madsrix

[cephalopaints]

youll never believe what i did for the millionth time

[miraculouscontent]

I just saw Felix, I am enraged beyond belief, and right now, I want someone to tear this episode and Astruc a new one. And who better than the Salt Fairy?

s-sALT FAIRY?? JDNGKFDG

WELL, WHO AM I TO DENY SUCH A REQUEST?

[Vanilla Graham Crackers]

So, I totally understand the idea that making new models is hard and it’s best to cut corners where one can, but that should only be done if it can be used in a way that doesn’t - you know - reuse two important character models and add almost nothing new to them.

To start off, you have Amelie, Emilie’s twin sister who they obviously reused Emilie’s model for.

Then you have Felix, whose mother’s genes must’ve kicked the tar out of his father’s genes (and the same must’ve happened to Adrien unless Gabriel’s model is reused for Felix’s father’s too if we ever get a flashback/picture but we’re not getting into that) considering that Felix looks like Adrien’s twin rather than Adrien’s cousin (if they pull some sort of thing about Felix actually being Adrien’s twin just as some sort of cheap “gotcha,” I swear–though I doubt it because Amelie has a line about them looking “just like twins” which would be strange for someone who would’ve already known they were twins unless she doesn’t know that they’re twins either because some weird things happened and–I’m getting off-topic…).

Already, these are both new characters who are being introduced in this episode that are edited versions of previous models we’ve seen on the show.

The thing is that I don’t care much if the models are reused, but they should at least have facial structures that look different enough to make them their own characters. At least reverse Amelie’s hair, gosh darn it.

Even Felix, like–I don’t even think any of the characters would find it odd if the “Adrien” in the video had different cheekbones or a different jawline. Felix could even have blue eyes but edit the video to make his eyes green (and then make an excuse as to why his eyes are blue when the villains show up). The Adrien model could be reused but still adjusted so he at least has a different freaking eye style, since those are usually the big thing that gives away the feeling of, “oh, the model is just reused.”

I mean, it makes sense for Felix’s name to be in the title of the episode, but that’s only because he actually got different hair and a different outfit, since even the people who get akumatized in this episode are reused.

Lady Wifi, who’s been seen multiple times in Season 1 and 3 now.

Princess Fragrance, who’s been used the least out of everyone else but has still been seen multiple times (counting scarlet edition Princess Fragrance).

And Reflekta, who’s been used multiple times even if you’re only counting Season 3. Reflekta even makes the least sense out of all the characters since she’s a bad combination with the others. Dark Cupid would’ve even been a better pick since Lady Wifi could freeze someone and then either Dark Cupid could get a clear shot or Princess Fragrance could force them to inhale her perfume.

They don’t even have a proper unique theme to them, like a design that they all share to show that they’re a team. It’s just a repeat of their past akuma forms except Lady Wifi doesn’t have to worry about being defeated in the same way as before I guess (not that they try it anyway)? I don’t question Alya being the only one to get an upgrade because the tablet is hers, but when we’ve already had an episode where a tablet was used as a “hey akuma, aim here” object, and the people who held it combined in that one because they had a shared goal, only to have this one be different and just turn them into separate forms?

Yeaaaah, no, that’s weird. That’s just weird. It’d be one thing if they were sure that there were two Adrien around and they needed to be separated so they could cover multiple people, but they’re not aware that Felix is around nor that he disguised himself as Adrien, requiring them to cover multiple grounds (and even then, that doesn’t need three of them).

I’ll say again that I don’t mind repeat akuma, but it has to make sense. Stormy Weather 2 and Gamer 2.0 made sense to come back even though I didn’t like their episodes or the messages behind them, but Reflektdoll and the Trio of Punishers here?

No, just–no.

(this is also once again keeping the “girl squad” quota in place which everyone knows I dislike; I just want the boys to be more involved sometimes and not have anyone’s involvement be based on what gender they are)

(also also, Ladybug defeating all of them in a few seconds demonstrates how incompetent they are as a team; defeating Nathalie is not a high bar for efficient villainry)

So, already with that, the episode is bland and doesn’t provide anything interesting; even Felix disguises himself as Adrien perfectly later on, so the model that was edited in any sort of significant way changes back to its oRinGaL fOrM partway through the episode just for the like, two viewers who couldn’t tell that he’s a duplicate of Adrien structurally.

Heck, and even once Felix does disguise himself as Adrien, he’s still making very “Adrien” faces. The camera switching from Adrien to Felix (disguised as Adrien) when the villains show up is a perfect example.

Same face, same pose. It’s like they’re the same person at times (and no, I don’t believe that Felix is that good of an actor when he just got jumped by three teenage girls in outlandish clothing who came out of the phone in his hands).

There’s also the plot with Gabriel and the twin rings. Firstly, the opening is basically the one from “Chat Blanc” with the ring detail added. I remember seeing “Chat Blanc” and then being weirded out when “Felix” hit like, “Wait, is this–?”

Even disregarding that, there’s a certain awkwardness to Gabriel’s behavior. Of course, we all know that Emilie is actually alive and (un)well, so Gabriel being upset with Adrien isn’t entirely wrong (since, to Gabriel, it sounds like his son is supporting him having an affair), but for Gabriel to lash out in an almost childish manner when we’ve seen Gabriel hold Nathalie/Mayura tenderly and we can see that they have something going on, it seems extremely unprompted and just an excuse for Gabriel to not have to tell Adrien that he’s Hawk Moth.

It also brings up the question as to what changed between Gabriel saying that he already wished that he could tell Adrien what he was doing since Adrien would understand, compared to now where Gabriel is completely okay with telling Adrien.

Everything’s too up in the air, too vague, and nothing hits like it should. The episode throws five shots at its viewers at once (”Amelie and Felix,” “The Twin Rings,” “Gabriel Almost Telling Adrien That He’s Hawk Moth,” “Three People Getting Akumatized at Once,” and “Marinette Successfully Sending a Confession to Adrien”) but none of them strike properly. They’re all fighting for screentime to the point where we don’t even see Alya’s more detailed reaction to “Adrien” rejecting Marinette’s confession (she looks slightly more annoyed than everyone else, I guess) when Alya had made such a big deal about Marinette confessing beforehand (I’ll forgive her just this once for flashing her tablet, unprompted, in Marinette’s anxious face since Alya largely does nothing bad outside of that). The episode tries too hard to be big and impactful but misses the mark because none of the things it’s trying to do can play out in a way that makes it feel like they’re important.

Amelie and Felix don’t have original models.

The twin rings haven’t been brought up in any significant way before.

Gabriel and Nathalie talk about Adrien knowing about the Hawk Moth thing once and then presumably give up with no explanation as to why Gabriel isn’t going to try again since Adrien clearly just misunderstood him.

The three people getting akumatized end up turning into forms we’ve seen before, all of which have been in this season, even if it was sparingly.

Marinette’s confession doesn’t even get misinterpreted by Adrien; it’s viewed by Felix and promptly deleted.

Oh yeah, and then there’s THAT scene…

[Consententious]

Alright, so I can’t really talk about this scene without talking about the supposed reason for why this episode exists.

For the 0.01% of people who aren’t aware, Felix is the original Adrien from the Miraculous PV, which is what Miraculous Ladybug used to be before it became the show it is now. Astruc has said, time and time again, that he did not like this character and that was why Adrien had replaced him.

The fandom clung to Felix, however. People were still interested in the “what-ifs” and “what could’ve been”s, especially as situations rose in-show where people felt like Felix would’ve reacted in a way that was different/better than how Adrien would have reacted.

Astruc was the one most known for disliking Felix, but another thing he was known for was lying to people in order to keep future things in the show a secret.

You know that scene in “Kwamibuster,” where Tikki keeps something from Marinette, and when she then tries to explain something else to Marinette, Marinette points out, “You see, the problem now is that I’m always going to wonder if you’re lying or not”?

Yeah, that’s basically the fandom with Astruc. Whether Astruc’s behavior was justified or not, it’s harder to believe what he says when he openly admitted to lying to everyone.

This brings us back to Felix. In terms of what Astruc has told us on him, it’s been inconsistent, to say the least.

He claimed that Adrien was created because Felix wasn’t an interesting character, then said that Felix was interesting even though he wasn’t fit to be a hero despite later claims of Felix being a weak character who was more of an anime cliche, which was then further uprooted by outright stating that Felix was bad/evil.

Essentially, regardless of what has been said about this episode’s existence, this entire episode feels like a response to the side of the fandom that firmly believes that Felix would have been better than Adrien, and that looks bad because such episodes tend to never go over well with the fandom.

- Felix is shown as cold and unfeeling whereas Adrien is understanding if a bit solemn.

- Felix and Adrien are compared directly by both having a dead parent who died recently.

- Felix reacts negatively to Adrien’s behavior whereas Adrien tries to excuse Felix’s actions and be a good person.

- Plagg (who Felix would’ve had in the PV) is given a MUCH bigger input on things than he usually is, even to the point of comparing Felix and Adrien directly. The episode also has Felix ruining a piece of cheese in Plagg’s stash, whereas Plagg is typically not directly affected by the actions of other characters.

- Felix’s actions of rooting through Adrien’s things may or may not be a comparison to Lila (another character that Astruc doesn’t like) from “Oni-chan,” who riffled through Adrien’s things while Adrien was distracted. This is further supported by Plagg calling out both of these to Adrien and Adrien excusing both of them.

- Felix literally disguising himself as Adrien and Marinette not only noticing the facade straight away, but proclaiming angrily that Felix!Adrien is “not Adrien.”

- Felix implied to even be emotionally weaker than Adrien by his face at Chat’s comment about him not having many friends, his face in response to Marinette’s confession, and Adrien asking him to call if he needs support.

And then, we have the big scene where Felix (disguised as Adrien) tries to force a kiss on Ladybug, in which there’s a clear “no means no” message followed by a punch to Felix’s face.

Now… first off, yes, this is obviously yet another jab at the comparison between Felix and Chat. Felix tried to force a kiss on Ladybug whereas Chat has–

…well, he’s never gotten one off, at least, and stops when something happens (either Ladybug gets pulled back into the fight or she stops him with a hand/her words).

This is also shown by how Ladybug states post-punch that “Adrien would never be so pushy,” immediately followed by Chat Noir showing up and insulting Felix.

…Yeah, I’ll tackle the message first.

While this idea of “no means no” is nice and all, it ignores the nuance of what actually means “yes.” The forced kiss still would have been wrong if it’d been towards someone like Juleka, who would’ve locked up at the sight of someone trying to force themself on her, or someone like Rose, who may’ve been completely oblivious as to what the forcer would’ve been doing until it was too late. It might seem like a small thing, but just saying “what part of ‘no’ did you not understand?” leaves the obvious loophole of “WELL, if they DON’T say ‘no’ then that makes it okay.”

As for Chat, well… the setup not only didn’t make sense as a comparison to him, but it doesn’t function as a comparison in the episode itself.

See, the setup is wrong because Felix is not doing this because he’s a creep. He’s not someone who’s crushing on Ladybug and disguised himself as Adrien in hopes that she would favor him and let him kiss her.

In fact, Felix is fully aware that kissing someone without their consent is wrong; the reason he’s doing it is to ruin Adrien’s reputation.

Would Felix actually do that if he were lusting over Ladybug or crushing on a girl legitimately? We don’t know, and that’s exactly why Felix and Chat’s actions are not comparable.

This isn’t a case of, “Character B and C are attracted to Character A. Character C stops when told/prompted to stop whereas Character B continues despite those things.” Chat and Felix have entirely different motives when trying to kiss Ladybug.

Chat leans in for a kiss multiple times and is stopped by either Ladybug or whatever’s happening around them. Even if he stops when told/prompted to, he starts back up, whether it’s later in the episode or in a later episode beyond it.

Felix’s actions are wrong and I will not deny that, nor will I compare him directly to Chat and say that one is worse than the other.

I will just say: Felix is aware that he’s doing something scummy and is doing so to make someone he dislikes look bad. Chat may be aware that he can’t proceed with a kiss if Ladybug denies it or prompts him to back off, but he still tries over and over to flirt and/or lean in for a kiss in hopes that she’ll return it eventually. Whatever form of “no” Ladybug gives him (as it can come in many forms), Chat still believes that trying again later is perfectly fine and that asking is not necessary no matter how many times she’s denied him or rejected his feelings.

As for why the setup doesn’t function, it’s because we, in this episode, do not have a direct comparison between Felix’s advances and Chat’s. Chat isn’t given the screentime to properly flirt with Ladybug or try to make any sort of advance on her, so there’s no “that was Felix, this is Chat,” moment.

Is that because the writers were aware that Chat’s behavior is still not up to speed with how people should act in reality? Maybe, maybe not, but the point is that they didn’t have it.

Now, that said, there indeed was a character in the episode who made it very clear (both through his body language and through his words) that he respected the actions, space, and choices of the one he was in love with.

But, who was that again…?

O O P S

Like, look, I’m not getting into Luka’s role in the episode (though I’ll just say that, while I adore the boy, this wasn’t the episode for him and - had I not needed to go into other subjects - I definitely would be rambling about the disservice both he and Marinette get in general), but I’m just pointing out the very obvious misstep taken. If this episode was a response to the fandom, I guess one could argue that this is knocking any idea of Felix being Marinette’s other love interest instead of Luka, but when people think of “someone trying to kiss Marinette/Ladybug,” Luka is not going to be the first one who comes to mind; that’s gonna be Chat and the writing dropped the ball entirely because it couldn’t pull it off without having to address his behavior or risk sending an, “only no means no,” message.

Oh, and speaking of dropping the ball, even Felix doesn’t get dropped entirely, because the writing didn’t even do Felix dirty CORRECTLY.

[Failing Felix]

Just for a moment, let’s roll (completely roll, this time) with the idea that this entire episode is a response to the side of the fandom who really liked Felix and preferred him over Adrien.

By that logic, the standard thing to do would be to make Felix as evil and possible and make everyone hate him, yes?

However, that “standard thing” is completely missing from this plot.

Felix, by the end of the episode, already has two motives.

The first is stated outright by the end, though could also be inferred early on as well: Felix wanted to get the twin rings back for his mother. In addition, it is not for his own selfish gain, as he isn’t even aware that his mother wanted to get the rings back so she could give them to him.

Felix wanted to get the twin rings back because his mother had told him that they were part of their family, not Gabriel’s, and Felix sought to retrieve them himself.

The second motive is for his actions outside of Gabriel, which is him judging Adrien and trying to ruin Adrien’s reputation.

Even Felix’s bitterness towards Adrien is showcased, though in small doses.

When Adrien apologizes to Felix for not going to his father’s funeral, Felix retorts with,

“You always do everything your father tells you to do?”

Right there is Felix’s problem with Adrien: he views Adrien as a doormat (a common fan complaint anyway tbh). This is not helped when Adrien excuses his father’s actions with a smile (which may come off as insensitive; Adrien, be UPSET by your father, not sheepishly smiling about what he did) by saying that his father is “very protective.”

Felix only initiates his stealing of Adrien’s things after this scene takes place; immediately after this takes place, as a matter of fact.

The other key interaction that takes place is when Felix enters the mansion. He reaches out for a handshake, but Adrien goes in for a hug.

Adrien doesn’t know that a hand reaching out in a handshake gesture isn’t consent.

Already, Adrien has come off as touchy, unable to read Felix’s gestures, and possibly insensitive.

