#but my story notes are Literally just

[snickerdoodlles]

📖 for kinnporsche the series? your ideas are just so good!

thank u nonny!! 😭❣

this one took me a while to type because it is my weird whacky fic child who i love very dearly but struggle to explain. so, uh.

✨ Necromancy AU ✨

Big dies in the warehouse. Porsche gets Arm to get his body out, gets Kinn to delay the cremation, and gets Chay to reanimate Big.

(because reanimating the dead is just something Chay can do, because he figured it'd be a good skill to learn and he's my most specialest boy.)

Kinn (who's at the morgue for Porsche) is flabbergasted, Khun (who's at the morgue by a miracle) is stunned silent, and Kim (who's here because Khun texted him but didn't say Chay would be here) is more shocked by Big than Chay's abilities.

(Kim is the only person other than Porsche to just accept necromancy as A Reasonable Thing For Chay To Know. this is why they're Chay's favorites.)

anyways so Big is now awake and surrounded by this family. this is hell. not just for him, his sudden undead status is causing a lot of problems:

Porsche just had Chay bring Big back, he didn't like...tell anyone what was happening or make a plan for what to do with him.

Kinn just figured out his new guard roster, and now he has to redo it to accommodate one very grumpy and very loyal Big who now doesn't need trivial things like sleep or food.

there's the looming specter of Khun's upcoming dry cleaning bill because he won't. stop. poking. Big.

Big is trying very, very, very hard to ignore that not only do people know he knew about Porsche and Kinn, but that he loves Kinn so much he died protecting Porsche.

speaking of, Porsche just thanked him for saving Chay and (in a quieter voice) for saving him.

Big is in hell.

despite all that, Big's plans for his new life are to just go back to being Kinn's perfect guard. he is ignoring the awkwardness, none of this is fine, none of this will be fine, but it will be NORMAL.

this is hampered by the fact that whoops, turns out the undead need to hang around their "masters" for at least a few hours every couple of days to "recharge" so to speak, as discovered by Pol when he screamed so loud he set a fire alarm off because he stumbled over Big's body face down in front of Kinn's door at 2am.

this is even further hampered by Korn, who will absolutely not stand for his preferred heir being guarded by someone who might be more loyal to someone other than him. Korn uses the "recharge" issue to force Big out by way of making him Chay's permanent guard.

so now Big, the perfect bodyguard who only got better at his job in death, is now stuck hanging around a high schooler who doesn't get into trouble and just wants to make music with his bitchy boyfriend.

(because oh yeah, mr. the untamed nerd Kim is obviously ridiculously into Chay being able to resurrect the dead and leaks feelings before he can run away and sabotages all future attempts to ghost Chay (insert necromancer joke here). Kim's fears of love and hurting those he loves will cause different problems.)

anyways, Big is suffering. not only is he stuck guarding Porsche's baby brother (who! he's realizing he likes as a person! will the horrors never cease!), Chay keeps being nice and thoughtful and looking out for him as a person and asking after his happiness and shit (the horrors!! are not ceasing!!!!). when Big finally has enough of all this Being Treated Like A Human Being business and asks Chay why he even cares, Chay blurts out "Big, do you even want to be alive?"

because this has been eating at Chay ever since he brought Big back at the morgue. because he never knew Big and never asked if he'd want to be alive again, Chay just did it for Porsche, who wasn't doing it for Big but for his own guilt. and then Big's old life was like an ill-fitting glove, because he and Porsche can't be bitches with Big's sacrifice hanging over them but don't know how to act when they aren't being bitches, Korn won't accept him back because he only sees his own paranoia and none of Big's loyalty, and Kinn might appreciate Big's loyalty but he won't fight for it either, not when he's trying to juggle the rest of Korn's messes coming to fruition. Big's been completely forced out of his old life and any ties he might've kept to the other guards (as few as they were) are ruined by the others' guilt and discomfort, because Big might not have died in the first place if literally anyone had listened to him during the Tawan debacle, which they could ignore when he was dead but can't when he's alive and there in front of them.

