#but the lore kept expanding!!!

[clambuoyance]

[OCs] An alien speeds through a neon city, with a single mission on her mind.

I compiled some of my boards from class into a single video/animatic, exploring the story behind my alien and scientist ocs I made in 2019 :) I know it probably doesn’t make sense without a lot of context (I have a lot of their story already mapped out in my head) but this was mostly just for experimentation and to get the grade 😗👍 I added a couple frames at the end but I did sketch out some of the rest of the story. It’s uncolored though bc those were for fun, not class and I don’t have time 😭

They don’t have dialogue bc since conception I always had the idea that it would be a dialogue-less story and also bc I imagine their story through music videos half the time lol.

My place holder title in 2019 was “I come in peace” so until I come up w a better name I’ll put all posts relating to these guys under the tag #i come in peace

[ditzyclown]

While I think of ideas to draw @konjkitkatty's and @bvnny-skvllz 's (having trouble tagging them-) bishops of life along local feral axolotl Feannor I doodled them before ascencion

Local children steal find an inkpot

Im also pretty sure they all would have been born at different times but I just wanted to draw them together as bebes ok?

[spaghoffee]

Simple spaghoffee dynamic doodle to start things off on here :3

I'll make a separate introduction post for my oc some other time I'm very drained today lol but the reason why their pair name is spaghoffee is because my oc is a barista :] more on him soon enough I promise lol

[sleep-nurse]

uh. basically wtf is Wrong with her. like how did the Hima go from silly lil fella to Oh God (aka: i just need a short enough summary of the backstory where I can make lyrics about it i guess)

OHHHHHH HER GENERAL BACKSTORY? well. cracks knuckles

i've posted about it ages ago but here's a summary basically himawari was a girl who used to suffer from illnesses that mostly have to do with the digestive tract (just like me fr!!!!!!!!). her family wasn't the best at taking care of her either because her mom passed out when himawari was really young (like 2 years old) and her dad (miu akabara) is a busy scientist-doctor who works for a really long time. so she was hospitalised really often then one day at the age of 16 himawari died from gerd that progressed into esophageal cancer from too much acid exposure. the hospital akabara works in though works in a project that is aimed to transfer the memories & personality of a deceased person into a robot body who resembles them, which involves transferring their brain (if it hasn't been damaged yet). himawari was the first ''success'' of this project and is often nicknamed as ''the angel in a robot body'' because of this. i say ''success'' because himawari deals with the engine being fucky and that often leads to her being really distressed and sometimes it causes not so good incidents since himawari wanted to work as a nurse or a doctor ever since she was young, they decided that himawari was gonna be the mascot of the hospital and work in there as a nurse

[lucilleandherrobots]

I do have a drawing of this guy and might add it later on here but since I've been suddenly hit by a wild sense of 3 am inspiration and no one's voting for him at all in the poll, I'm gonna talk about Ursine Himbeer, former courier and Brotherhood scribe.

Ursine was a courier back in the Mojave. He was raised in an orphanage where they primarily spoke German. He gets his last name from his raspberry colored hair. His first name is because of his fondness for the teddybear he was found with. Honestly, Corncockle was just kind of a funny word to the people running the orphanage so they ran with it. He's been hiding his middle name ever since. Think the song "Boy Named Sue" only way less violent but just as easy to anger.

Ursine initially did recover from the bullet wounds and wandered around for quite a bit in the wasteland. He was utterly fascinated by the wildlife and how older tech held up to the environment.

Not much is known about Ursine's exploits in the Mojave. He lost his journal somewhere on the Prydwen after joining the Brotherhood. What is known is that has a gecko named Mitzi who he raised from an egg. He has also hatched a few others in the lab area of the ship for science.

While aboard the Prydwen, Ursine slowly fell in love with their scientist. Together they had a child that ended up sharing the same interest in wildlife.

One day, Ursine went missing, never to never be seen again.

[livingproofoftbd]

i've given up on the valentines fic either until next year or whenever i'm bored and decide to work on it again. im back to my manhunt au i wanna post that soon

[juyendraws]

[Limbus Company] Faust’s Development (or Lack Thereof) in Intervallo 6.5

So Murder on the WARP Express came out and uh… The suspicions I had regarding Faust’s future arc ended up being confirmed. Faust is definitely not reaching out to the truth. I didn't expect the seeds for her story to be planted so soon, but here we are. It’s real. And you're probably thinking, “Uh… WTF are you talking about?” Let me explain to you what I mean.

The message of Library of Ruina is a critical part to understanding what's going on in Limbus Company. I will tell you straight-up here and now, absolutely nobody in the fanbase knows what the hell LoR is actually about. Nobody. And it is such a shame, because it has such a great message that absolutely nobody talks about. I'd love to tell you much more about it, but that involves long explications on Jungian Psychology, the Jewish Kabbalistic Tree of Life, and the story itself, which I don't wanna subject you to yet (I am saving my esoteric lore dumping for the video scripts I’m currently working on). What I will tell you, however, is that the lessons learned by Angela and Roland in LoR are all about opening oneself to everything that is possible in life. The ways in which they do this are:

(1) To listen to one's inner world, or intuition. Don’t just blindly believe whatever someone else says. Follow your own inner voice. 

(2) To listen to one's outer world, or reason. Don't just believe whatever you want to believe. Look at the facts and be receptive to others' opinions. 

That's all you need to know for now about this particular subject. The theme of opening oneself to infinite possibilities is one that carries over from LoR to Limbus Company, and it is present in every Sinners' story. Literally all of them were/are limiting themselves in one way or another due to their flawed beliefs. And each of them is on their own journey of self-realization, or in Jungian terms, “individuation.”

The Mirror Worlds also expand on this theme. They provide infinite ways of looking at the same subject, which sounds wondrous and exciting at first, but it really just reflects what's already there. Remember Yi Sang's and Heathcliff's arcs? For Yi Sang, the Mirror reflected his already-existing potential, while for Heathcliff, the Mirror reflected his surrender to a perceived fate. Mirror World Identities may offer additional combat prowess as well as insight into the characters/worldbuilding, but they end up being quite limiting due to their usage (basically “cheating”) and very nature (as "reflections"). 