Further on are Felix’s comments on the things he finds in Adrien’s phone:

Adrien’s obvious crush on Ladybug - Felix sees it as idiotic which… yeah, it would look like a childish celebrity crush without context

Nino’s video - 90% sure the reaction there was the “teenage” version of how Gabriel judged Nino in “Bubbler;” pretty standard rich boy judgment

Rose’s video - …I’m sorry, I can’t blame Felix for that one; that was so overly gushy and cheerful that I winced

Max’s video - Felix doesn’t seem like the type to like jokes and he also thinks that whole thing is weird (also not knowing that Markov is “real”); could go either or on how out-of-place his comment was.

Chloe’s video - Felix doesn’t like Chloe and I can’t blame him for that one either.

Marinette’s video - Felix has a different reaction to this one and I imagine he either thinks that Adrien is dating Marinette (and could think it’s pathetic for a variety of reasons from “Adrien is already crushing on Ladybug” or “the doormat boy has a girlfriend”) or thinks that Marinette confessing over video is pathetic

Even when Felix goes against Ladybug and Chat, he’s probably realized at that point that impulsively impersonating Adrien won’t get him anywhere close to sleight-of-handing Gabriel’s ring away. Also, Ladybug punched him (regardless of her reason why) and Chat insulted him despite only knowing things about him from what he heard from someone else.

None of this excuses any of Felix’s actions, but it is a reason that is introduced within the episode where said actions take place.

Unlike, say, Chloe, whose mother was shown off in the season after Chloe herself first appeared, giving us no context, reason, or motive for her behavior outside of “she’s a spoiled brat.”

Felix also did manage to come up with a convincing enough apology to get Gabriel to shake his hand, allowing Felix to safely snatch one of the twin rings away to return to his mother.

I don’t think anyone is complaining about Gabriel getting screwed over after “Chat Blanc,” just saying.

Even athletically, Felix scores a one-handed point in basketball with his back turned to the hoop, and he can go toe-to-toe with three akuma at once.

He even has a hobby in doing magic tricks, said hobby allowing him to steal Gabriel’s twin ring. Characters having hobbies is an important thing for fleshing them out, and Felix weirdly just… has one, and one that benefits him.

So, is Felix’s presence in the show an insult due to having a repeated character model and being used as a forced comparison to Adrien? Yes.

Does that mean he’s not workable in any form and can’t be used for the fandom’s desires?

Not really, no. At least, I certainly don’t think so.

The reality is that Felix was never a warm person, PV or otherwise, and his initial reaction to Adrien (”I don’t like you. You hugged me without my asking you and you let your father walk all over you.”) is honestly something I’d expect of him.

It’s when combined with the already terrible ideas of the episode and the convoluted nature of things that everything (including him) turns into a problem.

[icedthoma]

hey! so i just read your genshin scenarios (i enjoyed them a lot btw) and was wondering if you could share your thought/writing process when it comes to writing multi-character fics? no pressure though, hope u have a good day

hi!! HDHDJSK I’m so glad u like my genshin writings 🥺 and sure! I’d be more than happy to talk about my process 🤧🤧 I’ll use my recent chapstick fic as an example

Uhhh so basically I start off with a broad concept, which in this case was The Chapstick Game ™️. Then I wrote down names of who I could possibly write this for since none were specified. I’m confident in how I write albedo, kaeya, childe, xiao, and zhongli so I just jotted their names down. I also wrote the little summary thing beforehand as a reminder/template for how I want each scenario to go. Every time I write stuff for multiple characters the fics will always follow a certain pattern 🤡 helps me since I’m trying to write three + scenarios in a row for the same concept

“how you convince them to play the chapstick game, and the events that follow.” Now I have a framework that I can plan a plot around. For said plot, well i didn’t want it to seem repetitive. The concept is already going to be reused many times, so I might as well make each one unique in its own way. characterization is very helpful when it comes to this :D I just started thinking how each character would respond to the game being proposed to them, as well as the context/setting it would be at! Like albedo’s lab, zhongli’s study—having different locations can spice things up a bit.

And with the different ways they would respond to the game, immediately I had it in my head of like a fake experiment type thing for albedo, and since childe is a very competitive person I had that going for him. Zhongli’s I just wanted to be very sweet and like w aesthetic vibes of the books and stuff HDJSKS I planned for his the least

Kaeya’s took me a while tho I eventually decided to base it off childe’s but had it so that he would end up cheating in some way. And Now that I had a general idea of what I wanted each fic to be about, I just set the scene in my head and let it all play out! Oh and I couldn’t think of anything for xiao in the end so he was left out 😔 worked out in the end bc it took multiple days to write each section and writing five whole fics would have driven me insane

I hope this could be useful to u, anon <3

[cruddyborderlandstheories]

“So Happy Together” Analysis

i don’t sleep

tl;dr: tbh not much to go off on about. i think we see a new skin for Iron Bear, one with some stripes. amara smiles, i do talk a little bit about little sisters in bioshock but tbh i think this was all just a stylistic choice lol. oh and handsome jack’s masks- probably Mount Jackmore. i don’t want to get to freaked out over jack returning, but damn gearbox lol u had me there for a second. im pretty sure it’s just a reused cut quest from bl2 that they never got to implement. 

EDIT: here’s all the cut content in bl2 (plus all the non-cut content as well for funsies). you can go to the cut quests and see the audio files for claptrap’s jackmore quest

holy shit can i just vomit all my emotions rn, they’re all good so imma do that so im rational when i start analyzing stuff okay? okay! 

holy shit that was fucking great and im really glad i tempered my expectations to something smaller than i thought because i feel bad for people expecting something huge, i was under the assumption we’d be getting a new mechanic that was like ‘choose ur +1 and they’ll be able to play the game with you if you’re both online even if they don’t have the game’ which was what someone said on reddit. altho im sure the poor company is gonna get spammed now with hate like ‘WTF YOU SHOULDN’T HAVE BUILT THIS UP AAAA’. not to lie, i was slightly disappointed it wasn’t a longer stream, but i mean if they’ve got nothing to announce, they’ve got nothing to announce and HEY! new trailer!!! gonna be combing thru on the assumption this has some easter eggs like the MoM trailer did, just in case. i thought it was a cute trailer, gearbox never explicitly said what it was gonna be, a lot people all just assumed what was gonna happen was a demo/beta which sucks so i hope this doesn’t negatively impact people’s perspective of the game. im staying off reddit for now bc when i first checked it people were pretty pissed and i dun need that negativity lmao

okay! emotions are LOCKED behind closed doors. i am shifting into study mode. here we go boys/girls/those of us who know better. haven’t done one of these in a while, let’s see if im rusty at all.

claptrap! and the skull on the chair which reminds me of tyreen’s “favorite skull”. 

tv says “we are under attack, please stand by”

and afaik claptrap is near the beginning of the game, you can see part of the recruitment center behind him when the camera pans.

im thinking there might be something in the roses, specifically the hand-drawn roses later on in the trailer. will be keeping an eye open for that.

this is specifically a jakobs brand chest. i really like the see-through aesthetic of it

intro area of the game again. possible hint to the opening cutscene? tbh i was worried that’s what we were about to get because i haven’t finished the roughs of my mock up lol

so what i didn’t notice my first time through is that you can then see claptrap, also being shown in the chest

waving up at the camera. that’s not trippy at all or anything lol

this car in the foreground (with no one driving it, mind you)

randomly combusts, looking quite like elpis in that one shot of the claptrap presents pandora trailer. wonder if that means it’s gonna ‘splode.

ohhh it spins. please no spin imma get motion sick blech

shot of some cultists. one appears to have a jetpack near the bottom right there

another explosion to the beat

the shock wave!!!! that’s awesome

shock nomads cultists are back. f in chat for our shields

another cultist seconds before he gets blown to bits

it cuts to black for a secco as it moves thru said explosion

another cultist, i assume a psycho

finally some good fucking angles

heh.

idk what i expected from someone who’s first action skill line i ever heard was them shouting MAGIC WALL!!! TAAAADAAAAAAAAH

as a side note

who is shooting those lasers

we see them coming from behind the VHs, but

there’s nothing there

SPOOKY~

they’re coming from... the wall???

tfw u shot urself in the foot on accident

amara is not amused

`is this some human custom i don’t understand yet`

also i hate that i’ve done this exact dance before when i took dance classes as a kid

with less style of course, i was like 7

moze is into it, hell yeah

this reminds me a lot of Kingsman. where all the blood is like fireworks and stuff. i wonder if that has anything to do with the psycho brainwashing. like little sisters in bioshock. they see roses instead of blood, right? maybe there’s something like that going on with the psychos

i’d certainly hope our vault hunters aren’t brainwashed, anyway.

this dude looking SHOCKED to see that tho, lmfao

i relate to this man on a spiritual level i stg

man he looks pissed

omfg lol

“um”

“i guess this is okay”

the body language in this is gold i am just having the time of my life

adsfdgfhgjhgfk

this is so cute

also in retrospect, i think this is one of the turrets we see on promethea. i wonder what it’s doing here!

moze u ok?

oh nvm she’s into it, look at her! she’s dancing! She’s Dancin’!

oooo one of the robots from the we are mayhem trailer! okay you can totally see why i think they’re jakobs, RIGHT???

iirc this is a maliwan soldier

man this is a crossover event, isn’t it?

i get it now. togetherness. i gotchu gearbox.

some maliwan ships in the sky. possibly sanc-iii on the right? or a ship of the same model as sanc-iii!

this is a magitek dropship, change my mind

eh, they both start with M, fuck it.

no idea what fl4k is doing here

mayyyybe shielding themselves from the ‘firework’/confetti shower

i like that the confetti explosions are backed up by purple, you know like eridium/slag/siren powers. seriously, maybe this is just how to cultists see us Vault Hunters and the mass murder.

at the very least, the psychos.

fl4k’s into it. i wish we knew the name of their skag, if it has one. i hope it does.

well now the lasers are coming from the other side! what the hell

moving on

i think this is the HBC from the speakers, plus im pretty sure that skull and the stained glass are the entrance to mouthpiece’s arena

we also get a different colored explosion. im paranoid jack is somehow making a return (please god no), so i’ll just note it’s the same color as his eyes.

AND the chests are vomiting out gold guns, which i think, gold-plated gear, is the cult’s way of signifying standing. which im sure is a tongue-in-cheek commentary as gearbox gives out a gold weapon pack as a pre-order bonus. no, like, it even shows up as an ad on the video

smh gearbox lmao

oh, also, the cultists are doing fuckin flying impressions

im not saying its a reference to the cultist with rakk wings on the cover, buuuut

bitch it might be lol

it’s an upside-down vault symbol! ive been trying to figure out what that is in those screens for the longest time!

back on promethea and we get to see fl4k’s spiderant in action

their skag, too, of course

the jabbermon in the back there, too! i wonder if they’re going to be shock or cryo. i would imagine shock given how they’re glowing

also i love the way the flowers look in contrast to the character models

moze is so happy aw

i love the way fl4k’s skag comes flying in and slides to a stop. such a good doggo ;-;

this is beautiful, i want it as a wallpaper

moze skipping? holy shit

100% verified the best thing i’ve ever seen

i lied. this is.

is this the fast travel station effect?

also! IB is looking a bit different

i wonder if this is a redesign or if IB is wearing a new skin moze picked out

pan over to zane who clearly doesn’t notice the being of darkness and horror in the doorway

oh also, we’re on eden-6 now. which would explain the fast travel effect

psychos dancing on the rooftops lol

oh god my eyes

nothing to really say here, i just like this screenshot

pink shields booyah

this is so fucking cute

we also get a better look at that one facility on eden-6

is that... red i see? >w> i won’t say it i won’t i won’t say it i swear i just- ATLAS

fuck

i like that zane’s clone spawns with his melee attachment

not AS excited as the real life version though

GB pls let this be a zane emote

is that a varkid? on eden-6?

wtf is a varkid doing on eden-6???

more shots of the facility btw. reminds me a lot of sanc-iii so maybe this actually is the supamax mfg construction facility like i originally thought. hmmmmmmm

ah yes, of course

holy shit what is this a reference to?

im told it’s the sex pistols

the back of the bullet turns into Athenas

pans in

amara!

enemy with a top hat on. some variation of/upgraded gravedigger? it’s like a psycho but recolored with blue pants and a top hat. you can see it fall off when amara shoots him

y’know, these guys

some rakk in the background

i am hoping bc this is a celebration of togetherness we’re seeing all enemies everywhere, not that the planets don’t have their own unique fauna.

she’s so happy omfg

oh, you want some?

Uhhh then there’s THIS sequence

they’re doing the flying thing again lmao

there’s also whatever that black blob is on the left. a spaceship maybe?

car wheel

all their eyes started glowing red. uh oh gamers

also another fast travel effect

hmmmm... zarpedon is that you??

back on pandora.

“super 87 racetrack”, maybe this is near that motorcade fast travel we saw?

huzzah! rainbows!

i do believe that’s sanctuary-iii

another ship. drop ship?

elpis is looking nice this time of year. definitely not explode-y. yet.

pret-ty sure that’s iron bear. moze is standing atop the tower lmao

also! back to it’s old paint scheme. looks like moze was using a skin or smth

we also have this. are my eyes failing me or is that a big cross on the left? could be where jack was buried. 

also i know there was cut content in bl2 about Mount Jackmore! and this looks like a Mount Jackmore to me. it’s a cut quest where claptrap asks you to basically ruin the thing. but since the quest was cut, it’s still here in bl3. maybe they’ll reintegrate the quest lol

i can’t imagine it being roland’s gravesite. because it looks like the below.

i do know we’re going to roland’s grave in bl3, but the statues don’t really match up. maybe it is and the statues were broken, or ruined or something and replaced by a cross. could be then that the gravesite was defaced with, well, the guy that killed him. 

im really hoping jack doesn’t make a return. im fine with dealing with what he set in motion, and his influence, and probably even some ECHO logs and movie trailers, but please, for the love of god, don’t actually bring him back, AI or otherwise. im really excited for the calypso twins, i’d really hate to see the focus shift back to that guy. he’s had his fingers in every borderlands game. it’s time to let him go.

idk what this is exactly. it looks like maybe that weird eye bot troy stands next to in the intro for the behind closed doors panel?

goodbye mr magical jakobs chest, it’s been real

the RC now has red drapes going down it. have those always been there? i don’t remember those

hmmmmmmmmm maybe we’re looking at it from the back 🤔

anyway, that’s all she wrote. i haven’t see any hidden morse code messages or anything yet, but if something surfaces, i’ll be sure to add it here.

