#but entirely robot

[tomboxed]

brain said mash mettaton and trek so here we are

[shepscapades]

[dbhc flavored] Hermit a Day May: Day 14 — Doc!

Featuring both a current-day s10 doc and a verrry early s8 post-deviant doc! :]

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[primal-con]

More of this actually cause apparently I’m Full of ideas

[serotoninisheldinkiwis]

im on my bs yall /lh/j

sorry im gonna be not normal abt tf:one but i watched the trailer again and realized somethin wasn't quite right w the way elita-1/ariel moved

and yall

I REALIZED IT LOOKED OFF AND I ZOOMED IN AND???

SHE ROUNDHOUSE KICKS BUT SHE KEEPS A FOOT F I R M L Y PLANTED. HOMEGIRL SWIVELS HER HIPS INDEPENDENTLY OF HER TORSO AND LEG TO GET POWER BEHIND THE KICK. IT MAKES TOTAL SENSE SHE'S A ROBOT SHES NOT A HUMAN HER JOINTS ARE DIFFERENT THAN OURS.

STILL. THATS SO COOL AND IT ALSO ISNT ANYTHING I WOULD HAVE THOUGHT OF MYSELF. THATS SO COOL.

[bacchuschucklefuck]

space sweepers but they're delivery people and are at no point on screen through the entire movie

[mothcpu]

happy tdov 🏳️‍⚧️❤️

[birdperselias]

working on something soooo diabolical n twisted rn

unknown/nth by hozier x birdrick save me

[leaky-heart]

Malfunction

[0vergrowngraveyard]

my boy

[kiiingsnake]

messing around w/ a redesign

[whimsicallywiddershins]

Bringing a neuron to Moon

Entire Rain World Fandom:

[cable-salamder]

Me deeply relating to Zane as a child 🤝 My nephew finding Jay the most relatable

Us seeing our neurodivergent traits represented through our favorite silly pajama men lego figures that we have watched since being young-ish kids

[canon-gabriel-quotes]

Transcript:

You’ve been a very naughty little fucking thing, Machine.

You killed... a lot. Pretty much everybody. Pretty much everybody you encountered, you killed.

That is why, with extreme prejudice, I sentence you to gay baby jail.

May you rust in there forevermore.

Your only source of entertainment? Twitch.tv/getgianni

Now if you’ll excuse me, I'm going to go bot on TF2.

Audio source

[beepborpdoodledorp]

fnaf fans will look at security breach in the most black and white sense imaginable it’s almost incomprehensible ‘the Glamrocks are soulless AI and Gregory is a poor defenseless child’ ‘Gregory is an irredeemable monster who kills the poor Glamrocks without remorse’ have you considered it’s possible for both sides to be victims. that they can also be a little fucked up too. have you

[logicpng]

I'm here to ask Aster's (the three of them) hand in marriage please and thank you

welp

[image description in ALT]