hey! just got back from the fashion exhibit and it was super cool! they had around 10 fashion plates as it was mostly actual fashion on display but they had a lot of ensembles displayed in pairs so idk if u want me to send some of those too anyway im including me and my cousin’s favorite look hope you enjoy and i will def send the fashion plates later :))
hello my dear! 💖
that is so cool! 💕 i hope you had an absolutely fantastic time!! ☺️☺️
also lmaoooooooooo that is actually a pic of me when I'm reading the tags on one of the polls and people are talking shit about the outfit I liked most 😔😔
no but seriously it's so fucking funny to me that that's how they decided to display that piece 😆😂 I can't say I'm an expert, but I did take a course on exhibiting fashion for my MA and the final for that class was creating a fashion exhibition proposal, so I know how much thought and work and planning goes into deciding absolutely everything about an exhibit, which makes it so much funnier that after all that, this was still the curatorial decision that was made 😆 I mean, it's at least kinda accurate I guess??
thank you so much for sharing!! 🥰💕
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Hello ryin! I saw in a recent post of yours that you dislike the "class warfare" reading of the Havoc in Heaven arc in JTTW and would honestly love to hear more about your thoughts on that! Your takes have been really interesting.
Thank you!
My biggest problem with the "class warfare" reading is, first and foremost, what it has been historically used for.
Like, after the Havoc in Heaven opera and movie came out, the propagandists absolutely ate it up; SWK was associated with Mao Zedong and used to promote Mao's personality cult, and soon after, the White Bone Spirit story would be interpreted as this fable for the Sino-Soviet split.
Whereas Havoc in Heaven was intended and viewed as a metaphor and love letter to the victory of Chinese revolution, the White Bone Spirit story was interpreted in the context of the horrific fuck-up that is the Great Leap Forward, where the party were starting to doubt its leadership, and the path to the future seemed an uncertain and arduous one——much like the pilgrimage.
So, in the new twist on the "class warfare" narrative, Tripitaka and Pigsy became the poster-boy for "party members who were easily captivated by revisionist ideas" and needed to see how wrong they were, the WBS became the personification of Khruschev, imperialism, capitalism, revisionism...you name it, and SWK the Mao expy who could do no wrong yet was unfairly blamed by everyone.
Came the Cultural Revolution era, SWK would then become a sort of hero and role model for the Red Guards, smashing down all that was considered archaic and backwards, tearing down older authority figures and perceived "class enemies" alike, all the while emboldened by Mao's saying that "To rebel is justified" (造反有理).
Yeah, no, fuck that shit.
Terrible historical baggages aside, it is also a reading that reeks of presentism, and Lin Geng, a renowned professor of literature, had done a thorough takedown of the "SWK as peasant rebel" idea in his 西游记漫话.
Namely, it neither fits the circumstances of Havoc in Heaven, nor SWK's backstory and motivation. He's not rebelling because his monkeys are oppressed by the Celestial Realm, he's doing it because he feels personally slighted.
His mindset is also not that of a traditional peasant; compare and contrast that with Zhu Bajie, whom the author argues is very much peasant-coded in terms of his obsession with going back to Gao Laozhuang, his rake, and his comedic ignorance that stems from urban stereotypes of rural farmers.
To paraphrase Lin Geng, "Not all rebellions and rebel narratives in Chinese history are peasant ones, and we shouldn't just cry 'peasant rebellion metaphor!' the moment we saw a rebellion in fiction."
Lastly and more personally? This reading also tends to remove SWK's depth as a character. The representation of the Mind can be both heroic and flawed, capable of great feats and fuck-ups alike, but the representation of The Revolution has to be heroic and his opponents, whether celestial or demonic, must be evil oppressors and political boogeymen.
Like, the demons in the novel are representations of the mental obstacles a person will face on the path to Enlightenment, but they are also capable of being funny and very human characters, and not all of them wanted to eat Tripitaka.
The Celestial Realm is a satire of the imperial bureaucracy, sure, but the novel is also a product of its time and cannot magically promote 20th century ideas of revolutions and political reforms 500 years before they were a thing. Besides, SWK can still get help from them on the Journey and their relationship is more complicated than "oppressed rebel and oppressors".
And that's exactly why I dislike the "class warfare" reading: it creates a simplistic opposition of good and evil, and tries to squeeze the work into a narrow political framework that is neither nuanced nor accurate.
