#but it really feels that way not gonna lie

[thecheshirerat]

On TAZ-

Wow that sounds like I’m about to summarize some sort of discourse but I promise I’m not. I guess I’ll say that I really like this show and I will keep listening even if my worst fears come to pass, so keep that in mind!

For reference, I started listening near the end of Amnesty.

I’ve noticed, with the past few arcs- really since Ethersea- the narratives have just… not been fulfilling their promises, so to speak. They’ve been placing a lot of guns that don’t go off. What I mean by that is, the characters are great. Excellent, really. Lady Godwin? HELL YES. Emerich Dreadway? Fuck yeah! And so on! And the settings and premises have been epic- the goofiness and also horrifying nature of Engrave, the mad and thrilling world of Steeplechase- these things are COOL AS FUCK.

and then the actual narratives keep flopping?

And honestly, I notice it most in the endings, because you can really tell when an ending doesn’t land. You feel the sense of disappointment. But with vs. Dracula, for example, I could kinda see leading up to it that the ending couldn’t really BE anything special, because they lowkey didn’t set themselves up for it.

They spent the campaign fucking around in Engrave, finding clues and solving problems and not really experiencing any particularly meaningful character arcs or growth or, idk, forming relationships? So there wasn’t much to pay off, I’m not gonna lie!

Of course it doesn’t feel quite as dissatisfying when you’re in the thick of it, because they’re funny and the stuff is cool and- oh hey! Lady Godwin’s been turned into a werehorse against her will?? that’s got some real potential for a LOT of allegories and exploration of some fun character development! And then it’s kinda played as a joke. And then they do that again and again.

And they actually said that that was a move they made intentionally, in the TTAZZ. I’m not quoting them perfectly here, this is from memory, but I do remember them mentioning that they wanted lighthearted comedy without the burden of real life story stuff. And I get that, honestly, but… it’s not the choice I would’ve made. I do think you can keep a lighthearted tone while also, idk, forming relationships and wholesomely engaging with some amount of emotion. And sometimes going way too deep is funny as a tone shift!

But I digress. One thing that’s also popped out to me is the almost complete lack of any kind of romantic storyline or even references. This becomes obvious if you’re in a fandom because everyone is always dying to ship SOMEONE, and you can tell when people are really getting desperate. I don’t blame them for not wanting to roleplay romance with their family, and I do think stories lacking romance are COOL and SHOULD BE ENCOURAGED!

However if you can’t find ANYBODY to ship together… that may mean you just don’t have character bonds. The growing popularity of the PC polycule is interesting to me; I wonder if it’s partially because

a) none of the pcs have significant relationships outside of their party and

b) even within the party, there doesn’t seem to be much chemistry between any given pair of characters…? I hope I’m making my point well here- the PCs all seem equally close and have more or less the same relationship to all of their compatriots with little distinction, meaning, essentially, no shipping fodder that doesn’t involve just all of ‘em.

Either way, it makes me wonder if I can blame the “Graduation has too many NPCs!” critique. They really stopped giving the parties tag-along main NPCs after graduation, with the exception of maybe.. Urchin? Kodira? Shlabethany? Poppy? and even they get relatively little “screen” time. Steeplechase has great NPCs, I love them to death, but none of the PCs seem to ever have one on one conversations with NPCs or each other that do not explicitly focus on the plot. And I think that’s part of why the characters feel so underdeveloped despite having spent a lot of time with them- because in this character-driven genre, we get very little insight into their feelings or motivations or even their rudimentary backstories.

I started watching Fantasy High recently and it made me realize a couple things about TAZ.

1) Recently, TAZ has sooo few core NPCs, and it’s weird that the characters aren’t doing more one-on-one purely character based scenes. And that makes it really tough to develop them.

2) TAZ is- and I should have realized this before- one of many good dnd podcasts. They’re probably looking for a niche they can master.

And it sounds like they’re trying to get back to that old “Here there be Gerblins!” energy. They’ve referenced it so many times in recent TTAZZes- they wanted to be job-focused, allowing story stuff to happen organically, so they tried a more open world vibe with Ethersea. They wanted to be less afraid to kill stuff, so they tried playing criminals (and were still afraid to kill stuff). They wanted to be silly and light on character, as they tackled with taz vs dracula. Now they’re trying to bring in the silly cartoon vibe with Abnimals. I think they’re trying to make that family-friendly, funny and goofy show their niche. Something other actual plays can’t be better at them at.

