#but he also apologizes to me

[chimerathekid]

Good golly that man has done something 2 my brain chemistry

Playing New Vegas for the first time. Like him a lot, got the companion mod

This took me like 2 days to complete

[comradekatara]

it's national draw your sibling day

[egophiliac]

swipes everything else off of the table to yell about diasomnia flower bookmarks

(I gave Silver one too :D)

[tubbytarchia]

For the ranchers a bit more shleep i just really like charakters comfy and nice:Dc /nf

Eepies. Jimmy woke up to really sore wings but its okay because Tango

[comfortless]

Deep Water

nix! König x fem! reader

content/warnings: 18+. minors do not interact. no.. intentional harm done to reader but there are sporadic mentions of murder (drowning), König is kind of a creep here do you guys forgive me (say yes), implied sex; dubcon everything. König is wearing a fishing net rather than the usual hood because. it made sense to me sorry.

notes: yet again, i have found that i can not manage to write anything except for silly fantasy nonsense… bear with me this will pass (it will not). if you’re uncertain of what a nix is, i recommend skimming over this (or tl;dr— a shapeshifting water spirit).

You’ve always been told to beware of the river, especially on nights like this. When the singing starts up you were to run, as far and as fast as your feet could carry you. It would be the most beautiful sound you had ever heard, as well as the last. Whatever beast lies in wait along the silt of the riverbed luring people in with its haunting song isn’t kind. The drowned bodies resurfacing bloated and paled are enough for the townsfolk to assume that assuredly, a monster lies in wait someplace within the glassy water.

For all of the fear, town myths were just that— myths.

As always, there’s no singing when you seat yourself on smooth, mossy stones by the river’s bank. The moon hangs low, casting its brilliant reflection on calm, dark water. The air is alive with the buzzing of cicadas clinging to the trees at your back and night birds calling out to the wind. Nothing is amiss; it’s only peaceful, and that’s why despite the warnings, you often find yourself here when the temperature is favorable.

There are nights when the river isn’t calm, and currents are the most reliable reasoning for the deaths from past summers. The water is full of large rocks with sharp corners, teeming with plants that could so easily snare an ankle, and when the water is frothing and cruel it’s no surprise that one could be thrashed to unconsciousness if they weren’t careful.

You didn’t come here to take your chances on swimming, anyhow.

If anything, it’s a mere reprieve from the bustle of the town. No one wanders here any more since the myths gained traction, passed from mouth to listening ears time and time again, leaving this place entirely untouched. Occasionally the obnoxious teenager would cross your path on the walk here, declaring loudly to their friends about how they supposedly saw some slimy beast, eyes like moonbeams and scales like razors lying on the bank.

During your little adventures here, you often carry a snack with you, but not for yourself. Tonight, it’s just a small package of vanilla flavored cookies. In truth, they were awful— dry and near flavorless, but you suspect your friend here wouldn’t mind too terribly much, and if it got them out of your pantry without wasting it was a win for the both of you.

When the large dorsal fin crests over the water mere meters from the bank, you gratuitously crush the treats in a closed fist and toss the crumbs into the water. Time and time again, you’ve fed the large animal, watching as it thrashes about just below the surface before disappearing back into its depths. You’ve never gotten a good look at it, either, but you imagine it must stretch out past your height or further; some sort of gar or sturgeon.

Just as many times before, it glides further in, fin entirely out of sight now. The only evidence of it ever appearing at all were the small waves rippling in its wake. All is quieted once more as you embrace the placid bliss, readying your small flashlight and losing yourself into the book perched in your lap.

The next night, you’re greeted by a large snake basking over the rock you typically sat upon. It lies still, coiled into itself as it regards you, forked tongue flicking out for several moments before it simply slithers off, hiding itself away beneath the moss and stone.

“Best to leave you alone, huh?,” you ask to it’s retreating tail, feeling a bit silly for speaking to the reptile at all. It doesn’t respond, of course, nor does it bother to come out of hiding either.

