lucy: i need not tell you this is a secret
me, one of presumably thousands of people being emailed this: absolutely not queen. this dies with me, and i love you
841 notes
·
View notes
I'm not including a situation where someone might be injured because in that case I'm thinking the bed goes to them by default or they are nominated for it. anyone who wants to be chatty goes to join the living room floor gang.
What are your thoughts and headcanons? Do you have thoughts on how the boys tend to approach assigning beds in inns? Who do the chain choose to sleep near when camping and why? What are their dynamics like when settling down for the night and getting ready for the day?
In "Mirror Vs Open Closet Door: Fight!" by Gintrinsic (here) Four refers to the chain's decision on how to split up between inn rooms as the "Link-per-room ratio" which I find very funny. He, Sky, and Time also talk about their thought process behind why they do or don't want to sleep in a room with some of the others which I find fun and interesting.
So! If you have thoughts and want to share them! *gestures to the post!*
41 notes
·
View notes
DAD OSCAR!!!!????? Ellie you’re going to make me cry! Oh to be in your mind, I am SO EXCITED xx
listen ever since this au came up i haven't been able to let it go just. oscar with a little BABY. a BABY. ack. anyway here's an actual oscar being a dad line just for you
“I know,” Oscar says, bounces Oliva a little, who still seems blissfully unaware to the tense conversation happening over her head. She’s a cute baby, if anything. Oscar’s eyes, little button nose. “But everything was so hectic, and it just slipped through the cracks, I guess.”
43 notes
·
View notes
thinking about narrative choice in dr0 and ryoko being in first person while everyone else - including junko - is in third person.
thinking about how we can look at this as how the reader - or writer - sees the world.
thinking about narrative choice and who is telling the story.
thinking about mukuro telling ryoko very clearly that the entire story is scripted by junko.
thinking about how technically this means that junko is, from a narrative standpoint, the person writing the story. the narrator. (not the author. and sometimes the narrator is not the character who has the pov - sometimes you have a layer of disconnect where the narrator telling the story isn't the character. see catherynne m. valente's fairyland series and john steinbeck's east of eden, where the narrator is telling the story but is not the third person characters who are the primary point of view characters.)
thinking about how junko is the narrator of dr0.
thinking about how junko put everyone in third person because they weren't her.
thinking about how junko put junko in third person because she wasn't her.
thinking about how junko put ryoko in first person because that's actually her.
(thinking about ryoko as the narrator of the story, but she isn't, junko is.)
32 notes
·
View notes
I don’t think y’all understand how clearly I have a potential novel mapped out in my head based off things I’ve already written like. It’s the overarching plot of lost gods (depressed guy forms a relationship with an older artist after two failed relationships) meets the dying love story of moth work (two guys are doomed for a lifetime of each other) simultaneously threaded with a dreamlike whirlwind romance (body back & changing states) ultimately leading us to a narrator who feels more like an art exhibit than a man
10 notes
·
View notes