Moreover, Goethe's Faust was something that repeatedly showed up in my research on Jungian Psychology. I kept finding Faust's story referenced in articles, academic journals, as well as the book I'm currently reading called Man and His Symbols. This book was written by Carl G. Jung and some of his most trusted followers, and it legitimately explains what Project Moon's mindset was while forming the world and stories of their games (I am not even exaggerating. I have to constantly pause my audiobook and write down notes on what I'd just read because it keeps indirectly revealing PM’s intentions for the series). Anyway, in one of Joseph L. Henderson's chapters named “Heroes and Hero Makers,” he talks about how the archetype of the hero cycle is represented in many stories. An aspect of this archetype essentially revolves around the “hero vs. villain,” or in Jungian terms, the “ego vs. shadow.” The hero must face off against the dragon and triumph. It’s about the development of consciousness through the "ego" (awareness that one exists and has an identity) mastering and assimilating the "shadow" (the parts about ourselves we don’t like or don’t acknowledge deep down). This archetype exemplifies the stage that’s supposed to take place during childhood and adolescence—it’s about growing up. If the hero fails to slay the dragon, i.e. a person fails to assimilate their shadow into their psyche, they become stuck in this state of immaturity. Henderson uses Faust as an example:

“One can see this theme, incidentally, in a well-known literary hero figure—Goethe’s character of Faust. In accepting the wager of Mephistopheles, Faust put himself in the power of a “shadow” figure that Goethe describes as “part of that power which, willing evil, finds the good.” Like the man whose dream I have been discussing, Faust had failed to live out to the full an important part of his early life. He was, accordingly, an unreal or incomplete person who lost himself in a fruitless quest for metaphysical goals that failed to materialize. He was still unwilling to accept life’s challenge to live both the good and the bad” (Man and His Symbols, page 121). 

Henderson is saying that Faust is reluctant to face life’s hardships, so he lets his unconscious aspects—his shadow, or Mephistophiles—control what he does because it’s easier for him to live that way. And as a result, he remains this underdeveloped, immature person. 

In Limbus, Faust’s shadow is Mephistophiles, the reflection of her inner pride and desire to learn more. The knowledge she gains from the bus, her ability to communicate with her IDs, is incapacitating her ability to develop as a person. She’s using it as a crutch. And her overreliance on this knowledge, ironically, reveals how truly ignorant she is. The literal shadow cast in Faust’s E.G.O is her IDs for these very reasons—she is afraid of not knowing what to do.

Anyway, the reason I brought up LoR’s message and the Mirror Worlds earlier is because it is very, VERY relevant to Faust’s arc. Each of the Sinners need to reach out to all the possibilities of life. To not just blindly follow their own beliefs or the beliefs of others, but to see the truth through their own eyes, unclouded by bias. Through her use of the Mirror Worlds, Faust goes, “Well, I’m already reaching out to all possibilities! I’m following my intuition and using reason!” And she technically is, but it’s paradoxical. She is using intuition and reason… But it’s all through the use of her IDs, which are both “herself” and “not herself” at the same time. So she’s still just blindly following her own beliefs and the beliefs of others; she’s only listening to her own opinions and copying down what others say to her, all at the same time. 

I noticed this while rereading key parts of the game again. In Episode 6-25, the Sinners discover the researchers’ experiments below Wuthering Heights. Faust was utterly oblivious as to what their goals were, and Dante commented on how odd her behavior was when she finally started talking.

Later in Episode 6-44, she urges them to find out who informed Erlking Heathcliff about the Mirror Worlds, causing them to pick up on the fact that she doesn’t actually know everything.

In Episode 2 of the 3rd Walpurgis Night, Faust freezes up when asked by Dante to give a more detailed explanation on the Library. She then gives soft confirmation that she is, indeed, in cahoots with her IDs.

Murder on the WARP Express spilled everything. As a result of being separated from Mephistopheles, she is forced to be without her IDs and must figure things out on by herself. Her complete cluelessness regarding what to do demonstrates her lack of any true life experience. She acts like a newborn baby attempting to walk. However, while she is clueless, she is not helpless. She, in fact, does have the potential to grow if she puts her mind to it. Faust exhibits curiosity, ingenuity, and amiability when she must undergo the trials of the WARP train incident.

She takes interest in the perspectives of the other Sinners when asking for help. She is able to discover new things and problem-solve by herself.

Faust can learn on her own and make friends if she really wanted to.

...Unfortunately, she falls back to her dependency on Mephistopheles at the end of the story and closes herself off once again.

Faust refuses to experience any pain that could otherwise spark a realization about herself. She is harming her ability to form relationships with others, as she habitually ignores them or prevents them from giving her advice. She actively denies herself the chance to truly learn about the world and come to her own conclusions—she is impeding her own personal growth. 

Out of all the Sinners, Faust is probably the least developed as a person. Yi Sang, Ishmael, Heathcliff—even those who are about to undergo or are still undergoing their arcs such as Don Quixote, Rodion, or Meursault—are fully-formed people. Faust is not. She is still stuck at the stage of having evolved ego-consciousness while everyone else around her is already achieving the Self. She's worryingly far behind. It’s honestly really sad to watch. 

I was debating on whether or not I should make this post for a few reasons. For one, I’m unable to read Goethe’s Faust at the moment, as I am still preoccupied with my research on Jungian Psychology and Jewish Mysticism for the previous two PM games (Lobotomy Corporation and Library of Ruina). I didn’t want to say anything too specific about Faust’s story until I read her book. Secondly, this topic is really difficult to explain without delving into the Jungian elements in the PM universe. I felt I would end up confusing people if I just came out of nowhere with this post; I initially wanted to speak more about the foundational elements before anything else. 

Nevertheless, I feel that this knowledge I had on Faust, Jung, and PM’s lore was relevant enough to share. I was SHOCKED at how accurately I had predicted Faust’s future character development. The only other person I told this to was my younger sister, and I said, “Faust basically found a loophole through the lessons Angela and Roland learned in LoR. She’s only believing whatever she wants to believe, while also only believing what other people tell her. She’s using Mephi and her IDs as a crutch… I think that’s why she’s alone a lot of the time.” AND I ENDED UP BEING RIGHT. I had to stand up multiple times while playing through the Intervallo with my sister because of how excited I was at this. 

Murder on the WARP Express demonstrates that a good understanding of the games’ themes and of Jungian literary analysis is absolutely essential to figuring out each Sinners’ arc in Limbus. Deciphering, for example, the specifics of Faust’s connection with Gesellschaft is not-so-much valuable as having a strong grasp on what aspects of her character PM is trying to explore. “What is the text communicating? How does it relate to Jung’s ideas? What is the lesson this character is meant to learn?”

That is what matters at the end of the day. 

[tyttamarzh]

Tallulah is Phil and Missa's daughter.

This will probably be very long, so if you want to read it, go grab some popcorn and get comfortable.

I have to talk about this because it's eating me up inside. I think I shouldn't give so much importance to comments coming from sewers like Twitter and much less Tiktok, but it makes me so sick (and I'm such a masochist that I even spend time looking for the shit they say to make me angrier and debate them xD).

