Sharon Van Etten! And she told me she was also going to invite her friend Mackenzie [Mackenzie Scott aka TORRES]. But our phones died and we couldn't get a hold of her. So in Chicago TORRES couldn't make the connection, I was just the little girl at the door!

Excellent! Are there any other musical influences that you would claim?

Do you know David Banzan?

Nope…

Ok. There's a band called Pedro The Lion and David Bazan is the lead singer. He influenced me quite a bit. And do you know Death Cab For Cutie?

Yes of course !

They were the first non-punk band I listened to. At the time I only listened to loud and fast music, but when I heard Transatlanticism for the first time it was a shock, everything changed. They really meant a lot to me.

Your texts are very strong and very personal. When you wrote them, did you think about the impact they could have on those around you first and then on the general public?

Well, at first, I didn't imagine that this solo album would lead me anywhere, I was convinced that my music would only be made with my band Forrister. So when I released the album on Bandcamp, I really thought that only my friends would listen to it. So I wrote all these songs like that, just for me, without really thinking about the scope of the lyrics. And I'm ultimately happy that I didn't think about it because if I had known what was waiting for me, I think I would have most certainly changed things, I would have probably been more reserved in my words. But if it's difficult for me to show my vulnerability, I realize that it's totally worth it when young people come up to me after concerts to tell me that my music has helped them in difficult times in their lives. It's of course a little embarrassing for me to share such intimate things but if these things make others feel good, then I think it's worth it in the end.

But isn't it a little scary to expose yourself so completely naked and transparent? It's so brave, I don't know if I could do it myself!

Well, you see, it's exactly the same for me, I'm not sure I would have been able to do it if I had known everything in advance! But now that it has happened, I feel that from now on I have the right, the license to be brave. Perhaps it was the plans of destiny or God, something like that.

And isn't it too difficult for you to sing songs every day that inevitably bring you back to painful moments?

I think there are two options. Option one: I can sing these songs every night, let them take me back in time and feel sorry for myself. Option two: there is the quote from this poet that I love who says that all the horrible things in life just need to be seen from a different and courageous perspective. Things that seem bad can indeed turn out to be good in the end. So I have chosen to let the dark and sad aspects of my songs become pretexts to be positive and happy. Because yes, all these things have happened to me but if that had not been the case, I probably would never have written these lyrics and I would not be here today in Paris talking to you, Laurence! In the grand scheme of things, everything has a meaning and works for our good in the end.

That's very beautiful what you say! [laughs] To talk about lighter things, this is your first time in Europe, isn't it?

Yes !

How do you feel?

I love it! I have such a good time. Well I don't sleep much... [laughs]

Is it the time difference or the excitement?

Well now it's the excitement! But a week ago it was also the jet lag [laughs]. Imagine, we traveled for over 30 hours straight to get here! I first took a plane to Richmond and then a train to Washington DC. We then took a flight to Iceland where we took another flight to Copenhagen. Once there we took a train but due to a problem on the tracks we had to take a bus that took us to another train! When we arrived at the hotel, we were totally exhausted! [laughs] It was 11 o'clock in the evening but at that time of year the sun hadn't set because we were so far north and my body didn't understand anything at all! But hey after a good night's sleep everything was better! And now if I don't sleep it's just because I don't want to miss anything, not a single minute you know! I thought I would never be able to afford to travel and once again it seems that Destiny's plans are extraordinarily kind to me. I feel so grateful and lucky!

And that's just the beginning!

I hope so! But you know, even if everything had to stop, well in any case it would have been much, much more than I could have imagined! I am so grateful for everything that is happening to me!

Are there any particular places you want to discover?

Sean has been here before and wants to show me places he liked. Today he took me to see the Sacré-Cœur which is beautiful. On my side, there are also places I would like to visit, especially in Barcelona, ​​because I am majoring in Spanish literature. I would like to go to the café where Picasso had his very first exhibition, long before he was famous. I would also like to see the Sagrada Familia, Gaudi's work, visit a museum, buy a Viva Cataluña t-shirt and eat paella. I am so excited to be able to do all these things!

That's great! But it's going to take you some time to do all of this!

