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#but somehow it's always mostly the westerners that act like this
fujimiiiya · 1 month
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I cackled everytime I see JJK content creators with 'Proship DNI' in their bio and those yapping how yucky and degrading it is for many of allxyuji ships (when they are literally fictional characters that you could tweak however you want) but then seeing them making contents from weakly jjk leaks, supporting leaks, tagging their contents based on leaks publicly when those acts are legitimately illegal and literally threaten and are harmful to the livelihood of many real people behind jjk's production...can't help but think how fucking silly they are like gurl your morals are backwards at best, thinking they are better and thus okay being racist and insulting to Japanese creators who contributed to make allxyuji swept most of the 20 popular jjk ships? They can't even stop and think why Japanese artists are so enraged w/ the act of leaking chapter and the act of supporting leaks in whichever form (including making fanarts, memes, posts, tweets based on leaks), before it is officially released that made those available everywhere due to these dumb content creators who can't even hold back few more days to not publicly support leaks...Bcs it is literally illegal and highly disrespectful to Gege and all those working in JJK and most of all, stealing actual profits that are supposed to go to them.
Still wanna act all high and mighty when you're supporting in real crime? Oh. You think if those ppl working on Weekly Jump magz got fired then it's none of your business bcs you're just a fucking leaks reader? You just happen to make contents abt it before official release bcs everyone else also does it. Could care less abt the fact that it's illegal bcs you dunno those real people working for JJK. But you 'care' more abt your fictional blorbos being shipped with another fictional character in what would be unhealthy according to real life standards?
At least im not a hypocrite and have actual functioning brain and morals that can separate reality and fiction and understand which thing is actually harmful and wrong IRL and which isn't. Get your brain to actually work first before running your mouth and preach about what's wrong and right in fiction.
The idea of proship doesn't even exist in Japan because they are the people who actually know how to mind their own business and not judging people based on preferences for fictional works...and not downright being rude to strangers online...unlike some people from the other side of the world, obviously.
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actualmermaid · 1 year
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Since I've spent the last month-plus neck-deep in queer Christian history research, I ended up with some thoughts™️ about "classical" Western homoeroticism vs. Christian homophobia.
Liberal Christian apologetics sometimes do a very annoying thing when asked to explain the homophobia in the New Testament epistles. Because it's real, it's there, and homophobic Christians take it as the Unquestionable Word of God. So obviously we have to do something about it.
The liberal explanation tends to go something like this: "the epistle writer is talking about the abusive and exploitative homosexual acts that were common in ancient Rome, not the loving/egalitarian/mutually respectful relationships that gay people are able to have today." And it's so frustrating because there is SOME truth in this. We and Paul both know that the Greeks and Romans were notorious pederasts and slave-abusers. And that's bad! It's super bad. I do agree that Paul/the epistle writer is condemning abusive behavior using language and frameworks that would have been available to him at the time. Deciphering the social context of the epistles can get messy.
But the annoying thing is this: it is not affirming to suggest that all gay people in the past were either abusers or their victims, and "we're more enlightened now" is a lie. We are not smarter than the Greeks. We are not more civilized than the Romans. We are not more pious than the medievals. (Hello there, Roman Catholic sex abuse scandals.) And there have always been gay people who have defied all odds to have loving, egalitarian, and mutually respectful relationships with each other, even if we do not know their stories or their struggles.
This is kind of the crux of John Boswell's "controversial" thesis: gay people have always existed, even if they had to conceal themselves and their relationships behind various protective structures. (I actually haven't read any of his books yet, so I'm not going to engage too deeply with the nuances of his arguments.) When people try to dismiss him, I suspect it's because they don't notice or appreciate what he probably noticed. I have a hunch that Boswell's arguments are not super intersectional and focus mostly on the privileged sphere of people who left written records in the Middle Ages, but hey, serious LGBTQ Christian history research has to start somewhere. I'll withhold judgment for now. But I do think he was totally right about one thing: Saints Sergius and Bacchus. They were totally a gay couple until somehow proven otherwise, IMO. The reason I think he was right is because he was able to notice the "classical" aesthetics of homoeroticism in their legend even though it might not obvious to people who don't know what they're looking for. Straight people reading the legend are like "there's nothing gay about this" and gay people are like "wow, this story is pretty gay."
If you've ever looked into Western gay history, you've seen two words: erastes and eromenos. This means "lover" and "beloved," the two sides of a classical Greek pederastic relationship. The Greeks did actually recognize an age of consent and had ideals of proper behavior that regulated these relationships, but these were still usually relationships between a teenage boy and an older man, which isn't great. They also had all kinds of weird ideas about the politics of penetration and so forth. The Greeks and Romans didn't really think that two people could really be equal to each other--in any relationship, there was always one who was sort of subordinate to the other. So it was "weird" for two social equals to be in a gay relationship, as opposed to one with one partner who was already "established" and was "showing the ropes" to a younger guy who needed some wholesome manly instruction. We may not be better, smarter, or more enlightened than people in the past, but we do have the ability to critique them and try to identify the harmful behaviors that we've inherited from them, so we can do better. We've come a long way since the days of erastes/eromenos relationships, but one thing has stuck around: the classical aesthetics of a "manly guy" and an "idealized youth" in love with each other.
Apropos of nothing, here's a photo of John Boswell and his longtime partner Jerry Hart. They were within a year of being the same age.
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So anyway, this brings us back to the legend of Sergius and Bacchus. The version that Boswell translated takes great pains to show how Sergius and Bacchus were equals in every way. They're both Roman officers, they're about the same age, they sing in unison, and are united in the egalitarian love of Christ. However, they are still just a little bit unequal. Sergius is of a slightly higher rank than Bacchus.
To be clear, this whole legend is a literary creation, and it's got a bunch of Byzantine propaganda in it. It's not history, it's mythology. Whoever wrote it down would have been familiar with erastes/eromenos dynamics, because these were everywhere in classical antiquity. So they made sure to specify all the ways in which Sergius and Bacchus were equals, but took a firm position in ye olde fandom top/bottom discourse.
Throughout the legend, Sergius acts, and Bacchus is acted upon. Bacchus is killed first, and Sergius is temporarily demoralized. Bacchus then appears to Sergius in a vision encouraging him to stay strong. Sergius is so steadfast that they can't torture him enough to make him recant his faith, and he is beheaded. Even straight couples are not usually said to have been reunited in heaven, but Sergius and Bacchus are.
So, knowing that Sergius is the erastes and Bacchus is the eromenos in this story, we can start to notice it in iconography too. It's not always consistent, but sometimes icons will have Sergius' cloak curling protectively over Bacchus' head, or one of them taking a slightly more "authoritative" posture, etc.
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Above all, they are always depicted as true equals--sometimes they almost look like twins.
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Increasingly, modern icons are being made that explicitly communicate the idea that they were a gay couple. The one on the left was created by Robert Lentz, a Franciscan friar, for Chicago Pride in 1994. The one on the right makes the classical homoerotic aesthetic super explicit, and is by far the most sexually-suggestive "traditional-style" icon I have ever seen lol. Shoutout to this artist.
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So to sum up: John Boswell knew what the fuck he was talking about. Also, none of this excuses the homophobia in the Christian scriptures or the homophobia that Christians continue to perpetuate. However, knowing what to look for in art and writing helps us understand that gay people were not magically granted the ability to have egalitarian relationships in the modern world, and THAT leads us away from problematic apologetics.
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tansyuduri · 2 months
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Merlin Loregasm Rewatch S1E2
Hi Everyone! Welcome to my rewatch of Merlin focusing on the lore. I am a giant nerd so pretty excited about this. Time for VALIANT!
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So this brings up heraldry in the series. We see Arthur using Camelot heradlry, and other knights doing the same but during tourneys, we see Lots of different other patterned shields. So either people usually use the shield of their overlord in battle but their own in tourneys Or no knights of Camelot besides Arthur appear in tourneys. (I think Lancelot will make this a bit clearer when we get to it.) Either way either this is Valient's family crest, or he serves someone with a family crest. Either way it makes sense for why he murders this dude. As the shield is KINDA a dead giveaway to his identity. (And we know he is a knight or at least is acting as one and pulls it off better then Merlin's later first attempt at identity theft.) They obviously do not require patents of nobility at tourneys because Gwen, Arthur and Merlin pull off a fictional Knight later just fine.
I think he is likely a knight because ARMOR IS EXPENSIVE Y'ALL.
He also says he is from the Western Illes. Because the island of Mora And Ealdor this is the first place we hear about besides Camalot. Does he mean Ireland? I think he means Ireland? ALSO! are you used to my messed up grammar and punctuation yet? I have an LD in both. This is why I always need Betas for my fics despite creative writing being my thing. (I mean besides just wanting them to be better.) (This is an example of autistic oversharing. You are welcome! BACK TO MERLIN!)
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So we only see this kinda sparing with Merlin in armor and holding a sword and shield once. (Usually he just holds a target for arthur) However, Merlin does get better with a sword somewhat as the series progresses so I think it likly continues. (Though perhaps a bit more nicely) It's interesting because Arthur has his pick of people to spar with, we see that later. Yet he says "Most Servants collapse after the first blow" So who is he sparing with? Has he been given manservants he didn't like before and just used this to make them quit? ANYHOO this was not as much lore so will not often comment on character dynamics but yesh.
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Okay so I will spare you the talk of different armor parts. BUT this is really interesting compared to mentions of "Camalot forged steel"
See many Castles would have their own blacksmith and the one in the villager would be more for horseshoes, nails, and the like. Because armor and weapon making was A BIG DEAL
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This implies Gwen's father was a HIGHLY SKILLED blacksmith who likely served the knights of Camalot. (He can't have been the only one because when he dies there is a period of time before Elyan comes and in Gwen's words Gets the forge running again.) But for a regular blacksmith to serve as an armor and weapon maker is a BIG DEAL that kinda knowledge was highly specialized! And yet Uther killed him easily.
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OKAY time to nerd out a bit! This is quartering, an advanced heraldic tradition in which an individual for some reason or another wanted to show MORE than one coat of arms they were entitled to. You guys should look all this up, its fascinating! But onward!
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Okay yeah remember what I said about Gwens family likely descending back to the Roman times? It's still possible but if Arab knight equivalents can get to Camelot then her family could totally have come from northern Africa for other reasons. Also I like the dude in Mauve having an Anglo-Saxon Helm and the due behind him having one from the 1100s I love Merlin's stew of things from all over history.
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Okay this is perhaps just Uther being an ass. Because I'm sorry if you are not the king of Mercia I refuse to belive you are the king of Ireland. (Albion is not united yet.)
Perhaps its mostly knights of Camalot here with some exeptions? I mean if we are creative with the dude CLEARLY of the middle east we can say somehow became a noble of camalot. It would explain a few things. Did Valiant come from Ireland (Sorry I mean The Western Illes) originally then somehow for reasons we will not question also moved to Camalot? (Unlikely as Uther asks him to stay later.) There are also very few people here so likley perliminary tournaments were held? I mean we do see in Lancelot people come from all over to try to be knights of Camalot. so THEORETICLY Uther might be being honest here?
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Okay this guys helm is the same as the Arab dude we saw before I think he just took his outher coat off. BUT And some of this gear is very European. So Camalot somehow has an Arab noble family that fights in ancestral gear when they can OR he got repairs along the long journey to Camalot in local styles. Take your pick!)
(You know because I can't be normal and just say they throw this in for visual appeal.)
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Something to note! This would normally be the job for a Squire. A Squire was also usually the step before knighthood but in the Merlin world they do not seem to exist!
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Alright lets talk about STALKER. Which faction(s) do you usually support? I've always been partial to Clear Sky. Former scientist determined to make right the sins of the past through pen and sword is just cool to me. Also have you played GAMMA? I'm having a ton of fun with it, but i understand how some think it deviates from the original vision/atmosphere of GSC.
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Favourite faction? The SBU/USS in Call of Pripyat. I know they're technically the same as the Military faction in the first two games, but there was a significant change in their role and depiction when CoP was released. Come to think of it, this brings fascinating implications about the evolution going on in the Ukrainian society during the period when the Stalker trilogy was being made.
I do have a soft spot for charismatic villains, especially when they're not one-dimensional and there's some nuance in the writing, like the Cæsar's Legion in FNV, but this is not the case. There was nothing appealing about the Military in SoC and CoP. They were just an even more bland subfaction of the Bandits, even the special forces with their gorgeous Mi-24 helicopters.
Call of Pripyat feels different. I love Mayor Degtarev and the Operation fairline boys, I'd kill and die for them. The previous protagonists, Strelok and Scar, have that whining, loser mentality typical for Eastern Europe, best summed up by that one Werner Herzog's movie title: everyone against everyone, and God against us all. They don't really trust anyone and act mostly selfishly. Meanwhile, Degtarev and the Fairline crew went in the Zone for a serious mission since the Kiyv government finally got to get its shit together and try to solve the Zone problem once and for all. The final mission with the choppers flying in felt absolutely badass, like I was evacuating Mariupol. Besides, I loved the mercenary missions, standing up to some anglo boys doing shady business for rich western fucks. Sorry, Timmy the Merc. Not in my Zone, not in my Ukraine, I butchered them all with glee hehe
So yeah, at this point playing as the SBU is one huge power fantasy trip for me. But I have much love for the Clear Sky, too, because the devs wrote them absolutely loveable. Their goals and attitude towards the Zone are both reasonable and noble (Appolinian and solar, even), their armour is peak aesthetic (that camo!) and it's hard to not root for them as the underdog (total Renegade death). Moreover, their camp is the coziest place in the trilogy and I'd gladly live there, even pay the rent. Pic related. I still have this quiet hope they'll somehow return in S2.
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Anyways, thanks for the ask and absolutely *no* apologies for all that mucho texto.
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prettyrealm · 11 months
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Long rant ahead! Watch out!
When will people realize that at the end of the day, men WILL ALWAYS be men. Obviously not all men are the same...but A LOT of them are.
Giiiirrrrl honestly, don't these kpop fans and stans feel embarrassed? Personally as I'm losing ALL interest in celebrities and I'm just starting to see them as people who have more money and fame than me, the way these fans and stans be acting is honestly concerning. Korean celebrities especially idols have said time and time again how their companies will literally assign them roles to play in their groups. Do y'all really believe that most of these idols -especially the male ones- are completely genuine? Have y'all forgotten that South Korea is a conservative, homogeneous AND misogynistic country?
Kpop fans/stans will use the excuse of these idols being from a conservative country to excuse their racism, colorism, homophobia etc but at the same time will deny the possibilities of these idols being misogynistic? Shit babe just like how majority of these idols are most likely racist, colorist, and homophobic...they're most likely misogynistic as well. It is what it is. Y'all will watch vids of Korean women themselves telling y'all the truth about living as a woman in South Korea and y'all will agree yet at the same time say "bUt NoT mY bIaS/iDoL" but I'm never surprised because I also believe that most of these fans have internalized misogyny as well. Just because you're a girl/woman doesn't mean that you can't be misogynistic OR have internalized misogyny.
Also have you not seen the OBSESSION with these idols "future spouse/twin flames" or whether or not they'll date "foreigners?" there's nothing wrong with being curious about celebrities but whew! 😭😭😭 a lot of fans are just too fucking obsessed. Why are you more concerned about someone else's future spouse/twin flame when you have your own? I could NEVER be 20+ years old and worried about JK or V future spouse/twin flame, I'd be worried about my own future spouse/twin flame. TF!
