I think the "furry hate is just lgbtphobia" argument is incomplete because ableism is like. Super super key. Like with most "cringe" content, most furry hate revolves around catching people breaking social norms and mocking them as subhuman for it. Even heterosexual furries are mocked ruthlessly if they present their sexuality in an "autistic" way, which they very often do. Developmentally disabled furries are most often mocked and most at risk of being exploited by outsiders who pretend to be acting in good faith. That said, the reason furries are such a beloved target of mockery is definitely the intersection of ableism, queerphobia, and anti-kink ideology. An autistic trans woman who posts nsfw furry art is at huge risk, and we can see examples of that in practice across the internet.
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AI models can seemingly do it all: generate songs, photos, stories, and pictures of what your dog would look like as a medieval monarch.
But all of that data and imagery is pulled from real humans — writers, artists, illustrators, photographers, and more — who have had their work compressed and funneled into the training minds of AI without compensation.
Kelly McKernan is one of those artists. In 2023, they discovered that Midjourney, an AI image generation tool, had used their unique artistic style to create over twelve thousand images.
“It was starting to look pretty accurate, a little infringe-y,” they told The New Yorker last year. “I can see my hand in this stuff, see how my work was analyzed and mixed up with some others’ to produce these images.”
For years, leading AI companies like Midjourney and OpenAI, have enjoyed seemingly unfettered regulation, but a landmark court case could change that.
On May 9, a California federal judge allowed ten artists to move forward with their allegations against Stability AI, Runway, DeviantArt, and Midjourney. This includes proceeding with discovery, which means the AI companies will be asked to turn over internal documents for review and allow witness examination.
Lawyer-turned-content-creator Nate Hake took to X, formerly known as Twitter, to celebrate the milestone, saying that “discovery could help open the floodgates.”
“This is absolutely huge because so far the legal playbook by the GenAI companies has been to hide what their models were trained on,” Hake explained...
“I’m so grateful for these women and our lawyers,” McKernan posted on X, above a picture of them embracing Ortiz and Andersen. “We’re making history together as the largest copyright lawsuit in history moves forward.” ...
The case is one of many AI copyright theft cases brought forward in the last year, but no other case has gotten this far into litigation.
“I think having us artist plaintiffs visible in court was important,” McKernan wrote. “We’re the human creators fighting a Goliath of exploitative tech.”
“There are REAL people suffering the consequences of unethically built generative AI. We demand accountability, artist protections, and regulation.”
-via GoodGoodGood, May 10, 2024
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re: Somerton
Not for nothing, but I think we should remember that James Somerton's fans and subscribers are normal people, just like you. They are people who received his output in good faith, and extended to him a normal amount of grace and benefit of the doubt, which he took advantage of.
I don't think it's helpful to respond to the exposé on Somerton with sentiments along the lines of "wow, how could anyone ever think THIS GUY'S videos were any good, ha ha ha, how did he ever get subscribers?" because 1) you have the substantial benefit of hindsight and a disengaged outsider perspective, and 2) it's a rhetoric that creates a divide between you (refined, savvy, smart, sophisticated) and Somerton's audience (gullible, unrefined, easily taken advantage of, terrible taste), which is a false divide, with a false sense of security.
Somerton's success happened because he stole good writing. He found interesting, insightful, in-depth work done by other people, applied the one skill he actually has which is marketing, and re-packaged it as his own. He targeted a market which is starving for the exact kind of writing he was stealing, and pushed his audience to disengage from sources that conflicted with him.
Hbomberguy makes this point in his exposé video: good queer writing is hard to find and incredibly easy to lose. The writers Somerton stole from were often poor or precarious, writing freelance work for small circles under shitty conditions, without the means or the reach or the privileges necessary to find bigger markets. And, as Hbomb demonstrated, when people did discover Somerton's plagiarism, he used his substantial audience to hound them away and dissuade anyone else from trying to hold him accountable.
He stole queer writing by marginalized people, about experiences and perspectives that people are desperate to hear more about, and even if his delivery and aesthetics were naff, his words resonated with people because the original writers who actually wrote them poured their goddamn hearts and souls into it.