We are staying there for the whole festival [Primavera Sound Festival]. So we should have some time. Of course we won't sleep much because in the evening I also want to attend the concerts!

You'll sleep when you get home!

Exactly! Since I am a big coffee drinker, one of my friends gave me a badge for my jacket that says "I will sleep when I am dead" ! [laughs] There are indeed so many things to experience in one life! [laughs]

And what are your plans for after the European tour?

We're actually going to be touring until the end of the year.

Will you come back to Europe?

We're going to Australia in November I think. I can't wait! We're also going to tour the States so as for Europe I don't really know... And then I hope to have some free time early next year. I'm always writing new songs that I play live. I must have 30 demos on my computer and I'd really like to record them. So it would be great if I could get into the studio early next year!

Last question: do you have one or more musical recommendations to share with us?

Lucy Dacus!

Oh I love it!

We played together in Washington DC. I had never heard her songs before Washington and I remember hearing the lyrics to Map On A Wall which say "I hope good comes from good and good comes from bad anyway" and I started crying all by myself watching her play. Her music is so beautiful, so powerful! And we have so much in common: questions of spirituality, sexuality and faith, questions about gender too and the place of girls in rock music. We are really like two halves of the same person. We have the same booker and were approached by the same label. And when I saw her again in Richmond I knew we operated exactly the same way. So our biggest fear is that we will one day become jaded and arrogant. We want to remain grateful, sincere and enthusiastic. There are so many people who do this for a long time and end up jaded. It's really great to find someone who feels exactly the same way you do, and that's the case with Lucy. We're platonic soulmates! She's a very, very dear friend.

You must tell her at all costs to come and shoot in Europe and in Paris because there are people waiting for her here!

Promise! I'll send her a message as soon as I have wifi!

Lucy Dacus! A perfect choice! Thank you very much Julien!

Thank you! It was great!

photos by jean-marc ferré 📸

interview by lolo from paris (who has great footage of that paris show on his youtube account) 📝

wayback link for the interview 🔗

[darth-memes]

I really mean it. Don't trust any review that you see online about anything Star Wars. Specially the Acolyte and the latest series. You would be surprised how many are made in bad faith, and with the Acolyte they have multiplied. Talk to your friends that have actually watched it and talk about it in a reasonable way. It's ok if you don't like the series or decide is not your thing, as someone who has really liked it, I know that it's far from perfect. Don't engage with reviews online unless you really really trust the person, because many are made with bad faith and/or nostalgia-tinted glasses that honestly make people forget how the original trilogy really is. It's the reason I stopped reading or watching ANYTHING resembling a review related to Star Wars because it is surprising how easy it turns into a toxic rant that many times can be boilt down into racism and misoginy.

Honestly, even avoiding all of that, with the Acolyte I almost burnt out of the fandom of how terrible it was. I luckily didn't received any hate myself but I have a friend who posts information and fun facts between other things (doesn't do reviews, or opinions, it's mostly all factual(if you have an instagram follow him in @skynobi_starwars, he is always on top of the latest news and posts frequently but without spaming)) on instagram and he was showing me the amount of comments just spewing hate whenever he posted anything about the series and it was disgusting. He said that there had always been some, but they had basically multiplied.

But that's his situation, mine was in real life. I have a coworker who also loves Star Wars and his mask fell off when on episode 3 the wItches showed up and suddenly all of his critiques were about the amount of black people and lesbians that were there. By the next episode everything was just shit and how they should fire the entire team. Basically screaming and being impossible to talk to. Which honestly made me really sad because he had always been a person with who I could talk to about anything Star Wars related. Worst of all, a younger coworker who was wondering if to watch the series entered into watching "reviews" that were outright lying about what happened in the episodes or of people that straight up didn't watch it. He showed me a few and they were all the same. I had to spend a good while proving to him how the series was review bombed even before starting and just proving almost every lie those people were telling and how most of it. It was exhausting and terrifying, I was also really worried because this coworker is very young and what he showed me bordered some alt-right beliefs that should be near NOBODY. And, holy shit, was this a slide to the far right pipeline.