Also I definitely agree about the racist part too! There's a lot of infantilization going on as well. The way these kpop stans/fans baby these idols especially the adult ones, is just weird. Imagine "western" fanbases doing that shit. Imagine the beyhive calling Beyonce "baby bee😙😙" or some shit the way armies be calling JK "banana bunny cookie milk" or whatever tf they be calling him. Calling Suga, a grown ass man mind you, "Meowmeow"....WTF????😭😭😭😭😭😭😭😂😂😂💀💀💀💀 The way that K-pop stans and fans go out of their way to defend these idols and excuse them for literally everything that they do whether it be racism, colorism, homophobia makes me believe that they really do view them as Godly beings that can absolutely do no wrong. Y'all DO NOT have the same energy for western celebrities- especially the black, white ones! Don't you realize that they're human just like you...damn...para-social relationships will have people going absolutely crazy over people that shit and piss just like every other human on earth. Luckily there are some kpop fans and stans that are completely sane and normal! Kudos to y'all! 💗💕💖
They’ll never apply “men will be men” to kpop boys because they don’t see them that way. These are not ordinary men, these are imaginary boyfriends. They’ll never be able to get that they can be just as bad as any other guy in their life. You said it perfectly, celebrities are normal people with way more money, fame & power than you and it’s crazy how people want to assume that somehow makes them better people instead of worse…& yeah i think a lot of that infantilization stuff mostly just come back to not seeing them as humans or normal people because no matter how fine my friends think a guy or a celeb is they’re not about to be calling no grown man no sugar plum or gumdrop idk..
I agree Internalized misogyny 100% plays apart as well, like the fact that I, a woman, receive hate from what would mostly be other women & girls for saying a man has misogynistic tendencies says A LOT.
People will make the argument that these idols are humans and you shouldn’t even entertain the possibility of them being misogynistic/racist/homophobic or whatever & I feel like that’s not only illogical, but dehumanizing in itself because like you said, we never see this grace being extended to non Asians or people outside of that industry. No matter how much these stans wanna yell “my idol is human” they don’t actually mean it or view them that way. They mean their idol is the PERFECT human that can do no wrong.
& that’s what really blows me is how OBVIOUS they make it that this is a racial thing. I didn’t have people sending me hate when I said Matty Healy, Timothee Chalamet & Blueface had issues w misogyny. Didn’t get hate when I said Pinkpantheress has problems with women either. Seems you just aren’t allowed to say it about Asian men 🤔🤫
But yes, luckily they’ll always be people like you and a few others who are actually able to see understand that these idols are just as human & flawed as your brother, sister, neighbor or coworker! Thank you so much for your support and taking the time to reach out! 🩷🩷🩷
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gurorori · 9 months
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9, 10 and 13 final answer locked in
😭😭😭 DTAY STRONG
9. share an unpopular opinion!
hmmm this is a bit hard 2 think of. i cud say a few unusual opinions on da way of dress itself but i have a general community opinion dat most lolitas wld definitely side eye me 4...
ok stay with me. bit of a fun topic but, kinksters in lolita. an' 100% i don' mean the s/ssies or anyone similar, sadly lolitas r quite used 2 bein' sexualised & havin' their pictures (especially if it's sweetloli) stolen & used in s/ssy imagines, so on, non-consensually ofc. which angers me too, kink is normal but involvin' ppl who want nothin' 2 do w it will always b nasty, even if it's only a picture. like i need them men 2 understand lolita isn' a girly girl costume, it's jus' a fashion. dat ppl wear, sumtimes everyday...
That Being Said. i find it very insultin' seein' most lolitas turn their noses when they see someone who is Also into kink, interact with the community. in a non-harmful way dat is, i'll explain. it doesn' happen very often but yunno how on reddit, if ya interact with nsfw subreddits & such, it will show on yr profile. well, i've noticed ppl in r/lolita bein' very judgemental of those who have a nsfw side, despite their posts in lolita bein' completely normal & nawt suspicious.
idk, i can only hope im mistaken & it's nawt actually 'most' lolitas, as a lot of da community is full grown adults, an' i don' hold the whole s/ssy thing against em, i'd b slightly wary seein' someone at the intersection of kink&loli too, but i hate seein' ppl act like they r interests without overlap. ya can only have one at a time, apparently.
so ye ig my unpopular opinion is dat ya can b into cool adult stuff & still wear lolita & keep those two separate. ya don' taint the fashion somehow & don' ruin anyone's impression of it. there's a lotta pressure sum ppl put on others in da community 2 always b this perfect representation of wat lolita is, but we r all jus' ppl w our own lives, wearin' unusual clothes. i think ppl r free 2 do the things they normally do.
n_n anyway da more tame opinions i have will always b old school related, an' it's a few style choices dat ppl outside old school look down upon, so i guesss.. unpopular? i luv peekin' bloomers, i luv small/no petticoat, i luv striped socks, i luv whites not matchin', i luv black shoes/accessories with sweet or shiro, i luv coords with a random bag/shirt/anythin' ya found home slapped on, if 2000s FRUiTS street snap girlies cud do it, ya can too.
10. do you prefer vintage or new dresses?
looks at ya with my autistic eyes. guess. guess.. guess. guess. I LUV OLD SCHOOL!!!!!!!!!!! i don' particularly mind re-releaaes of the old designs tho, so technically they'd b 'new', but 'm mostly in favor of older, used, even worn dresses/skirts/etc, if da price is good & it's a piece i want.. sumtimes the designs get updated a bit thru da years & end up lookin' different, which happend 2 a baby dress i own ↓
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2005 (da version i own) vs current,
i still have no idea if we can trust new baby stock images but da color difference is crazy if true. havin' the older dress irl i can vouch it's.. actually even lighter in person, but dat might jus' b signs of wear. but yeah as ya see da design itself still had changed quite a bit, the cute lace curtain on da bodice is gone. i think da bigger bow on da neckline instead of da waist throws da balance off 4 me personally, too. like i jus' overall prefer the old version here.
i think dats my stanceeeee.. i don' mind buyin' re-releases & most likely will, but i still have more old-school preferences. it's quite hard 2 find pieces dat r both new & fit dat vibe still. as ya see even da old designs get renewed 2 da point where they lose their charm..
13. where would your ideal photoshoot be?
A CEMETERY!!! srsly, all da western places like europe & the us have such aesthetically pleasin' lookin' well-kept cemeteries with like nice greenery & stuff. here they r huge & ugly & very packed tho like it's nawt a place where ya can melancholically lean against a tombstone or stand menacingly & look gothic. nope.
aside from dat, jus any gothic architecture really, dark & imposin' n watever. obviously we don' have dat here either..
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socialjetlags · 3 months
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╰ ☆ ◞ avan jogia / nonbinary / he/they ——— no way, is that KAVI DESAI? you know, they’re 32 years old and they’ve been in los angeles for 12 YEARS. they’re chillin’ as a MUSICIAN & MANAGER at ALT CULT RECORDS. oh and they’re notoriously known for being PRETENTIOUS but there are some people who have seen them be ENTHUSIASTIC. i heard they’re a part of a BAND called STATIC MIDNIGHT, yeah, they’re a DRUMMER. to be honest they sound a lot like BASEMENT & CITIZEN. they’re actually A RISING STAR.
I. BASICS.
FULL NAME: kavi desai.
NICKNAME(S): avi (a shortened version of their name, also happening to hold the meaning of "sheep"), shepherd (see: explanation for avi. sheep doesn't seem to flow too well as a nickname, & here comes a moniker he'll never shake), pepsi.
AGE: 32.
DATE OF BIRTH: february 9, 1992.
PLACE OF BIRTH: maywood, california, usa.
GENDER: nonbinary.
PRONOUNS: he/they.
ORIENTATION: bisexual.
LANGUAGE(S) SPOKEN: english, gujurati.
NEIGHBOURHOOD: west paradise.
LIVING ARRANGEMENTS: lives in a one-bedroom unit at the aster apartments.
II. FAMILY TIES.
MOTHER: mindy desai, distantly supportive relationship. there's nothing stronger than a mother's love, they say, but kavi could name a few things. mindy is a good mom, mostly, and she makes sure to check in every now and then. sometimes she'll even refer to recent news of static midnight, if there is anything to speak of. if kavi could complain of one thing, it would be that she always has to slide "your father loves you, you know" into conversation.
FATHER: jevan desai, hostile relationship. to put it simply, jevan disagrees with the life that kavi is living, and kavi often fans the flames—if he's going to piss his dad off regardless, he might as well do a good job at it.
SIBLINGS: palomi desai, younger sister. palomi thought the world of kavi when they were kids, and well... she still kind of does. she is their motivation to do good & be good. if they have one only fan, it's palomi.
PETS: a tuxedo cat (unoriginally) named socks. if you ask kavi, she's "a sweet little thing." everyone who's met her so far would have to disagree.
III. OCCUPATIONAL INFO.
OCCUPATION: musician, manager of alt cult records.
NAME OF THEIR ACT: static midnight.
DO THEY PLAY INSTRUMENTS? IF SO WHAT?: drums.
HOW LONG HAVE THEY BEEN A PART OF THE ACT?: 4 years.
ARTIST INFLUENCES: karnivool, soul blind, superheaven; he takes a lot of musical inspiration from heavy shoegaze artists.
CURRENT MONTHLY SPOTIFY/APPLE MUSIC LISTENS ON AVERAGE: 14k.
IV. APPEARANCE.
FACE CLAIM: avan jogia.
HAIR COLOR: naturally dark brown, but currently bleached to a near-platinum tone. looks a bit like half-assed frosted tips with the dark roots starting to come back in.
EYE COLOR: dark brown.
HEIGHT: 177cm, 5ft10.
BUILD: slim, defined muscles.
TATTOOS: a decent amount on his torso, arms & legs. details tbd.
PIERCINGS: double lobe piercings, left nostril stud.
CLOTHING STYLE: experimental. mixes all kinds of fabrics & patterns, mostly dresses in a muted color palette. wears a lot of loose, flowing pants paired with tighter tops.
DISTINGUISHING CHARACTERISTICS: thick eyebrows, long eyelashes.
V. PERSONALITY.
MBTI: esfp-t, the entertainer.
ELEMENT: water.
WESTERN ZODIAC: aquarius.
CHINESE ZODIAC: monkey.
POSITIVE TRAITS: enthusiastic, adventurous, accepting, humorous, forward, decisive, open.
NEGATIVE TRAITS: pretentious, argumentative, (too) open and also somehow not open enough, self-sabotaging, unreliable.
HOBBIES: doom-scrolling, generating ai pictures of himself in different styles, denying any and all wrongdoing that they’ve ever done, irritating their cat and then giving her treats to reel her back in, working out, bitching about working out, fishing for people to tell him that his workouts are paying off, trying new diners, hanging out at bars, window-shopping, rearranging their living room and then ultimately ending up on the same layout, arguing with his neighbors over the noisiness of him moving his furniture every other day, spreading misinformation, pondering the possibility that it’s time for him to grow up and then deciding that he’s still got time.
VI. WANTED CONNECTIONS.
LONG-TERM EX: “the one”, almost. kavi was a flight risk from the get, but this person gave him an honest chance—and fell so in love that they stayed long after it had become obvious that he wasn’t willing to give them what they needed. up and down relationship, passionate one day & dull the next; a routine that established itself and persisted for two or three years. they were living with kavi up until the breakup, which was around christmas 2023. they still have an immense amount of love for each other, but understand that they lack romantic capability. staying friends through it all, for better or for worse. the vibes: the 1 by taylor swift, i know the end by phoebe bridgers, cellophane by fka twigs, two slow dancers by mitski, renegade by big red machine & taylor swift, new perspective by noah kahan, etc etc…
THE BEST FRIEND: they’ve been through hell & back together, even if most of this so-called “hell” was self-created. there’s not much kavi wouldn’t do for them, so long as they keep cat-sitting when he’s out of town.
CUSTOMERS: people who shop at alt cult records somewhat regularly and are often subject to kavi’s pretentiousness, as music is where it tends to come out. the person who thinks he’s so cool, the person who’s sick of him acting like they give a shit about anything he’s got to say, the person who thinks he’s a sleazebag but he’s Hawt so they’ll pretend to be interested in what he’s saying all day every day, etc etc!
QUESTIONNAIRE. 
start at the beginning, who are you and why are you important?
“i’m kavi desai,” he says, as if it that’s all he has to say; there’s something suffocatingly smug in it, telling of who he is. a conglomeration of false confidence and one-liners. “i was just an indian kid with a dream, and now i’m managing a record store and playing in a band that people actually give a shit about; no matter what angle you look at it from, i’ve got something to be proud of, right? and, believe me, it gets better from here.”
how long have you been making music?
“as long as i can remember, really. i asked for a guitar for christmas one year. i can’t remember how old i was, maybe nine or ten, and santa provided. i learned fast and i wrote a lot of songs as a teenager, most which were complete dog shit. i ended up picking up drums ‘cause a good friend of mine was selling their set, and i guess there was somethin’ in me that knew where i needed to be. hey, here i am.”
how would you describe the kind of music you make?
“honest rock music. in a band, you have to work together to make something worth listening to—but if you understand who i am and what i do, you’ll understand there’s a lot of self-revelation in it. i like to try new things, and i like to believe that it all comes from my heart.”
who are some of your biggest musical influences?
“when i was growing up, the main one was the smashing pumpkins. i could probably play every song from pisces iscariot on a guitar to this day—but hey, don’t hold me to that, alright?… nowadays, i really like superheaven. their drummer’s style really stands out to me. they don’t make music anymore, but their discography never gets old.”
what is the first record you ever bought?
“the all-american rejects’ move along. not a single skip on it.”
what has working in the music industry meant to you thus far in your career?
“excitement. if i’m honest, not much else to speak of yet, but i think we’re getting close to something.”
what are some stand out moments from your career so far?
“it’s always nice to be told that i inspired someone to start drumming… or to see a pretty girl lose her shit from catching a setlist. hey, let me tell ya, moments like that will make you feel like a real rockstar!”
what are you still hoping to achieve in your career?
“well,” they start, grinning ear-to-ear—their bashfulness now evens out the vanity from earlier. “i want a sure sign that i’ve made it. this might look different for other musicians, but for me… it’d be nice to hold an arena tour, right?”
what’s next for you?
“keep your eyes on me and you’ll find out soon enough.”