Somerton also maintained a consistent narrative of persecution and marginalization about himself. He took the plain truth, which is that queer people and perspectives are discriminated against, and worked that into a story about himself as a lone, brave truth-teller, daring to voice an authentic queer perspective, constantly beset by bigots and adversaries who sought to tear him down. As @aranock, who works with some of the people he targeted, writes in this post, Somerton weaponized whatever casual bias and bigotry he could find in his audience to reinforce his me vs them narrative (usually misogyny and various forms of transphobia), which is what grifters do. They find a vulnerable thread in a community and pull on it. And while you may not have the particular vulnerability that he exploited, you do have vulnerabilities, and they can be exploited too.
People felt compelled to support him, even if his work was sometimes shoddy, because he presented himself as a vulnerable, marginalized person in need of help, he pulled on that vulnerable thread.
Again, he has a degree in marketing, and just like propaganda, nobody is immune to marketing.
YouTube as a system is set up to push for more, constantly more. More content, more videos, more output, more more more more, and part of Somerton and Illuminaughty's success was their ability to push out large amounts of content to the hungry algorithm, even if it was of inferior quality. The algorithm rewarded their volume of output with more eyeballs and attention, and therefore more opportunities to find people who were vulnerable to their grift.
It is a system which quite literally rewards the exact kind of plagiarism that they do, because watch-time and engagement are easily measurable metrics for a corporation, and academic rigor is not. There is pressure to deliver, and a lot of rewards to gain from cutting corners to do it.
Somerton and Illuminaughty and Internet Historian are extreme and very obvious cases, so blatant that you can make a four hour video essay exposing what they've done, but the vast majority of this kind of plagiarism isn't going to be obvious - sometimes it might not even be obvious to the people who are doing it. Casual plagiarism is endemic to the modern internet, and most people don't get educated on what the exact boundaries are between proper sourcing and quoting vs plagiarizing. We had an entire course module at my university aimed at teaching students the exact differences and definitions, and people still made good faith mistakes in their essays and papers that they had to learn to correct during their education.
All of this to say: it is extremely easy in hindsight to call Somerton's work shitty and shoddy, his aesthetics flat and uninspired, and to imagine that as a sophisticated person with good taste and critical faculties, you would never be taken in by this kind of grifter. It is extremely easy to distance yourself from the people he preyed on, and imagine that you will never have to worry about your fave doing your dirty like that.
But part of the point of Hbomberguy's video is that plagiarism is extremely easy to get away with, and often difficult for the average person to spot and call out, and with the rise of AI tools blurring the lines even further, it is not going to get any easier.
So I think we should resist the temptation to think of Somerton's audience as people with bad taste and poor faculties. We should resist the temptation to distance ourselves from the perfectly normal people he preyed on. Many times in your life, a modestly clever man with a marketing degree has fooled you too.
On a personal note, by the same token, I am resisting the temptation to assume that I am too good to be vulnerable to the systemic pressures that produced Somerton and Illuminaughty. No, I've never made a video by word-for-word reciting someone else's work, but I know for a fact that I could do a better job of double-checking my work and citing my sources. I feel the exact same pressure to get a video out as fast as possible, I have the exact same rewards dangled in front of me by YouTube as a platform, and I can't pretend it doesn't affect my work. To me, Hbomb's video felt like a wake-up call to do better.
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pre-recession, post-taste
Hello, everyone. I hope this blog can bring some well-needed laughs in really trying times. That's why I've gone back into the archives of that precipitous year 2007, a year where the McMansion was sleepwalking into being a symbol of the financial calamity to follow. We return to the Chicago suburbs once more because they remain the highest concentration of houses in their original conditions. Thanks to our flipping predilection, these houses become rarer and rarer and I have to admit even I have developed a fondness for them as a result.
Our present house is ostensibly "French Provincial" in style, which is McMansion for "Chateaux designed by Carmela Soprano". It boasts 7 bedrooms, 8.5 bathrooms, and comes in at a completely reasonable 15,000 square feet. It can be yours for an equally reasonable $1.5 million.
