#but that isn't the actual point of this post

[mclqren]

HOW YOU GET THE GIRL ★ FC43

PAIRING ✦ franco colapinto x fem!sargeant!reader

SUMMARY ✦ with your brother's seat being taken by your admirer of the past year, you try your best to stay clear, but it's hard when franco is trying so goddamn hard to get your attention [ SMAU ]

WARNINGS ✦ cursing, very minor hate comments

REQUESTED ✦ here!

NOTES ✦ i am NOT fluent in italian or spanish so please correct me if i've messed up on either of them! i count this as the best of both worlds because i love having franco on the grid but i'm missing my goat logan. the faceclaim i've used is marissa long but feel free to picture whoever you want! my requests are open so feel free to leave a request :)

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liked by logansargeant, alex_albon, and 110,331 others

tagged logansargeant

yourusername logie, my bestest friend and the best older brother i could ever ask for. i am so so SO proud of you and the journey you have had during your formula one seasons. so many memories have been made, and i know that i will never ever forget the times we spent in the williams paddock, just having fun together (& bullying alex, obviously). the williams social media page won't be the same without me posting slips of you. trust me when i say this isn't the end, but simply the beginning. lots of love always and forever, y/n 💗

comments have been restricted

logansargeant ❤️

liked by logansargeant, francolapinto, and 94,522 others

yourusername someone hit me up with an italian man please, i love this country

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user4 oh she's taking it

user5 mother as perrrr

user6 the sargeant genetics are LETHALLL

user7 please someone tell me why is she in italy if her brother doesn't drive for williams anymore?

user8 she's the williams social media manager!! she started in the same year as logan x

logansargeant baby sis ❤️

yourusername love you sm 💗

francolapinto did you know i'm actually half italian?

francolapinto sei molto bella🙏🙏 (you are very pretty)

user9 second year running and he's after y/n AGAIN IM CRYING

user10 after taking her brother's seat too PLEASEEE he has guts i have to give it to him

user11 FRANCO'S COMMENT I'M DYINGGGG

user12 and the way she's ignoring it too oh my days 😭 it's been a year and he's still on this

imessages ( y/n )

liked by logansargeant, francolapinto, and 92,801 others

yourusername week off 🍏

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user16 farm girl???

user17 where is she 😭😭

yourusername my best friend's farm 💗

user18 multi-talented girl fr

user19 she looks like she BELONGS fr

user20 she def doesn't want to go back to the old 9-5

yourusername oh def not

yourbsf my angel 🪽🤍

yourusername best time w you alwaysss 💗

francolapinto never wanted to be a goat so badly

user21 I AM PISSING MYSELF

user22 HE IS SO BLATANT AT THIS POINTTTT

user23 @/yourusername PLEASE WE NEED YOUR THOUGHTS ON FRANCO'S COMMENTS

user24 she def won't answer but it's still so fucking funny i can't

liked by logansargeant, francolapinto, and 97,210 others

yourusername most beautiful place 💗

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user28 beautyyyy

user29 please y/n we need to see your pinterest RIGHT NOW the vibes are everything

user30 okay but...you & franco??

user31 what about letting people have some privacy, hm?

user32 oh wowwww

francolapinto not as beautiful as you 😉❤️

yourusername 🤣🤣

user33 FRANCO YOU DID IT!!!

user34 watch as franco puts y/n noticed x1 in his bio now

user35 THE WAY HE ACTUALLY DID IT. GIRL...

user34 I AM CREASING I CANNOT

lilymhe baby girl 😍

yourusername my lilypad i love you to bits!!

logansargeant are you sure you and that lion aren't twins

yourusername i'm thinking we were separated at birth??

liked by francolapinto, alex_albon, and 699,303 others

tagged francolapinto

williamsracing and just like that, mr colapinto is a point scorer in formula one, in his second ever race!! congratulations franco, take a bow 👏💗

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user38 CONGRATULATIONS FRANCOOO!!

user39 big question is...which admin posted this?

user40 one MILLION percent y/n. no doubt about it.

user41 you can tell y/n posted this bc of her signature pink heart HAHA

user42 i just know somewhere franco is kicking his feet and giggling over y/n telling him to take a bow for his performance

user43 oh franco colapinto you have won me over

user44 seeing this and lowkey feeling so sad for logan

user45 no but imagine how y/n must feel?? her brother just leaving and having to post this, she must hate franco right about now

user46 honestly, judging by the post race interview, i think y/n is fine with franco scoring points, tbh!

yourusername 👏👏💗

francolapinto hearts ❤️

user47 I AM SOBBING THIS IS TOO CUTE??

imessages ( franco )

imessages ( y/n )

liked by logansargeant, francolapinto, and 101,989others

yourusername 🦢🦢

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user48 IS MISS Y/N OUT ON A DATE???

user49 facecard could kill.

user50 Y/N ON A DATE WHO CHEERED

user51 someone check up on franco like right now.