The only reason I didn't burn out is because I have a trusted group of friends with whom I could comment the episodes and have fun making jokes about it. Curiously, my dad also watched it and enjoyed it. But that's basically that's all I had to reduce my feedback of Star Wars for WEEKS to not burn out with how everything was going both online and real life.

And I know that there's a lot of toxic parts of the Star Wars fandom. My recommendation is not engage with any of the big names in the fandom (you know who I am referring to, specially in Youtube). Again, it's not that you cannot be critical, there is a lot to be critical in Star Wars, there is also much that one may dislike, but there is a line. And a lot of people that called themselves reviewers crossed and are so far away in their delusion of how anything that Disney does becomes an attack against them that they will never be able to enjoy the saga again. But raging like that will just result in another Rise of Skywalker, not another Empire Strikes Back.

Instead, look for friends with who you enjoy talking about Star Wars and have fun watching, playing, reading, etc with the saga. Because at the end of the day that's what we want, to have fun with it and enjoy the journey. Sometimes it may disappoint, but if you are always looking for that like a big part of the fandom that posts online, you are never going to enjoy it again.

And isn't Star Wars better when you focus on what makes you happy about it than on what you didn't like?

(Also, again, watch out for the people who are being racist, mysoginistic, homophobic... I can't emphasize how even I, that I try to curate as much as I can my experience in the fandom, I found them fast this time)

[toomuchracket]

i know we've talked about jealous office nerd but what about girlie? like imagine they ran into his ex or a girl tried to flirt w him or smth

the girl who gets a trial week at the magazine before marianne decides if she wants to hire her - you're not particularly bothered initially when it transpires she's an art writer and thus will be in your and matty's department, but when she LATCHES onto your boyfriend and the questions go from "so is this word limit, like, set in stone? i just have so much to say" at the start of the week to "you know how i've written for frieze? well, i have an in at the team running the art fair, and i think you should come with me this weekend - they've given me a hotel suite we could stay in" at the end of the week... you can't even hear matty's reply from the desk across from yours because your rage is making the blood pump faster into your ears, and luke from film reviews just slides you a pack of cigs and whispers "i think you should maybe go and have one of these. you look murderous, mate" lmfao. but he doesn't have a light on him, so you actually do need to go up to matty and cut the girl off (while blatantly ignoring her) to say "matthew, i need to borrow your lighter" and respond "nope" when he offers to come for a cig too; you're not annoyed at him per se, other than the fact he hasn't told the girl he's with you (although tbf you don't tend to with new people for a minute, because you want to make the magazine seem strictly professional lmao), you just need to decompress alone. you do tell marianne what just happened, when you run into her on her way in, and she just rolls her eyes like "for fuck's sake. don't worry, her work's shit, we're not keeping her on. and don't worry about matty, either - he loves you, babe, and he's not about to throw that away for the frieze fucking art fair". she's right, of course - you don't know what he told the girl, but when you go back in matty moves to sit next to you and asks "can you take a look at this for me, please?", and on his laptop screen is a word doc saying "i love you. sorry about her. i didn't know how to nip her flirting in the bud without being a dick/ruining the professional relationship, and she took it too far. obv i'm not going with her to frieze (this year looks really shit anyway, would've taken you otherwise) and i told her the hotel room thing was inappropriate. and then i didn't hear any of what she said because i got distracted thinking about the inappropriate things we got up to in hotel rooms and also i booked a night away for us tonight so we can recreate them lol. but yes i love you so much xx". it's actually so cute, and you nod at him like "yeah. let me just..." and add a reply like "i love you too. just got a bit upset seeing her like that with you. but i'm sure you'll cheer me up at the hotel xo"; i mean, you do inadvertently end up edging him while you wank him off when you get there, just grumbling about the girl so much you stop moving ("'ohhhhh look at meeeee i've written for frieze ooh!!' i could fucking write for frieze if i wanted. she's not special" and matty's crying desperate to cum nodding like "you definitely could, baby, you're such a good writer FUCK please please just let me cum" lmfao), and while matty's fucking you you're giving it "nobody else feels as good as me, do they, baby? nobody else you wanna fuck, is that right? just me. you're mine, and i'm yours" and he's moaning into your mouth like "just you, only want you, only NEED you. love of my life". it turns a bit sweet at that point, honestly, murmured i love yous and kisses and all that, but it's still a dirty, dirty fuck that ends with cum in you and on you and matty practically passed out from how hard he went to prove you were the only one for him. kinda obsessed actually <3