And honestly it kinda makes me sad, that they keep trying to go back to Balance while ignoring everything they learned during it. Because I loved Dust. Because I loved Amnesty. Because I loved Ethersea. I loved these past arcs! But they keep doing their brilliant characters dirty for some reason!!! And i don’t know why!!!!

You know that meme about people who ask questions in movies and then the person responds “Have you ever been to a movie before? You watch them and the information is revealed.” There have been so many times in TAZ recently where information has Not been revealed and if they keep doing it the audience will stop bothering to suspend their disbelief, because the trust just isn’t there.

What is Montrose’s deal? What on earth was Carmine Denton’s whole thing? Tell me more about Zoox’s feelings, about Devo’s past, about Amber’s future. Show me how Lady Godwin feels about the body horror that is her life- like, seriously! WHY DID WE HAVE TO COMPLETELY DISMISS THE OPPORTUNITY TO DISCUSS GENERATIONAL TRAUMA IN MUTT’S LIFE FOR A JOKE??

Do you remember in Steeplechase where the boys were getting medical attention or something- i don’t remember, but they were all in one room and only talking about The Plot. And Poppy literally banged on the door (speaking for both Justin and me, tbh) and was like “does anyone want to share any feeeeelings??” and they were like NOPE! and they moved on!!

like. cmon. you can’t just put a character like montrose out there and then leave them severely underdeveloped to the point that what would be interesting in proper context, with audience insight, becomes confusing and chaotic.

I just wish they would take their stories as seriously as we do.

It feels to me like they don’t believe in themselves, and it makes me sad. Maybe they didn’t get the response they wanted from Ethersea and so they’ve been trying to pivot, hoping to recapture whatever it was that earned them a loyal audience.

Again, I love them. They’re so funny and I’ll keep listening until the day they stop making this show, and when it happens I’ll cry.

But i KNOW they have more in them. Remember the “we’ll grow gills” monologue from Justin in the Prologues? Remember Travis’s SOLID acting with Devo? Or his awesome choice to give Lyndon/Beef a clearly delineated work/irl identity? His excellent narration and prose? Remember when Montrose described being lonely?! Remember all those moments where Shit Got Real and you cared??? The nanofather said some dope shit! dracula and victor and sweater dracula had such a wild dynamic! Clint’s acting in Dust 2- I can’t remember the characters name right now- was ASTOUNDING, I genuinely didn’t know he had that in him and it blew me away!

I’m not referencing Balance on purpose, both because the fandom is way to hung up on it and because I want to prove that you don’t even have to look at Balance, or even Post-Balance arcs, to see this kind of good cool stuff!

GAAAAAAAGHHHH!!! I want them to have fun. But also. We’re starving out here.

[mcflymemes]

PROMPTS FROM SONGS ON MY PLAYLIST *  assorted lines from random songs, adjust as necessary

i can't forget this evening, or your face as you were leaving.

you always smile, but in your eyes your sorrow shows.

the sun is going down. it's getting dark.

you look bewildered.

i can't give anymore.

you know i want to do it again.

better things will come our way.

you were always there for me.

i know it's not mine, but i'll see if i can use it.

i see the light in your window.

you know i tried, and i'm sorry.

kiss me if you mean all the things that you say.

one night can make a difference.

please don't leave me hanging.

it's just heartbreaking.

i've got such a long way to go.

i don't want to do your dirty work.

i want you to know that i'm happy for you.

i should have known that it would let me down.

i used to dream about this town.

it's such a shame about it.

there's always magic in the air.

they're dead wrong. i know they are.

nobody's supposed to be here.

tell me what's wrong.

put your arms around me, baby.

show me where you've been.

it may sound funny, but i've come to get my money back.

i know you like what you see.

there is no way you can deny it.

you were always sure of yourself.

who's to blame?

i've had enough of walking from place to place.

you're not what we're looking for.