user52 either franco is the guy in the pictures and that's why he's not commenting, or he's entered a depressive state

user53 knowing his dramatic ass it could be either

alex_albon mystery man 👀🤑

yourusername shhhh albon

logansargeant i'll fight him if he hurts you 😁

yourusername love you too logie 🧸

imessages ( y/n )

liked by francolapinto, logansargeant, and 106,312 others

tagged francolapinto

yourusername city break 🇦🇷

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user54 FRANCO CAMEO FRANCO CAMEO THIS IS NOTTTT A DRILL

user55 I AM SCREAMING

user56 alexa play how you get the girl by taylor swift

user57 she's in his hometown...so this serious stuff now

user58 Y/N I LOVE YOU FOR THIS

francolapinto 😁❤️❤️

yourusername 💗💗

logansargeant willing to fly out to collect you if i have to 🫡

yourusername i promise you i'm fine 💗

liked by alex_albon, yourusername, and 1,112,091 others

tagged yourusername

francolapinto 1 AÑO DESPUÉS… ¡¡TENGO A LA CHICA!! ¡¡VAMOS!! la persona más hermosa por dentro y por fuera, con el corazón más grande que jamás haya existido. estoy tan feliz en este momento que las palabras no pueden explicarlo. te amo te amo te amo ❤️ (1 YEAR LATER… I GOT THE GIRL!! COME ON!! the most beautiful person inside and out, with the biggest heart that ever lived. i am so happy right now that words cannot explain it. i love you i love you i love you ❤️)

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user59 original y/n franco fans RISE

user60 WE ARE THE REAL WINNERS!!

user61 oh he is in love for real

user62 need someone to love me how he loves y/n

user63 their love is so so special

user64 okay but how's logan feeling about all this...? must be so awkward...

user65 judging by his comment...i think he's doing absolutely fine 🤣

logansargeant hurt her and i'm at your doorstep. 😊

francolapinto will never be a problem 🫡

yourusername you're the cutest ever

yourusername FRANCO 🤣🤣

francolapinto let me share my love for you, no?

yourusername i wanna kiss you so bad rn

logansargeant keep it pg-13 please.

yourusername logan.

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TAGS ✦ @shepgurl ; @blushmimi ; @nyxx-knight ; @fall-bambi ; @suns3treading ; @wowzees ; @d3kstar ; @poppysrin ; @ailooosworld ; @joalslibrary ; @dejavuontrack ; @dripostsstuff ; @kaylassturniolo

[firelightmlpoc]

In regards to the current Pansear Doodles problem, I have this to say, & will continue to stand by this until further proof is presented:

Firstly, a statement of mine I’ve been saying for a bit now:

“So, is this account in the screenshots that is claimed to be Pansear actually 100% confirmed to be Pansear’s? The grammar pattern isn’t matching any other messages Pansear has posted in any other server I’ve seen them in, nor was the actual ACCOUNT actually shown besides the nickname & the pfp (Which is barely able to be considered solid proof, especially with the advent of server profiles allowing specific names & pfps for other servers on a whim) You can click an account to see the full account details, mutual servers, ect cetera & show that information WITH these screenshots real easily, so idk why that wasn’t done.

Fuck, it’s still really easy to fake Discord screenshots nowadays too. Is this 100% confirmed to be Pansear in the screenshots being posted?”

As of the time of writing this post, this STILL hasn’t been addressed, nor has any further proof been given. Furthermore, with regards to how Pansear responded to just the allegations themselves, I guarantee they didn’t try to defend themselves & keep their accounts up because of actual threats to their person.

Just look at what happened to their Tumblr handle LITERALLY, AT MOST, HOURS AFTER THEY TOOK THEIR ACCOUNT DOWN.

You all think that the horribly socially-anxious, anxiety-ridden person known as Pansear Doodles could handle that kind of harassment directly to themselves, much less WANT to? No wonder they didn’t even try to defend themselves.

Now, another user I was talking to about this mentioned a good point as well (Not going to give their name to avoid them getting harassed as well.) They said this in response to the screenshots:

“There is no solid proof the Feral Porn screenshot or the Self Harm screenshot are truly Pansear or Emily, but there is some weird oddities regarding the two that show "multiple members". Occasionally, you can see a blue blip peaking behind the censor that matches the color of the 0303Emily account in the FP screenshot exactly. More critically, all of the accounts in the screenshots that aren't "Pansear" have the time sent value uncensored, and they line up with eachother pixel for pixel. This means that if you wanted to fake this screenshot, it would be really easy, as you only need 2 accounts, or just one friend. Also Pansear mentioned how they blocked 0303Emily months ago, so them talking like nothing happened makes no sense. I find it VERY hard to believe the screenshots are real considering all the oddities, the story holes, ease of fakery, and the anonymous source of the information. Every one of these points isn't enough to prove that it is fake, but it certainly isn't enough to prove it's real, and them combined all point in the same direction...”

Now, today I hear that more crusading is occurring from these same people who made these claims about Pansear.