You opt to seat yourself on the hill overlooking the water instead.

You find that after a day occupied by tedious tasks, there truly was no greater place to abandon your woes than here. Everything was peaceful; wild yet simplistic. Even with all of the death that seemed to haunt this place, you never feared the thought of ghosts. You’ve even entertained your imagination a time or two, that if you ever did meet one, you would only ask it not to disturb the wildlife you have grown so fond.

There’s a freedom and a mystery to places like this, places without the foot traffic of other people. It brings with it a sense of whimsy, especially when you glance towards the water and see the surface reflecting every twinkling star above.

The fish doesn’t appear, even as you listen to the water in wait, your head tilted as you lie back on soft grass to watch for ripples, for the swell of a large fin moving beneath. Nothing. You read your book as the night progresses, nearly completing it entirely before you make your way back home.

Weeks pass by like this— work, river, home and repeat. Occasionally it’s the same large snake that greets you when you wander there, more often it’s the large fish circling about waiting for crumbs of whatever treat you choose to bring. The bank and the small hill overlooking it have become a separate home to you, one where you can be away with the fairies, talking to your animal friends that never seem to stick around for long.

When the weather grows warmer, you even dare to take a swim.

You’re stood on the slick stones of the bank, wearing nothing but a t-shirt and a pair of underwear. It’s not proper swimming attire, but you reason that you’re not at the beach, not a soul is around, and it doesn’t really matter at all that you might look a bit silly. The prospect of swimming along that behemoth below is a tad terrifying, but you wouldn’t dare to wander too far in. Maybe the fish would even be intelligent enough to not attempt to eat you after you’ve been so kind to it.

It’s hot, and with a sticky layer of sweat glossing your skin, your worries seem minuscule in light of an easy way of cooling off. You toe at the calm water for a moment, testing its temperature before willing yourself to take a step forward, then another before you seat yourself in the vibrant expanse of darkened blue. Here, you realize, is the best place to stargaze, too; they shimmer all around you, within reach as you tap at the surface of water, watching it undulate beneath the pressure of your fingertips.

You could reach the moon, too, if you swam further out. A few meters from the bank and you would be directly beneath its reflection, bathed in that ethereal glow.

You watch for your friend for a time, trying to prioritize your wariness over your whimsy. When the fish doesn’t tread by you, the water remaining calm, you rise to your feet and take slow, metered steps as the water parts and flows against your shins.

Though the river is disturbed no matter how gently you stride forward, nothing slides out from its depths in pursuit of you. Nothing happens at all when you reach out to splay your hand out against the reflection, the water now gently lapping against your stomach rather than your legs.

You hadn’t expected any sort of shift in your reality, that would be ridiculous, but perhaps some sort of clarity; a further calm for a weary mind. It doesn’t come, and with a disheartened splash you wade your way back towards the shore.

This has been your sanctuary for some time. Excusing the snake, there’s not been any sort of threat to you, not here. A safe water world all your own. Though, that peace is shattered the moment that you make it to the bank and hear the water shift some small distance behind you. Turning your head, you’re met with the sight of a man, the bulky muscular silhouette towering in the patch of moonlight you had just stood in. Bright blue eyes catch the light, reflecting like an animal’s as you scramble back to where you’ve left your shorts.

He stands there, silent and unmoving like an obelisk even as you hastily dress yourself with a thundering heart and breaths that sound more or less like gasps, senses heightened by your panic as you turn tail to run.

No one had been there. You were sure of it when you sunk into the water. There was no sound when this person had swam over to take your place. He was just there, as if he had been the entire time and you somehow failed to notice.

You make your way into the woods framing this place, hurried steps and untied shoelaces. You don’t even bother with your flashlight.

Finding your way back home with aches in every muscle, the desperate rampage you had taken to get away finally coming to a close when the door slams shut behind you, you quickly shower and mull over what’s just happened. A ghost, perhaps. It had to of been. Any other person would have made noise in their approach, especially being that big. The mind could play its tricks; what you had seen was likely not even there at all— a terrifying figment of your imagination. That sets you at ease, somewhat, but not enough.

