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#but shes really become her own character
oreganocure · 9 months
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benoitblanc · 5 months
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no no you guys don't get it. the x files cancer arc was, excuse the pun, a fucking white whale of a tv plotline that would not have worked nearly as well on literally any other show. it was a complete hail mary. the writers' room nearly didn't make it happen because they were worried it would fall too deeply into soap opera territory. and on any other show, it would! but the x files is about four key things: mistrust in the government, faith in both science and the otherworldly, building a life around trauma, and the fine line between love and codependency. it is the only show where the entirety of this situation- a government experiment on an unwilling young catholic leads to a terminal illness that is counteracted by a literal scientific miracle in the eleventh hour due to her partner's refusal to accept her impending death- could both happen at all and happen well. none of the themes in the cancer arc were new to txf at all. they'd all been lurking, to some extent, in the background since the pilot. the cancer arc wasn't merely milking a left-field catastrophe for the drama, it shoved the overarching themes of the show to the front and said look. look what these people are to each other. look how impossible it is to face the darkness alone. regardless of when the plotline was conceived, it was always going to happen. it was the only way the story could have ever gone. they were always doomed from the beginning
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fabuloustrash05 · 1 month
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Someone told me that they didn’t notice certain interesting aspects about 2012 April’s character and her overall story cause they don’t like her (which is fair, you don’t have to like her, I ain’t gonna force ya).
But then they proceed to say that they didn’t notice these certain important things about her character because they always “zone out” whenever she’s on screen, and let me just say you have no right to criticize her/hate on her if you’re not even gonna bother to pay attention.
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rookflower · 2 months
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thinking about the character again (cinderpelt) and it's likely unintentional and a result of either her shifting narrative role from young go getter to wise mentor or a shift in how the books display their own politics but i find something really tragic in-universe in how she develops from a character who will actively and willingly break the warrior code when it conflicts with her own morals (immediately lying to cover for graystripe and silverstream, acting in direct defiance of her leadership to nurse littlecloud and whitethroat back to health) but overtime through her role she gradually grows more god-fearing and pious and embodies somewhat of a "starclan is always right, even when they are cruel, and we need to accept that" position
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cirrus-draws · 2 months
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nearl utena paletteswap. is this anything
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......wait, hold on...
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fromtheseventhhell · 1 year
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I want to make a longer post about this someday but: I think Arya's TWOW arc is going to include her coming to terms with her identity as a Lady. This has been an ongoing conflict with her since her first chapter and I think her flowering in winds is going to mark a turning point. The theory of her having an apprenticeship with the courtesans holds a lot of weight and the idea of Arya going through puberty among a group of unconventional women she's fostered a positive relationship with is just too perfect. It would really have an impact on Arya reconciling her personal idea of what a Lady should be. There's also a lot that she could learn from them in terms of courtesies, communication, appearances, body-language, etc. that would elevate her current skill-set and ways her relationship with them could push the plot.
Not to mention she will undoubtedly reclaim her identity as Arya Stark, and her being a Lady is inseparable from that. Arya Stark is a Lady Stark and being a Lady is a social position, not a measure of how well someone preforms feminine tasks. She shouldn't have to relinquish her position because she doesn't fit patriarchal standards. That's not to say that she's ever going to be the perfect example of a traditional Lady but what I think will happen is that she becomes capable of playing the part. She plays several identities throughout the series but she's always been Arya underneath, so I think it's appropriate that she learns to adopt a "persona" that's part of her. Her remembering Ned putting on his "Lord's face" (+ the various examples of other characters being separate from their ruling persona) makes me think that Arya will be donning her "Lady's face" when she makes a return to Westeros.
