#but i even have some notes on their character arcs

[juney-blues]

June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.

The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.

The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.

In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)

For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)

All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.

If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.

And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."

You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.

But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)

you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.

It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.

If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....

Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"

*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.

[fluentisonus]

tbh really sad when the narrator is like "anyone who knew javert well would notice that [x subtle characteristic trait] was off indicating he was feeling [y]" (<- e.g. when he goes to arrest madeleine & his stock is askew or when he's suicidal & holding his hands behind his back) but like. there is no such person right. no one knows him that well. none of the other characters really understand or are aware of his motivations or character arc or even the context of his death. & like a lot of that Is his fault! but like I keep thinking. at least his musical self tells valjean about his backstory, I don't think book valjean or almost anyone else (except in an impersonal record keeping capacity maybe) is aware of that despite it being a Major element of his character & why he is the way he is. or like the entire chapter of javert derailed he goes through this whole incredible shift in viewpoint & no one ever knows about it & even his note he leaves which is genuinely a serious moment for him is just completely dismissed out of hand as his being insane by just abt everyone who knew him in life. I think the only little moment we get is when he says he'll wait outside for valjean & valjean pauses before he goes in like "this seems uncharacteristic of him" & that's it! his moment of being known & understood! which like again some of this is his own doing in that the way he lived his life prevented it -- I'm not saying the universe owed him intimacy or understanding or whatever & tbh he probably would have rejected it for a lot of the book if it were extended to him due to his own issues (<- which I'm sympathetic to also!!), but it's just so. idk. devastating that here's this whole guy we've spent so much time with that nobody in-book really knows or remembers correctly

[unsoundedcomic]

For all her dissaproval of 'The Man' writing the importance of cruelty into 'The Story', the Lady (and btw you too Ashley 😁) took some serious notes from his textbook. I mean, I really feel for Prakhuta here: all that pain, all that suffering, all that enduring, all for nothing..? He's truly one of your most tragic characters. Born into an abused, enslaved people. Tortured by Delicieu for years, abandoned by his only friend, maimed and banished by his own kin, haunted by the pure pain and horrorside of the Khert, and now failing in the one task that could've made all that suffering atleast have a purpose. A good cause. A true ending. I know he's also a homicidal maniac, but his journey mirrors that of Duane's in so many ways that it is extra sad to me that there seems to be no sympathy or understanding for him in your readership. I mean, with the way Delicieu 'bound' a human soul unto him, can Prakhuta even make or recall happy memories? Is cackling in the proximity of promised relief and being privey to some of the Lady's plans, the only respite he gets/deserves?

Oh, there are readers who have sympathy for Prakhuta. They've been in my inbox all day! :)

I don't think anything redeems suffering and I don't think anyone fundamentally deserves anything. In the words of Ssael, good men keep no accounts. It's better to live day by day, for the sake of others, and not obsess over all the wrongs done to you and by you. Because nothing can undo them. They and everything else remain suspended forever in time. The only way is forward, and we are all going to the same place.

It's not all that different in Kasslyne. There is no redemption. There is only Today and, if you're very lucky, Tomorrow.

Prakhuta lived a life full of suffering and torment, and there is nothing that can undo that fact. Yerta could appear and open her motherly arms and embrace him and he still would have lived a life full of suffering and torment. If Knock had not been there for Ana in the end, what would have changed? Nothing, really, except the reader would have missed out on that brief burst of catharsis as our pattern-seeking brains recognised the bookend of a narrative arc. But Ana still suffered horribly, and she still was dead, and not one jot of that was undone by a hug from Knock.

Anyway, I know I probably sound very grim, but I do like to keep it real. If you see a Prakhuta or an Ana, and you feel you can do something for them, do it. Redemption's for stories, and sometimes not even then~

[sailorblossoms-rankane]

Framing: the first one is a panel with comically deformed faces, a "freaking out" comedic scream, it has a realistic background. It's not a "special moment," it's fanservice and a punchline (or the set up, if you consider something like Ryoga's consequent reaction the punchline). The second is an entire page with a dreamy, ethereal sort of background. The posing is comical but there's no comical deformation, Ranma's face and eyes are focused and entranced. What's happening is meant for Ranma's eyes only. Every choice communicates that this is a showstopper.