and the whole confession draws Big up short because no one's ever asked him what he wants before. Big was just the son of a mafia enforcer who got scooped up young by the main family as a personal guard for Kinn. Big's never even considered that what he wants could be an option. even when he first came back, his main considerations were on the ways he was a better guard for Kinn. Big's chosen more things for himself in his weeks with Chay than he has in his life, and he never stopped to think how he feels about that.

he does now. kinda. this is Big after all. but after both forty-three excruciating minutes and three days, Big finally answers Chay, "i never lived for me before. it's...nice." Chay, who's gotten quite good at reading between the lines after all the exposure from Kim and Big, beams and makes him help him pick his electives for his first semester of university, because Chay's determined to help Big find a hobby and he's overcome far tougher things than emotional constipation.

[[ ask me about fics im not writing ]]

Bonus

small scene snippet from shortly after Big's first brought back to life, right after Kim's walked into screaming, stolen Pol's gun, and shoved Chay behind him for protection, because i love themm

Kim opens and closes his mouth silently before sputtering, “But you— I heard— What…?!”

Chay worms his arms around Kim’s waist to get his attention and his head pops over Kim’s shoulder. “It’s okay, phi,” he says soothingly, “I brought him back.”

Big gets an eye full of Kim’s face flashing through four emotions he recognizes and thirty he doesn’t, which is thirty-four more emotions than Big can deal with. Kim twists around in Chay’s hold, just enough to squint at him from the corner of his eye without letting Big out of his gun’s sight line. 

“You know how to resurrect the dead?”

Chay drops his chin onto Kim’s shoulder with a huff. “Why do people keep asking me that? It seemed like a useful skill to know!”

“Obviously,” Kim scoffs, which is the first original response Big’s heard to that all day. “I meant you can do it? What, we’re you bored and just googled ‘how to make a zombie’ one day after school?!”

Chay rolls his eyes and pokes the undersides of Kim’s ribs. Shockingly, Kim pushes further into his hold, rather than away. “Don’t be silly. You have to be trained by a shaman to make a zombie.”

Kim actually turns to look at him dead on. His gun is still trained on Big. 

Chay cocks his head to the side. “What? I just googled ‘how to bring back the dead’ and went from there. It’s basically CPR!”

“That worked?”

Chay looks genuinely baffled. “Why wouldn’t it?”

Kim stares at him incredulously before suddenly going boneless in Chay’s hold, squishing him back against the wall. Chay does not protest being squished between Kim and a hard place. He actually looks delighted by it. Big would like to go throw up now. He doesn’t know if corpses can do that, but he’s willing to make an effort. 

“Of course it works, you’re you,” Kim grumbles. He knocks his head against Chay’s and rubs in a move so cute Big will throw up, death be damned. “If life worked for me like that...”

Chay beams and pats his stomach. “I’ll teach you!”

Turns out corpses can't throw up, but they can gag so hard they choke.

[rabbitprintart]

some more favorite panels from Trigun:

Vash, Merryl, and Milly are all equally cunty as they are silly, especially Vash (like jesus fuck y'all seeing this shit, like we don't talk enough how fucking amazing of a gun slinger he is). He even somehow has time to apply eyeliner as he is running away from the cops, as philosopher RuPaul once said: "YOU BETTER WORK!"

[softpine]

This might be juvenile, but do you have any tips on not comparing yourself to others? (Especially when it comes to note count or popularity.) I’ve been posting a story for over a year and it hardly gets any traction. It’s tough for me to see new creators post and get hundreds or even thousands of notes. I hate that I’m doing this but don’t know how to quit it!

this is not juvenile!! i struggle with this myself, especially knowing that i hit my peak years ago and i've been on the decline ever since – but only by numbers alone! i'm more proud of my story than i've ever been, i'm more attached to my characters, i'm putting more love and thought into everything, but i had to be realistic with myself and understand that i'll never pull even half the notes i did in 2020. gone are the days when i would wake up to 3 new anons about my story and dms from people every day (i can't believe i used to get overwhelmed by it...) and i would be lying if i said it didn't make me sad sometimes, because we're humans and our brains are practically wired to crave the hit of happy chemicals you get from seeing the stupid number go up 😭 it does feel demotivating. it makes me feel less urgency to post quicker if i convince myself that no one is waiting for me anyway, which means i post less, which means even less people stick around, which makes me post less, and on and on. it's a tough thing for me to come to terms with in all honesty.