honestly, i'm not trying to be anybody but me.

can i see you later?

i kinda hope we get stuck.

do you think anybody's actually gonna dance to this?

the answers you seek will never be found at home.

i don't want to leave the comfort of this place.

let's make our escape.

i feel like i'm alive for the very first time.

it's been a while.

i'm not sure why i called.

i was thinking maybe later on we could get together for a while.

it's been such a long time and i really do miss your smile.

it really doesn't matter much to me.

i won't ask for promises, so you don't have to lie.

watch out. you might get what you're after.

we're in for nasty weather.

here's your ticket.

you might need a raincoat.

you can go. sleep at home tonight.

who are you?

i really want to know.

god, there's got to be another way.

it's the one good thing that i've got.

i would really, really love to stick around.

i think there's something you should know.

you made a lot of mistakes.

hey, it happens to us all.

you can do what you think is impossible.

don't close your eyes.

i want your love.

don't look back.

it's only been a week or two.

sooner or later, you'll come rolling back to me.

it gets so lonely here inside my head.

what's wrong with right here on the counter?

i had to stop for the night.

please bring me my wine.

last thing i remember, i was running for the door.

you can check out any time you like but you can never leave.

i'm just in awe of what's in front of me.

i'm sipping wine in a robe.

i look too good to be alone.

every word that i say is coming straight from the heart.

[crxzytogether]

Lol I wanna address this even tho nobody asked because I’m mad. Like ship whoever you want as yk this person said but leave it out of our tag-💀 my problems more with the fact that they tagged byler for this post than what they said but yk since they tagged us might as well respond.

Firstly, “ideas planted by your community”? Huh? Girl what- you mean our evidence? You mean our analysis and perceptions and ability to interpret what we’re watching beyond surface level? And honestly after season 4 even surface level melodramas not looking too good- Secondly, what harsh truths were brought up? The lies? Your perception of montauk? which idk sounds a lot like mike and wills relationship to me but to each their own… “they’ve been together since pretty much day one”, “they have a deep connection”, “four seasons of character development”?? Do I even need to explain? Who’s been together since day one? Right mike and will, in the beginning of episode 1 before any of the upside down shit even happens we’re shown that their relationship is different from their relationship with the other party members. A fact that’s proven time and time again throughout season 1 where we see how much more Mike is affected by Will’s disappearance(not tryna negate everybody else’s feelings or reactions but it’s clear that we’re supposed to notice Mike cares slightly more or in a different way). As for the deep connections? Season 2 shed scene ring a bell, the first one of Mike’s monologue that’s an attempt to help someone he cares about that actually works and is completely honest, deep connection boom. And that connections emphasized again in s4 with Will being able to encourage Mike and make him feel better and we already know why it’s special on Will’s side and their whole plot-line that season. Next, “four seasons of character development” im sorry what?, season 1 and season 3 maybe are the only seasons I’d consider they had that meanwhile season 4 I’d say they had character regression because tell me how Mike goes from being able to comfort El about her feeling like she’s a monster but then does a 180 not only unable to comfort her but also make her feel worse-(I’m talking about she didn’t look fine in case you didn’t catch that). Back to s1/s3, s1 where they were friends for the most part is the healthiest their relationship has ever been the entire show- like😭😭it literally just goes downhill from there. Season 2/season 3 their codependency I’m- and season 4 El feeling like she has to lie to Mike about her life and Mike unable to comfort her and also hiding his own interests from her. Like sure the bullying thing I get why she’d hide that maybe not really but El lies about so many things😭😭 she feels like she has to lie to keep up the relationship. THAT 👏 IS 👏 NOT 👏 HEALTHY 👏. Like maybe after they’ve both grown separately I’d consider it but as of now? No sir. Also let me remind you how El confronted Angela and asked her to help El keep up the pretence- SHE STILL DIDN’T FEEL SAFE OR COMFORTABLE ENOUGH TELL MIKE THE TRUTH. That’s not healthy for either of them. My byler agenda aside I still don’t think Mike and El should be together. Lastly, “the fact that Mileven IS endgame”, again I’m sorry what? Have you watched season 5? Have you read the scripts or been on set or talked to anybody working on st5 or work on st5 yourself? No? So then how is that a fact- it’s a prediction, an assumption but it’s not a fact. If after season 5 comes out and it did end up becoming true then you could use that phrase but as of now when you have no idea how season 5 is gonna go you can’t call that a fact. Also rip how are you so confident when Mike and Will are literally attached at the hip so far from what we have seen besides the rooftop convo and if that is enough to convince you then yikes- bc we’ve got like 10 of those to convince us so good luck watching season 5 and have a good day ig