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fanart for a scene in @nerdydowntherabbithole 's Taking Life As Is on AO3 !! a scene early on in the fanfic that sounded so cool it gripped me with inspiration, where a vulture swoops down and gets fucking got by a leviathan while our dear protagonists look on in horror of the beautiful brutality of mother nature happening right in front of them! dont you love it when you leave your rotting corpse behind and immediately get hit with the existential horror of almost dying and the primal fear of seeing something that much bigger than you and realising your fragility when you were once a godlike being above such lowly thoughts and struggles? anyway.
some details and thoughts !! :
-just before this scene, sugar (survivor's name in this fic) hunted and ate a salamander, so i included it in this here drawin too !! hell yeah esoteric fic-accurate details
-(pro tip for any artists out there; if you want to push something into the background, gradient overlays are your friend. also, dont forget to check your values. outline your characters if they aren't popping out of the background enough)
-in other, not fic-accurate detail,, moon's dress and marks. i think in the fic, moon's dress is more like,, an actual dress with sleeves and such. but also like, i do what i want and i want something thats barely a dress so i can show off my anatomy/mechanical bits art skills. i dont care if its not canon compliant im calling rule of cool
-whoops i forgor the wires uhh shit nevermind it would cover the cool bits anyway whatever
-also, while i am proud of the vulture and leviathan, they both used reference. like, i sketched them out yeah, but also the sketch was mostly done by staring at a reference the whole time and overlaying it on the canvas as needed when the drawing looked a little too off. so if you look at this and think 'aw man this guys too good at drawing i could never draw a vulture/leviathan/background/whateverthefuck like that' youre wrong. use references and get better at art by referencing references
-shoutout to the miraheze wiki btw for supplying most of my references for this. fandom wiki could never
this fic holds a special place in my heart. like, i dont agree with it on a lot of things (how the cycle works, time between slugcat campaigns, how rot works, etc), but its very internally consistent and i like how all the characters are written. i really do like how, despite all the bickering, the iterators really do care for each other and love each other. i like that the blame isn't pushed just to pebbles, the acknowledgement of there being a lot of nuance and complications in the whole situation. i like the worldbuilding, nsh's wetland-esque biome, srs's gleaming glass beaches, the different interesting fauna/flora, slugcat society worldbuilding, the fucking trains hell yes trains.
most of all though, i love the authors dedication to getting a happy ending. no one left behind.
all the iterators in the local group are getting freed (except for innocence but thats a different thing) all the slugcats are alive and doing well (even artificer's kids!!). and even though the fic throws the characters around, bad things happen, steps backward are taken,,, there is almost a palatable message that no matter what, things will be okay.
artificer did bad and its acknowledged with visible consequences (scavenger temple route, which mightve made things so much easier on the route to nsh) but she still gets her kids back. hunter had her rot cured and even got some sick new upgrades but still struggles with overexertion and moments of weakness. both pebbles and moon have ptsd from the rot and the rain respectively and its handled reasonably well, not even mentioning the survivors guilt and learned helplessness on nsh and the whole,, guilt from causing this whole fiasco and the feeling of it being all their fault from srs,,,, , ,,,
i dont know. i just really like how dedicated the fic is to showing the realistic consequences of the unforgiving and brutal world of rain world and weaving it into a story of forgiveness and freedom. there are struggles but the heroes will still win and get to go home happy. its cathartic. i love it a lot.
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Percy Jackson, who grew up as a social outcast and also is literally the kindest person alive and so every closeted gay kid at every school he’s been to looked to him for protection and bonded with him: Ugh I’m literally not having a hot f*g summer rn :(
Annabeth Chase, who grew up half in Virginia half on a camp in the middle of nowhere:
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i will reduce you to your six essential elements
Um, Hydrogen, Oxygen, Carbon, Nitrogen, Calcium, and Phosphorous?
Air, Earth, Wind, Fire, Water, Wood, and Metal (I can assure you I don't have some of these in me)?
Or some secret other thing?
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through the power of delusion and yuri i can make katase taller than aoki's secretary
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Going to bed feeling kinda confused and down :((
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gotta wonder sometimes if new people are put off by my rambling lol because i am the bitch that leaves a small novel in discord dms when you are asleep
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i recently watched the madmen episode where timeline wise MLK was just assassinated and hey they didn’t handle it well
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so. um. 👉👈
hi guysies.
Ig I should just say like. Hi
I haven't been posting here as much cause. Idk. Might be depression? I keep thinking its cause I've been so busy, which also wouldn't be not untrue, but these past, like, 3 weeks I think so far? I've had some free time but I haven't cause. I dunno, then again, I haven't been doing too much in general? I gues, besides very mandatory things, hell I've even been lacking in my regular skyrim hours of playing.
That, and as said, I get super melancholic when I remember just how sad and bittersweet it is that t0h is. Actually legit over. The show and experience, that is.
Oh all that and also becuz my headphones broke! Fuck! That's like number 2 in my bare necessities for when I post, do almost anything really! It's seriously been painful this past month going without headphones holy shit. Dude I've been scratching at the bit for some relief for headphones, I NEED music legitimately. Even right now, as I'm typing this on my phone, my music is on low levels.
But yerp. Its been. Rough. Really rough. I really do appreciate yall, everyone of yall. Have a sweet week everyone, ✌️!
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i cant believe i genuinely was able to catch a wasp in a jar back in september… the things a man can do because of friendship is crazy
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"i think today's a listening to remix 7 on loop kinda day" -me, 2023
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OK. . . seems i missed the whole 'chickens are controversial in splatoon' thing. . . why?