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advestager · 7 months
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I feel like saying Josuke doesn't have any daddy issues whatsoever isn't entirely fair (I've seen some fic and comics go further into how he and his mom might have been treated due to the circumstances of his birth that were pretty compelling) but people who act like he grew up without any father figure are definitely off base imo. Every single adaptation and extra material have always had a focus on his close relationship with his grandpa for a reason!
see, that's precisely the thing. it is literally impossible to be a grown up human without having internalised some sort of illogical Feeling about oneself or the world – but fandom as a whole tends to just assign arbitrary ones to characters based on stereotypes rather than what they actually are like.
i do think josuke feels some sort of way about his lack of a father growing up, but that's as inevitable as joseph himself (or giorno, or jolyne, or even jonathan) having feelings about his own dad, and yet somehow jorge's absence does not get brought up despite joseph and josuke's fairly similar upbringings. the fact is that most of western fandom tends to view the JJBA characters through a (white, usa-centric) lens that simply does not lend itself to a fair or accurate reading when most of the cast is either POC or from an entirely different cultural background. that's why i'm so resistant to label josuke as having 'daddy issues'; the term means something entirely different to me than it seems to do to most of the fandom, based on all the fic, comics, and discussions i've seen (and had) about the topic. it's not exactly like the organised crime aspect of VA, but it fills me with a similar kind of frustration. i don't think one needs a degree in cultural studies or history or whatnot to enjoy a silly series about people punching each other with slutty soul-ghosts, but it's exhausting to see the same thoughtless, very specifically westernised takes being regurgitated over and over as Absolute Truth until the characters are so flanderised they seem nothing as much as a caricature of their original versions. i love transformative works as much as any other fan creator, but i also happen to like the source material. it is infinitely more interesting to me to think about what kind of relationship josuke might have to his heritage as a mixed-race person, or his identity as the son of a single mother or the obviously cherished and spoilt child of a family such as his own (especially in a place and period like canon's late-90s/early 00's japan), than to hear yet another iteration of 'haha, josuke has daddy issues' where the person saying it has no intention of analysing that premise beyond the puddle-depth obvious.
at barely sixteen years old, even as interested in high-end fashion (and as very much part of a working class family who could definitely use the nest egg) as he is, josuke's immediate reaction to being told his missing father is incredibly rich and wants to take care of him is to say that it's not necessary, and he's fine as he is. sixteen. i worked as a teacher with kids as young as a year old and people as old as mid-seventies; that kind of ease of mind is one-in-a-million and not something you'll find on someone who fits fandom's definition of 'daddy issues'. he's not angry at joseph, he's not grasping for money, he hardly even wants to find out more about the missing part of his origins. his only thought is to wish he wouldn't be the reason other people were hurt, and to protect his mother once there is a risk she might find out and be distressed about it. his entire morality system is (from what i remember of canon) mostly based around the question What Would Grandpa Do?, with some leeway allowed for the temper he clearly got from tomoko and for the fact that he is, again, a big and slightly spoilt sixteen year old.
so yeah. it might not sound fair to say he doesn't have daddy issues, but i don't think the terms fandom's operating under are fair to start with, so i'd rather recuse myself (and my interpretation of the character) from it all til we're playing the same game. the sandbox's wide and wild, and the block and mute buttons are there for a reason, so i'll just stay in my corner writing about higashikatas wielding their feelings like sledgehammers til my mum says it's time to go home.
#tl;dr: everyone's absolutely entitled to their opinion! i just happen to find the most common one the equivalent of soap-flavoured cilantro#i definitely agree with the part about his rship with his grandfather! it's a whole thing in my own writing for them#it's just 'daddy issues' has become shorthand for a combination of takes i quite dislike the past few years#so yeah. i'll just... Not. if y'all don't mind#(i do think Other characters have daddy issues in the traditional sense. and even in the popular modern sense. but not josuke particularly)#anyway i hope this doesn't read as confrontational as i fear it sounds bc that was. so not my intention orz#ty for the ask!!!! i really love discussing character analysis i'm just rly tired rn so i probably sound super Debate Team Mode haha#ps ryohei was 100000% josuke's favourite person in the world growing up and he's still tomoko's special baby gremlin at age 50 pass it on#josuke higashikata#jojo#the funny thing abt my fic is i'm really at ease abt posting my shippy stuff bc it's just like. treating myself to sth nice#and then sharing with everyone as a bonus#but the stuff where i actually talk abt familial and platonic rships for my faves lives in eternal development hell bc i just LOVE it#and never feel like it's perfect enough to share. it's never complete because it's always evolving#which is why i once wrote a novel allegedly about detectives in love but in reality about 100kish of family/friendship character analysis#meaning there was no way this ask could've ever been answered succinctly lol#ask tag#joji.txt#joosk#anonymous
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re-bee-key · 2 years
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(Tiny bit of lore below)
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Been making a lot of characters on HeroForge lately and I feel like Im getting better at character design? Im happy with them anyways.
Would love to hear what people think! Which character would you want in your game? Which one would your OC fall in love with? What do you assume about me based on my characters? Which is your favorite?
ASK ME ABOUT MY OCs!
Im gonna preface this saying, I didnt make these characters with the intention of interlocking their stories. Its just, as I was putting the images together I noticed some similarities and put them in rows to match the similar ones. And my brain was like, what if they were in dnd parties?
Campaign 1 is the Left Side and Campaign 2 is the right, also it takes place 100 years after the first campaign
Blue is sort of Serèn's daughter. Serèn is a druid and does some weird magical stuff that imbues a sentient mushroom coloney with her essence. The mushroom (Blue) wants to experience life as people do and turns itself into a clone of Serèn's likeness. Blue is circle of spores druid.
Blue is based off my minecraft OC. Who was corrupted by mind-controlling blue mushrooms.
Is it too much to have two princesses in the same party? Cause i kinda like the idea of Serèn and Undyne both being princesses of fallen kingdoms. Serèn a space elf princess and Undyne is a sea elf princess from a coral reef kingdom. Serèn's kingdom was recently taken over by an army of Aberrations who are rapidly taking over the Astral Sea. Undyne's kingdom was taken over by humans when she was very young. She grew up in a fishing village and was a pirate for some time.
Pyarc is a mixture of western and eastern dragon design. She is a half dragon. Half dragonborn, half lightning dragon god. She totally does cool Demon Slayer type sword attacks.
Dart is a Frog Goblin and my Mom's favorite of the bunch. She is a bounty hunter and scarily competent for how silly she acts.
Sona is a circus acrobat. Inspired by Ty Lee from Avatar and Cirque du Soleil. I cant decide if she was always a warforged or if her soul was put into one. I like both designs so maybe she is one of many warforges created to sell to kings all over the world. But somehow she gains sentience or remembers she was a person once? Not sure yet. Mostly just diggin the design.
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yuriko-mukami · 2 years
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🎮 - What’s your favorite video game?
Questions for the mun!
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(( Yosh! An interesting topic!
From DL games I find it hard to decide which one I like the most, I guess I just love Ruki's routes in general (still one to play!). But that's probably not a surprise.
Aside from DL, my favorite otome games are Amnesia: Memories and Later and Hakuouki: Kyoto Winds and Edo Blossoms. I guess I'm a bit boring person who goes for classics here. From mobile otomes Ikemen Sengoku is my favorite.
Other than otome games I play mostly JRPGs (and I've played those more than otoge). There are so many games to love but my all-time favorites are Final Fantasy IX and Final Fantasy XII. Like many other FF fans, I started with FFVII and that game has a special place in my heart, and I truly love FFVIII too, but FFIX was the one that captured my heart completely.
In Final Fantasy IX, the story is awesome, all characters are so lovable, the music is perfection, and the world feels very alive. I love the mini-games, the battle system, and the art style too.
And when it comes to Final Fantasy XII, I'm in love with its world Ivalice. It's so vast, alive, and interesting. Adventuring there fills my heart with joy. I also adore the characters, especially Balthier and Fran, and the political story hits somehow the right buttons in my mind. I recognize that the storytelling is lacking in some spots and that you need to see behind the surface to really understand the characters who don't always say everything clearly... but damn, that game gets me every time.
FFXII was also the first game I played in Japanese because I wanted to try out the Zodiac Job System version and back then it seemed that it wouldn't get a port in the Western world (A funny nuance: the voice acting was in English but menus, subtitles, and non-voiced conversations were in Japanese). So, in that regard, it is special to me. Years later we got FFXII: The Zodiac Age for PS4 here too and that was the perfect reason to play it again. And damn, I just love the job system and gambit system of that game!
I think out of all games I've played I have finished FFIX and FFXII at least 5 times each (and neither is that short) and I totally am going to play them again someday 🥰
(Sorry, this turned out a rather long answer for such a simple question... 🙈)
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kharmii · 3 months
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When the recent events happened in the fandom I have been curious on your stance on the whole thing (to clarify: I have sent the ask stating my very neutral stand on the whole shipping drama and how I can see the appeal + how the japanese have the better grasp on the twins)
Honestly, the revelation about the shipping content has come to no surprise for me, I always thought: "If anyone is secretly into blankshipping it's got to be them!"
Observing the whole thing from the outside and viewing a few sides I can't shake the feeling that this whole drama has shaken up the whole fandom. The whole thing has been held surprisingly quiet so far... I remember quite a few other artists that have been shippers all along things blew up and they have been getting the worst treatment until the fandom had something new to be upset about. I think the silence is mostly because other bigger artists (most who have been collaborated on this sticker sheet) worked alongside them and don't wanna spoil the profits they gain from these. At least it is my guess...
Hearing from you their furry stance further explains the silence from one of them, who's also known to be a furry... along with working on that sticker sheet.
Seeing that artists explanation to the situation (no apology so there is definitely more hidden to that, not that I care either way) has given me the feeling that things are going to change in the fandom from now on.
I've gotten the feeling this has split the fandom in half. People who are okay that they did these commissions since money is money, and people who are not okay with this and decide to stop engaging with their stuff (and possibly harass them depending on the level of cruelty these antis have) I have seen people withdrawing entirely from engagement getting harassment in the like of "how dare you not choose to see they needed the money REEEE" and so on, and the artist who have all collaborated on the sticker sheet still have been silent on the whole thing as well.
Personally, I couldn't care less what that artist is doing or not (at least they should be honest in the first place) and I'm too old to engage in this fandom kindergarten drama.
But yeah, getting the feeling the fandom will be different from now on.
Hope nothing's is gonna affect you and your work! Hope no harassment reaches you! Take care!
Cue South Park clip:
Cartman: She was young and needed the money!
Kyle: That blankshipping drawing was done last week!
I hope the fandom will be different. PLEASEPLEASEPLEASE let it be different! Stop playing politics and acting like hypocrites, people in the submas fandom! It's ridiculous how the same artist who got themselves in trouble doing the blankshipping commission could have drawn shitting dick nipple fucking furry galvantula Emmet packing Depot Agent Josh's werewolf ass-womb full of joltik eggs, and nobody would have batted an eye. -But it's unacceptable to do twincest because that would be weeeeeeeird…. It's all dreck, and everybody is dumb as hell, so why are we taking Train Clowns that seriously?
I give the big-name artists a lot of credit for being tolerant. After all, anyone reading this blog would see I post art from a lot of popular Tumblr artists despite being an unapologetic proshipper. Many of them pretend I don't exist, and at the very worst, they somehow block me from showing up on their tags, but I'm still allowed to enjoy their content. That's appropriate behavior from people who are basically running a hotdog stand. You aren't going to move a lot of hotdogs if you act overly discriminant over who gets to buy one. I wish they'd do more though, like if every big-name artist was to get together and tell people to stop harassing proshippers, then they could make real change. They could say, "Imagine the fandom without us. Interest would fade really fast. We give the western wing of this fandom life."
Also, it's shitty when artists have to sneak around and make sockpuppet accounts to post their twin pron. That makes it so there's no middle ground. Nobody wants to do the cutesy romantic spice-of-life content because that might show they actually have a personality. If they do that, people might figure out WHICH personality it is, and next thing you know, they inadvertently out themselves. -So instead, we have to see a blankshipping tag full of everybody's grossest deepest darkest fetishes on full display. If I say something like, "Hey! I just want to see twins being cute without all the farty furry fatfatfat..", then it ends up being easier for them to act like I'm the oppressor than to challenge the wider money machine.
I suspect a few of the blankshippers with sock puppets made a point of rubbing it in on the trainwreck tag, like, "Look at me! I'm better at playing politics! My two-dick snake man erotic cannibalism belly kink fic is socially acceptable because I do fwuffy wuffy twainweck! Your (actually on topic) fic where Emmet goes to Hisui like a bat out of hell to beat up Volo with all the rage of a cop avenging his dead wife is not socially acceptable! You should be ashamed of yourself for thinking a story about an autistic guy beating the shit out of a crazy guy would be HILARIOUS.
Srsly tho, this is why I wrote an Arceus!Volo losing his memories fic once. This whole thing reeks of a Giratina fucken with, like Giratina is so pissed at their parent for locking them in the distortion world, they came up with the twin separation scenario. Next thing you know, Volo is all, *flips hair* I JUST WANTED TO MAKE A BETTER WORLD! INSTEAD, I HAVE THIS PISSED OFF MUPPET FROM THE FUTURE BEATING THE SHIT OUT OF ME WHILE THREATENING TO 'BREAK MY BACK IN HALF LAYING A RAILROAD TIE ACROSS MY ASS'. WHAT DOES THAT EVEN MEEEEEEEAN!!111!! *sniffles*
Do other fandoms have to put up with this sort of thing? I get people are protective of the Subway Bosses because they are autistic, but could it also be because they aren't villains? They look like the sort of guys who could be villains because of the creepy puppet design, but they aren't. Would problematic ships make people less mad if they were villains?
Makes me wonder because I want to write Dabi x Geten from My Hero Academia. Just so people realize where I'm coming from, this ship relates to the Subway Bosses. The twins have a black and white dynamic where they are opposites who complement each other. Dabi and Geten are Fire and Ice (water basically), and they are both villains. One is a member of a cult who was taken as a child(?) and thoroughly brainwashed. The other was selectively bred for a specific purpose but is unable to fulfill said purpose because of a genetic defect that has left him badly mutilated, mentally ill and longing for vengeance. The 'enemies to friends to lovers' premise will be that Geten figures out that if he cares enough about Dabi, then he could offer to use his ability to relieve the strain of his genetic defect, and they could complement each other. It might end up bittersweet because in the canon manga, there might not be much left of Dabi, even if his immediate family is able to cancel out his defect and cool him down enough to prevent him from dying (fucken guy got an arm blown right off and might be blind..).
This new ship might be stealth incest, as Geten reveals he is in a branch family related to Dabi's mother, (how close is not given. They could range from being cousins to being people sharing a similar heritage who aren't related at all) but I'm not in it for that. I'm a complex and nuanced individual, and I'm more into the idea of complementary opposites than into incest. *hint hint* Just like I am with the Train Clowns (that, and the idea of their psychic identical twin bond, per my imaginative head canon). That doesn't mean people into actual incest as a main focus are wrong either. Same goes for people into the furry bullshit, but again, one shouldn't be considered socially acceptable and one not. Again, either everything goes, or admit it's all garbage and everybody into it is a hypocritical clown.
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Blog Post #6
   In this sixth session, we learned about representation in media, identity and visual culture. Without a doubt, John Berger had to make an appearance. He was mainly known as an art critic and writter of Ways of Seeing Series, which gain fame for having some questionable statements, like: The woman seeing her reflection equates to vanity, or that whenever she sees herself she is seeing herself while being observed (usually by a man). In a sense, these statements are not entirely wrong, but unfortunately, they are placed as absolute truths. As if women were enslaved by this desire to be perceived by men.
   With time, many feminists have raised to show counterarguments and point issues to Berger’s ideas. One of them is Laura Mulvey, she states that most classic movies present characters and the spectator will identify the protagonist as the male who has a woman as his co-star. And yet, what about the female characters? They end up existing solely as the friends of the female protagonist, the loving interests of the male protagonist’s friends. Or just as plain background characters that acknowledge the existence of women but will never be important enough to be considered as thinking beings with hopes and emotions.
   Not only the Western world, but I would say, the entirety of the globe is filled with mostly male gaze media. Usually, female gaze films get a weird look from general audiences. For example, romcoms and chick flicks are always deemed as some sort of second-degree movie, not meant to be taken seriously or acknowledged. Even when movies are released that are not part of these genres and have a higher budget but are presented under the female gaze, get a lot of scrutiny by film critics (usually men) even though these movies are meant to explore this other point of view. I always think of Sofia Coppola’s films when thinking of this. She is one of the few female directors to gain the same popularity as her male counterparts, many people believe her position is only because her father is Francis Ford Coppola, but others (including me) consider her work worthy of recognition and with a fresh perspective, mainly incline towards the female gaze. She had to endure this commentary that simply was not willing to analyze her projects through other lenses. Her films are criticized because they are not like the Rocky movies… well, there is not much to say, and the only way to see this is to get disappointed. 