[littlemisscantloveyouback]

Hii! I just found your works and I am IN LOVEEEE OMGGG 🫶🫶

I’m not too good at requesting these things, but could I ask for a Logan Howlett x short! AFAB reader?

I’m 4’11 and haven’t grown since sophomore year of high school, and everyone I know comments on it in every sort of way, and usually in a demeaning, teasing kind of way. (Like, going out of their way to make fun of me and stuff I can’t do, or how they can’t take me seriously). And no one listens to me when I tell them that it’s starting to hurt my feelings or be annoying lol

It can be a full fic or just a couple HC’s, up to you!!! Please take your time and don’t forget to take care of yourself 🫶

YES OFC I wish I got more asks bru

Anyway thank you

Tw ⚠ : short reader, afab reader, sexual tension, sexual talking, protective logan, masturbation (f),

You lay in you bed not wanting to go downstairs, logan had been gone for days on a mission for Xavier to find another mutant and she had to sub for Storm because because there both gone.

Logan was supposed to call you after class so you reluctantly got up got dressed and went downstairs to the classroom, you always hated leaving your room without Logan he was practically your bodyguard because of how some of the other girls treated you because of your hight you are 4'11 after all and they always told you she looked like a kid but when logan stepped in they left you alone.

There was even a time when you almost threw the girl into the fountain for bullying her but logan put a stop to it ever since then he always took a liking to you.

You made it to the classroom with no run-ins land waited for your students to show up for class you were teaching how to control your powers with mind, body and soul.

Storm is better then me with children

You thought to yourself as the kids started walking in, you waved at them as they took there seats and began your lesson.

After you were done you got a call from logan.

"Hey bub." He talked into the phone, you looked down at the floor wishing he was here instead.

"I'm really hungry,but the kids were fine," you walked back to your room. "And I miss you when will you be back?"

He looked around the hotel. "Me and the others should be back tomorrow afternoon." You laid in bed and looked at his side.

"I want you so bad loagn I wish you were here with me," he regretted taking this mission knowing it would be stressful for you. "Touching me, and telling me I'm yours." You moaned into the phone.

His pants tightened thinking of you laying on your bed waiting for him.

"Trust me honey I'll be there soon enough, now sit and be a good girl for me when I get back I love you." He hung up the phone after your goodbyes

And you sat there trying to fall asleep but after three hours you just gave up, you couldn't stop thinking about Logan and the way he would have gotten you to sleep, rubbing your back and your thighs.

I wonder what he would do to me right now ?

You thought to yourself as you rubbed your inner thigh, your hand had other plans when it started rubbing your clit thinking about him

You picked up your phone to call him and see if he's awake, turns out he was

"Logan." You moaned, he could here the wet sounds from the other end of the line.

"Y/n you need to go to bed, I can't talk there gonna here you." He quietly yelled at you.

"No please I need you now loagn I can't wait any longer." You mewled.

"Y/n please you need to wait So i can actually fuck you." Logan couldn't lie the thought of you playing with yourself was making him hard but he had to control himself or he was gonna wake up Storm.

Your orgasm was coming, and he knew it. "Baby, I want you inside me, please." You begged as you came over the phone.

He hated when you did this sometimes you always got what you wanted when you called him like this and he wasn't gonna just let you tease him he wants to touch you but your not here and he's gonna put a stop to it.

"Y/n stop calling me horny when you know I can't touch you like I want, your teasing me your gonne be the death of me." He hung up the phone.

You gasped not believing he just hung up the phone on you like that.

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆

Ok how do we feel about me writing logan I love hugh jackman and I was waiting for something like this should I make a part two?