#arya stark#asoiaf#twow speculations#Arya has been through so much traumatic shit and I think her flowering is going to bring up a lot of her self-esteem issues#I just really need her surrounded by kind older women when that happens so she can have some comfort#George saying her arc in braavos could be the plot of a YA novel?? definitely makes me think she's going to grow up a lot there#she's already one of the most mature characters so I think part of it's going to be her accepting her duty as a Stark Lady#she wants to help and protect people and the best way she can do that is if she has political power#She could learn that first hand in TWOW#possibly through her finding out about her marriage??? and meeting Jeyne in Braavos??#and before someone says it courtesans are so much more then sex work so I don't want to hear it#they are such a big part of Braavosi high life...they're cultured and connected with very important people#I just have so many thoughts on the subject cause I think her apprenticeship with them will serve multiple purposes#the faceless men and their plans...the iron bank...the sealord...It's all connected and I think her apprenticeship with them will kick off#the braavos plot and could mark the beginning of the end of her time with the faceless men and in braavosi#half a boy half a wolf pup -> half a lady half a wolf#I think her current skillset fits well and it's likely she'll learn even more in TWOW#Arya defining her own role as a Lady and becoming comfortable means so much to me
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riacte · 6 months
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so hey guys i finished dungeon meshi yesterday and i'm still thinking about it
#ria.txt#i spoiled myself so at first i was like 'this is bonkers wtf are they doing in those last few chapters?????'#but then it was like. yeah. i see#love those ch when it's just clearly putting the squad into Situations#also. izutsumi#what i really liked was how tightly the protagonist and the deuteragonist were wound up in the overall themes#the plot the themes the conflict the characters it was very neatly connected#hence i am also now accidentally invested in whatever going on between laios and marcille#not just platonic not romantic not enemies i just think they work well tgt and deeply care for each other its great watching them develop#it's the leader + most trusted advisor / anxious girlfailure + the annoying freak she's somehow attached to vibes#haha that rabbit chapter with marcille. hahha i was like what the fuck man. it was funny and then boom whump [tears streaming down my face]#those shapeshifter chs were sooo much fun esp seeing other chara's perceptions of each other. stealing that#the changeling ones were great too elf senshi is the fucking funniest he looks sooooooo unserious#marcille's evolving perception with death starting with saving falin and saving the squad and her nightmares of outliving everyone-#-and her dad and her 'temper tantrum' and UGH when at the end she said she was fine with falin not coming back.... WAAA. OUGH.#i think dunmeshi handled the trope of 'prophecy of chosen one becoming king' pretty well and it makes sense why laios is the protag#the worldbuilding is so thoughtful as well i liked seeing different characters with different worldviews interact#very solid and well rounded series wooo#the main 4 has such a fun dynamic together#anyways. dunmeshi au.....#more like borrowing the worldbuilding bc charas are too nuanced for a one to one comparison#ren is like some prince of his own species but he's like 34th in line and no one cares about him so he fucks off to eat monsters#which is why he's both snobbish AND a total freak when it comes to his food taste#false is originally in for the money from ren and plans to scam him but unfortunately the cringefail swag captures her#martyn is Obnoxiously Clueless and thinks he's smart but he's not. he's resourceful but also pathetic and crazy#stress cant cook but she thinks she does so everyone goes (≖_≖ ) when she picks up a pot. they delegate her to killing and chopping duty#the mvp is iskall who keeps on saving everyone's asses and somehow has resources for everyone#i think ren is actually aware false is going to scam him but he has too much money to spend anyway and he thinks shes cool so he lets her??#and somehow she doesnt take the money and run. and goes back to eating monsters w/ the party. everyone is crazy
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shannonsketches · 2 months
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years ago Toriyama said 'i didn't really like vegeta but he was really helpful to the story' and honestly?? more of that. more of those. you don't have to like him but is he good for your story? he'll be good for your audience too, bet
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swordmaid · 3 months
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anyway shri’iia’s epilogue outfit which is a mix of 1900s male stage costumes and also that one camp outfit mod. look at the ring hehe 🤭
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#it’s so whimsical I love it ….. the silhouette is based on the stage costumes#where they have like the cinched waist poofy bottoms and then stockings#but in her case it’s boots but she’s wearing these particular boots that I think fits with the whimsy elements the fit has#and the top is like a reconstructed coat but off the shoulders with the poofy sleeves bc I want to give her that rapunzel / tangled vibe#since her backstory was inspired by rapunzel ofc …!!!!#and it still has that sexy element drow fits are known to have … but this one isn’t like outright naked sexy it’s more of a teasing kind#which fits her..!! like this is her whole personality turned into an outfit I really like it 🤭🤭🤭🤭#and it’s the personality that she slowly regains when she becomes more genuine … and she’s finding herself more (via the oathbreaking route#unlike before the clothes she wore were like costumes bc she’s trying to project a certain image. now it’s her actual authentic self#character building through fashion and wear? maybe so!#as for the stage inspo I think her own style would lean that way bc a) she prob has been influenced by astarion who I think has a more#theatrical style and since she’s new to the fashion in the surface she’ll probably ask him a lot#b) it’s a whimsical style!! and fun!! very bard like tbh but I think that’s what she’ll end up liking. it’s different from the tight#fitting/see through/sleek outfits that drow fashion favours and I think she’ll want to experiment w a different style than she’s used to#and also as for the ring. it’s a promise ring hehehe I talked abt it before but I like the idea that at some point they give each other#promise rings bc marriage!!! or anything of the sort!!! feels too big and too daunting currently and they’re probably taking it slow like#they’re elves they have all the time in the world quite literally for him he’s a vampire but I like the idea they have something that#reminds them or gives them that possibility of like something more 👁️ and the promise rings are just that. also they probably stole the#rings or looted it off a dead body somewhere lmfao#anyway…… Some Thoughts. !
