#but also what if i lose everything by going back on

[paigesfuturewifey]

authors note! IM SORRY FOR BEING MIA college was kicking my ass (still is) and i’m trying my hardest not to crash out but here is an angsty fic :D

this is also heavily inspired by she wouldn’t be gone by blake shelton IK IK country music sue me it is unfortunately part of my roots so yes here she is

“i’m sick of this caitlin!”

you two had been going back and forth for a while about this, both too stubborn to admit who was in the right and who was in the wrong.

it’d been two months since caitlin went first pick in the wnba draft. two months of caitlin continuously forgetting about your date nights, two months of caitlin lagging hours on end and then eventually responding to your messages with one word replies, two months of wondering if caitlin would be home from practice at a decent hour or if you’d go to sleep in a cold, empty bed.

two. fucking. months.

of course, you understood the fact that caitlin’s job required almost all of her undivided attention and you were extremely proud of her and all her accomplishments.

but being second priority to her job was taking a toll on your mental health.

you were tired of being alone all the time. the sacrifices you made, picking up everything and moving to indiana with caitlin to be with her, felt pretty fruitless when you had barely seen her in your own apartment.

caitlin’s response came low at first as she rubbed her temples, “what do you want me to do?” and then she repeated it louder, throwing her arms up in frustration, “what do you want me to do?!”

“i want you to be here! you’re never here anymore, caitlin! i’m alone ALL THE TIME now!”

“that’s not fair. i’m doing this for us! for— for you!”

you shook your head, pointing an accusatory finger at her. “no. no. not for me. this is what you wanted! you wanted this! i didn’t—“

“i didn’t ask you to move to indiana with me!”

the statement felt like a slap to the face. caitlin, of all people, knew how hard of a decision it was to move to indiana. to be away from your family. your sister, your parents.

caitlin never pressured you into it, of course. she was insistent that if you had decided to stay in iowa, you’d make long distance work. but when you ultimately decided to stay with, whom you thought was the love of your life, caitlin couldn’t of been more happier.

the two of your popped a bottle of champagne in celebration and spent the night talking, laughing, planning your futures together.

a bittersweet memory that seemed so distant at the moment.

as you narrowed your eyes, you felt a tear roll down your cheek, followed by three or two more. “you know what, caitlin? you’re right. you didn’t ask. but it was a sacrifice i was willing to make for you!”

“you’re not the only one making sacrifices—“

the mere start of the sentence had you letting out a laugh, putting your hands behind your head as you paced back and forth. “you’re not listening.”

“i am listening—“

“no! you’re hearing me but you’re not listening to me!”

silence fell upon the two of you, both contemplating your next words because you both knew you guys were pretty close to crossing lines that couldn’t be uncrossed.

you placed your hands on the counter, leaning on it while hanging your head low, letting the tears drop onto the floor. “i can’t do this anymore,” you finally let out in a small whisper, but it hit caitlin in the gut. “i don’t want a life where i spend more time waiting for you than being with you.”

“you don’t mean that. please baby, stop.” caitlin’s warm hands were suddenly around your waist, leaning her head on your shoulder and kissing softly. “let’s just go to bed, yeah? i promise, i promise things will be different, okay? i’ll make more of an effort. i’ll try and get home on time for dinner. i know things aren’t easy right now, but i can’t lose you. we’ll figure it out, i’ll— i’ll try harder. okay?”

but even when those words eased your mind a little, you both knew the promise wouldn’t be kept.

so it wasn’t really a shock to you when you sat at the dinner table, candles lit and your meal sitting in front of you with the empty chair across from you.

you cooked caitlin’s favorite meal, wore her favorite set underneath your clothes that was her favorite color. you looked at the clock, and when it read 10:30, you scoffed.

you were fed up. you were well over your boiling point.

and, so, when caitlin entered your guys’ apartment at midnight, her heart ached a little at the sight of your untouched meals at the table, and candle she assumed was lit at one point.

she rubbed a hand over her face, quickly walking to your shared room. then she froze in her spot.

your side of the room was empty. from your nightstand being stripped of its decorations, to your side of the closet being completely empty.

the suitcases you used for when you guys planned vacations were gone. along her your toothbrush, makeup, hair products, basically everything that made your shared apartment shared was gone.

caitlin wasted no time picking up her phone and clicking your contact, holding the phone to her ear. she anxiously waited, suddenly feeling as if her whole life was falling apart.

voicemail. she tried seven more times. all went straight to voicemail.

her mind immediately went straight to denial, there was no way you picked up and left, right? you always said you would, but caitlin never believed you. never truly believed you.

or maybe she just didn’t listen to you.

she snatched her keys from the table, leaving the apartment and shutting the door loudly behind her. she bet all her money that her neighbors hated her.

that’s how she ended up in her car, speeding down the highway on a rainy night, frantically calling all of your shared friends.

she started with your mom, driving down the road at 90 miles an hour and switching lanes like an absolute maniac. she’d gotten honked at at least four times already.

“caitlin.” your mom greeted, though judging by her cold and and distant tone, and her use of caitlin’s full name instead of cait, caitlin could tell the news had no doubt got back to her.

“do you know where she is, mrs. l/n?” her question came right off the bat, figuring she had no time to waste in finding you.

your mom’s answer was quiet. and caitlin learned your families habits quickly enough to know that when she went quiet, she was lying. “please—“

“i’m afraid i can’t speak with you now, goodbye caitlin.”

then the line went dead.

with her left hand on the steering wheel, she punched the middle with her right and threw her head back.

her next call was kate because you three all had been very close throughout your iowa college years. kate always understood you in a way that made caitlin jealous.

and for a while, she she was a topic of argument in your relationship because caitlin constantly needed reassurance that she was the one you wanted.

there was clearly a rift in caitlin and kate’s friendship after, but after the move to indiana, they seemed to be mending their friendship. until now.

kate answered on the first ring with a hard question. “what’d you do, clark?”

“kate, i— i fucked up. she’s gone. i don’t know where she went. her stuff’s gone, her clothes are gone, she’s gone.”

“damn it, caitlin. you always do this shit— you drove her away, again.“

“do you know where she is?” caitlin demanded, arriving to her first destination.

“no.”

“you’re lying.”

“no i’m not—“

“i should’ve figured you wouldn’t help me find her. you’ve always been pathetically in love with her, ever since college.” caitlin scoffed out bitterly.

“caitlin—“

“know what? no. you’ve always been on her side, since day one. i can’t even do this right now—“

“you’re frustrated with yourself, about driving y/n away, so your picking a fight with me.” kate spoke calmly, fueling caitlin’s anger.

“don’t fucking psycho analyze me, right now martin.” with that she abruptly ended the call, getting out of the car and walking into the ice cream shop the both of you loved dearly.

after that, she went to your favorite coffee shop, after that, nalyssa’s apartment, then aliyah’s, then the hotel near your apartment.

she held her face in her hands, finally letting the sobs ripple through her. she suddenly realized how under appreciated your voice was. she was forgetting how sweet it was, how beautiful it was when you hummed her to sleep.

she was forgetting your voice already.

and she realized that she should’ve fought harder. should’ve told you how much she loved you, cherished you, needed you.

maybe, just maybe, if she had done that, you wouldn’t be gone.

safe to say caitlin didn’t find you that night, and no one told her where you might’ve went.

[olivianott]

BRAIN CHEMISTRY

Tell me I’m not the only one happily not recovered from the deatheatertok (yes that’s why I’ve been MIA😬) and the Lorenzo Zurzolo gifs from the other day? 😭 I could not help myself with this one.

READ AT YOUR OWN DISCRETION, OCTOBER CAME EARLY TO ME.

ꕤ 1.6k words 

ꕤ deatheater!Theo Nott x fem!reader

ꕤ warnings: toxic ex, deatheater Theodore, pure smut, unprotected sex, explicit content, not for minors, 18+

ꕤ all characters are adults

You knew you were in trouble. That you fucked up. You somehow found yourself at a party in an unknown manor. You and your friend got talking with some people at a pub and now you are surrounded by glimmering Death Eater masks. Everyone is acting as if they are just having fun at a party. But you see their eyes following the two of you everywhere. 

You already know what is going on at these parties. You heard stories, awful stories, from him. You wonder if he is in attendance. No. Stop thinking about him, he didn’t want you anymore. He is one of them after all. 

You try to think of a way out for you and your friend. Get drinks, but don’t drink them, discreetly inch towards the entrance while smiling and acting like you’re having the time of your life, getting through the door and the few steps over the anti-apparition wards and poof, you’re both safe. 

That was the plan. Everything went smoothly, until just before getting through the door, your path is crossed by a tall Death Eater with an overly decorated mask. “Hello, beautiful.” He says while you watch your friend successfully execute the plan and disappear with a crack. 

You turn around and try to escape the lewd gaze of the big Death Eater, but there is another one in your path and you realize you are surrounded. Fuck. This is not good. No, don’t panic, don’t panic.

You panic.

Your vision starts to blur and you can’t seem to think straight. Heart in your throat, the ground becomes unsteady. Another mask enters your field of vision, too close to your face. This mask looks elegant, not overly decorated, but with artistic lines strategically curved around the planes of the artificial face. He grabs you by the upper hand and starts to drag you away from the crowd that formed around you, barking something to the other Death Eaters. You try to fight him off but it’s not working, his grip tightens and when you don’t stop, he loses patience with you and puts his wand under your chin. It doesn’t hurt but the threat makes you tremble in fear.

The man leans down next to your ear and hisses: “STOP IT.” The voice is so hard and threatening but at the same time familiar. 

You momentarily freeze and that gives him time to drag you through the hall and into a bedroom. 

Fuck, fuck, fuck. 

He closes the door after you and you finally have time to compose yourself, because he goes to the other side of the room, leaving you alone. While he locks the room with his wand, your mind clears slowly. You suddenly realize why the voice is so familiar. 

Theodore Nott. 

You’ve never seen him in his Death Eater robes and a mask before, but now you can’t stop looking at him. 

Theodore turns around, throws his mask on the bed, and stalks to you so fast, you actually step back in fear until your back is against the door. “Why the fuck are you here?!” He spits in your face, his eyes are feral and full of anger but also fear. 

“It was an accident, my friend thought it would be a good idea to-“ 

“To what? To enter a devil’s lair full of fucking Death Eaters that enjoy killing too much and don’t ask for permission to do anything? Don’t you fucking know what’s going on at these gatherings? Fucking hell!” He is talking quietly but with so much anger, you can actually feel his magic vibrating between you. 

“What’s it to you? You’re one of them now, you look like you’re right at home at this vile party, huh?” 

“Do you really think I like it? That I wanted this? Do you even know where you are?”

“In some nasty pureblood’s manor?”

“Yes. Welcome to the Nott manor.” His sarcastic smile falls off his face as he looks down and backs off of you, finally letting you breathe air. 

Oh. Nott manor. It’s his home. 

“Are you actually hosting this party?”

“Well, as I said, those people don’t ask permission for anything, so here we are. But now you are here and you made this night even more difficult for me. They have set their eyes on you now and they are hungry, in more ways than one. The Death Eaters need their food, and they like to play with it before eating.” 

He says this so matter of factly it takes a while for your mind to catch the whole truth of what you’ve casually walked into tonight. 

“You’re a Death Eater too now.”

“Exactly.” He smirks. 

You’ve missed him so much. His scent brings back memories, and you feel your body heat up despite his arrogant behavior and attempts to scare you off.

“What- what are you going to do to me?” You say breathlessly. Without your permission, your mind shows you pictures of you and him from the past, the little bit of fear just heightening your excitement. 

“Oh please, you know I’m not like-“ he stops himself mid-sentence and focuses his glare on your throat, pulsing with blood rushing through you, your red cheeks, your trembling hands, the rise and fall of your chest. 

“Now I remember.” His mouth curves in this arrogant smirk and his eyes look mischievous at the same time as dangerous. 

“You like danger… you like being scared, amore? Does it turn you on? Tonight you bit more than you could chew though, princessa. And now…. You are trapped in here. With me.” 

You can’t respond to him, but your body does. Your breathing gets more labored and you can’t help your gaze falling to his lips. 

His hand starts roaming down your body while again hovering over you, leaning against the door, the height difference between you more obvious than ever. 

“I- uhh…-“ you are unable to say more. But you close the distance between you and crash your lips against his. 

Theodore groans loudly, takes both your hands in his, and slams them against the door above your head. 

“Oh princessa, you don’t know what you just started, do you?” His hard kisses resume and your mind is filled up with sensations. 

The feel of his body against yours, the hardness of the door digging into your back, his teeth biting your lips, dragging against your throat, his lips sucking on your pulse point. 

Your eyes are closed, but you feel your feet leave the ground as Theodore picks you up and sends you flying on the bed. While crawling over you on the bed, he picks up his mask and puts it on his face. 

Fuuuuck. 

You can barely see his eyes staring down at you from behind the mask, in between the short strands of hair falling down around it. 

The world is a blur now, clothes start flying off of you, his hands tracing your curves. Suddenly he loses patience and flips you over, on your hands and knees on the bed. With his hand under your chin, he makes you look up. A mirror. Your moan is embarrassingly loud. The vision of him in his mask behind you, admiring you through the mirror, hand grabbing your throat… you’ve never seen anything hotter. With his other hand he traces your wetness and groans into your ear: “So ready for me princessa, you really do get turned on with fear and danger. How nasty of you. Was this your plan all along? To get fucked by a Death Eater?”

You can only manage to shake your head no, since he is already opening his Death Eater robes and taking out his beautiful cock. 

