How does Youn balance Honkai, Genshin, and art, and still pop out so much art? I am struggling to do the same and I don’t get nearly as much drawing done Q-Q
i have set schedules for myself that help me do everything i want and stay relaxed and comfortable lmfaoo
its also bc im endgame in genshin, finished hsr main story for this version and am a very quick reader/artist/etc so i finish up stuff fast i guess?
(also only when its interesting bc i tend to skim stuff or simply dont do things when im not interested in it)
72 notes
·
View notes
It's mostly the fault of poor editorial practices that B&R is so heavily misaligned continuity-wise w/ the main batman book. But walk with me for a minute:
You are Damian Wayne. You are 14 years old and have had one of the worst years of your life last year. Which is saying a lot.
Your brother, one of the people you were closest to, got shot in the head and forgot who you were. Your best friend went to space for a week and came back 3/4 years older than you, taking away your previously established dynamic and leaving you to have to bond all over again w/ a new one. You may or may not have gone wayyy too far with your new superhero team, who now all hate you, because you fucked up big time*
And worst of all, when you do try to do the right thing, you end up forced to watch Alfred, a father figure to you, the only one at your birthday that year, the person who has been so patient, loving and trusting with you, even when you probably didnt deserve it...die. you watch him die, and feel it's all your fault.
And your dad never corrects you on that last point. So you run away.
First to your mom who can tell something's up with you, she knows you don't give up that easy, you decide not to stay with her because you remembered how actually, neither of your parents are good at communicating with you despite their best efforts, so now you're 14 and flying solo.
And you do fly solo. For a while. Make new friends, new enemies. You think you're better off for it. You've got your best friend and your brother back. They're not around as much. It's fine.
And eventually your dad tells you that it's not your fault that Alfred died. Bit late but it's appreciated. Really. There's a bit of a hiccup where you get possessed by a demon and wage war against your father but after that, all in all, you two are...together again.
You start to think maybe you want to give him another chance, for the two of you to be father and son.
And in a change of pace, it works out! It's going good, mostly. He insists you go to highschool, you resist, feel like he wants you to be something that you're not (wants you to be normal), but eventually you acquiesce for your own reasons. He cheers you on at soccer and nosies around at your fundraising events with the other parents and gives you a stern talking to about your choice of girlfriend. Because he cares.
Except all the while this is going on, your dad is currently having his brain slowly taken over by an evil version of himself that he created and every time you look away he's slowly tearing your family apart (your brothers are just barely keeping it together. The ones who didn't get lobotmized that is Jesus Christ). You keep taking his side in these conflicts, for whatever reason. Maybe because he promised it would be different this time, and it isn't** and you're going to stick with him until he keeps his word for once.
But at the end of the day?
It's like your brother says. You're not the one who saves him. Broadly speaking, you've made things worse and needed others to come save you. And what else is Robin really for? You thought it was about redemption and teamwork but guess you're wrong. It's about saving your self destructive, apparently two-faced and erratic father. And you can't even do that right.
* TT (2016) by Adam Glass is a racist ooc mess, but unfortunately it's still canon so I'm referencing here, though like a lot of works authors clearly wish weren't canon but are, it's been subsequently glossed over. Win? Maybe? Or not?
** again Zdarky's characterization of Damian is so outdated as to be ooc, and considering the way he constantly and explicitly uses it to illustrate Tim's strengths as robin, I'd argue there's. Also implications there. But the batshit insanity of the main batbook compared to B&R rn is crucial for this post, so I'm attempting to justify it. This time..
256 notes
·
View notes
Sometimes I think of Amy Pond, who grew up being called mad by those who wielded the word as a tool of exclusion and shame —
Amy Pond, who though forced into the hands of four psychiatrists, still clung to that which they called madness until those systems which elevate psychosocial conformity above humanity stripped it from her —
Amy Pond, whose imaginary friend reappeared for a single hour after twelve years and reignited that faith before disappearing for two more years —
Amy Pond, who spent those those two years under the same implicit threat ingrained in her through psychiatric violence, and thus began to believe the man who stopped the invasion was “just a madman with a box,” only for him to agree, and to also call her “mad, impossible Amy Pond,” reframing madness as non-negative for the first time in her life —
Amy Pond, who ignored the disembodied voice of her imaginary friend even as she ran away with him for real, who still lived each day with the traumatic internalization of deviancy dictated upon her by the psychiatric-industrial complex that shaped her from childhood —
Amy Pond, who wouldn't acknowledge the Doctor's voice, such that it took an Angel in her eye that was literally killing her to ensure she couldn't reality check herself —
Amy Pond, who stood before a room which muttered about “the psychiatrists we brought her to,” and though afraid, escaped their rigid parameters of acceptable existence.
16 notes
·
View notes
sometimes I think abt that one person who was like “I really didn’t like Chicago there wasn’t a big elaborate set or lots of costume changes :/“ like look we all have our own tastes in theater but also like. you can’t go to the ice cream store and complain that they don’t have burgers. like the part of the point of Chicago is that it’s a bit minimalist bc the focus is really on the dance and the interpretive aspects of the show to emphasize the way that the justice system makes a spectacle of murder and crime for the sake of spectacle it’s not abt big costume changes and set pieces and whatever it’s abt the way that those small things are turned into something larger than life and again. the dance. perhaps most famously so. and also like that’s discrediting a lot of the design that goes into such a minimally designed show like that bc it makes all the things that ARENT solid Black stand out and also the variance within the solid Black costume pieces as well. Like I think the reason why I think abt this so often and why it was so jarring was bc the person like made an entire account all abt seeing theater in nyc and reviewing shows they saw and presenting themself as this theater guru and yet seemingly could not comprehend why a musical might not have eight million quick changes or a flashy showy set. Again it’s not a crime to have preferences, obviously this person prefers the big flashy stuff and I mean I love that too! But again to call yourself someone who knows a lot about theater and to say that seeing Chicago was “disappointing” bc of the “lack of design” is completely disregarding the work and thought that goes into a production like this and also the history of a production (which is especially important for a revival of a show…) as well as the artistic vision and direction. and again. It would be different if it was just a casual theater goer but she has a whole account dedicated to reviewing theater. Which is more than a casual theater goer. Like imagine seeing a production of a chorus line and going “man the songs were good but why was the stage bare and the actors in dance clothes” like you literally sound like theater reviewers in the 70s. Utterly ridiculous from someone who supposedly sees theater several times a month and reviews it claiming to be an authority
6 notes
·
View notes