[martisno]

I'm talking about gays at 2 am again, what a shocker.

Anyways, a few days ago i talked to a friend about how Taranza has a type and stuff as a silly joke, but then it went deeper and we went on and on about it for a bit.

Bottom line was that if we saw them in more "canon personalities" big quotations on that; their relationship would be sooo fucking funny?.

To me at the end of the day Taranza is a hopeless romantic who's hurting and is desperately seeking someone to fill the void that Sectonia left in NOT a healthy way. So he would gravitate towards Magolor since he's similar in a few things with the late queen.

And what would Magolor do? He would feed into it; he does love attention and recognition, plus wowie! His own minion, so cool!. Although after a while he gets kinda tired of it, is not fun anymore having someone hovering around you all the time just telling you what you want to hear, but also Taranza is one of the few people who willingly sticks next to him.

It becomes a back and forth that is quite interesting to see and how they try to navigate their weird ass situationship.

And their own internal problems, are the catalysts for this going on and getting bad, but they can't keep each other out of their lives. Both have become quite attached, that's why they keep coming back to the other.

They do unintentionally help and heal each other, Taranza realizing he's stuck with these unresolved feelings and having the courage to finally start the path to heal, and subsequently helping Magolor realize that maybe he doesn't really want to just own and control everything he sees.

At the end of the day Magolor is quite hard to decipher as a character; which is good! But we do have a lot of proof that what he desires the most is friendship and to be perceived, but he has never had that before and subsequently his copying method, to an extent, is to try and force the things he wants, bia manipulating or trying to take over the fucking galaxy.

It would also be really fun to see how Taranza takes at face value everything Magolor says to him, lie or not, because he has pink tainted glasses. Totally not gonna backfire at some point but oh well.

I don't know, I'm very normal about these two and Kirby stuff in general as you can see ✌️.

[bigfatbreak]

Birds of a Feather previous / next

[thebittercorvus]

hatred is a whole lot like bread. she would know.

as a baker, issa knows there's few things out there that can be as fickle as making bread from scratch. the time you need to knead. the almost arbitrary temperatures the bacteria you require in order to make it work requires in order to survive just enough in order not to completely fester the dough and ruin it. how it'll mock you at times and just come out completely wrong even though you did everything the right way.

now don't misunderstand, because it is a labour of love. there's absolutely no one on earth that would subject themselves to the suffering of waiting hours upon hours for the damned thing to be ready to bake, just for it to come out of the oven fucked beyond recognition and useless on top of that, and decide you just need to try it again.

that's exactly, where it resembles hatred.

you see, following the exact same steps for something usually gives you the same results. not with bread. not in an enviroment you cannot control completely. something will always spiral just out of your control and, will remind you that you're at the mercy of gods who abandoned earth as soon as it became evident that humans were able to fend for themselves, although not particularly good at doing so. like cats in a way, but a lot less cuter and a lot more capable of commiting crimes against its own kind for completely incomprehensible reasons. that is why, in the act of repeating the same steps over and over with the hopes that this time, the fundamentally uncontrollable thing that keeps on fucking things up for you will simply disappear and will allow your bread to rise beautifully.

hatred exists in the way you'll repeatedly make the same mistakes over, and over, and over, and see how it's ruining everything, how it's fucking up this thing you initially wanted to be beautiful, and yet you blame everything but yourself.

it takes effort to bring a loaf of bread to life. in the same way, it takes effort to ruin someone beyond recognition and still look at them in the eyes and say it wasn't you.

issa takes a tray out of the over. it deflated. it got burnt. her mother hoovers just over her shoulder, asking her with raised eyebrows what went wrong this time. what did she fucked up. tells her to try again. tells her to try until she stops fucking things up.

she thinks of her sister, and how she fleed one day in the middle of the night, twisted beyond recognition, and muttering how hatred solidified like the fat in your gut until it simply became who you are. she thinks of her brother who she hasn't seen in a decade and how he hated their father so much, he ended up becoming the exact same person. she thinks of her father who hates himself so much he keeps on repeating the same mistakes over and over and over and keeps on wondering why are things still the same. why do his children hate him. why is the bread completely burnt.

she thinks of herself, ugly and chained up and hateful, deflated like a dough that didn't grow correctly because she herself simply grew up the wrong way. not her mother's fault, as she can do no wrong, not her father's fault as he simply isn't around, but her own, even though she grew up under their watch, under their rules. but, she still ended up fucked up, and then it must be because of reasons beyond their controls, instead of the repeated, measured and careful steps they took each day, every day, for over sixteen years.