I am very happy that it was finally made official, with papers certified by the federation, that Tallulah is the daughter of Philza and Missa, I think that was not entirely necessary for them, because they had assumed it for a long time (let's assume that Tallulah needed the pappers to end her W arc), although I suppose that more than anything it was done for those people who still cannot accept it or who deny the paternity of Phil and Missa (With Missa, although it bothers me, I can even understand it, he He hasn't been as present and many people don't know him, but god, it would be a crime to deny Tallulah's paternity to Phil, the man who has kept her alive and given everything for her throughout her life).

I'm glad that, although I have seen negative comments, the majority have been positive (even if it hurts them, it doesn't matter, it's official, screw them). Mainly, the negative comments have been from defenders of W and their arguments are so poor and weak that they are easily refuted. It is obvious that these people do not know Tallulah and have never met her, many do not even know how things turned out and say nonsense like that the current Llulah is an imposter, that it is not fair that they "rewrote" history and erased W (which It is false, Llulah's words make it clear that history was never changed, she simply moved on and that person remained in the past).

I refuted all those arguments on Twitter but screw Twitter, I hate the fucking character limit. So I'm going to expand (I have a lot of poison to get out of my skin). I have some points:

1- "That's not Tallulah" Of course it is her, those who witnessed her life and her growth during the year that passed, can realize that this was her natural evolution. She is the same girl who grew up overcoming her limitations, who suffered, who felt alone, who had abandonment problems, who everyone saw as a poor abandoned girl and who found comfort next to someone who has always loved her like a father and a brother who gave everything for her.

2- "They erased all her lore" No. Tallulah's lore is the one she built with Philza and Chayanne over the course of the year they lived together. Her relationship with W and her longing for him was only part of her story (although people made a lot of emphasis on that), but it was not the only thing that defined her, it never was and only people who never got to met her think that. They see her like an extension of that other person, as the only thing that kept him on the server, but did not see her as an individual character and definitely did not watch Phil's Vods and they never really knew her lore.

3-"How do they explain this in the lore?" Simple, there was someone in her life, someone who was her first father, but who spent very little time with her, who left a long time ago and who is currently no longer part of her life. She learned to let go of the past and focused in the family she has in the present, the family that loves her, that watched her grow up, that makes her happy and gives her security to believe in herself and that is the Death Family, Chayanne, Philza and Missa. Time passes, not all people stay, treasure those who are by your side and let go of what never brought you anything but pain.

4- "They should have created another egg and replaced her" Why replaceher? It has no sense or reason. She is a character who built her own story with her family, a story that never really involved that other person other than with one or another sporadic mention, why eliminate a character that evolved by itself? Little by little she separated herself from what she was at the beginning and that bond that she had with that first father was practically non-existent. What would be the point of eliminating it or replace her with another new character?

5- "No matter what other parents and appearance give her, she will always belong to W because she still carries the name he gave her" No. She never belonged to him. She lived with that man for 2 days and apart from leaving him the promise of a reunion, she did not contribute anything else to her life. She formed her own path, her passion for music was not because of him, it was something she already had before, her love for nature, for animals, everything was built in the days she lived with Philza (even with uncle Bad). She suffered for her first father but she moved on, she matured, she discovered her link with death and her powers as a medium, she acquired her own personality and little by little she built the Tallulah she is now.

She never belonged to anyone but herself and she always fought to prove that, but people insisted on dumping trauma on her and reminding her that she was an abandoned child waiting for someone who at a certain point was nothing more than an idealized dream, because There was never a real relationship between them, they never lived together long enough. She little by little made her decisions and chose the people she wanted to be her parents (and it's not that she had few options, Quackity, Bad and even F wanted to adopt her at the time and asked them to, but she was not a girl who was looking for parents). She could choose and she chose Philza, the person who had always been there for her and later she chose Missa, someone who despite not knowing her very well gave her his love unconditionally and gave her security when she needed it. Then she was able to feel the warmth of being part of a complete family.

6- "They should change her name because W gave her that name! That impostor is not Tallulah!" Why? Her name is not anyone's intellectual property, at the time it was given to her, it belonged to her for better or worse and yes, in some way it will always be a tie to her past, but a past she has already left behind and managed to overcome by creating new memories and dreams.

To a certain extent I understand those who became attached to her because she reminded them of that other person, but if they couldn't see her as her own character, it means that they never cared enough to make the effort to get to know her.

It would shock us all if a character we liked suddenly changed drastically and left behind what like us in the first place. But if they had really watched her, they would have realized that the change was not sudden, it was gradual.

She found in Phil a protective and understanding father who always put her and her brother before anything else, who suffered with her her pain and outbursts of frustration due to the depression caused by the absence of her first father. She found in Missa a cute and loving father who always showers her with love and helps her to have confidence in herself. She doesn't lack anything with them. She has closed a cycle of pain in her life and now she can heal.

She chose the look that makes her feel finally free to be herself, whatever the external reasons that led to that, she finally has a future ahead of her unbound by the past and prefers to be more like the people she considers her family now. If you can't see what all of this really meant to Tallulah and her evolution, it's because you never cared to see even 20% of her story. Well, since the middle of last year she began her journey to break away from a name and be herself, fighting to be seen for who she was.

If those people decide to continue supporting someone despite his shit, that is their right, but the server and the admin were also within their right to decide to kick him out and want to distance themselves from a person they consider unpleasant.

7-There were comments of another type, mainly from people who are really very lost with the lore, people who consider her the daughter of Quackity, even confusing her with Tilín (saying that Q didn't know if she was the daughter of W or Luzu and that she should get a DNA test), when we all know that from the beginning she was W's daughter as a single father and that the only reason Quackity could have become Tallulah's father was if to marry W, but that never happened, W didn't come back and Quackity was never able to develop that relationship with Llulah, she considered him a possible father because she knew W loved him, but Q always being kidnapped or something, they never really related much. There are people who, even with a certificate, continue to insist that Tallulah should have been given to Quackity to raise with Luzu (she had a tender interaction with Luzu and people were already asking him to adopt her, saying that she was alone and had no parents, I seriously hate them!) I shouldn't take seriously people who obviously haven't seen Philza even once and I know that many of those people are hispanic and are limited by the language barrier but if they don't have the slightest idea They shouldn't give their opinion… Tallulah is not an object to be passed from hand to hand, she chose and in order to do so she had to go through a very long and painful arc.

8- I firmly believe that it is a great win to now have a certificate that endorses who the people she considers her parents are, but I insist, it was not necessary, because that has been known for a long time and I am sure that if it was created it was to close the mouth mouth to all those people who are not capable of accepting that.

Tallulah is the daughter of Philza and Missa (and no one else), she is part of the Death Family, that is her story, it is not a whim, a whim is continuing to link her to something she is no longer a part of or wanting to make her a part of a lore that never happened or wanting to give her other parents different from the ones she grew up with (Quackity already had Tilín, Richas and now Pepito, I don't think she needs more children and Tallulah doesn't need any more shitty drama in her life).