You don’t sleep well that night, tucked beneath your blanket and staring at the filtered moonlight through your curtains. Work isn’t on your mind at all come morning until your phone chimes with a notification from your manager, questioning your tardiness. A languid crawl out of bed follows, another shower, an unsatisfying breakfast, all before you opt to send a text back to let him know you won’t be in today.

It could be excused, you’re reliable and decent enough at the job; not one to boast, but far more eager to please than the rest of your coworkers. You would be entirely useless if you went in on no sleep, you reason.

You don’t want to go back there, not under the veil of night, but you find yourself horribly curious the longer that you bide your time indoors. You had to know if the thing that you saw was really there, had to calm your nerves. What if he had always been watching each time, and you simply hadn’t noticed? The forest bordering the river is terribly dark at night, anyone could crouch behind the shield of a tree and remain undetected until they willed the courage to drag you in, cup a palm over your mouth to silence your cries.

Maybe it was the monster the people in town rumored about.

The thought of some strange, silent thing living beneath the water waiting for an opportune moment to take you by the neck and drag you down to the silty floor to watch you drown horrified you. Yet, that’s the one conclusion that sticks. Those eyes… so lurid and haunting, no human being had eyes like that.

You inhale sharply, steeling your nerves as reach for a pocket knife for defense, toss it into the bag slung over your shoulder, and storm out the door.

The trek there is nothing short of dull.

No matter where you look, what shadows rise up beneath the dim glow of a falling sun, there’s nothing out in the woods. The river is equally tame. The water babbles over rock, cicadas buzz off in the distance, and not a thing seems amiss. Your search for footprints that don’t belong to the soles of your shoes turns up empty. The only thing that suggests just maybe it wasn’t all in your head is the book you had neglected to retrieve in your fear the night before.

The cover, every page within, now warped as though it had been pulled into the water and spit out to dry. You pick it up, peeling through damp pages, running your fingertips over the smeared ink. It’s possible that a particularly aggressive splash could have sullied it, but something tells you that that isn’t the case. Either way, it’s unreadable now. You sulk a bit as you slip the ruined thing into your bag and step towards the smooth stones to watch the water instead.

Night creeps in slowly with you there, and you’re on high alert for a time before you begin to relax as usual. Even giggle to yourself at how silly it was you believed you saw a ghost at all as you entertain yourself by skipping small stones across the water.

No large snake, no massive fish, no titan of a man appears before you, only a calming crescent moon and a few wandering wood ducks, gliding down from the bank to splash about. A thought comes to mind as the calm emboldens you: what would happen if you got in just one more time?

There’s nothing to suggest that you’re playing with fire as you leave your shoes neatly in the dry sand. If the ducks could swim unbothered by fish or men, then surely you could, too. You watch the little creatures a distance away as they dip their heads beneath the surface and chitter away amongst themselves while you take your first step in.

You don’t dare to go as far this time, stopping when the water brushes over your knees. You wait there while time seems to slow to a crawl, expecting the absolute worst, glancing further down the river, dipping your hand below the glassy surface until your fingertips brush the sand beneath.

It’s horribly hot and you’re still exhausted from the sleepless night before. The water feels nice, and you feel as though you have some sort of claim to it as you’ve been here more often than anyone else would dare to. Ghosts and monsters be damned, you seat yourself and let the water lap over your shoulders, tilting your head back to watch the stars.

When the singing begins it takes a moment to register just what it is that you’re hearing. It’s not beautiful, not like the myths have said. It’s hissed, a low whisper, a mockery of what a human song would sound like. The voice is rasped, lilted yet cold. The realization that it sings words from your book of poetry is what terrifies you the most, the warped pages all making sense now.

Your eyes dart to either side of you, forward, before realizing the voice is coming from behind you. Cold spreads through your veins as you try to force yourself to stand, but in your fear you find yourself petrified, rooted in water that would surely become your grave.