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Literally going insane, might have to write fanfic for the first time in 2 years because the people™️ do not get my favorite female characters like I do and I feel the insurmountable urge to write her. I’m going to bite drywall why don’t ppl see her complexities. PLEASE STOP WRITING HER ETHIER AS DOMICILE MOM OR BITCH (or just for shipping) she is so so cool please guys please.
Also while I’m here, fandoms tendency to shove women in the ‘pure powerful goddess who can do no wrong’ box and then proceed to never give them an actual narrative role other than like ‘supportive’ or ‘took out a few background guys’. Like why DOES this incredibly badass and complex female character just get shunted into doinging some cool flips, getting praised about it (she’s the strongest fighter, so feminist wow) then never getting actnowleged as a 2 dimensional character.
I saw this a lot when I was in the Batman fandom, particularly with Cassandra Cain. She is a highly complex and interesting character, but in fandom she’s kind of shunted to ‘Badass therapy dog who takes care of the men’. Because even on the slight chance her backstory is brought up it’s always never delved into and mostly used to make her etheir more tragic and in need of support on a surface level or to let her be compassionate with the men characters who get their actual problems foucused on. It’s a unqiue kind of frustrating because it’s like almost letting the cool female character be cool, but it’s more like the idea of a badass women is shoved in your face, maybe joked about (or if we’re lucky she gets to beat up a few bad-guys), but ultimately treated like a cardboard cutout. Interestingly this actually isn’t entirely a female character thing, it’s also common with like old grandfather/grandmother characters and the elderly in general. But it’s usually badass women from what I see. :/ Why can’t fandom explore their stories (people do but why is it so much less), why can’t they be the prtags of cool AUs or time-travel fix-its, or crossover events
Idk I think I’m just frustrated, and I typed out more than I thought I would. Also Ive seen what happens to some other posts complaining about fandom misogyny, so please know if you’re a TERF, fuck off you have no place in this discussion. We will never agree, and frankly all of these points apply to canon Trans Women characters. Don’t say shit ill fucking end you.
#This is about Katara Avatar because I peaked into the fandom since I’m rewatching#you don’t get her like I do sorry#Azula too#I could save her#I think Azula needs to go on a time travel fix-it fanfic journey#you don’t even understand#this is also Alpha Undertale (the best written Undertale character)#ALPHYS NOT ALPHA#this is also about Cassandra Cain#but actually I don’t think I could write her well- but the way she’s portrayed in fandom drives me insane#and Steph brown#not dungeon meshi actually- those guys got the lesbians who are winning actually#cassandra cain#probably can tag her#I’m not an avid comic reader but I know she is being done DIRTY by fandom#Fandom misogyny#I actually really like fandom spaces#but I do have to be#fandom critical#at times#More female characters I think are done dirty: Mable pines (She needs a cool time travel fix-it where she has to hide it from her brother)#Urakaka from bnha should be in a toxic Yuri situation w/ Toga- but also should be in the time vortex and should be dropped in a crossover#though the source material there doesn’t treat their women the best so I’ll give some grace to fandom#but if you can give background character 108 his own spin off you can spare some characterization for Urakaka who is awesome#Toriel is actually awesome and I think she should get a solo fic series foucusing on her grief of being a mother again to frisk#also I love Asgore but she owes him nothing and they should stay divorced#I think Mad Mew Mew should just become the 3rd skeleton sibling#I won’t elaborate#that’s most my fandoms down- Deltarune isat Orv and stp fandoms don’t really seems to have this issiue#but Odile and Mirabelle very interesting and I will beam them into your brain
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maddymoreau · 5 months
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1tsjusty0u · 6 months
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HER ENTIRE ARC IS ABOUT HATING LINK. THATS THE ONLY DEVELOPMENT AND REALIZATION SHE MAKES IM GOING TO TURN INTO AN OYSTER AND BECOME AN INVASIVE SPECIES ON A DIFFERENT CONTINENT
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who do you think are the most annoying companions from each game?
Hmmmm, that's kind of tough. All of the companions have annoyed me one way or another at some point, but most annoying? in general?
For DAO, I'd say Oghren. I love all of my DAO companions, Oghren included. I think he's a more compelling character than people give him credit for, but his grossness does grate on my nerves easily. Actually, I think he's the only companion I've ever sent back to camp after a party banter triggered because I was like "....alright, that's enough of that, I'm bringing the dog instead."