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   Now, this does not mean the female gaze projects should not be examined in any way, and just let them be because they are revolutionary. That is not the case. For example, I believe that when her movie from 2006 Marie Antoinette was reviewed, most of the criticism was lost in the explanation of why make a movie about this unredeemable figure. The thing is, of course, this movie romanticizes the lavish life of the protagonist, but I suppose that with Kristen Dunst as the female lead is difficult to identify that she is playing a teenager who just received the entirety of a kingdom. Funnily enough, the film does acknowledge the consequences of her actions and all of the noble court’s and also highlights how she was the main culprit of the decadence of the realm when in those times women had no say in general, much less in decisions about the government of a nation. 
   To me, this movie portrays a girl who just acted as anyone in her circumstances would, a noble child who now almost illimited income to expense in a lavish lifestyle. But somehow end up blamed for all the atrocities during those times that were a series of unstoppable events. Is this a character that should get forgiveness? Not really. Should be the face of a falling kingdom? Also no.
Bibliography:
Berger, J. (2012) Ways of seeing: Based on the BBC television series with John Berger. London: British Broadcasting Corp. 
Mulvey, L. and Rogers, A.B. (2015) Feminisms. diversity, difference and multiplicity in contemporary film cultures. Amsterdam: Amsterdam University Press.
Marie Antoinette. (2006). [DVD]. Directed by Sofia Coppola. France: Columbia Pictures
Marie Antoinette (2017). YouTube. 28 March. Available at: https://www.youtube.com/watch?v=yBWyKRoh98U&themeRefresh=1 (Accessed: 09 January 2024).
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papirouge · 11 months
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Is Jesus on earth to tell you how to interpret the Bible? Is the church he started now irrelevant because its now full of "european scrotes"? Is his word taking over one of the world's greatest empires somehow not a noteworthy achievement but a point of indignation?
"Is Jesus on earth to tell you how to interpret the Bible?"
Yes. It's called the Holy Spirit.
"Is the church he started now irrelevant because its now full of "european scrotes"
The Church (capital C) existed before Catholicism and always will despite Catholicism. You guys are just a parasitic heretical cult acting like the body of Christ needed you, when YOU need to give up your sentiment of self-importance and turn to Christ (not said "european scrotes" lol and their made up traditions)
"Is his word taking over one of the world's greatest empires somehow not a noteworthy achievement but a point of indignation?"
Do you even realize today's greatest empires aren't Christian, right? China? India? the Emirates? the Western world is collaposing and on respiratory asssitance mode, by breeding wars abroad, but their retribution and humiliatuin is coming soon... it all started with religion wars, man made traditions, only to entirely give up on God (European countries are mostly culturally Christian today if we're being honest) to instead worship modernity/science/progress. God definitively blessed Europe as a spiritual relay to spread his word for some time, but you guys messed up big time with slavery, colonialism and those 2 world wars that revealed the soulless ghouls you had become. Not gonna lie, satan must have been proud of you...
And let's not forget how you incepted institutional satanism (freemasonry, satanic bloodlines, etc.) That's why God has abandoned you ; you don't have the spirit of God, your churches are dead, to the point of you don't even have any self awareness left to realize how spirually drained and corrupt you are.
You are as clueless as the Israelites who kept rebelling against God, yet still felt entitled to His protection and thoughts they're were still favoured by Him. God eventually giving them away to deportation and exile to the hands of Babylionians.
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kpopfanfictrash · 4 years
Text
Raise the Barre (Ch. 8)
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Author: kpopfanfictrash
Pairing: Jimin / Reader
Rating: 18+ (Eventual Smut)
Genre: Enemies to Lovers / Dance Academy!AU
Warnings: underage drinking, angst, hoseok’s bare abs
Word Count: 10,705
Summary: You and Park Jimin have been rivals for as long as you’ve known one another; ever since he tripped you in the front row of your first dance convention. When you graduate from high school and enter Russet Ballet Academy, you tell yourself you’re leaving all past quarrels behind. The main problem with this though, is that your past seems determined not to leave you alone.
Worse still, the obstacles you face while out in the real world might prove more challenging than anything your enemy has to offer.  
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“Okay, even you have to admit this is too soon.” Finn stared, appalled at the chalkboard. “It’s not even Halloween!”
Laughing a little, you looped your arm around his to drag him towards the back. Plopping down in a chair, you placed your order number in the center of the table. Seating himself across the table from you, Finn began to undo his coat.
“Come on.” He grinned, brown hair flopping when he leaned forward. “Admit it – this is too early for holiday drinks.”
“Okay, maybe it’s a little early,” you acquiesced. “But Halloween is tomorrow! They probably just put up the holiday drinks so they don’t have to do it on Sunday.”
“Laziness!” he cried, jabbing a finger in the air.
Shaking your head, you smiled when Namjoon, the barista, placed a pumpkin soy latte before you.
“Thanks!” you said, pulling this towards you.
“No problem,” he said, flashing his dimples before he turned to leave.
Taking a long, slow sip of your drink, you groaned. “Oh my god. This is it. This is heaven.”
Finn laughed. “Is that seriously your first pumpkin drink of the season?” Sadly, he shook his head. “I remember our senior year, you dragged me out of bed at 7:00 AM on a Saturday just to get the first pumpkin drink of the year.”
“I know,” you sighed. “But I’ve needed the extra caffeine jolt each morning. Sweet drinks just don’t cut it anymore.”
“Ah, the first step in addiction.” Finn nodded sagely.
Smiling, you settled back in your seat as he took the first sip of his black coffee. It had been two weeks since your fight at the club and since then, Finn had been on his best behavior. For about a week, things between you had been awkward but slowly, your relationship was returning to normal.
Seated in the corner of your favorite coffee shop, you drank from your cup and glanced around the room. This was what you’d pictured when you imagined you and Finn living in the city together. Coffee dates, going on new adventures and continuing your relationship where it had left off.
Of course, this morning was only possible because Miss Britt’s ballet class had been cancelled. A contemporary master class had been scheduled for the afternoon, but your day before then was free – something you’d immediately taken advantage of by calling Finn. It was becoming easier to fit each other into your schedules, more like second nature, but things were still tense whenever things didn’t line up.
None of this was eased by the burgeoning whatever-it-was you’d shoved to the back of your mind regarding Jimin. Since the day of Mr. Vlad’s ballet class, you’d managed to keep your emotions in check, but were constantly on the lookout for dangerous situations. You and Jimin were professionals, obviously, but you were also only human. It was reasonable to have subconscious wants and desires, but these weren’t important unless you chose to act upon them.
You didn’t tell Finn about it because honestly, there was nothing to tell. Okay, so you’d felt an errant spark one day during a lift. Big deal. Finn had been your boyfriend for over two years – it would take more than that to threaten your relationship. A relationship which, frankly, had been getting stronger as of late. Telling him something as inconsequential as a spark you had with Jimin would only take you further down the wrong path.
“Are you sure you’re okay with us doing separate things tomorrow?” Finn interrupted your thoughts. His brow furrowed. “It is Halloween, after all.”
“Ah, yes.” You nodded. “Halloween, the internationally known couple’s holiday.”
He laughed. “Okay, point made – but still.”
“It’s fine,” you assured him. This was something you’d already been over. “It just makes sense like this! Your friends are going to that off-campus party and I promised Noelle I’d go to this club thing with her.”
“Right, of course.” Finn grinned. “I’m bummed I’ll miss seeing you as the Powerpuff girls, though. Who’s going to be the third one, again?”
“Well, I’m Blossom – obviously.”
“Of course.” He nodded. “Miss Responsibility.”
A twinge of annoyance went through you, but you pushed it aside. You didn’t think you were always the responsible one but admittedly, you’d been more on edge than usual lately.
“Anyways,” you continued with a roll of your eyes. “I’m Blossom, Noelle is Buttercup and Irene is going as Bubbles. It’ll be fun! Aside from the whole club part, of course.”
“It does sound fun,” Finn admitted, a tad mournful. “Meanwhile, I’ve been roped into the classic college bro costume of Ghostbusters.”
“Oh, come on! That is classic! You’ll be super cute in your… suit? Cargo pants? What do Ghostbusters wear again?”
“Knowing Ben, something tragic from Party City. Pray for me.”
“I’ll light candles.”
Finn grinned, sipping his coffee again and your conversation slipped naturally to other topics.
Halloween fell on a Saturday this year, which meant every college campus was gearing up for some epic parties. Noelle had managed to snag tickets to a club fancy enough to require an RSVP. Apparently, said brother she missed was a DJ and could get tickets to a lot of things if Noelle bothered to ask.
A bunch of people from Russet were going, which made you excited. There hadn’t been many parties with your classmates so far this semester. Despite technically being in college, your classmates were all under the same intense pressure, only made worse by constant early morning ballet.
This week though, even your teachers seemed to have decided you needed a break. Aside from the master class you had this afternoon, there were zero Russet classes until Monday morning. The break in schedule meant you could actually go out – and drink – if you so decided. You and Noelle were planning on attending a ballet class tomorrow, but your entire day after would be free.
You’d originally planned on seeing Finn during the day, but then he’d been invited to a Halloween darty (day party) starting at noon. Despite not seeing Finn on Halloween, you weren’t feeling stressed. It was only one holiday and not even a couple’s one, as you’d said.
After coffee, you kissed Finn goodbye and headed to class at Danley Hall. The atmosphere was different as soon as you entered the classroom – all of the students were buzzing, excited by the prospect of the weekend ahead. The excitement only grew when coupled with the fact that today’s class was contemporary.
For nearly two months, your training had been mostly ballet. This was the foundation of all western dance, and where most dance students were expected to start. Finally though, you were being given a chance to show off. Today’s teacher, Luna Jordan, was a well-known contemporary choreographer across the globe.
You’d done a master class with her once back in high school and honestly couldn’t wait to learn from her again. She wasn’t alone, though, you noticed as you walked in – an unfamiliar, dark-haired guy stood beside her, stretching lithely before the room’s mirror.
“Holy shit,” Noelle whispered as she came to a stop. “That’s Jeon Jungkook.”
Startled, you looked twice and saw she was right. You hadn’t recognized him without his bevy of followers, but Jeon Jungkook was known in the dance world. A child prodigy, he’d been on America’s Got Talent at age eleven and finished in second place. Following this, his family had moved to LA and he’d been in high demand for movies, music videos and performances ever since.
You remembered hearing he worked with Luna Jordan, but the thought hadn’t crossed your mind before now that he might be here.
Noelle cocked her head to one side. “He’s hot.”
“Noelle,” you hissed, trying to shush her.
“What!” A devious grin spread across her face. “Am I supposed to be blind, as well as mute?”
“Well, no, but –”
“Alright, everyone!” Miss Luna clapped her hands together. “I know everyone is excited for the weekend, but we unfortunately have an hour and a half together before then. Everyone spread out for warm-ups!”
A few people laughed, spreading out on the floor as class began. Noelle wriggled her eyebrows, pulling you towards the front in order to get the best spot. Hiding a smile, you ducked your head and settled beside her into a stretch.
Noelle was nearly as excited as you were for the opportunity to dance contemporary. Most of your classmates knew this to be your forte – you caught glances from the corner of your eye while you warmed up, trying not to let their attention get to your head.
Jimin was also near the front, although on the opposite side. You suspected your class was equally excited to see him perform – as talented as Jimin was at ballet, there was a reason you hadn’t thought he’d be at Russet this fall. Jimin’s strength in jazz and contemporary was unparalleled. You would’ve thought he’d gone to LA to become a dancer like Jungkook.
Speaking of whom – Jungkook really was attractive; that much couldn’t be denied. He had dark, wavy hair pulled into a bun and cheekbones sharp enough to cut glass. When he glanced up from his stretch, his gaze somehow found yours and he smiled.
Eyes widening, you stared until you caught sight of Jimin behind him. Glancing between the two of you, Jimin’s expression soured before he looked away. Lips parting, you felt the sudden urge to say something, but there was too much distance between you.
“You ready?” Miss Luna called, an upbeat pop song blasting from the stereo. “Let’s go!”
She launched into isolations, leaving the rest of the class to follow. Warm-ups passed quickly and before you knew it, you were gathered at center to learn the combination. Miss Luna’s style was right up your alley. The steps came easily and, once you’d learned the whole chorus, she left you alone to practice.
You were helping Ari with a difficult move when you caught sight of Sabrina as you turned. She’d positioned herself near the back, which had to be a first. Usually, Sabrina was front and center to allow for maximum receipt of teacher praise.
The decision to stand near the back could’ve been strategy – sometimes, dancers did that at conventions. Conventions were giant weekends of competition with teachers from all over the globe who taught master classes to hundreds of dancers in hotel ballrooms and convention centers. Space at the front tended to be limited, so some stayed at the back, where there was more room to dance and be seen. You had a greater likelihood to capture the teacher’s attention when you had the room to do incredible leaps.
Sabrina’s decision didn’t seem strategic, though. While you watched, Sabrina stumbled transitioning from one move to the next. A brief twinge of pity went through you.
It was easy enough to spot ballerinas dancing anything but ballet. Although ballet was the root of modern westernized dance, it could be hard to translate into other styles. Ballet was more rigid than contemporary, jazz or hip-hop. In ballet, each position was defined, individual style was limited, and dancers were expected to all look the same. Standing out in the corps de ballet was equally frowned upon as missing an entrance.
Not that ballet wasn’t important to all dance styles, mind you. Even hip-hop dancers took ballet to improve their balance, core strength and general understanding of the body. There was an element of individuality in other dance styles, though, which lacked in ballet. Contemporary and hip-hop dancers were expected to have relentless technique all while creating their own, unique flair.
Just looking at Sabrina you could clearly see the holes. She was trying so hard to emulate the moves of Miss Luna, she was kind of missing the point. When Miss Luna did a certain flick of the wrist, it wasn’t a defined part of the choreography, but rather an individual choice.
Without thinking, you took a step forward – only to stop. Sabrina wouldn’t want your help; she’d already made that abundantly clear. Besides, you knew her friend Katie to be a contemporary dancer. She could help Sabrina and yet, when you looked, you saw Katie practicing near the front with Jungkook.
Jungkook obviously knew the steps, since this was probably the tenth time he’d learned the combination. Dance teachers often did that – selected a dancer to attend classes with them, traveling to different cities to demonstrate the combination and help when they weren’t free.
Before you could decide whether to help Sabrina, Miss Luna clapped her hands again.
“Let’s do groups!” she declared. “I’ll count you off into groups of four, and each group will showcase. Sound good?”
It wasn’t really a question so much as an announcement. The rest of the class nodded, waiting while Miss Luna counted you off. You ended up in the same group as Irene, Paulo and a few others. Jimin and Noelle were in the group two, while Sabrina was in the group after theirs.
Jogging off to the side, you waited while the first group took center. You were part of group four, which meant you’d be amongst the last to dance on the floor. When the music began, you closed your eyes and began to mark the combination. You tried not to focus on what anyone else was doing, but this became difficult once Noelle’s group stepped up.
Noelle had trained in jazz and contemporary, although she’d stopped in high school to focus mainly on ballet. Still, her artistry shone in her movement. She could definitely stand to loosen up a bit but was still one of the best in the bunch. You found yourself smiling when she landed a turn, silently cheering her on from the side.
While you were watching, Jimin cut across your vision.
Dropping to the ground, he rolled and arched as his forehead brushed wood. His quality of movement was breathtaking and for a moment, you felt like you were back in high school.
Suddenly returned to those dimmed auditoriums, you watched Jimin take the stage like an otherworldly being. His body seemed to move before your mind could comprehend. Barely did he finish one move before he was starting another, the steps flowing endlessly together like unhindered water. Although you knew the combination and knew how you would dance it, watching Jimin perform was a different experience entirely.
Ballet required dancers to stay on the beat but in contemporary, they were expected to lag. Extensions were all the more breathtaking when they clung to the last second, seeming as though the dancer might not make it before they caught up. Jimin was an expert in this, knowing exactly when to hang precariously over the edge and when to pull back.