You can’t bring yourself to turn around, to inevitably find your eyes locked onto the shadowy frame of a man far too large, his eyes glistening and pale like the moon hanging above.

The voice pauses when it finds you unmoving, and you can hear the rustle of the creature shifting its weight where it’s stood on the rocks lining the bank. You’ve no clue how deep the river gets, where the opposite side leads, but your only chance of escape seems to be swimming through in the hopes that this thing doesn’t choose to chase after you. A part of you knows that he would, that that is exactly what he expects you to do, goading you to flee deeper with his eerie song so that he can drown you just as he did the others.

You do the opposite as you squeeze your eyes shut and crawl back towards the bank, making sure to keep some distance despite your willful blindness. You wouldn’t look at it, wouldn’t talk to it, you would just go home and never come back.

“Best to leave you alone, hm?”

You still as your fingers brush against wet moss, the voice no longer a whisper but loud, loud as it echoes your words from days past just above you. Beating back your own curiosity proves futile, because you look up at the damned thing then, expecting to see an impossible terror before you, sharp fangs wet with blood and appendages too spindly reaching out for you. Instead, you see only a man.

He’s crouched, only a meter or so away, and you immediately recognize his broad figure. The same as the night before. From this distance you can make out the finer details, the length of net covering his face and neck, the webbing between each finger. Still a scary sight, but only in the way it’s unfamiliar and imposing rather than instilling any sort of primordial fear.

“Excuse me?” You pull yourself fully out of the water, rising to your feet and taking a tentative step back. You’re prepared to run, a coil pulled too tight on the verge of snapping.

The man, creature, whatever he may be just tilts his head, lets the silence hang in the air for a moment before he has the audacity to laugh whether to himself or at the strange, bewildered expression on your face.

His stare is assessing as he sucks in a breath, follows suit in rising to his full height. From the size of him alone, you know you’re not getting away. A mere stride for him would be two or more for you, a deliberate tug of your wrist from him could snap it in an instant.

Yet, he doesn’t reach for you, only gestures toward your bag lying on the ground with a subtle flick of a finger. You give him a quizzical glance in turn, not bothering to retrieve it. You could come back during the day with a friend, gather it and never return. Only, your knife sits somewhere inside, the only protection that you’ve got. The realization spurs you to bend over and toss the strap over your shoulder.

“I’ll… I’ll be going now.”

The stare remains fixed upon you as you take another step back, blinking slowly every now and then as you both remain in some strange stasis.

It takes you a moment to put the pieces together. The reciting of words from the book, the mimicking of the words spoken to the snake, the hint at your bag… he’s expecting something and it’s not to steal away your life, only to be fed and have your company. It’s not charming, it’s awfully strange and eerie, but you find yourself giggling at the prospect of taming some murderous, shapeshifting monster with subpar treats and poetry.

You pull open the bag, searching for anything you may have brought along that he could eat, eventually prying out a small package and offering it out to him.

“Is this what you want?,” you ask, voice hushed and trembling.

He shakes his head, rustling the net cloaking him in the process. So, he understands, he’s just been willfully ignoring every other thing you’ve said prior. You store the package away with a perturbed expression crossing over your face.

“Then what?”

Any relief you had felt seems to dwindle when the giant takes a half-step closer. His skin is cool and wet as the river as he brushes his hand over your forearm, curling a set of fingers around it. The touch is gentle, but there’s a promise of violence lurking somewhere in the depths of his eyes.

“Come with me,” he urges in that harsh whisper from before, delicately squeezing as he pulls you towards him, leading you back to the river with a tight grip and a step back over the stones. Though his touch is passive, there’s a frightening strength lurking someplace beneath his flesh, tacked to bone, and as your gaze trails lower to rest to rest at your feet, the space between you two, the evidence of a life prone to violence and strength is laid bare before you.