“I bet you were hoping to find me here, right? Wanted to make me take you back? Make sweet love and be together forever?“ He chuckles condescendingly at that thought. „Look at you now, writhing under me, dying for me to fuck you like this, with my mask on. Scream for me, princessa.” You can’t see the expression on his face since he is wearing his mask but his words are so degrading and harsh. And still, your eyes roll back into your head. 

And you do scream for him, you can’t help it, you are overwhelmed with sensation, his hands, his cock, his scent. After a while, your arms give out and he pushes your chest down into the bed, holding your hands crossed behind your back, you can’t even move. You are completely at his mercy and the feelings in your head are so confusing. You feel pathetic, under him like this, your body getting rocked by his trusts, but still, the way his cock feels inside you, the way he seems so powerful and in control of you and your pleasure with the way he manipulates your body and mind creates a fog inside your brain. Surrounded by his grunts, you realize he is using you for his satisfaction, seemingly oblivious and uncaring about your comfort or pleasure. You being completely naked, with your face in the mattress while he is still fully clothed behind you is just another layer of the humiliation. But your fucked up brain makes you love it so much that with his whimpery moans in your ear you finally lose control as you feel him lose the rhythm and push all the way inside you, so incredibly deep,  as he spills himself inside you. 

There is no cuddling after. He unceremoniously pulls out and sits in his bed propped up against the headboard, a trembling hand bringing a cigarette to his mouth, while you try to find your clothes and dignity on the floor. 

“Nice show. You were loud enough, so now they know you’re mine and hopefully leave you alone. Doesn’t change anything between us though. You can use the floo to get out of here and I hope to never see you at these things again, you understand me?” He says all of this so coldly and without even looking at you at all, so you quickly throw on your clothes and leave through the floo, throwing a “you’re still the same asshole” at him over your shoulder. 

Sitting on your sofa two days later, you are replaying everything that happened that day in your head. Your brain keeps getting stuck on the fear in his eyes when he dragged you to the room, a shaking cigarette in his hand after the sex, a slight tremble in his voice while he kicked you out of the manor after fucking you into oblivion. 

Maybe everything is not as he wants you to believe. He saved you from them after all. 

As always, thank you for reading, hope you liked it. I’m not done with deatheater!Theo though 🤭.

moodboard

‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾. ‧₊˚ Your principessa ‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾. ‧₊˚

If you want more: 🖤here🖤

[xenyasplacex]

Keep it

Toxic FWB!Chris x Fem!reader

TW: forced abortion, Swearing

“Chris please!” You pleaded, tears running down your cheeks, nose red, eyes stinging, staring at him as he rolled his eyes nonchalantly.

“Look, i told you. I don’t want a relationship with you. And don’t even get me started on that baby.”

You hand flew to your stomach when he said that. You knew Chris wouldn’t take the news about your pregnancy well, but you couldn’t have even thought it would be this bad.

“Chris please, I di-“

“No. I’m sorry what were you expecting? For me to run to you and tell you everything is okay, and that i love you. Because if i did that would be a lie.”

That hurt more than anything else he had said. He didn’t love you. He didn’t love you.

He didn’t love you.

“You don’t love me.” You whispered, starting to lose your balance and trying to hold the wall to stabilise yourself.

“No i don’t love you. You were a good fuck. That’s all. I thought we were just fuck buddies. And now your all giddy about being pregnant and shit. I mean this is such a joke.” Chris said without thinking, getting up and starting to walk towards the door to your apartment.

“Look i don’t care what you do but you’re getting rid of this baby.”

That snapped you out of whatever trans you were in. You looked at him. Astonished almost. 

“What?”

“I’m not having this baby with you. I mean seriously i’m not having a kid.” Chris replied putting his black puffer coat back on.

“But it’s still my baby.” You whispered looking at him with pure hurt. He wanted you to get rid of it. Your baby. Your child.

Chris saw the look on your face and his expression softened a bit. He did feel bad. Putting you through this and all. But he really couldn’t deal with a kid. And a kid with you would be even worse for him. He really did love you. Even though he told himself he didn’t, he did. But you couldn’t know that. Nobody could know that. Heck even he couldn’t let himself admit that, but it was true.

He slowly walked towards you, cupping his face in your hands before reaching down and kissing you firmly but lovingly. You melted into this kiss, forgetting about everything that had happened and simply just enjoying the moment. It was moments like this when you truly believed that he loved you and that he really did care. But there moments were few and far between.

Breaking the kiss, Chris leaned his forehead onto yours, swaying you a bit as you basked in his presence, a soft smile present on your face. When Chris knew you were so far gone that you were simply putty in his hands he spoke up.

“Get rid of it babe. For me. You know i love you, but i can’t love both you and the baby yeah? So get rid of it for me.” He whispered, trying to find anyway to convince you.

Before you could even reply he bent down and count your lips in another kiss, this time moving you towards your front door once again. He then broke this kiss before grabbing his fitted hat and opening your front door.

“I love you. Text me when it’s done.” Was the last thing he said before waking out of your apartment.

It took you a moment to realise that he was even gone, but when you had realised that, you d also realised what he had just tried to do, and hours you had almost fallen for it. You wanted this baby. You wanted to have a family of your own, even if Chris didn’t want to be apart of it. You wanted this child and for once you were going to have to rebel. Slowly you got your phone out.

A/N: this is rushed but whatever

Luv Ya,

Xenya

[ailendolin]

I cannot stop thinking about episode 6.

The way Celebrimbor shoved Annatar feels like such a triumphant moment. He is physically fighting back against him now, not just mentally, and yet he is so deep inside the labyrinth already that this small win is nothing but the setup for another trap. He doesn't even realise what time of day it is supposed to be, and he is so desperate for everything to be all right that the too perfect vision Annatar creates for him is immediately a comfort.

And Annatar - the worst thing is, even when he is clearly angry and impatient and fearing to lose control, he is not lying. "Leave this tower now, and when the Men of Middle-Earth fall, I swear to you every soul in the seen or unseen world will know that it was you who was the architect of their demise." Because this is exactly what is going to happen - just not because Celebrimbor is leaving the tower, but because he is returning to it.

And don't get me started on Galadriel and how easily she allowed herself to be manipulated into giving up strategic information not just regarding Lindon's troops and who is leading them but also Nenya. She gave it to Elrond to keep it safe and here she is, telling Adar exactly where to find it, endangering not only Nenya but also Elrond and all of Eregion in the process.

It is all about manipulation, about people thinking they have the upper hand when they have not. And after what we've seen Annatar do this episode, how can the viewers know what is real or not? That moment in the promo for 2x07 between Galadriel and Celebrimbor - is that something that is truly going to happen or is it just another one of Annatar's realities, created to comfort Celebrimbor so he will forge the Nine? How long has Celebrimbor already been alone in the tower? How long will it take him to realise how lost he truly is?

[familygazaamal]

The only thing I have left is my children

After losing everything and the people dearest to me, I didn't know what to do but think about saving my children's lives and getting them out of the war zone. Providing them with the simplest necessities of life. Please donate or share the link.

Magdy is a very diligent student. His life was regular and routine. Since the morning he was preparing to go to school with all his love and passion for studying and meeting his friends. He would come back from school, change his clothes, eat lunch, and rest a little. Then he starts writing his homework and reading his lessons, then he plays a little with his brothers, then he sits with his father in the evening. But his father has now been away from him since before the war, and he misses him very much. Majid has a cat that he loves very much and is very attached to. But the war turned his life upside down

Walid, 8 years old. He loves football very much and loves Cristiano Ronaldo and Messi. A year of his life has passed, and another year may pass due to the war. Walid hopes to return to his life, see his friends, and return to playing football and watching football matches. Please support Walid to return to his normal life.

Abdul Rahim is 7 years old. He loves drawing, coloring, and all kinds of arts. He always finds room in paintings to show his talent, and he also loves mathematical problems. He is a diligent and diligent student in school and a top student, but he has been out of school for a long time and no longer has any colors or sketchbook. He sees children dying around him every day, and he's so afraid he'll be next.

My daughter Amal, this little girl who turned one year old two months ago, this little girl who did not see her father because he traveled when she was forty days old, the little girl who did not live her childhood like other children in the world. In the world, Amal is always exposed to diseases due to immune deficiency and because of food and water contamination. Amal misses her father every day and grows up without seeing her father, all because of this war.

@fancysmudges @brokenbackmountain @ot3 @mothblossoms @aleciosun @fluoresensitive

@khizuo @transmutationisms @schoolhater @timogsilangan @appsa @buttercuparry

@sayruq @malcriada @palestinegenocide @sar-soor @akajustmerry @feluka @nabulsi

@a-shade-of-blue @tortiefrancis @tsaricides @flower-tea-fairies @riding-with-the-wild-hunt

@visenyasdragons @belleandsaintsebastian @ear-motif @kordeliiius @brutaliakhoa @raelyn-dreams @troythecatfish @theropoda

@4ft10tvlandfangirl @queerstudiesnatural @northgazaupdates2 @skatezophrenic @sygol

@awetistic-things @baby-girl-aaron-dessner @junglejim4233 @heritageposts @pcktknife @chososhairbuns @dlxxv-vetted-donations

@illuminated-runas @imjustheretotrytohelp @magnus-rhymes-with-swagness

[imustbenuts]

nuts reading trigun in japanese 5 - vash is. super good with kids

disclaimer: more triangulation purposes etc etc

so i mentioned before in my part 3 that the japanese language has an inbuilt hierarchy quirk to it. and i kind of noticed this nuance getting somewhat lost in the english translation, either because again i have skill issues with english, or that EN inherently doesnt come with the same quirk.

elaborating a bit more: this hierarchy of position/standing can be determined by age, profession, occupation, and experience. in terms of hard priority, age and profession tends to take precedence over everything else.

this means effectively, vash being over 150 should be top dog and given respect in JP/Asian context (respect your elders! or else!!), but because he 1) looks 24, 2) uses very immature speech with strangers, 3) uses boku, hes effectively keeping his head down and posing as a dumbass schmuck.

ヴ���ッシュ��兄貴　行っちまうのか！？ Big bro Vash, you're leaving?! (兄貴 = aniki = big bro but informal and can be used for no blood relations)

so schmucky that he has no problems handling children. in fact, in the JP version during his departure on the sand steamer, the kids call him Big Bro Vash. twice! so he's earned their adoration in no time flat.

ヴァッシュの兄貴—ッ Big Bro Vash!!

leaving the translation like that ^ wouldnt flow well in english, so rip. also. cute scene.

and yet his meeting with Kaite is chaotically bad to say the least. i mean, he even gets drugged and knocked out. Kaite does not respect the guy who gave him food at all and plans to seemingly feed him 3 meals a day for the entire trip. so how? well.

once Brilliant Dynamites Neon comes in and turns things serious, Vash's starts doing a few interesting things.

skipping forward this and that. after getting almost blown off the sand steamer, vash holds onto kaite and they both cling on for dear life:

もうちょっと登れば通風口があるよ mou chotto noboreba tsuufucou ga aru yo If we can climb a little higher there's a ventilation duct そーか　そーか　今行こうすぐ行こう souka souka ima ikou sugu ikou Okay, okay, let's get going right now!

added romanji and color to highlight how vash is repeating phrases in his line. the そーか　そーか souka souka and 行こう 行こう ikou ikou repeats are there as if to 1) make himself sound immature, and 2) to reassure kaite that things are under control.

only touching on the bottom right panel. another possible reading of that line:

助けて頂いてありがとうございましただろう Situations like these are where you should say "thank you very much for saving my life" instead!

はいそーでした!!!

Now say it!!!

he's chiding kaite and doing the very asian adult thing of teaching the youngin manners in terms of tone. but in a stern funny way no offense taken way bc, as you might have noticed...

vash is deliberately putting himself on the same level as a kid. in tone in standing in speech. hes not being condescending. hes not lording his status as an adult over a child. (something something christ like but in the context of jp... hehe.)

this is ultimately what gets tough nut kaite to trust vash to get down to business to defeat The Neon. even without the words hes visually getting himself to be on the same (eye) level with kaite. i think its so good alsdjfdsa

kaite starts crying after thinking of his dad and regretting what he's done, gets caught in a regret reflection loop, but vash brings him back to reality. like this:

な に を 感 傷に ひ た って る か な こい つ は

another reading of this "What the hell are getting all sentimental for now ya brat?!" line might be "What. Good. Is. It. To. Lose. Your. Grip. On. Yourself. Now. You. Dummy?!"

with this he puts kaite's head back into reality and readjusts both their priority.

so again. vash just. is good with kids. his emotional intelligence is through the fucking roof as proven by all the other moments throughout tristamp and trimax*

idk its warms me bc. the asian confucius hierarchy is so... yuck. im technically of chinese descent so i know how fucked it is. so. vash is really cool with this slightly extra japanese asian hierarchy context.

i think this aspect of vash is something i dont see in english fanworks a lot, and not in the same tone. on the other hand, i do see this a lot in the jp fanworks. so idk exactly what factors or if im looking in the wrong places, but yeah. vash is good with kids. just like wolfwood.

again, studio orange understood the assignment and gave some of that dynamic here to Tonnis.

are they called studio orange bc im meant to squeeze stampede for all its worth or what. stampede is actually incredible to me im in awe.

bonus:

the jp version of the left text says roughly:

"I'm cursed!! I must be! By either the reaper or a god of misfortune and or more!!"

yeah he specifically says Shinigami and Binbougami. i dont think that would translate well in en bc this kinda throws the catholicsm theme into a bit of a tailspin LMAO. (also. the Ore here. note the context.)