It's especially bad in Awakening when you have him in a party with Sigrun, but I keep them together because it's worth it to hear her take him down a bunch of pegs while accusing him of being terrified of women.
For DA2, at this point I think it's on brand for me to say Aveline, though Sebastian's a close second. Sebastian's only in second because I straight up forget about him for long periods of time... but then when I do have him in a party, so much of what he says makes me stop and go, ".........Sir, if you could stop talking, that'd be great."
I use Aveline a lot, however. I've talked about my beef with her in several posts, usually when it comes to her dynamic with my Hawke and Carver. But she's also in a position of power while saying things like "people choose to live here? it amazes me" about the people of darktown, and what happened with the elves, I just.... I want to grab her by the shoulders and shake her, she annoys me.
For DAI, that's a hard one... I think most people would say Sera, but honestly? Sera doesn't annoy me any more than the other companions??
I'm really wracking my brain here to remember if anyone annoys me above the others... I don't know! I almost want to say Blackwall solely because of the Thom Rainier thing but that would make me a massive hypocrite! My Lavellan lies about her original identity, too; she's Surana from DAO who escaped the tower with Jowan! I can't be annoyed at Blackwall for lying!
Cassandra annoys me with her Chantry bullshit, Bull annoys me with the qun bullshit, Solas annoys me when he shit talks about the Dalish, Dorian gets fed to a high dragon every time I hear him talk about "well slavery's not ALL bad-", Vivienne and Blackwall are made to wear The Armor of Shame every time I get sick of their bickering, I threaten to take Bianca away every time Varric talks about Anders, like.... y'know what? Everyone but Cole.
Cole is the only companion in DAI who doesn't annoy me, let's put it like that because I can't honestly decide.
But this could change, like it's been a hot minute since I've replayed DAI and I'm currently replaying the series soooo.... we'll see.
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simcardiac-arrested · 4 months
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no actually I’d like to hear your thoughts on the isat ending
Like i said it felt really tropey and by that i meant that it’s just Everything Good Happens forever and…..that’s it ? like idk we were building up to this huge catharsis sort of thing and then we got to it and it was so sudden and not a good payoff and just kind of nothingburger of an ending . the fact that everyone just forgives siffrin bothers me, or at least the fact that they don’t confront them about the shit they’ve said and done. call me a mental illness villainizer but i think if you’re a fucking asshole and doing the most insensitive things to the people you care about then hey, i think those ppl have a right to fucking tell you off for it. likeeee idk being at your lowest point …… not an excuse …. not feeling it chief ……. like sure the message is to move past your mistakes or whatever but ? that doesn’t mean just getting away with it ??? and i just really don’t understand Why everyone forgives him. honestly at the end of the day the ending is just one problem, the root of which are the characters. everyone feels like trope cardboard cutouts. oh, this is the smart one. this is the smol bean. this is the himbo. and they all care for each other btw. Did u hear that? they all care for each other. we’re not really going to explain to you why these people are so close or what they went through together but just trust me man they’re sooo found famy. like …. okay. i’ve played 30 hours of this game and not once did i buy that any of the characters really cared about each other. like??? why???? You’re telling me everyone super cares about siffrin even though they barely know them?? you’re telling me siffrin cares about everyone sooo much even though he never even bothered to find out their problems before ? Wat ? and this just breaks the ending more because literally whyyy do these people care about him so bad. and then it’s just whyyy does siffrin Have to tell them anything he doesn’t even seem to know them that well. everyone feels like colleagues and Just Friends at best. and so the ending just seems really forced. like it was written by that type of tumblr user who’s always talking about aww why does the found family have to break up after the end of the journey :( which is like fiiiiine. i guess. but u guys know that u have to build up to it right?? you can’t just tell me they’re Family Members(tm) 102829 times and that they super care about each other source: trust. you can’t just do that and then expect me to believe it ….. It feels unearned. the ending feels unearned and i don’ttttt understand what i’m supposed to take away from it . that it’s ok to fuck people up because you’re traumatized and insecure?? that you have to talk about your deepest problems with people you barely know??? i just dont know. Like i said if im being honest the problems with this game’s writing are more than just the ending, it just stands out so much because there’s a lot of build up and then just …… That