You don’t fight the hold as he leads you to water so deep it caresses the base of your neck, right below the milky glow of a waning moon. Deeper still, as you’re pulled below, pressed down to the very bottom with his body lain over you. You can only hold your breath so long before an involuntary gasp leaves you, and a wave is funneled straight into your lungs.

Panic is fleeting, but the adrenaline stays ever-present. You claw, push, kick, to no avail. Pinned down by a hand weighing like an anchor you feel your vision flooding and hazy as his head knocks against your jaw, mouth sealing tightly over yours. It’s not a gentle kiss, the net fashioned into a hood digs into your skin, teeth scrape over your lip until you feel the sting of blood drawn.

All at once, your vision darkens and it’s over.

You find yourself lying back on the shore as the morning sun warms your face, causes your dampened shirt to cling to your skin. Disoriented, but alive, brushing your thumb over your lower lip as you sit up to stare at the subtle waves lapping over moss and rock.

Just a dream, you tell yourself, knowing full well you hadn’t fallen asleep.

Just a dream, even though you avoid the river entirely now. Your route home from work changes too, avoiding even a glimpse of the path that leads down to that place. You don’t even replace the book, you toss what remains of it after fishing through your bag, murmuring something about it surely being cursed and entertain yourself with film at night instead.

Sleep remains tentative, you wake with every sound, and your dreaming is filled with visions of a figure pushing you down into deep water, his weight bearing down upon you so heavily that you can not move until you wake with a start, eyes searching your bedroom.

Several weeks, and the fear does eventually fade.

The morning that the rain begins to fall, you realize you haven’t even thought about the river in days. There’s no monster prowling your nightmares anymore. You lived through what may or may not have occurred, and that was the end of it, simple as it may have been.

A late shift at work has you wandering out into the rain, umbrella in hand. You’re grateful that you live close, that you’re not entirely soaked to the bone when you step inside of the mundane building. Your coworkers notice your change in demeanor immediately, chirping about how glad they are that you’re finally feeling better, looking more yourself as the hours pass you by. It brings a smile to your face, a real one that you haven’t had in place since that last night.

Even in the summer, there’s a chill to the air in the late afternoon as you hurry home from work and make your way inside, stripping out of your wet clothes and setting your umbrella aside. It’s darker outside than it should be, even more so indoors. Reaching for the switch to turn on the lights proves useless— the power’s out.

You light your way with your phone, ignoring the way your pulse quickens and your heart flutters with the fear that something just doesn’t feel right. Your skin prickles with the thought of some unseen pair of eyes watching you, blue and cold. You only relax when you slam your bedroom door shut, locking it and pressing your forehead to the wood as you sigh. The puff of breath that escapes your lips is not the only in the room, you find out when the light of your phone illuminated your bed. Crouched beside it, a towering figure with a face veiled by fishing net. Words don’t come when you open your mouth to speak, and your heart stutters in your chest as you stand shaking but otherwise petrified.

“You didn’t come back.”

Of course you hadn’t.

Most people wouldn’t have.

“No. I’ve been… busy,” you choke out the excuse, hoping to pacify whatever emotion you imagine lurked beneath his tone, undetectable through the hiss of his voice. “I’ll visit soon, promise,” you lie, back pressed against the door as your fingers curl over the knob.

Your fear seems almost unwarranted. He doesn’t move toward you, only stands to wander back to the window where he must have broken in.

“Tonight?,” he asks in a voice so soft, the voice he must use as a lure because tugs at your heartstrings immediately, makes you want to follow despite the threat this thing poses merely by existing, despite everything.

“It’s cold— I’ll get sick,” you murmur. “How did you even find me..?”

“I will keep you warm.” The question goes unanswered.

You find yourself stifled again as he lumbers towards you, brushing cold fingers across the side of your face. It’s not a mockery of a kiss you receive next but a firm bite where your neck meets shoulder, not yet hard enough to draw blood, but enough to make you shiver, to grip at the wall of muscle that makes up his chest.