So, @iridescentipede & @azrielfiend . You got any actual PROOF, or is this all stemming from your prior incident with Pansear not immediately trusting you when you accused their friend with minimal proof before?

[calware]

as time goes on my interesting in shipping (for homestuck) (that's really the only fandom i'm in) has just gone down lower and lower because i used to see "shipping" as just "characters who were compatible in some way". for example i would look at karkat and feferi and be like "they didn't interact much but a lot was going on with the two of them in terms of their themes and how those themes intersect. and since romantic relationships are "more complex" or "better" or "more potent" than other relationships the natural progression is to ship them together romantically" but the stuff that would make them potentially interesting as a pairing isn't inherently romantic at all. and i feel like that goes for a lot of if not most of the characters. homestuck to me is way more centered on the idea of friendship (and family sometimes but moreso friendship) than romance and when characters have something important going on between them the interesting part is usually not inherently romantic

even the characters that start dating where their romantic attraction IS very important is based on their initial friendship..!! vrisrezi wouldn't be nearly as meaningful if they weren't friends first, same with dirkjake, etc. arasol is such a popular ship and they only dated once when they were 8 years old…. their relationship from that point on is SO important to who they are but it isn't even inherently romantic after the fact, but people see romance as the "natural progression" from there so clearly they "should" date once they get the chance to do so again. my point is i wish people would pay more attention to some of the non-romantic aspects of relationships in hs because i really think that's what takes center stage within the story most of the time (not ALL of the time of course there are definitely parts where romance is important. but you get what i'm saying)

and then of course to take that a step further and be even more of a hater i'm so tired of people taking stuff and putting it into a romantic context when it's entirely unnecessary…. i made a video with dave and karkat bickering and people tagged it as davekat for no reason. literally that post about dirk and john meeting each other that people kept tagging as dirkjohn for no reason. i'll make posts about the alpha kids being friends and doing stuff together and someone went through my entire blog tagging all of these as "alphacule" for no reason. i'll draw dirk and hal literally just looking at each other and someone will tag it as dirkhal. girl they're just looking at each other. seeing someone liveblog collide and they go "did anyone else think dirk and dave should've kissed >_<??" no i actually don't think they would do that. it's so dark in here

[magnetic-rose]

i made a post a while back about the peepaw jokes surrounding emmrich and got vague blogged about it by salty people because i was "ruining their fun," which whatever lol. but the jokes have now escalated to saying he has erectile dysfunction and like this is what i meant when i said people are unaccustomed to characters above the age of 30 existing in media they consume.

like, 50 year old men have pretty active sex lives. you could be 70 and have an active sex life but that's not the point. emmrich isn't some geriatric grandpa ready to keel over and have a heart attack during sex, and jokes about his penis not working because he's "sooooo old" aren't actually funny.

and in my OG post i was pretty gracious about people making these jokes but since y'all insist in being unfunny and corny lemme just spell it out for y'all: at some point y'all crossed over from harmless jokes to full out ageism and it's incredibly off-putting and ruining the vibes. you're not funny or creative for saying that a middle aged person is bad at sex.

[blueskyscribe]

Transformers One spoilers, some observations about flora

This post contains SPOILERS for the movie! I highly suggest watching the movie before reading this.

So I read a great Tumblr post, that I unfortunately can't find anymore, that looked at the trailers and pointed out that the organic plants on Cybertron look . . . kinda wrong. More like an infection than plants living in symbiotic harmony with a mechanical planet. So today on my third watch of the movie (*sweats*) I paid closer attention to the flora.

When our gang first get to the surface, there's a montage of them traveling across Cybertron, and there's actually no plant life at all in those scenes.

When they first see plants, they are confused about what they are. One of them (I think it was Elita or Bee) points them out and Orion uncertainly describes them as "weird not-metal nature stuff."

The movie's novelization describes the robot deer grazing on plants but I didn't catch that; when energon flows across the planet we see the deer eagerly running to it. So perhaps they are capable of digesting plants, but it's not their preference.

The plant life appears to be thickest at the cave where the Primes fell. Vines cover their corpses like spiderwebs. Alpha Trion, when he revives, is partially coated in moss. There are other plants in and around the cave, generally looking prickly and unpleasant. (One in particular reminds me of both a Piranha Plant and of the shape of the gangplank of the Quintesson mothership--like a toothy maw.)

Anyway, aside from the cave, here's where I noticed plants:

the ruin of a Cybertronian city is covered in vegetation

lots of vegetation as the gang flees while trying to transform. (This is right outside the cave.)

they hide in vegetation as they observe the Quintessons

Starscream's base, which is inside a ruined (possibly Quintesson?) ship has a lot of scraggly moss.

Basically, on Cybertron organic plants mark places of calamity, invasion, and decay.

The Quintessons themselves are very organic looking, so my guess is they are the source of the vegetation. They don't seem to actively be growing it or terraforming, though. My impression is they only value Cybertron as a planet to exploit for resources, rather than a place to live.