For one reason or another, Ranma being around naked girls is usually paired with some level of stress, some "look elsewhere" or "get out of this" freaking out and/or shyness (a shyness more traditionally associated with female characters). His reactions can make it feel like he's invaded/unwilling.

When we reach the doll arc, the situation should be stressful given that this is a possessed Akane trying to kill him, and yet this is the 1st time everything STOPS (a showstopper, if you will). Even if there's comedy in Ranma's reaction, someone being naked here is framed not as raunchy fanservice (that's less about Ranma and more about the reader looking at him and going "that should be ME") but as Ranma ~being seduced~

The FULL page is important. Akane's nakedness is never for "this should be happening to me" fanservice comedy, but for romantic tension (even if it's funny) so only she is framed like she's the dream girl (note that only Ranma gets that full page, how Akane is facing him and how Ranma's location censors what he's seeing. What's happening huge and just for him, not for the reader.)

What characters want/don't want is also part of the comedy (Mousse really wants to see Shampoo, so he doesn't). Ranma just wants to see Akane... so he doesn't! What happens in the doll arc is the exception because it's not really Akane. but it still shows Ranma's feelings (I'm not bringing up how much the whole eldritch nightmare of an arc sucks for Akane simply because it's not the focus of the post, but if it happened to me I would have been on the news, let me tell you)

Part of the comical misunderstandings is Akane toon-force kicking Ranma out of situations, but the intervention is to separate him from the other person (and to remove him from the situation)... but it's not because Ranma is enthralled and can't stop looking (hell, sometimes he doesn't even know what's going on). With Akane, the intervention is because he is enthralled and can't stop looking.

(this is all to convey Ranma's interest being tied to his romantic feelings. Interesting to see how it's done, becaue some form of "special framing" is applied to other situations too... like to elevate the feelings of the delusional suitors lol)

[nicosraf]

I hope its alright to ask for writing tips, i know you have plenty on your plate already so definitely disregard if this is a lot to answer. Was there anything you used that helped you develop characters during the writing process? Like guidelines or tips or even other books?? I wanted to take on writing for fun but I'm quickly realizing there is a lot of,,,, planning and learning that goes along with the writing process. I feel like I have so many ideas and if I don't get them out I will soon explode 🥴

Hello! I always like answering writing questions!

I don't use guides! I've mostly got my own method now, but I've been writing for a long time, and one day, you'll probably have your own method too. I can share with you how I make characters, but try different things! Experiment!

(I also want to emphasize that if you're writing for fun then don't worry about it being good. If you're writing seriously, also don't worry about it being good. Write bad characters, if you want. Do what makes you happy and the work will always be good.)

My rubric for a character, in order of importance (for the most part) is: immediate relevance, themes, arc, background, attributes.

(Note: this isn't the order in which I come up with a character, just how I plot them).

Let me use Rosier as an example of how I typically think of character construction (Note: this isn't exactly how I thought up Rosier)

Initial idea: Lucifer needs a kind figure in his life, maybe someone he lives with. Not Michael. I want him to have a strong platonic relationship. Next idea: Maybe he'll stay kind while Lucifer worsens as a person. Next idea: He should fall but not because of a sin he committed. Next idea: He's older than Lucifer. Next idea: He had a life before Lucifer, too. Next idea: Something, something, fruit. It shows up everywhere in the (imagined) story. Fruit angel? Next idea: Messy, messy feelings about sex.

I start sorting this out as per my little guide:

Immediate Relevance: A platonic relationship for the protagonist, someone who will bring fruits to the Earth. Now what can he bring to this book?

Themes (with an eye for Rosier's relevance to the plot (and its own themes) and the most plot-focused characters' themes): Unconditional kindness, fruit and devil, no ambition, loss of innocence, weakness, not desiring sex (opposed to the theme of others and the book itself), unwillingly creating (while some others are desperate to create), falling from choice, demon who isn't a good demon. How can we structure these themes into a story?