#honest to god if you want a Good Example of a story like this just look at dungeon meshi#we start the story from the end of the characters’ journey. they all don’t know each other very well and they’re just working together#hell they don’t even like each other that much. And then as the story develops and they go through their journey we get to see them bond and#get closer and fight and make up and admit they care about each other and still be mad at each other#nobody even gives a fuck about laios at the beginning of the story but by the end of it they’re all willing to die for him. THAT feels#earned. when marcille super fucks up and everyone tells her off for it but still wants to just make sure she’s ok That feels earned#like honest to god i’d take marcille’s arc any day than whatever’s siffrin going on#i just feel like this game suffers from a chronic Tell Dont Show syndrome. we get old over and over again that these characters are close#told*#and that they care about each other. And that’s just ….. not a way to write a story ………#when all the characters exist just to comfort the Whump Main it’s like how am i supposed to get invested. in any of this#u know when the dev replied to someone who was asking them how to write a story and they just said ‘glue your fav tropes together until it#becomes a story’? Well i think that is isat’s main problem. it’s not really a story. it doesn’t really have characters#it’s just a bunch of tropes in a trench coat. And let me tell u that is notttt how you make a story. at all. at all#anyways this was supposed to be about the ending but this story just has so many inherent problems i could critique it forever🤷‍♂️ my badddd#it’s fun as a game and it’s Fine as a story but at the end of the day it just reads like fix-it fanfiction to me#which is not Bad on its own but i wish people would at least recognize how the story is kind of built on sticks#cramswering
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ibrithir-was-here · 1 year
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Old short story I wrote a couple of years ago and then forgot about. Remembered it the other day, gave it a bit of a brush up, and figured I'd share it. My own take on the old "Dark Snow White" retelling
Sunlight and Snowdrops
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Father is sending us away tomorrow, sent for schooling at a monastery far off in the south. His new wife--The Usurper, who I will not grace with the title of queen-- tells us of the walled gardens, where pomegranates and figs grow almost year round on trees with leaves as large and tall as a man, a place where the sea still rushes up freely to meet the shore, long stretches of golden sand, forever warm to the touch.
She has talked of little else for months now, as if she and Father hope that such constant chatter will somehow soften us to the idea of our exile, make us forget the kingdom she has stolen from us, just as she has stolen his heart. And perhaps with my sisters she has somewhat succeeded . They always did take after Father, with their butter-yellow hair, and skin flushed like ripe peaches. Perhaps they were always more suited for such places. But I am my mother’s daughter, as any who look upon me can tell, and I will not be made to forget.
For how could such a flat, lurid place ever hope to compare with the beauty of my mother’s kingdom? What is a stretch of damping sea-shore to the beauty of a deep lake, forever crystallized into the finest mirror? What are walled gardens with their mad jumble of gaudy fruits to the dark towering pines, whispering to each other as the wind moves through them? What monastery could ever hope to reach heaven in the way that the mountains of the valley swell up in dark waves, to crack the egg-shell gray of the sky?
It is the blue sky of that far off place I fear most of all. What want have I for a sky of unchanging blue, suffocating in it’s immensity, with its one great burning eye beating down to peel and crack my skin in the day, and it’s thousand eyes to stare down at night? My mother’s pale sky has never once burned me, never once stared into my dreams, not with her veils of snow to protect me. Her sky is forever changing, shifting from stillness to storm on her whim. Blasting and breaking, soothing and softening, blanketing all with her beautiful covering of pure, protective white.
But my father’s new queen has poisoned its beauty for him, turning his head with her talk of salted water and coarse sand. If she wishes to retreat to such places, then I say let us be well rid of her. If my father and sisters are fools enough to follow her, to believe the lies she and her counselors and sages have spread about my mother, the rightful queen, then let them be off as well. I know the truth, I have not forgotten, I of all her daughters, have remained faithful.
There are so few of us now. So many have turned away from their true queen. But though loyalty is fragile, memory remains as firm as the ice upon the Great Lake. Despite their seeming love for the Usurper, The common people still tell my mother’s story. The Usurper thinks that because she was once one of them, a drudge plucked from obscurity by the weakness of my father’s will, that their hearts have turned to her in full.
But they can never forget my mother completely, she does not let them.
When the winds howl thick, like wolves at the door, the tale, long and wondrous and wild, is whispered between huddled crones and wide-eyed children.
A tale that takes hold of the mind and heart, as surely as the cold takes to the bones.
It begins in Winter, for indeed, how could it not?
A winter long and dark, when my grandmother, a woman wise in the old ways of the world, sat sewing at her window, looking out into the forest that spreads like an ink stain all round the castle, the snow falling heavy all around her, silencing the world as she made her request to the magic of the woods.
Three drops of her own blood she spilt to gain her heart's desire, a child for her childless king. And a child she received, a beauty such as never been seen. Hair black as the trees of the forest, lips as red as the blood she had given, and skin as white as the purest snow. A child of the winter woods, born on winter’s darkest night.