[makeste]

on mysterious vestiges and intricate OFA time-travel plots

okay so I have done a lot of thinking about this over the course of the past week and have finally reached a point where I feel like I’ve more or less organized my thoughts, so here goes lol.

first off, a quick clarification; my lack of commentary on this in the recaps was due to my complete and utter failure to pay attention. sometimes I miss some pretty big details. in this case, I was so caught up in analyzing the OFA Avatars we could see that I failed to pay much notice to the two silhouettes aside from checking if either of them looked to be female. it didn’t occur to me to look for similarities to characters we already knew, because that wasn’t even a possibility in my head. obviously these two characters died years and years ago, so there’s no way they could possibly look familiar! logic! lol. (and off-topic, but I like to think this lends more weight to the Dabi = Touya theory because it just goes to show you that if you dismiss a possibility out of hand, your brain can completely ignore some pretty compelling evidence. so I think it is possible that Endeavor wouldn’t have recognized his grown up evil villain kid.)

anyway, so let’s start off by posting the silhouettes in question, from chapters 193 and 194:

and now some side-by-side comparisons. I’m going to start with Kiri first, mainly because I think the evidence isn’t as persuasive in his case.

like... I dunno. the shoulder pads are definitely similar, and an argument can be made that the silhouette clearly has something on their face that might be an upgraded version of Kiri’s faceguard. but that’s where the similarities end (and even with the faceguard, Kiri’s has a distinctly pointy shape that’s clearly more decorative than functional and which I believe is meant to emulate Crimson Riot’s distinctive pointy hairstyle. him changing up the look would defeat that purpose).

the hairstyle is very different. Kiri’s hair has a very pointy look to it whether he’s wearing it down in its natural state or gelled up in his usual spikes. a style like this would mean he’s grown it out to the point where his bangs are gone and it’s long enough to pull back completely with no hair coming loose on the sides. this would imply a significant timeskip prior to whatever is going on here. and that’s one thing I don’t see Horikoshi doing based on his interviews (though hey, who knows, I could be wrong).

lastly, there’s the matter of why Kirishima would be involved with OFA, story-wise. with Kacchan it makes some sense, since his story has been tied to Izuku’s from page one of the series, and over time his character has become increasingly connected to the OFA plot. Kiri, though, lacks any involvement in OFA matters as of now. he also lacks the personal connection to Izuku that Katsuki has; in fact he’s probably at least a good 5-6 characters down if I were to make a list of the 1-A students that Izuku is most closely connected to.

so given all this, for now I’m inclined to say that this figure is more than likely not Kirishima. as for who it might be instead, there’s a theory which I can’t find the link to (I’ll edit if/when I do) that it could be AFO’s masked bodyguard from chapter 193, which could be interesting and would make sense timeline-wise (if he was the second or third wielder). and their appearances do somewhat match up, although again it’s not exact.

aside from this, though, I have no current theories on their identity or why it’s currently being concealed. so for now, let’s move on to the other figure instead.

this last one is what sold me. with the other two images, I could be convinced that the similarities are just coincidence. we do, after all, have plenty of other characters with similarly spiky hair.

but for me, that last comparison goes past what can be considered a coincidental resemblance. here, take a look at it again, this time with the left image superimposed over the right:

this isn’t just “oh it looks kind of like his hairstyle/gauntlets/neck guard.” this doesn’t just resemble him; this is his exact profile. for Horikoshi to have drawn this and not been aware of the resemblance is frankly impossible. which means it must have been done intentionally.

besides which, there’s also the question of why he would keep the character’s identity hidden otherwise. if their appearance isn’t actually some sort of spoiler, then why hide it? I can’t think of any reason, which leads me to believe that it’s not just the hair, but the face as well. for whatever reason, this character design deliberately resembles Bakugou’s.

now granted, that doesn’t mean it actually is him. here are some other possibilities I can think of:

reincarnation (or hinted/implied reincarnation)

an ancestor of his

it’s not actually Kacchan, but whoever it is has a quirk that allows them to appear to others in the form of someone close to them, and so to Deku, they appear to be identical to Kacchan

some unrelated character that just happens to resemble him in a way which is intentional on Horikoshi’s part but coincidental in the story (possibly for humor purposes; “dsflkj he looks just like Kacchan how in the -- !?”)

however, I’ll be perfectly honest; none of these rings true to me. reincarnation doesn’t really seem to fit the tone of the series thus far. OFA itself is about as spiritual as we’ve gotten here. aside from that, we’ve steered pretty clear of metaphysical concepts and anything relating to religion, souls, afterlives, etc., so this would be a bit of a whiplashy concept to introduce at this point.

as for an ancestor, that seems more possible (particularly since we’ve seen that genes run incredibly strong on Mitsuki’s side of the family), but also would involve more coincidence than Horikoshi usually tends to work with. Katsuki’s ancestor just happened to be one of the original wielders of OFA, and now half a dozen generations down the line, his descendant just so happens to develop close personal ties to not one but two other OFA users. I mean, it could happen, but it’s odd, and I don’t really see the necessity of throwing in a detail like this, and it’s not often that Horikoshi does something simply for the hell of it without having some kind of purpose.

regarding option #3... it’s possible? weird, but possible. I don’t have any real rebuttals for it, other than it’s just really weird. I really only listed this because the idea occurred to me and I wasn’t able to completely dismiss it lol.

and lastly, the full-blown coincidence option. the character just happens to look like Kacchan. now @interstellar-elf, I know you mentioned the possibility of Horikoshi reusing a character design from a previous series:

here’s an image of Nina for those unfamiliar (she shows up in chapters 4 and 5 of the series, which you can find on the usual manga reading sites, sometimes listed as Sensei no Baruji instead of Barrage):

anyways, here’s my issue with this though -- this character design has already been reused. with Kacchan himself (and Mitsuki). if Horikoshi wanted to dust off an old design, I don’t think he would choose one so similar to an existent character, let alone one of the principal characters in the series. he has plenty of other available designs that aren’t going to invite the same comparisons. he already has two characters with strikingly similar appearances to Nina’s; why create a third? and again, why hide it if it doesn’t actually have some sort of plot importance?

all this leads me to believe that the most likely explanation is the simplest one: the shadowed figure that looks like Kacchan... is Kacchan.

and I know that I said “simplest” just now, but obviously a revelation like this would be anything but. how and why would Kacchan possibly be chilling out in Deku’s OFA dream presented as one of the 8 previous OFA avatars?? and here is my best answer: I have no idea. lol. this is beyond strange. chances are that any explanation I can come up with is going to end up being wildly off base.

having said that, the rest of this post is basically just wild conjecture. because if it is Kacchan, then there’s really only one possible explanation for how it would be possible:

time travel, bitches.

I know, I know. first off: is that even possible? but I’m gonna go out on a limb here and say yes. partly because all things are possible, because quirks; and partly because superhero comic storylines are fucking rife with motherfucking time travel. it’s a comic book staple. some of the most beloved storylines (Days of Future Past, anyone?) hinge on it. so yeah, sure, why not? let’s say it’s a thing.

and so now we finally get to the part of the post where I basically go nuts and basically just describe to you all the elaborate time travel plot that I came up with. will this be what happens in the series? almost certainly not. I’ll be honest, I have no idea what’s actually going to happen. not the slightest clue where this is leading. this all still seems really weird to me. but what I can tell you is what kind of plot I would come up with if I was the one writing it, and basically just doing what I want but whilst trying to fit the plot within the existing canon and what we know.

so here goes!

AFO comes up with a plan to undo the whole “All Might melted off my face” thing -- nay, the whole “All Might” problem to begin with -- by sending someone back in time to halt the OFA cycle by killing one of the past wielders. (not sure why they wind up going so far back in order to do this; maybe they only have minimal control of the actual time travel and kind of have to work with what they’ve got)

it more or less works, but Deku and Kacchan are caught up within the time travel user’s quirk and thus spared from the Back to the Future-like effects. but somehow they’re able to see what happens, and they realize that the bad guy somehow altered the past and they have to figure out what (s)he did and stop them

whilst in the past, Deku spots someone he recognizes from his OFA dream (most likely the guy standing in between All Might and Trench Coat, by process of elimination) and is all “oh snap that’s one of my OFA homies”

he then realizes “oh shit Time Travelling Bad Guy is trying to fucking kill this dude” and so he and Kacchan try to stop it

they are only partially successful; TTBG succeeds in mortally wounding OFA IV (oh yeah, forgot to mention that it turns out this is the fourth OFA user). but, in order to keep the OFA line from dying out, OFA IV passes the quirk along to Kacchan (because it has to be him, because Deku already has it and no one wants to experiment with what might happen if someone gives you OFA twice. and also, it’s possible that at this point the mysterious shadowy figure in Deku’s head has cleared up some and he realizes that it is Kacchan, and that this is all part of some closed time loop/predestination paradox bullshit lulz)

so now Kacchan is all “wtf am I supposed to do with this shit now, though, I obviously can’t stay here in the fucking past forever, we’ve gotta figure out a way back” and Deku is like “yeah”

and something something plot coincidence they end up running into OFA VI (because Kacchan is of course OFA V, since it’s the only number that’s part of his name), a.k.a. Trench Coat, whom Deku also recognizes and is like “OH SHIT, KACCHAN, GO AND GIVE IT TO THAT GUY”

so they do, thus succeeding in preserving OFA so that Nana, All Might, and then Deku can one day receive it, and thus restoring the timeline back to its natural “AFO gets his face potato-ized by All Might whether he likes it or not” state

and something something they figure out a way back (or maybe the time travel quirk just wears off, maybe they only had 24 hours or some shit like that), The End

except not quite because lol now Deku’s got a version of Kacchan just chilling out in his head, so that’s fun. and then the one thing that I don’t really like about this theory: the fact that this means he’ll end up getting Kacchan’s quirk. though maybe he’ll just avoid using it since it doesn’t feel right. or maybe he can’t use it without injuring himself since his palms don’t have the same resistance to said quirk that Kacchan’s do. or something like that. or maybe he somehow doesn’t get the quirk after all for whatever reason, but that seems less likely though

aaand that’s it. honestly, this would be a lot of fun but it also seems... how to put this... wildly indulgent, lol. like, this would be a dream arc for me. so for that reason alone I’ve got a lot of doubts. and also I have doubts because it feels like something out of Star Trek. not quite sure that this would fit in with the general tone of the series. mostly it’s just me throwing ideas out there. but hey, it’s fun, so.

anyways, so this post ended up being so much longer than I originally intended, but tl;dr: whatever the case ends up being, I think that one silhouette likely is Bakugou, and the most likely explanation is that some sort of time travel is involved. other than that I really don’t have much of a clue lol. if you guys have thoughts hit me up!

[lunawings]

King of Prism SSS Episode 2 commentary (Yukinojo)

Watched this episode live with you guys at 1am, stream froze right at the ending. That was the tipping point I needed to stay up to watch it again as soon as it was released on Crunchyroll at 3am, with the few folks who stayed in the chat. And of course after all that extended King of Prism woke me up, now look who can’t sleep and is watching it a 3rd time tonight at... 5am... aha ha... ha...... don’t look at me like that I don’t have work until 4pm it’s fine

So like most folks in Japan I experienced this episode as part of a three pack bundled with the prologue and Taiga’s episode, which makes up the theatrical SSS Part 1. 

While the theater experience is great, it’s also kinda bizarre since the tone in this episode is drastically different from the other two. After the dinner scene ends there is no basically cheering until the end of this episode. What can we say! I just kinda fall into a prism coma until the Prism One show when I am suddenly like wha... WHAAA OH YEAH knocking my concert lights on the floor trying to quickly grab them in time and all that. 

But not because this episode is bad or anything. Quite the opposite. It’s just....

Mesmerizing.... 

Anyway.

ITS ABOUT FRIKKIN TIME 

Renjishi is a pretty famous Kabuki show, and I think “Two Lions” is an accepted English translation so I don’t know why they didn’t bother to translate it? 

 This translator couldn’t figure out what to do with the “18″ either... I would definitely be confused why there is so much 18 this and that in this episode if I hadn’t looked it up for my own translations. It’s a reference to a certain collection of best kabuki plays.

And if you’re wondering why Yukinojo is the 7th generation while his father is the 3rd.... well... hell if I know, because that actually not a mistranslation. 

*throws hands in the air* If someone can explain it to me let me know.

In the theaters sometimes people will hold up two red lights and break them apart here and I always want to do it but I ALWAYS FORGET AHHH. My brain just isn’t in cheering mode during this episode. 

Also it took me like eight viewings before I noticed there is a continuity error where Shin’s chopsticks fix themselves ahah.

FACE

(Also someone in the livestream pointed out his earrings. Not sure if we have seen Yu with earrings yet.)

One of the many things that makes SSS so amazing is how much it changes the first two movies. Just when you thought you were done with them, all of a sudden you want to watch them all over again to see them in a new light. While the movies largely follow Shin’s perspective, for the first time we finally get to see things through the perspectives of other characters and it just adds layer upon layer upon layer and it’s just.... ahh..... 

THE PRISM

THE ONE SPECIFIC PRISM

The way the translator phrased this I imagine them all worshiping a giant stone in the back somewhere. ALL HAIL.... THE BRILLIANT PRISM....... 

This line is super weird out of context. When I translate King of Prism stuff I put in “prism jump” just to add context when it’s not there. But that’s.... just.... m...eee..............

This is my favorite damn Kakeru line in SSS and he doesn’t even say anything. 

Eeeeyaah... ....

Taiga is amazing in this scene too. BE TRUE TO YOUR EMOTIONS YOU’RE  RUINING DINNER DAMMIT 

I thought when I paused on this scene I’d be able to read some of these posters but not really. Wonder if these are a reference to Yukinojo getting into Japanese rock like he did during the curry event on Prism Rush? Maybe they just wanted to show he has typical teenage boy stuff in his room too. Also, of course, cameo from Andy! 

A translation I actually liked. This is basically exactly what he says ahha... the old men group of Edel Rose (2nd year high schoolers).

For anyone who read my shitty out of context spoilers during the first weekend and thought I was kidding when I said Kakeru almost got murdered by Yukinojo but he kinda deserved it.

I’m still reeling from how fucking real Kakeru gets here...... damn........

Someone in the livestream pointed this out, but we almost never hear Kakeru call Yukinojo “Tachibana” do we?

I jumped an inch in my seat when I saw this at the midnight showing. It was the moment where I was like holy moly we’re not in Kansas anymore and started to realize exactly what we were getting into in SSS. This is a whole new King of Prism. 

When you watch the episodes all strung together in the theater, the first episode runs at the same pace as the movies (in my mind I kinda of think of it as a shorter 3rd movie in itself), so it’s not until you get about here where things first start to slow and deepen and it’s you realize wow.... this really is an anime now..... 

I thought Nikkanen mentioned this superhero on Prism Rush, but he said Yossha-Man haha. Well they are both parodying the same series. (Yattaman/Yattawan?)

I really like Yukinojo’s grandpa. He just has the best old man voice. 

WHOOOOOOSH

This scene is foreshadowed in the first episode of SSS. While Shin is introducing everyone you see Yukinojo’s mother look down at her wrist. 

So it was kind of weird to be like is that gonna be a thing--OH THATS A THING right after haha. The theater experience is great, but these episodes are probably better paced week-to-week like this instead of in odd chunks the way they show them in theaters. 

I think this was foreshadowed in Pride the Hero too isn’t it? (His hairpin shines when he looks at his Mom?)

Perhaps something more shocking happened in the next scene though.

At least to me anyway. 

So ages ago, maybe first movie era, I was reading a profile of Yu in a magazine. Specifically this one:

It mentioned that Yu wears Bell Rose pajamas. 

And I always remembered that. Because hey that’s pretty hilarious. 

YEARS PASS

King of Prism SSS episode 2.

Yukinojo just had a breakdown 

AND THERE’S YU

IN HIS GODDAMN BELL ROSE PAJAMAS

AAAHHHHHHHHHHHHHHHHHHHHHHHHHHH

AAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

Seriously my mouth fucking dropped open when I saw this. If only I was at cheering I really would have shrieked and ruined this serious scene ahah.

AND THEN THERES THIS 

This scene just gives me goosebumps everywhere. Yukinojo’s first prism jump. The way Shin screams. AHHHHHHHH--

This scene actually gives me goosebumps too. It’s such a mood. This whole episode is such a mood. 

Kakeru and Yukinojo really have a lot in common. I understand now why they made such good duo partners on Prism Rush. Not only do they both have a lot of weight on their shoulders from their families, but the both inherited it from their mother’s side. Just like Yukinojo’s father married into kabuki, as we learned in Young of Prism it was Kakeru’s father who married into the Juuouin group. Don’t mind my random fact, I just thought it was super interesting.

So. This line kind of confused me a bit. Because I thought a major theme in this episode was about how Yukinojo couldn’t escape his blood. Yukinojo’s mother made that clear.