[randomfoggytiger]

"My Touchstone": the Turning Point

Dedicated to the anon who asked:

I would love to hear your thoughts on how the “touchstone” conversation changed Mulder and Scully’s relationship. Was it this scene that propelled them into a romantic relationship?

To answer that question, I have to back up a bit to Fight the Future. Actually, let's back up even further-- to the cancer arc-- so we can get a clearer picture of the relationship between these two Avoidants (post here.)

FORWARD AND BACKWARD

Mulder realizes the extent of his feelings for Scully in Memento Mori.

I posit Scully's already known her feelings since at least early Season 2; but her temperament leads her to suppress, rather than express, emotional wants or needs. Never Again (posts here and here) was the result of both Season 3's on-and-off jealousy and Mulder's avoidance of a normal life (Home, post here) and search for his tragic soulmate (The Field Where I Died.) Because of this, Scully tries to pinpoint and grapple with her "endless line", realizing-- too late-- that she wanted recognition (and more) from Mulder (as spelled out in the script, here.) Mulder realizes this, too, and lets the matter drop.

For Scully, it's advantageous to keep everything unsaid, largely because Mulder isn't ready... for anything, really (as discussed in the Home post linked above, and demonstrated by this clip.) Everything he's been drawn to or attracted by has an ephemeral, fleeting resemblance to some other normalcy he craves (post here)-- but has never, ever lasted. Except Scully.

So, Mulder realizes his feelings, Scully escapes cancer by the skin of her teeth, and we arrive at Detour... where he runs from the motel, chasing after his monster case.

Some read this moment as Mulder realizing and dodging Scully's intentions, others that he was completely blind to her intentions. I file it as the latter; but we also have ample evidence of Mulder noticing Scully's actions briefly before losing focus in favor of another tantalizing mystery (ex. the beginning of The Unnatural.) He misses the forest for the trees in his personal life-- or rather, he doesn't see the value in fixating on it beyond a few superficial check-ins here and there (we'll get to that.) Scully's always by his side, they have the work, he wants answers, why change? It's the same question he asks her in other contexts (ex. "Why now? Why Boggs?" in Beyond the Sea.)

Season 5 continues. It's a rough year for Mulder (post here.) And for Scully: The End is another episode on a pile of episodes where she feels she's "failed" Mulder, leading to her dispirited goodbye in FTF.

Thus, we arrive at Fight the Future: the moment that forces Mulder to make a confession or lose Scully. To him, her importance was never in question; but the hard part is admitting how broken he feels without her. He was afraid to do more in their partnership because... what would happen if things changed? His fear is rooted in the "What if?", and holds him back from a course of action. Scully's fear is rooted in "Did I choose right?", and manifests after she decides on a course of action (A Christmas Carol's doubts after joining the FBI, Never Again after four years in, all things after the Season of Secret Sex, etc.)

Despite the good that came from his hallway, Mulder's greatest fear is realized when Scully nearly dies after he confesses he needs her. This kicks him into retreat mode (post here)-- "go be a doctor", he tells her. It's Scully who says, "I can't", and clings to his hand, who refuses to give up. That is important, because it's another example of how reliant on Scully Mulder is, to the detriment of his own growth, at times.

Mulder takes her words to mean that Scully is unflinchingly by his side-- which is true. What isn't is his next assumption: that they're on the same page.

They're not, really.

THE IMPORTANCE OF SEASON 6

In The Beginning, Scully hasn't felt the need to change-- she's a scientist, she needs proof-- but she hasn't confronted and overcome her unnecessary doubts, either. Mulder, meanwhile, demonstrates he hasn't changed, either-- and, more importantly, how far removed he is still if from a functioning relationship... as Scully suspected. Hurt that she didn't back him up before their superiors-- which resulted in them losing the files-- he hides behind frustration and anger. Scully feels rejected, and lo and behold! Diana appears; and wins back some ground with Mulder while Scully loses Gibson Praise. By the end of the episode, Mulder doesn't want to cosign to Scully's theory because her science, he thinks, betrayed them before. And lo and behold! It kind of did. But it didn't this time, when it's too late.

Where does that place them early Season 6? As an enclosed unit, with Mulder pillaging the basement-- without consulting Diana-- and sneaking off on his own or taking Scully with him on his misadventures. For all that could be wrong between them, a lot is still right; and both put in the effort to include and watch out for the each other.

Then Two Fathers and One Son (posts here, here, and here) shakes them apart: Mulder doesn't want to believe yet another ally is using and manipulating him; but gives in and goes to investigate Diana when Scully threatens to walk if he doesn't listen to her. He's speared in the Achilles Heel, however-- fatalism in the face of the inevitable-- and almost gives up completely before Scully yells him back from the brink. This happens again in Amor Fati; but he finally learns his lesson there. Scully is visibly angry with him at the end of the episode... and then we have the next few episodes as if nothing happened.

Agua Mala completely resolves their festering from One Son (yes, it's a blink-and-you'll-miss-it resolution; and, yes, I need to sit down and write that out sometime) and propels them into their old-- dare I say, lighthearted-- routine and banter (i.e. Monday, Arcadia, etc.)

An important side note: To accurately place where Mulder and Scully were romantically during this period, we have to figure out if there was lingering tension post One Son. The facts simply don't support that narrative. We see in Arcadia that Scully was enjoying herself at first-- only brushing Mulder off initially when he used her as part of his schmaltzy facade (during their arrival)-- until her partner began poking at her, too (posts here), to maintain distance between them (post here.) We see in Alpha (posts here) that their banter was fun and lighthearted until she found out Mulder kept information relevant to that case from her; and that that information was yet another woman he wanted her to trust without question because he did. (Regardless, she still looked out for his best interests and sympathized with him after Karin's death.) We are shown in Milagro (posts here) that her tops are dropping lower and lower in an unconscious desire to grab Mulder's attention; but more importantly, that Mulder still hasn't considered her in all the ways Dana Katherine Scully exists. Yet, tension only arises when Scully feels overlooked, not displaced-- a creeping of her old assumptions and Mulder's missed signals in Never Again 2.0, not a minimization of her value ala One Son. We see in The Unnatural that she's survived Padgett and is setting subtlety aside for the first time in their relationship; so no tension there at all.

In short, we see Scully moving on and wanting Mulder to move on with her, too... and Mulder either not getting the hint outright (the beginning of Arcadia and Milagro), or getting distracted by the next shiny case instead, despite her efforts (Alpha, The Unnatural.)

The Unnatural: stage one of Mulder's mature development (and you can thank David Duchovny for each of these stages, by the way.) I.e. Detour with unmistakably romantic overtures, in case Mulder missed them the first time (which seems to be a pattern for Scully: near death, survival, resolution, and overtures.) Mulder would have to be thick to miss her obvious flirting, but he still loses himself in another x-file and runs off to badger Arthur Dales about it-- meaning, at this point, Scully has his attention, but not his full attention. Scully takes this as a matter of course-- because that's how Mulder's been from Season 1 (i.e. The Jersey Devil's "Unlike you, Mulder, I would like to have a life"/"I have a life.") However, Mulder finally learns "the mystery of the heart"; and decides to test this out with Scully on the baseball field. It's a small, small, small step because he's not used to this "normal", this appreciation for small, perhaps insignificant things. More to the point, he's probably afraid to do more-- was afraid she wouldn't even show up, per his expression; and will be afraid to follow-up, per his actions in Amor Fati and Millennium. But he did it; and Scully knew what Mulder was meaning to demonstrate ("Shut up, Mulder, I'm playing baseball.), as Duchovny intended.

So, where does that take us? The IVF arc, of course (post here.) It's a failure, splat (or not a part of some fans' canon); and that keeps up moving rapidly along to the next beat in their relationship.

Field Trip. Oh, boy. Field Trip: the episode that prepares both agents for the foundational upheaval of the Biogenesis-Amor Fati arc. Scully can't solely rely on her pat scientific rationalizations; and Mulder doesn't trust her blind loyalty and belief. And both are undeniably coded as a couple throughout their "trip." The main takeaway from this experience is that they doubt themselves more than they doubt each other; and their doubts in each other pale in comparison to their unshakeable trust.

MY TOUCHSTONE

That leads us neatly to Biogenesis-Amor Fati... which we shall mostly skip for brevity's sake, as this arc accomplishes very little (despite its exorbitant screen time.)

Diana shows up, but has to admit Mulder has been asking for Scully "since last night." The barb doesn't land for Scully (while the implication highly amuses Skinner, post here); and after their resolution in Season 6-- Milagro and The Unnatural and the IVF arc and, most recently, Field Trip-- she remains unshaken in her conviction of Mulder's loyalty. She flies to Africa, touches the baby-restorer ship, and accomplishes... very little before flying back and finding out Tena has turned her son over to CSM.

Mulder, meanwhile, is stuck in dreamland. @cecilysass wrote an incredible post on the topic here; and @jaspertedd and @deathsbestgirl's theories-- that Mulder's dreams are influenced by those around him (post here)-- are interesting and pertinent additions. If true, that speaks to a deeper hole in Mulder's psyche he's yet to repair: doubting himself so much so that the influence of others takes precedence over his conscience. We've seen that before many times (one of which is Diana's manipulation in One Son, another of which was CSM's temptation in Redux II); but in each case, it was Scully-- a stronger moral barometer-- that kept him back or influenced his courage in the right direction. Mulder doesn't need to borrow her conscience, just her strength to act on his own.

"You were my constant, my touchstone"/"And you are mine" speaks volumes about where these characters are.

Mulder needed to accurately see that a life, a world where he was handed all his answers and given atonement for all his trespasses was empty and shallow without Scully. He needed, further, to shake off that side of himself that would rather wallow than fight, that put Scully in a position, over and over again, to save his life (Demons) or to talk him back from the edge (The Ghosts That Stole Christmas, though a mirage, was based in a truth.) For Mulder, Amor Fati is the crest of a long, arduous hill that took him decades to climb; and now tips him down, at last, towards maturity, self-actualization, and closure.

Scully needed to come to a different, frightening realization: that the cornerstones of her beliefs might be built on lies, too. She needed to open her mind to possibilities that challenged or even betrayed her beliefs-- to overcome the fear inside that was still inflicting self-doubt. For Scully, Amor Fati was the beginning of the end of her security in "the facts"-- but one that gave her the opportunity to step away from "the tried and true" in order to find herself: her intuition, and her happiness.

"You were my constant, my touchstone"/"And you are mine" is the verbalization of their mutual revelations.

THE END FOR MULDER, THE BEGINNING FOR SCULLY

Amor Fati, for Mulder, was a Part 2 to Redux II and a do-over for One Son: he was confronted by his conscience and learned, once again, to stand by it. But not alone, not yet. For Scully, it was the beginning of her journey, one that culminates in all things (post here.) Her relationship struggles aren't rooted in an upfront fear about moving forward in a relationship-- only what comes after, a pattern in all her relationships and major life decisions (post here.)

Yet, Mulder doesn't make a move in his hallway-- doesn't even try-- after his touchstone speech. Why?

Because Scully was overwhelmed and conflicted and needed space to work through her (Diana-adjacent) guilt-- the same feelings he'd battled with throughout Season 4 and 5: failing and failing and failing. With a little space and a little time for him to recover and a little case thrown in to get her back on track (Hungry), their equilibrium is reestablished.

And that leads us to Millennium and the Season of Secret Sex.

It's Mulder who initiated his confession in Fight the Future, it's Mulder who invited her to play ball under the stars, and it's Mulder who affirmed she was his touchstone; so, it's Mulder who initiates their first kiss. Scully continues to hold herself in a waiting position-- standing at attention, Starbuck-style, until her captain makes the first move (something that all things shifts, as well)-- but all bets are off when he does. Mulder's first step initiates all her ensuing ones: jealously knocking into him in and playing with his tie in Rush, teasing about all being "right with the world" when they (hypothetically) return home in The Goldberg Variation, and each and every fond ribbing she tosses his way. There's a resolution between the two that isn't shaken until En Ami's trickery (which... was a topic all its own, post here) and all things's doubts.

Then we arrive at Closure. This episode is the resolution to Mulder's character arc-- not only because he found his sister and, effectively, laid her to rest, but because he learned to trust to her happy ending without needing Scully to believe him. For the first time, he exercises a "conscience", if you will, separately from Scully-- she is his touchstone, still, but not his whole being. A monumental change from Redux II and Folie a Deux and Fight the Future: then, it was "I knew you'd tell me if I was making a mistake" and "no one else" on earth believes him and "I don't want to do this alone. I don't even know if I can." Now, she remains his touchstone, his realignment; but he can stand on his own two feet without curling into whatever shape will earn him love from others.

all things is to Scully what Closure was to Mulder. Her touchstone claimed her as his in Amor Fati; and Scully thought this meant Mulder promised to always be there when she navigated strange waters... and then he ditches her for crop circles in England. Mulder doesn't understand why she's making a big deal of weekend work now instead of every weekend before; and the two separate in not bad but not great spirits (ala Never Again.) Feeling adrift, Scully runs into Daniel Waterston, and we know what happens from there. In short, all things forces Scully to have distance from Mulder's influence-- as Amor Fati had forced him from her-- in order to choose, with a clear conscience, if this path, this touchstone, is the right one for her. all things finally sets her free from her inhibitions: she guides Mulder back to their apartment and lets him ramble on and on without feeling displaced or devalued by his split focus.

Scully wouldn't be driven to this crossroads and its resolution had not Mulder calmed her self-reproach and claimed her as his "touchstone", allowing her to come back to and lean on that truth in her darkest hours. As we know, she's always relied on Mulder's strength-- Irresistible, Memento Mori, Elegy, etc.-- but had yet to rely on her own. all things, finally, guides her into her own strength and abilities.