"i guess we'll eat burnt bread for dinner now," she hears her mother say. "just like yesterday, and the day before."

"i am sorry though," she insists, on the verge of tears.

"sorry isn't enough, when will you learn?"

to make a good bread, you must learn many things. the correct measuring of everything, and the correct times, and temperatures, even what to do so it will still come out right when everything else goes wrong. and if it still goes wrong then you learn accountability, because otherwise you'll keep on making the same mistakes and love will turn into hatred.

she hasn't been taught accountability yet. nobody has apologized to her for all of the hatred. nobody has bothered to ask why is that she's festering and rotting with this soul eating bacteria that replaces every feeling in her body with hatred. and maybe that's why she'll keep on repeating the same mistakes over and over until somebody can sit besides her to point out exactly what's wrong. hopefully her mistakes won't be solidified like the fat in an old man's gut by then and she'll still have the chance to scoop out her faults with a net.

her mother leaves eventually, after complaining of all of the things wrong with her as if she simply was scolding a badly trained stray dog instead of the daugther she herself measured, kneaded and waited upon for years and years and years. she complains about the way she was raised, as if it wasn't her who did it.

tomorrow she'll try again. and the day after. and the day after that one too. until the day she too learns how hatred is so close to love you cannot tell the difference once you burn it.

[soaked-ghost]

any excuse to draw ink again is a good excuse!

[drawnfamiliarfaces]

i've never even seen the show First is from and yet i love your First x Chase Young ship so i have to ask. If anything did HAPPEN between the two of them what sort of emotions would they be dealing with afterwards?

Wow, this is such an unexpectedly nice compliment for me? Cause it means, you are a Chase/XS fan, who saw my crack ship and went 'I don't know what's going on, but I enjoy your silly little ship, funny crossover shipper.' and you know what? It's very nice and made me happy. ;) Thank you!

And well who said nothing ever happened between them lol IF anything happened between those two (be it emotional or physical ;3), their default way of dealing it would be DENIAL DENIAL DENIAL, in similar but also in slightly different ways.

Chase Young is a man who seemingly doesn't do softer emotions. Any possible feelings and reactions who could be attributed to him actually caring about First Ninja, are re-labeled in his head into him doing all of this because he is trying to manipulate First on his side (and he totally still is, but he also now wants to feed that man, talk with him during long evenings and perhaps take a nap with him, you know, disgusting cute domestic stuff amidst oh i dunno- taking over the world and being evil together. >;))

First Ninja on the other hand, is very much aware that for things to go this far means that he is absolutely having emotions about Chase. But he is also in denial, because how can he betray all of his moral standing and beliefs, if he starting to care about someone like Chase Young? So he shoves it so far deep, he is in denial about denial, and turns completely blind to anything even resembling them being something more than opponents who tentavely respect one another.

[chirpsythismorning]

Some of the evidence supporting Mike not being in love with El is brutal. No, but seriously.

In s3, when El's leg is injured, instead of Mike putting his arm around her waist, allowing him to take some of the weight off her injured leg, he puts his arm around her shoulder, basically having the exact opposite affect of taking the weight off of her, instead just adding more weight for her to have to carry.

Now, I’m not coming at Mike here, I’m actually coming at the writers, because this choice here has everything to do with them using this gesture to signal Mike’s lack of feelings for El, even at the expense of realism.

I say this bc any person with common sense, including Finn and everyone around him and Millie filming these shots, would've known it looked unnatural for Mike to be adding more weight onto El as opposed to taking some off of her.

This means that what Mike did here, Finn was directed to do, and therefore it was for a specific reason.

And we know they could have easily made the opposite choice, because they show us Max AND Lucas doing it.