But then again Yukinojo’s mother also knew his father had this experience where he learned his fate wasn’t controlled by blood at all. 

Maybe that just served for a reason as to why she can see Yukinojo’s soul is in prism shows? I don’t know. 

I’m also really confused by how differently she treats Yukinojo in this scene compared with the flashback. I’m glad she came around, but I feel like we missed something in between. 

I don’t need to say how awesome Yukinojo’s prism show was. It just keeps building more and more tension as it goes on and just ahhhh....

I was really sad the stream froze before you guys found out Yukinojo beat Shin’s score (in sparking). 

Also I feel super dumb because I said something about Yukinojo being only the second male star to do four jumps in a row. I FORGOT ABOUT HIRO

So Louis -> Hiro -> Yukinojo, the first three male stars to successfully do four consecutive jumps. The top male stars by pure skill. 

So this ending.... is NOT the ending we see in the theater. The song and visuals were all new. (Well except for assets reused from the episode well you know what I mean.)

I’m a bit town about this. On the one hand I was REALLY REALLY REALLY looking forward to hearing 366 Love Diary.... But on the other hand it’s cool that they are doing something so special for the TV showing by having different endings every week. And after all, the CD for 366 Love Diary is coming out literally tomorrow.... but....

Okay so clearly I loved this episode but part of me is just really glad it’s over because next week is TAAAIGGAAAAAAAAAAAAAAAAAAAAAAAAAAAA and I cannot fucking wait to share it with you guys. 

(My favorite episode of the show.)

(I don’t even know if I can fit all my thoughts on it in a post how long is the limit on Tumblr srsly)

[algernoninwonderland]

Miraculous, the Monster of the Week Format and the Status Quo, or Why Things Barely Change At All

TLDR; while the monster-of-the-week format doesn’t mean there is no overarching plot in Miraculous, these monsters are variable in terms of quality and the overarching plot itself is not something the show explores. 

The fact that you can watch 80% of the show in any order without feeling lost is quite telling: the goal is to have self-contained stories during the space of one episode, not to have things that happened in such and such episode have consequences in the following ones. Which is frustrating in the long run, even more so when the monster-of-the-week format doesn’t mean that episodes are aired weekly. 

It isn’t that the people working on Miraculous aren’t talented enough to write something good, simply that the format they have to work with makes the story what it is.

Now, if you want to read something a little more detailed, just click the thingy!

With now 64 episodes aired, it’s safe to say that Miraculous is a show that is meant to stay on our screens for quite some time. For exactly five seasons, so far. Yay! Or perhaps not?

With its reused villains (when you’ve got 2.0 in your title, that screams Electric Boogaloo, I’m sorry), its apparent lack of character development and little focus on the overarching plot (if there is any, at this point), it sounds like this is pretty much stretched out. 

The show has two focuses, so to say, our two cinnamon buns and their love story, and superhero stuffs with different villains in each episode (and that guy alone in his lair, and sometimes that woman with the fan but eeeeh, don’t sweat it, besides they’re interchangeable so far)

What do I mean by Monster-of-the-week format?

Exactly what the title says. For each week/episode, one villain. Who is defeated at the end of the week. Yay! The prime example of this is the original Scooby Doo cartoons, Scooby Doo, Where Are You!

Now, what do we think of that show? Other than the laugh tracks, it holds up well enough. More importantly, though, every story is self-contained, and the appeal of the Scooby Doo is its mysteries. We don’t care about Velma’s backstory, or how Fred became the leader, these characters have very little depth and that’s OK, their interactions is not the main point of the story.

Scooby Doo has a very simple formula: 

The gang goes somewhere, finds mystery, chase one, traps, chase two with a bubblegum pop soundtrack this time, then the mystery is solved, very basically. And we can move on to the next mystery

You can air any episode in any order, you can get the story without feeling lost.

And for most Miraculous episodes, it is true as well! They follow roughly the same recipe:

Something something civilian life, Hawk Moth akumatises someone, Superhero Time, Lucky Charm, Status Quo again.

The first episodes that aired never explained how Marinette got her Miraculous and… It didn’t seem to matter all that much?

But there’s a problem here. MLB isn’t just about Superhero Thingies™. We’ve got that Love Tesseract™ thing too. And a love story requires a progression and character growth to work. 

You can’t have a monster-of-the-week format if you try to explore things that are character-driven, unless there is a clear follow up, an overarching plot.

Like, say…

Revolutionary Girl Utena.

Utena is one of my favourite shows of all time, and I’m talking live action and animated. It is stylish, the writing is great, the direction work is awesome. It’s a masterpiece and for a show aired in 1997, it aged pretty well in the way it handles it themes. (some of the animation is wonky, though, characters are definitely not always on model, it’s not perfect but hey, 1997)

You should watch Utena. It’s available on Nozomi if you’re from Americaland, otherwise I’m sure you’ll find a way to stream it somewhere. Or buy the BluRay.

So, Utena has a “Duel of the Week” format, it follows a clear formula. And just like Miraculous, it recycles animation and some sentences are said at least once or twice per episode. Hell, Miraculous references Utena quite a few times (but I’ll make a post just for that).

Having a repetitive formula does not mean you cannot have a sense of progression. And Utena shines because of that. Things… Things have consequences, a duel leads to another because of reasons that become clear. It’s not a “we need that many episodes” thing, everything is needed, you cannot not watch an episode, even the recap ones, even the Nanami ones, especially the Nanami ones (Nanami who is a much better Chloé than Chloé is).

Unlike Miraculous, Utena has an overarching plot, you can’t play the episodes in any order. Repetitions and variations are meaningful in Utena, it is not simply a matter of style, or rather, style in Utena is meaningful, not only there for “the show”, a spectacle which in itself is meaningful too. Hell, everything in Utena is meaningful. Meaningful. Could you imagine that much meaning in Miraculous? Me neither.

But, you may say, you’re not fair; you’re comparing Miraculous, a show aimed at schoolchildren, with Utena, an anime aimed at an older audience.

And you wouldn’t be entirely wrong if you thought so. Which is why I’ll reiterate my point with a show for which Thomas Astruc himself worked.

Code Lyoko

Code Lyoko is super formulaic, replace Hawk Moth with XANA and superpowers with going inside a computer and that’s about it. It recycles a lot of its animation, the character design is… A bold choice. I barely watched it when I was younger though it was a pretty big thing for us Frenchies  (but hey it’s available on YouTube now in French so I binged the entire thing in a few days and while it’s not groundbreaking, it does some things really well)

Code Lyoko is all that, repetitions, terribly formulaic, XANA-tised person/plushie of the week thing with towers to deactivate and whatnot, and a “return to the past” to erase whatever has occurred during the episode. Literally. 

But. 

Once again, a visible overarching plot, and can you believe it, things have consequences. William is lost on Lyoko, and the kids spend episodes looking for him. There’s romance, and though it is dealt with clumsily, there’s a sense of progression to it. Things… Happen… With… Consequences.

Miraculous is, for the most part, an inconsequential show

Yeah, the problem with Miraculous is that its overarching plot is muddy and flimsy, the status quo is very much that, I’d argue that it’s a show in which nothing truly happens because nothing has consequences. I mean… Nino and Alya are dating, I guess? Adrien… Is still allergic to pigeon feathers? There are sometimes more than just two heroes? But it doesn’t really matter.

And Oblivio is the perfect example of that.

That’s the message of the episode. Even if we forget things, it still works, there is no need for memory, for remembering what has happened in all the previous episodes because we still make it work somehow. What happened before this episode does not matter to the story we are telling now.

The show keeps telling the same things about its characters, over and over, and whenever something new is introduced… Well it’s great but don’t expect to see it in the episodes after that one.

Which is why specials, story arcs which last two episodes, are good. There is room for developed character moments, interesting interactions, plot, sometimes good fights too. Chloé shines in Queen’s Battle, “Origins” is, for me, probably the best bunch of episodes in the entire show so far because things happen and we can see change happening. Like, actual change. Characters who learn how to do stuff, whose interactions with one another changes over the course of these two episodes. 

Outside of this however… Here, have that very important book, we’ll see it in one or two episodes because we need a macguffin and voilà. Here, have new heroes, but don’t expect to see them after that episode, unless we need a real showdown. 

It’s hard to get hyped by Jeremy Zag’s posts, because no matter how cool Dragon!Kagami looks, because of that format of self-contained stories with the only connection being them being the same static characters. Kagami with a Kwami? Eh. It’ll be a one-off thing, sure it’ll be cool but to make the plot move on… Don’t sweat it. 

Speaking of Kagami, she is presented the exact same way in Frozer and Selfinsertepisode Animaestro, nothing has changed about the character, don’t worry, she’s still going to be used the exact same way, perhaps we’ll show once again that she really cares for Adrien but hey, we already knew that, there’s nothing new in Onichan. And that is symptomatic of the entire cast.

Is that format something the creators of the show absolutely wanted? Is near-stagnation what they wished for? Let’s decide it’s not their choice, and that they try their best with the limitations they have.

Would these flaws be this glaring if new episodes were aired weekly? Like, say, air three episodes during three weeks, a break and then some new episodes again? I think not. The wait and the lack of follow-up from one episode to the next makes them really noticeable, and watching them feels unfulfilling.

So that airing schedule I just suggested? That’s not how things work, that’s not how television works apparently and there’s nothing the people who work on Miraculous can ask about it. Thomas Astruc doesn’t know when the episodes will air, blah blah blah. Television networks not really caring about the shows they air? Never heard of that before, huh. SU

So I guess this is it, then. I hope you enjoyed this overlong post!

(shameful self-promotion moment, but about Kagami, I wrote a Kagaminette/Marigami fic, it’s 80,000 words so far and I update it on Mondays so give it a look if you want! It’s here.)

[ladala99]

Spyro Reignited Countdown - Shadow Legacy

And with this we reach the final Classic Spyro game, but with all the gameplay differences, can we really call it part of the Classic series?

It’s a game I often come back to thinking I must have forgotten part of the plot, and always I come out of it going, “nope, I remembered everything. It’s really that short.” I consistently beat it in two days with long (but not too long) play sessions. It’s short, ends on a cliffhanger, and makes you wonder what would have happened if they actually decided to continue from it.

Gameplay

Take the GBA Digital Eclipse games, with their isometric point of view. Take out most of the platforming, and make what little’s there confusing because the art style doesn’t differentiate height nearly as well. Make Flame and Charge do nothing to most opponents and add some new melee and magic attacks. Do all that and you’ll get this game.

The actual combat is... okay. Different opponents require different strategies but most can be beaten by spamming one attack. In the real world, that attack is normally Flame. In the Shadow Realms, that attack is the Tail Swipe (and don’t upgrade the Tail Swipe to the point where it does the spin attack. It makes it so it’s no longer spammable).

Also there’s that dual-world gimmick that adds some but not much to the game. Change realms, go through obstacle, change back. It’s bare-bones as far as that mechanic can go. It’s cool that it’s there, though.

Additional Playable Characters/Game Modes

For the first time since Spyro 3, we get none. No minigames, no other characters, nothing.

Collectables

What collectables?

Oh right, there’s a couple.

Gems are still a currency rather than a real collectable though. And even worse, now how many you can collect is limited by the size of your wallet. This basically just means that certain sidequests can only be done after a certain point.

The only real collectable is Dragon Eggs. They’re scattered around and are given to you as rewards for sidequests. Once you get all of them, you learn a spell that turns you into an egg. You can roll around using the touch screen. Yay?

Sidequests usually involve finding or buying a thing and taking it to someone. They feel a bit pointless for the most part. But hey, you can get Ember off your back by introducing her to Bandit the armadillo and they’ll fall instantly in love.

Oh and there’s those shard/crystal/whatever thingies. Some wear out, some don’t, but really if you see one wearing out you just drop it and grab it again and it’ll be good as new. They have different useful effects so just find some that you like and keep them forever. Or don’t use glitches and buy the infinite ones, your call.

Breath Abilities

You get Ice Breath just like any other upgrade, by leveling up. It’s used in a few places to make towers of ice, and for a boss fight. It’s only really worth mentioning since Breath Abilities are so prevalent in the series.

But yeah, you level up and get different/stronger attacks. We’ve got health counts and everything in this game. Some are a lot more useful than others. Again: Tail Swipe>Everything except in certain circumstances (like those foes with the long slapping tails, or flipping over the roly-poly type things. It’s so spammable.

Bosses

Ice Minion and Fire Minion are really similar. You just use Fire against the Ice one and Ice against the Fire one. You just attack when they stop attacking to rest, fairly standard boss procedure. Their personalities are nonexistant and their designs are not very Spyro-y.

Red appears here and is the most pathetic boss. Is he really a boss? Well, to Blink he is, as Blink is just sitting there being thrown around. But for Spyro, he can just use the Shock spell twice (which the Professor specifically tells you to do) and it’s over. Turns out Red was being mind-controlled by someone else! (Was this the case in A Hero’s Tail?)

The Sorcerer is the final boss. He appears as a lizard-man throughout the game but reveals that he’s “a real purple dragon” at the end. This boss fight is a bit more involved, but the game tells you exactly what to do.

TLoS fans might find these guys very familiar. In fact, they may find the whole game familiar.

Levels

For some reason they take the names of levels in the Insomniac trilogy, but change who lives there and what themes it has. Except Wizard’s Peak; that has the exact same wizards as always lived there. Except now they aren’t enemies but guys who worship dragons. Skelos Badlands isn’t too bad, either.

Just... Treetops is in the Avalar and houses Fairies. Lost Fleet is a farm where Bianca’s family lives. And the Dragon Realms, Avalar, and the Forgotten Realms are all a boatride away from one another. And the levels themselves are within walking distance of one another. There’s also just as many original locations as reused ones.

It’s like, I’m glad you’re acknowledging existing lore, but either be consistent completely or make all the levels your own.

Actual level design is fine. It’s not amazing, but it works for what the game is. Except those random holes. I’ve played the game several times and I still have no idea what the purpose of them is. I wish some dataminers cared enough to see what they’re all about - they’re either completely empty or have enemies and there’s some sound effects when you enter but... what do they do?

Story

Spyro and friends are at Dragon Shores for vacation, but it’s time to go. Spyro, however, is staying behind to be trained by the Dragon Elders. Everyone commentates on school as they leave for their homes.

But, that night, a darkness fills the land and everyone is thrown into the Shadow Realms! Enemies are unaffected by Spyro’s regular moves, so he can only run, as directed telepathically by Tomos, one of the Elders. Turns out that since Spyro’s a purple dragon, and purple dragons are particularly magical, he has the ability to escape through use of the Shadowstone, as well as save others.

After saving the Elders and learning Dragon-Kata from them, Spyro goes out to save everyone else. The Elders suspect that Red’s behind this, but eventually Spyro corners Red and defeats him and it turns out that Red’s being mind-controlled by someone called the Sorcerer.

The Sorcerer is draining magic from all the realms, and he wants to fuse the Shadow Realms and the real world. Spyro confronts him and he reveals himself to be a fully-realized purple dragon. Spyro manages to seal him away, but he will return someday...

If this sounds like The Legend of Spyro: A New Beginning except with more rescuing people and the ending of Dawn of the Dragon stuck to it, it does to me, too. I always call Shadow Legacy “TLoS in the Classic Universe” for a reason.

The Sorcerer even looks like Malefor. They’re the same. It’s all-but canon. And it provided so much fanfiction fuel for me as a young teen.

And that’s really the only reason why I approve of this story, despite the fact that this is so much not Spyro-y. I want to see this mentioned, if not resolved. I want the three worlds to collide, and Malefor is the perfect bridge. As he claims, he is eternal.