Watching him dance, that pesky, strange something bloomed in your chest again.
Squashing this quickly, you looked away and resumed marking the combo. The end of the song was improvisation though and, unable to stop yourself, you found your attention drifting to Jimin again. He was ridiculously beautiful – you nearly didn’t hear when Miss Luna called for them to stop. As she turned off the music, she applauded the group while they walked from the floor.
Breathing heavily, Noelle came to a stop alongside you and – somewhat guiltily, since you hadn’t been watching – you gave her a high-five.
“That was awesome!” you said with a grin. “You definitely stood out in the group.”
Noelle snort-laughed. “Not with Jimin up there, but that’s okay. This is his specialty – and yours,” she added with a wink. “I’m psyched for group four.”
“Ah,” you groaned, rubbing your neck. “Too much pressure.”
Noelle laughed, shaking her head as group three took the floor. Both of you fell silent to watch, your curious gaze finding Sabrina in the back. Sabrina looked almost nervous; an emotion which seemed out of place on her features. It made her look almost human.
As soon as the music began, you stifled a wince. Sabrina stood out from the group, and not in a good way. She had the combination down but moved with a woodenness you would’ve expected from someone half her age. It was enough for you to glance at Miss Luna, wondering if she had noticed.
“Wow,” Noelle whispered, looking almost gleeful. “Sabrina is terrible.”
“Noelle!” you whisper-laughed.
“What? After everything she’s done? After everything she’s said?” Noelle’s gaze narrowed. “Sabrina deserves this.”
Despite privately agreeing, you couldn’t help but feel bad as Sabrina continued. Not wanting to watch any longer, you turned towards the front and resumed marking the combo. As soon as Miss Luna cut the music and polite clapping ensued, you turned back around.
It was time for group four. A shaky, sick feeling entered your stomach as you walked to center. So many eyes were on you, but it had been so long since you danced contemporary. You couldn’t help but wonder if you were as good as people seemed to imagine. Surrounded by so many dancers at Russet, surely your own talent would pale in comparison.
As soon as the music began though, everything faded. Insecurities slipping away, a lightness entered your chest as, eyes falling shut, you slowly inhaled.
Taking a step forward, you opened your eyes and began.
To you, dance had several phases. The first was learning, where you memorized each step and put them in order. The second was understanding, where your muscle memory began to take over and the combination felt smoother. The final phase, performance, was when you thought not of the steps, and were free to just dance.
This was your favorite phrase. In this phase, your mind separated from your body, leaving you only with sweat and emotion. Dance was the only art form composed solely of the body. An odd combination of physical strength and artistic beauty, it was both a testament to human capability and human emotion.
Losing yourself in the music, you ebbed and flowed through the combination until the choreography ended and improvisation began. Finally, you let go and held nothing back. Raw, unbridled passion poured out as you lost sight of yourself, so consumed by the movement.
When the song finally finished and you came to a stop, you were panting for breath. Glancing up, the first person you saw was Jimin.
He stood off to one side, leaning casually against the rungs of the barre, but his expression was anything but. Focused on you, his gaze had turned dark in a way which made you catch your breath.
Miss Luna clapped both hands once again, returning your attention to her. Blinking, Jimin shook his head and in your peripheral, you saw him straighten.
“Very good!” Miss Luna scanned the group. “I know our time is nearly at and end, but why don’t we have a few students come out and demonstrate?”
Again, this was fairly common in master classes. After learning the combination, teachers would often single out students to perform as examples. It wasn’t always the students with the best technique who got chosen. Oftentimes, it was as much for passion and performance quality.
Taking a step forward, Miss Luna began to call out names. You were one of the first – setting your water down, you jogged back to center. Jimin was the next person called, then Noelle, much to your excitement. Jungkook was also instructed to join on the floor.
Turning the lights halfway down, Miss Luna pressed play and let you improvise until the combination began. Jungkook started dancing and honestly, he was beautiful, but you couldn’t linger on him for long. 
Catching sight of Jimin again, you were once more transported to earlier times. This wasn’t the first time you’d been called out together. Oftentimes, this had happened at conventions but back then, your mind had been too clouded to see him for who he was.
You’d always wanted to beat him in high school, but now, you were consumed by the oddest desire to see him do well.
Glancing up, Jimin caught your gaze and he smiled – but then, the combination began.
By the time you were finished, you could hardly catch your breath but somehow, you felt the most alive you’d been in ages. Back in your own element, surrounded by some of the most amazing dancers in the world – this was what you’d imagined when you came to Russet.
People around the room clapped, some of them begrudgingly. You got the impression many of your classmates weren’t used to not being chosen. As you walked from the floor, you saw surprisingly, Sabrina wasn’t amongst them.
Instead, Sabrina simply looked tired – as though she’d tried her best and it hadn’t been enough. You knew that look. You sympathized with that look.
The look lingered in the back of your mind while you packed up your things and listened to Noelle discuss Halloween tomorrow. When she mentioned Ari had decided to visit her family this weekend, an idea began to form in your mind.
“Wait,” you interrupted, looking up. “Ari can’t come tomorrow?”
Noelle shook her head. “Her brother just turned eighteen, so her whole family is having a party or something.”
“So… her ticket is free, then?”
“Yes…” Noelle paused. “Why? Y/N, what are you planning?”
“Okay. Hear me out,” you said as you shrugged on your coat. It was cold enough now for the coat to be necessary.
Noelle sighed, slinging her bag over her shoulder. “Alright, I’m listening.”
Glancing away, you saw Sabrina packing her things on the other side of the room. Before you could talk yourself out of it, you returned to Noelle.
“What if we invited Sabrina?”
Noelle snorted. “Pass.”
“Noelle,” you laughed, reaching out for her arm. “Come on! Do you really think she’s doing anything for Halloween?”
“Probably not. And that’s her own fault.”
“Maybe,” you said, glancing at Sabrina once more. “But how could it hurt? We have an extra ticket, there’ll be tons of people tomorrow night. She’ll probably say no – at least this way, you can claim a write-off on your way into heaven!”
Noelle upper lip twitched. “Oh, is that how write-offs work?”
“Well, I can only assume.”
Finally, she laughed. “Ugh, fine. You can invite her – but only because it’s Halloween, and Halloween is a time for peace. And slutty costumes.”
“Thanks, babe,” you said, squeezing her waist in a one-armed hug.
Sighing exaggeratedly, Noelle waved aside your thanks. Hiking your bag higher, you began to make your way across the room. As you closed in on Sabrina, you began to rethink your choice. It had been nearly a month since anything bad had happened between you but still, you found yourself feeling wary. As tough as you pretended to be, rejection hurt you just as much as the next person.
Still, dancing with Jimin had been a reminder of just how bitter your relationship used to be. If that relationship could change, you had to imagine things with Sabrina could, too.
Coming to a stop at her bag, you waited for her to look up. When she finally did, her brow wrinkled in confusion.
“What?” Sabrina asked, sounding defensive. “What do you want, Y/N?”
You couldn’t really blame her for her suspicion. Had your situations been reversed, you would’ve been equally distrustful. It was likely Sabrina thought you were coming over to gloat, or say something to do with class today. Another twinge of pity went through you as Sabrina zipped her bag shut to stand.
“I just wanted to know what you were doing tomorrow,” you said, trying to smile. “Noelle has an extra ticket to a Halloween party, and we thought you might like to come.”
Sabrina stared. “What?”
“Tomorrow is Halloween,” you said, a bit slower. “You know – when we were kids, it was all about costumes and candy. Now, it’s about costumes and booze?”
Sabrina failed to crack a smile. “And you want… me to come to this party?”
Something about the way she said this made you sad, as though she genuinely thought this might be a joke. As though at any moment, someone might jump out and yell SIKE.
“Yeah,” you said, softening a little. “Look – it’s not a big deal if you can’t make it. A bunch of our class is going though, so we thought of you.”
Sabrina hesitated, then glanced at the door. “Okay,” she said, looking back. “Okay, yeah. I’ll come.”
Stifling your surprise, you nodded. “Great. I’ll text you where to meet us tomorrow before the club. Wear a costume,” you added before walking away. “Noelle said it’s required.”
“Alright,” Sabrina said, so quiet you almost missed it.
Walking away, you were nearly at the door when Jungkook popped up before you. Flashing a smile, he fixed a loose strand of hair away from his face. Feet fumbling to a stop, you could only stare.
“Y/N, right?” he said, sounding shy.
Unable to find the words, you blinked in response. The way Jungkook danced had been so confident, you’d only assumed this to be his off-floor persona, as well. Hearing him sound shy was unexpected. 
Also – you hadn’t expected him to know your name.
“I… yeah, that’s me.” Shaking your head, you smiled. “Jungkook, right?”
“Yeah.” He nodded. “I just wanted to say I’m such a big fan of your dancing. It was great to take class with you today.”
Without meaning to, a laugh escaped your lips. Jungkook stared at you, baffled until you quickly waved him off.
“Oh, no – no! Sorry,” you said. “I’m not laughing at you! I’m just laughing at the ridiculousness of you saying you’re a fan of me.”
Some of Jungkook’s wariness disappeared, and a small smile played across his lips.
“Well, I am.” His grin widened. “I used to assist on the convention circuit, too and I remember you being called out all the time. You and Jimin,” he added, glancing across the room.
You looked, too and saw Jimin still packing his things. His back was stiff, pointedly not looking in your direction. Lingering on him a moment, you returned to Jungkook.
“Still,” you said with a laugh. “It’s a bit of a stretch to say we took class together when you’re the teacher’s assistant.”
“True.” Jungkook paused. “Well, next time you’re in LA, let’s fix that. Let me know if you’re ever in town and we can take a class together.”
Despite yourself, your brows raised. It was harmless, but Jungkook was definitely flirting with you. He was attractive, sure and seemed nice, but he lived in LA and you had a boyfriend. You should probably leave before things had the chance to go any further. The last thing you needed was another complication. Adjusting your bag, you gave Jungkook a small smile.
“Sounds like a plan,” you said before turning away.
Jungkook chuckled from behind. “Bye, Y/N.”
As you joined Noelle at the door, she stared over your shoulder.
“What?” you said, coming to a stop.
Noelle’s gaze moved to yours in disbelief. “How?” she demanded as you exited class. “How do you have all these men just… tripping over themselves for you?”
Heat rising to your face, you shook your head. “That’s – I,” you sputtered. “You’re being ridiculous!”
“Am I?” Noelle grinned. “First Jimin, now Jungkook… and all this while having a boyfriend.” 
“I… you... Jimin is not tripping over himself for me!”
Both her brows shot way, way up. “Is that the only part of the sentence you took objection to?”
“Shut up,” you groaned and shoved her in the side.
Noelle laughed but nodded. “Alright, fine! I’ll stop. Did Sabrina say she’ll come?”
“She did.”
“Great. I still don’t like her,” Noelle said, pushing open the door. “But I guess you’re right, I have an extra ticket. It’s nice to be nice.”
You laughed, pulling your coat tighter as you walked outside. “You’re a saint.”
While you walked, your phone dinged and pulling this from your pocket, you saw a notification on Instagram. Jeon_Jungkook97 has followed you.
Shaking your head, you returned this to your jacket as you continued. While it was nice of Jungkook to compliment your dancing, his approval didn’t mean as much as certain other peoples had. This realization stuck in your mind, making you wonder about Noelle’s teasing jibe.
She had said Jimin flirted with you, but that wasn’t true – was it? You would have known if Jimin were flirting. It was hard to pick out though, since Jimin was friendly with everyone. That was just who he was; as he’d said earlier, he liked to be liked. A note of uncertainty entered your thoughts though, recalling the ballet class with your chest pressed to his. Shoving this away, you forced yourself to focus on the upcoming weekend.
Halloween was a night for fun, for letting loose and enjoying yourself with your friends. You refused to let the night be spoiled by any lingering feelings – either from you, or towards you.
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The next night was perfect Halloween weather.
Chilly, but not cold enough to risk snow falling. There were several Halloweens from childhood you could recall trick-or-treating with a winter coat flung over your costume because the temperature had dropped below freezing.
You, Noelle and Irene showed up to Paulo’s house around 8:00 PM, shivering a little while you stood on his doorstep. Paulo was one of the few freshmen who lived off-campus, having known several upperclassmen before he came to Russet. The brownstone he lived in was cute, with window boxes you imagined hosted flowers in the summer.
Tugging your pink and black minidress down, you adjusted your bow as Paulo opened the door.
Blinking, he took in your costumes. “The Powerpuff girls!” He cheered, raising an arm overhead. “Try not to take down any of the villains upstairs, yeah?”
“No promises,” said Irene, flicking hair over her shoulder.
Entering the house, you heard thumping bass from an apartment upstairs. Paulo lived on the third floor and as you climbed the steps, the music grew louder. It took Paulo two tries to shove open the door – “warped wood,” he explained – but once you were inside, you saw familiar faces.
“The Powerpuff girls!” Jasmine cried, jumping up from the couch. “Finally! Thank god – can you take down Eamon? He came here dressed as a potato, or something.”
“It’s an avocado!” Eamon shouted from the kitchen. He was dressed in a round, green costume with a halo overhead. “I’m ‘holy guacamole’ – get it?” he said, pointing at the halo.
Jasmine stared at him a moment. “That’s terrible. Worse than mine,” she said with a wave down her body. “I’ve been Princess Jasmine for the past five Halloweens. It’s easy to remember and I already have the outfit.”
Laughing, you shrugged off your coat and added this to a pile on the couch. “It’s a classic,” you agreed as you turned.
Noelle had managed to procure at least twenty tickets to the party tonight, so a lot of your freshman Russet class was in attendance. Including Sabrina, who stood in the corner, talking to Louis over cups of red punch. She looked up when you entered, pausing before she gave a small wave. Surprised by the gesture, you did the same.
“No.” Noelle groaned, coming to a stop alongside you. When you looked, you saw she’d already removed her coat. “Tell me Sabrina didn’t come to this party dressed as a ballerina.”
“We did invite her at the last minute,” you laughed. “Hard to find a good Halloween costume in a day.”
“Hey,” Noelle argued. “There’s no we here. You were the one who invited her, and you’ll be the one to accept the consequences should your social experiment fail.”
“Done,” you agreed. “Speaking of social experiments though, I’m ready to get drunk tonight. Where’s the alcohol?”
“Kitchen!” Irene called, brushing past. “Or – that’s where Brian disappeared to when we entered, so I can only assume.”
Telling Noelle you’d be back with drinks, you wound through the room towards where Irene had pointed. The kitchen was tiny, on par with most city apartments. There was only room enough for one or two people, so you were lucky it was deserted when you entered.
Surveying the counter, you found the usual party staples. A bowl of red punch, a bunch of beer and various liquor bottles with chasers. Skipping over the communal punch bowl, you reached for a bottle of diet coke and coconut rum.
“Oh,” a voice said as they entered the kitchen. “Sorry – I didn’t know you were in here.”
Glancing up, you saw Jimin and froze.
He’d dyed his hair black – that was the first thing you noticed. Jimin’s hair was no longer blonde, but completely dark. His outfit confused you at first – a frilly, white blouse with slicked-back hair and dark trousers – until you saw his bright red contacts and the dribble of blood at his mouth.
“A vampire,” you said, finally recovering your voice. Scanning his body, you frowned. “Where are the teeth, though?”
Jimin blinked, his gaze jerking up from your waist.
“Huh?” he said, sounding a bit strangled.
Cheeks heating a little – your dress was pretty short – you repeated yourself. “The teeth,” you said, pointing at your own lips. “Don’t vampires have fangs?”