Tallulah is a beautiful being, both with her old look and with the new and as Missa says "She deserves only the beautiful things in the world"

Tallulah is Phil and Missa's daughter!!! Tallulah is Phil and Missa's daughter!!! Tallulah is Phil and Missa's daughter!!! And I can shout it a thousand times because it's true and she always was, but now it's certified by the government and no amount of complaining or tantrums can change that fact.

Sorry for my bad english. See you!! jajaja ando re agresiva, pero es que nadie se mete con mi familia xD

[sillybond]

As a send of here's my compilation of every detail/gag or pretty much everything that I loved about the Fionna and Cake finale.

First off, the lighthearded stuff.

First of all. That's Hunter!!! We finally get to see HW gender-swapped counterpart's design. Gotta say I love that they kept it the same, it does feel like it could fit anyone.

Talking about him, I LOVE that they are finally adding him to the gang. I didn't expect him to be so prevalent in the finale, but I couldn't be happier! It seems like the crew has finnaly learned to apreciate HW and they are inserting her (even if it's Hunter) whenever they can.

All the raw emotion of the lich would have been unheard of at any other point in AT's history. The depression and hopelessnes, such human emotions were amazing to explore in him. He poses himself as a "ceesless weel" a god-like beeing of pure destruction, but even he neels when he realices it was all for nothing.

For some time I theorized that Golb (and subsequently Golbetty) was, in fact, Scarabs and Prismo's Boss. Kind of like a ultimate deity, high up on the pantheon. But seeing how Scarab adresses her in such a careles way, emphasizing that she should "stay out of this" made me think about the real power dinamic between thees two. And thus, of the whole multiverse bureocracy.

This tittle card rips me apart. It's briming with thematic importance. But I feel so many emotions simply beacuse it says cheers, it's like a send-off, a happy cheerfull goodbye to all of us who enjoyed this show. It made me tear up a bit when I first saw it.

For thoose who aren't aware Pawn Swan's was created by Steven Wolfhard after CAWM alongside the pup kingdom. He has in his tumblr a gigantic amount of lore about it. I'm sooo happy they finally got to use his ideas and designs. Many of the pups seen all trought Shermy and Beth's sequence were in his drawings too. So go check that out!

I'm a complete sucker for happy endings and THIS was PERFECTION. I simply connot describe how much I obsolutely LOVE that they are able to comunicate and talk. it's just perfect, this show has me spoiled-rotten.

In pure Marceline fashion Marshal tries playing another song. And Gary is soo into this man it's unreal

But, also in pure Marceline fashion, he gets interupted. It kind of reminded me about Marceline's song to Bonny in Obsidian. But it's kind of the oposite outcome, Scarab isn't affected by it at all while Glorbo is finaly delt with.

Talking about Simon being happy. I'm just so glad that he has been able to reconect with Astrid!!! This man is such a DAD, I love him :,)

Before Fionna's world was finaly canonized we can see that it really just amounts to the city. Which makes sense because if you are trying to put a whole world in a dude's head, you are going to have to cut some stuff out.

Anyways, after they are made legit we can see that the city has expanded! And I also assume that now there's not only a city, but a whole world too!!

This really came as a surprise honeslty, but a welcomed one at that. I assume that since Jay agrees to stay in the city, even if it's not forever, Farmworld Finn must be fine. It doesn't make any sense for him to drop his 4 little brothers just to screw around in another universe.

The only sad part is that, since we don't see neither PB nor Marcy in the tank that means they are probably dead. In the end it does seem like they took eachothers life, together.

Now onto the heavy stuff!

"This is the world we want to fight for. The Scarab is kind of invincible. But we won't give up. If we die, we'll die together, as ourselves"

This cuts deep. At this moment Fionna was ready to die. She acknowledges that she had tried everything she could and that, in a way, it was her fault. But she also understands that this is what it is. And she's ready to depart. In what she thought were her last moments she found happines in thoose and that around her. Magic or not, they were all together, and that's what mattered.

"We made our choices. We could have made better ones, but I don't have any regrets. You were a wonderful experience"

We knew Simon had wronged Betty. She had put away everything for him. He didn't do it on porpuse, but he recognised he could have been more thoughtful. In the end, while Simon acknowledges his mistakes Betty doesn't demonise neither him nor the relationship that came bacuse of it. It's a very sentimental, heartfelt conclusion.

As humans we often try to make our best to navigate life. But with all the choices in front of us it's very hard to get it right. A lot of time might have to pass before we truly see how wrong we were. We realize that we hurt people, and that things didn't have to be this way. But once we acknowledge this we can finaly move on. At this moment, Simon realizes that it's okay to fail but, unfortunetly, we can't go back. We have to live with it and it can't prevent us from moving forward.

In the end all we can do is have compassion for ourselves, and for each other.

That was pretty much all of the details and highlights for me. There's some other ones but they are kind of too obvious to point out.

Thanks a lot for reading the whole thing! It means a lot :)

[nalyra-dreaming]

COMMENTS on 2x07 - SPOILERS

. . . . . . . . . . . . . . . . . . . . . . . . *FIRST OFF: GOD HAVE I CRIED *No breath, no relief, all the pain This… contains a lot of swearing. . . . . . . .

The fucking rat box - there is a significant time gap between Claudia being shoved in there and her on stage. I BET that will become "that" time frame later, when Armand.... finally gets to it.

Btw, the iron boxes... an iron entrapment. I'm not sure if deliberate, but there is a piece of lore from Blood Communion that could come into play here IF they should pick it up again, later on

I’m glad they made the mental influence clear right away. Like… it’s not even subtle. And Lestat acting weird AF isn’t subtle either. It’s clear. It’s scripted. It’s the “last play”. It’s been “designed, and rehearsed.”

The Achilles’ heel slashed is so… vicious

Louis sensing and smelling Lestat… oh honey

Like that they referred to “the old place” for the other theater

Them making him swear on her diary is sooooo…💀

Santiago is so PLEASED when Lestat returns to script lol… we don’t see it but I wonder how many of the jury it took

A story of love... 💀

They are using the music box music … the fuckers

Awwww Armand being “punished” to watch… nawwwwww glad Daniel is not buying it either... and by Sam, the playwright... with a scythe... nawww. Okay, everybody buying that after that little restaurant display raise their hands, lmao.

That Lestat sleeping in the dirt is just... wrong. We already KNOW he returned to Paris twice. Another hint!!!

The repeated hint at the “ancient blood”… very on the nose

Their eye contact

Them trying to make it seem as if Louis “hunted” Lestat… lmao. As if Louis could have if Lestat would not have wanted him to????