So yeah. I think on its own this story is pretty strange and doesn’t seem related to Spyro at all. With the context of TLoS, though, it’s intriguing and I want to see more. Unfortunately, I don’t think we ever will. How many people played this game? I almost didn’t.

Unique in the Series?

Spyro’s moveset and the whole Dragon-kata concept definitely is, but other than that, it takes from other games and is taken from all throughout later games. It has the Season Trilogy perspective, the A Hero’s Tail artstyle and character interpretation, and a story that will be seen again very soon.

As far as Classic Spyro goes, this game is very unique, but as for the series as a whole, it’s a bridge that shows how Spyro is moving in a very different direction.

Conclusion

If you’re an avid fan of the entire Spyro series (or at least Classic and TLoS), Shadow Legacy is definitely worth checking out. It’s an oddity that bridges the two in a unique way.

As for someone just looking for a good game, look elsewhere. I never play this game for the gameplay. It’s not challenging enough to be fun.

So I don’t know where to stick this other than I’m glad I have it, glad I’ve played it, but it’s one of those games I have that I know isn’t good.

[vvlin91]

Stage Patalliro -Stardust Project- Super Long Ass Review Pt.3 (end)

I’m finally getting to the actual play!

Here, with as little spoiler as possible, I'd briefly cover the show in general, the use of props, how they dealt with multiple injuries and what to keep in mind when you watch the online stream/DVD.

Pt.1 What makes Patalliro so special compared to other 2.5D productions?

Pt.2 It’s because of love - oh jealousy♪ - the BanMara perspective

The live audience, if inside the theater early enough, will be able to hear Patalliro, Bancoran and Maraich read out the preshow announcements, telling you to switch off your phones and stuff. They all use their distinct IC voices so it was really fun, and Sanaich would end his part with a soft moan. Just a sexy, sweet "Ahh~❤".

This play is titled "Stardust Porject" but it covers more than just that. It's actually based on the Stardust Project arc, "Fly me to the moon", that chapter where Maraich fake betrayed MI6 but was actually helping Bancoran and a few more tiny things from other chapters. It's actually quite ingenious to put the Stardust arc and Robby's story together because they are both space-themed. And they intertwined the 2 arcs together very elegantly it really doesn't feel in any way uncanon.

One pressing question many people had before the 2nd play was how it'd deal with the Maraich/Bjorn paradox. As we know from the 1st play, Maraich's encounter with Bancoran was completely different from the manga. Instead of having Maraich meet Bancoran in a masquerade, the writer put together stories from several pre-Maraich chapters, basically merging other pretty boy characters into one Maraich (I covered the reasoning behind this change in Pt.2). And that included giving Bjorn's story to Maraich by letting Maraich be the person to make love with Bancoran in the rose garden instead.

So where does Bjorn fall in the 2nd play? The writer simply compressed Bjorn's romance with Bancoran to a brief flashback with as little detail as possible. So Bjorn only showed up on stage when Bancoran was explaining their past to Maraich. There was little specifics to it and therefore does not contradict with what happened in the 1st play. Interestingly, they also paid tribute to Maraich's actual first appearance in the manga by letting Andresen show up to strangle Bancoran in a masquerade. The context is totally different of course but it's just a nice touch for manga fans who knew what they did with the story.

One thing Stage Patalliro is well-known for is its songs. I've seen many 2.5D musicals (at least I think I do lol) but to be absolutely honest, a lot of the songs are just mediocre. Even in a production as spectacular as Kuromyu, there are still songs I sometimes skip on the playlist. But Stage Patalliro's music is so insanely catchy it could easily beat 95% of the 2.5D musicals I have seen and it doesn't even call itself a musical! Also, all the original songs (not the cock robin song or other folk songs) are written by Director Kobayashi Kensaku himself! He has such an incredible grasp of the 70s-80s pop music style that I can well remember my dad asking me why Maraich's solo "That Man" from the 1st play sounded so familiar despite having never heard of it. The songs in the 2nd play are just as catchy if not more so. There are a couple songs that are taken directly from the 1st play, such as the Hana to Yume tribute song and the ending theme. The music is the same but they changed the lyrics to suit the new play. Overall, the music is just superbly awesome, I honestly cannot think of another play that's as karaoke-friendly as Stage Patalliro.

Besides reusing some of the music, they also made the 3 main characters enter the stage in pretty much the exact same fashion as the 1st play. Patalliro entered as he shattered his fake, beautified public image, Bancoran hopped on stage chasing away rascals with his killer eyebeam, and Maraich bursts onto stage with a hurried "Excuse me~!". Same formula, same taste but oh boy how sweet.

(In case anyone is confused this is from 2018)

Another beloved feature of Stage Patalliro is its use of intentionally "cheap" props, such as the famous "Cockroach Run" boards and Bancoran's actual laser pointer representing his eyebeams that were both used since 2016. One of the most outstanding examples in Stardust Project would be the tiny helicopter Andresen held on a long rope (as if he was flying down from it).

Also these plushies, used in a song that recaps what happened in the last play.

The use of such simple, almost idiotic props is both hilarious and such a nice tribute to the manga's retro style.

This year, Stage Patalliro suffered 2 injuries along the way. The first one was from dancer Sato Ginpei before the play even started touring. He surprisingly didn't leave the show, but instead just played "a guy in a wheelchair" throughout. Although they ended up missing one person in a lot of the dance numbers, they also added a few new jokes that were specific to the fact that he was in a wheelchair.

And then there's Yoshimoto Kouki, whose injury was probably too serious for him to even travel from Tokyo to Osaka. He ended up missing the entire Osaka tour. In 100% Patalliro style, they wrote on the official website saying there will be a "replacement" for his role without actually doing so. Kouki's character Tamanegi No.17 was not himself an indispensable character. There aren't any lines that MUST come out of his mouth. So his lines can easily be said by the other 4 Tamanegi boys. But even so, they refused to wipe away the existence of No.17. Even if Kouki cannot be here in person, they will make sure that the audience KNOW that he is supposed to be here with the rest of them.

At the start of every performance in Osaka, Director Kobayashi would come on stage in person to explain Kouki's situation and apologize. He said they made changes to the show that could give the impression that "No.17 is still here". And so what they did was that during the Tamanegi pheromone corner, where all of them have to perform their very own skits, the other 4 boys would just talk to air as if No.17 was present. "Hey, No.17, it's your turn." "No.17, good job!" even adding splashing sound effects to indicate No.17 entering the Jacuzzi. When they leave the stage all sitting inside the Jacuzzi, they will hold up a helmet to caress it while lovingly calling, "Oh, No.17..."

In the ending song, when all the Tamanegi boys would dance in a row arm in arm, Aoki Jin would extend an arm to his left to indicate that's where Kouki would be standing had he been there. During curtain call, they also encouraged the audience to buy Kouki's bromide set "so you know what he looks like". So even though the Osaka audience did not see Kouki there in person, it was impossible to not remember him.

(No.17′s invisible presence in their finale photo)

Lucky for us, they did the recording before Kouki got injured, which means fans can still enjoy his performance in this play by purchasing the DVD and/or online stream!

In a way Stage Patalliro has always felt like a strange family to me. A group of adventurers got together to attempt the implausible, and their crazy experiment ended up a huge success. That’s why they kept even the same ensemble team. Basically everyone who’s already here STAYS, only new people in, but nobody goes away. If you are in a wheelchair, we will let you play a guy in a wheelchair. If you can't even be here on stage, we will STILL make sure that you ARE ON STAGE. It's the kind of creativity and freedom that is uniquely enjoyed by a play like Patalliro.

Lastly, things you will not see in the online stream/DVD version. I write this list to remind you that plays evolve, accidents happen and what you can't see on the screen doesn't mean it never happened:

BanMara kiss: they did not kiss until they started their Osaka tour, the recording was done in Tokyo. Also missing would be Patalliro’s long disgusted scream after he saw them kiss with his own eyes lol

Bancoran's "Maraich" pink happi: he only started wearing it on March 23rd, the recording was done on March 21st.

Maraich's middle finger: at the start of their lovers' quarrel song, Sanaich would always give Tsunecoran the middle finger, but on recording day, he gave a thumbs-down instead.

Maraich's final reminder that he is pregnant: there are 2 definite places during the play where Maraich would exhibit morning sickness, and he would sometimes do it a 3rd time during the ending song. But he didn't do so on recording day.

Bancoran holding Maraich in both arms: in the couple's final showdown with Andresen, Bancoran would use his body to shield Maraich from Andresen's knife. Maraich would always hold on tightly to Bancoran with both arms, and Bancoran would have one arm on Maraich and another on the handrail. On both Tokyo and Osaka finale, Bancoran let go of the handrail and held Maraich against his chest with both arms. Recording day was neither of those days so he still had one hand on the handrail.

There are a couple other instances that might be better explained with gifs so I might as well save them for later posts. But then I also drew this for your reference: 

That's pretty much all I have to say about the play for now. Please remember to pre-order the DVD! I will update on online streams if they become available (hopefully on DMM). If you have other questions, feel free to message me here or on https://curiouscat.me/vvlin91

[kordeliiius]

Spring Anime 2018 First Impressions

This season is looking up to be a pretty big one. For some people, it's because several huge series such as Tokyo Ghoul, BnHA, and Stein's Gate are returning to the screen all at once. But for me, who got into hardly any of those, it's more because I feel like I have more on my plate than before. Heck, there were a few more shows here and there that didn’t quite make my watchlist, but I feared I wouldn’t have enough time to get through all of them, so it’s back to the usual one or two per day. Without further adieu, let’s get into it!

Notes:

I won’t be doing impressions for anything continuing from last season. This consists of: Black Clover, CCS Clear Card

Decided to not watch Golden Kamuy after all; Decided to add Comic Girls to the list

Kakuriyo no Yadomeshi - A show like this might remind a person of Noragami, Inuyasha, Kamisama Hajimemashita, or Spirited Away because of the heavily-emphasized youkai theme, though none of them put such an emphasis on food, so I'm looking forward to how the show sets itself apart from the crowd. At the moment, I'd say it's alright. The animation is nothing special, but I immediately became a fan of the color usage, with the OP drawing me in, and I specifically remember seeing that initial shot of the Hidden Realm with a color-contrasting town and mountain range against the night sky. I found a few of the character designs to be intriguing as well, though I'm a little concerned as to how far the show will go in terms of personality. It's gonna take a little more than them being attractive to drag me in this time. I'm at least glad that the main synopsis is out of the way and we've already landed in wonderland. I decided to watch this show pretty last-minute, but I like it enough to keep going!

Magical Girl Ore - Hooooooh boy where do I even begin with this one? So. Basically it draws you in by throwing all the cliches in your face. Reusing shots, childhood friends, embarrassing teenage drama, the sentient ahoge, super long attack names, the power of love, etc etc. The intro to the first episode was like Tokyo Mew Mew and Precure (and maybe even One Punch Man?) had a child that liked to occasionally break the fourth wall, and I loved it. I wouldn’t say the show is quite as outrageous as something like Pop Team Epic, though it certainly is outrageous. Certainly looking forward to the fun I’ll be having with this one, though I’ll probably dread watching it in public...

Tada-kun wa Koi wo Shinai - I don’t watch very many romcom animes, though for one reason or another I decided to check this one out. After looking into it, I discovered that it’s being made by the same studio who adapted Nozaki-kun, so this’ll be interesting. Getting into the actual show, I admittedly didn’t like Teresa riiiiight away (probably because she was introduced with the typical “gaikokujin” stigma), though like some other watchers, I can’t help but feel like there’s a mystery surrounding her. She did hesitate in saying her last name, after all. I recall the synopsis saying that she and Alec were from Luxembourg, though in the show they’re calling it Larsenbourg? Weird. At the moment, a voice that really stands out to me is that of Ijuuin’s, I found it amusing to listen to. (I also looked up his VA, and found out he’s apparently a big deal.) I feel like the voice acting is good in general. This show has a slow start, so I honestly don’t have much to say about it, yet it seems promising to me.

Comic Girls - Sure enjoyed watching this one! I first showed interest in Comic Girls because I like to draw a lot, myself, and I plain and simply love manga, so I thought that a whole series dedicated to the process would be an excellent idea. And I feel like the first episode got the feeling of an artist down pretty well. Though I'm more experienced with general classroom settings rather than a (college) dorm, I think this anime accurately portrays communication with artist peers, the joys and pains of creating, and living in a new environment. It's also good as a comedy, and it makes good use of gags such as typical manga cliches, using panel-like screens for scene portrayals, Kaos' oddly adorable nervousness amped to the extreme, and how everyone is gay for Tubas, but don’t quite admit it. While some things are obviously exaggerated, all the characters seem real, and the fact that this is a cutesy, colorful slice of life doesn't prevent it from showing us their struggles as artists. I almost didn't test this show out, but I'm ultimately glad I did.

Hinamatsuri - I REALLY LIKED IT! I really liked it. That’s the least I can say right now, haha. We’ve just begun and this show is hilarious. You wouldn’t think a show with a yakuza and a psychic little girl would work, but it honestly does. I’m not sure why it took so long for it to be uploaded anywhere, but the intro hooked me with its fast-paced, non-stop animation, and from what I can tell, that part was a flash-forward that gave us a preview of the plot. I like the setup and the characters quite a bit, and I just know there’s gonna be more along the way. Also, can I just say that I really like how they draw the hair in this show? I don’t think I’ve seen something quite like it before.

Boku no Hero Academia Season 3 - Not the strongest start for a new season, to be honest. A lot of the episode was simply dedicated to flashbacks, recap exposition, and what some people would call filler, I guess. So far not a lot to get us prepped for the upcoming plot, other than what was already stated or implied at the end of the last season. Other than that, I thought the OP and ED were quite nice! The OP song was really hype and modern-sounding in my opinion, and I liked the ED because it started off by showing pencil concepts and keyframes, which are something I always like to see. Tasty. Can’t wait for new characters and for things to get real dark in the near future.

Piano no Mori - I actually liked it more than I thought I would. the characters and their personalities drew me in immediately, and I can’t wait do see how the relationship between Kai and Shuuhei grows. This is just a little suspicion, but I’m hoping the series uses magical realism somehow. The prominent example in this first episode was when the piano in the forest would play for Kai and no one else, and for this to truly be MR, it can never be explained. It’s something I’ve been wanting from an anime ever since I started studying the genre again. And you know what? I’m just gonna say it. The use of CG isn’t bad. In fact, they kinda had to use it, considering how fast these kids’ fingers are flying and the kind of camera movement they’re going for. It looked something straight out of a game to me; it clearly looked like it had effort put into it. And hey, why couldn’t Houseki be that smooth most of the time? I’ll be looking forward to the rest of this show, and appreciate some quality music while I’m at it.

OOOOOOF that was a lot to get out. For now, I’m gonna sit back and watch what I’ve chosen and just have fun with it. See you in a few weeks for the usual ongoing impressions!

[buildridernews]

With only a few days left before Heisei Generations FINAL (as if you couldn’t tell from the countdown), I figured I’d write something to kinda... share hopes, fears and thoughts on the material so far? This is a new approach I’m taking just to try something new. 

I’ll add a cut here since there’s spoilers for OOO, Fourze, Gaim, Ghost and Ex-Aid involved.

To many, crossover movies are pretty skippable, and I can’t blame ‘em. But around Gaim’s run, they seemed to be doing something different. Sure, there’s still things that happen that are VERY easy to nitpick or even rant about, but I feel like the balance of “How much fun is this” VS “How much of a trainwreck is this” has shifted in the former direction.