“Oh, right.” Jimin dug around in his pocket – fuck, were his trousers tight – to produce twin fangs. “I took them off when I got here. They’re really hard to talk in.”
“Go on then, Park,” you said with a grin. “Put them in.”
“One second.” Twisting to face the wall, Jimin popped them in his mouth. Turning around, he bared his teeth. “Sexy?”
With the teeth in though, the word came out more like shex-shie and you burst into laughter. “So sexy,” you agreed, reaching past him for a cup.
Jimin stiffened when your arm brushed his front. Unbidden, you thought about what Noelle had said – Jimin had been flirting with you. Pulling away, you resumed making your drinks and tried not to look in his direction.
Even so, you remained aware of his presence. Jimin inched his way behind you, reaching for the whiskey on the other side. His arm brushed your elbow as he went, right knee nudging yours in an intimate gesture.
Glancing up from the counter, you accidentally caught his gaze. Despite your earlier joking, he did look sexy. Devastatingly so. Even the blood-red contacts weren’t enough to deter the shiver which ran down your spine.
Shaking yourself free from your trance, you grabbed both cups and pulled back. 
“So, what’re you drinking?” you asked. 
You decided it was best to steer the conversation away from how sexy Park Jimin was or was not.
Seemingly oblivious to your inner turmoil, Jimin poured whiskey into his cup. “Whiskey and coke. Can you pass me that bottle?”
“Sure,” you said, leaping at the chance to prevent him from walking past you again. “Here you go.”
Pushing this forward, you watched Jimin pour both drinks all the way to the brim. He paused near the end, staring into the depths before he looked up. He seemed to be warring with something, debating whether or not to speak whatever was on his mind.
“So…” He paused. “Do you know Jungkook, or something?”
You blinked. “Jungkook…?”
“You know, Miss Luna’s assistant. Jeon Jungkook.”
“Oh! Jungkook. No, I don’t really know him.”
“You were talking to him at the end of class, though?”
Hearing the curiosity in his voice, both your brows raised. “And?”
“And nothing,” Jimin said, sounding uncomfortable. “I just… I didn’t know you knew him, that’s all.”
“I mean, I don’t.” You paused. “But even if I did, what does it matter?”
“It doesn’t.” His cheeks began to redden. “It’s just – ah, never mind. We don’t have that great a history, that’s all. He’s kind of the reason I’m at Russet this year.”
You stared at Jimin a moment. “Wow, what a tragedy,” you said, stifling a laugh. “To have been forced to attend one of the most prestigious dance institutions in the world.”
His upper lip twitched. “It’s not that. I was deciding between attending Russet and accepting a job offer out west. I was asked to join this pop star on tour… anyways, Jungkook’s never liked me much. It’s a long story.” Jimin’s brow furrowed. “My offer was rescinded at the last minute. The artist never said why, but I always got the feeling he had something to do with it.”
You stared at Jimin a moment, unsure how to respond. Jungkook hadn’t seemed like that kind of person, but you supposed you’d only talked to him for a few minutes. If that was true, what happened to Jimin sucked and yet, the next words from your mouth nearly had you face-palming.
“And here I thought I was your biggest rival, Park,” you said.
Jimin’s eyes widened. “Are you… jealous, Y/N?”
He sounded almost pleased by the notion, which sent a different kind of shiver down your spine.
“Not at all,” you said quickly, turning back to your drinks.
Jimin made a soft tsk-ing sound, as though he didn’t believe you.
“That sucks,” you continued, determined to change the subject. “I’m sorry that happened to you.”
“Yeah. Maybe it was all for the best, though. Things happen for a reason, right?”
Looking up, you caught Jimin’s stare. He didn’t look immediately away and you got the oddest sensation he meant more than what he said. Hastily, you pushed this feeling aside, clutching your drinks as you entered the main room. Jimin followed close behind, two cups in his hands.
“When did you get here?” you asked. “Been here long?”
Jimin shook his head. “Nah. Hoseok and I got here like, ten minutes ago. He should be around here somewhere, he –”
“Y/N!”
You looked up just in time to see Hoseok, Jimin’s roommate, barreling towards you.
“It’s been so long!” Crushing you to his chest, Hoseok wrapped you in a hug. “Hope Jimin isn’t boring you to death,” he stage-whispered before he pulled away.
“Just for that.” Jimin arched a brow. “Both these drinks are for me.”
“No – wait, wait. I’m sorry!” Hoseok pouted. “Hand over the drink, Park. It’s been the longest fucking week.”
Jimin grinned and relented, handing Hoseok his cup as you laughed. Hoseok was a newer friend, but he was close to Jimin, so he’d gradually bled into your latest gatherings. Despite not being on the ballet track, most of the dancers at Russet knew of him. Hoseok had that way about him.
Glancing down at your outfit, Hoseok held up a finger. “Let me guess – Blossom,” he said, turning to scan the room. “Which means… aha! Irene is Bubbles and Noelle is Buttercup. Makes sense.”
“And you are…” Pausing, you squinted at his outfit. “Someone at the spa?”
“Sure.” Hoseok shrugged. “Honestly, I just wanted to wear a bathrobe.”
Said bathrobe was paired with only boxers, the front of the robe open to display his toned abs. The costume didn’t surprise you, based on past interactions with Hoseok.
Casually, he twirled the robe tie in a circle. “Impressive, no?” Hoseok glanced away. “Whoa, wait – they have beer pong? See you all later!”
Hurrying off, he left you alone with Jimin. Shaking your head, you glanced in his direction and saw Jimin down his whole drink. Arching a brow, you were about to ask why when Irene called your names from across the room.
“Y/N!” She waved her hands. “Jimin! Get over here, you two – we need more for flip cup!”
You found yourself pulled in this direction despite your insistence you didn’t do well under pressure. Jimin ended up at the other end of the table and you lost sight of him when you started to play, paired with Jasmine for a partner.
By the end of the first round, you discovered you weren’t as horrible a player as you’d imagined. Then someone suggested mixed drinks for the second round, and things became fuzzier. There were more people present than just current students of Russet. One of Paulo’s roommates knew Seokjin, so you saw him in the room, along with Sana.
You chatted with both over the course of the evening, in addition to a guy who’d recently debuted on Broadway, Kim Taehyung. Apparently, there was already buzz around him for a Tony. Taehyung was nice, but it was sometime during this conversation you realized how tipsy you were. Apparently, not drinking for several months and then going ham made for very low tolerance.
Collapsing onto the couch, you joined Irene and Brian’s conversation. In the corner of your eye, you caught sight of Noelle – a terrible flip cup player, she’d roped Hoseok into giving her private lessons, but these seemed to be going terribly. Or perhaps very well, given how much the two of them were laughing.
You completely forgot about Jimin until you spotted him across the room talking to Sabrina. Seeing them together, you straightened. Both seemed fairly comfortable, which struck you as odd. Since that morning in Jimin’s dorm, you hadn’t really seen them hang out together.
Despite this, Jimin was laughing at something Sabrina had said. Tearing your gaze away, you forced yourself to focus on the conversation at hand. It didn’t matter who Jimin spoke to, or even who he decided to go home with tonight. He was your dance partner and friend, nothing more and besides – you had a boyfriend.
Blinking, you reached into your clutch and pulled out your phone. To your disappointment, you’d gotten no texts from Finn since this morning. You assumed he was still at his party but didn’t know for sure. Shooting him a text, hey, you waited for a response and when you got none, returned your phone to your purse.
Across the room, you heard Noelle yell your name. “Y/N!” She cupped her mouth with both hands. “We need another person for flip cup!”
Laughing, you pushed yourself from the couch and were immediately roped into your fourth game of the night. The night blurred again after that, turning into a pleasant hum of conversation and booze. At some point, Ubers were called to bring you to the club. As you rushed downstairs, you realized you forgot your coat as soon as you stepped outside.
Shivering violently, you rubbed your arms and cursed yourself for poor foresight.
“Y/N?” Jimin came to a stop alongside you. “Hey, where’s your coat?”
“Inside,” you said through chattering teeth. “I-it’s fine, though. I’m fine!”
Jimin gave you a look. “Where’s Paulo?” he said, glancing around. “I’ll grab him, we can get your coat before we go –”
“The Uber’s already here, though,” you argued, grabbing his sleeve to drag him towards the curb. “I’ll be fine from here to the club!”
Jimin sighed but gave in, following when you rushed to the grey SUV. Irene had claimed the front seat, so you and Jimin pulled open the middle door – Noelle and Hoseok were crowding behind you, so you and Jimin ended up together in the backseat.
Collapsed in a heap, you giggled as Jimin tried to squish himself in a corner. “Sorry,” he said, trying – and failing – to keep his knees separate.
“Jimin.” You snorted. “Are we going to go through this again? Your hands have been in way more inappropriate places than that this semester.”
Jimin’s lips parted, shocked, but you were already hoisting yourself over the middle seat. Draping your arms next to Noelle, you begged her to play your favorite song on the radio. Had you been more sober, you might’ve recognized your position to be precarious – perched on the edge of your seat, your ass hovered inches away from Jimin’s face.
Plopping back down, you glanced sideways at Jimin and found him frozen. Suddenly, you realized the visual he’d had.
“Um, so what happened to the teeth?” you blurted, determined to change the subject.
Jimin blinked and managed to meet your gaze. “Casualty of flip cup,” he said. “One of them fell out during the game and I couldn’t find where it rolled.”
“Well, that’s okay. You can just be one of those vampires who blend in with normal humans. You know, the kind whose fangs only come out when they want to bite someone.”
“That’s true.” Jimin arched a brow. “Lucky for you, I’m not hungry.”
“Lucky for me? Lucky for you,” you retorted. “My blood is about half alcohol right now. If you drank my blood, you’d be a very silly vampire.”
The idea of a silly vampire made you laugh – even more so when you pictured said vampire as Jimin. He seemed much too coherent for your liking right now.
“A silly vampire, huh?” Jimin looked on, amused. “Damn, Y/N – when was the last time you went out? Your tolerance is shit.”
“I know,” you sighed. “I haven’t drunk much this semester. Too much dance, too little time. I think the last time I went out was –”
“We’re here!” squealed Noelle, throwing open the door.
A blast of cold air hit you and you shivered, wishing you’d worn your coat. Jimin’s gaze remained steady on yours.
“Are you sure you’re okay?” he said lowly. “I can give you, uh…”
“Your shirt?” you said dryly, lifting a brow as you brushed past. “Then you’d be shirtless, Park. Let’s think this through.”
Jimin chuckled before he followed suit, although you cursed as soon as you left the car. He was correct. It was freezing, even with your alcohol-induced blanket.
“Come on!” you yelped, following Noelle towards the entrance.
Bypassing the line, Noelle walked straight towards the bouncer and showed him her phone. He nodded and waved her past, counting your friend group who followed. Not everyone from Paulo’s place had gone to the club, but enough for you to make quite the entrance.
“Y/N!” Noelle doubled back to link arms with you. “Come on – this way! That guy’s going to show us to our table.”
“Table?” you asked her, wide-eyed.
Tables in a club on Halloween night were ridiculously expensive, but it seemed Noelle had downplayed her brother’s connections. Your group was led right to the front of the upper balcony, getting a coveted spot overlooking the dance floor below.
This was undeniably the coolest club you’d been in. Not that you’d been in many, mind you, but this one had to take the cake. A half-circle of tables took up the top floor, with twin staircases descending to the main room below. Most of the lower floor was for dancing, although you saw additional tables pushed to the sides. Fluorescent bars and dance platforms were dotted throughout and above all was the DJ booth, blasting the latest songs.
“Whoa,” you breathed.
Noelle grinned, squeezing your arm to pull you into the booth. As soon as you settled in, Jasmine leapt up and clapped her hands.
“I want to be in one of those!” she said, pointing to a glowing cage at the center of the dance floor.
“Oo, me too!” Irene leapt up to join her.
“Me, three!” said Paulo, clambering out of the booth.
“Awesome.” Irene beamed and glanced your way. “What about you, Y/N? You in?”
The idea was tempting for a moment, but then Finn flashed through your mind. You highly doubted he’d be on board with you gyrating for a room full of strangers without him. Somewhat dejectedly, you plopped back on the bench.
“That’s okay,” you sighed. “I think I’m going to stay here for a while. I’ll join you later!”
Irene frowned but nodded, following the rest when they left for the stairs. About half the group went, clearing out the table while you stared at the dance floor.
Jimin slid into the bench alongside you. “You don’t want to dance?”
Startled, you glanced in his direction. While you watched, Jimin began to undo his cuffs, casually rolling the sleeves of his shirt. His hair, which had been slicked back at the start of the night, was starting to fall. Several dark strands hung over his forehead, although this only seemed to make the look more appealing.
“No,” you said, crossing your legs. “I just… don’t really feel like it.”
“Is this the whole hating clubs thing again?”
“Kind of.” You laughed. “I don’t know. Club dancing isn’t like normal dancing, you know?”
“It is when you’re at the club with all dancers,” Jimin pointed out, nodding towards the floor.
Following his gaze, you saw Jasmine dancing full-out in a lit-up cage. She wasn’t so much gyrating as she was creating choreography on the fly. The mere mortals around her looked on in awe. Fighting a smile, you returned to Jimin.
“Okay, that does look like fun,” you admitted. “The last time I was at a club was with Finn.”
Jimin blinked. “Sorry – what?”
“In the cab,” you said, leaning closer in order to be heard. “You asked me when I last went out. It was that night… um, the night you came and picked me up.”
Jimin stared at you a moment, as though contemplating something important. Abruptly, he stood and held out a hand. You blinked at this like he’d offered a football.
“What are you doing?” you said, glancing up.
“Taking you down to the dance floor.” Jimin retracted said hand. “Come on, Y/N! You don’t have to give out dry lap dances, or whatever.”
“Hey!” In disbelief, your mouth fell open. “You said you’d forget all about that!”
His smile turned impish. “Seriously, we can just do the sprinkler, or something. It’ll be fun!”
“The sprinkler?” Starting to laugh, you stood. “Was that really the first move you thought of?”
“Nah. My go-to move is the criss-cross, but I figured this was more your speed.”
Snorting, you shoved him in the arm before following Jimin to the dance floor. It didn’t take you long to spot your other friends, clustered near the front and around the DJ booth.
“Y/N!” Noelle cheered, breaking off from the pack. “You made it!”
She nearly spilled her drink while she danced, catching herself just in time as she spun around. You grinned, entering the circle with Jimin by your side. He did, in fact, pull out the criss-cross – Hoseok joined in and soon, there was a Fortnite dance battle between them. You truly haven’t lived until you’ve seen a TikTok dance-off between two semi-professional dancers.
This ended with both declaring mutual defeat, and Hoseok disappearing to buy the next round. Noelle shimmied her way over to Jasmine, accepting the hand given to stand on the platform.
You laughed at their ridiculous dance moves, choosing instead to stay on the ground. The crowd around you had thinned since you’d joined. Eamon disappeared a few minutes later, saying something about needing a drink upstairs. Before long, Irene had joined Jasmine and Noelle on the platform, leaving you alone with Jimin on the floor.
Under other circumstances, you might have felt uncomfortable, but Jimin was so good at putting you at ease. Determined to keep you in the present, he came up with more and more complicated dance moves which had you snorting with laughter.
On a particularly flamboyant spin, Jimin accidentally smacked the drink from someone’s grasp. Blue vodka splattered everywhere, drenching its owner – a burly man in leather who snarled in frustration.
Looking up, he met your gaze and his eyes narrowed.
“Shit. Run!” you blurted out.
Grabbing Jimin by the arm, you dragged him into the crowd.