A life had been granted, and so was a life taken away. My grandmother lived long enough to bless my mother with her name, and the king, who once had so longed for a child, was now too grieved to bear the sight of his new daughter. And so my mother was given over to the wife of the castle’s woodsman, recently blessed with a child of her own, and who, most importantly, lived in a cottage on the edge of the woods, far, far away from the castle grounds, and her mourning father’s eye.
For seven years my mother grew up in the care of the woodsman’s family, as loved as if she were their own blood daughter, and the girls loved each other as sisters. They spent many days beneath the shadows of the trees, and learned much from the woods. They say even then, before she had come into her power, that the creatures and spirits of that place knew my mother as part of their blood, knew that something of her had come from something within them, and protected her for it.
It was in the winter of her fifth year that she met my father, a lad of nine, trapped within an enchanted bearskin. She and her foster sister brought him into the warmth of their cabin, saving his life, and each winter for three years after, he returned. She told me once that those winters were some of the happiest memories of her life, surrounded by those she loved in the shelter of the snows.
It was in summer that her sorrows came.
It was in summer that my mother discovered the gnome that had cursed her bear, and by his death my father was freed from his enchantment, only to then return to his own far off kingdom. It was in summer that my mother was parted from her foster family, recalled to court at last--only to find her own usurper on her father’s arm.
The people of the land adored the lady who had come to them out of the sun-drenched south, calling her their Summer Queen, praising her for the abundance that had blessed the lands since she had wed the king. And surely there was never a woman so beautiful. They say that her hair flowed like sunlight itself down her shoulders until it touched the floor, braided all over with flowers of every hew, and her eyes were as blue and bright as an August morning.
My mother said she could feel those eyes trying to melt her the moment she was brought before them.
My mother was not at court long. One day, the Summer Queen surprised her with a visit from her foster-father, and though he smiled at her, his eyes seemed grim and troubled. They traveled together down to the edge of the woods, far from the eyes of any in the castle--and there he took out the knife, carved all over with flowers, to cut out her heart.
(He claimed later, when the coup was over, and my mother restored to the throne, that he had only done so to protect his family, his own little daughter. My mother granted him the same pity he had shown her, and sent him into the woods, alone and unarmed. I do not know to this day if he fell to the animals or the cold that finally came, but by all accounts, he was never seen again.)
My mother, for her part, wandered for months alone beneath the boughs of the woods. The animals did not harm her, the woods knew its own, but she dared not venture near the edges where human souls still delt, fearful now that any might betray her to the Summer Queen. And as remarkable as she was, she was still only a child, and had never had to care for herself before, and she longed for the cheer and company of creatures like herself.
More than that, the heat of a seemingly endless summer wore at her. August passed into September and September to October and on, with nary a change to be seen. The leaves on the trees remained green, and did not fall. The rivers ran along as full and fat as ever, though there was no snow left to feed them. The sun felt like a great eye, searching for her beneath the sheltering shadows of the forest. Only at night did she find respite, and she longed for the relief of a winter that never came.
Farther and farther she wandered, seeking someplace where she might find some sign of chance, some shelter from the daylight that stretched longer and longer. At last, she found herself upon the slopes of the farthest mountain. Her feet were worn ragged from wandering, and her tongue was cracked from the heat, but with the last of her strength, she managed to stagger to the summit, and there, in a hollow tucked into the dark shadows of the peaks, so dark that even the hottest of summers could not fully touch them, she found snow.
And there her strength finally deserted her. She lay down upon the snow as contentedly as if it had been a feather bed, and might have slipped into the endless sleep beneath that cold coverlet, had it not been for the little men.
The frozen-beards, the valley people call them. Dwarfs that live in the fields of ice upon the mountains, having little to do with the valley people. They delight in the cold, they are said to be able to call up snow storms to hide their homes,and in winter they might be seen galloping along in the wake of an avalanche as happy as a child at play. But for all the ice of their beards, they are warm of heart, and they took the half-frozen child into their home as readily as if she had been one of their own.
For seven years, my mother at last knew peace. In the caves of the mountains she learned much of the songs and stories and skill of her new family. She learned the shaping of swords and the setting of gems,and the summoning of wind and fog, and was happy.
But nothing lasts forever, and at last, summer found her patch of hidden winter.
The king of a far-off land had proclaimed his intention to visit our valley kingdom, which had grown in renown-- and profit-- thanks to the summer that seemed trapped within the crown of our mountain valley. The rivers and Great Lake were never clear of vessels shipping goods out and bringing gold in. Both people and purses grew fat from the bounty, and basked in the seemingly endless sunshine.
There was one stain however, upon the glorious reign of the Summer Queen, though it was only spoken of in whispers, for it would not do to complain of such small misfortune within the wake of so many blessings.
