#but having the wonderful experience

[nova-rpv]

a redraw of the first drawing i posted here to celebrate the fact that ive been in tumblr for more than a whole year posting my shit and havent deleted my blog in panic yippee \:D/ (mushy rant in tags)

[5ftboy]

How is Dungeons & Dragons: Honor Among Thieves different from other blockbuster action films?

[biggest-gaudiest-patronuses]

"oh please everyone has gay thoughts sometimes" so what i'm hearing is that heteronormativity is so ingrained that a significant percentage of the population regularly experiences bisexual attraction? but dismisses it as something that all straight people experience? this is so concerning are you guys okay

[zephyrine-gale]

thinking about scaramouche team dynamics ft scarabedo

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

[First] Prev <–-> Next

[mariyekos]

Okay to reblog to help sample size!

[saywhatyouwillbut]

to have malakai and rowan flirt for three episodes, then get together, then break up one episode later because of a mushroom-trip misunderstanding,,, then for rowan to have actually been obsessed with amerie the whole time and for rowan to threaten malakai to stay away from her ?? TERRIBLE shit to happen to a character just starting to accept his bisexuality imo

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[meagancandraw]

Petition to give Sun a hug because oof

[taeraenomuyeppeo]

exo: love me right for @taeiltual

[fiona-fififi]

Just over here thinking about just how much trust is implied in the way Eddie let loose at the bachelor party. And I know this isn't news, that Eddie trusts Buck implicitly, but there's just something so beautiful in the idea that Eddie Diaz—master of control and compartmentalization and putting everyone else first—was not only willing, but eager to let loose with Buck. Even after the safety of the rest of their group was gone, even after Buck had invited dozens of strangers into their space, Eddie didn't hesitate for a moment to let go with Buck because of course Buck is safe and of course he can trust Buck to let go right beside him without judgment.

And there's just something really beautiful in that.

[vroom-vrooms]

Max speaking on how he wouldn’t push his child to be a driver broke my heart a little bit

I know he loves racing, and I’m glad he does, but hearing him be so thoughtful of his future child’s choices and knowing how much Jos put him through makes it all so bittersweet

[sysig]

Ah, childhood memories (Patreon)

[biggest-gaudiest-patronuses]

HAPPY APRIL 1st, i wrote a fic about the suez canal fiasco bc it's still the funniest thing that's ever happened. synopsis is "grumpy gods from different mythologies argue over whose job it is to unstick the goddamn boat"

[inkskinned]

you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.

you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.

instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.

you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.

your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.

because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.

so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.

all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.

[totem-but-shark]

I have to give props to foolish for the way he plays qfoolish because whether intentionally or not he really sells the vibe of an ancient immortal character, though not in the expected sense. Where other immortal characters may become jaded by a life so long qfoolish is literally just chilling, he's seen it all before and so can't be shaken so easily. Moments that to other mortal characters are earth shattering are just another Tuesday for him, funny even.

Despite this he's no less enthusiastic for life, he wakes up every morning and simply lives, as he has done for an unknowable amount of days prior.

It's fascinating, hes able to roll with every punch and shrug off every struggle with a laugh. Why should he be upset? in the grand scheme of everything he's lived through it's not even a blip, why cant it be funny instead?

But this makes it so much more impactful when he DOES care, the rare moments where he is affected are heart wrenching when contrasted with his usual easygoing happy-go-lucky laissez-faire attitude. There's something raw and human to me in the way that for however long he's lived he still feels, he loves and grieves. He still lives and so he still feels.

Anyways stan an unbothered king