Particularly with the last winter movie, Heisei Generations, where they decided to do a big ol’ reunion spring movie but in winter. Which is exactly what we’re getting here. albeit with more faces we haven’t seen in a long time.

Because of those returning faces, there’s a lot I wanna say about what I’m hoping for and dreading. But I should talk about the plot first, shouldn’t I? Let’s do that... by talking about Ex-Aid first!

The plot seems to involve new Bugsters, and a mad scientist, so that’s... the best of both worlds for Ex-Aid and Build, I suppose. To be honest though, especially after the last movie already did it, I’m mixed on the idea of a mad scientist villain. Kinda dig the metal mask he’s got.

Really there’s not much to be said about Ex-Aid’s return. Ex-Aid kinda ended in a convenient “We can continue this story, sure” kind of way. The game is forever, after all! Bit of a shame Snipe is still Level 50.

Please don’t let this be another story where Ghost dies. Just-- Just wanted to get that out of the way up front. At this point it’s probably safe to talk spoilers on the last movie and say that I found it VERY eye-rollingly obligatory for them to work in another death for him in Heisei Generations, and with him being another year older I hope they realize they don’t need to give him that much attention.

Apart from that, I dunno. Onari makes an appearance and he's the only one from Ghost I need to see again, especially since we're gonna see him interacting with Kuroto. A man of religion meets a self-proclaimed god - that's either gonna end horribly or hilariously.

GAIM. So anyone who’s followed me since Gaim was happening will probably know this is my favorite Rider series ever. Favorite show of 2013. Favorite superhero? Sure.

Gaim ended on a pretty crazy note that I guess I can talk about here since we’re in spoiler territory.

Ever since he went off to a faraway planet to become a fruit god, there's always been this question of "How do you bring him back without him being too powerful?" - I talked about this in his suit-only cameo in Heisei Generations (where they COULDN'T get the actor and just reused existing dialogue), but... there's a simple explanation for that. "Hey guys, I'm projecting myself from very far away, so I've only got a fraction of my power here." Would have also explained why he never appeared out of suit before.

Since they didn't do that in that movie, and we are just straight up getting Gaim in the flesh, I suspect that it's gonna be more nonchalantly "Yeah I'm pretty powerful, but the person we're fighting is much worse". Which I wouldn't be into. Kamen Rider in particular is bad about doing the Dragon Ball power level scale but in a more nonsensical way. I’d make an analogy with Dragon Ball but I suspect Super will have already done that for me. 

The blissful way we see him look in the trailer kinda makes me hope there's a crazy new development for Gaim, like maybe he - and presumably Mai - retired his power to become human again because he missed Earth. And it just so happens he needs to fight again.

At this point I don't expect any returning actors beyond him, since we would've heard something by now. But I do hope at least Mai gets some mention since she is probably the most important (still living) person from Gaim aside from him.

Regardless of what happens, it’s safe to say I’m happy to see Sano Gaku return. His absence was pretty sad, but you know how returning actors go - once the winter movie’s over, you’re lucky if you see them again. It’s been said that Kamen Rider makes people into stars that are too big for Kamen Rider, so I hope everyone who never shows up again is doing it for good reason.

Fourze's is close to Gaim in terms of top favorites, if only because of its charm and... if you read into the production reasons for why Fourze came into existence, I'm proud of Toei for thinking of the kids. Aesir did a translation of that farewell Toei blog post. You can find it. You're a smart bunch.

Fourze kinda had a pretty interesting post-finale. Essentially, this high school student grew to be a teacher himself, and Toei's blog highlighted the fact that this time skip took place basically in 2017 - that makes me curious how Fourze's role here plays out. Will it be taking place directly after the crossover he had with Wizard which involved time travel to give him back his belt? Will they actually just ignore that convenient time skip and say it's been even longer since he became a teacher? I hope it's the former. Make use of that movie's footage to do some crazy "And then this happened right after" twist.

Regardless, I betcha Fourze gets his belt because Ohsugi or JK shows up like "yo Kengo made this, have at it", which would be a nice way to work in more characters we can't seen on screen~ Since my two favs from the Kamen Rider Club ARE appearing, I hope they get a decent amount of screen time. Dude, if we get Ohsugi in the same room as Onari and Kuroto, what a dream that will be.

Fun fact, because a friend of mine got into Kamen Rider through Fourze, his first movie was the OOO/Fourze movie where they focus on Ankh's death throughout. I probably should have prefaced that there'd be spoilers for another show, but he ended up liking OOO regardless so it's okay.

In all seriousness, we know what Eiji's been up to, still vagabond-ing about, but Ankh is the real talking point since he died before, and the crossover movie he was last seen in had a clever way to bring him back then have him still be dead afterwards.

Toei's blog raises the question of how he's back now, and... I'm sure it's got something to do with those Core Medals the conspicuous man in white has - I’d be a lil disappointed if that’s all it is. But hey, maybe after all these years of doing random jobs, Eiji finally afforded some superglue.

Y'know what? Let's end on this guy. He's the red Kaiser, and I'm not sure what his deal is. But I do know he's shown in a room with the Core Medals (all the ones related to the revived Greeed) and Zodiarts Switches (all the ones related to the revived Horoscopes), so I suspect he's a big deal.

I betcha what's gonna happen is this: The movie starts off being this plot about the mad scientist who's got these new Bugsters, making it a Build/Ex-Aid crossover, with occasional glimpses of OOO and Fourze (with Ghost and Gaim thrown into the chaos) dealing with their respective returning monsters. Once they all follow the trail to the right place, the man in white turns out to be the REAL villain we should be concerned about, ends up somehow taking mad scientist's power to become that fused Kaiser design, and everyone transforms into their final forms to fight him.

Also worth mentioning that due to this guy's white outfit, and the fact that he's got these Medals and Switches for no apparent reason... maybe he's a Foundation X guy? Which I'd LOVE honestly. Ex-Aid had a spinoff that ended with the twist that Foundation X was still around and they didn't need Kamen Rider W to be in the fiction to make it happen, so bring it on! Make Foundation X the Shocker we all want them to be! Let my fanfiction become reality!

And that's all I have to say about the movie. It's premiering in a few days and I guess I'll keep an eye out for what people thought of it once it premieres, but no promises. You'll get a proper review when it comes out on DVD and gets subbed many months from now.

[mikemateiweb-blog]

My TMNT Mario Paint Animation, a Retrospective – Mike Matei Blog

This is three lines drawn in Mario Paint at different speeds of strokes with the mouse.

The limitation of Mario Paint that’s probably the most regrettable is the dismal color selection.  There are only 15 solid colors, and 15 extra colors which are the basic colors combined in various ways in a pixel checkerboard pattern.

There’s a reason why you don’t see actual pixel artists use patterns like this for coloring, because the results are usually hideous.

Unfortunately, an artist working within the restrictions of Mario Paint will have to use these extra colors sometimes, for better or worse.  Outside of these 30, there’s also several pages of stuff that I rarely find a use for at all.

There’s no shortage of eye-melting color patterns to choose from, although these look better using the Spray tool.

This is due to the limitations of the hardware of the SNES.  I’m not a programmer and I wasn’t able to find any detailed information on how Mario Paint’s code works, but here’s my best guess of what’s going on:  The canvas area of Mario Paint is 248×168 pixels, which means it’s made up of 8×8 tiles, 31 horizontal and 21 vertical.  The SNES has 16 colors to work with in each 8×8 tile, which means Mario Paint is using the maximum amount of colors the console can support (I’m guessing that one color has to be left unused for transparency, possibly to allow the cursor to hover over the drawing area).  Also, the SNES can only display 34 of these tiles per horizontal row, so there’s 31 tiles for the canvas, 2 tiles for the border around the screen, and 1 left over that allows for the cursor.

Which means, as much as I lament the poor color choices, I can’t blame the creators of Mario Paint.  They squeezed as much functionality out of Mario Paint as the hardware allowed.  The checkerboard colors and blob patterns was the only way to extend the colors available.  (By the way, if you’re knowledgeable about how Mario Paint or the SNES hardware works and anything I said is incorrect, let me know and I’ll edit this article with the correct information and give you credit).

The color limitations also played a big part in why I chose the TMNT opening. Mario Paint offers two solid shades of green, which would allow me to add shadows to the Turtles’ skin.

The character design of the Turtles just happened to work really well with Mario Paint’s colors, and I could get a bit more mileage out of light and shadow.

There’s also an undo history of exactly one action, which is offered to you by the dog icon.  Saving and loading is limited and slow, the flood fill tool is slow (although it can be cancelled in the middle to partially fill things), and the animation function is limited to 4 drawable frames… I could go on and on about the limitations of Mario Paint, but I think you get the point.

So, as I just mentioned, Mario Paint has a pretty limited animation suite, so I used modern capture technology to simply capture frames when I completed them, and then edit them together later in video editing software.  This could have been done in 1992 as well. I have friends who would use their VCR to record Mario Paint onto VHS and string them together to make elaborate animation projects, as well as other Nintendo art tools such as the GameBoy Camera placed into a Super Game Boy. VCRs connected to a camcorder could also be used to do stop motion animation with clay or toys, and even film individual frames of drawings to make animations.

This process was super nerve wracking, because each completed frame had to be discarded from existence entirely once I was done grabbing them. At least data storage is easy nowadays and I didn’t have to worry about someone in the house overwriting my animation in order to record an episode of Roseanne from the TV.

So, we come back to the concessions I talked about at the beginning. The original animated sequence for the TMNT show totals up to about 1200 individual frames of animation.  So if I averaged about an hour per frame drawing in Mario Paint, and I worked 8 hours a day, that would mean I would reasonably get 8 frames done per day.  Which means it would take 150 days of nonstop work to get the animation done, which would be okay if I didn’t also have a full time job and a social life that needs to be taken care of as well.

My animation ended up with about 420 frames total, and took me 6 months. So doing 1200 frames would have taken a year and a half, and who knows how much I would slow down from fatigue after a project that long.  There were a couple times I could get a break, such as some frames just being a single solid color (such as lightning flashes), and I reused the swirling TMNT logo from the beginning for the end.

Hey, the original cartoon reused this animation, why can’t I?

I mentioned earlier that Mario Paint doesn’t offer any layer functionality, so this is a huge problem when animating moving characters over a background. As you can see in the above example, the background is constantly being destroyed by the turtles moving across the screen, and that destroyed information has to be rebulit when the portion of the background comes back into view.

  Eagle-eyed readers will probably notice that this scene had to be animated out of sequence and then reassembled, which accounts for the way the background constantly changes shape.

Surprisingly, the shots you would think would be more difficult to do, such as Donatello flying around the city and the background moving around really fast, are about the same difficulty as the shot you see above, because of the lack of background layers.  When the background is moving so quickly, redrawing the entire frame isn’t that much worse.

Oh who am I kidding, this was still painful.

Another issue came from the fact that I wasn’t going to use all 1200 frames from the original animation, so I had to pick and choose which frames to use. I was referring to a television off to the side drawing these individual frames, and I tried to pick out individual frames that would convey the most movement.  This resulted in a bit of a discontinuity in the framerate, which had to be corrected manually when it came time to edit.  This is why you see the framerate fluctuate often during the entire sequence.  This is regrettable but… I dunno.  Nobody has really complained about it, and if they did I’d just shrug and say Mario Paint isn’t the optimal tool to create animation.  I did the best I could, you know?

Recreating an animation sequence in Mario Paint is so ridiculously transformative that it easily meets the requirements for Fair Use, so in order to keep my video from getting taken down, I was going to need a cover version of the music instead of using the original audio.  Luckily I was able to get a great one by Epic Game Music that was tailored to match the timing of the video I animated.  After that was done, it just needed some editing and it was completed.

So there you have it.  How do I feel about this animation more than a year later? I’m glad I did it because it’s something nobody had ever done before. Doing something this elaborate with the drawing section of the game. Sure a lot of people have done a lot with the music portion, and there is a very small limit to what you can do with the in-game animation tool. But to animate something like this with the basic drawing tool, I’d say I did the most elaborate thing anyone ever attempted. If there’s anything else out there even close to as time consuming, I’d love to see it.

I think it was a really good personal exercise for me in diligence and determination.  I’m glad that I managed to finish it.  Starting a project like this and then abandoning it halfway would have been a gnawing regret I would have had to carry for the rest of my life.  The end result wasn’t perfect, but it’s more important to me that I finished it.

“I may lose, but it won’t be because I gave up!”

As for economics… all told, I only made a couple hundred dollars off the video.  I’d do the Pat-Math on how much my hourly wage was, but you can guess its low enough to be just about nothing.  But hey, that’s the game we play being creatives.  You never know what’s going to hit or miss, and you just have to keep consistently applying yourself until something hits.  Whenever I get negative feelings about this animation, I have to remind myself that it was more than made up for with a lot of other successes that required far less effort.  Not to mention I’m a Let’s Player and a streamer where I record myself playing art that other people made, and standing on the shoulders of giants to do so.  I’m grateful for the wonderful life I have, and I hope you guys don’t get the impression that I made this post just to whinge about making cartoons in Mario Paint.

Animation is extraordinarily difficult, but we’re in a strange time where animation is easier to make than ever before, yet independent animators aren’t making the money they probably should.  And yet… so many people still animate. There’s so much incredibly good animation being made by individuals on YouTube and all over the internet. Against overwhelming odds and minimal rewards, they still painstakingly download their imaginations into individual frames, one by one.  I believe strongly that things will get better for animators in the future.

Just like Lion-o up there, they just need to keep running. Eventually something good will happen.

Source By: https://www.mikematei.com/blog/my-tmnt-mario-paint-animation-a-retrospective-mike-matei-blog/

 Update:

Not long after I posted this article, which details my process of creating a full animated sequence in Mario Paint a year and a half ago, my animation was taken down from YouTube due to a copyright complaint.

From the very beginning, I was aware that my video could be taken down, so I purposely designed the video to be as transformative under Fair Use as I possibly could.  Everything was manually drawn by hand using a reference offscreen.  There’s no way to download images into Mario Paint, nor is there any way to trace anything, and the limitations of Mario Paint actually make it impossible to perfectly recreate the original (the article that follows will explain why in detail). And, a new cover version of the song was recorded specifically for this video.  I was under the impression that I was so far ahead of what was required that I would be completely in the clear, and then some.

If the animation I made in Mario Paint doesn’t count as transformative, then I’m not sure what even does.  What if I had recreated the intro using claymation?  What if I had used actors in costumes?  What if I just used a recording of me singing the theme song in the shower?  Where is the actual line that got crossed?

I want to know what aspects of my video supposedly don’t qualify as Fair Use. Hopefully I can manage to get that question answered at least.  I’m sure other creators could find the information useful as well.

Anyways, the video got reposted by someone already if you didn’t get a chance to watch it. It very well may get deleted again, so save it and if you want and share it on other video players and blogs so half a year of work isn’t tossed out a window forever..

See the video here:

https://www.vidlii.com/watch?v=PlV2cAO9kf1

https://www.bitchute.com/video/bfyvFFHA4Aw5/

Of all the art forms, animation seems to be the one affected by economics the most.  Film is another big one for sure, but animation is such an incredibly manual, labor-intensive process that there’s a giant disconnect between creative vision and what can actually be reasonably produced, and what can reasonably make money. Since animators are painstakingly creating moving pictures frame by frame, simple creative decisions can multiply into hours, months or even years of extra work.  Concessions always have to be made, and the work doesn’t always pay off.

In 2016, I used the Super Nintendo game Mario Paint to recreate the intro to the 80s Teenage Mutant Ninja Turtles cartoon opening. Here is the original video that was taken down. Use the links above to see the animation.