“No, wait – let me apologize!” Jimin tried to twist around. “I can pay for his drink! I can –”
Once there was suitable distance between you and the guy, you came to a stop. Laughing so hard you nearly fell over, you turned sideways to face him.
Bodies pressed against you from every side but rather than feel claustrophobic, all you could think about was Jimin before you. His hair had become thoroughly mussed during the night and you fought the sudden desire to smooth it down.
Although your breath came hard, the club around you seemed to slow. The music somehow had narrowed to pinpricks, a heady thump of bass while everything dulled.
What you should’ve done was taken a step back – but you didn’t.
Instead, your gaze drifted across his face. Jimin stared back, something intense to his gaze you couldn’t quite name. Breath caught in your throat, his eyes dropped to your lips.
Before you could react, someone bumped into you from behind, sending you careening forward. Jimin caught you easily, one arm around your waist and your chest pressed to his. You could feel every hard line of his body, his thigh wedged between your legs while you grasped at his arms. Heart thudding traitorously against your ribcage, you tried to ignore the emotions which followed.
It was impossible. 
The song playing was slower, sexier than the one which had inspired the dance-off. Without meaning to, your weight subtly shifted. This caused your hips to move against his as Jimin quietly sucked in a breath. The effect this had on him was instantaneous. His grip on you tightened, gaze heady with desire and something more. Before you could second-guess what you were doing, you moved your hips again – this time, on purpose.
Jimin’s eyes darkened. Without looking away, his grip on you tightened as he slowly dragged you up his thigh. Suddenly breathless, your hands gripped him tighter while your eyes fluttered shut. The heat of his body on yours, the faint smell of cologne and sweat, the tension in his limbs and the knowledge of what he could do to you – it all left your head spinning.
“Y/N,” Jimin murmured, low in your ear.
You weren’t used to him saying your name like that.
You were used to him saying your name in every other way, but not that. Sharp with dancer’s critique, brusque with instruction, light with teasing – but not like something heavy was lodged in his throat. Maybe his heart.
Panicked, your eyes flew open.
What were you doing? This wasn’t some random stranger and this sure as hell wasn’t your boyfriend. This was Jimin. Stumbling backwards, you broke from his hold. Jimin seemed equally stunned, staring at you on the dance floor.
“I have to go,” you blurted and whirled around.
Shoving into the crowd, you heard Jimin emit a soft groan. Despite this, he didn’t immediately pursue, for which you were grateful. Stumbling through strangers, strobe lights flashed brightly overhead. You squeezed between someone dressed as a go-go and another person dressed as a werewolf. Skidding to a stop on the edge of the floor, you scanned the room and saw no one from Russet.
When you glanced over your shoulder, you saw Jimin now followed. Panicking again, you began to move. Beside one of the bars, you spotted a hallway labeled restrooms. Heading in this direction, you quickly disappeared inside the door marked women.
Once inside, you locked yourself in a stall, lowered the lid and sat down. Head in hands, you slowly exhaled. You were a coward; that much was clear. Jimin was probably out there looking for you right now, but you’d rather hide in a bathroom than face him.
The fluorescent lighting overhead was too bright – it made you feel overexposed. After a long moment, you fished around in your purse and pulled out your phone. Flipping to your thread with Finn, you saw he’d sent no response since your text. Complete and utter silence.
Heart cracking a little, you slid this in your bag and stared at the door. This wasn’t how things were supposed to go. When you imagined you and Finn at college, you’d always pictured you together, attending the same parties and sharing the same adventures. Tonight though, had proven to be anything but that. Finn hadn’t once glanced at his phone judging by the unread mark next to your text.
Dimly, you wondered why you weren’t more upset about this. It should bother you that Finn hadn’t called or even texted throughout the day. Sure, he was out with friends, but so were you and you’d reached out – as soon as you thought this, your heart sank.
You weren’t sure you could call Jimin a friend after what had just happened.
Sure, you’d only danced, and it had only been for a second but still, guilt bloomed behind your ribcage. The idea of Finn doing the same thing with anyone else made your heart twist. You wouldn’t feel that way if what you’d done wasn’t wrong.
Groaning out loud, you lowered your head to your hands. After several minutes, you felt calm enough to stand and pretend-flush the toilet. As you exited the stall, you walked to the sink and began washing your hands. Staring at yourself in the mirror, a million things ran through your mind.
Clearly, the situation with Jimin was worse than you’d thought. The spark you’d felt kept returning, no matter how much you tried to ignore it. Maybe the only solution was to find a new partner. The very idea made your heart sink, but you couldn’t deny things had gotten out of hand.
Before you could seriously consider the option, the door to the bathroom flung open and banged against the wall. Sabrina stormed in, wiping both eyes with the heel of her hand. You froze, staring at her in the mirror but she didn’t seem to notice your presence.
When she finally lowered her hands and took a deep breath, she saw you and froze.
For a moment, you both only stared at each other and then – you coughed. Awkwardly, you began to dry your hands.
“Are you okay?” you asked, tentative.
Sabrina stiffened. “I’m fine,” she muttered, walking to the sink.
You watched her wash her hands, struggling and failing to control her expression. Sabrina’s hair was a mess and you stared, wondering where she’d been. You hadn’t seen her since you’d entered the club, but had assumed she’d stayed on the second floor.
“Are you sure?” you pressed, remembering your night at the other club. “You know, you can –”
“Will you… just stop.” Sabrina closed her eyes. “Will you … stop pretending like we’re friends, or something?”
Struck with disbelief, you could only stare. “I… are you serious?”
“Yes.”
“Wow.” You shook your head. “Just wow.”
Her lips tightened and finally, she whirled around. “What?” Sabrina demanded. “What is it?”
The look in her eyes was familiar. Her frustrated, angry look was mirrored in your expression, but you found you didn’t care. Sabrina was clearly going through something, but her rudeness to you was the final straw. Tired from Finn, Jimin and the constant pressure you were both under, something about Sabrina’s words made you break.
“Why are you always such a… such a bitch,” you blurted, hurling the word like a knife. “What did I ever do to you? Why do you always act like you hate me so much?”
Sabrina’s upper lip curled. “Why do you always think this is about you, Y/N? Maybe I just wanted one second of peace and instead, here you are. Like always.”
“Here I am, in the public restroom of a club we’re all at?”
“No. Here you are in my life,” she snapped, pushing herself from the sink. “People won’t talk to me? It’s because you’ve run your mouth about things you think I’ve done. I’m falling in the class ranks? It’s because you’re after my spot. Jimin doesn’t want to be my partner? It’s because of his feelings for you. I’m sick of turning around and always seeing you there!”
“Okay, but none of those things – I, Jimin doesn’t have feelings for me,” you sputtered.
Sabrina gave you a look. “Oh, please, Y/N.” Her laughter was harsh. “Why else would he turn me down?”
“Um, maybe because he’s a decent human being? Unlike yourself.”
“Great, yeah.” Sabrina glared. “Make me the bad guy again.”
“I’m not the one doing that,” you huffed. “You are. You want to blame me because no one wants to be your friend? Maybe try reaching out first. Maybe don’t talk shit about people behind their backs. And I’m improving because I’m taking extra lessons. No thanks to you, of course.”
“Don’t try and make me feel bad because I didn’t have time to give you lessons.”
“I’m not trying to make you feel bad. I’m trying to explain why I’m improving and you’re not.”
Sabrina bristled. “Are you saying I don’t work hard, too?”
“No.” Mirthless, you laughed. “I know you work hard – maybe even as hard as I do. But you know what the big difference is between you and me?” you said, drawing yourself to your full height.
Sabrina’s eyes glimmered while she stared you down. Still, she retained her aloofness when she said, “What? What’s the big secret?”
“You think everyone’s out to get you,” you said, stepping closer. “You think not asking for help makes you stronger, but it’s the exact opposite. At least I’ve improved since the start of the year. What have you done?”
Not waiting for an answer, you pushed past Sabrina and walked out the door.
Shoving it wide, you entered the hallway. Dance music flooded your senses and you winced, remembering where you were and what you’d been doing. Luckily, Jimin was nowhere in sight. He must not have seen where you’d disappeared to.
Shoulders slumping, you pulled out your phone and dialed a number. Walking to the front, you concentrated on breathing while you waited for them to pick up. Coming to a stop beside coat check, you didn’t leave the club – a lesson you’d learned the hard way.
Noelle answered on the third ring. “Babe?” she yelled, barely audible over the din. “What’s going on? Where are you?”
“Are you…” Closing your eyes, you paused. “Can we leave?”
Noelle paused, then muffled her phone with one hand. “Irene!” you heard her yell. “You good to get a ride home for these people? Okay, cool. Bye!” Her phone became un-muffled. “Where are you, babe?”
After explaining your location, you hung up and hugged yourself with both arms. Noelle burst into view a few moments later, scanning the crowd like a mom on a mission. When she saw you, she rushed over – and you promptly burst into tears.
“Oh, no!” Pulling you into a hug, Noelle began to rub your back. “No, no, babe! Don’t cry! What’s going on? Do I need to kick someone’s ass?”
Hearing Jimin’s words said by Noelle only made you cry harder. Wisely sensing this to be a problem not easily solved, Noelle continued rubbing your back while walking towards the exit.
The two of you went outside and, as luck would have it, saw a group of people arriving at the club. Noelle snagged their taxi, helping you in the backseat and giving the driver your address. As you settled against her, your head on her shoulder, Noelle kept rubbing your arm and waited for the tears to stop.
You weren’t really sure why you were crying.
Of course, Sabrina was terrible, as was the situation with Jimin, but it was more than that. Dancing with Jimin hadn’t caused problems in your relationship with Finn. There had been problems in your relationship Finn and so, feelings had crept in which led you to dance with Jimin.
More than that though, you couldn’t help but notice Noelle had come to your aid much faster than Finn ever had. Even Jimin had dropped everything when you asked, and he was someone you’d once called your enemy. Noelle had been having fun, but she’d cut her night short because you were upset. This knowledge crushed you and for the very first time, you realized your relationship with Finn might be unfixable.
Curled up on the backseat, you let yourself cry a bit more. You could be calm and rational in the morning, you decided but for now, you just felt defeated.
When you finally climbed into bed at your dorm at night, you looked at your phone and saw Finn still hadn’t texted.
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Author’s Note: Thank you for reading! 😊 New chapters of Raise the Barre are posted weekly; dates are listed on the series Master List. Requests for updates will be deleted.
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qqueenofhades · 3 years
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Hi, I’ve been tasked with researching Richard Plantagenet for a paper and thus far found extremely negative accounts of the king, his religious bigotry being a reoccurring theme (his treatment of Jewish dignitaries attending his coronation and his reasoning to join the third crusade etc)
I stumbled across your wonderful tag for Richard at the weekend and wondered if you wouldn’t mind sharing your informed opinion of Richard and his views on religions ? Your writing seems very well balanced regarding his attributes and flaws. Thanks :)
Oof. Okay. So, a short and simple question, then?
Quick note: when I was first reading your ask and saw "Richard Plantagenet," I briefly assumed that you meant Richard Plantagenet, father of Edward IV, or perhaps Richard III, both from the Wars of the Roses in the fifteenth century, before seeing from context that you meant Richard I. While "Plantagenet" was first used as an informal appellation by Richard I's grandfather, Geoffrey of Anjou, it wasn't until several centuries later that the English royal house started to use it consistently as a surname. So it's not something that Richard I would have been really called or known by, even if historians tend to use it as a convenient labeling conceit. (See: the one thousand popular histories on "The Plantagenets" that have been published recently.)
As for Richard I, he is obviously an extremely complex and controversial figure for many reasons, though one of the first things that you have to understand is that he has been mythologized and reinvented and reinterpreted down the centuries for many reasons, especially his crusade participation and involvement in the Robin Hood legends. When you're researching about Richard, you're often reading reactions/interpretations of that material more than anything specifically rooted in the primary sources. And while I am glad that you asked me about this and want to encourage you to do so, I will gently enquire to start off: when you say "research," what kind of materials are you looking at, exactly? Are these actual published books/papers/academic material, or unsourced stuff on the internet written from various amateur/ideological perspectives and by people who have particular agendas for depicting Richard as the best (or as is more often the case, worst) ever? Because history, to nobody's surprise, is complicated. Richard did good things and he also did quite bad things, and it's difficult to reduce him to one or the other.
Briefly (ha): I'll say just that if a student handed me a paper stating that Richard was a religious bigot because a) there were anti-Jewish riots during his coronation and b) he signed up for the Third Crusade, I would seriously question it. Medieval violence against the Jews was an unfortunately endemic part of crusade preparations, and all we know about Richard's own reaction is that he fined the perpetrators harshly (repeated after a similar March 1190 incident in York) and ordered for them to be punished. Therefore, while there famously was significant anti-Semitic violence at his coronation, Richard himself was not the one who instigated it, and he ordered for the Londoners who did take part in it to be punished for breaking the king's peace.
This, however, also doesn't mean that Richard was a great person or that he was personally religiously tolerant. We don't know that and we often can't know that, whether for him or anyone else. This is the difficulty of inferring private thoughts or beliefs from formal records. This is why historians, at least good historians, mostly refrain from speculating on how a premodern private individual actually thought or felt or identified. We do know that Richard likewise also made a law in 1194 to protect the Jews residing in his domains, known as Capitula Judaeis. This followed in the realpolitik tradition of Pope Calixtus II, who had issued Sicut Judaeis in c. 1120 ordering European Christians not to harass Jews or forcibly convert them. This doesn't mean that either Calixtus or Richard thought Jews were great, but they did choose a different and more pragmatic/economic way of dealing with them than their peers. This does not prove "religious bigotry" and would need a lot more attention as an analytical concept.
As for saying that the crusades were motivated sheerly by medieval religious bigotry, I'm gonna have to say, hmm, no. Speaking as someone with a PhD in medieval history who specialised in crusade studies, there is an enormous literature around the question of why the crusades happened and why they continue to hold such troubling attraction as a pattern of behavior for the modern world. Yes, Richard went on crusade (as did the entire Western Latin world, pretty much, since 1187 and the fall of Jerusalem was the twelfth century's 9/11). But there also exists material around him that doesn't exist around any other crusade leader, including his extensive diplomatic relations with the Muslims, their personal admiration for him, his friendship with Saladin and Saladin's brother Saif al-Din, the fact that Arabic and Islamic sources can be more complimentary about Richard than the Christian records of his supposed allies, and so forth. I think Frederick II of Sicily, also famous for his friendly relationships with Muslims, is the only other crusade leader who has this kind of material. So however he did act on crusade, and for whatever reasons he went, Richard likewise chose the pragmatic path in his interactions with Muslims, or at least the Muslim military elite, than just considering them all as religious barbarians unworthy of his time or attention.
The question of how the crusades functioned as a pattern of expected behavior for the European Christian male aristocrat, sometimes entirely divorced from any notion of his private religious beliefs, is much longer and technical than we can possibly get into. (As again, I am roughly summarising a vast and contentious field of academic work for you here, so... yes.) Saying that the crusades happened only because medieval people were all religious zealots is a wild oversimplification of the type that my colleague @oldshrewsburyian and I have to deal with in our classrooms, and likewise obscures the dangerous ways in which the modern world is, in some ways, more devoted to replicating this pattern than ever. It puts it beyond the remit of analysis and into the foggy "Dark Ages hurr durr bad" stereotype that drives me batty.