COULD A RELATIONSHIP BETWEEN THEM HAVE WORKED BEFORE?

Realistically, anything can work with enough dedication and elbow grease (from both parties.) But, actually factually, the reciprocity needed for an intimate relationship wouldn't have been equal until after Mulder's return from "another life, another world." While they loved each other, Mulder's mercurial ways would wear on Scully's security, and Scully's sudden doubts and distance would dig Mulder's insecurities deeper in.

Mulder, the FBI profiler, was more strongly aware of this than Scully; while Scully, the scientific medical doctor, was more alertly aware of Mulder's constant retreat and instability than her own conflicting, distancing, brewing emotions. He had to learn to stand on his own two feet: a man who railed against the sky and stood up to his superiors and welcomed an existence as a pariah; and who would crumble the instant love was offered then revoked. She had to learn to trust her own instincts: a woman who rigidly tried to rein in her insecurities through facts and detached logical thinking; and who would implode with doubt the instant someone she respected or trusted questioned her decisions or intuition.

Could it or would it have worked? Yes, I think so. But Mulder and Scully were, I believe, happiest to begin a relationship when they did, on their own terms. They needed to be each other's touchstone first, not his "one-in-five-billion" or her "strength."

Partners, in all things.

CONCLUSION

"My touchstone" was the awakening for both: of how far Mulder had come, and much farther Scully had to go. Moreover, it solidified the nature of their relationship: unshakeable reliance and dependable trust, even if the whole world was (is) falling apart.

In short, Anon? Yes.

Thanks for reading~

Enjoy!

[gwen-starkk]

Why NaruSasu:

sasuke has had a very traumatic and fucked up childhood, he always had to be in control, be it of his own emotions or of the situations life throws at him to a point that losing control scares him so much that he starts believing he needs to get rid of everything that causes it aka his bonds

so, the idea of him bottoming is very dear to me because he deserves to feel free and light and loved in all the ways possible, him trusting naruto so explicitly that he doesn’t have to hold back anything, not the sounds he makes, not his movements, nothing, he can just finally let go

and naruto who also had a fucked up and lonely childhood has always had SO MUCH love to give but no one to give it to, he finally has sasuke whom he can shower with all his love and compassion and care, he would be the type to hold off his own orgasms no matter how much he wants it, till sasuke cums first, every time

He gets to cherish every inch of sasuke just like the masterpiece the uchiha is and sasuke gets all the love he has missed out on.

THAT is what i mean when i say that im a NaruSasu shipper.

P.S- I have nothing against SasuNaru fans. These are just my feelings.

[scribere-flores]

Sabo x Reader

~Just as a hypothetical question~

Part 5. Other Parts Word count: 3,8k words Short summary: Reader is preparing her escape, slowly losing it over her confusing feelings. Sabo is in his stalker era. AN: Dear God, I don't know what took over me when writing this. Let me begin with saying I don't condone stalking irl, this is just a silly self-indulgent fic. There is also mentions of a knife at one point, more as a joke, but it's there. Still nothing graphic. Smut will come in the next one, which will also be the last part. Thank you for reading!💕

MDNI 18+

(This man is way too pretty for his own good)

___

Almost three days had passed since Y/N became aware of Sabo’s true identity. And of the real threat he posed to her. He was dangerous, not just because he probably could crush her windpipe with little to no effort.

No, the real reason Sabo was so dangerous was because of his goddamn charm. Always helpful, always making her flustered. Always making her laugh against her will. It was still impossible for her to keep it together when she was near him.

He was playing a sick, sadistic game with her feelings. He wanted to kill her for god sake! And, even though those horrid facts were clear to her, Y/N’s heart still wanted to jump out of her chest every time she saw him.

And that was probably saying more about how messed up she was. Desperately clinging to the first person that ever showed her concern, even though she knew it was fake. Pathetic.

She kept having this one recurring dream. Being alone in a dark room, until the door suddenly opens, and Sabo walks with a smug grin on his face.

He stands behind her, places her wrists behind her back, and then proceeds to let his hands travel all over her body. Cold leather from his gloves caressing her skin as he presses soft kisses down her neck and back.

His movements growing more impatient as he takes a strong grip around her hair, pulling her against him. Then, just before the dream ends, his other hand snakes around her neck, cutting the air from entering her lungs.

And it excites her! Y/N always wakes up feeling hot and tingly after that dream, which means that something must be seriously wrong with her.

The man wants to kill her and she gets excited by the thought of him choking her?! That can’t be normal, it just can’t.

Besides her internal crises that she still had the hots for her future potential murderer, everything else was going as planned. 

After spending a half-day crying over the fact that the handsome, cruel man had tricked her just for his own pleasure, Y/N finally pulled herself together and started planning her escape. She was not willingly staying in this cursed base just to later be dragged to the execution stand.

So she had made a list, things she needed to secure her safety once she left. All the things she had spent the last few days gathering. Things that now were securely kept in a bag in her closet. 

She had also visited the small library more than once, reading every book on wilderness survival she could find. Memorizing pictures of what plants were safe to eat and which ones she should avoid. It wouldn’t exactly be ideal if she ran away from torture and her own murder, just to then die of food poisoning.

Y/N had done all these things, and she was painfully aware of the fact that she had been watched. 

Sabo was always near, following her like some curious cat, trying to figure out what the mouse he was hunting was doing. She was the mouse in this scenario, and it was starting to get on her last nerve. 

He looked amused the entire time too, huge grin on his face, probably getting some twisted sense of pleasure from watching her from afar. It was annoying, and Y/N was pretty sure stalking counted as a crime. But so was trying to overthrow the World Government, so Sabo might just not care that he was breaking the law.

It didn’t matter anyways, she had already gathered everything she needed and her planned escape was happening tomorrow.

She was currently pacing back and forth in her room, trying to figure out if she had forgotten about something. 

Who was she kidding, she most definitely had.

She hadn’t stepped foot outside the castle gates her entire life before two weeks ago, and now she was planning to survive out in the wilderness all by herself. It was a recipe for disaster.

But if the choice was between dying of hypothermia in freedom, or in the hands of the Revolutionary Army and her handsome tormentor, Y/N would choose freezing cold freedom everyday of the week.

Suddenly, her dark thoughts were interrupted by a knock on her door.

“Jane Doe, you in there?” An obnoxious, honey-sweet voice could be heard on the other side.

Hate that stupid nickname.

He seriously needed to stop doing this. For the last couple of mornings, at the same time everyday, Sabo had knocked on her door, asking if she was there.

And Y/N never answered, pretending that she wasn’t in the room. He usually stayed outside for a few minutes before he left, which was probably going to be the case today too.

She heard Sabo let out a deep sigh.

“I don’t know if you’re there, but I’m coming in.” He stated, like he wasn’t about to invade the last personal space she had at this godforsaken base.

Goddamnit… She had locked the door, right?  

No, this wasn’t the time to take any chances, she needed to hide. Who knew what god awful thing he would do to her if he found her.

Y/N quickly scanned the room for a hiding spot. Under the bed was too obvious, even she knew that. As her eyes landed on the small built-in closet, she heard the doorknob starting to turn. She didn’t have the time to be picky, she needed to hide, now!

Just as she had slid the closet shut, the bedroom door flew open. The small wooden planks of the closet door barely gave her any vision of the room, but the gap was wide enough to see Sabo mindlessly walk in. Not a care in the world, like he belonged in there.

‘He wishes.’ Y/N thought as she rolled her eyes.

Then she noticed that he was looking at the closet, straight at her, with a serious look that spelled nothing but trouble. She could swear that her heart was trying to crack her ribcage open by how hard it was beating.

She put her hands over her mouth, careful to not make a sound, as Sabo’s eyes lingered on her hiding spot for a few more seconds. Then an amused grin spread over his face, before he turned around and started to look around her room.

Dear God, that had been a close call.

“Are you hiding from me, Angel?” Sabo chuckled, bending down to look under the bed.

Since his blatant fake confession he had called her that from time to time. Some new way to play tricks on her mind for sure. And Y/N always berated herself when she heard it, because it made her stupid heart flutter every time.

Seriously, what was wrong with her?

Besides studying up on how to survive on her own, she had read a few books on psychology during her visits to the library. In those she had learned about this thing called *Stockholm Syndrome*, basically when a captive believes they are in love with their capturer. 

And Y/N had let out a sigh of relief when she read that. It explained every warm feeling she had for the man that she was 95% sure wanted to chop her head off in front of a crowd. The other 5%, well… that was the dumb sliver of hope that still lingered in the back of her mind. 

A sliver of hope that she consciously ignored. She wasn’t in her right mind, she had been manipulated by that handsome devil, and the strange thoughts she had about him couldn’t be trusted.

She had to stick to what she knew, and that was that Revolutionaries hated Nobles with a burning passion. At least, that had to be the case when the revolutionary in question was their Second in Command.

The closet walls were starting to feel cramped as she continued to watch Sabo mindlessly prance around her bedroom. He picked up her pillow, brought it to his face and let out a low groan as he took a deep inhale through his nose, making Y/N really question the man’s sanity. Was he trying to memorize her scent in case he had to hunt her down? 

What was he? A goddamn bloodhound or something?

She let out a quiet scoff when he put the pillow back, seeing a satisfied look on his face. She shouldn't have done that.

His eyes zeroed in on her again, a wicked smile spreading over his lips, making Y/N forget how to breathe. 

A shiver went down her spine as she watched Sabo move closer, stopping right outside the closet. He was so close she could feel him towering over her through the door. 

“Are you in here, Angel? Please answer if you are.” 

Dear God, please don’t open it.

Someone was apparently listening to her prayer, since he abruptly turned around, when Y/N was just seconds from passing out due to the lack of air in her lungs.

“Bummer, guess she’s not here then.” Sabo said in a monotone voice, putting his hand to his cheek in a dramatic manner.

He started to walk towards the door. She couldn’t believe it, she was actually going to get through this without being found.

Then, Sabo stopped in the middle of his step, right as he walked by her dresser. He carefully opened the top draw, which wasn’t good. That wasn’t good at all.

“Hmm… I might as well since I’m already here.” He snickered as he took something out and stuffed it in his pocket, quickly leaving the room right after.

As soon as the bedroom door closed, Y/N fell out of the closet and landed on the floor. Too shocked from what she just had witnessed.

“Did- did he just steal my underwear?” She whispered to herself, as she felt a warm flush spread over her face.

Was Sabo a pervert?

Because that would explain sooo much. She laid on the floor, pondering on her theory for a few moments, before she rolled over on her back and let out a weird, nervous laugh.

“Yes, definitely a pervert… Just gonna add that to the list of reasons why he needs to be avoided at all cost.” Y/N concluded, questioning how she had gotten herself in this situation to begin with.

___

So fucking angelic.

There was no other way of describing her. Even though she had actively been avoiding him for the past few days and making him watch her from afar. 

But Sabo could forgive that. She was obviously planning something, and the most optimistic part of himself had convinced him that it was going to be a surprise.

He didn’t know what kind of surprise yet, but he looked forward to it. A little too much in fact.

He had watched his Angel gather all sorts of things, swiping snacks from the pantry when she thought no one was looking. Snatching blankets and other fabrics from the laundry, candles and matches from the storage. 

All things that were needed for a romantic date. 

Sabo still wasn’t sure why she needed all the tools she stole from the supply closet, nor did he understand what she was going to use a tarp for.

But he almost lost his shit yesterday when he saw her sneak a rope into her bag. If his, quite frankly, dirty mind was right and she wanted him to tie her up with it, he might have to marry her on the spot. 

The knife however, that was still a bit concerning… But hey, he was willing to try out whatever she had in mind at least once.

No matter what she was doing, these past few days had convinced him.

She had continued to play their little game, even though the rules had changed a bit. AND, she was planning a romantic surprise for him. That girl understood him so well.

She liked him, maybe just as much as he liked her, if that even was possible.

Sabo knew his obsession was starting to get a little out of hand. Or in all honesty, “a little” would be an understatement. 

He knew that what he was doing wasn’t exactly normal. Watching her go about her day, keeping tabs on where she was, at what time in the morning she was leaving her bedroom and when she usually returned. Putting it in a more brutal way, he was stalking her.

God- that girl brought out dark things in him he wasn’t even aware were there before. Last night he spent at least two hours convincing himself that, sneaking into her room through her window while she was sleeping, wasn’t a good idea. 

It wasn’t, he knew that. No matter how much that girl had messed with his moral compass, he knew that it would be crossing a line.

But he just wanted to hear the sweet voice he had been deprived of hearing for the last few days, even if it was her yelling at him to get out.

That’s why he went to see her this morning, to talk to her. Not about anything special, he just wanted to see her pretty mouth move, until his mind was filled with nothing but the sweet sound of her voice.

Sabo knew she had been in there, observation haki really becoming handy in these kinds of situations. But she hid in her closet when he stepped into her room.

And if she wanted to play Hide and Seek, who was he to deprive her of that fun? 

Plus, he had gotten a little prize for playing along.

Still, things had started to become a little boring for him.

At first, it had been exciting seeing her turn a corner every time he was near. Watching her look over her shoulder to see if he was there. It was twisted- but fuck- just knowing she was constantly thinking about him brought him so much joy.

Even if she was doing it in an attempt to avoid him, Sabo couldn’t be mad about it. She was obviously still trying to muster up the courage to face him after his blatant confession.

It was cute.

He had imagined her confessing her feelings for him so many times at this point. Nervous stutters leaving her mouth, a flustered blush spreading over her face.

God- Just the thought made him want to do unspeakable things to that poor girl. 

And in any normal case, Sabo was nothing but patient. With her however, not so much. 