but it helps to remember that i would be writing even if no one is reading. and i know that, because i have! i've written entire novel-length fics that i've never published, i've written countless short stories in the frozen pines universe that i'll never post, i've created alternate universes that will never be shown, etc. i do it because the idea is in my head and it needs to Get Out and i'm kinda just a conduit for that. that might not apply to you, and that's okay! everyone is different. the important thing is to really sit down and think about WHY you write and what you get out of it. which part of the process makes you happiest? what makes you feel a sense of fulfillment / satisfaction? play to your strengths. try not to spend your time doing things you think other people will enjoy and instead, spend more time on the things that make you happy. for me, i haaaaate editing and i always have, so lately i've been trying to speed through it a little bit quicker even if it means the final product won't be as appealing to others. (this is still a work in progress for me...) i have more fun when i experiment with different writing styles, which might not appeal to others because it takes longer and i don't really have a recognizable style, but i don't care anymore because i'm having fun! ask yourself what YOU want from your story, and then write for yourself and only yourself.

essentially what i'm saying is: there will ALWAYS be people more popular than you, and there's no guarantee that when you find the popularity you seek, you'll be able to keep it. so you need to find some sort of intrinsic motivation to continue or you'll just keep comparing yourself to others forever and you'll deny yourself the joy of creation! "comparison is the thief of joy" could not be more true!!

[olliepurples]

in homosexual white collar news today, neal is handing over his wedding ring for peter :/

[quorras]

every time i see someone call tron 'cyberpunk', i lose ten years off my lifespan

[wammyhoe]

When will you update the fanfic whiskey in a teacup🙏 Its well missed

I'm surprised (in a super good, heartwarming way) that you guys still ask about it. It's been on hiatus for about 6 months now, and I'm really sorry for the delay.

I've been incredibly busy, but I'll try to find time to update it soon. The story has become more demanding than I originally expected, and I don't want to post just to "keep it going" with endless fillers that would detract from the story.

Mello is trying to reach his goal but is conflicted about his feelings for the reader, and she has her own challenges to overcome as well. They both need to resolve their individual issues to be together, and I want to execute this well. I aim to keep him as in-character as possible, which is really challenging in a romance story. I've accepted that the Mello I’ve developed might be a bit out of character, which leads to a lot of asks (that I frankly just delete bc ugh, get a life?) criticizing my portrayal, as if those commenters know him personally.

Anyway, my experience in the fandom has been mixed lately, which is unmotivating and mostly disappointing. But I appreciate your support and interest, and I hope to post the next chapter soon!

ily!!! take care 💜💜

[kaidanalenkosprmanager]

THE BEST OF TUCHANKA: TURIAN PLATOON

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Lt. Tarquin Victus With: Lt. Steve Cortez and The Ninth Turian Platoon Decisions like these weigh heavy on me- when I was a General, I could pass them up the chain of command. But now? I'm all I've got. I'm beginning to understand why leaders so often seem lonely... Worst case scenarios aren't just theories- they're what you'll be dealing with five minutes from now. Mass Effect 3: Legendary Edition (2021)

[reinedeslys-central]

iwaoi and oh it's you. every time it's you. I'm running I'm running my knee is killing me but it's worth it this is worth it I'm running past the line and I'm pointing straight at you and everyone can see it. because it's you who else would it be right at this moment it's you it has to be you. win or lose it has to be you. going pro or not going pro it will always have been you. I'm running and I'm making the longest most monstrous set of my life and it's up to you, I'm falling and crashing into the tables and I can barely feel it, I'm scrambling back to our stage and who else could it be right at this moment but us. win or lose. win or lose. six who are strong together are stronger six who are strong together are stronger who else could it be but us. who else would I choose right in this moment when we all know it's going to end one way or another. who else would I choose. but you. every time it's you.