IMO the vegetation isn't purposeful, it is a byproduct of their presence, just as a trail of slime is the byproduct of a slug. Perhaps spores pour off the Quintessons' organic-looking ships.

[kedreeva]

I love bug's little yellow patch under her eyes do your other birds have them too? Also is there a name for it and does it come in other colors or just yellow? Sorry I'm not that informed about peafowl though I do love your birds and what you post about them lol

It doesn't have a name because it's just a phenotype indicator of a hybrid. Bug has a low percentage of green peafowl blood in her lineage (pretty much all "blues" in the USA are actually low percent Spaldings, and likely Europe and Australia at least as well by now, hybridization is wreaking havoc on peafowl genomes everywhere, including wild green populations being found with blue DNA because people release hybrids to their native ranges). Wild blues may have a VERY small yellow star at the rear corner of their face mask, behind their eye and above their ear, but the green blood can cause this to spread due to the yellow and blue face mask on greens.

Compared to blues where the yellow is nearly or actually non-existent (and may even be a sign of hybridization in wild populations as well!) and the face mask is white, with blue only immediately circling the eyes

It's pretty, but the yellow isn't actually a good thing, due to what it indicates. Still there's not really a way around it at this point, considering the state of the genetics pool across the world, so it's one of those things I aim to decrease but am not going to complain about since it can't be helped except maybe by time travelling to slap the person that started hybridizing and the people who supported it at the outset.

Which is sort of an answer to your other question- yes most of my other birds have it to some degree or another but not nearly as drastic as Bug's is.

[olderthannetfic]

I accidentally killed my own desire to write, and I need some advice. To be really blunt about it, what's the point of writing? When I would spend lots of time laboring over making a good story with a plot and characters who were in-character and connecting all the dots narratively so payoffs were satisfying, my reward was dead silence and virtually no clicks. I posted some mindless smut to my side account one day and got more hits in a day than most of my other works combined got in a year. I know, I know. "Write for ~*~yourself~*~" is the common response. It's the "be yourself!" of writing. It's supposed to be a magical phrase that'll make everything okay. But... I don't like knowing that something I spend months working on won't be read by anyone while something I write in a car while bored got thousands of clicks. I don't like making something I'm proud of and then no one ever looks at it. That's not fun for me. It's not fulfilling.

For a solid decade, I've tried to ignore how the level of interactivity in fandom is falling. Fewer comments. Fewer kudos. No comments in the bookmarks. You put your tumblr and Discord in the AN and get a handful of asks and one person who adds you, talks to you twice and then ghosts you. Most of the comments are "well, actuallys", made even more annoying by them being wrong as opposed to actually correcting an error. I avoid fandom drama, wank, and infighting. I don't engage with things I know will make me unhappy. I try to be happy over in my own little corner. I comment on every single work I read. I want people to enjoy fandom. I used to.

Some dumb smut I wrote in 40 minutes gets five times the hits of the writing I'm most proud of, and it gets it in just under three months. I am not a great smut writer. I haven't stumbled onto an incredible talent I had that makes it so the issue is that I'm so amazing my smut brings all the boys to the yard. People just don't like what I write and put effort into. It's very likely that despite 20 years of writing fic, I suck at writing. And people enjoy my writing most when they don't have to put up with anything substantial and can just skip to the sex.

So for the last eight months, when I write, I just sort of give up. Close the Word doc without saving. No one will read this. No one cares about this. There is no fan eagerly awaiting every update like I await updates from my favorite authors. There's not even someone saying, "update soon!" Close the Word doc. Delete old WIPs. There's no point. I do not tell stories worth reading. I used to. In the FFN days people genuinely enjoyed my work. I'd never have had an opportunity to do the 'I won't update until I get 3 reviews' thing because getting that many on a chapter was usually something I'd do overnight. Post before bed. Wake up. Read the reviews before school. I peaked in high school, I guess.

And now I'm just sort of lost. I still have lots of ideas. Ideas for fics fall into my head all the time. That's never been a problem. What I don't have is any motivation to write them. What's the point of writing? If no one else is reading, I guess the point would be so I could go back and read my own story and have fun with it. Write for myself. But I can review the story and have fun with it in my head without writing it down. It's substantially faster and more importantly, isn't incredibly depressing.

So, at the risk of definitely being calld the second-coming of True Art Anon or a troll or validation-seeking or haha mentally ill haha... what's the point of writing?

--

Okay, so write porn in a car while you're bored.

Look, you can whine all you want about my response, but what you've written here is blatantly about depression.

Lots of people in fandom are still interacting. And no, it isn't just on fics that are objectively written to some pro fiction standard or whatever. Teenagers still breathlessly review poorly spelled cracky masterpieces about this year's big anime and so forth.

Yes, there may be reasons why you in particular are in a slump when it comes to fandom friendships or "plz update" comments. We can talk about that. But this ask is all gloom about fandom in general. That's not realism: that's you having a problem.

--

As for why a person should write: because the actual hours you spend doing the writing are fun.