Like previously stated, watching her had been fun for a while. But he was done with just watching now, he wanted to be with her. Being close to her, talking to her, teasing her. Seeing her smile, laugh or just resting peacefully on his chest.

So, at this moment he was in the library, hiding behind a bookshelf and going over his options on how to best approach her.

Jane Doe was sitting at a table a bit further away, reading a book in peace. Looking absolutely angelic.

Besides the two of them, the rest of the room was empty. And dammit, if there hadn’t been so many unresolved issues that needed to be sorted out first, he would probably pin her to that table right this moment.

Hitching that cute, little skirt up over her hips as he left kisses up and down her gorgeous legs. Teasing her to the brink of insanity until she begged him to touch her. Eating her out like a man starved for food-

Yeah, that was definitely not happening yet.

The second best option was to go over there, trying to make her flustered enough to at least blush. Which shouldn’t be too hard to achieve.

So Sabo did just that, walking over with a statement that was suggestive enough in mind. He stopped right behind her chair, bending down close to her ear, feeling a bit amused when he saw her flinch.

“You know, I had this dream last night- and fuck- your hands felt so soft against my skin. Like an Angel touching my very soul.” He said in a low voice, blowing a puff of hot air against her neck.

It was true, he really dreamt that last night. He had been kinda pissed off when he woke, not wanting the wonderful dream to end.

And he knew how much his little nickname affected her, she was so bad at hiding her true feelings.

“Dear God, why?” The girl asked under her breath, making Sabo chuckle as he walked over to the other side of the table, sitting down across from her.

“Why? Cause you’re cute, and funny, and ignoring me. So you’re obviously my type.” He stated, watching her mindlessly turn to the next page in her book.

“I’m sorry, what were you saying?” She answered, looking up at him for the first time.

“Perfect.” Sabo sighed, getting completely lost in her eyes.

He barely had the chance to catch the pretty blush that spread over her face, before she turned her head down.

But it was there, he saw it, and it made his chest fill with pride. No matter how hard she tried to ignore him, he could still make her flustered anytime he wanted to.

“Are you bothered by me being here?” He asked, giving her a teasing smile.

“Yes. I want to be alone.” She said curtly in response, not paying him more attention than necessary.

It was selfish, and probably a bit dumb. But Sabo wanted her attention to be on him, and not on some stupid book. What was so interesting about it anyways, for her to not look at him? He was way more interesting-

God, he really needed to seek professional help, didn't he? He was jealous over a fucking book.

“What are you reading anyway?” He scoffed, failing to keep his displeasure in.

“None of your business.” She snapped back, voice deprived of any warmth.

Shit, was she annoyed? That couldn’t be good…

“Why are you so snappy today?” Sabo asked, needing to know if all of it was just in his head.

“I’m not.” She bit out, jaw visibly clenching. 

If it was one thing Sabo took pride in, it was that he was good at reading people. But not this girl apparently, making her an exception in yet another way. 

He must have fucked up big during the last couple of days for her to be this mad with him. Was it the stalking? Had he taken it too far? 

“Yes you are. Did I do something to make you upset? I’ll try to fix it if you tell me.” He said, trying to reach for her hand, but she quickly moved it away.

“I said I’m not. Just drop it.” 

Was this their first fight? 

Sabo might not have been in any real long term relationship before, but he wanted this to work. He needed this to work, because he wasn’t sure if he could recover from being rejected by her. 

He knew that communication was important in any healthy relationship, so her avoiding the topic wasn’t going to cut it.

“I will drop it, if you tell me what’s wrong. I don’t want you to be angry at me and-”

“Can you just back the fuck off and leave me alone?” She said with an irritated tone, looking up at him with fire in her eyes.

Oh fuck, she’s mad mad.

She swore… she actually swore. That was a word Sabo thought he never would hear leave his Angel's beautiful mouth.

Was this about the underwear? He knew she had been hiding in the closet when he “borrowed” them, but he didn’t think she would be this angry about it.

“Is this about what I took from your room? Because I was going to give-”

“IT’S NOT ABOUT THE FUCKING UNDERWEAR!”

“Okay, so I must have done something else then… I'm sorry?” He said, feeling his heart sink to his stomach.

She didn’t say anything more. She just let out a frustrated groan as she slammed the book shut, leaving it on the table and walked away. Leaving him alone with nothing but his own thoughts.

Goddamnit!

He messed up, this was not how he wanted things to go. Had he been wrong the entire time? Had she actually been mad at him, and was that the reason she avoided him to begin with? Had they not just been playing their usual silly game?

Fuck, maybe had he come on too strong three days ago. He did choke her, so it wouldn’t be surprising if that was the reason. But she said she liked it, right?

Sabo was about to go crazy, trying to figure out what he did wrong, when his eyes landed on the green cover of the book she had been reading.

He picked it up, curiosity getting the better of him.

“ *Outdoor Survival for Beginners*- what the actual?” He flipped through the pages, as something clicked in his brain. “Shit-”

Jane Doe was planning on running away…

It all made sense now. Why she avoided him, why she had gathered all those different things. Why she had been so defensive just moments ago.

(Why she hadn’t told him she liked him too.)

She was leaving, and she didn’t want anything left behind. It made sense, he would do the same thing if he knew he was leaving. It was plain cruel to confess your feelings to someone, just to be gone a few days later.

That’s why he had confessed to her. He wasn’t exactly planning on leaving her anytime soon, and he wanted her to know that.

Still, the only thing that didn’t make sense was her reason. Why would she want to run away?

She liked it here, Sabo saw how happy she looked whenever she helped around the base. How well she got along with Koala. How peaceful she had looked that morning when she slept on his chest.

In fact, why was she even hiding her identity to begin with? He hadn’t thought about it more than in passing, his mind usually being too preoccupied with holding his urges back around her.

Something wasn’t right…

“I might have to speed some things up.” Determination took over him.

Her plan was batshit crazy to begin with. She couldn’t even cook, how the fuck was she going to survive alone in the woods? She would die, hungry, freezing and alone, within a couple of days.

Sabo couldn’t stand the thought of losing someone he cared for again. Not after Ace-

No. This wasn’t the time to dwell on that. 

He had a few very urgent house calls to make.

___

Tag list: @nymeriiiia

[falling-star-cygnus]

POOLVERINE NATION PLEASE- y'all i IMPLORE you

listen to Disaster: Conan Gray and think of them -> LET ME COOK, LET ME COOK-

First Half: Wade Second Half: Logan

"Set the scene... I just left the party at Blake's and it's Halloween." -> party at the X-Mansion, Wade adjusts the fourth-wall camera to better focus on him and Logan as they leave the fancy doors [Logan holding the door open, cartoonishly spooky decor in the background]

"Had the keys to my car in my hand, but I didn't leave... " -> Wade's holding his keys, the Wolverine half of the friendship necklace dangling half-off his palm, before cutting to Logan talking with Laura- both walking just slightly ahead of him

"Cause the potential of us was keeping me up all... night long." -> The Deadpool half dangles out of Logan's back pocket, before everything blurs to the two sharing a pull-out couch in a cozily cluttered living room. [Logan's on his side asleep, Wade's laying on his back and staring at the ceiling]

"Sent a text you won't read all... night long" -> A close up of Logan's sleeping back, before Wade looks at his phone and unsends his message

"This could be a disaster. There's so many factors" -> He flops against his pillow in pure Wade fashion, before curling on his side contemplatively- sneaking a peak at his phone screen [his lockscreen is a picture of him and an aggrieved Logan- 3:32 in the morning]

"Like what if you freak out and then we're losing it all.. at the critical chapter-" -> Logan skewers Wade with his claws from behind during a nightmare and panics- attempting to flee out of the apartment.

"Where I say, 'I love you'. And you don't say it after." -> Wade catches his arm before Logan can get far and holds fast, his mouth moving to form the words Logan looks at Wade like he's lost his damn mind..

"This could be a disaster! I'm pedaling backwards" -> He lets go of Logan's arm to stand up, waving his arms frantically to dismiss what he just claimed. Logan doesn't move or change expressions

"by saying that I'm drunk, I really shouldn't of called. I'm- a little bit plastered!" -> Wade lies back down on his side of the pull-out, his back to Logan as he pulls a unicorn blanket up to his ears as he avoids looking at the shellshocked man

"You call me a liar... now I'm falling in faster." -> Logan's face softens for just a moment before he gets back into the bed- facing Wade's back. Wade tightens his grip over his chest

"This could be a disaster."

Y'ALL IF YOU ENJOYED THIS I'LL DROP LOGAN'S POV <3 -> ALSO IT'S MY BIRTHDAY [9/19] :D

[ghost-bison]

Doctor Who: 1x08 The Satan Pit (2006) / 60th anniversary special 2/3 Wild Blue Yonder (2023)

I frankly love that parallel. One scene taken out of each of the two RTD eras.

First there's the colour palettes. You can see that they're polar opposites. RTD era1 was warm all the time as talked about in this post (which I love dearly, I keep referencing it in my posts), and then we have RTD era2, which has a more modern-looking, colder palette for science fiction.

But it's also a directing choice for the mood I think, cause on the one hand, we have Rose who, we all know, would even give up on seeing her mum again if it meant she got to spend the rest of her life with the Doctor (quite like Donna back in series 4 actually, who was very prompt to say she was going to travel with Ten forever). On the other hand we have Donna in 2023 who's now got a daughter and a husband and who hadn't even planned on doing a trip with the Doctor in the first place, let alone at the edge of the universe. I mean, they were just supposed to go see Wilfred! On one side we have Ten who's slowly recovering from the trauma of the Time War and falling in love for the first time in a while and re-learning that he deserves to be loved, too. On the other side we have Fourteen who, just as Donna put it, is "staggering", and as Fifteen said, is "running on fumes". He's got FOUR regenerations worth of trauma on Ten who was already struggling as it was with one (since the Time War I mean. Maybe two if we count Nine, cause who knows what he's been through between his regeneration and meeting Rose). Fourteen went through losing Rose, Donna, Amy, Rory, River, Clara, Bill, and he went through Pandorica, billions of years imprisoned by the Time Lords in his own personal hell, finding out about the Timeless Child, etc... and now, on top of everything, he's got to deal face to face with the guilt of what he did to Donna as she's been given back to him. Anyway, it's dark, when you think about it. No wonder the colours are so much colder in Wild Blue Yonder.

Then there's the music. In The Satan Pit, the soundtrack, The Impossible Planet, has a mystical quality to it. It's slightly creepy (I mean, it IS an episode about Satan), but it's mostly mysterious. Ten and Rose are only 500 years away from home. But in Wild Blue Yonder, Fourteen and Donna are 100 TRILLION YEARS away from home. The soundtrack from that scene, The Edge of Creation, isn't just mysterious, it's eerie and ethereal and perfectly encompasses what it would feel like to stand somewhere so impossibly alien it has become supernatural (if you can't tell I am obsessed with that track and episode lmao).

I love the contrast between Rose and Donna and the questions they ask. Rose's question is cute, she's like "I've seen it in films, is that it?", it stems from a place of curiosity, like she doesn't really realize the deep shit that they're in. She's just a kid. Whereas Donna's question, it stems from a place of dread: "Where's the light?". It almost has a "The Licked Hand" quality to it (if you don't know that story: the girl is scared, she puts her hand under the bed, her dog licks it. She goes into the bathroom, finds her dog dead in the tub, and written in its blood are the words 'humans can lick too').

Then, finally, there's the order in which things have been done: in The Satan Pit, Rose remarks they're "a long way from home". Ten takes a long look at her, and seeing that she seems a bit scared, he explains to her how long it would take to get home. In Wild Blue Yonder, Fourteen first explains to Donna how long it would take to get home, and only THEN, he takes a long look at her, and finally Donna says "that's my family, over there". It parallels Rose's sentence in the sense that they both talk about home and how far away it is, but they use different words for it with a different meaning behind. Donna is more specific on what she'll be returning to when it's over (her family), whereas Rose, who isn't as grounded as her, just says "home" (which, for her, probably just means the place she grew up). I also love the contrast between Rose's "a long way" and Donna's "over there". The first implies foreign, the second implies close enough to see. What's interesting about this bit is Donna is further away from home than Rose is, geographically speaking. But for Rose, Home is actually the Doctor, just him, so she has no problem saying she's "a long way from home" since she doesn't mean it in the same way Donna would. So for Donna, when she says "over there", it's because the Home she's talking about is closer to her heart, and she's probably trying to reassure herself that she'll see her family again (I used to do something like that when I was in primary school, I'd travel all the way back to my house in my head to kiss my parents on the cheek because I was so homesick).

So that's that I guess

[aftercamlann]

ACBB 2024 Masterlist

Thank you to all our wonderful writers, artists and beta readers who participated in this years After Camlann Big Bang! We hope you will consider participating again this year!

Below is the final masterlist for After Camlann 2024:

Title: We Are Bruised But Whole Together Author: Tansyuduri Artist: GYRHS Pairings/Characters: Arthur/Merlin. (Arthur Merlin and Freya) Rating: Explicit Word count: 46,999 Summary: Arthur wakes up in modern Glastonbury and to his unfathomable relief finds Merlin. But nothing is simple. Everything he knew is gone, for one. He wonders what of his achievements were actually his own, and not just Merlin's magic, for another. Arthur also has to face the fact that he kept the ban on magic going. Was he ever truly a good king?

There is also the “I love you” he mouthed to Merlin before dying. Something he cannot afford to focus on, because, as Merlin tells him, Albion’s time of greatest need is upon them.