To put it short there's evidence both for and against them existing, and this is without me actually looking anything up so i might be missing something.
cases for chickens being extant: there's been chickens present in SOME form in several splatfests, they're not mammals so they're not NECESSARILY extinct, despite being domesticated animals and thus being unlikely to survive it doesn't mean it'd be IMPOSSIBLE because pigeons and other relatively human-dependent birds still survive in Splatoon, and of course there are many instances of Eggs being a staple in inkling culinary culture. egg is everywhere
cases for chickens being extinct: we only actually See chickens (or chicken, as in food) in splatfest art and splatfest dialogue which isn't (or at least definitely wasn't until Splatoon 3) canon-compliant at all. We havent actually seen chickens in-universe to my knowledge, nor had them mentioned outside splatfest. probably the biggest nail in the coffin is that there IS a chicken statue in Splatsville, and typically when there are big animal statues in the cities those are statues depicting extinct animals. this is something from an interview that touched on the crane and tortoise statues in Inkopolis Square; which also confirms that it wasn't JUST MAMMALS that suffered and went extinct, it was also other miscellaneous land animals and even random birds which I think me and initially a lot of other people thought were just. Fine and safe. But if a random bird like a crane can be extinct now then chickens are absolutely not safe just because they're not mammals. although eggs are in like every food it's not really been confirmed in any way that those are CHICKEN eggs (although that is the most likely), they could as well be farming domesticated pigeons or something
So really it's a big case of no real confirmation they DO exist, but also no real confirmation they DON'T exist, but also the only context we see them in-universe is in a context where every other animal depicted there IS extinct and it's like a lore thing. So the existence of eggs is a big hint TOWARDS them existing but could easily mean nothing whereas the other one is more in line with proving they do not exist. it is a very uncertain situation for the chicken
HOWEVER!!!!!! there is hope for the chicken. splatfests in Splatoon 3 have had more in-universe accurate themes and dialogue so far (meaning they dont randomly make up shit like "marina's landlord is a narwhal" and "inklings eat red meat" or whatever the fuck in that sea food vs mountain food one we didnt even have that one it was regional). SO THIS MEANS! in the next splatfest we Could get a somewhat stable answer to if chickens exist or not. of course the other 2 options are extinct animals whereas the chicken is 50/50. i'm HOPING the dialogue touches upon this fact and doesn't just talk about all of those like they just Exist. basically we are very close to some kind of progress on this issue that would be Somewhat credible because while splatfest dialogue has never been a credible source in the past, it has been WAY better in S3
TL;DR we just don't know. Chickens are a mystery
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"the public education system is intently evil and all teachers are abusive because it was the worst experience ever for me personally"
guys, look, I'm legitimately sorry that happened to you. that's fucked up. it shouldn't have happened, and it shouldn't be allowed to happen again to you or anyone else. I'm sorry.
public school was hard for me too, at times, and I'm still suffering the consequences for the harsh grading, the arbitrary deadlines, the hours of completely useless-to-me homework. I could name a few teachers who have been pretty fucking terrible. the fact that nobody considered getting me evaluated for ADHD has had an impact on my self image and academic success that I can't erase.
and also.
I grew up in an area where education, in particular, is incredibly progressive-leaning. educators are working really hard to create and try out education philosophies and practices that prioritize kids and their learning, rather than teachers and what they think kids should learn.
My sex ed was comprehensive, and came entirely from school. My gay sixth grade teacher taught me about HIV/AIDs in a useful, accurate way. In high school, I learned about the way orgasms work & I was prepared not to feel shame for normal stuff.
I learned that Communism was not what the USSR actually practiced, and what it really means. I learned about atrocities and, specifically, the genocide of indigenous people committed in/by the US. I learned about the military industrial complex, the school-to-prison pipeline, and I learned about manifestations of racism specific to my local area. I learned about Stonewall, and the intersection of the civil rights movement with gay rights and disability justice.
My creative writing teacher taught us about LSD, and the real reasons we shouldn't do it, after a hilariously ineffective assembly run by some local cops. He spoke gently, carefully, and emphatically about his friends and his own experiences. Later in the semester, he read us a story he wrote about two gay men finding each other in a deeply homophobic environment.
My sci-fi teacher made me feel safe & seen as a kid with "weird" interests. My US History teacher helped me research and put together a 10-page paper on the modern relevance and mission of Feminism. My government teacher made me feel appreciated for the work I put into the class, and the thought I put into what I said in it, even though he disagreed with a lot of it. My sixth grade teacher bought me books to read with his personal money, whichever ones I asked for. My third grade teacher made me feel safe. My science teacher in middle school made me excited for and passionate about science, and saw and nurtured the effort I put into her class.
A lot of stuff sucks, absolutely. But I am seeing new teaching methods being tried out all the time, and I am watching teachers get really excited when I teach their students about the roots of modern graffiti in US black history & to question property laws, and just...
There's hope. there are so many people doing so much work to make things better. so many people agree with you on what education should be, and are trying so fucking hard to put that into action, and so many public schools- not just teachers, but whole schools and even districts- are really doing that work. so much is getting better.
I had more to say, about necessary childcare and trusted adults and outside contacts and time away from abusive family. But like. Please just sit down and listen to more people on this, and please talk to educators and education professionals about what's really going on in this big huge world of philosophy, science, and practice.
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