Arc: Rosier, the fruit angel, happily takes newborn Lucifer in. He loves the paradise where nothing ever happens. He has a situationship with the angel who will become the demon of lust. He suffers at Lucifer's hands but forgives him. He loves him. But he doesn't do enough. He suffers at Asmodeus' hands. He chooses to fall. He cares for Lucifer's body. He creates a body for Asmodeus. He follows his friends (again) to a cave of demons. He doesn't want to be alone. He chooses demonhood, despite his kindness. But how can this arc happen to him? (There's a seperate checklist for an arc in my head, with the most important part being "Kill your character." It doesn't have to be literal. Kill them in the sense that they're no longer who they were at the start of the story.)

Background: This arc can only happen because of who Rosier is. And a person is their life, so what is Rosier's life? He was born out of a nova in the sky like a fruit. God hugs him tight, but he won't remember, and God will never meet him, not really. [More about Rosier's background here; this post is getting too long]. What has his background shaped him to be?

Attributes: Is kind, is patient, has learned to be happy with the bare minimum, has learned to make excuses for people. Loves fruits (obviously), likes baking, is fussy. [So on]

You see how all these things build into each other? It's like writing a book in itself. Actually, I think writing a plot and writing a character are very very similar! Because a story is a narrative — a collection of scenes/lines with a beginning and an end, each scene typically affecting the next — and a life is a narrative too — a collection of experiences with a beginning and an end, each experience affecting the next.

You might be curious why "Arc" is above "Background"; again, this isn't the order in which you should come up with a character or anything, but I find that placing big (author-ly) importance on the arc happening in the book/story itself can keep you from falling into the pitfall of "backstory of character is more interesting than what theyre currently up to in the plot." (Also this rubric isn't 100%. Sometimes you have to move the importance of things around. Sometimes a minor character should only have immediate relevance and attributes.)

I hope this is helpful! Good luck!! But please don't worry too much... Just have fun! Write a sexy character and see where they take you

[alexglitches]

Li Jing Analysis #5

Adding this to the beginning since no one really reads my analyses. I have stated in them time and time again that I only focus on LMK Li Jing, and by correlation, Journey to the West as well (albeit very loosely since that’s how the show treats the book). In no way am I going to be referencing any other myths/media Nezha and Li Jing are in, ONLY LEGO MONKIE KID.

So if you try to argue in the notes about how Li Jing is abusive in Investiture of the Gods, I won’t listen since that’s NOT what we’re talking about. Only the LEGO versions, nothing else.

Okay, I think I should finally write this one out since I touched upon it in the 1st and 3rd analyses, but I genuinely believe that the fandom is blowing Li Jing’s character out of proportion because I have seen so many bs reasons as to why he’s ‘abusive’.

While yes, he is neglectful of Nezha, that’s due to his line of work, especially after he essentially became the replacement Jade Emperor and watched as the universe literally fucking fell apart.

“OooOoooOOooo he yelled at Nezha and Nezha backed away, he’s sooooo abusive!!” Like no??? Nezha was probably just caught off guard. If someone yelled at you like that, you’d be caught off guard.

“But he was so abusive in the mythos!!” I literally do not care. LMK isn't even based off of the mythos anyway. The only book that matters for this is JTTW, and even then, LMK is connected very loosely to the original story. Look at all the dead characters that are somehow alive now.

Like, there are so many different versions of Nezha and his birth, cause in some versions he was born from a lotus root, some he was just born from a lotus, and in the actual JTTW he’s just born. There are many different iterations of his mythos that people can’t tell which one is the “correct one”, even if there is one.

What I’m trying to say is, LMK literally doesn’t give two shits about any myths or chinese literature outside of JTTW, so in my analyses, I won’t be including a hundred different myths just to talk about a lego. And honestly, neither should you, because LMK Li Jing was written with JTTW in mind, and he doesn’t do anything in that except just show up when a fight gets tough and, as my friends put it, be lawful stupid. No abuse shown, he’s just sorta there.