Then comes the unthinkable. Merlin’s magic, which has been growing over the last thousand years, is suddenly too strong for the sorcerer's human body to handle. Faced with the prospect of losing Merlin, feelings suddenly come out and Arthur realizes that if he can save the man he loves and the land of Albion, he might be able to forgive himself for his mistakes and everything he is not.

The question is, can he?

Expect fluff, angst, humor, banter, hurt/comfort, whump, and lots of Merthur!

Story is here | Art is here | Reblog on Tumblr here *** Title: running back home Author: sourw0lfs Artist: kokoshka67 Pairings/Characters: Merlin/Arthur Rating: Mature Word count: 25,126 Summary: With another growl, the monster surges forward, pressing its full weight into Arthur and toppling his footing. They both go down hard with just the damaged sword as a barrier between them. Arthur’s arms shake with the effort to keep it that way, pressing upwards with all the strength he can muster to free himself. The monster barely budges, lips pulling back in a snarl that reveals a mouthful of half-sharp, half-dull teeth. Through his panic, Arthur finally realizes why this monster seems so different from the attacks in the past. His gaze trails from the jagged teeth snapping angrily at him to the side of the creature’s face that isn’t covered in scales, to the side that’s so obviously and glaringly human. Because the monster isn’t a monster at all. It’s something else entirely, some kind of cursed hybrid never before seen. Worst of all, though, Arthur finds that he recognizes the human face beyond the scales and fangs. “Merlin?”

Story is here | Art is here | Reblog on Tumblr here *** Title: london fog and technicolour strobe lights Author: demigodbeautiies Artist: LikeAPaperPlane Pairings/Characters: Merlin/Arthur (main); Gwen/Lancelot (side); Gen Merlin & Various Characters (side) Rating: Mature Word count: 39,822 Summary:he magic in the membrane of the night around them as they duck out into the world is thick and perfectly marvellous, reminding him that he is here, young, and alive, and that’s pretty alright. Nighttime is always better, anyway. When Merlin left his village ten years ago, he really didn't think he'd end up fucking people for money. He still doesn't know what he expected to happen, exactly, but wishes he could figure it out a little bit faster. Then a run of the mill gig goes wrong and changes the course of Merlin's life - just, not in any of the ways he expected it to. That's the funny thing about a summer in London, though: it is utterly impossible to tell what the hell will happen next. Escort Merlin AU, featuring love, lust, and the London Underground. Story is here | Art is here | Reblog on Tumblr here *** Title: It's Not in the Stars to Hold Author: Storybelle Artist: Summ3rSolstic3 Pairings/Characters: Merlin/Arthur, Gwen/Lancelot, one-sided Gwaine/Merlin, previous mentioned Gwen/Arthur Rating: Teen and Up Word count: 31,707 Summary: Their friendship hasn't exactly been smooth — since that first day on the train when Arthur had heard about the famed Merlin, to their first potions lesson, their fight in the Great Hall, and every strange, dangerous adventure they've had since then, part of Merlin being the chosen one, the most powerful wizard to ever exist. Arthur's letter didn't come with warnings of Sidhe, or lamia or changelings.

But if it's for Merlin, he'll follow him anywhere, something that proves to be very complicated when he joins Merlin's family for Christmas.

A HogwartsxMerlin mashup

Story is here | Art is here | Reblog on Tumblr here *** Title: A chance encounter Artist: Pinklunamoth Pairings/Characters: Rating: Gen Word count: N/A Summary: Merlin and Arthut have an unexpected reunion

Art is here | Reblog on Tumblr here *** Title: Resurrecting Magic Author: Sage_Owl Artist: wistfulVulpine Pairings/Characters: Merlin/Arthur, Balinor/Hunith, Ygraine/Uther, Gaius, Morgause, Nimueh, Mordred, Geoffrey, Freya, Tristan, Isolde, Lasy Helen Rating: Teen and Up Word count: 25,041 Summary: Thirty years ago, magic disappeared. Now, a whole generation- including best friends Merlin and Arthur- have grown up without it, only hearing the occasional rumor.

Merlin decides to put his film degree to good use by starting a ghost-hunting show with Arthur, but things quickly go awry. An attempt on Arthur's life leads to Merlin reading a spell that slows down time...but magic is gone, isn't it?

From there, the two friends begin to unravel the conspiracy that destroyed magic, and the prophecy involving their family names that promises to bring it back. Featuring ghosts, arson, solariums, pining, chalk dragons, and definitive proof that even from beyond the grave, Uther Pendragon is an asshole.

Story is here | Art is here | Reblog on Tumblr here *** Title: As One We Stand Author: BGN_846 Artist: Malus_sieversii Pairings/Characters: Merlin & Arthur Rating: Mature Word count: 70,022 Summary: Canon era, canon divergent featuring BAMF!Merlin, irritatingly confusing Kilgharrah, mentally exhausted Arthur, and a very impatient Morgause. Growing up in isolation with his father and a handful of druids, Merlin has been trained in the arts of magic and self-defense. He's also good with a sword, knows how to evade the enemy and is quite literally dying of boredom. NOTHING exciting ever happens aside from the stories his father tells him of days long past about the evils of the outside world. All this changes when a chance encounter leads Merlin to save Arthur Pendragon’s life. He soon discovers he's got a shared destiny with the pratty prince. (who does not like his magic, not one bit) Merlin thought his life was boring before, now he's not sure what to think. In a matter of a few weeks, he's met a dragon, promised to set him free, and may or may not have been tasked with usurping the king! He's managed on his own for this long, what's the worst that could happen? He spends the rest of his life alone, that's what!

Story is here | Art is here | Reblog on Tumblr here *** Title: Let me see you stripped down to the bone Author: where_the_kissing_never_stops Artist: icebreak1010 Pairings/Characters: Gwaine/Percival, background Merlin/Arthur Rating: Mature Word count: 50,027 Summary: Leeds, March 1986.

They're off to a strip night, and Gwaine has no idea how much it will change his life.

He falls head over heels for one of the dancers, and a random encounter lets them meet properly, and Gwaine realises it isn't just Percival's body he likes. Slowly, they become an irreplaceable part of each other's lives. However, Percival's job starts to get in between them, and Gwaine's insecurities grow.

Will they make it together?

Story is here | Art is here | Reblog on Tumblr here *** Title: What Was I Made For? Author: tomatopudding/JetGirl1832 Artist: rasseyanost Pairings/Characters: Merlin/Arthur, Kara/Lena, Gwen/Lancelot, Arthur Pendragon, Merlin, Lena Luthor, Kara Danvers, Alex Danvers, Morgause, Uther Pendragon, Gwen, Lancelot, J’onn J’onzz, Brainy, Nia Nal, Florence Abbott

Rating: Teen and Up Word count: 63,019 Summary: Merlin had made his peace with his lonely existence, wandering the world waiting for his king to rise again. Then he saw Morgana on the cover of a magazine. Morgause didn't remember being dead but now she's suddenly alive again with only one thought on her mind: find her sister. Lena couldn't help but think that coming to terms with her magic was a lot less confusing before this whole reincarnation thing.

Story is here | Art is here here | Reblog on Tumblr here ***

Title: The Challenge of the Fey Court Author: thenerdyindividual Artist: pyjamacyrptid Pairings/Characters:  Merlin/Arthur, Merlin/Gwaine, Arthur/Gwaine, Merlin/Arthur/Gwaine Rating: Explicit Word count: 97,104 Summary: Balinor meets Hunith and falls madly in love with her. When Ealdor experiences a terrible famine, Balinor takes it upon himself to save them. He makes an agreement with the King of the Seelie (Uther); thirty years of good harvest in exchange for Balinor's first born.

Balinor leaves Hunith with the intention of never having a child with her or any other woman. the problem? Hunith is already with child.

Twenty years later, Merlin is fulfilling Balinor's end of the bargain. He just hopes that his fey husband isn't a complete prat, and that things goes smoothly.

Things do not go smoothly.

Merlin was not expecting to have to complete seven courtship challenges before being allowed to wed. Nor was he expecting his future husband to already be in love with someone else.

Story is here | Art is here | Reblog on Tumblr here *** Title: The Oracle Machine Author: Aro_Tarot Artist: Coconut_head3000 Pairings/Characters: Merlin/Arthur Pendragon Rating: General Word count: 33,752 Summary: While traveling to Ealdor, the Merchant, Arthur, stumbles across Merlin being picked on by a group. This chance meeting changes everything when he goes against the Mark on his forearm to help him. Merlin ends up coming back with him to Camelot, a place without magic or choices. The lives of every citizen, Marked by a symbol on their forearm and determined by the Oracle Machine.

Story and Art is here | Reblog on Tumblr here *** Title: the beginning & what follows Author: egeria Artist: myoonmii Pairings/Characters: Merlin/Arthur, Nimueh, Ygraine, Uther, Morgana, Gaius, Hunith Rating: Explicit Word count: 34,948 Summary: When Nimueh saves Ygraine's life, she couldn't have imagined the far-reaching consequences. Really, the consequences might've been worse, if only a little peasant boy hadn't been born.

or: Merlin is raised knowing who he is and all of Albion looks a bit different as a result.

Story and Art is here | Reblog on Tumblr here *** Title: it wasn't the crash that made us, but the debris Author: SlantedKnitting Artist: LFB72 Pairings/Characters: Merlin/Arthur, past Merlin/Lance, Morgana, Leon, Gwen Rating: Explicit Word count: 25,037 Summary: When Arthur buys a new flat, it should mean that everything in his life is slotting into place. Instead, he can’t stop going on bad dates, his sister won’t get off his back about mental health, and the cupboard doors keep mysteriously falling open.

When the ghost who haunts the flat reveals himself, Arthur decides to help him finish whatever unresolved business he has that’s keeping him from properly passing on. Once Arthur gets rid of this ghostly Merlin figure, he can go back to getting his own life in order.

Of course Merlin has a poor memory, and as Arthur tries to dig into Merlin’s life, he gets used to having a ghost around his home.

Story is here | Art is here | Reblog on Tumblr here *** Title: Right where you left me Author: Brechtjeeatscheese Pairings/Characters: Merlin/Arthur Morgana/Mordred Gwaine& Arthur Rating: Mature Word count: 28,797 Summary: It’s the year 2024 and Arthur and his pack live in a nice town where nothing ever happens. That is, until a long lost love from the past shows up again, Merlin, his former crush now turned enemy.

Merlin quickly brings danger to Arthur and his werewolf pack, but things aren’t quite what they seem. Arthur is forced to reevaluate everything he thought about Merlin and vampires before. And he needs to do it fast, otherwise Merlin’s life can very well be forfeit….

Story is here | Reblog on Tumblr here *** Title: Pas De Deux Author: lavender_spice Artist: Mirayla Pairings/Characters: Merlin/Arthur, Gwen/Lancelot, Elyan, Annis, Will, Gwaine, Uther, Morgana Rating: Teen and Up Word count: 51,105 Summary: When due to a lucky coincidence, ballet dancer Merlin gets the chance play the the role of White and Black Swan in Swan Lake, he is beyond elated. That is until he realises he will be dancing alongside the golden boy of Camelot Ballet, Arthur Pendragon - an arrogant twat and Merlin's personal nemesis. Can they overcome their differences, or will their mutual animosity destroy the production and their career?

Story and Art are here | Reblog on Tumblr here *** Title: Sugar Sweet Serendipities Author: chaosgenes Artist: sunfall_ennien Pairings/Characters: Merlin/Arthur, Leon/Morgana Rating: Explicit Word count: 48,851 Summary: Arthur Du Bois, CEO of The RoundTable, is a stubborn, self-made man and comfortably well off. Yet, after a few encounters with a certain stranger, he unexpectedly lands himself a sugar daddy. Merlin is twelve years his senior, a modern gentleman, the last of the great Emryson family line, and unimaginably rich.

Coincidences bring them together and love blooms, but each holds a secret that may very well end their budding romance. What they don't know is that it both involves PD Corp’s CEO, Uther Pendragon.

Story and Art are here | Reblog on Tumblr here

[vidavalor]

Hello lovely! I'm wondering if you have any thoughts about Maggie in Final1 5? Isn't it weird that she wants to go back to talk to Az and Crowley while Nina's working? Something about it feels off to me.

Hello right back. 💕 There's chamomile mint tea and shortbread since we're on a Maggie theme, if you'd like some. Maggie's behavior from that scene on is super fucking weird, I agree.

Before the milk run-- when Maggie becomes the only involved character whom we lose track of a bit during The Final 15-- versus how she behaves when she returns is so strange as to be something that I consider maybe additional proof that things are not at all what they seem to be in The Final 15.

On Maggie and Crowley's weird Final 15 behavior, a possible meaning to all the allusions to robbery in S2, and what Maggie and Nina might be able to tell us about what happened at the end of S2.

TW: brief mentions of show's non-consensual possession/rape analogy.

Think for a moment about how truly weird Maggie's request for her and Nina to go back to the bookshop in that moment actually is...

It's only been a matter of minutes since Maggie and Nina were basically hostages in the bookshop who were almost killed by Michael and Saraqael. Crowley saved their lives in getting them out of the shop maybe, what? It's been a minute since I rewatched that bit of it but it couldn't have been more than 15 minutes prior?

The beings in the shop but for Maggie and Nina are supernatural and so left magically without using the door but while we the audience know that these people are no longer in the shop because we were watching it, Maggie and Nina do not know that. When Maggie suggests to Nina that they go talk to Crowley and Aziraphale, they have no way of knowing if the beings that just tried to kill them are still in the shop. They didn't even see Aziraphale leave with Whoever Derek Jacobi Is Playing yet because Nina was all "where's the other one?" to Crowley when they arrived back in the shop.