Santiago prompting Lestat…. they seem to have pushed the narrative into his mind

on a random note: the blue contacts look so much better this season???

Oh…. Lestat SNAPPING at “fags” - loved it - so fantastically intense and creepy

“where lies their disgust now”?

Lestat making that man feel what he feels - WHY didn’t you just show this to Louis?????

THE HAIR CHANGED!!! There is that strand again! And the perfect hair in other scenes!!! INFLUENCED!! Manipulated!! I’ve been fucking saying.

OOOOHHHHH MY GOD Claudia’s turning … Louis knowing about the laws, did Louis really promise to stay???? I mean that’s just bargaining, and Louis just… begging… oh god, AND THEN THE FUCKING CUT TO ARMAND’s LOOK OH YOU FUCKER

“you were manipulated into it”… yeah. Say it, Santiago

God. Lestat there. And Louis the way he sees him.

Lestat confirming that Louis did not share affection with him anymore, as said, for years

Yeah, no, Lestat’s pose there for the Antoinette reveal is totally… natural 💀

God, Claudia cackling at Lestat saying “she’s the best of my vampiric self”… 😭

Ep5 revisit. Uhhhhh boy did they expand on what we already knew. And I KNEW something happened in the coffin room that made Lestat snap!! I KNEW IT! Okay, they kept the weird logistics of the fall (for now at least), but… yeah. This makes at least… more sense than before, I guess. Also, Lestat fully breaking script and admitting it. KNOWING he had hurt Louis there. Knowing. (I still stand by the Amel theory for the outside part and the comment in 1x06. Since they are taking from Prince Lestat….)

“A wolf congratulated for not killing her pup”!!!!!!!!

Louis is wearing something other than black again!!!!

“and then - something real” - and Armand chiming in… how… inconspicuous 💅🏼

A Stoning. Indeed.

I’m not sure how much I believe of them waking Lestat tbh… like... with the supposed trial rehearsals... and the crossing over... nawwwww

That eating blood with a spoon is so… inefficient. Like, they drink so much more???? What kind of blood is that to savor it like that? Must be special??? Or it's just show.

Oh god. Madeleine choosing Claudia. She is my coven. God.

Ugh. Lestat breaking script for Claudia. AND BY GOD I HOPE CLAUDIA FULFILLS THAT PROMISE

Oohhhhwwwwwww and Armand working SO HARD ON SAVING LOUIS!!!!! YOU LITTLE…. GNAAAHHHHH I don’t even have a word. "bites something"

God the pebbles/rocks. The entombment. And the SAME stones at the Dubai tree…

Lestat, swaying on his feet

So. Armand tells us of Claudia facing her death bravely. And defiantly. And the stare of shock and pain on Lestat’s face. Armand… the last to know the truth… for now. -.-

PREVIEW

And Armand getting Louis out.. afterwards. When… the coven did not care anymore, right??????? Mh hmmm.

Louis getting their asses

Louis going to kill Lestat??? MHHHH

EPISODE INSIDER

"it’s a fake setup - props in a play". Yeah. THAT.

Claudia doesn’t give an inch - "she knows she’s right"

“She has Lestat’s blood - if they do anything, it’s come back with a vengeance”!!!!!!!!!!! YES PLEASE 😭

Claudia’s death represents Louis’ last connection to this world

“[Claudia] was a brilliant vampire.

IN - fucking - DEED

God, what an episode.

I am... somewhat irritated that the reshot the turning and did not really revisit murder night, because the discrepancies there still stand. Except they have always intended to return to it in s3, which might make sense. Still. A bit weird, all of it. And Lestat breaking out of the control and script to admit to hurting Louis. 😭

God.

[crushedsweets]

Would you ever consider including nurse ann in more of your art/ stories? She's one of my favorite characters and I think your design for her is amazing lmao- I'd also sort of like to know what her relationship with the others would be like

yes. actually. i would love to . ok i have some vague ideas for how shed fit into the lore so thatll be under the cut !! i also start rambling about lulus lore too cuz i decided theyre friends.

ok so, again, my au is based around slenders forest being like... some sort of magnet for the paranormal. slenderman wants to keep all of these cryptids within the forest.

since its in a fictionalized forest in tuscaloosa, where marble hornets was filmed, i decided to move the abanonded hospital they visited up north of the tuscaloosa lake. she roams there.

SOOOOO nurse ann is just... a demon. slenders forest is sort of like limbo for a lot of the cryptids and kinda puts them in like.. a long daze and loops unless they're consistently leaving or being grounded by humans.

i dont EXACTLY know why/how she's in that specfic hospital, especially since i dont believe she has an official origin? maybe when the hospital shut down, she was let go and wasn't transferred to work in a new hospital, so she lost her shit and preformed some crazy rituals that ended up making her an undead nurse ? now she's forever roaming the hospital. or maybe she was killing patients when she was a human and kept doing weird demon shit with their bodies and the operator/zalgo fed off of her bad vibes. LOL IDK.

now about lulu cuz i drew her too.

i used to be sooo fond of lulu. and i originally said she was just going to be another ghost roaming the forest pointlessly, mourning everything and being incapable of interacting with humans, BUUUUUT. she is 24 and NOT A GHOST?!?!??!?! IDK WHY ALL THIS TIME I THOUGHT SHE WAS JUST A GHOST WHO AGES CUZ YK HOW CHIBIWORKS STUFF WAS BACK THEN LOL... i def am tired of little kids being tortured and all these children ghosts tho so im kinda glad to have smth new to write. anyway. so im thinking lulus just another little demon thing... i'm thinking her story goes.

she was in strict private schools all of k-12, and went to uni on her own in tuscaloosa. she wanted to branch out, have a little rebelious phase, make friends, etc. tried to join a co-ed frat. she experienced an absolutely horrific hazing when she was like 19, the frat fully believed they killed her by accident and in their panic, tried to bury her in slenders forest, and some demonic entity in the forest infected her before she was buried fully. she ends up climbing out of her shallow grave, never having died. perhaps the operator did it, perhaps zalgo like in her og lore ? PERHAPS ANN CUZ SHES A DEMON HERSELF?

anywaaayyyyy :3 l think theyd be cute friends. they just look really cute together and i could see good chemistry so i totally would love to expand on them and make them friends. maybe expand more on the type of species they are, what kind of powers they have(esp if i make ann the demon who infects lulu).