And I think this should be a reminder to you all, that Nezha, despite his roles in the current seasons, still technically is a side character, so he’s not gonna get a whole arc dedicated to him and his dad working out their issues. His status as a side character is why they’re relationship is worked on off-screen (looks at the demon bull family).

So tldr, I feel like people are pulling excuses out of their asses to villainize Li Jing and take everything way out of proportion and we are NOT getting an entire season dedicated to his and Nezha’s relationship.

[cepheusgalaxy]

snow white

Roseanne

Basic info: Rose (she/her)

Background: The kingdom’s Perfect Princesa.

Role: Protagonist

Main traits: Kind, calculist, stoic, gentle

*Notes: Haha totally doesn't have mommy issues wdym.

June

Basic info: June (he/him)

Background: Guy who got kicked out of home and then turned to his only option, working at his landlady’s mansion as a servant.

Role: Main character

Main traits: Stoic, skeptical, grumpy, touch-starved, sweet inside

*Notes: I know what he looks like actually. I just need to flesh it out. His arc is also defined. He's going to become a better person whether he wants it or not. *evil laughter*

Iraê

Basic info: Iraê (she/her)

Background: A privateer pirate in a sea-surrounded kingdom. Lost her home as a kid during a territorial conflict with her homeland’s nobles and another noble house and became a pirate, later being recruited as a privateer of another house.

Role: Main character

Main traits: Playful, careful, ambitious

*Notes: She's so cool and I love her. She's also a bit of a dumbass.

Cauã:

Basic info: Cauã (he/him)

Background: Cauã is the only prince and heir of a neighborhood-area kingdom.

Role: Main character

Main traits: Presentable, good-humored, deeply troubled inside, stoic, easily flustered

*Notes: He has a cool design just not a single decent drawing of him. Working on that. He is also physically disabled I just don't know how. ADHDer.

Phillip Schneewittchen

Basic info: Phillip (he/him)

Background: King and Rose’s father. Has been a widow for around five years.

Role: Supporting character

Main traits: Passive, regal, caring, introverted

*Notes: Idk much about this guy he's just there being very heterosexual. (I prommy imma flesh him out. Eventually.) I have his age noted down somewhere.

Katarina von Waldeck

Basic info: Katarina (she/her)

Background: Viscountess of Von Waldeck and June’s employer. Her territory was the one who most flourished during king Phillip’s negligence widow period. The Evil Queen.

Role: Main antagonist

Main traits: Calculist, charismatic, opportunistic

*Notes: She would actually be a great queen if she weren't so evil. She also does have a (outdated) design. I'm just not gonna put it here—oops my hand slipped

note: this story has such a fleshed out plotline I even surprise myself

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[bonefall]

I personally like Thunder's prosthetic. Explained it to my friend (who does use a mobility device, a cane and wheelchair, and listens to me rant and infodump about BB) and they agreed, it's important to know that not every person needs what someone wants to give them. It's another example of "bad ableist person does a thing that hurts a disabled person because they are bad and ableist".

Clear Sky got Jagged Peak killed and would have killed Sunlit Frost! He would absolutely force his disabled son to be "normal" and present it like a privilege. "I wouldn't do this for anyone else, it's special, why don't you want to be helped?"

Thunder Storm should toss it in Clear Sky's face. (I would say toss it into the river but we do not pollute waterways in this house)

Thank you for telling me this, and tell your friend I'm thanking them too! If they have anything else to add please forward what they have to say

Since BB!DOTC tackles some of the heaviest topics in the entire series because its canon equivalent is so dark, I think very carefully about what I do here and how I show it. I take feedback on its sensitive aspects very seriously. If I'm understanding the criticism properly, it's that I should avoid stigmatizing prosthetics by making sure Thunder Storm's not the only one with it-- which he's not! And I'll add even more.

I don't want to avoid something only because it's uncomfortable if the topic is important, and my portrayal is respectful. Ableism IS uncomfortable! There are some situations where a prosthetic is not wanted! I think the rejection of this particular one is both a good opportunity to show a type of ableism and ALSO is very fitting for the characters.