[the-garbanzo-annex-jr]

by By Esha Karam, Shea Vance, and Sarah Huddleston Interim University President Katrina Armstrong apologized in her first interview with Spectator on Tuesday to those who were “hurt” by the New York Police Department’s April sweeps of the “Gaza Solidarity Encampment” and occupied Hamilton Hall, during which police made over 200 arrests. Spectator asked Armstrong whether she agreed with former University President Minouche Shafik’s decision to authorize the NYPD to enter campus twice, which resulted in the largest mass arrests at Columbia since the University’s protests on campus in 1968. “I know that this is tricky for me to say, but I do understand that I sit in this job, right. And so if you could just let everybody know who was hurt by that, that I’m just incredibly sorry,” Armstrong said. “And I know it wasn’t me, but I’m really sorry. … I saw it, and I’m really sorry.” The University faced intense criticism from students, faculty, politicians, and free speech organizations following the April 18 sweep of the “Gaza Solidarity Encampment,” which Shafik authorized less than two days after protesters pitched tents on South Lawn. NYPD Chief of Patrol John Chell said during a press conference following the arrests that “the students that were arrested were peaceful” and “offered no resistance whatsoever.” Less than two weeks later, police used electric saws, stun grenades, and other tactical gear to sweep Hamilton 22 hours after protesters occupied the building on April 30. Officers pushed protesters to the ground, slammed them with metal barricades, and threw one individual down the stairs outside Hamilton, according to videos reviewed by Spectator. One officer accidentally fired a gun inside the building. In a May 3 video posted to Instagram, Shafik acknowledged the “Gaza Solidarity Encampment” and Hamilton occupation, though she did not directly comment on the arrests. The Instagram post quickly garnered thousands of comments, most of them negative. Echoing her previous messages, Armstrong emphasized in the Tuesday interview her commitment to ensuring a balance between freedom of expression and the University’s academic mission. Armstrong announced updates to the University’s procedures for handling protests in a Sept. 5 email to the Columbia community, pointing to the Rules of University Conduct as the policy governing on-campus demonstrations. “As we face anything, we have to be very committed to the principles, and our principles are our students and are enabling an environment where people can have freedom of expression, and we support debate, and we do those things,” Armstrong said. “We have to be committed to our principles in terms of ensuring that our academic activities can continue. And so I think we have to be very clear about that, because that’s the commitment I made to our students and to our professors.” Armstrong, who assumed office on Aug. 14 following Shafik’s sudden resignation, underscored the importance of working with the community to “keep this campus peaceful, safe.” “I want to just say, I see the harm that happened,” Armstrong said. “And I am deeply committed that I work with all of you, I work with all of the community to both address that harm and to understand.”

Notice she doesn't mention Jewish students. Look for things to get worse at Columbia.

[mxsoyo]

Watching every Dracula adaptation! #1

Nosferatu: A Symphony of Horror by F. W. Murnau (German: Nosferatu – Eine Symphonie des Grauens) from 1922

We’ll be starting with the very first movie adaptation of Dracula (that isn’t lost media). The movie is free on YouTube, if anyone wants to watch it themselves. For the uninitiated, the movie is a black-and-white silent German Expressionist horror film. Well maybe it was a horror film in 1922 but from a modern point of view, the movie, especially the over the top acting is more comical than anything. As many might know the movie was an unauthorized adaptation and interestingly enough was supposed to be destroyed after they lost the copyright dispute.

Should you watch it? Eh, sure. It has a lot of funny moments and again it’s free on YouTube. Especially the people, that really like Johnathans and Minas relationship in the novel will enjoy that their relationship is a focal point in the movie.