Every 2007 McMansion needed two things: a plethora of sitting rooms and those dark wood floors. This house actually has around five or six sitting rooms (depending if you count the tiled sunroom) but for brevity's sake, I'll only provide two of them.
With regards to the second sitting room, I'm really not one to talk statuary here because beside me there is a bust of Dante where the sculptor made him look simultaneously sickly and lowkey hot.
Technically, if we are devising a dichotomy between sitting and not sitting (yes, I know about the song), the dining room also counts as a sitting room. The more chairs in your McMansion dining room, the more people allegedly like you enough to travel 2.5 hours in traffic to see you twice a year.
Here's the thing about nostalgia: the world as we knew it then is never coming back. In some ways this is sad (kitchens are entirely white now and marble countertops will look terrible in about 3 years) but in other ways this is very good (guys in manhattan have switched to private equity instead of betting the farm on credit default swaps made from junk mortgages proffered to America's most vulnerable and exploited populations.) Progress!
Okay I really don't understand the 50 bed pillows thing. Every night my parents tossed their gazillion decorative pillows on the floor just to put them back on the bed the next morning. Like, for WHAT? Who was going in there? The Pope?
Here's a fun one for your liminal spaces moodboards. (Speaking for myself.)
Yes, I know about skibidi toilet. And sticking out your gyatt for the rizzler. I wish I didn't. I wish I couldn't read. Literacy is like a mirror in which I only see the aging contours of my face.
When your kids move out every room becomes a guest room.
Anyway, let's see what the rear of this house has to offer.
The migratory birds will not forgive them for their crimes. But also seriously, not even a garden?
Anyway, that does it for this round of McMansion Hell. Happy Halloween!
If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.
Not into recurring payments? Try the tip jar! Student loans just started back up!
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This Is A Gay Asian Rant About BL Comments Made By Some Queer Westerners I See Sometimes.
So you know of those gays (usually white) that made dumb tiktok dancing to list of countries that legalized same sex marriage and list of countries that discriminate against LGBTQIA+ poeple as a way to say something racist. yeah i kinda got the same vibes from some comments regard how asian BL is homophobic just cause they don't live up to queer western standard. look, i'm not saying that some BLs and their creators don't deserve criticism regard how they capitalized/exploited queerness for an easy cash grab.
But people need to understand that Asian countries despite recent progress are still very much culturally conservatives. so when people says that thai bl is homophobic and all the characters looks like bunch of straight guys, which is true for some olders thai BLs i'm not gonna denied that. but after all this time and newer BLs generally being very queer and most of creators being out queer themself and poeple still making these comments, i'm annoyed.
And don't get me start on the actors. you don't know them! why are you making assumption and calling them queerbaiter just cause they acts in bl. like maybe they're straight, maybe they're not but what they're definitely doing is making queer content for you know, queer people here. so when you made halfass comments about their sexuality what do you think that made other queer people who still in the closet feels. and when you add the nationality to that, "these thai bl pair are this and that, this korean actor is so ungrateful for his bl past", etc. when our societies are still very much still in progress regard LGBTQIA+ acceptance. it make us living here feels fucking awful like somehow we're lesser queer than people in the west just cause we don't have citibank at pride or some shit.
And the shittiest in my humbled opinion are comments regard censored chinese bls. people do know like, that the creators making these bls are risking their livelihoods for this. that these shows getting make at all are miracles. yes it sucked that they're censored but they're still very much queer shows making by queer people who want to express thier queerness despite the chinese government being the chinese government. when people dimissing these shows as not belonging in queer media, you're also dimissing their creators and audiences as not belonging in the community.
Look what i want to say is that we're trying our best over here, and maybe our best are not up to your liking. the ways we talk and express our queerness maybe still can be perceived as problematic by western queer standard. but these media are our house and you're the guests. for people aren't shitty we appreciated that you're here engaging and loving our media, this is your home too and you're welcome in it. i can speak for myself that i very much love being here on tumblr and interacting with people from all over the world who love BL. but for people who are being shitty sometimes about asian bl.
YOU'RE THE GUESTS, BEHAVE!
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