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#but it was like 2am so…
breadhalfburnt · 5 months
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succumbing to the summer weather out here
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minimanuke · 8 months
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This image was MADE for them
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Lately, I've been thinking about Mithrun and the ways he is dehumanized in canon.
Before I get started, we know that elven society is incredibly afraid of death and illness. This is obvious in how they look down on the short lived races and see them as weak and childlike. We also know that Mithrun himself had ableist views toward his brother and these values did not leave him once he, himself, became disabled. He is a product of the society that raised him, but I also think how Mithrun is currently being treated contributes to his view of himself.
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Mithrun has had three different caretaking groups over the years. The first are the ones his brother hired for him. From what we can see, they did the job, but we can understand that they did not know what to do with him. No one had ever recovered from having their desires eaten so the focus was less on rehabilitation and more on keeping him alive.
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Later we see Milsiril take an interest in him because of his desire to return to the dungeon. Since she did not bother to visit him for decades after finding him, we can assume that there is an ulterior motive here. Timeline-wise, this was when the majority of the canaries had just been wiped out. They needed more men, and Mithrun is set up to be the perfect single-focused soldier.
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Honestly, we can assume that Milsiril doesn't really care about him or see him as a person. Mithrun is just a new project for her to play with. We can see this in how she's focused on superficial level concerns like the fact that he doesn't look nice and wanting him to be overly grateful toward her. She also talks about him like he's not in the room and can't hear her. This is a dehumanizing trait shared by many characters when talking about Mithrun.
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When he finally does recover enough to return to the canaries, the military does not make any effort to accommodate his needs. We know the canaries are understaffed and the ethics are already bad, but they really did not even try to care about Mithrun's safety at all.
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Entrusting a criminal with his care was questionable at best, especially when Cithis immediately took the opportunity to abuse her power over him and no one stopped her.
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While acknowledging the light-hearted nature of the manga, it's uncomfortable that Mithrun was treated like a child and an animal by Cithis for her amusement. Regardless of her 'learning to respect him' later, the point is that Mithrun was taken advantage of and degraded because she believed he couldn't say no. No one bothered to do anything about this until Pattadol yelled at her.
Truly his treatment is summarized well by Milsiril here. Mithrun is extremely vulnerable to being abused by those taking care of him because he won't advocate for himself. He has one desire so he won't fight for himself in any other way.
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It is obvious that Mithrun was not treated well by his caretakers and this has resulted in him identifying his needs through a disconnected and frankly, infantilizing lens.
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I understand that it may have been a translator's decision, but I always thought it was interesting that Mithrun says that he's "not sleepy" which is a childish term. Otherwise, he speaks like everyone else, if not rather posh.
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This, followed by the fact that he is responsive to Kabru treating him like a literal infant to get him to eat, paints a clear picture of the fact that Mithrun is not unfamiliar with being treated like this. He responds to it because he's used to it and has no desire to argue with being treated this way. When we consider the fact that the chapter started with Milsiril treating an older child Kabru in the same way, it is likely that she also did the same thing to Mithrun when he was under her care.
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In these panels, we see that Mithrun does not believe that he can sleep without magical assistance, even though it is immediately refuted when Kabru takes the time to bundle him up and help him relax. Not only does he fully believe he can't sleep without external assistance, but he states directly that there is no point in him getting comfortable.
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As Kabru observes, Mithrun's inability to recognize his needs applies to needs such as hunger and exhaustion, but it obviously also applies to emotional needs. Kabru just wanting to feed him something delicious and not wanting him to give up on life is the most consideration someone has given Mithrun in years.
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The relationship they form over the course of a single week is enough to shape Mithrun's behaviour completely. Mithrun ignores Cithis's demand in favour of asking Kabru's opinion. It is Kabru's hand Mithrun takes to pull him out of his defeated state. It is Kabru Mithrun confessed his true desire to.
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Do you realize how depressing that is? All it took was the new perspectives from Kabru and Senshi to make him consider the fact that he should keep living despite no longer needing to fulfill his duty. Being treated well could have helped Mithrun much sooner and this shift in the way he sees himself contributes to his recovery going forward.