BUUUUT ALSO this made me realize i should totally look into adding zalgo to my lore. cuz it doesnt make sense for the operator to make anyone a demon, thats not really what he does.... and i dont want him to do that i just dont like the vibes. so mmm yes.

anyway in terms of relationships..

lulu and her are cool good besties beautiful they would take selfies and do tiktok dances together.

masky and hoody are incredibly indifferent to her, because they dont have to worry/visit her often. she stays in the hospital thats in the forest, and thats exactly where slenderman wants her, so theyre content. theyre kinda grateful she keeps lulu in the hospital too, cuz lulu actually freaks them out bc she'll be jumping at them and shit talking about their eyes.

tobys EXTREMELY scared of ghosts (bc of his hallucinations of his sisters ghost . . ). he eventually gets over it(kinda?) with sally, but he keeps accusing ann and lulu and the sort of being ghosts cuz they just.. kinda pop in and out. at least jack has to walk into the room to show up. so he doesnt like them

mmm jack wouldnt like her IF he knows that she kinda turned herself into a demon through like, a ritual or smth. he'd be beyond pissed to know someone CHOSE to be what he is. if he doesnt know, he doesnt care for her. he kinda jokes about 'well why dont YOU be their medic' and shes like 'dont fuckin wanna be'.

jane and liu and kate prob dont know her... kate might but wouldnt care.

jeff would prob think shes hot or some bullshit and nina would be beyond pissed. at first ninas like AHHH SHES SO COOL cuz shes a fangirl at heart, but the second she hears a single 'goddamn' from jeff shes livid.

ben prob wouldnt care much for her... hes so uninterested in demons idk why i just feel like he doesnt care.

clockwork would LOVE HER. she'd think she's so fucking cool. she'd try talking to her all the time but ann prob wouldnt be interested in clocky at all...

ofc the proxies purposefully come into contact with the paranormal the most because thats their job, so i wrote the most for them, but that doesn't mean theyre the closest or anything.

ok thank u anon you did smth to my brain that benefitted my mental health cuz i love writing this shit for the creeps thank u sm .

[lovelettersforthedamned]

CAN WE GET THe LORE OF HOW peter and big met???? like was it at a party was it on accident was it bc of classs i neeeeeed to know

🙏🏼🧎🏼

Pen or Pencil?

✰ college!hockey!peter parker x f!reader

✰ word count: 0.6k

✰ summary: the moment it all began (he made you want to drop the class).

✰ warnings: language, peter being frustrating, meet cute ugly.

─── ⋆⋅☆⋅⋆ ───

main m.list ⋆ peter parker m.list ⋆ college!hockey!peter m.list

gif by @ddlovatosrps

Tap. Tap. Tap.

As if focusing on modern physics wasn’t hard enough, the unrelenting tapping from the brunette in a hockey jersey beside you was about to make your brain explode. You tried tuning it out, but the rhythm of the noise wasn’t consistent, giving you hope the boy next to you would stop, only for him to start back up again. 

The lecture hall was unbelievably quiet except for the professor reading the notes aloud, and the chronic pencil tapper next to you. You wanted to say something to him, but anything over a whisper wouldn’t be in your favor, so you opted to write it on a piece of spare paper. 

hi. not to be a dick, but can you stop tapping your pencil? i can’t rlly focus with the noise, lol. 

Slowly sliding it over, you try to be as kind about the whole situation as possible. The boy next to you glances at the paper, then at you. He grabs it and writes on it before sliding it back to you, it read 

no, lol <3

You smile at him before you read his writing, that smile quickly dropping. Anger consumes your senses, you can’t even focus on the lecture anymore. You look over at him, a grin on his face as he keeps tapping his pencil on the desk. 

You’re not sure how you did it, but you managed to get through the last half hour of class without strangling yourself or the pest next to you. As soon as your professor dismissed everyone, you were quick to pack up your things and get the hell out of there. You needed to lay in bed in complete silence after that. 

Grabbing your bag, you’re about to get out of your chair when you hear a voice, “Do you think if I tap a pen it’ll sound different? I guess I’ll have to try it out next time.”

The audacity of this guy is insane. You try to just ignore it as you start to walk out towards the exit, a pep in your step. He runs up next to you, still talking to you about the potential sounds of other writing tools. Overstimulated was an understatement. You were about to pop, and you couldn’t hold it in anymore, “I have no idea what your problem is, but you need to learn when to stop talking, or in this case, stop tapping a fucking pencil.”

He puts his hand to his heart and makes a pained face as if your words really hurt him, “Oh, I’m sorry. I didn’t know I was sitting beside the biggest stick in the mud.” 

“Don’t worry you’re not. You just don’t know how to be anything but a dick! And that’s perfectly fine, but just keep,” you wave your hand in front of him, “this entire vibe you’re carrying away from me.” 

He flashes a smile at your insult, and to say that your heart pounded at the sight is something you would rather not like to admit. “Yeah okay, I’ll see you next week, (Y/N),” he chuckles. 

You stopped in your tracks as he kept walking, confused about how he knew your name. “H-How…What?” 

As he walks away, you see a name written across his jersey in bold white letters, ‘PARKER’.

✰ author's note: the hockey peter cinematic universe expands in the form of lore. thank you so much anon for the ask!!! my ask box is open if you wanna send something in btw ;). don't forget to like, comment, and reblog if you enjoyed!! ok, ily bye!!!

[jaazzpur]

Morningstar family redesigns

I kinda wanted to expand on my choices for my redesigns for fun

So first, Lucifer. I really don’t have a lot of issues with his original design, I think it’s fun and fits within the Hazbin universe! I just wanted to reimagine him.

I always liked the idea of Lucifer having curly reddish hair, something about his fall turning his hair red (this design isn’t 100% biblically accurate as it is just for fun), but I toned down the red to be closer to his original blonde since I also like blonde Lucifer, and I figured he’d liked to keep his hair neat so I decided to put it up and take away the hat

I wanted to keep the ring leader theme in his outfit, but I wanted to further incorporate the snake element in his design since I think he’d be proud of his fall (hence why his suit looks burnt and torn, and he shows off his burnt arm, I figured he’d do this intentionally to remind others of his rebellion)

Lastly I changed the entire family’s main colors to purple, as biblically out of the 7 sins Pride is purple and since he’s supposed to rule pride in the show I figured he’d be more purple themed then red, pretty simple🙏

Next Lilith, I think she was the only one out of the three where I didn’t really like her original design. Not only because she didn’t have much going on, but she also looked really similar to Lucifer, to the point where they almost look blood related.

I think Viv’s choices for Lilith were a bit odd, as she had SOO much potential that just wasn’t used.

I kept her blonde hair but I gave it some tan undertones and I put it up into a semi-low slicked back pompadour inspired by some hairstyles you might see young women have in the early 1900s or late 1800s, but I gave her a little down section that fades into a dark purple and looks somewhat feathery due to one adaption of her describing her as a “screech owl”. I kept the purple theme somewhat like the original and plus she technically rules over pride as well, I would have loved to have given her a red theme if pride was red.