Characters: Since the movie was made for a German audience and takes place in Germany instead of England, the character names have all been changed (there are versions of the movie with the book names though). I’ll be referring to the characters by their book names to avoid confusion (except for Nosferatu, since people know who that is). The movie names are in the brackets. Jonathan Harker (Thomas Hutter) is just a sweet, cheerful little guy who loves his goth wife. Mina Murray (Ellen Hutter) is quite different from her book counterpart, her actress constantly looks like she is plagued by visions™ and apparently has psychic anti-vampire powers. She is also my favorite part of the movie. Count Dracula is obvioulsy Count Orlok aka Nosferatu. There isn’t really much to say about the guy, he is pretty much exactly how you imagine him to be. Arthur Holmwood (Harding), Lucy Westenra (Ruth), Jack Seward (Dr. Sievers) and Van Helsing (Bulwer) are all relegated to side characters. Mina stays with Lucy and Arthur while Jonathan is away, Jack is also the town doctor apart from owning the asylum and Van Helsing is there to info-dump to the audience on various matters. Renfield (Knock) is actually Jonathans boss in this version before he gets sent to the asylum. (No cowboy in this movie, which I think will be a running theme with these adaptations.)

Plot and Book Differences: The movie follows a lot of the plot beats from the book. The big differences are that the movie begins before Jonathan starts his journey, all of Lucy’s plotlines being dropped and the ending. A new addition is also the theme of plague and disease, which has some very antisemitic undertones (much like Nosferatus design). The ending takes place in Wisborg (a fictional German town that is used instead of London) instead of back in Transylvania. Nosferatu is also not staked through the heart but killed by the sunrise. Mina also maybe dies at the end or maybe she just faints, it’s a bit unclear. Nosferatu also kills way more people in the movie than Dracula does in the book.

Interesting and/or Funny Moments: -Mina’s cat:

-Jonathan giving Mina flowers, her saying “Why did you kill them... such beautiful flowers...?!” and Jonathan reacting like that’s the most normal response ever -The Romainian townsfolk warning Jonathan about a werewolf, cut to a striped hyena they probably filmed at a zoo -all the scenes where characters talk about how it’s totally the middle of the night while the sun is blaring down on them. (I get that lighting a night scene in 1922 was probably almost impossible) -this clock:

-Nosferatu just straight up sucking Jonathans thumb after he accidentally cut himself -Jonathan noticing bitemarks on his neck and being like “must have been mosquitos (shrug)” (This happens after the thumb sucking btw) -Nosferatu seeing a picture of Mina and unironacally saying “Your wife has a lovely neck...” -the acutally very cool shadow effects they use for Nosferatu, especially the ones at the end of the movie -Nosferatu carrying his coffin by himself through the entire town while looking like a kid that got lost in IKEA

Next Up: Dracula (1931) starring Bela Lugosi

[shopwitchvamp]

me the absolute first split second people are acting up in the shop

[sloshr]

After watching through Side Order... I have a Few Thoughts.

[Spoilers ahead]

My Review of the Side Order DLC - Its little more than Gameplay.

Initial Opinion

- - - - - - - - - -

Overall; I like the gameplay mechanics initially, but the story absolutely feels lacking to me, imo. It feels like they were really banking on Side Order being Hard but... multiple of my friends finished it on their 2nd or 3rd run through the Spire.

That in itself isnt a problem! But... everyone felt sort of unsatisfied? There were no developments in the story, as we, Agent 8, were just assigned the task to Get to The Top of the Spire -> The Player Does That -> You beat a Boss -> Credits Roll (?)

On my watchthrough I literally said Please Say Sike 😭 because, dont take this poorly, but they were advertising Side Order as;

• Difficult (stated Multiple Times in basically every Trailer)

• Story Driven (You Uncover things as You Climb)

• Character and Lore Intensive (as shown by the trailers with all the concept art as well as promo art)

I dont feel like it was wrong to expect more based on how it was advertised.

But... if you complete the DLC in 1-2 runs, which is Very Much Possible, no buildup happens at all. The story was banking on the player struggling, and putting all the content behind repeat runs, which falls through and Doesnt really work/feel satisfying if the main goal is achieved in such a short time. I Feel like anyone who regularly plays Salmon Run will likely have a similar experience. And I feel kind of cheated? Because what we got was something that was Tell Not Show rather than the Show, Not Tell formula. And in my opinion, it really doesn't work as well at all. It puts all the major lore that the game has set up behind repetetive climbs (which never change btw, despite each climb being generated differently, its the same after a while) and you get about 1 Sentence of Exposition, with a Modlog from Marina if you are Lucky.