Weighted against this is the fact that Richard obviously killed many Muslims while on crusade, and that this was motivated by religious and ideological convictions that were fairly standard for his day but less admirable in ours. The question of how that violence has been glorified by the alt-right people who think there was nothing wrong with it at all and he should have done more must also be taken into account. Richard's rise to prominence as a quintessentially English chivalrous hero in the nineteenth century, right when Britain was building its empire and needed to present the crusades as humane and civilizing missions abroad rather than violent and generally failed attempts at forced conversion and conquest, also problematized this. As noted, Richard was many things, but... not that, and when the crusades fell out of fashion again in the twentieth century, he was accordingly drastically villainized. Neither the superhero or the supervillain images of him are accurate, even if they're cheap and easy.
The English nationalists have a complicated relationship with Richard: he represents the ideal they aspire to, aesthetically speaking, and the kind of anti-immigrant sentiment they like to put in his mouth, which is far more than the historical Richard actually displayed toward his Muslim counterparts. (At least, again, so far as we can know anything about his private beliefs, but this is what we can infer from his actions in regard to Saladin, who he deeply respected, and Saladin's brother.) But he was also thoroughly a French knight raised and trained in the twelfth-century martial tradition, his concern for England was only as a minor part of the sprawling 'Angevin empire' he inherited from his father Henry II (which is heresy for the Brexit types who think England should always be the center of the world), and his likely inability to speak English became painted as a huge character flaw. (Notwithstanding that after the Norman Conquest in 1066, England did not have a king who spoke English natively until Henry IV in 1399, but somehow all those others don't get blamed as much as Richard.)
Anyway. I feel as if it's best to stop here. Hopefully this points you toward the complexity of the subject and gives you some guidelines in doing your own research from here. :)
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creativerogues · 4 years
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Using Myths to Create a Campaign Setting...
So while researching for this Mega-Post (which will probably become one part of many), I’ve found that myths, legends and folklore as a whole is really just a cool thing to read about.
There’s so much creativity and wonder in every myth, and it’s been super fun to find story elements that have persisted all the way to the modern day.
With that said, and wait for it: Making a D&D Setting can be really really tiring.
So, after rediscovering my love of mythology, I thought I’d take a new approach to all this: Using “Comparative Mythology”.
“Wait! What’s Comparative Mythology?” I hear you ask. Well Comparative Mythology is when you compare myths from different cultures and identify all the things they share.
So let’s start this Mega-Post by ending this long-winded intro and getting to the whole point of this: The Common Myths!
The Creation of Mankind from Clay
The creation of man from clay is a thing that recurs throughout a bunch of world religions and mythologies. In this Myth, Mankind is created from dust, clay or earth by a single deity.
In Greek Mythology, Prometheus molded men out of water and earth.
In Egyptian Mythology, one of the several ‘Creator Gods’, called Ptah, is a Potter who fashions the bodies of humans (and some Gods) from clay.
The Theft of Fire
The theft of fire for humanity is another that recurs in many world mythologies. Where a deity, sometimes the deity of earth, the forge, or the deity that actually created Mankind, steals a portion of the Sun or a Magical Heavenly Flame and gives it to humanity so they don’t freeze to death or starve because they can’t cook their food.
Probably the most famous version of this Myth comes from Greek Mythology, where the Titan Prometheus stole the heavenly fire of the gods and gave it to humanity, the thing he created from clay, so they could build their first civilisation.
The Great Flood
Cultures around the world tell stories about a great flood that leaves only one survivor or a group of survivors. Sometimes the Flood is meant to restart the world, defeat a great evil, or as a punishment to Mankind for some known or unknown thing.
In the Hebrew Bible, probably the most famous example of this, God sends down a global flood that wipes out humanity, with only one man surviving and saving the world’s species by taking them aboard a giant boat.
In Greek Mythology, a Myth says that Zeus, Head of the Gods, sent down a great storm to flood the world after people started trying to sacrifice humans to him, which was completely against the Greek Laws of Hospitality and a big ol’ no-no in the eyes of Zeus.
The Dying-And-Rising God
Many Myths feature a God or Goddess who dies somehow and returns to life thanks to the help of the other Gods.
In Egyptian Mythology, Osiris, who was slain by his brother Seth, was brought back to life by his sisters Isis and Nephtys. Osiris eventually became the ‘King of the Dead’ while his Son became ‘King of the Living’, which may have something to do with a Father-like Figure giving power to their Son, which is another theme that pops up in a few cultures…
In Greek Mythology, it’s Adonis, a beautiful man born from his Mother that just so happened to be turned into a tree. But after being left in a Forest by Aphrodite and told to avoid any wild Boars (also known as Ares in disguise), Adonis immediately decided to do the opposite and hunt down the wild Boar (also known as Ares, the God of War). The fight didn’t really go in Adonis’ favour, and after Aphrodite found out, she stormed into the Underworld and demanded her Boyfriend back, and eventually Zeus got involved, deciding to split the Year in two, the warmer months (summer and spring) where Adonis would be with Aphrodite, and the colder months (autumn and winter) where Adonis would go back into the Underworld. This is why Adonis is associated so much with spring, renewal and rebirth.
The Creative Sacrifice
Many cultures have stories about divine figures whose death creates a certain part of reality. 
These myths seem especially common among cultures that are farmers or have agriculture as a major part of their society.
In Norse Mythology, the First Giant, known as Ymir or ‘The Cosmic Giant’ was killed to create the World of Norse Myth.
In Aztec Myth, after Huitzilopochtli kills his sister Coyolxauhqui and his 400 brothers, Coyolxauhqui's severed head becomes the moon, and her 400 dead brothers become the stars in the night sky.
In Greek Mythology, when the many-eyed Giant Argus was slain by Hermes, Argus' eyes were transferred by Hera to the tail of the peacock, hence the beautiful tail feathers of a peacock!
The Seat of the World
The seat of the world is usually noted as a place that sits at the centre of the world and acts as a point of contact between different levels of the universe: Usually Heaven, Earth and the Underworld.
And as a small Sidenote, there’s a LOT of mythologies and world religions that use a giant ‘Cosmic Tree’ to represent the seat of the world, and they usually describe it as “a great tree joining heaven, earth, and the underworld”, with branches that reach the Heavens and whose roots that reach the Underworld.
In Hindu, Jain, and Buddhist Mythology, Mount Meru (also recognised as Sumeru, Sineru or Mahāmeru), is a sacred five-peaked mountain, and is considered to be the centre of all universes, both physical and spiritual.
In Norse Mythology, Yggdrasil is an immense mythical cosmic tree that connects the Nine Worlds of Norse Cosmology.
In Greek Mythology, the “Seat of the World” was the City of Delphi, the literal centre of the Greek Mythological World. Delphi was almost always seen as “the belly-button of the world”, with many tales surrounding the famous Oracle of Delphi. You could also consider Mount Olympus to be a sort-of “Seat of the World” too, since that’s the famous place where only the Gods lived...
The Ideal God
This is usually referring to a King, Queen or some kind of Head of a Pantheon, a God to rule the Gods.
Even actual Official D&D Settings do this by having an ‘Overgod’.
In Norse Mythology, Odin is the Leader of the Gods.
In Greek Mythology, Zeus is Head of the Gods, though Hera (his Wife) also has some influence on the Pantheon.
In Roman Mythology, which is extremely similar to Greek Mythology, they have Jupiter as the Head of the Pantheon and King of the Gods.
In Egyptian Mythology, Ra is Head of the Pantheon, though some interpretations vary on his actual name.
And as a side-note, it seems most ‘Head of the Pantheon’ Gods are male with some sort of connection to the Sky, the Sun, or Storms, and are often extremely wise or extremely powerful, usually depicted as extremely ripped and wielding big ol’ stabby weapons...
And weirdly enough, most have some sort of connection to birds, I can’t really find out where that comes from, but it’s cool nonetheless.
The War with the Titans
This is usually the Myth that creates the “Official Pantheon” for a Place’s Religion. The Titans (or sometimes called Primordials, beings that represent chaotic and destructive elements like Fire and Lightning) fight the Gods, sometimes a few Gods die, but the Gods always win.
Again, the most famous version of this Myths is In Greek Mythology, where the Titanomachy was a ten-year series of battles consisting mostly of the Titans fighting the Olympian Gods and their allies. This event is also known as the War of the Titans, Battle of the Titans, Battle of the Gods, or just The Titan War, which is just a cool name in general...
Gargantuan Giants
By “Gargantuan Giants”, I mean Gargantuan compared to Humans, who in most cultures were less than 6 Feet Tall, so sometimes Giants were as short of 8 Feet, and others they are quite literally the size of the Universe…
In Greek Mythology, there’s the myth of Ourion (or more commonly known as ‘Orion’) the Giant, a Huntsman famous for being placed among the stars as the constellation of Orion. There’s also the Hecatonchires, also known as the Hundred-Handed Giants, as well as the Myth of the Cyclopes and a bunch of other Gods and Demigods who are described as “Giant” in size.
In Norse Mythology, there’s dozens of famous giants, also known as Jotuun in some texts. From Surtur, the fire giant that leads his kin into battle during Ragnarok, to the trickster giant Utgard-Loki, famous for annoying the Hel out of Thor and thoroughly embarrassing him in front of all the other giants.
Mythical Dragons and Serpents
Sometimes just large snakes and other times gigantic snakes, legendary snakes and serpent-like creatures appear in the folklore of a bunch of different cultures around the world. And speaking of Dragons, while they vary from region to region, they’re almost always depicted as gargantuan serpentine creatures with four-legs.
Mythical Serpents in Mythology
In Egyptian Mythology, Atum shaped the world thanks to four mythical serpents. Also in Egyptian Mythology is Apophis, a gargantuan mythical serpent that symbolises chaos, who tries to eat the sun every day as part of the Journey of Ra and his Sun-Barge/Sun-Boat.
In Greek Mythology, there’s the Lernaean Hydra, more often known simply as the Hydra, a multi-headed snake monster killed by Heracles as part of his Twelve Labours. There’s also Python, a big ol’ sea snake with the gift of prophecy, that was then promptly killed by a Baby Apollo...
In Aztec Mythology, there’s Quetzalcoatl, a giant feathered serpent (and sometimes a dragon!) characterised as the God of Wind, the Dawn, the Planet Venus, Arts and Crafts, Wisdom and Knowledge.
And another thing, it seems some Myths depict these giant snakes as pets or living weapons used by Kings, Queens or even the Gods to keep their subjects in check.
Dragons in Mythology
In Eastern Cultures and Mythologies, Dragons are usually depicted as wingless, four-legged, serpentine creatures with above-average intelligence and the ability to control rivers, the ocean, the wind and the weather.
In Western Cultures and Mythologies, Dragons are often depicted as savage, winged, horned, four-legged, and capable of breathing fire.
The Myth that founds a Custom
This myth is way more varied than the rest. Many cultures have myths describing the origin of their customs, with most societies often justifying their customs by claiming that the Gods or the Mythical Heroes of their Culture established those customs.
The Curse of Cannibalism 
Human cannibalism features in the myths, folklore, and legends of many cultures and is most often attributed to evil characters, with the idea that consuming human flesh is an evil act that usually transforms the person into a monster of some kind.
In Greek Mythology, there exists the Lamia, a woman who became a child-eating monster after her children were destroyed by Hera after Hera learnt of her husband Zeus’ little “escapades”.
In Native American Myth, there’s the famous Wendigo, a creature (or sometimes depicted as an evil spirit) from folklore, with some sources saying Wendigos are created when a human resorts to cannibalism to survive.
The Hero's Adventure to save their Lover
This is usually a story of three parts: Hero gains a Lover, Lover dies through unforeseen circumstances, and finally the Hero goes on an Adventure (most commonly going to the Underworld) to meet/save/resurrect their Lover.
This Myth can also be known as the “Hero goes to the Underworld to save their Lover” Myth, which is also super common when you look at all the different world cultures.
In an old Babylonian Myth, the Babylonian Goddess Ishtar (Goddess of Love, War and Fertility) gets trapped in the Underworld with the Queen of the Dead after trying to save her husband from the Underworld. But then Asushunamir, a gender-ambiguous individual constructed by Enki (a Babylonian Ocean God), is sent to the Underworld to save Ishtar, so I guess that’s two stories in one?
In Japanese Mythology, Japan has two Creator Deities: Izanagi and Izanami. But after the Birth of Kagi-Tsuchi (the Fire God), Izanami dies. So Izanagi decides to just go on down to the Underworld to get her back. But after lighting a torch in the Underworld when he’s specifically told not to, Izanami is understandably peeved and sends a bunch of monsters after Izanagi to chase him down until Izanagi decides to block the entrance to the Underworld with a giant rock so no monsters get out. Yay?
In Greek Mythology, Orpheus (one of Apollo’s kids) walks on down to the Greek Underworld to chat with Hades and maybe get his dead lover Eurydice back. Hades says “Yeah, sure bro! Just don’t look at her before you two get back to the World of the Living again, okay?” But Orpheus, like an idiot, decides to immediately do the opposite after thinking Hades is tricking him, and Eurydice is dragged back down in the Underworld to stay there forever...
The Sun gets eaten by a Giant Beast
This is usually what Cultures and World Religions use to explain celestial events such as an Eclipse.
In Aztec Mythology, they had a God called Huitzilopochtli (Yay! I spelt it right!) who was their Sun God and God of War and Human Sacrifice.  Huitzilopochtli also had 400 Brothers and one Sister: Coyolxauhqui. After murdering his sister, Coyolxauhqui’s severed head becomes the moon and several of Huitzilopochtli’s brothers become the stars. And now the sun is constantly at risk of being devoured by the night sky and to put this all short: Huitzilopochtli is constantly fighting off the severed head of his sister (The Moon) to stop her eating/murdering the sun and the earth. FUN!
In Norse Mythology, at some point during Ragnarok (the Norse “End of the World” Myth), the sun and moon are eaten, possibly by Fenrir, but definitely by Mythical Wolf of some variety, sources differ.
In Egyptian Mythology, the Egyptians would pray against Apophis (the giant snake in the Underworld) to squash his nightly attempts to eat the sun as it passed through the Underworld.
And as a side-note, this one doesn't have to be a Beast, sometimes the sun is stolen by a thief, or something happens and it's sealed away or just straight up nopes out and disappears for a few days...
Gods named after Planets
It’s right in the name, a lot of Gods are named after Planets, Stars, Constellations and other Celestial Objects.
In Egyptian Mythology, the Gods are actually named after the various Stars and Constellations that can be seen in Egypt’s night sky.
In Roman Mythology, examples include Jupiter, Head of the Pantheon, as well as Mars the God of War, Mercury the God of Merchants, and Venus the Goddess of Love and Beauty, as well as Neptune, Saturn and More!
The Beast to be Released and Kill the World
This is usually a Wolf, Snake, or other Giant Beast that, when the Apocalypse comes, is released from whatever bindings they have and wreak havoc on the Mortal World. Sometimes the Beast is chained away or trapped in the Underworld, but other times they’re just sleeping until the Apocalypse comes knocking…
In Egyptian Mythology, this Beast is known as Apophis, a Giant Snake trapped in the Underworld that tries every day to eat the Sun (and sometimes eat Ra too!) before Apophis is defeated by the powers of Gods and the apocalypse is stopped for another day.
In Norse Mythology, this Beast is Fenrir, a Giant Wolf and Son of the Trickster God Loki. Fenrir is bound by a series of heavy chains, and when Ragnarok (the Norse version of the Apocalypse) comes, Fenrir will break his chains and go on a big ol’ god-killin’ spree!
So there you go! I’m so sorry for having to cut quite a bit of content, since I didn’t want to make this Post a full-blown essay.
If I missed your favourite myth, or forgot to add a detail that you thought was important or cool, I apologise profusely.
The research for this Post was A LOT, and I just want to thank everyone in the Community who helped out and contributed to this thing.
I hope that when you’re building your own D&D Worlds, you can look back at this Post as inspiration for creating a pretty cool and realistic world for your Players to mess around in...
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