If they aren't pleasurable in some way, find another hobby.

--

But if you want an answer to the age old "Why did my 5 minute fic get 1000000x more asspats", I've seen meta about this for literally decades.

The most likely reason is that the fic we write quickly and without much thought often feels fresher and more fun. The things we labor over endlessly can feel overworked. Even in cases where they don't, they're often heavier subject matter or more niche subject matter. On top of all that, we just care more, so even a high level of feedback doesn't really feel like enough for the effort and care we put in.

--

Do you really need me to tell you why you don't feel the same as in high school when things were fresh and new?

Go read up on combatting burnout or dealing with post-college anxiety or managing stress in a dead-end job in your 30s or finding meaning in your 40s or whatever is going on.

Everyone goes through fallow periods in fandom and in life.

Feeling reinvigorated has to do with internal factors and some general life circumstance stuff. It doesn't have that much to do with number of kudos. That's just the surface trigger for a mood that was already there.

[writingquestionsanswered]

Currently trying to actually write the story i've been planning for years, but my characters feel flat. Any tips on how to fix this? Should I do some deeper character study on them? Practice more writing them?

Character Feels Flat

So often, when a character feels flat, there are two things missing:

1 - Unique Voice - "Character voice" isn't about the audible quality of their voice (though it can sometimes be part of it), but rather how their personality comes out through the things they say and the way they say them. So, it's important that you make sure to flesh out your character's personality, then make sure their personality is reflected in the things they say and think.

2 - Internal Conflict - Most stories these days are driven by both plot and character, so if you're trying to explore character development but your character still feels flat, it may be because they don't have an internal conflict, or the one they have is weak or poorly developed.

Here are some links to previous posts that will help with the above:

Recognizing a Flat Character Fleshing Out Characters Writing Realistic Characters Important Points of Character Personality Giving Your Characters a Unique Voice Plot Driven vs Character Driven Stories Understanding Goals and Conflict

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find. im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial! (this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals. it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically: contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark. BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer! the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only), i absolutely encourage you to play around and experiment with gradient maps. there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way. you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes. don't be afraid to change things you don't like or change your mind about certain aspects way later on that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared. like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different. on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art. rendering is a process that's both very perfectionist yet also very careless. find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment. particularly, the sleeves changed A LOT (because i really didn't like them) but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker. it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[myun-saidthoughts]

12th House Synastry: The Darker Themes That May Manifest

I made a post about Neptune and 12th house synastry awhile ago (here is the link to that: Understanding 12th house synastry)

In that post, I explained how this synastry can manifest between partners, but I didn't discuss the darker side of it or discuss why those darker themes are present in the first place.

To start off, some of the more common dark themes associated with this synastry include deception, lies, addiction, and hidden agendas. This synastry also can indicate being the other woman in a relationship or one party may have a commitment to another person that the other party isn't aware of (such as one partner is married, engaged, or involved with someone else). If there is 8th house synastry involved (like Pluto aspecting inner planets or 8th house overlays), power dynamics may emerge, with one person holding an authoritative position. Age gaps or factors such as work hierarchies, status, reputation, social circles, or cultural influences may also prevent the two parties from publicly showcasing their relationship.

The reason these dark themes manifest is influenced by many factors, the primary one being the person's core nature. If they are spiritually awakened, aware, compassionate, or empathetic, the themes mentioned above are less likely to arise within the connection. Ultimately, who a person is at their core will dictate how these connections manifest.

I have read many 12th house/Neptune synastry stories, and one major red flag that stands out is what is often 'hidden' within the relationship. While this synastry can evoke profound, otherworldly feelings, there’s a risk that the person you’re pouring your love into may only be a projection of your perception of them. This is tied to how you view yourself, your understanding of love, and your willingness to be vulnerable.

This synastry naturally clouds and confuses the relationship dynamic, if you have natal 12th house placements, Pisces placements or Neptune aspecting your own inner planets then the influence of falling into the web of what you think is, instead of what actually is; is more likely.

For example, the reason you may be drawn to, influenced by, or dealing with these dark themes has to do with the level of commitment or love you're ready to process. You may consciously state that you desire a deep love, but if you look at your past patterns, you might notice that you often fall for the people you claim you want to stay away from. You may say, 'I deserve better,' or recognize that the type of love you're offering is not being reciprocated. While you may be consciously aware of this, you still find yourself in connections that reinforce the image of love you say you want to change.

This has to do with the fact that there are still subconscious self beliefs that are operating within you; these beliefs may be so deeply rooted in your subconscious to the point where you are not even aware of it, and the reason why these dark themes are able to manifest within your life is because the people you are choosing are reiterating the self belief you're "comfortable" with. I say comfortable because it's what feels known within you, this person creates a feeling within you and though they may logically be wrong for you in so many objective manners, the fact that you can feel drawn towards them is what is causing you to want them, especially if you struggle with emotional vulnerability, or if you find it hard to actually form feelings towards another. This person is (in essence) allowing you to form feelings because their presence/actions reaffirm the same self beliefs you've been dealing with throughout your life.