The Draining Sickness.
It came on quickly, overnight in some cases. Those afflicted withered away, drained, pale and almost bloodless, like unwatered plants beneath the noon-day sun. No one knew how it spread, it seemed to only strike one village at a time; and oddly the most healthy and comely succumbed first, as if offended by their vitality and beauty.
Fate however, seemed inclined to some mercy. For each village that was stricken with loss soon found itself blessed with an overflowing of crops and commerce, as if Death felt some blood money was owed.
It was not only the young and lovely who were taken though. The old King, my mother’s father, was struck down on Summer’s Eve itself— along with seven young girls from each of the surrounding villages. But the grief over these deaths was short-lived, such was the glory of the days that followed, the golden sunlight drying the tears from the cheeks of the mourners even as they fell. Indeed, it seemed hard to grieve anything beneath the sun of that long, long summer. The Summer Queen, clothed in green and yellow and scarlet and blue, wore only a black ribbon around her neck for mourning, and none falted her.
It was then that the rumors came, rumors that the visiting king was not only there to see the beauty of the valley, but of its women as well. Indeed, those coming before his entourage said that he was seeking out one who was rumored to be the Fairest of them All.
The Summer Queen, shining almost to match the blazing endless sun, was more than happy to aid him in his search. And it was undoubtedly her efforts to ensure her own success in fulfilling the terms of his quest which led her to discover that my mother’s heart--which she thought she had devoured seven years ago, at the start of her endless summer --still beat it’s red,red blood within her snow white breast.
A grand celebration was proclaimed in the king’s honor, a festival of such magnificence as had never been seen outside of the old stories, and travelers came from all the surrounding lands to take part, ply their trades, and sell their wares. Up and over the mountains they came, and several passed by the cave where my mother dwelt.
Was it any wonder that my mother, still so young, having found a measure of peace in that snowy valley which soothed the burns upon her soul, and made her long to return somewhat to the world of men and look once more upon human faces, took in good faith the laces, brought by from far by the cargo boats; the comb, carved and painted so cleverly with a myriad flower; and finally, most beautiful blood-red summer apple, grown in her father’s own orchard?
When my mother woke again-- to the face of my father, returned from afar at last to find the girl who had freed him from his curse, and had now freed her in return-- she was not so naive.
My father had brought many men with him, and the people of the valley had grown slow and complacent in their bounty. When his men came with their swords, and the frozen-beards called up their icy winds, and my mother rode down upon the capitol in a sleigh made from her own glass coffin, they were not prepared to withstand the onslaught. Soon enough all had either fallen to their knees —or fallen where they stood.
The Summer Queen danced at my mother’s wedding, in shoes crafted by my mother herself, in the art taught to her by her foster-fathers. Shoes which returned upon the Summer Queen all the heat of the sun which she had stolen by her sacrifices and bloody rites.
Then my mother took up her rightful throne, and winter came at last to the valley.
My mother and father were wed in the open courtyard, as the snow fell like diamonds all around them, and all agreed they had never seen a more beautiful sight. My mother’s foster sister, who had remained loyal to her true queen, was reunited with her, and wed to my father’s brother. Children followed both of them after, and for many years, the natural order of the seasons came and went.
It was on my seventh birthday that my mother found the mirror, tucked behind a tapestry woven with fruit and flowers, in the abandoned tower of the Summer Queen.
No one knows where the Summer Queen obtained the mirror. Some have claimed it was a wedding gift from her godfather, a fallen priest who had taken supper at the Scholomance. Others that she crafted it herself, from water and moonlight, on a witch’s sabbath. But my mother told me once that the mirror was only a shard of a greater whole, and that the Summer Queen had only happened upon it, and though her own powers were great, her vain and narrow mind only able to discover the basest powers of the mirror.
But my mother-- born of blood and snow and forest, learned in the lore of the mountain folk, the perfect inversion in shape and soul of the Summer Queen-- could feel at once what was before her. She had higher aspirations than to know of mere beauty. After all, why should she trouble herself over such trivial questions?
She was, and is, the Fairest of them All.
No, my mother asked for vision and clarity, and the mirror readily supplied, showing her the darkness that lay in the hearts of men, the twisted, choking desire she had already tasted in an apple grown of blood and summer heat, and she knew what she must do.
That night, on Summer’s Eve itself, the snows began to fall.
The winters lie heavy on our land now, as heavy as summer once did. Our borders have shrunken back to what they were before the days of the Summer Queen. The rivers she once choked with cargo boats and merry-makers now flow freely beneath the protection of their own glass coffins. The flowers that once crowned her traitorous head have not been seen in many a year. The mountains are eternally capped with snow, the frost-beards no longer trapped within their narrow valley. Our kingdom, once vibrantly flushed with the blood of those taken to feed an endless summer, is now white and pure, cleansed by the endless falling snow.