TLDR: Mithrun has no desire to be respected, but why does that make people feel comfortable acting like he doesn't deserve it? Someone not caring about being treated well doesn't give you permission to treat them poorly. This feels like a playschool-level consent lesson: just because he's not saying no to a humiliating or degrading act doesn't mean it's a yes and therefore okay to do. Acknowledging this is the bare minimum of treating him as a person.
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biboomerangboi · 7 months
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Saw something about Hua Cheng always being able to sense his ashes so he can always sense Xie Lian and I just think it adds a hilarious take to him giving Xie Lian his ashes. Like yes it’s a beautiful and romantic ghostly tradition but there is something so funny about him given them to him the moment he has to leave so he doesn’t lose him again after 800 years of searching like someone tagging a bird to track their migration habits. He is not taking no fucking chances.
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lazylittledragon · 6 months
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'i'll just do a couple of doodles of mombin™/platonic stobin parents' nevermind, borderline graphic novel
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hinamie · 3 months
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truth is, I used to dream about boys like you
jjk atla!au with @philosophiums
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cozylittleartblog · 1 year
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New Family Speedrun 00:09.12 (World Record Not Clickbait???)
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pprodsuga · 1 year
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i’m serious about you
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summary: gojo realizes just how much he likes you when you go on your first date
note: feeling a bit soft for gojo rn so pls enjoy this little scenario…it’s 2am and i just wanna write something before i go to bed <3 gojo is probably a little ooc but this is my blog so!!!
i’m a lil rusty when ur comes to writing fics but i hope u enjoy!
warnings: fluff fluff fluff + she/her pronouns
masterlist :)
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“I’m surprised this place is open so late.”
You mutter absentmindedly as you look at the pastries behind the glass, face at a respectable distance while Gojo stands beside you. He leans down to see what you see, his own eye catching the chocolate cake sitting on the top shelf.
“Nanami told me about it a while ago,” he explains. “Says he likes to come here when he can’t sleep since they’re open so late.”
“Do you like this bakery?”
Gojo watches as you pick and choose which pastries you want to try. The girl behind the counter lifts her gaze to him, eyes widening before averting her gaze to the small box in her hands.
“Haven’t tried it, actually,” Gojo says. He rubs the back of his neck when you turn around. “I, uh, wanted to wait. To try it with you, I mean.”
He sees your mouth morph into a shy smile and he can’t help but return it. Gojo turns and orders a beverage from the cashier, watching as her fingers fumble with the buttons before she relays the bill.
You’re about to pull out your wallet when Gojo reacts quicker than you can comprehend. You watch as he gives his credit card to the cashier without batting an eyelash. He laughs when you huff and grumble about being able to pay for the pastries since he paid for dinner, but he bumps his hips with yours and tells you it‘s on him.
You look so perfect under the awful fluorescent lights in your best dress and hair let down. He’s not used to seeing you like this; so carefree without your worries tucked away in that pretty little head of yours.
Gojo used to think he’d make it through life without relying on anyone and that he couldn’t count on other people for his own source of happiness and companionship. But he can’t deny there’s something about you that tugs at his heart strings a bit too aggressively.
This feeling follows him to the morning prior, when he asked you to accompany him to dinner. Gojo had guessed that you liked him more than you let on but he’d be lying if he said he didn’t feel the same. This new sensation in the pit of his stomach travels with him tonight, especially when he takes a step back to fully absorb the way you look in his jacket. It dwarfs your shorter stature yet Gojo thinks it was made for you to wear.
The girl behind the counter turns around to finish the order, leaving the two of you to your wits for the time being. Gojo senses that this—casual dating or otherwise—isn’t something you do often. He silently thanks Shoko for drilling him about you (likes, dislikes, who you are as a person aside from the so-called friend group you two belong in) because he sees your finger tapping against the side of your leg and decides to make a move.
“I really like spending time with you,” Gojo starts. “I could do this again and again if you let me.”
“Really?” you ask, sounding something akin to disbelief. Your dress follows your movements as you turn around but all Gojo can focus on is the way your cheeks begin to blush. How cute.
He takes a step forward, nodding. “Believe it or not, I really enjoy spending all of my money on cute girls.”
“Is that so?“ you ask with an uptick in your voice. “Wonder if I’m the cutest, then.”
Gojo knows you’re joking by the way you’re smiling at him, but he wants to set the record straight.
“You are,” he says, “because you’re the only one.”