This type of synastry even becomes more nuanced when the 8th house is involved, oftentimes if you are not aware of your own self inner wounds this type or interplay can cause such chaos. This is especially true if you are choosing someone who wants to use you, or if they have their own inner battles that they ignore. In essence to stay aware of the connection at hand:

Look at them at face value instead at the value that you give them.

Stay aware and acknowledge the fact that their own actions and choices act as a true unit that showcases their true feelings towards you.

Understand that even though you're able to understand or empathize with their struggles doesn't mean you should justify their actions.

The feeling you feel with them is already sitting within you; if that wasn't the case you wouldn't be drawn to them in the first place. Therefore that scarce mindset where you may feel like you need them to allow romance in is only a facade that keeps you at a distance of receiving reciprocal love.

This again is an extreme case but I wanted to make a note.

Another thing I want to note is that with this synastry, you might feel an intense draw toward the other person, as if you’ve known them in a past life (because how could someone create such deep longing within you if that wasn't the case?) This might create the connection to be very thought-provoking, and the longing you experience can manifest instantly in moments when you're not with them; this might lead you to believe that you share a deep, once-in-a-lifetime connection. However, the person you are drawn to may actually be a projection of your own desires for emotional fulfillment, especially if they are an objectively lost soul struggling with personal battles such as addiction or ongoing affairs.

The reason why individuals often state that 12th house and Neptune synastry can indicate past life connections is that this type of synastry evokes similar feelings of longing, wishes, and desires. In my experience with both, I understand why people associate Neptune/12th house synastry with past life connections. However, this synastry often creates a sense of longing while leaving more questions than answers.

With past life connections, you may instantly feel a deep longing for someone you’ve just met—their eyes seem familiar, and their touch feels sacred. In contrast, when Neptune and the 12th house are involved, there’s a crucial difference. Instead of a sense of certainty, there’s more wondering, thinking, analyzing, and fixating. You might convince yourself that you know them by creating intense, otherworldly feelings within you.

In genuine past life connections, there’s an unexplainable, intuitive sense that you’ve met before, without needing proof or logical understanding. You feel deeply connected without questioning it. This is a key difference that more people should recognize. If there are more questions than an immediate intuitive knowing, the likelihood of it being a past life connection is much less.

In summary, the main difference with Neptune/12th house synastry vs past life connections is there's a "without a doubt" mentality that you've known them before. The main reason why theres an association with 12th house synastry and past life connections is because this synastry genuinely mimics the same deep rooted feeling of longing or what if scenario's. This synastry causes you to create feelings within where it'll feel like you two have been together before but that doesn't mean these feelings are rooted in the deep seated knowing of "I've met you before" like true past life connections are like.

(which is why it's very difficult to differentiate and I can understand why but within, you will have moments with them and if out of no where you say "this has happened before" or "it's so easy with you" or if 5 hours feel like 10 minutes, then the chances of them being a part of your past life is more likely; and you can feel this way without even having any intense 12th house synastry with them, you don't have to have 12th house synastry with someone to showcase a past life connection).

That said, there can be times when you may be dealing with 12th house or Neptune synastry and you may consider yourself an open or healthy lover, yet still encounter these themes. You might fall for someone who isn't who they appear to be. Stories like 'We have been dating for two years, and he is an addict' or 'I am engaged, but he has another wife' illustrate this. These examples are extreme, but I believe can occur because this synastry can cloud judgment. That's why it's important to evaluate the relationship at its core rather than relying solely on your perceptions.

If you find yourself dealing with these themes or have dealt with them in the past, it's important to recognize that the other partner may not have any real love for you. This is why the 12th house is often associated with 'hidden enemies.' These individuals may not be hiding their true selves, but in your perception, the person they actually are is someone you haven't been able to see. Or in another sense this individual just held and hid parts of them from you, and because of how clouded this synastry can be, falling victim towards these connections is more likely (but like I always say entire natal charts and who the person is at their core dictates the severity of what can occur within these connections).

Another intriguing pattern in this synastry is the tendency to be drawn to darker themes, often finding yourself attracted to someone who seems in need of saving or fixing. The spiritual connection you feel may arise from a deep longing to help them, as their internal struggles compel you to give endlessly. Their internal struggles causes you to give and give which ultimately keeps you at arms distance within the connection. Especially since they can't formally give you the same love you are giving them, and this stems from the fact a part of you doesn't believe you deserve the type of love you fantasize or long for. That being said, the dreams you have about them or with them, and the coincidences that keep occurring could very well be reflections of the emotional fulfillment you desire, and doesn't paint the fact that you two are "meant to be"

This pattern can also be linked to unrequited love. When this occurs, it mirrors what I’ve mentioned before: you find yourself falling for someone you can't truly have. You become infatuated with the person you imagine them to be, rather than who they actually are. You create scenarios in your mind where you’re together, longing for a connection that has never existed. All of these patterns stem from a fear of embracing reciprocal love.