My mother saved her kingdom from a blood soaked opulence, from a land made rich and fat off the hearts of their own, and yet they still turned upon her. Called her witch, demon, and worse. In the end, as the purifying snows fell heavier and heavier, The Usurper-- covered in ash from the fires she’d set to hold the snows at bay-- besieged the capitol. With her brother at her side, with an army of thred-bare shop-keepers and merchants laid low, she came up the Great Road with as much pride and assurance as if the crown sat already upon her head.
My aunt, foster-sister of my mother, and others who remained loyal, who knew their true queen for the power that she was, fought back. Indeed, my aunt and the wolves that answered to her slew The Usurper’s brother upon the very threshold. But the faithful were soon overwhelmed. The few who survived were driven into the woods, seeking the shelter that had been granted to my mother. The Usurper had the trees set ablaze, calling out that the dark powers of the forest would not be allowed to aid the followers of a witch. Her army came right up to the palace gates. And my father, my dear, foolish, fearful, traitorous father, who’s heart had been turned by The Usurper’s treacherous lies--himself unbarred the door for her.
My mother did not flee, whatever they say. She who had vowed to never be driven by anyone again, she who had bent the very elements to her will. She did not flee before The Usurper’s feeble army of ragged townsfolk and treacherous palace guards,even as they tore up her portraits, burned her books, and smashed her mirror into a thousand pieces.
No,they were not granted that victory. When she fell, she fell of her own accord, and her white gown sparkled like snow-flakes in the sun as she dived, down from the window at which her mother had once sat sewing, down, down into the blazing, waiting embrace of the woods that had heard her mother’s prayer.
When the fires at last burned themselves out, they found my mother’s body, ash covered, but untouched by the flames, as if even they could not bear to besmirch her beauty. She was placed once more in the glass coffin that bore her name, and it sat in state for three days in the royal chapel. She was, after all, a king’s daughter, and wife of another. On the third day, it was gone. Some claim she was properly buried, far beneath the ground, with a hawthorn branch in her heart. Others say that the rebels took the coffin, and burned it till the glass was melted down into a lump as black as her hair had been. The faithful say that the frost-beards came in the dark of the night, and reclaimed their daughter, carrying the coffin up once more to the high valley where my father once found her, to await the day when she will awaken again.
If she has not so already.
For though my mother’s crown sits on The Usurper’s head, and her daughters are to be sent to the far corners of the earth, in hopes the heat of the sun and the scent of the flowers will drive her from their hearts, the winter still lays heavy upon the land, and the wind has not ceased to blow since the day that she fell.
Father is sending us away tomorrow, and I do not think he shall be long in following. So many have left already. He longs for the shores of his youth, where the spring and summer follows after the winter. My uncle, his brother, has already returned there, with many of his children. The common folk are leaving as regularly as they can clear the mountain passes, which is not easy in these times. The birds and gentler animals left years ago. Soon, it will be only the wolves that prowl the dark woods, edging closer and closer into the towns as more and more people abandon my mother’s frozen kingdom. They say that the spectre of my aunt can be seen running with the wolves sometimes, when the moon is obscured by clouds, red cloak trailing behind her like blood on the snow.
They can send me away, but I shall find my way back. A thousand’s flowers scents could not make me forget the smell of the pines, a thousand bird’s songs could not drown out the howl of the wind. The bluest of skies cannot burn away the purest of snows. Not all the mirror’s pieces were ground to powder. I managed to save one, one single shard reclaimed in the chaos that shattered my childhood. I have kept it close, reworked and polished it, set it into a clasp on a chain that rests even now against my heart, hidden beneath my dress so that The Usurper cannot see. Already I have learned much, not as much as my mother, I do not claim that, but enough
And when the time is right, I know it shall lead me home. Past the guards that will be placed at the door, past the gates that will be barred, over the rivers and hills and far away, back to my mother’s mountain. And there I know I shall find her again, hair as black as night, lips as red as blood, skin as white as snow; riding in her sleigh of glass thru the eternal winter air to meet me.
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mye-chi · 1 year
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i'm still in awe of how they rewrote aphmau for rebirth because god it's so good. like, she's a goddess's reincarnated vessel summoned to the world without their memories??? i'm biting my fist man that's such a great way of retooling aphmau's identity as a letsplayer who spawned into their world to begin a playthrough.
and i love the added mystery of her markings for the new fans to puzzle over and the hint she knew garroth from her past life and watching her develope into her own person and
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