There were a lot of candidates to choose from (Thundercats, X-Men, Ducktales were also high on my list), but I chose TMNT because it seemed to be the most likely to reach a wide audience.  I knew from the outset that this was going to be a big undertaking, and it took me roughly 6 months to complete.

 The reasons to animate using Mario Paint are probably what you’d figure. Since I’m known as a commentator on retro video games, it was appropriate to use an art tool from a retro games console.  There aren’t really many other choices that fit the bill, and there’s no way I could have used the LJN Video Art console to do it, being the completely useless art tool that it is that’s not even suitable for use by children.  Also, there’s the element of the masochistic spectacle of one man going through the grueling process animating a full sequence working within such strange limitations.  I thought people would be into it, and thankfully a good amount of people were.

Mario Paint was a wonderful toy for its time, and Nintendo was smart enough to add game elements, humor, and quirky flair to the experience instead of just making it a basic electronic art program.  But as an art tool, the limitations are numerous.  It’s very strange in that it’s essentially a tool to create pixel art, but offers extremely limited pixel precision (save for the pixel art stamps you can define, which weren’t suitable for my project).

The game came bundled with a mouse, but laser mouse technology didn’t exist in 1992.  The Super Nintendo mouse used a rubber ball that rolled along the mousepad to manipulate rollers inside the unit to move the cursor onscreen.   Everything grinds to a halt with this mouse if anything gets dirty, and the mouse is in a constant hurry to get as dirty as it possibly can.  People reading this who grew up with Mario Paint will remember the cursor snagging over and over and the constant struggle to keep it clean.  This was my life for 6 months.

As for other limitations, lines need to be drawn extremely slowly in Mario Paint, because moving the cursor too fast will result in dotted lines streaking across the screen.  Not to mention every pen stroke overwrites the color underneath, as there is no layering functionality, so trying to build colored shapes with an outline requires a bit of planning in advance.  In Mario Paint, I typically lay down color blobs and then add black outlines around them as the very last step, which is backwards from the way most people draw.

This is three lines drawn in Mario Paint at different speeds of strokes with the mouse.

The limitation of Mario Paint that’s probably the most regrettable is the dismal color selection.  There are only 15 solid colors, and 15 extra colors which are the basic colors combined in various ways in a pixel checkerboard pattern.

There’s a reason why you don’t see actual pixel artists use patterns like this for coloring because the results are usually hideous.

Unfortunately, an artist working within the restrictions of Mario Paint will have to use these extra colors sometimes, for better or worse.  Outside of these 30, there’s also several pages of stuff that I rarely find a use for at all.

There’s no shortage of eye-melting color patterns to choose from, although these look better using the Spray tool.

This is due to the limitations of the hardware of the SNES.  I’m not a programmer and I wasn’t able to find any detailed information on how Mario Paint’s code works, but here’s my best guess of what’s going on:  The canvas area of Mario Paint is 248×168 pixels, which means it’s made up of 8×8 tiles, 31 horizontal and 21 vertical.  The SNES has 16 colors to work within each 8×8 tile, which means Mario Paint is using the maximum amount of colors the console can support (I’m guessing that one color has to be left unused for transparency, possibly to allow the cursor to hover over the drawing area).  Also, the SNES can only display 34 of these tiles per horizontal row, so there are 31 tiles for the canvas, 2 tiles for the border around the screen, and 1 left over that allows for the cursor.

Which means, as much as I lament the poor color choices, I can’t blame the creators of Mario Paint.  They squeezed as much functionality out of Mario Paint as the hardware allowed.  The checkerboard colors and blob patterns were the only way to extend the colors available.  (By the way, if you’re knowledgeable about how Mario Paint or the SNES hardware works and anything I said is incorrect, let me know and I’ll edit this article with the correct information and give you credit).

The color limitations also played a big part in why I chose the TMNT opening. Mario Paint offers two solid shades of green, which would allow me to add shadows to the Turtles’ skin.

The character design of the Turtles just happened to work really well with Mario Paint’s colors, and I could get a bit more mileage out of light and shadow.

There’s also an undo history of exactly one action, which is offered to you by the dog icon.  Saving and loading are limited and slow, the flood fill tool is slow (although it can be canceled in the middle to partially fill things), and the animation function is limited to 4 drawable frames… I could go on and on about the limitations of Mario Paint, but I think you get the point.

So, as I just mentioned, Mario Paint has a pretty limited animation suite, so I used modern capture technology to simply capture frames when I completed them, and then edit them together later in video editing software.  This could have been done in 1992 as well. I have friends who would use their VCR to record Mario Paint onto VHS and string them together to make elaborate animation projects, as well as other Nintendo art tools such as the GameBoy Camera placed into a Super Game Boy. VCRs connected to a camcorder could also be used to do stop motion animation with clay or toys, and even film individual frames of drawings to make animations.

This process was super nerve-wracking because each completed frame had to be discarded from existence entirely once I was done grabbing them. At least data storage is easy nowadays and I didn’t have to worry about someone in the house overwriting my animation in order to record an episode of Roseanne from the TV.

So, we come back to the concessions I talked about at the beginning. The original animated sequence for the TMNT show totals up to about 1200 individual frames of animation.  So if I averaged about an hour per frame drawing in Mario Paint, and I worked 8 hours a day, that would mean I would reasonably get 8 frames done per day.  Which means it would take 150 days of nonstop work to get the animation done, which would be okay if I didn’t also have a full-time job and a social life that needs to be taken care of as well.

My animation ended up with about 420 frames total and took me 6 months. So doing 1200 frames would have taken a year and a half, and who knows how much I would slow down from fatigue after a project that long.  There were a couple times I could get a break, such as some frames just being a single solid color (such as lightning flashes), and I reused the swirling TMNT logo from the beginning for the end.

Hey, the original cartoon reused this animation, why can’t I?

I mentioned earlier that Mario Paint doesn’t offer any layer functionality, so this is a huge problem when animating moving characters over a background. As you can see in the above example, the background is constantly being destroyed by the turtles moving across the screen, and that destroyed information has to be rebuilt when the portion of the background comes back into view.

Eagle-eyed readers will probably notice that this scene had to be animated out of sequence and then reassembled, which accounts for the way the background constantly changes shape.

Surprisingly, the shots you would think would be more difficult to do, such as Donatello flying around the city and the background moving around really fast, are about the same difficulty as the shot you see above, because of the lack of background layers.  When the background is moving so quickly, redrawing the entire frame isn’t that much worse Mike Matei.

Continue Reading: https://www.mikematei.com/blog/my-tmnt-mario-paint-animation-a-retrospective-mike-matei-blog/

[thiefking]

What's the Two Looker theory?

the tldr version is that there are currently two lookers existing in the same universe, and that its going to be very relevant very soon.

but of course, that shortened version is worthless, because who would believe that without enthusiastic and lengthy elaboration? GET YOUR SEATBELTS ON CAUSE ITS TIME TO TALK POKEMON THEORY

(spoiler warning for sumo postgame ahead! also, seriously, you might want to go get a snack or something. this is long. really long.)

first up: you gotta know that gens 1-5 (and the remakes in those gens) are all in a separate but similar universe to the one in gen 6 and beyond. for convenience, ill call the first universe uni a and the second one uni b. 

(fyi most people refer to uni b as megaverse, but i want the names to match and nonmegaverse doesnt really... roll off the tongue quite as well, so,)

so you might be wondering what the fuck that means and how we know its true; to answer this we need to take a quick look at pokemons current timeline!

im unsure on which one of them came before the other in the timeline, but xy and oras both happen chronologically before sun and moon do. we know this because of dexio and sina appearing with the zygarde and mega evolution stuff, and wally appears at the battle tree as an older and more experienced trainer. 

these are canon, however for right now its mostly just hypothesis that chronologically speaking, after alola its sinnoh. the pkmn breeders from alola look IDENTICAL to the cowgirls/farmers from sinnoh, which doesnt seem to prove much about the order of things but it doesnt disprove anything either; its more like retrospective icing on the cake, since ill be explaining why i think this will be the timeline later on.

so, keep the idea of sinnoh coming after alola in mind. its also important to consider the idea of mega evolution as not just a game mechanic but an important plot point! basically, universe a has no mega evolution, while universe b does, and the differences in the plot between rse and oras are NOT retcons; theyre entirely different universes!

that might not look like it makes much sense on its own (without elaboration or if youre still attached to the belief that mega evo is JUST a game mechanic and not plot relevant or an indicator of anything) but its important to mention now, since as i explain more itll hopefully make more and more sense. 

believing this theory means you have to think about it like this, so while this isnt completely canon yet, its necessary to treat it like it is until you fully understand what this theory is all about and why it would make sense. if youre not convinced afterwards, then so be it! ... i mean, i dont understand how you WOULDNT be totally on board with this, but im not you and maybe youre not quite nearly as into spacetime shenanigans as i am.

now we head into sumos postgame stuff with the interpol! during this, we learn that there are people known as “fallers” that “fell” into a universe from another parallel universe through a mysterious portal, and seem to have lost most if not all of their memories. fallers attract ultra beasts, as the ubs believe they can somehow get home using them, sensing that this person is also not from this universe. 

looker explains that he was once sent on a mission to detain/kill an ultra beast. his team included a faller, who was unwittingly being used as bait for the ultra beast. looker felt pity for the ub and neglected to kill it, unfortunately giving the ub a chance to kill the faller, which it promptly took.

then its revealed that anabel is a faller, who was found washed up on a beach muttering something about protecting the battle tower, which is where you could find her in rse. 

but see, the battle tower doesnt exist in oras, instead replaced by the battle resort, and you do not meet anabel at any point in oras. the battle resort is also where you meet an amnesiac looker, muttering about a mission, speaking in a peculiar way, which is noticeably different to the way he speaks in xy and sumo. he did not make an appearance in rse, this isnt just reused dialogue.

hmmmmmmmm.

lets put looker aside for a moment though and focus on anabel. while theres a possibility that right now there are two anabels, it seems that she and the battle tower never existed in this universe... but mega evolution does. the anabel we see in rse is the same as the one in sumo; she crossed over from uni a into uni b.

now, lets look at some facts here!

in platinum, bw and oras, looker has a... peculiar speech pattern. if you look up his quotes on bulbapedia, youll see what i mean; its very noticeable.

... looker completely lacks that specific quirk in xy and sumo. hes goofy, yes, but its nowhere near the same. its important to note that oras happens between xy and sumo, and again, that looker didnt show up in rse and that dialogue is completely new. the differences in these speaking patterns are not mistakes. they are fully intentional.

next up: lets crush a few doubts about this theory you might be having right now!

“this is a kids game! surely this is WAY too convoluted. pokemon isnt that deep, they wouldnt bother with a plot this complicated.” wrong. nope. incorrect. buddy, did you play sumo or any gen 5 game? i can only assume you havent, cause not only were the plots in those games the most detailed and involved and emotional, they were BY FAR the best. additionally, kids are a lot smarter than youd think, and i also not only know theyre going to explain everything, i know HOW theyll do it; but i digress.

“youre implying there are two lookers because one speaks a certain way and had amnesia but isnt it possible theres just one, who either isnt a faller or is a faller but had no megaverse/uni b equivalent, and he got his memories back by the time you meet him in sumo?” wrong there too! remember, its CANON that xy and oras happen BEFORE sumo.

now remember anabel, who doesnt have her memories back and had no idea she was a faller.

and remember that xy/sumo looker is very, very explicitly stated to not be a faller, because otherwise, HE would have been the bait on that mission and HE would have been the one who got killed.

xy/sumo looker is definitely not a faller.

but dppt/bw/oras looker is.

if at this point youre still having doubts, heres a question. can you offer any other explanation that is all based on canon information, without retconning anything or making something up, and have it all make perfect sense and resolve all of the issues that come with going against this theory?

yeah, i cant either.

hopefully at this point you should be fairly convinced, but hold on! i still havent explained why i think sumo will chronologically happen before the plot in the dppt remakes! i was all like “this will make sense later” but i didnt talk about sinnoh much at all and havent completely gotten you on board with this yet! well guess what yall ITS SINNOH TIME

a quick note though: past this point is a lot of personal observation/opinion and speculation. its meant to explain why i think this theory is spot-on, and elaborate on what i think is going to happen. im not speaking for anyone else but myself and im not stating my own opinions as fact or concrete proof; though i am saying that i think im right about this.

with that out of the way, lets begin! its going to take a while, but the buildup is necessary (imo at least) and yes, this is in fact relevant to the theory.

something to notice is that the stories in pokemon games have been progressively getting more involved and interesting. there was hardly anything in the first two, gen 3 started getting more involved but its not much to write home about, gen 4 took it up a notch, and then gen 5 the life ruiner broke the fucking scale and punched me in the face.

so, we have all these plots, getting more detailed, but... not a whole lot is tying them together at first. sure, a few lines make reference to other games, johto and kanto are connected both plotwise and literally speaking, theres even that cameo character in bw who was a rocket grunt in a previous game! but theres nothing really significant that ties things together.

well, at least until gen 4.

in gen 4, we of course meet looker, who as a member of the interpol has reason to make further appearances in other games. and then he shows up in every game afterwards, sometimes for a while, sometimes only briefly. less significantly but it does help the point im about to make, we also get caitlins first appearance, who ends up being part of unovas elite 4, and johto is a part of gen 4 as well, which was already a point of connection between regions, but gen 4 added the sinjoh ruins, connecting the games within the same gen!

after gen 4, the games vary in how much they connect to the others, but it definitely changed the standard.

and then sun and moon came out.

even the very start of the game: you move from kanto to alola, meet alolan variations of kantonian pokemon, meet grimsley and colress from bw/bw2, meet dexio and sina from xy, and watch sadly as lillie breaks everyones heart and leaves for kanto.

then, after that, you can go to the battle tree and meet not only red and green, but cynthia, steven, and wally, and you can find grimsley, colress, dexio and sina here too. or, you can go participate in the postgame plot with looker and anabel, who are also returning characters; though anabel is significantly more unexpected than looker. it was pretty unexpected finding out caitlin was part of unovas elite four, huh?

and hey, didnt sinnoh have a lot of weird space/time shit? palkia and dialga are the gods of time and space, and giratina has a whole other dimension where everything seems wrong and alien and mildly uncomfortable, with a strange area theme that seems just slightly off, where you meet/battle the games biggest antagonist, who has become mentally unhinged by spending time there.

oh... and alola has fallers and ultra beasts, who came from other timelines/universes... and you go into ultra space, which is a whole other dimension where everything seems wrong and alien and mildly uncomfortable, with a strange area theme that seems just slightly off, where you meet/battle the games biggest antagonist, who has become mentally unhinged by spending time there.

plus, gen 4 is the first where you can at any point walk around with your pokemon behind you, making you feel closer to your pokemon than ever, and alola shows a significantly stronger connection between humans and pokemon than ever seen before, even compared to xys introduction of pokemon amie (the trials, ride pokemon, the fact that humans are specifically stated to have influenced several alolan variations, z moves, the ceremony for choosing your starter, everything about the aether foundation/type: null, if you consider ultra beasts pokemon then lusamines a very literal example, there are LOADS of examples)

... and diamond and pearl are next up for remakes.

in gen 7.

paired with alola.

i wonder if the two games are going to be EXTREMELY connected?

personally im willing to bet that the distortion world IS ultra space, i think itd make a lot of sense of cyrus knew what happened in alola and became interested because of it, and that team galactic will be pursuing ultra beasts (which there will likely be more of). 

i also think uni a!looker and uni b!looker are going to meet.

imagine with me for a moment.

diamond and pearl remakes come out. you enter jubilife city, where you meet looker! you have a conversation, he introduces himself, then disappears. 

you move on, and-- oh! theres looker again! you say hello, but he strangely doesnt recognize you and introduces himself again. ... odd.

you see him again. he recognizes you and references your first conversation, but doesnt seem to know anything about your second.

a fourth meeting. once again, he doesnt remember your previous conversation, and also seems to be doing something entirely different, and... hell, he doesnt even SOUND the same...

now, after a while of this, hes realizing somethings up. hes a fucking member of the interpol, hes goofy but hes not an idiot. he guesses that he has an impostor, and begins searching for this impostor so he can confront/apprehend them.

sometime later, maybe in the postgame, maybe in the maingame, you meet him again and have a short chat, when hes suddenly interrupted by a phone call. he hangs up and informs you that someone spotted his impostor, and speeds off to go deal with this. he doesnt tell you where hes going, but he didnt need to; you can easily guess from the phone call that you should head to jubilife city.

there, you see two lookers arguing with each other, and loads of shenanigans ensue because looker is so goofy and endearing theres no way its not going to be hilarious and silly at first; but then when everything calms down, shit gets serious, and anabel ends up showing up.

im willing to bet shes going to feel some kind of connection to uni a!looker; nothing specific, just an odd, unidentifiable feeling that... ah, it eludes her. strange indeed that he seems to also feel... something, that he cant identify at all; he just knows its there. is it... kinship of some kind? but that wouldnt make sense, theyre both certain theyve never met, and theyre certainly not related. how curious!

of course, that only remains a mystery until they figure out this other looker is a faller, and everything starts simultaneously making more and less sense.

of course thats all just my own prediction for how itll happen, but i dont think im far off base at all and i think itd be completely in line with both lookers character and how pokemon games operate.

now, a lot of people believe that this theory means one of the lookers has to die, and to that i say what. no. look, that “there can be only one” shit is completely unnecessary and i REALLY doubt that theyre going to kill off a looker, especially considering how much everyones grown to like him (or at least everyone ive ever spoken to who knows who he is. seriously, hes too lovable for this.)

instead, i think the following will happen!