Based on these different adaptations of Lilith a took inspiration from each, giving her a flame-themed dress and the upper body of a beautiful women yet still somewhat demon-like, I also put some fluff at the bottom of her dress since I thought it looked kinda like smoke puffs and clouds. Her stomach is covered with gold rings that look somewhat like a snake belly, and I gave her a necklace with a style inspired by some eastern jewelry, the jewels on her necklace are each the color of one of the 7 sins which I thought would be a fun touch and a little bit of a “showing off” of her role as the queen of hell.

lastly I kept her horns since she is meant to be a succubus, but I stylized them a bit to look less like those big ram-like ones since I didn’t really like how odd they looked against her head. I also gave her long slender fingers that faded to a black naturally as in biblical lore she steals babies from mothers and I thought making her hands that she stole the children with look creepy and eerie yet still beautiful was a nice touch.

Lastly, Charlie! Again, I didn’t really have a problem with the original design. I changed her suit color and theme to prides color, put I made her hair curlier and more red/orange like her dads, and I wanted some parts of her suit to resemble his a bit hence the buttons and the back of her suit going out like her dad’s (but a bit shorter for convenience.)

I imagine her being a bit showy so I kinda decked her out in silver, I thought it’d also be a fun mirroring of how her mom is covered in gold. Her shoes are pretty similar to the original, I put a little split at the front of the shoes in the dark purple since Viv has said she has little hooves which I’m not sure is true but I thought it was a fun idea so I kinda hinted at it with that

I changed her irises (is that what they’re called?) to look more snake-like like her dad, and I gave her little horns since I thought they were cute and I wanted her to maybe show them on purpose because she wanted to blend in more with the citizens of hell so they might feel less intimidated by her presence as the princess, that’s also why I didn’t give her a crown :]

Overall this was just a fun little project I did out of curiosity and boredom, these designs aren’t made to criticize or taunt vivziepop since like I said I love her designs already

[txttletale]

Wtf is Lancer and why is it shit (serious question)

lancer is a tabletop roleplaying game made by the guy who drew kill six billion demons and another guy. i wouldn't call it 'shit', necessarily--it's good in a lot of the ways that matter. it's first and foremost a tactical mech combat game and on that level it's incredible. its ruleset is finely tuned, provides great amounts of GM support to make running what might otherwise be overwhelmingly crunchy combat easier, and has a truly stunning and cool level of character customization available. so as a game, i think it's great fun to play and run, genuinely innovative, and a huge step forward for battlemap tactical wargame type TTRPGs in general.

the lore though, kind of sucks. i think it has two clear and overlapping core problems. problem #1 is that it is a utopia as envisioned by a social democrat. it's a world which the text describes as 'post-capitalist' (but there are still evil megacorporations with private armies who own slaves) and 'post-scarcity' (but only in the developed 'core' systems, so. y'know. there's scarcity). at many points in the text they say that Union (the game's main faction) is utopian, throwing around that exact word a bunch of times as well as 'mutual aid' and 'direct action' and the like. but what they describe is just kind of an imperialist Space Sweden with several distinct forms of slavery that constantly expands and uses its Benevolent Imperial Power to intervene on the Backwards Violent Worlds on its outer border but its good because its just trying to bring them UBI.

to show what i mean, here's one of the game's writers¹ talking about how it would be morally wrong for Union to, say, appropriate the property of a private military corporation that also operates as a fascist nation-state:

it's 'revolution' as imagined by the limpest of social democrats. and of course this would honestly be fine, whatever, most sci-fi settings are fundamentally achingly liberal, but the game goes so out of its way to signpost how Radical it is and how Hopeful and Liberationist you're meant to see the setting as

the other core problem is closely related--it feels like the lancer guys put every cool sci-fi idea they had into lancer even when it completely clashes with the core ideas behind it. like, AIs in this settings are callled 'NHPs' (non-human persons) and they're eldritch god-like beings from another dimension who have be kept 'shackled' (lancer's words, not mine!) to keep them as pliant and obedient AI assistants instead of hostile eldritch abominations. this is obviously horrifying and dystopian but it rules, it would be sick fucking worldbuilding for something with the tone of 40k or a one-off doctor who or star trek episode--but as a fundamental technology foundational to what we are supposed to believe is a post-revolutionary society founded on mutual aid and solidarity and blah blah blah it's glaringly dissonant.

bear in mind this is all just going off the rulebook. lancer fans have told me that the supplements and campaign modules fix some of this or contextualise it. but on the other hand communists have told me that they make it worse and i trust the communists more. i leave you with this incredible passage from the game's foreword:

[akabaka-dev]

Can I ask, what made you think of the "date to die for" thing.

I mean, what did you think when writing the story? (I love your games.)

So way back in 2021, SFL was first conceptualized as part of a game-jam style game collection (Dread X Collection 2), where the theme was adapting Lovecraftian lore. That version of the game you can play for free as Sucker for Love: Prelude on steam. After that iteration, our publisher signed Akabaka for a three game contract

The Sucker for Love story was loosely planned from the start as a 3 game narrative, with interconnected stories following different protagonists and their romantic encounters with the Outer Gods. The original plans were to first expand Sucker for Love: Prelude into a full, dating-sim game, with the protag, Darling, attempting to win a kiss from multiple detailed Eldritch ladies. Cthulu, the King in Yellow, and Nyarlathotep are 3 of the most recognizable lovecraftian gods with a lot of lore to pull from (along with Azathoth and the Black Goat of the Woods.) For SFL First Date, to keep the scope of the game smaller, Akabaka focused on just those three.

The second game was always planned to be a foil to the first game, where the player could go deep with a single Eldritch goddess instead of wide, so the player could get to spend a lot of time with their love interest. For SFL Date to Die For, the Black Goat of the Woods was a complex but interesting character to adapt from Lovecraft's writings. (That's a whole post on its own...) But for a series about "dating sexy versions of eldritch gods", the Black Goat of the Woods fit really well as a datable love interest, when stripped down to her core trait of being the all-mother with a powerful aura who drives everyone in her proximity to madness with desire.

Originally, the protagonist was planned to be a disaster lesbian, sort of a female version of Darling. But in the actual writing of the plot and dialouge, Aka kept hitting a major plot hole: if Rhok'zan has a powerful sex aura that make everyone go mad with lust, wouldn't Stardust basically get vaporized from her already next-level lust being magnified 1000 fold? The solution was surprisingly simple though- the only human who could survive Rhok'zan's aura even for a second would be an asexual person. (An aside: I think that's something really special about DTDF actually- Stardust truly is the only person that could have saved the day, BECAUSE of her asexuality- not in spite of it. Her asexuality is as central to her story as Darling's all-consuming lust is to his ☆)

Also as a foil to SFL First Date, the second game was planned from the start to have a heavier focus on the 'horror' aspect of the series, and a focus on cultists as a real, present danger. Main inspiration here was The Dunwich Horror, where the threat comes not from the Outer Gods, but from the rabid town of cultists who want all outsiders dead.