[criticalrolo]

sometimes i see people talking about not wanting Editing Notes or criticism... like Published Authors (from tiktok)... and i just wonder like. how the fuck did you get this far without ever having someone tell you what needs fixing in your writing. i took several creative writing classes and getting feedback took my first draft and made it SO MUCH BETTER by the third or fourth take. people told me to take out entire scenes, rewrite from a different pov, and then cut apart that third version and rewrite it AGAIN in the original pov. and it was WAY BETTER. you simply HAVE to accept criticism if you want to get better at what you're doing. otherwise how will you learn what critiques are valid and which aren't and how to actually get better at writing???

[wuxian-vs-wangji]

Yeah... I remember seeing the architectural design majors at my uni having this breakdown each semester...

[americanrecord]

suicide blonde is going back to sleep, literally every time i touch the universe it unravels further and i've lost sense of everything and every character

[rhys-ravenfeather]

ROSE QUARTZ/PINK DIAMOND GOT DONE DIRTY BY THE SU FANDOM, AND THE SHOW ITSELF

Quick disclaimer: I will admit, upfront, that part of the reason I’m even making a vent post of ANY kind of all is because I’m just not in a good place right now in general, and I just need to scream at something. That being said, that doesn’t make my feelings towards this any less real.

I’ve already talked about this a couple times before in the past, but I really do, legitimately, hate the treatment Rose/Pink got in the later parts of Steven Universe, both the main series and Future.

Look, I almost feel that it could have been a good thing in a way, since Rose was kind of put on a pedestal for most of the show’s first half, and seeing as how the series was about Steven discovering himself, and trying to step out from his mother’s shadow, I feel like, if this was handled better, it could have probably been really good.

But dang, this was NOT the way to do it.

Did Pink Diamond, both as herself and in her guise of Rose Quartz, do awful things? Absolutely.

She hurt her Pearl.

She abandoned Spinel.

She made impulsive, and even selfish, decisions.

But she also turned against her fellow Diamonds, her FAMILY, to protect the earth.

She faked her own shattering so she could keep fighting for the same planet she was originally meant to colonize.

She looked after others and cared for life, both human and gem.

Pink did a LOT wrong, but neither her past actions from when she was still a Diamond, or the mistakes she made as Rose Quartz, change the fact that she spent the entire rest of her existence trying to do good, to change, and become a better person.

And it really DOES strike a chord with me that the fandom, and even the SHOW ITSELF, act like she’s some horrible reprehensible villain especially since it seems to ring very true for how some treat people in the real world who used to do/say some not-so-great things, even if it’s been literal years since then, and they’re genuinely different people from who they were back then. Yeah...it kind of hits just a bit close to home for me...

It just doesn’t sit well with me that someone like WHITE DIAMOND can be forgiven, while Pink, the one Diamond who dared to turn against Homeworld and fight to protect the life of a planet that wasn’t hers, is the universally-agreed upon hated character.

Whether her reasons were ultimately altruistic or selfish, that doesn’t change the fact that she protected the earth and cared for the people she came to love, the best she could, until the day she gave up her physical form.

TL; DR: PINK DIAMOND WAS A VERY FLAWED, BUT ULTIMATELY NUANCED AND HUMAN CHARACTER, AND I WILL NEVER FORGIVE THE SU FANDOM, OR THE SHOW ITSELF, FOR TREATING HER LIKE A MONSTER WHEN SHE WASN’T.

[araneitela]

Quick interruption: This may (somehow, still?) be a hot take, but I swear to all that is unholy and insane, I've been sitting on this salt about the TB and Kafka since like May of last year. This isn't going to be a long meta at all, but I do want to make something abundantly clear on this blog.

I know that people say the 'mommy' thing jokingly because they have the hots for her (listen, I understand the motivation, I just firmly hate the term), but I know some people actively still believe that Kafka is somehow related to the TB even if her story quest has since entirely debunked that claim and proved the opposite. Let me just, share this for a second:

(source) Can we put this to rest now, pretty please? I'm too old and too tired for this, guys.