See how putting an arm around El's waist looks so much more natural? Because homegirl is injured and clearly needs help taking weight off her leg to qualm some of the pain she's experiencing there, which is why Max and Lucas are shown here doing it the correct way.

And so, why can't Mike do the same? Why are the writers making a point to show Mike being incapable of simply taking some weight off of El, instead doing the exact opposite?

I don't think it's as deep as Mike not being able to do something intimate, and that's bc, again we see Max and Lucas doing it.

I honestly think what they're trying to convey with this choice here, is that Mike thinks he's helping El, when he is in fact doing the opposite despite his best efforts. The implications of that and how that sort of aligns with their romantic relationship and what it leads to at the end of s3, going into s4, is pretty spot on.

I do think Mike thinks he's doing the right thing by being with El instead of voicing any doubts at the end of s3, because he is under the assumption that she is in love with him. I do think he believes he is indebted to her and that this is the least he can do after everything they've been through together, which has mostly been riddled with romantic pressures and so continuing that instead of disputing it seems like the only option anyways. Not to mention, he does care for her deeply, so it's not hard to imagine that he's a teenage boy confusing deep care for love (he literally tells us this is his problem when he can only say care and not love to El's face... but that's a whole other conversation).

Still, when it's all said and done, Mike's not actually doing El any favors by being with her romantically, if that is not what he truly wants.

Because that's the sad truth about all of this, which is that you would never want someone to be with you just because you want them. If you knew that they truly couldn't have those feelings for you, you'd want to know, right? You don't deserve someone just because you have deep feelings for them. And I think there's so many layers to this idea, bc many people are capable of not giving Byler a chance bc they truly believe Mike could never return Will's feelings. Will also feels this way atp, so though it hurts, he rips the band aid off, because he would never want Mike to be with him just out of pity or something. No one would want that. And so it all really comes down to who Mike truly loves romantically and wants to be with. And the right thing to do, even if it hurts someone, is to be honest, because being with them just bc you think that will make them happy is never going to be enough if you aren't truly feeling it, or worse, feel it for someone else.

We see how Mike's inability to be honest with El at the end of s3, leads to a season of Mike feeling deeply insecure and undeserving of the love El has to offer him, and even though he does try, he always comes up short. Despite Mike putting up this front that they are the perfect couple, the details are telling us something is off. And it gives him away.

Another example that I think is very similar to this loaded gesture from Mike to El in s3, is the scene in s4 when they hug in the airport.

Common sense ppl, picture this: You're reuniting with your long distance girlfriend. Then suddenly, she runs up to you, with her arms wide open, and instead of opening your arms wide to embrace her properly, you take the bouquet of flowers you brought her as a gift, and shove them against your chest just as she approaches to hug you, effectively squishing the present you got for her (a pretty delicate present at that) for no reason other than to... what exactly?

Like?? El isn't even squishing the present Mike, she's trying to hug you, dude! Your gf is trying to hug you properly and you threw the gift you got for her in between you so you could throw in a careful! x3??

Again, this has less to do with Mike's thoughts and reasoning behind this gesture in a literal sense, and more to do with the simple fact that this is a narrative choice! Mike is not a real person! There are real people sitting down and writing this and actors are having to do multiple takes to act it out. What feels natural for a situation is going to be what is often chosen 9 times out of 10, because of realism and wanting the audience to see stuff happening that is believable. That 1 time though, when it's not being done the way it would usually be, is usually because there's a specific reason for it.!

So the question really is, not why is Mike doing this, but why are the writers having Mike do this, and what message are they trying to convey about Mike's feelings based on his behavior, in these moments where he's just not capable of committing to El genuinely, one way or another?

[shesmore-shoebill]

fun question, fun answer, with a lot of neat points!

especially loved:

- the elaboration of its not that the personas we see are fake, or inauthentic, as much as it is that they are not an all encompassing or holistic representation of who they are as whole people

- Amanda apparently being equal parts "on" both on and off camera- cool :)

- Courtney highlighting that Arasha is really good at slipping into specific roles/personas depending on what the video needs

- Courtney + Amanda emphasizing how sweet Arasha is + how the video personas aren't fake but also don't showcase all of her as a peraon

- Explicit acknowledgement that there are definitely elements that are intentionally played into because they are on camera, especially little brain farts or dumb moments. Highlighting how those can become running jokes/a Big Thing but if it hadn't been a video it probably would have been glossed over.