In BB!Clear Sky's mind, the villain, he's fixing an old mistake. He can't admit that he got Jagged Peak killed or take REAL accountability for it (though he will, occasionally, apologize insincerely), but deep in his bones, he knows what he did was cruel. He'll never tell anyone this because he doesn't really cognate it himself, but Thunder Storm NEEDS to take his gift.

If Thunder doesn't take it, it blows a hole in his newest story. You see, throwing Jagged Peak out was All That Could Have Been Done back then. It was a Tragedy and he simply Made A Hard Choice. He regrets it very much, But You Have To Understand.

But now? Now? Well, behold. Look at what he's accomplished since the tragic death of his little brother. His cats are well-fed, cared for, and stable enough to make such incredible advancements. If only Jagged Peak had been able to hold on longer, if only he could be here now, I could fix him.

Just like I can (MAKE YOU JUST LIKE ME) fix you.

"Everything I've ever done is for Jagged Peak. For Fluttering Wing. For you." Thunder Sky is SPECIAL, but if he rejects any gift, tries to turn down the "privileges" offered to him, in an instant that becomes ungratefulness and arrogance. He both forces him to be special, and then leverages it against him if it's rejected. "Spoiled brat, doesn't appreciate what I've worked so hard to give him."

It all goes back to him and his own guilt. He can NEVER be wrong. He can't accept his family doesn't have to be "normal" or reflect his own ability. He won't see himself as a bully, let alone a murderer. It was never about his son's comfort or finding out what Thunder Storm wants or needs, it was about his own ego.

...All that said I'm still taking feedback if there's anything else I should keep in mind, or if anyone has a counter point, especially if you also have experience here.

(In the interest of having a link trail for posterity, here's the critique/call for feedback this is in response to)

[shannonsketches]

like why did they change where Vegeta was when Cell announced the cell games in the anime

why did they make this vegeta starting shit with yamcha instead of chillin in the lab with his family? why did they take Bulma out of the lab? Why'd they say she was Out while Dr Brief was repairing 16? Why did they change Bulma working on advanced robotics to running in late with her baby?

it's the same scene except: - Bulma's actively at work being a scientist - Vegeta's not being rude to her (or anyone else!) - Vegeta waits for Trunks instead of leaving the room - Cell interrupted the airwaves, which means Trunks and Vegeta were just hanging out with Bulma and Dr B while they were working

Those are all Great Character Details!! That the anime rails against!!

[konshokoentaiko]

i need to write a lawlight au where l and light are contestants on an idol survival show à la idol producer (2018)

[clay-pidgeon]

every day i think about feferi peixes

[artheresy]

One of the biggest things still keeping me so sure Dazai will survive is that I am 100% convinced the next major antagonist is gonna be Agatha Christie and the Order of the Clock Tower and I don't think Asagiri would do presumably a long arc once more without having Dazai there

Maybe I'm delusional, maybe I'm simply using my brain and ignoring any angst thoughts, who knows

[rawliverandgoronspice]

One thing I really like is that the whole Unhallowed Vespers trilogy (so Litany, Descant and Antiphon) is that is really served as my brainstorming test grounds for Thralls.

There are ideas in there I realize I don't like as much as I thought in hindsight, or conflict with other stuff I decided I'd rather pursue instead, and I get to have explored them before committing to those in a more long-form kind of project --or some that are too subtle or complicated to be carried out outside of writing (mostly thinking of a ton of Ganondorf character details, some things about gerudo culture that I want to tweak, characters that are getting axed because We Don't Have Time, etc).

On the contrary, there are things I set up in there I never actually got to explore, and I get to pull out that thread in here instead (basically every single of the hylians' character arc roughly, Nabooru, even Impa in a way). It's pretty weird and interesting to revisit the same core ideas twice, but in a different medium and with different character arcs in mind starting off the same thing.

[finelyagedlemons]

sometime after we finished playing aa4 together, my roommate had a dream about an alternate ending to the game involving phoenix stealing the actual david krisler letter from kristoph's cell, and kristoph subsequently hiring an assassin to take out apollo before it could be shown in court

[melien]