Side Order was (to me), after watching it all;

• Not Difficult, But Repetetive Gameplay (This easily runs people down, which would be fine if the tower had more than 1 setup or phase)

• Inital Story Setup with no complexities or stages. You climb the first Tower, Save Marina, Climb the Second Tower, Beat Order, and the credits Roll. In its most complex, you could fit what Side Order's Story is in 2-3 Sentences. Rather than Lore being revealed During the story, it feels Pushed to the Side as all of it is either in Text the player may never see (different climbs) or care to read (Marina's Mod Log)

• Use of Character Drops with no explaination / mention (The Agent 4 Boss, Anyone?) (This felt very Bait-y, with No Payoff)

Rating

- - - - -

If I had to give Side Order a Rating

4/10. At Best.

I am a bit disappointed with this as I feel like I was promised more, Storywise, and honestly a bit gameplay wise. I think it fails where other DLC has succeeded Due to being Built in such a way where anything engaging is stuck behind barely changing gameplay. It is not built in a way where the experience cant fail to show you whats important to the characters and the worldbuilding. It relies too much on telling you whats happening rather than the world showing you. Its too Simple, and It Doesnt Work, personally, in a series that contains Octo Expansion.

Which is Sad to me!! It had so much wasted potential and I really hope this isn't the last we're going to see of the concept, we get to see ideas actually built into the story, and... maybe find Agent 4.

Conclusion

- - - - - - - -

Tldr; Side Order had a good concept, but failed in execution for being simple and gameplay dependent, which was ultimately disappointing due to it being advertised as something more for all involved.

It was an alright attempt. The experience will just be known to me as... well. Baby's First Rouge-like. Nothing worldbreaking.

(PS, this isnt meant to be mean spirited or overly critical, I just love the Splatoon Series so I give it Tough Love. This is just my personal view on the DLC)

Thank you for Reading! Feel free to share or add any thoughts!

[fiveredlights]

helmut marko could tell me 1+1=2 and i still wouldn’t believe him okay he’s as useful to me as a man’s dick… which is to say not useful at all given that i am a lesbian ❤️‍🔥

[scattered-winter]

every day i kick a rock and bash my head into the wall because i'll never get to go on a big space adventure and become tightly close-knit with my new found family up there <//3

[porto-rosso]

brother where is the charles appreciation

[clownattack]

I aced my thesis defence with merits and I WILL TELL EVERYONE ABOUT IT (once i had my little rest) tm

[todayisafridaynight]

Since you mentioned it, what did you think of Speak No Evil? I was thinking of watching it myself :0

i really liked it ............ my friend scoffed at me when i told her i was watchin it so take my opinion with a grain of salt tho </3

[icewindandboringhorror]

While I don't know much about it, I would probably bet there are tons of issues with the cruise industry that would make me not actually appreciate it broadly speaking - HOWEVER, I do really love a lot of the interior design of some cruise ships.. How it's almost like a miniature city crammed into one area. Multiple sections with all different aesthetic designs, a variety of shops, restaurants, activity centers, community seating areas, communal use spaces (like gyms, laundry, pools, cafeteria/buffet (which I always love anywhere)), etc. etc. but then also everyone has a little nice clean comfortable looking space of their own to retreat back to if they'd like to be alone. Maybe it's something akin to the idea of 'walkable cities', where everything you could ever want to do is kind of right there just a short walk away? I also especially love how so much stuff is stacked on top of other stuff, a layered cluster of spaces, bright open atriums, and when they're set up with little walkways down the center between a bunch of rooms so it's almost like a mini city street with apartments lining it, etc.. They often seem like they'd be SUCH a cool place to live permanently, IF only something identical was just built on solid land instead lol

[widevibratobitch]

my god. skinny people really just have like. No Idea huh just absolutely not a single clue lmao it's almost funny to watch fr but then id lie if i said i wouldn't fucking kill to be able to be that ignorant

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)