Maggie is literally like: Nina, I know you opened the business you own late and are the only one working right now and have a line of 20 people waiting for their morning, pre-work coffee but what if-- just hear me out-- we just made them wait an indefinite amount of time to voluntarily go back into the place where we nearly died a matter of minutes ago that could still be full of the people who wanted us dead and we did this for no other purpose than just to tell off my beloved adopted godfather and his partner, who just risked harm to save both our lives? And to maybe then also stick our noses into their love lives in return or something?

I mean... WHAT?!?! lol

Consider, even, how even more weird that is when Maggie, just *prior* to having gone to the mini-mart, had never been more on the same page with Nina and never more understanding?

She sacrificed her own want to go sleep behind the counter of her shop to offer to help Nina. It's a big moment of change in their relationship and shows a lot of growth for Maggie. She's gone from someone who is caring but has a tendency to only think about how things make her feel to seeing things from Nina's perspective. She's matured through the season into being someone more ready to be a partner to Nina. Maggie offering to help Nina with her morning rush-- and Nina accepting the help-- is the sweet, romantic moment showing that these two are heading in a positive direction, both individually and together.

When Maggie gets back with the milk, though? After she's been out of our sight for a few minutes? She's behaving very differently.

During S2, Maggie is shown to be a pretty guileless character. She might have the occasional judgemental moment but she's not deceptive or tricky and she really wouldn't hurt a fly. When Maggie comes back from the milk run, though, her insistence on Nina dropping everything and going with her in that moment is not just weird behavior but manipulative in a way that could not be more out of character for Maggie.

Nina has been in an abusive relationship where she was afraid of displeasing Lindsay. Maggie is aware of this, as it's been the subject of multiple conversations between them throughout the season. So, when Maggie gets so bizarrely insistent on Nina dropping her work-- her livelihood, her purpose, her job-- to meet Maggie's demands in that moment? When this isn't an emergency of any kind and isn't at all time-sensitive and there is no objective reason why Nina should be halting her job to do what Maggie wants in this moment? Maggie is being controlling in a Lindsay-like way. She keeps at it, knowing that Nina will give in and agree to go with her because Nina is used to doing that with her partner.

Nina hesitates and isn't sure whether or not to go with Maggie for a moment and I don't really blame her? This is the complete opposite behavior to Maggie before she left for the mini-mart. Maggie is suddenly acting quite a lot like her polar opposite-- the Lucifer-and-Heaven-paralleling Lindsay.

Maggie is also literally on Nina's shoulder like a devil the whole time in the scene in which she's convincing her to step away from the shop and go across the street with her to the other shop for a chat and...

...listen to what we just said there...

...it's a parallel to the thing that Whoever Derek Jacobi Is Playing is doing with Aziraphale, is it not?

So, what happened on the milk run?

Who did Maggie run into at the mini-mart that we couldn't see in the ending of S2 without it giving the game away? I wouldn't be surprised if, on this mirror-happy show, on the other side of learning in S3 that it was The Devil with the coffee in the bookshop in The Final 15, we also had a scene that showed that, while on her milk run, Maggie had a run-in with Sister Teresa's killer.

Did Hastur possess Maggie as part of Satan's plan? Was the idea to use Maggie and Nina to further trip Crowley and Aziraphale towards disaster to get Aziraphale? If so, it kind of half-worked. I'm not convinced that anything Maggie and Nina said to Crowley really mattered-- I think they weren't telling him anything he didn't already know or feel and that it's largely misdirection for the audience. What was effective, though, was the impression Aziraphale got upon seeing them leave as he was coming in.

Maggie and Nina being back in there at this weird time and then rushing out with smiles and comments like that they were "just leaving" and they were sure Crowley and Aziraphale had "a lot to discuss" seem to have led Aziraphale to assume that Crowley had asked them to come back and to the conclusion that he must have done so to tell them of his intent to ask Aziraphale to marry him. It's Maggie and Nina leaving the shop that reinforce to Aziraphale the idea that, when Crowley stands up afterwards, takes off his glasses, and says he supposes he has "something to say", that Crowley is only trying to communicate a proposal and not a plan.

It's what helps-- big time-- to lead Aziraphale to not listen for a shred of coded language for the entire scene. Neither he nor Crowley are listening for that with one another, which is why neither of them can truly understand what the other is saying, but Aziraphale's part of that is really fucked to Hell by the presence of Maggie and Nina in the shop when he came back. That's all pretty suspicious since Maggie was out of our sight for a few moments and came back fixated on the idea that she and Nina needed to go to the bookshop right that very moment and that it couldn't wait.

The Final 15 is a dark parallel to The Baby Swap plot and Maggie and Nina are full of shadows of Sisters Mary and Teresa to a point that the final shots of both of them in the series are mirror images of the final shots of their S1 characters. Nina looking through glass at Crowley departing is the last shot of Sister Mary both in 2008 and 2019, while Maggie's last shot?

To me, it's one of the most eerie moments in the entire series because of how much it visually resembles Sister Teresa's death.

Basically two minutes after we hear about The Second Coming... in the same season where Maggie and Nina's partial-vavoom gives way to a (possessed?) Gabriel saying: the dead will leave their graves and walk the Earth once more... we are shown Crowley and Aziraphale's apparent adopted goddaughter unresponsive on the counter of her shop.

Is Maggie dead?

Is Maggie asleep, like we were led to believe she wanted to do earlier in the episode? Maybe. Is she comatose/unconscious? Maybe. It's just that, best I can tell, she does not take a breath during the shot which I feel had to be intentional on the part of Maggie Service, and she's in the same position as we last saw Sister Teresa in S1...

Then, there's the robbery theme and how Maggie and Nina foreshadow so much of the end of S2 back in this scene here:

In Good Omens, the shop is the character. Maggie is, symbolically, the records she sells. The show also explains that Maggie's shop used to be a part of the bookshop. Now, there are three characters, not two, who are A.Z. Fell & Co.: Aziraphale, Crowley and Maggie. At the same time, Aziraphale is also The Small Back Room. The shops are intertwined as the characters are, essentially, family in the story. The fate of one is the fate of the other, which makes what Maggie and Nina foreshadow when talking about Maggie's shop while trapped together in Nina's not just the fate of Maggie's shop in S2 but also of the bookshop.

Maggie says that if she can't close the door to her shop, someone could walk in and take records. Maggie is the records she sells so, symbolically, this means someone could take Maggie. We got a bit of a preview of that when Shax appeared to get into her mind during the attack on the bookshop and Maggie also became the one who unintentionally "let the robbers in."

These robbers, Maggie frets... they could empty her till-- take all her money on a literal level... take her mind, or maybe even her life, on another. (Not to mention the now chill-inducing use of money-related words and coins with regards to the paralleling Crowley...) These robbers could take forcible ownership of Maggie's shop-- so, of Maggie. Maggie's shop was born of the bookshop... so, they could take forcible ownership of the bookshop, too.

Not just the physical bookshop, though that, too. The symbolic bookshop. Which is not only Aziraphale but Crowley and Aziraphale.

But, if The Small Back Room was originally part of the bookshop, then the bookshop really isn't just Crowley and Aziraphale-- it's Crowley, Aziraphale and Maggie.

If the robbers come for the bookshop, they've also come for The Small Back Room because it is all born of the same, symbolic shop.

Is that what they did?

Is that why Maggie is last shown to us non-responsive in her shop?

Now, Nina's even more foreshadowing reply:

Nina said that, if she owned a record shop, she'd be more concerned about "someone breaking in and leaving more records behind."

What are records? They're the literal records in the musical and old film sense that Maggie sells, yes, and also Maggie herself. They're also books, like what Aziraphale sells, and Aziraphale himself. But they're also a third thing that's very much of note in S2.

They're also the life's work of a scrivener, like what Muriel does.

Nina foreshadows someone breaking in and leaving "more records behind"... which is exactly what happens in The Final 15.

Elspeth's graverobbing. Bildad stealing Job and Sitis' wine and food. The 1810 Clerkenwell Diamond Robbery. Aziraphale having the missing Shakespeare Robin Hood play in the box in 2.06. The robbery-based fantasy Aziraphale was telling Crowley in Lockdown: ...the other night, when a couple of young lads broke into the back and tried to steal the cash(cache)box!

The Final 15 is a robbery.

The last two episodes see the shop attacked during The Meeting Ball and into the next morning. Aziraphale is robbed blind of his entire life. Characters are taken hostage. Signals for help are tried and fail. The cop, it turns out, was a stooge for the robbers. Whoever Derek Jacobi Is Playing broke in through the open door and robbed the place blind, as Maggie foreshadowed. As Nina foreshadowed he would, what did the robber leave behind?

More records. Muriel.

To rob, as we know, is to steal. It's to plunder or strip a place from someone through force and/or violence. That is why it was once, in addition to being descriptive of physical goods stolen from a person, also a word that was used for rape, for which non-consensual possession has been analogous since the show's first episode. That is why some of us think that the music goes insane on the look to Crowley in the scene below. Satan is robbing Crowley-- forcing him to identify him as The Metatron to Aziraphale and the angels and to let Aziraphale go alone with him.

Satan attacked Crowley in front of Aziraphale and, while Aziraphale pretended he didn't see it, he did, which is why he led "The Metatron" straight out the door in an effort to get him away from Crowley. Because, speaking of characters behaving very weirdly... anyone have a better explanation for why guard dog Crowley sat in that chair like he couldn't get out of it and encouraged Aziraphale to go alone with a guy who once tried to kill them? It just doesn't make any sense unless his words are not really his own and there's only one character we've seen do that to him.

And if Crowley's not the only one behaving out of character, then what else happened to Maggie at the mini-mart but something similar?

What happened in The Final 15? Satan robbed the bookshop.

He and The Metatron don't give a toss about the shop itself and plan to destroy it alongside everything else once Armageddon gets rocking. They're there to get Crowley and Aziraphale out of the way for Armageddon by dividing and conquering. Just because we've yet to see blood doesn't mean this wasn't robbery by force.

Satan took hostages at the start-- letting the ones go he didn't care about go and keeping the ones most likely to influence the shop's owner: Crowley and Muriel.

Satan and The Metatron sacrificed Muriel to their plan, not caring if Muriel explodes along with the shop when they kick off Armageddon a matter of *checks watch* basically any minute now after S2. We think Muriel is better off in the shop at the end of S2 but I'm not totally sure they are. I think it actually might be one of the most dangerous places to be in right now. The bookshop didn't burn down this time-- it was burned as safe space in every possible way. It's a crime scene.

The Metatron and Satan are here for revenge. The Metatron is letting Satan have Aziraphale to get Crowley and Aziraphale out of the way for Armageddon. There is no real job offer-- it's all Satan tempting Aziraphale into falling. Satan's revenge on Crowley and Aziraphale is to force Crowley to help him take Aziraphale right out from under his nose. That's the start of it, anyway.

Besides Armageddon and daring to have a relationship and a sense of self outside of the demonic collective of Hell what is Satan really pissed at Crowley and Aziraphale about?

His kid. Adam. Crowley and Aziraphale helping Adam against him.

If Satan has been lying in wait, still very, very angry at Crowley and Aziraphale for turning his son against him and if he's now here for revenge, then who else besides Aziraphale is then most in peril here?

Yes, my Job-and-Sitis-paralleling poppet... your big, cross duck and your kids are most imperiled here and S2 showed us that your kids are not just humanity writ large but, specifically, Maggie. The Small Back Room is of the bookshop that is you and Crowley. Maggie is your Adam. Will Satan come after your daughter? It's a concept posed in your paralleling/foreshadowing story earlier in the season... actually, it was also the entire plot of that paralleling story earlier in the season as well...

I feel like not going with Ennon and Keziah's theories on Satan's behavior is probably the best way to form a Good Omens theory 😂 so I'll stick with the idea that Satan very much would dare leave a revenge body count of Crowley and Aziraphale's adopted kids, as the Job minisode proved he'd do even with the spawn of "God's favorite human", let alone anybody else.

As, speaking of foreshadowing lines, this is really even more S2 than it was about S1:

Satan will even have a whole pseudo-philosophical chat about it with you first, amused that he's standing in a place called Give Me Coffee or Give Me Death and ordering a coffee while the plan is likely for this place, the women making him the coffee, and everyone on this street and on most of the planet to be dead by tomorrow.

Maggie is the only character who actually asked for coffee using that exact word in S2.

[bitethedevil]

How do you think Raphael would react to feeling loved (not even necessarily in a romantic way—it could also be him feeling appreciated and loved platonically)?

Raphael and Love

(As always, these are just my interpretations of him. It’s dark, but I trust that you have read my “ask”-section and knew it probably would be beforehand anyway. I feel like I’ve made a post about Raphael and love before, but I can’t find it anywhere, so I’m using your ask for it. Hope that’s alright <3)

He would love it. He’d bask in it. He would get addicted to it so fast and it would fascinate him. Not in any healthy or soft way though, far from it. Your love is a tool that is to be explored and exploited for his own pleasure and morbid curiosity, platonic or not.

Testing limits

Ah, so you say you love him: Are you sure about that? If you really do love him, how far are you willing to go? If you truly loved him, surely, he could do whatever he wanted with you, right? He would constantly test your adoration to him, and each little line that you let him cross only means that he will go even further the next time. I am not talking about just ‘making you jealous’ or something like that. I am talking truly abusive and horrible shit. He will literally not stop until he knows that you would literally suffer the worst torments, die, and kill for him.

Making up

What happens then when you snap? He is definitely the type to lovebomb someone and effectively winning them back with all he has got. It is him loosening and tightening the leash. He would give back all that love you craved in return for yours…Until he knows he has got you and then it is back to dissecting you for weaknesses again, like a child seeing how many limbs they can pull off an insect before it dies.

