Felix + focus
(this is actually written by @keepswingin, who gained access to my blog for five minutes and decided she wanted my prompts list)
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It's bad luck, and you know it's bad luck, but you can't stop yourself from sneaking across the hall as soon as nobody is looking. You close the door as quietly as possible behind you and turn around, fully prepared to tease your husband to be, only to find him standing before the mirror, shakily adjusting his tie.
Felix is muttering to himself as he struggles with keeping his hands steady, smoothing them down the sides of his pants, once, twice, three times, and then he catches your eye in the mirror, and he freezes, and something about it reminds you of a deer caught between bright headlights.
"Sorry," you giggle, approaching him with your heart thumping wildly in your chest because this is actually happening, and he's going to be what you wake up next to every morning, and those hands will help you cook dinner and those eyes will look at you and call you beautiful and - and you're getting carried away. "I couldn't wait."
You reach out for his hand as soon as you're close enough, twining your fingers together. You can still feel him shake despite it, and the small smile he gives you is wobbly at the corners, and his eyes are crinkled in that anxious way that he claims he doesn't do, and you tug him closer, reaching your other hand up to curl around his cheek.
"Hey," you whisper, his eyes catching yours. "You're okay. Everything's okay. Focus. Focus on me." You press your forehead against his and hear his chest stutter with a long exhale. "I'm right here."
"I'm sorry," he says as soon as he's able to, blinking fast. Leave it to him to apologize over things that don't require one. "I was just - my mom left to go find something, and I was standing here alone and I just got to thinking and then I - " Another breath, this one calmer than the last. "I just don't want to mess anything up. On our day."
"You could never ruin our day," you tell him, and then your smile grows because you can't help yourself and he knows how you are. "Even if you did, I'd still treasure it all the same."
It does work in dragging a laugh out of him, genuine and carefree. "You're going to make me worry all over again," he throws back gently, tucking a loose strand of hair behind your ear. "You're beautiful, by the way."
"Can you still act surprised when you see me walk out? My mom already threatened me," you ask, and then his lips pull into a smile you'll never forget as he moves closer, lips brushing lightly against your own.
"My mom threated me too," he admits quietly, and then he's kissing you, and you can't help but wonder how any of this could ever be bad luck when it's the luckiest you've ever felt.
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corey commentary: the official making of h40 🎃🔪
honestly i feel like this book really helped me refocus my thoughts on corey and brought me back to basics for the first time in a while.
i've split this post into a few specific topics based on my own thoughts and the book details that i found most interesting. a lot of this i've talked about before but i'm bringing it back with evidence babyyy.
WARNING for suicide and suicidal ideation, murder, manipulation, mental health issues and crises, and passing mentions of child abuse.
costume
corey's costume was developed in reverse (pg. 176), starting with his final look, the leather jacketed bad boy, and working backwards to the opening scene look, the good boy on his way to the sock hop.
i love that this was the process, i think that's so interesting from both a design and character perspective. taking him from what he became to what he was? it feels sort of like they were centring nostalgia in a way, starting with who corey became and then looking back to who he was (and who he will never be again). it kind of makes his downfall even more heart-breaking to me.
rohan mention's wearing coreys clothes in his real life and how no one even looked at him (pg. 184).
in the commentary he also mentioned wearing corey's glasses a lot to get into the character mindset.
very interesting that we have tried and tested proof that corey can literally fade into the background and go unnoticed. it must be a combination of trying to be visually more plain but also a very quiet demeanour. but then you have the angle of corey being forced to reduce himself to as small and quiet and invisible impossible. i like the way corey both wants to be invisible (to avoid confrontation) but also desperately wants to be seen and heard and believed and understood by someone.
frame of mind/suicidal ideation
rohan mentions that there's an element of corey having not been able to kill himself before, because it was too hard to do, but looking into michael's eyes he realises he can just "call it quits" and let michael do it. then, after he is spared by michael, it gives him "permission" (pg. 198)
i think it makes a lot of sense though that michael letting him go is what tips corey over the edge, maybe reinforcing his own buried guilt (if michael let him go, he must be evil, right?) and making it feel a lot easier to make horrific choices (murder) while also making his emergency exit plan (suicide) feel easier too, if he wanted to.
corey being "tainted" by the shape because he's so close to being that anyway (pg. 172).
i don't personally believe in evil as an actual supernatural force in these movies, but corey is definitlel portrayed as more susceptible to michael's influence, even if michael does actuall demand anything of him.
i think @/slutforstabbings was the one who mentioned this to me. but when corey meets michael he is mentally and physically more susceptible to reacting irrationally in a very real-world sense. he has a history of abuse, experienced a major trauma (the accident), been under intense stress (the party), and had a recent head injury (the fall from the bridge and smacking his head in the sewer). these factors all contribute to a mental health crisis and drastic change in personality.
i feel like this confirms that corey was likely headed for (possibly another) breakdown in the future, but the events of the party/meeting michael just triggers it sooner.
emotional control
rohan mentions corey purposely doesn't feel anything since the accident (pg. 188).