[waywardsalt]

im actually going to tear into totk’s dragon’s tears/ memories rn bc i remember feeling distinctly unsatisfied with them when i got all of them so im just going to write some general bullet points about them, about what i dislike or maybe what i do actually like about them, leaving out both master sword scenes and the mummydorf one because i’m here to talk about the stuff in the past not that

- off the bat (i play this game in english btw so all of this is based on the english text and translation i am aware some stuff is slightly different in other languages) im not really a fan of how the descriptions of all of the tears is just a literal description of what happens?? i think my issue with it is that some of the text is a little bit too in depth, as in it just tells you literally everything about the scene. this might be nitpick-y but i personally dont like it

- what’s up with zelda saying ‘but that must mean...!’ at the end of the scene. is it suggesting that she’s made the realization that rauru and sonia are the first king and queen of hyrule? because they literally tell her that like ten seconds before. i guess it’s suggesting she’s realizing she’s in the past but... idk the texts says ‘she’s left startled by a suspicion that she’s heard those names before’ yeah theyre the first king and queen of hyrule?? they tell her that. they tell her their names and that they are the first leaders of hyrule is she just now connecting the dots that she’s in the past? that’s what the next cutscene implies. but all of the surrounding dialogue and the description don’t suggest that that’s what she’s realizing i feel like this was kind of muddled in the translation

- why did sonia elbow rauru he was just standing weird he didnt say anything this isnt a nitpick im just confused. is it because he’s not being very empathetic towards what zelda’s going through? she elbows him and then she goes and talks to zelda why even elbow rauru. ordinarily you elbow someone like that if you mean for them to go do something why elbow someone if you’re going to do the thing you want anyways

- why doesnt zelda offer to help with the purah pad or anything like that. what happened to her sheikah tech fascination from botw. not even as someone actually familiar with the technology who could give mineru some points as to how it works

- what are sonia and zelda doing behind rauru when he shoots that insane fucking beam at the mulduga swarm they’re clearly doing something with their stones but like... are they amplifying rauru’s power somehow?? what do time powers have to do with the beam of light i dont- what were they doing please the text description only mentions him using his powers so are sonia and zelda just... supporting his powers? idk man

- dragon tear #5 is a whole can of worms with its worse-than-oot reenactment of that one scene from oot. why the focus on sonia and her tear btw. i mean yeah she dies to motivate rauru and zelda but like. why not aim for the new girl who probably doesn’t know how to use it as much and is probably more likely to be separate from the king who can shot insane lasers. im really not a fan of this scene for how strongly the game sides with rauru and zelda being passive and judgemental but ganondorf is literally the best part of it there’s a lot of character in just how he picks up his sword and stands up to leave

- putting memories 6 and 7 together just because of how there was just. no fucking care put into the idea of zelda learning to use her time powers. memory 6 zelda talks about wanting to use her time powers and sonia gives her tips on how she could use it and visualize the use of it and then in memory 7 she can just use it perfectly with great control and timing. why even bother talking about her nothing yet understanding how to use it when the very next scene she just uses it like it’s nothing. how much time has passed we get nothing to show us zelda trying to practice this power just. nope. she’s good she can use it perfectly. also more awkward dialogue sonia saying ‘what a picture zelda paints of him’ as she is. looking directly at zelda. change the line to like, ‘what a picture you paint of him’ she is literally looking right at zelda so why would she say it like that

- generally i feel like memory six should have been before 4 and 5 (4 being where she uses some power to... support??? rauru and it being before memory 5 so that there isnt this weird break in between the memories concerning ganondorf.) memory 6 does not have anything to do with memory 4 or 5 so just put it earlier so there isnt a weird shift in focus between the two big ganondorf scenes

- good god they introduce the idea of sonia and zelda being aware of ganondorf using a fake zelda but theres literally nothing about it having been a problem or them having experience or like. anything. they just TELL you that they know and suggest that it’s been like. a thing for a bit??? also obligatory ganondorf’s face model rigging is fucked comment he’s still the best part

- the pacing of these memories is just weird in general, memories 7 and 8 being separate but the same scene is strange when other memories are long as fuck but cover one event each, plus theres clearly barely any passage of time between memories 7 and 8 it almost feels like they were split up to fill space or just because otherwise it’d be... too long? man idk

- ‘queen sonia needs you!’ girl she is DEAD good fucking luck doing anything to help her

- ganondorf’s horse and its armor both look sick as fuck i really wish you got to see more of it outside the memory it appears in