So with all of those aspects set, the rest of the narrative for Date to Die For came together from there :)

(As for the third game, the plot has been mostly set for a while, but yall will have to wait and see~)

[witchofthesouls]

I would love to see you write some more culture differences between the bots and humans. If you wouldn’t mind :0 I wish we saw some in TFP

Same here. I love seeing world-building and deep lore, especially with other fantasy/sci-fi civilizations.

TFP gave us so much and so little at the same time. It's like going to a restaurant, you have a drink and great appetizers, so you're constantly waiting for the entrée that isn't coming!

TFP is also really fascinating when looking at it with the lens of the caste system and its deep roots within and among the 'bots, even their reduced circumstances. I get the feeling that Optimus is way more casual in way with his team than what the decorum would demand, even with his barriers.

The Autobots would find human cityscapes as quaint. Even the dense sprawls of megacities with towering high rises are paltry reminder of what they're used to.

Cybertron was a planet where its wilds had been tamed. Either reshaped or completely stripped. The Wastelands is/was an apt name for the baren landscapes outside the established city-states.

It wasn't just a large difference in public transport and zoning and sheer scale. It was also the functional design and architecture.

City-states mimicked the layouts of Titans' ground alt-modes. They didn't sprawl outward. Those had set perimeters based on Titans' outer defenses. Instead, the cities expanded up or down.

It wasn't limited to just a parking structure or secretive bases. Whole levels housed entire communities of what castes resided there: occupations, hospitals, sewage, refineries, restaurants, entertainment, and so much. Some mecha go without ever seeing the sunlight or feel real wind, especially those at the lowest of the system. The lowest castes are set all the way at the bottom, among ancient tech and dilapidated buildings. Sorting and recycling what could be kept and what must be sent back to the upper levels.

The concept of "open to the public" would confuse the Autobots. The Golden Age operated its society under the strict overview of a caste system, which expanded to "where" and "what" individuals of a caste could access.

Monster truck rallies fall under bloodsport to them. Bulkhead once scavenged money to watch and do small bets at high-stakes drift racing and lower-tier gladiator matches below the ground. Mecha still had to pay entrance fees to it.

Parks were under the Artisanal caste. Blending murals of legends, careful tending to fauna that are functionally extinct that was tailored to the agreed aesthetic, live music from specific pupils of masters, playing on instruments that merged with the gardens, so it was difficult to tell what was a tool and a plant or animal. And entry to any of it was only allowed for certain castes.

Universities were thriving, self-contained communities, and major points of power. No one off the list would be allowed into its grounds. All visitors and short-term guests were deeply screened and monitored. There is no such thing as "dropping by." Everything is meticulously planned and prepared. Unless a faculty member personally vouches for a guest, they must heed the numerous rules or a risk permanent banning.

Academia had long since been territorial over its talents and quality of its programs and people. They refuse to allow anyone outside its jurisdiction to bully one of its own. No matter the rank or caste, it will close its inescapable jaws around an outsider.

The fact that someone could go to a private university and simply jog upon its grounds is mind-boggling to the 'bots.

As well as libraries and their courses and workshops. So anyone can go? Anyone?! Everyone has access to the knowledge!? Can anyone simply go join a seminar on local gardening? Anyone can just go to a playground and start swinging or playing basketball or flying a kite or dancing to music? Anyone?

Bulkhead had a lot of questions for Jack and Raf since they're locals compared to Miko.

"So anyone can go?"

"Yeah. I used to spend my recess looking up bird anatomy and Ancient Greece and Egypt."

"You had a thing for ancient civilizations?" Raf asked.

"Doesn't everyone?" Jack shrugged. "Pharoahs and gladiators and old gods? We ate that up with mystery books or Goosebumps."

"I read Sherlock Holmes and the Chronicles of Narnia."

"Those are classics. Hey, did you get into The Lo-"

"Hold up," Bulkhead cut in, crouched down and leaning more forward, as if sharing a secret and quietly ask, "So anyone?"

"Yes. Anyone." Jack repeated, rapidly firing off each point with a finger. "Their family. Their friends. Their classmates. Their coworkers. Their pe-"

"Even, let's say, a construction worker. He could just go inside and pick up, I don't know, quantum physics? Anatomy of any frames? Gardening?"

"Sure." Raf squinted and moved to wipe off his glasses with his sleeves. "Clubs and people like to donate more to expand the base. Some of the college professors even leave early editions of their textbooks." Raf readjusted his glasses and beamed. "It's for easier access people and for an industrial copier."

"Oh..." There was a wealth of meaning in that small noise.

"You..." Jack struggled on the concept. Perhaps giant metal aliens didn't need books and could download information from their own internet. "You don't have libraries or schools?"

"No. We did." Bulkhead sighed. "I just wasn't allowed into them."

Out of all of them, Miko would be the to come the closest to understanding them in some ways. 出る杭は打たれる. The nail that sticks out gets hammered in.

As a transfer student from Japan, Miko does have instances of culture clashes with her American classmates and host family.

She's loud. She knows that. But Americans are a different breed with no restraint. In some ways, admirable. In others, incredibly frustrating.

Miko is used to a far heavier workload with long hours after-school and a busy city life. Jasper qualifies between a small and large town that she can't walk around easily on her own with the blazing heat and bitter cold nights and the lack of a car or a bike.

Detention in the US is a joke to her. Stay in school after it's over? She's used to doing that back at home with clubs and cleaning it. On a Saturday? Same thing. Some clubs back home ran long hours over the weekend. Do homework? She already finished it during lunch or between classes because she wants all the other time to herself and the 'bots.

Because Bulkhead gets a realization just how free the kids' social mobility is, he tries to get on Miko over her scrapping at school and her assignments, especially after Ratchet's high jacking their science projects resulted in failure. And that was another strange blow since Ratchet is a medic and a scientist. She's smart and quick and can be rough around the edges and so everywhere, and, to him, Miko deserves everything she could want in her short life. (And wasn't that also a terrifying concept to grasp? To just live and die under a single vorn?)

At first, Miko was getting annoyed because it's similar to the well-meaning nagging her host family does, but she reads the worry he has, and they have to really sit down and speak and soothe over his misunderstandings.

It comes as a huge surprise to her that Bulkhead can just download a language into him. Context and colloquialisms would be missing, and he needs work because he's a mix between extreme formality and, much to her delight, yakuza. And it's all because of her own frustration that English is her second language.