It feels easier to desire someone rather than have them; it's more comfortable to long for the idea of a partner than to actively choose someone who can choose you in return. Such dynamics are more prevalent when you struggle with emotional closeness and vulnerability. Selecting someone whom you subconsciously know won’t or can’t choose you can feel like a safer option.

I explore this concept further in my original 12th house synastry post, so feel free to check that out for more insights.

The main point of this post is to remain aware of your own wounds, self-undoing patterns, and emotional fears regarding romance. The self-giving nature you choose to engage in can create a block to receiving the kind of love you’re capable of giving to others, often stemming from a fear of being in a reciprocal loving relationship. If you stay aware and offer yourself inner healing then the chances of falling in relationships where these dark themes can occur is less likely.

Note: I believe that if you have strong Pisces placements, 12th house natal placements, or Neptune aspecting your inner planets, as well as a broken attachment style or a tumultuous relationship with your mother, you may be more susceptible to experiencing these dark themes in your reality. If you fear love yet simultaneously long for it, these factors can be significant indicators. Conversely, if you do not have these characteristics, the intensity of such themes is less likely.

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[monstergyaruprecure]

Concept art for my precure fanseries, Monster Gyaru Precure!

This is a bit older, so their designs aren't fully up to date here.. But this is my lil team of sillies! Here's a brief overview of them (from right to left).. They will have their own posts dedicated to each of them eventually 💕💕

🎀Cure Beast - The Leader! Bubbly, sweet, brash, and very girly! Loves monsters and the supernatural, Gyaru and alt fashion, and food (she has a very big appetite)~ She can be very airheaded and doesn't think things through, but still always means well, always thinking of others~

🩸Cure Vampira - Outspoken, confident, and a bit spoiled (though one might say bratty)~ She too loves fashion, although unlike Cure Beast, she's actually quite scared of monsters and especially the dark. She tends to be quite cowardly when it comes to things she doesn't understand

🌙 Cure Luna - She is Cure Beasts childhood best friend! In contrast to Beast's very extroverted personality, Luna is much more shy and has many issues with self confidence. Still, her more reserved nature won't stop her from expressing herself through her art~ (Also, Luna and Vampira are sisters!)

👻 Cure Spectra - Cure Spectra is very.. quiet. But it isn't for a lack of confidence, she just never has much to say (but when she does speak it is straight to the point and blunt.) Because of this, she's the most observant in the group, and is the best at formulating plans. Her own personal passions are singing and photography, though she doesn't like people to know about her singing

🎉 Cure Party - She's the most energetic of the group (although she only beats Beast by a little bit) and is also the most emotional, dramatic, and carefree. She's also quite mischievous, loving to pull silly pranks on her friends (along with telling awful dad jokes and puns at any chance she can get)~ However, this causes her to struggle with taking things seriously

Ahhh sorry the writing and grammar sucks?? I'm not a good writer ( ；∀；) And again, I'll get into more detail about each of them and the story later (when I can actually figure out what I'm doing ahsjgsjdhsjsj)

[theguytoendallguys]

Okay, to the Hatchetfield/Starkid fandom, I apologize if this comes off as incredibly mean, but I have repressed rage and must scream this into the void, so

SHUT THE FUCK UP ABOUT PAUL CLONES THERE ARE LITERALLY NO FUCKING PAUL CLONES YOU MISSED THE POINT IF THE ONE LINE YOU HAVE AS EVIDENCE SHUT SHUT SHUT

THE LINE "I hire you Pauls to keep our stock high" ISN'T EVIDENCE OF A CLONE IT'S A RIFF ON HOW BUSINESSES TREAT THEIR EMPLOYEES AS REPLACEABLE AND THINK LESS OF THEM AND RRRRRRGGGGGHHHHHHH

TO JUST SAY THAT *INSERT CHARACTER PLAYED BY JON MATTESON* IS A PAUL CLONE IS FUCKING STUPID BECAUSE A) STARKID IS AN INDIE STUDIO AND THUS REUSES ACTORS TO SAVE MONEY AND B) THAT KINDA DISCREDITS THE ENTIRE ORIGINALITY OF THAT CHARACTER

AND EVEN IF YOU THINK THAT THERE ARE JUST PAUL CLONES WANDERING AROUND NO THERE FUCKING AREN'T WHY THE FUCK WOULD YOU SEE THAT LINE AND COME TO THE CONCLUSION THERE A SHIT TON OF PAUL CLONES

RRRRRRRRRRGGGGGGGGHHHHHHHHH THERE ARE NO PAUL CLONES SHUT THE FUCK UP

Edit: Y'all I know I was wrong my ass didn't see Nightmare Time when I posted this because I thought it was like. Silly supplemental material? Y'know like an extra thing that you can watch if you want more content but don't need to understand the full story? Yes I know it was probably stupid of me to say a dumb long rant about something that could have been confirmed by Nightmare Time and was. But y'all. I know I'm wrong. You don't have to keep like reblogging and going "Erm, actually OP 🤓☝️" I KNOW AND I MADE ANOTHER POST ABOUT THIS-

[purpledemonlilyposting]

Oh good the Lorch is sending herself asks about me again.