- everything about the original sages honestly sucks. they aren’t characters they’re just walking macguffins. they have no names and are not relevant or mentioned or make any appearance until they are needed by the story. why does the zora sage talk about getting word about the attacked gerudo village in this scene when like. they’ve all met up and have clearly. been together for a bit. when she gives them the news it’s clearly the first they’ve heard of it... but... why would she wait until this moments to give this info unless for the benefit of the player watching the scene. why does the ZORA sage have this news and not... the gerudo sage?? what’s with the masks. they’re all made of zonaite or whatever sure theyre gifts from rauru but like. i hate that it kind of denotes them being subservient and lower than him and the zonai. honestly i really hate this scene in general mostly because of the uncomfortable showing of how rauru absolutely holds power over them and despite them being leaders as well they are expected to be wholly blindly loyal to him. rauru only gives them these stones when he needs their aid and they swear loyalty too him soon after but you also see that sonia and mineru have stones, too, so they’re clearly withholding these things despite it being kind of reasonable for him to give each race their own secret stone as further proof of their pact? there is so much shit to be said about the imperialistic themes or whatever in this fucking story and i really hate it

- i do kinda like how the next scene shows you that the one rock in the corner of that first hidden room in the forgotten temple is sonia’s grave

- zelda’s phrasing and description of how she and link found ganondorf is weird to me ‘he’s still alive’ ‘he lives on’ girl that was a mummy. he was not moving until you got there. he’s undead at best as far as you know. this is def a nitpick but eh. also the reliance on link is a... bit odd when zelda does not actually know that link is safe until she gets the master sword. its fine but still. also her shell-shocked expression after rauru talks about her being in the past for a reason is a bit... it doesn’t fit her emotion it’s kind of similar to the expression she had when sonia was killed

- the memory about the imprisoning war starts with practically the whole story up until now being repeated back to you by mineru with a decent amount of bias on mineru’s part and while it’s fine because of some of the extra stuff you learn but it does a lot more telling rather than showing when it comes to the actual imprisoning war and... idk the whole thing about their ‘fight’ kind of falls flat when you don’t actually see any fighting you just see that the sages have gotten their asses beat. i think it would have been a little interesting if in the god-awful repetitive sage-awakening scenes they had actually showed you the og sages fighting ganondorf instead of just. slow-mo freeze-frames for whatever. once again ganondorf if the best part of the scene

- the rest of the memories are fine idc

i get the feeling that the japanese-to-english translation was either all-around rough or somehow rushed, because some of the phrases in the game as well as some of the dialogue is really awkward and... could have been better. i don’t know how it works but it feels like a lot of it was very literal, direct translation and no one at noa thought that it ought to be tweaked just a little bit

these memories also do a fuck-ton of telling rather than showing and it really is like they don’t really trust you to connect the dots, and some of it does come off like they either didn’t want to make more memories or ran out of time or something. i felt like the memory of ganondorf just summoning his monsters and riding on his cool horse could have been a bit longer to actually show us the forces of hyrule fighting him and having a hard time with it

a lot of the character animations doesn’t have a whole lot of personality to them, ganondorf is the character who had the most distinct and interesting movements. rauru and sonia had their... singular movement (rauru putting a hand to his chin and sonia taking zelda’s hands) and zelda was kind of just... standing around and reacting to stuff, and neither mineru nor any of the other sages had any really interesting animations asides from mineru’s coughing fit in memory 16 (plus her reclining chair that was a nice touch). very few of their movements really express anything about the characters besides some really baseline values or traits.

the ordering of some memories is kind of odd, the excessive flashbacks in memory 17 are a bit much, the telling rather than showing, the sometimes awkward dialogue, a lot of the scenes are characters just... talking at each other, you don’t actually see very much of hyrule in the past or any characters beyond the main four, and it really did nothing to actually get me to care about these characters at all.

tldr i dont like totk’s dragon tears

[coffeeandcalligraphy]

was anyone going to mention that lost gods is EIGHT THOUSAND WORDS LONG??????????

[raiiny-bay]

it’s honestly kinda crazy to me that kel & co were literally the first OCs i ever made