There’s a desperation to his movements as he herds you towards the window, pushes you toward the path leading back to the river. You’re soaked to the bone in seconds, hardly able to keep your eyes open past the weight of dampened eyelashes. The rain is so heavy it feels as though every step is like the first you took into cursed water, your feet sinking into the mud along the path with each tentative stride. The realization that you’re there doesn’t even hit you until you’re chest-deep in the chill, violent waves pushing against you, each carrying the threat of toppling you over entirely.

The palm splayed out against your bare back keeps you upright, leading you to a smooth rock jutting out in the midst of what seems a sea of frothing white and blue. The sea above is just as dark, angry clouds roaring as you’re pressed down onto your back, shivering terribly.

He keeps his promise though, a tight grip on each thigh as he pries your legs apart, sinks in between them and blankets you from the rain. Even with the cold pressed to your back, you feel the warmth of a summer sun above you, scorching from inside, just as blazing as the look in his wild eyes. The last of any resolve slips when you’re pulled beneath the violent waves, a tangle of limbs and desperate kisses coaxing oxygen into your lungs. Each roll and pull no less tumultuous than the waves overhead. A placid end when the rain comes to an impromptu halt, just as he stills over you. Hands rush to cup your face with one final, desperate and biting kiss.

When the morning sun pulls you from sleep, cool moss against your back and the weight of his head resting over your middle, the shallow water lapping lazily at your figure, you find that you no longer fear drowning.

[saetoshi]

reo is not above asking for kisses. in fact, he begs for them.

it’s a little embarrassing when you’re out in public, really. the way he tugs at your sleeve, whining because you haven’t kissed him in forever (you kissed him before you left your apartment.)

embarrassingly enough, it’s also why you find yourself hidden away in an alley more often than not with reo pressing a flurry of kisses on your lips.

“reo-” you turn your head to the side, trying to catch your breath. he only hums in response before tilting your head back to keep kissing you.

(you’re starting to think you’re going to pass out from the lack of air.)

“reo!” you hiss, tilting your head up, his lips landing on your chin before he huffs, his hand coming up again to gently push you head down so you’re facing him again.

“jus’ one more.” he mumbles, pressing his lips to yours again with a satisfied hum. (he’s said that for the past fifteen minutes.)

(you think he’s becoming spoiled.)

you pull away, turning your head to the side, biting back a smile when he whines as you place your hand over his lips. a soft, slightly annoyed huff leaves your lips when he presses a kiss to the palm of your hand.

"reo." you sigh, looking at him with a frown. "we're gonna be late."

he frowns back at you.

"nagi's gonna be even more late than us!" his voice comes out muffled due to your hand. you hum in confusion before he slowly grabs your wrist and lowers your hand, repeating his words with a pout.

you sigh, slightly shaking your head, "even if he is, i don't wanna make him wait too long for us."

reo groans, resting his forehead on your shoulder. you absentmindedly lift your hand to pat his head in slight comfort.

"do we really have to go now?" he pouts, lifting his head from your shoulder to look at you.

he whines when you nod. he sniffles, "nagi's probably not even there yet!"

"doesn't matter," you hum, smiling when he huffs and crosses his arms, turning away from you with a frown as he grumbles under his breath.

you gently turn his head back to yours, a teasing smile on your lips. "i thought you'd be more excited to see your best friend?"

"i am." he pouts, "i just don't see why that means i can't kiss you."

"you can." you blink, "it's just embarrassing when you beg me to kiss you in the middle of the street."

he lets out a gasp, "no it isn't!

"for you, maybe!" you laugh, poking his nose. "wouldn't you feel embarrassed if i suddenly stopped you in the middle of a busy street, just to ask for a kiss?"

"no!" he huffs, puffing his cheeks out, looking slightly offended at the accusation, "i'd feel flattered."

you roll your eyes, "yeah, right."

he huffs again after a beat of silence, pouting before he steps back and sighs, "fine. let's get going, then."

"wait," you hum, a mischievous smile on your lips as you grab his shirt and pull him close to you again. "aren't you forgetting something?"

you laugh when his face lights up, his hands cupping your cheeks as he leans in, whispering, "one for the road."