this might have been my favourite detail that gets mentioned. i've always thought that corey's way of surviving post-accident was to just shutdown completely and switch off all his emotions. it's interesting to know that rohan was playing him that way.
and also a lot of the time when corey does feel strong emotions, they are turned in on himself to try and keep them private, like his anger at terry results in him hurting himself (accidently) with the milk bottle, or him regularly climbing over the bannister at the allen house but not being able to let go while during the day he thinks about some outward expression of rage through the blowtorch at the garage.
the mirror scene symbolises the first time corey feels in control (pg. 198).
i've written about this a lot before, but i very much agree that the mirror scene is a moment of processing both "what the fuck just happened?" but also "this is what control feels like". corey's whole breakdown, starting from killing nelson, is about regaining control over his own life, even if it means un-restraining himself and doing horrific things.
killings
ryan turek (exec.) and paul logan (writer) specifically state how ends is essentially a revenge movie, with corey's kills start as revenge killings, but if he survived the kills would get more random (pg. 167).
i feel like this highlights the way that corey's connection with the shape is cut short, unlike michael who had it for decades. the shape (or the idea of it) lets corey get his revenge, but after that he could keep going, he'd pick up momentum and he wouldn't be slowing down.
this seems like this is pointing towards killing being corey's method of control rather than some more direct desire to kill.
he becomes "addicted" to violence and he knows it (pg. 191).
"addicted" is a super interesting word choice and i feel like it fits perfectly. corey starts with revenge, he has his reasons, but as time goes on he could find a reason for anyone if he wanted to.
if corey survived ends and got away, he'd be living his own life for the first time ever. i think there are a lot of things he'd over indulge in, and killing being an addiction plays heavily into that -- there would be nothing to tell him to stop.
high priest!corey
rohan specifically describes corey leading doug to the sewer as him bring michael a "sacrifice" (pg. 206).
vindication !! @/slutforstabbings once said to me, while we were talking about the ritualistic nature of corey and michael's relationship and killings, that corey replaces nelson as michael's high priest, as the person who brings the sacrifices and channels michael to the outside world.
manipulation
rohan says that corey "plays" at being the shaking little boy again when he jump scares laurie while waiting outside for allyson (pg. 204).
i love this, because i fully believe corey thrives on manipulation. i think corey is fundamentally a good person anyway, but in dealing with joan he knows how to make himself inoffensive and agreeable, and i think he knows that that "character" is a safe bet to keep people happy.
and the novelisation confirms that this almost works !! laurie thinks he's just awkward and still upset from the night before. the thing that makes laurie doubt how genuine he is, is that she can see how he changes -- she can see the way he switches from one demeanour to another. proof right that he can play at being who he needs to be in the moment.
but then, by the time laurie shoots him, corey really is just a scared little boy who is in way over his head and unequipped for the situation he finds himself in (pg. 226).
corey is unprepared and unpractised -- he doesn't have the experience that michael has in bouncing back. he isn't michael. he's fucked up big time, his plan has fallen through, and he's backed himself into a corner. all the terrible things he's done, everything he's been through, the taste of control -- it's all for nothing is laurie can get the upper hand on him like this.
he's scared and out of his depth but he's dangerous, but corey ends the film the same way he starts it, in a situation he has no control over and with only himself to blame. only this time he's having the last word, he's going to do what he could before and he's going to take laurie down with him.
relationships
rohan said ronald is "the loveliest thing" in corey's life, and that the gesture of giving the motorbike is "beautiful [but] manly and detached" (pg. 182), which is a way more sympathetic view than i have.
this is a wayyy more sympathetic view of their relationship than i have. i do like this angle though, the idea that corey and ronald did have some sort of relationship but that neither of them can express it very well, that they're taking the stereotypically masculine route of small gestures and not a lot of words. which seems at odds with what corey really needed from the only male role model in his life, but it's kinda sweet that corey must like ronald enough for him to be a good part of his life, rather than just neutral.
maybe the takes about ronald being a good stepdad aren't wrong 👀
corey falls for allyson most deeply when he sees how she is on the edge just as much as he is (pg. 215).
this made me wonder if allyson and corey could have ever been together without the events of the movies? if they still met by chance, would they get along? would the attraction still be there?
their relationship is based on parasocial affection and shared similar traumas, there's a certain emotional intensity there that translates to them making rash decisions and commitments that i don't think they would otherwise.
joan's last words (in an even more extended death scene) are begging "michael" not to hurt corey (pg. 222).
joanne baron has talked about joan's motivations and perspective in some interviews, so this scenes lines up very well with what she's said previously. joan has never treated corey like a person, he's an object for her to control, but her two moments of concern for him (when he comes home the morning after the party and her death scene) come from a seemingly natural and genuine place.
also, the biggest factor that made me loose my mind over this: she doesn't know it's corey killing her. she begs this masked murderer not to kill her son, not know that it is her son beneath the mask 💀
she's begging someone not to hurt corey after years of being the one who has hurt corey. it's too late to turn back, it was always going to end like this, but can you imagine what went through corey's mind in that moment? that his momma wanted him to be safe but never made him feel safe when she had the chance.
me whenever there is a direct quote from rohan in this book:
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