1) the lookers partner up and work together (and tell people theyre just twins)

2) they find a way to send uni a!looker back to universe a, or somehow create a way to communicate/travel between universes

3) we learn more about what happened in universe a, and why both anabel and looker were mumbling vague things about urgent missions when they were found washed up on beaches

im not sure that all of these will happen in the same game (in fact i highly doubt it) but it seems like the logical progression of things. 

i think im out of things to say so there you go! thats the two looker theory and how i think itll play out in canon! there are likely a few things im missing, but im fairly certain the information i provided isnt incorrect, just possibly incomplete (sure hope not though cause ive been writing this response for no joke four hours straight). hope it helped and also converted you to the two looker theory club, or the tltc. if you join you get a free croagunk sticker and also a heart-shaped locket with a picture of looker in it if you dont already have your own

[sealedbeastnue]

well here we are, here’s my end of the year anime reviews for fall season. there were some baffling finishes and I have controversial opinions on at least one show. here’s my final scores for the shows I watched:

ajin S2: 8/10

flip flappers: 10/10 

izetta: 2/10

magical girl raising project: 7/10

scorching ping pong girls: 10/10

yuri on ice: 7/10

wixoss S3: ???/10

ajin S2: I finally decided to pick this show up recently and got through both seasons after having read pretty much the whole first season of the manga. this studio matured a lot since the butchery that was knights of sidonia and it did pretty much what it needed to do to sell this show. satou was perfect. good VAs, pretty solid animation, a lot of uh... klaxons... over the music... honestly that, and the fact that the OP/ED of BOTH seasons are easily the worst this year, docked it a point from a show that could be a 9. worth watching if you like ultraviolence

flip flappers: fantastic overall. this told a really weird story in a visually fascinating way and had a lot of good character development, it earned its 10 on art direction alone. I do have two criticisms which are 1) the show was obviously written by a different team after the first half (this is a fact) and 2) the last ep visibly suffered due to budgetary concerns. it got sloppy in the last few eps but that did not hamper my enjoyment in a significant way. strong recommend. papika ate the placenta.

izetta: appalling and politically tonedeaf dumpster fire. the final ep was so laughably simplistic that it added nothing and challenged nothing. I’ve talked about this enough elsewhere that it doesn’t deserve more of my time because

get ready for more nazis next season with that salaryman-becomes-a-little-girl-nazi show! its gonna be the start of a great new trend in anime

magical girl raising project: this one got really complicated. to my confusion this is one of the shows I have the most to write about when it had seemed really simplistic. so this show was cool for 2 eps, sucked for 2 eps, was cool for 2 more, sucked until episode 10 by killing off all the characters and then I told myself “the only way they can save this show is by doing some really weird shit.” then they did EXACTLY that and SAVED THE SHOW.

the last two eps were so desolate, nostalgic, visually bizarre, and gut-wrenching that it honestly redeemed this. I somehow liked it better in retrospect even though it had some really cheap animation in the middle section - this is what we call Getting There. it got to me emotionally which is rare. I can honestly recommend this and I actually want more AS LONG AS WE GET THE GOOD WRITERS ONLY. spoiler: if you go into this show knowing that this is the setup for a larger universe and all the characters except for ripple and snow white are gonna die to get us to that point you’ll enjoy it a lot more. at least I would have.

scorching ping pong girls: every bit of this show was so unexpected - it went from looking like moe horseshit (I wasn’t even going to watch this until the recs started coming in HARD) to being the most hype show of the season and in my top 5 for the year. the animation was really good, the girls were interesting (moe with depth?????), we had good character development and some great tension. music best of the season probably. I was worried they’d flub the last two episodes which were at training camp, but it became super sincere and nostalgia-inducing and was the ideal finish for such a tense show imo. strong recommend and a really lovely experience, it made me cry a few times...

yuri on ice: controversial opinion time. this would be my biggest disappointment this season if izetta hadn’t clean sweep’d that category. nothing about this show went far enough and the writer had that j.k. rowling thing where they never want to commit to anything and go as middle of the road as possible. the animation peaked at episode 7 then just reused all the animation over and over again - speaking of which, major problem here. way too much of this show was spent rewatching the same damn skating routines and not enough was spent on Actual Content... I can’t in good conscience recommend this and I won’t be watching more content from it

wixoss S3: uh... hey my dhudes

so first off, wixoss only works when mari okada writes it. please get her back. the cardinal sins of this show were 1) not understanding anything of what made S1 and S2 so good - levity, likeable characters and real emotional attachment; 2) throwing away two thirds of the cast - all of the LRIGs and all but one guy were essentially chaff; and 3) doing basically the same damn episode 10 eps in a row. I’m dead serious there was no progression in anything for the whole middle segment and then everything was reverted as soon as we needed to go to the conclusion. also, had almost as many asspulls as izetta when it didn’t need any of them.

I can’t recommend this and I’ll be skipping further installments unless we get mari okada back. go back and watch S1 and 2 if you want a good card game show because this one had about 90 minutes worth of content and a whole lot of nothing in between

oh also I watched tawawa on a monday for 1 episode and it was loser-pandering horseshit. thanks for reading!

[yatterzuk]

TinyCo Facebook Live Q&A – Recap

Hey there Clammers!

TinyCo announced recently that they wanted to try out a Live Q&A on their Facebook Page, and a bit like their previous Reddit AMA  there were mixed feelings about them doing this, but I think it was long overdue that they reach out to the community again and as much as this didn’t go quite as I’d hoped, (more on that later), hopefully it’s a start.

For those of you who missed the Q&A, it was live on Monday 20th March, and you can still watch it in full via TinyCo’s official Family Guy Quest For Stuff Facebook page, but incase you don’t want to go there, I’m going share my thoughts on what was a rather unusual Live Q&A for me.

THE TINYCO TEAM

Left to Right we have: Jason (Lead Artist); Jay (Lead Producer); Kimberley (Narrative Designer); Damon (Animator) and Kate (Lead Community Support).

THE LIVE Q&A – MY THOUGHTS

Now this was a 30 minute forum, and I’m not going to sit and do a word by word transcript as I’m not sure who would lose the will to live first, me writing it or you reading it. Instead I’m going pull out and highlight any interesting info and just give my general thoughts on what worked in this format, and of course what didn’t.

I’m going to be straight up honest before we go much further and say I was disappointed by the way the Live Q&A went, and I don’t mean due to the comments and questions being hijacked by trolls. No, it was the fact that from the outset this whole Live Q&A came over as very scripted, like when politicians give a Live Q&A briefing but the questions have actually been wrote by their own team and the answers rehearsed earlier, this just lacked the spontaneity i associate with a Live Q&A. I’m sorry TinyCo but this was the way it came across, the questions were too much about the Team and not the game. And that’s not the type of questions we see day in day out from players.

There was possibly too much talk about who the guyswere, where they came from and the Family Guy show rather than the game itself, after half an hour of listening I feel I learned very little about the game I didn’t already know but I sure as hell felt like I’d known the TinyCo guys all my life. I felt by the time things ended I wanted get them all friendship bracelets as a token of my affection, lol. And hey, maybe that was the point of it, so we’d get to know them as people and not just TinyCo employees, and hey they all seemed awfully nice but by doing this the Live Q&A lacked spontaneity, fun, the unexpected and the down right bizarre that anything linked to Family Guy usually demands.

It also seemed to lack a lot of player questions, the whole point of going live is to answer questions that aren’t only asked before but actually asked live on the timeline, encouraging quick fire and fun responses. Check out this Addicts LIVE stream to see what I mean. Instead I sensed some nerves from the guys, although not the gals, and pre-rehearsed responses to pre-set questions. I’m sorry if that wasn’t the case but it’s certainly how it came across listening to it live.

So that’s my main criticism, and as this was a first outing I can forgive that, I guess some performance nerves combined with not knowing what to expect from what can at times be a very hostile Facebook audience, probably made this a who drew the short straw jaunt for the guys we got to meet. But on my 2nd, and 3rd listen of the Live Q&A  I started to look past this and pull out little bits of info I thought players might want to hear about, and yes I’m going share them with you soon.

I’m also hoping if you watched the Live Stream you’d give us your thoughts in the comments. But please no hating, this isn’t what this post is about, it’s about saying a little Thanks to the TinyCo guys for making the effort but also telling them what worked and what didn’t in order when the next Live Q&A happens we might see more of our questions and less strategically planned answers. Also we might see a bit more interaction with what’s going on on Facebook as they chat, I’d have loved for one the guys to have joked about sending them some love and likes as that sea of little angry faces ran across the bottom of my Facebook screen. You know an instant reaction but in a joking way, jesting with us, playing with us, truly interacting with us. Even a “hey you guys, stop mocking us” in their best Stewie voice. Sometimes it’s ok to show us you’re only human after all…..

THE LIVE Q&A – WHAT THE TINYCO TEAM TOLD US

Well they told us a lot about themselves, which I’m guessing most of you don’t want to know so I’ll try to be brief. But suffice to say, although they weren’t jumping up and down Tiny Tom style they all appeared to love working on FGQFS as much as some of us love playing it. Even Kate, who surely has the toughest job of any at times.

Here’s a few of the things they said about working on FGQFS: It’s a dream; It’s wonderful; It’s great; Every day is different; Can’t wait to go to work everyday; Paid to do what we love; Get to spend the day making stuff up and playing; Team is like a family; Gives you an adrenalin rush and that’s despite the long hours, stress, the brutal nature of the mobile gaming industry and even at times being so busy you end up sleeping in the office.

They are also all big Family Guy fans, they said this about the show: Love the humour; The random nature of the show; How it always comes back to family & friendship; It’s got heart at the centre of it.

And Brian & Stewie seem to be their favourite characters from the show, so it must frustrate them as much as us they can’t use Stewie more. But it’s great to know they all have a passion for the game, and want to be there devising content and events for us for a long time.

Now the second overall thing I took from this is the way they all talked about the game going forward, as let’s face it there’s been a lot of speculation that with the Futurama game looming the end was nigh for FGQFS. But the TinyCo’s teams general chat and body language did not seem to signal the end is imminent in any shape or form so it could be the game everyone loves to hate it going to endure for a while yet.

What made me think this, well talk of bringing in more land once we see more of the older devices disappear from our lives, so they talk in terms of the game outliving these devices. They also talked about the issue with The Blimp, in fact they referred to the ongoing problems as a horror story as every fix causes a new issue, so they are planning to remove it and redo that part of the game, now that’s not something they’d consider if the game were on its way out surely? There’s also still a team of 40 or so working on the game, so it’s not down to one guy and his computer just yet.  And the artists continue to create 3 new characters a week. So this all says to me FGQFS isn’t going anywhere just yet, so don’t unbuckle your safety belts guys as this crazy ride continues.

Ok now onto more specific bits and pieces, as I mentioned above there’s a team of about 40 that work on FGQFS, so next time we moan about having to buy a premium item I guess we should think that those folk need paid, they ain’t doing voluntary work. And Kimberley revealed for every 4 week event they need to come up with at least 200-250 new jokes. I take my hat off to that as like Kate, I struggle to come up with one joke, never mind being able to roll off a production line of them. I’d be laughing all the way to the Bunny Asylum if that were my job.

They told us how they plan an event, sometimes they pick an episode and build the event around it, and I must say this is the events I like to see, ones where I recognise characters and costumes from the show. But they also confirmed sometimes they do the opposite and they get the rights to an Intellectual Property, say for example, Power Rangers, then they look to see if it has links to the show and if it doesn’t they devise a way to merge the two together in a funny Quahog kind of way.  They also revealed they still working very closely with the writers at the Family Guy TV show who continue to share ideas with them.

They also talked about something we see in our comments a lot, a desire for new gameplay and features during events, many of you have recently felt that too many events are the same format onl with different content to unlock. And they talked about this revealing that even when they reuse a format they do endeavour to make it better, for example they said the Quahog Heat gameplay features were based on those of The Hauntening, only with some tweaks to improve it.

But they also added not only did they understand our cries for new features in future events, they were actually going to be delivering some in the next event, Mighty Morphin Power Griffins.  So as much as many of us say they don’t listen, they obviously do!

Likewise they touched on the ongoing demand for old event characters to return, the most popular requests being for American Dad characters; Superheros characters and of course Star Trek characters. This is a question that they’ve now answered many times, but did so again. Basically they only get a limited time contract to give them the rights to use these characters during an event. If they want to bring them back they need to agree a new contract, so they can’t just drop these characters into the game at any time to please new players. But Damon stressed he’d love see some return himself as he hasn’t got them in his game either.

They chatted about their favourite Family Guy characters that they get to work on in the game and for everyone who’s fed up with Peter having so many skins, please be kind to Jason as they’re one his favourite things to work on. And Jay, well Joe’s his go to guy, and as for Damon, he’s got a soft spot for Bruce. And Kimberley well it’s all about Brian & Stewie. And Kate well she kept that her little secret, lol.

They also found time to chat about all us multi-millionaires and tried to explain why some of us have more coins than we’ll ever be able to spend. They said they will try introduce items to buy but in order to try keep events balanced and fair they will always use an event currency or else us multi- millionaires would just burn through events too quickly. And they are right, we would and then we would probably complain we’re bored, cause hey we’re entitled multi-millionaires aren’t we. Lol.

There you have it, hopefully the start of a new relationship with the Staff at TinyCo currently working on Family Guy: The Quest For Stuff.

Did you see some things you were curious about answered? Have some helpful suggestions/replies to some of the questions you saw or the LiveQ&A setup adopted? Thoughts on the Current Staff? Let us know.

~ Russian Tigger

TinyCo Facebook Live Q&A – Recap was originally published on Yatterz