A soft sound distracts the two of you and he looks past your shoulder to see the cashier has set his beverage on the counter. Gojo thanks her and grabs the cup when he notices notices she’s written her phone number on the back of the surface. His stomach drops when he sees your eyes linger on the penmanship.
He panics.
“I must be special.”
Your voice lacks the humor from moments prior, eyes glazing over the written numbers while Gojo pathetically stands like he’s a frozen statue. He doesn’t know why he cares what you think of him nor why he wants to disprove the theory that he can’t settle down because of an innate need to flirt with everything that breathes. He watches you swallow and avert your gaze to the exit sign when he nods furiously.
“Yeah, you are.”
Gojo throws the beverage in the trash can beside him and cups your jaw in both of his hands to pull you into a tender kiss in the middle of a poorly lit bakery with two other patrons. He thinks your lips taste like coconut and sugar, so soft that he could keep his mouth on you forever and never complain.
He must be doing something right because you’re kissing him back.
You pull away first and he laughs at your flustered state, leaning in to press another quick kiss to your lips before you can escape him. He pays no mind to the girl who walks into the back room.
“I’ll spend however long it takes to make you understand that I’m serious about you,” Gojo promises.
“You better send Nanami a thank you card.” You grab the box of pastries. “Taking me here was a good start.”
Yeah, he thinks. She’s the one.
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confessedlyfannish · 6 months
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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newttxt · 5 months
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apartment shenanigans
from utilities included, ch. 9 (mind the tags and rating!)
masterpost
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somegrumpynerd · 1 year
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Just one more for Sans rest day, @undertalethingems made a great list of drawing ideas and I really loved the one of him and Alphys going to a museum to nerd out so I drew them into my local museum
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localapparently · 9 months
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/ orv epilogue + sp identity spoilers , cw blood
!! Please do NOT reupload my comics / works anywhere !!
(Read right to left)
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aiku · 1 year
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My Lesbian Experience with Loneliness by Nagata Kabi
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xavathun · 2 months
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i am fucking Thinking about how death is handled in destiny 2 once again.
in regards to guardians it’s almost treated as like a joke or something deeply unserious? possibly even alien in a way due to how we kill and destroy and wreck havoc against our alien foes, but we ourselves never die. it’s really interesting to me cause there really isn’t a lot that can permanently kill a guardian so it makes sense we’d have this perception. like off the top of my head you have weapons of sorrow, hive rituals where the light is drained from a guardian, and paracausal beings which ofc includes other guardians. but that isn’t a lot, most deaths are not permanent and so this perception of death among guardians seems like death really isnt that big of a deal.
we jump off the tower and then get resurrected and have a little laugh about it. guardians constantly kill each other for fun in crucible. we are always doing incredibly stupid shit but we are rewarded because our enemies do not share in our immortality. it’s fascinating bc this not only makes us become riskier as time goes on due to being rewarded (enemies defeated) for our lack of self preservation, but this also makes guardians as a whole uniquely unsuited to handle grief and loss. if you spend your whole unlife winning and thinking that if a friend dies they’ll just come right back, it’s such a shock if (or rather when) they actually do die permanently. and then that guardian has to spend the rest of their immortal, undying life remembering. they have to live with that while they watch the newer guardians flood into the tower with the same naive disposition as they once had.
i’m sure guardians know theoretically they could die permanently at any point, especially because of those like dredgen yor, but i feel like for most it’s one of those things that most would say “well that would never happen to me” until it does happen. guardians seem to just have this inability to let go and it makes me want to bite drywall because i think abt it too long and start going feral. like!! the past may be the past but it sure doesn’t feel like it when you’re immortal and you remember that shit clear as day!!! aghhhh pacing around my room in circles and eating ROCKS
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biboomerangboi · 7 months
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Actually so funny how many times Maomao just looks at Jinshi and thinks about him getting railed. Like she just glances and is like yes this man is too beautiful he does in fact get dicked down on the reg.
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lazylittledragon · 8 months
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isn't it weird how if you get up at 7 or 8, do your work all day, then have free time and go to bed at 11 that's absolutely fine
but if i said i get up at 10, do fun stuff in the morning then work in the evening and go to bed late, i could be called lazy, nevermind that i'm getting just as much or MORE work done as i would in a traditional work day
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