(it was not, in fact, one kiss. he started pressing a flurry of kisses on your lips again.

he's too spoiled, you conclude. still, you can't find it in yourself to stop indulging him.)

(though, you're both embarrassed by the time nagi's spamming your phones with calls, asking why neither of you have arrived at the café yet.)

[zuzu-draws]

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[p4nishers]

there's something i need to say and yall can boo me for it but deep in my heart i'll always know i'm correct: crowley already forgave aziraphale. like already would take him back at one flutter of his eyelashes. that's all.

[jinuaei]

Devotion

Self Aware! Yandere! Leon Kennedy × Player! Reader

Leon S. Kennedy was never a religious guy, never has he sought out God even during his darkest days. So when he first felt the pull when he entered the gas station, he thought nothing of it, disregarding it as his hangover (idk how it works I have never been drunk!!!) or just his curiousity. But that curiousity turns into fear when he sees the policeman getting devoured by another person. Rushing out the store he bumps into Claire, whom he pulled to safety towards the police car close to them.

The next time he felt the pull is when he got separated from Claire. With a blurry vision and a skull splitting headache, his body moves to an alleyway he doesn't recognize but somehow comes out a block from the station, it's looming form attracting Leon's eyes. Quickly he rushes to it's gates, doging and turning away from the people that tried to bite him. He is successful in this endeavour and rushes to lock the gate, blockading the front doors after entering the station. After that, it's been a constant tug of war with that pull wanting Leon to go somewhere and him trying to go against it, ultimately succumbing to it since no matter what he does his body won't listen to his mind. All of his constant rejection came to a stop when after Marvin saved him from getting mauled by a person-- no, zombie, not matter how much Leon tries to deny it they are now flesh eating zombies, not the humans he thinks they are. Before he could go into a panic attack with the reality of what is happening, the sudden vulnerability comes a warmth that almost made him pass out. God, a diety, or whatever the thing watching over him is, he could could feel it, he could feel YOU. He thinks of himself as stupid as he realizes that all that constant pulling was you trying to steer him away from danger. The warmth around him becomes hotter and hotter as he thinks more about what you've done for him to keep him safe, a shiver runs down his spine not from the cold but the intense emotion of devotion that overwhelms him. He doubles over in pleasure, his mind clouding with thoughts of you. Kneeling before Marvin sudden tears stream down his face, one would think of him as crying in fear, but his smile and the feverous blush on his cheeks hidden by his hair suggests otherwise.

He might not have sought God on his own but the deity watching over him definitely has, and he intends to keep that attention on him, and him only.

---------------

Extra:

You: *Pauses the game*

Leon: *Has a mental crisis of how he can't feel your warmth, crying bc you abandoned him, did he do something wrong? Do you hate him now???*

You: *Comes back and unpauses the game*

Leon: :D

[turtleblogatlast]

Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

[silver-horse]

if we are talking about the lost dream lover/daisy scenes from act 1 then we should talk about why those scenes were so good and why the loss of that storyline is so disappointing. because it's not just "oh those scenes looked better or whatever" it was a completely different character and storyline.

even though the companions pushed back way more and the whole narrative was telling you to resist the dream lover, it was somehow far more tempting. you were constantly tempted in dialogues to use your powers and if you did, you slowly started to lose yourself, the narrator said you could feel something slipping away, something you will never get back. You were giving yourself over to the fantasy, a mindflayer illusion

the game asked you during character creation "who do you dream of at night?" obviously meaning "what are you attracted to?" rather than just "you need a guardian. choose one." there is already a different implication there. I wonder how people interpret "guardian" if they don't know about the original dream lover. they might not even create someone they find tempting. a guardian sounds more like a mentor figure, rather than your ideal fantasy partner.

During early access the dream lover not only offered us power, they also showed us a tempting future where we are powerful and important and beloved and we are ruling the world. such universal temptations and desires. and we were resting on a peaceful field with the person of our dreams. it was peace in the dream world vs the real life struggle.