[Lily's Post]

Oh yeah Lily calling marginalized people a "pick me" for not having the same exact opinions as you doesn't make you look bigoted at all.

Unlike you I don't think children's cartoons are activism. And my pointing at that some people like to try to downplay the lesbian themes in Steven Universe, or at least the way lesbians interact with the themes of the show, actually has nothing to do with the show itself.

Hey Lily did you know I also really don't like the word queer being thrown around, refuse to call myself that because it means strange and also dislike "anti-assimilationist" types?

Speaking of which:

[Lily's Post]

Yeah I say that about the kids telling me queer has been "reclaimed" for me. I would think you'd agree, Lily.

Those are two completely different concepts you dumbass. We can have gay content in mainstream media without it being insulting dreck driven by rainbow capitalism.

Lily is the one who basically wants the Hayes Code back. She wants every show and movie to tell her who is good, who is bad, what to think and for the bad guy to get thrown off a cliff at the end.

Lily just because those are the only two pieces of media YOU know I like doesn't mean that's all I like or have ever seen. Have you seen But I'm a Cheerleader? How about Saving Face?

Hey Lily if you'd actually watch my responses to you:

No I sneer at shows with bad depictions of gay characters when they have bad depictions of gay characters. Especially when they break their own spines patting themselves on the back for it.

Are you trying to get ahead of my VOD you falsely struck going back up on Thursday? You know the one where you said an early 2000's flaming queen stereotype in some shitty Alicia Silverstone vehicle was super good "gay rep" because you had some retarded need to paint a narrative that Canadian cartoons "did it first"?

The whole "she's just mad other shows are outpacing things she likes" lol it isn't a competition, dawg. That's you, Lily. That's how you think.

This is how I know its a self ask.

Yeah that's why in my reaction to James Somerton's somehow EVEN WORSE takes on Utena than yours I kept saying things like "Utena isn't really that hard to understand it just tells it's story in a very abstract way".

Also if you think the Sword of Dios is "the sword of patriarchy" you really didn't get it but much like James here I doubt you ever even watched it, Lily. I look forward to your "In a Nutshell" video where you will read out TVTropes with zero context and get everything wrong.

Lily I hadn't watched the show fully in over 15 years when I made my very first video on you. I wasn't even expecting to talk about Utena you just went on a tirade about it in the middle of your 2023 Steven Universe video.

In fact, the reason I even cut that video in the first place is I was so impressed with my own recall of the show. And then it got 5k hits out of nowhere on my then completely unestablished channel because people just hate your takes that much.

And now making fun of you has paid for my new GPU and CPU. No Man's Sky is running great and I'm ready for Dragon Age Veilguard so cheers!

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[mrdogface]

so i posted something about this and deleted it because i wanted to mull it over more

i don't like Secret Agent Alfred. i think when it was added to the post-Crisis Batman canon in the mid-to-late 1980s, Alfred was just old enough that the audience would probably assume he was active during WWII. which is cool because 1. nazis aren't human, you can just run them over, and 2. the history of the British spy world in the lead up to and during WWII is actually pretty cool stuff, especially because it crosses hard into the Polish resistance to Germany, and there are so many stories and vibes you can easily slide Alfred into there that are genuinely rad.

but as time moves on and the characters' ages remain the same we're confronted by the fact that Alfred was probably too young to participate in WWII and therefore must've been a spy during the Cold War. working for England. during the post-war collapse of the British Empire, when uh, when they were um, doing all that postcolonialist violence to maintain control of former colonial holdings, like participating in the assassination of the first ever democratically elected leader of the Congo in 1961 (primarily done by Belgium with direct MI6 involvement). there just aren't any heroic spy drama stories to really slide Alfred into.

which is strange!! because the DC universe is full of all kinds of insane clandestine organisations, but Alfred never seems to discuss fighting them. what's also weird is that the nature of clandestine stories in the post-Crisis DC universe, ala the Suicide Squad, tend to lean hard into the amoral nature of intelligence work. it's just a weird untapped area, tonally.

but here's what sticks out at me. the point of making Alfred a former spy is to attempt to profiteer on the cultural popularity of James Bond. but more importantly, the pont of making Alfred a former spy is to give him an abstract skill set that supports the Batman narrative and identity.

my question is: wouldn't that skill set also be served by alfred just being a gay guy who lived during the bar raid era? like. like come on. just make him gay. make his skill set a direct result of his being a big homo. it's not like the material isn't there to support it

look at him

what do we lose? his relationship with leslie thompkins? that thing i have never seen anybody even pretend to care about? make leslie fuck jim gordon instead. what do we lose if she does that? sarah essen? ok. these relationships are all significantly less interesting than the timeline where alfred threw the first brick at pride