Jealousy and ownership

You are his property. He won’t accept anyone even looking or thinking about you. If possible, keeping you locked away from everything else is the ideal. Why would you need to see other people, if you allegedly loved him more than anyone else? Isolation, control, full attention on him…

It’s the same thing when it comes to affection and intimacy. It will be very dependent on what he wants and likes. I don’t believe it would be entirely one-sided though. He will still touch you and make you feel good, but more in the way that one explores a new and expensive toy to see how it works, and it will be transactional. He never does a thing in his life without wanting something in return.

Love

It’s complicated. He loves your love. He loves the attention and adoration. He craves it. But again, you are a tool for him to get that love. He has no problems molding and shaping you into what he wants, because it can always be better. Look at the House of Hope: everything he owns is shaped in his own image and for his specific needs, and you will be too. Unconditional love is not a part of his vocabulary.

Obsession and dogs and cars

Raphael is just like his daddy when it comes to obsession. It’s hyperfixation. He will get obsessed with someone who gives him the adoration he thinks he deserves, and he will want every bit of it that he can squeeze out of you. He will lose himself completely in it. But. He ‘likes when people put up a fight’ and he likes puzzles, like Korrilla says. You are a puzzle to him. Once you have endured all his excruciating tests with flying colors and he has molded, broken, and shaped you into what he wants, the puzzle is over and things start to get boring. You start to get boring, and Raphael is not a man who lets himself be bored. It is like a dog chasing a car.

(Thank you for the ask <3)

[arrakisser]

a theory on arcane s2 caitvi plot chronology!

based on the new vi clip, i don't think cait asks vi to join the enforcers until LATER in season 2 (not at the beginning as we previously thought). here's why.

vi meets this guy at the pitfighting arena. he looks and acts JUST like vander. he's a new father figure to vi, supporting her and offering her a reason to continue even when the situation looks dire.

but where else do we see him...? in an earlier trailer/teaser, right here ↓ on the left, serving on cait's enforcer team (along with vi)!

so what happens between the pitfighting arc and the enforcer arc? my theory is that *something* drives cait and vi apart at the beginning of season 2, which also causes vi to push cait away and isolate herself as an underground pitfighter. meanwhile, an alcoholic vi continues to hallucinate cait.

eventually, cait finds vi in horrible condition, nearly dead, and offers her the option to join the enforcers. she tells her something along the lines of "it hurts to see you like this. i have a healthier way to direct your anger" — which, of course, is the recruit offer. to cait, it makes perfect sense: vi gets to pull herself out of her slump and save herself, and they'll all be working together to avenge cassandra and get back at jinx.

but vi isn't so keen on leaving her new father figure. so what does she do? ask the guy to join cait's enforcer team.

if everything lines up, that means the enforcer arc FOLLOWS the pitfighter arc. vi and her stepdad/friend struggle together and then join cait's enforcer dream team together.

as for WHY i think this is plausible —

in season 1, we saw vi's total resentment toward piltover and especially enforcers, even in act three. is she really going to change her mind that easily and become the very entity she despises most, the complete antithesis of her existence, at the very beginning of the season? no, unless something drastic happens that allows her to give up her life in the undercity and turn to the other side. we know vi is a steadfast person and that her values of loyalty and justice are unshakeable... but the pitfighting would qualify as the lowest point of her life.

 Korsakoff syndrome — alcohol-induced amnesia, "problems learning new information, inability to remember recent events and long-term memory gaps." this is... admittedly not something i want to even think about as a possible option, but it's unfortunately there. in the clip, we see vi drinking so much she often blacks out and loses her strength. if cait finds her in that condition, it's possible she's already lost memories of powder, with all recent memories being about jinx. this would be extremely heartbreaking, but i also think it would line up with my theory.

[mustainegf]

→ 𝐌𝐀𝐒𝐓𝐄𝐑𝐏𝐎𝐒𝐓

𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟗

I lay in bed, staring at the ceiling, trying to find some understanding as my mind spiraled out of control. The only noises in the room were the soft hum of the fan and the steady breaths of James lying beside me. Tomorrow, he'd be off on tour again, and it weighed more and was heavier to handle than I had thought it would be. To me, he'd just got back, and it felt like I was going to lose him all over again.

I shifted, for what felt like the hundredth time, trying to find such a position that my body would agree with. But no matter how I adjusted, I couldn't settle. Not only could I not stop thinking about him leaving... but there was something else I couldn't get our of my head... something that also had to do with James.

James stirred beside me, his voice deep. "You've been tossing and turning," he said softly. "What's goin' on, hun?

I froze, I didn't know how to answer. I didn't want to burden him with just how fragile I had been, how badly I needed him. So I did what I always did in those kinds of vulnerable moments. I deflected.

"Just. hormones," I muttered awkwardly, hoping that would suffice.

"Hormones?" he replied, a hint of a smile weaving its way through his voice. "What kind of hormones?

I swallowed hard, my face starting to heat up. I knew I had to answer him, but I wasn't sure if I was ready for that kind of vulnerability. "It's just… the uh, second trimester," I started, my voice a whisper. "It… it makes me feel… um, you know, horny."

I was instantly regretful that I had said anything. Mortified, really. I squeezed my eyes shut tight. Why did I say that? Why didn't I just blow it off?

After a moment, James scooted beside me, twisting his body so that he faced me. "You've been feeling like that and didn't say anything?

I bit my lip, mortified still. "I didn't want to make you uncomfortable," I admitted, keeping my eyes fixed on the popcorn ceiling. "I mean, with your injuries and everything that's been going on with us, it didn't seem right to bring it up…"

Again, the silence stretched, and my nerves were starting to get the better of me. Then James's hand reached out and found mine, his thumb brushing over my knuckles.

"I don't want you to feel like you can't tell me things like that," he said softly. "I'm here. I want to help you... especially if that's how you've been feeling."

It was as if he had removed a boulder from my chest. I turned my head slightly to his direction. His face was still not distinct in the shitty dim light of the room.

"You want to help?" I asked, the words barely audible.

James nodded, his fingers tracing light patterns down my wrist. "I do," he said firmly, filling his voice with warmth and affection. "Look... I love you... and I'm leaving tomorrow... I just- I want to have a chance to love this body of yours before I have to leave..."

I hesitated, something blooming inside me. Of course, I had missed him and yearned for the closeness again, yet wasn't quite sure how it would work. "But… your arm—"

"I'll be fine," he softly interrupted, squeezing my hand. "We can find a way, It doesn't have to be perfect. I just want to be with you."

The tenderness of those words completely disarmed me. I searched his eyes for some sign of doubt or hesitation and found a lot of love instead.

"Are you sure?" I whispered innocently.

He leaned in far enough that his lips brushed against mine in a soft, gentle kiss. "Always," he whispered against my lips. "I want to take care of you."

His voice melted away the last of my reservations. I nodded, my body melting as I accepted his offer.

We began to kiss again, deeper this time. His lips moved slow and sweet over mine, and the fire that was there between us began to build. His good arm wrapped around me, pulling me more into him, his injured one being careful to stay at his side. His hand stroked over my waist down to my belly.

"I don't want to hurt you," I whispered between kisses, my hands running through his long hair.

"You won't," he murmured, his lips meeting mine once more. "I promise."

The connection f our lips deepened as I shifted closer and my hands slid down his chest, feeling his skin beneath my fingertips. He groaned softly against my lips, and the sound reminded me of the many times we'd done this, yet somehow, it was different this time. I'd missed this, missed him.

But the more we shifted, the more I knew common positions were out of the question. His injuries would make it very uncomfortable for him to be on top, and I wouldn't dare do anything to make him hurt even more.

"Here," I said softly, breaking the kiss and moving back just enough to meet his gaze. "I'll ride you," I say gently, nodding.

For a second, James stared at me, in awe and love. "you sure?" he asked gruffly low.

"I want to," I admitted, my palm resting against his chest, feeling the soft hairs. "I want you to be comfortable too..."

He smiled, his hand gliding up to cup my cheek. "You're..." he whispered, his lips finding mine once more. "I love you..."

"I love you too," I said with a whispered voice, shaking with emotion. We started to undress, each movement sensitive and deliber­ate. James watched with wide wonder as I took my shirt off, his eyes feasted on the swollen curve of my belly. His hands were soft and extremely careful against my skin, touching my tummy in wonder, knowing that resting beneath, was his child.

"You're so beautiful," he breathed, his hands gliding over every surface he could reach. "So beautiful."

I went red, more vulnerable than I'd ever felt, but his words were making me safe. Carefully, I straddled him, my knees at either side of his hips, and in a second James's hand found its place on my belly, holding it as if it were the most precious thing in the world. And it was.

"Look at you," he whispered, looking me up and down. He drank in the details, the slight stretch marks on my belly, the way it swelled so warm. "Carrying our baby... I've never seen anything more.. beautiful in my whole life."

Honestly, they were never would I thought I would ever hear him say, and it was making my heart beat faster, my hairs prickle and my skin heat up. I leaned down, my hot mouth covering his, as I readjusted myself and positioned us together. His breath caught as I lowered myself onto him, and a soft moan escaped my lips.

Oh my God. We'd had sex before, yeah, but this? This was way different... fuck, it was good. Every thrust, every gentle push was bringing us closer and closer. James's hand never strayed from either my belly or hip, he worshipped me with every stroke.

"You're p-perfect," he murmured, his voice choked and heavy. "So perfect, baby."

I could feel the tears now, threatening to spill as the moment became too big to hold in. I loved him so much, loved this man who was the father of my child, loved the way he was looking at me now, knowing I was the most important thing in the world.

"James..." I panted as I bounced on him, feeling every agonizing ridge and vein clench inside me. "I love you... oh God, I love you so much."   His hips surged harder against mine, his good arm pulled me into him and we moved together. "I love you," he huffed, his eyes pressed to mine. "You're everything to me... You and our baby.. y-you're everything."

I writhed above him as both of our hips worked in turn, slapping over and over. I think he could tell the effect this was having on me, with the hormones and all.

I couldn't help but thick of how perfectly we fit together, even with the added weight of my pregnancy. Each gentle roll of my hips me whining. Tears spilled down my cheeks as I gazed into James' eyes. I couldn't help the tears, nor control them I was too emotional, too hormonal, and I loved him with all my heart... and fuck, this felt so good. His touch was worshipful as he caressed my belly and traced the contours. James' look softened, his thumb brushing away a tear from my cheek.

I let out a loud whimper, my body squirming for release. Tears continued to shoot freely down my cheeks, mixing with the sweat that coated my skin. "Please, James… I need to cum," I pleaded, my voice breaking with white hot lust.

"It's okay… It's okay for you to cum," he repeated, his tone a comforting murmur against my cheek.

It was too much, and as I came, it wasn't just the pleasure that but the my emotions. All wrapped into that one moment.

I melted against his chest, my face streaked with tears, my body shaking right to my soul as I turned into a puddle of whimpers. James clutched me tight against him, but very softly, his lips pressed to my forehead, my cheeks, my lips.

"Hey, hey," he whispered softly. "It's okay... I've got you. I'm right here."

"I'm sorry," I sobbed, burying my face in his neck. "I don't know why I'm crying."

He leaned in, whispering softly against me, "You don't have to apologize," and stroked my hair softly. "It's just the hormones, right?"

I laughed weakly through my tears, nodding against his skin. "Yeah. probably."

After a few moments, James spoke softly. "Can I finish?" he asked, his tone carefully measured to convey his understanding should I choose otherwise.

I lifted my head slightly, meeting his gaze with a tender smile. I nod, not wanting to leave him uncomfortable. "Yes," I whispered.

As I nestled closer to James, my hand found its way to his throbbing member, wrapping around him with a tender yet firm grip. With every stroke, I poured out my love, my grip passionate.

The feeling of his length pulsing in my hand only fueled my want to please him.

He was singing with praise and moans galore with every stroke of mine. Escaping lips of pleasure, muttered words of gratitude.

My other hand was gently massaging his tense balls, another point of contact, while my mouth went searching for the soft skin of his neck. I nipped and licked at his flesh, planting wet kisses along the line of his collarbone. My actions were mirroring the rhythm in my hand, tugging on his manhood.

As his orgasm very quickly approached, James's words of became a mantra, hurled with every second that passed. "That's it. Just like that.," he husked.

His climax hit him hard, his seed spilling forth in hot sticky bursts across his abdomen. It was a sight to see, watching him lose control, his face contorted in pure bliss. I watched as his seed painted his skin so beautifully.

He pressed a kiss to the top of my head, holding me close. "I love you so much," he whispered, his voice all soft gentleness. "I'm here. I'll always be here..."

After a while, James shifted beneath me, easing me off him and settling me back onto the bed. "I'll be right back," he whispered against my forehead.

I watched him stumble naked into the bathroom. I couldn't help but admire his naked body, so masculine and raw. I really was in love with him. Soon, he came returning a few moments later with a warm rag, and a clean stomach. James gently laid me back and helped spread my legs as he carefully cleaned me up. Full of love, and this such a quiet intimacy that bound me closer to him.

When he was done, he tossed the rag aside and got back into bed beside me. He wrapped himself around me, his arm splayed protectively over my belly as he kissed the top of my head.

"Thank you," I whispered.

"For what?" he returned softly.

"For loving me."

He leaned forward and kissed the top of my head again. "I'll love you always, whatever happens."   I buried myself in him as he spoke, my eyes closing, his warmth heating my own. I was exhausted, but wrapped up in James' arms, I was safe. And so was our baby.