In the end it seemed obvious where this was leading... if you use the tadpole too much, you would have turned into a mindflayer. and whatever is left of your individuality and consciousness would have stayed in that fantasy world with your perfect fantasy partner. the mindflayer illusion forever trapped you. the song "Down by the River" was written about this fantasy dream lover. and what a banger and creative storyline this could have been. what a tragic ending! to just give up, lose yourself in the fantasy, the easy way out. choose this beautiful fantasy over the imperfect real world. and choose your perfect imaginary partner over the flawed real people, your companions. truly I mourn what an incredible storyline this could have been. It would have resonated with basically everyone.

and you would have been constantly tempted. to avoid this fate you would need to struggle constantly while the easy fantasy is dangling in front of your face with a zero difficulty ability check.

turning into a mindflayer wouldn't have been something you have the option to choose. and you can get cured no matter how much you indulged in the tadpole powers. lmao I kinda hate that there is no consequence for any of that now

[rowrowronnie]

it would be quite funny if the blu medic was also their collective therapist

[felsicveins]

Do you think that julien and jd are going to get together again? Man i am clawing at your leg begging for them to have that happy ending.

Part of me feels julien genuinely loves and cares for jd, and that the guilt of what happened and the shame of what he did follows him like a lost dog. Hes never going to know what happiness feels like as long as he doesnt have his boy. And that eats at him. He feels pathetic for begging but at the same time what does he have left to lose? Dignity? He lost that the day john found out about the lip syncing. About everything.

John might be in a similar boat, having the guilt eating at him. He hates what julien did. But does he hate him himself? Fuck if he knows. All he does know is that the ache in his chest is a pain in the ass and that no matter what he cant go back to alcohol to subside it. So what can he go to? What can he do? He needs to be strong, to set his foot down. But even though he acts like he despises the guy, he still has that fucking wedding ring. He still has that ache. Sure there were others, but those were casual even in marriage. But this? This had a plan. A promise.

And that was broken. Years ago.

I wonder if they’ll ever fix it.

Nothing will get fixed if no one changes

[shoutsindwarvish]

Tom Sturridge on Morpheus, BFI Q&A

[archiveoftragedies]

In mdzs, when the public opinion started shifting and everyone turned on jgy it made me feel vindicated. Finally they're siding with me against the guy that keeps pissing me off. But that only lasted an instant. Slowly, progressively, I started going wait. Wait no hold on. Go back. I didn't mean it that way go back. Because they were saying about jgy the exact same bullshit they had been saying about wwx the entire novel. And suddenly it felt really off.

Then, during the flashbacks leading up to Nightless City, I kept thinking back on that thing wwx tells nhs in volume one, when nhs explains his family's solution to their haunted saber problem. "Well, that's hitting a bit close to the demonic cultivation path". Doesn't nhs refuse to swordfight as well? Is he even carrying a sword? How come he can get away with this (and wwx can't)?

Wwx and jgy have similar origins but were raised in different environments. They learned similar survival methods and tried to play by the rules up until they couldn't anymore. They had the two more prominent roles in winning the sunshot campaign, and yet everyone forgot about that the second they decided they were irredeemable. They met similar ends, fighting and protecting people they loved.

Nhs became the kind of person his brother would despise in trying to avenge him. He became like his brother's murderer. His survival method is also trying to make himself seem harmless, not with polite smiles or clever distractions but with tears. The only reason he didn't meet the same end as the other two is that he managed to stay out of the public's eye, and because his reputation was unstained from the beginning. Although I should note that he is Nie Mingjue's half-brother, which might hint at a more complicated heritage, more similar to that of the other two, than one would suspect at first glance. But whether that's the case or not, the point is that nobody would call nhs a bastard, and that means that people will overlook certain things he does that have condemned the other two to death.

That's what makes them such great narrative foils. In the end all three of them are cheating, but nhs had better cards to begin with.