- just the general discussion about how the personas/perceptions are intentional in a number of ways- they prep, drink energy drinks, choose to play into certain things for comedy. Not lies, but definitely not accidents.

- People being weird about Shayne/misconceptions due to perception of his video-persona.... :/

- Smosh Mouth helping break those perceptions/Shayne getting to be more himself on Smosh Mouth/it getting to reveal more of Shayne's depths and self. (as a smosh mouth lover i <3 this bit)

[thatonecrookedsmile]

Recovered photo of Joey Drew. Taken December 31, 1944, during a New Year's Eve party at the Arch residence, photographed by George Parker. Photo depicts Mr. Drew shaking hands with an unknown man in a hat. Attempts to identify the man and his whereabouts have been unsuccessful. -The ArchGate Preservation Society.

-Record-

-----

Alternatively: 'Unknown' - Return to the Studio AU.

Even though he was the one who personally invited every guest at the party, when Joey later asked him who the "strange man" was, Nathan had no idea who he was referring to, even with Drew's specifics.

After several years have passed, looking back at the photo, Nathan still has no idea who this man is or how he got into the party.

Joey described the encounter as something that "started out pleasantly, and ended on a very uncomfortable note."

[moeblob]

Amazing, take some of the side character demons from Evil Bound.

Vincie is a menace to Chuck and Chuck alone so in Hell, Chuck hexes his hand behind his back so that he isn't grabbed as much (and it's harder to pet him). Chuck is like the most irresponsible older sibling ever to demons though so Kelvin recruits him (as an older sibling vibe) to go help him get his ACTUAL older sibling from Earth. Chuck agrees. And then drags Vincie from Hell with them because no one else wants to babysit him and he refuses to unbind the hex just to re-hex when he returns to Hell.

In Hell, Kelvin actually doesn't appear much different than his human form! Like Kronos, the lines under his eyes are red in Hell but black on earth. Chuck however? In Hell he has wolf-ish ears and has a fur lining his neck (note the neck scars in human form). In addition to that he has four eyes in Hell (note the scars under his eyes in human form). Vincie just has horns in Hell. And! In Hell the hex doesn't have a silly looking "tied up" look, it's invisible unless Vincie strains it with movement and then its red text. But it shifts on earth to be visible.

Vincie's biggest agony for the entirety on earth is "dude it's colder here than in Hell I want a jacket to slip my arms into BUT I CANT BECAUSE IM BOUND".

[deoidesign]

hi, I remembered about the ask about the vampire abilities (time travel, walking in the sun, compulsion) and I need to ask, what are the werewolf abilities?

and Steve own abilities since he can become a giant werebat and being the most convincing conman

Hi there!

So, werewolves can shapeshift into canines of course. But they also heal faster than humans, are stronger than humans, and they have a generally better sense of smell and hearing!

I also like to think they can see in the dark pretty well, too.

Steve specifically has... Well, his stuff is kind of messy. Werewolves and their relation to the moon and its cycle combined with vampires relationship to time led him to being unable to control his time travel, and instead it's forced around the cycle of the moon. This sort of goes with everything. He doesn't need blood to do things, but the werebat is insatiably hungry. It's extremely powerful, but uncontrollable. He doesn't need permission to enter a residence, but he also is incapable of compelling people.

The sort of thematic representation of this is all about his general place in the story as someone who has absolutely no choice, and that frustration of your agency being taken from you.

Him being a 'convincing conman' is a survival tactic, to be honest. It can make the difference between eating and not. With his only real benefit from all this supernatural upheaval being heightened senses, he's just become really observational and is able to read a room and adapt to it immediately. It's about the only thing that's kept him alive, besides the werebat... so really, it's the only thing that's kept the werebat out.

Some of this is admittedly getting into spoiler territory, though, but I do intend to canonize some things! I'm happy to delve more into the specifics once it's happened :)

[thebirdandhersong]

i personally think there was no need to make remarks about age

[willosword]

HOOOOOOO BOY