#but then I rewatched the show and well....

[caseys-breanna]

Ok I just finished rewatching The Rundown Job and so far I have -

The most ridiculously peacocking display of competence porn. What do you mean "'sup Eliot." What do you mean "who needs luck". Where is your damn shame? Where is hundred more episodes of just like this? 10/10 worth every watch.

'I've got a hacker *enter bf*, and a thief *enter gf*'

Only Parker noticing 'too many cops'. It's such a cool detail throughout the show how observant she is just offhandedly, unlike Eliot who observes actively.

Parker pretending to promptly fall asleep as soon as they're in the truck, only to have the handcuffs off in seconds.

"What do they say about me? I hope they gave me a cool nickname." I'll bet all the kudos on my most popular fic that he hacks into his own pentagon file regularly to make up his own nickname.

"Hell your girlfriend's already out of the cuffs" *Parker smiling and sliding them off* AND IT'S DIRECTED NOT TO HARDISON, HER EXPLICITLY STATED BOYFRIEND, BUT AT ELIOT, THEIR BOYFRIEND.

Putting Hardison in those glasses. Those damn glasses. I need a glass of water jfc it's hot in here

'For better or worse, we change together'. Aaaaaand that's on wedding vows.

"I'll drive." "Hold on." "Exactly." "No, I mean hold on. (Our gf is a former gateway car driver)". "Oh. Oh you mean. Yeah."

The hand on the wrist and eye contact and saying 'I'm not afraid. I got the best thief and the smartest guy I know chasing this guy'

HAND ON THE BACK OF THE NECK AND PULLING CLOSER 'HEY LISTEN TO ME YOU'RE THE SMARTEST GUY I'VE EVER KNOWN HARDISON I NEED THAT BRAIN TO GET ME TO HIM. GET ME TO HIM'. Screaming crying frothing at the mouth et cetera et cetera

Figuring out the job TOGETHER

This is Hardison. Hardison likes his personal space. These are Parker and Eliot. Parker and Eliot also like Hardison's personal space.

The eyes on each other's lips during unlocking doors and saying thank you

'Kiss for luck?' the sequel: love boogaloo

HACKING THE MF CAR HORN WITH AN SOS THROUGH A MOBILE PHONE

"BOOM MY BOY THAT'S WHAT I'M TALKING ABOUT!!!" first of all that's his boy so jot that down

Also side note this episode shows the fascinating way Hardison uses his brain and I wish we saw more of it because it's fascinating how he derives what he does from the few bits of data he gathers

"He's on the train!" "Yeah well so am I." "When you pick him out of the crowd-" "No. I'm ON the train! 🙄 Never mind..."

Two good ole boys behind the wheel 🎶 chasing the target and their gf in a million dollar car 🎵 two good ole boys-

*Hanging by her fingertips from a running train roof almost mashed into pulp by signage" WOOOOOO HOOOOO

The way Parker picks him out, not by using thief sense, but mastermind sense that he's immune -> got vaccinated -> pain in the arm. Brilliant way to pick someone out from a crowd while not raising panic

Keeping him talking till she takes the briefcase that he HANDCUFFED to himself right under his nose. How? Well, she's Parker.

"I kept one diamond. Sorry." I love her

Finally "kiss for luck" the trilogy comes to an end

*casually endangers self* "Fire is the only thing that kills it right?"

"Don't do that to me, I can't lose you. Do you understand? I can't lose you. Don't scare me like that. I can't-"

Eliot Spencer: *Barks 'Alright!' at the guy touching him to literally patch up his bullet wound.* Also Eliot Spencer: *ditches crutches so he can lean on his girlfriend and boyfriend*

"I work with them now." Would you like to stay for dinner? "Honor among thieves? Something like that." WOULD YOU LIKE TO STAY FOREVER??!!!

"I don't do hospital." "I told you, he takes getting shot very lightly." Uh huh, you know what I smell? LOVE. In the air! Might be some blood from those bullet wounds too ig.

What a show.

[beary-rambles]

Undeniable Desire

c.w season two spoilers; characters (addam and nettles), mention of dragonseeds (nothing more), loss of virginity (jacaerys) non virgin reader, smut, fingering (fem), oral (fem), p in v, clothed sex ?, possessive jacaerys, not proofread

summary: You are dragonseed and have become good friends with the prince. You think nothing of it and not expecting your desires to lead to anything but when you speak of what you think of your future his truer colors show.

w.c: 1.8k

a.n: anybody else cant stop thinking about bridgerton LMAO, i need to rewatch soon, anyways i hope you all enjoy :3 promise im getting around to requests i just needed to push out this idea 🥰 LOVE YOU GUYS

You finally manage to shake off addam and his drunken rampage with a laugh telling him off. “come on you cant leave yet.” “I am going to bed you fool leave me be.” You knock him upside the head and he groans giving you the opportunity to walk away and turn back to the rest of them with a wave. Chimes of goodnights and sleep well are what your met with and you walk away, feeling eyes burning into you you turn back once more and see him staring at you with an unknown look on his face, taking a drink out of his chalice ignoring alyn next to him who was talking his ear off, not even sparing him a glance as he continues to stare at you.

You turn around attempting to ignore how your stomach burns and your face heats at the thought of him. Jacaerys Velaryon. You just like the rest of your ‘dragonseed’ friends have grown close to jacaerys during your time together. Yet you can’t help but feel their was something different about the way he looked at you and even other people can’t help but notice it either.

‘He is definitely wants to fuck you.’ ‘Nettles!’ The girl next to you laughs before chugging down her wine. ‘Do not say such things.’ Addam walks over and drops down to the spot next to you, ‘what are you two talking about?’ ‘The prince.’ ‘ah and how he wants to shag miss oblivious right here.’ ‘did you guys plan this?!’ You in your frustration rip the cup out of addams hands and chug it. ‘its not our fault he makes it so painfully obvious and you are so painfully oblivious to it.’ You shake your head and keep your gaze at the campfire in front of you. ‘It is not true.’ you don’t see the way the pair look at each other and instead start picking at the grass near you.

Even if it was true it wouldn’t matter, you certainly had no intention of sleeping with him. He was betrothed and he certainly did not seem like the type of man to lay around with any women he saw fit. He was the crowned prince for gods sake the heir to the queen and you were in the middle of a damn succession war feelings be damned and you were certain your friends were just playing jokes on you and he certainly just saw you as a friend.

You think nothing of it as you are getting ready to go to bed, just having put on your night gown after your bath, when the flap of your tent opens and you turn to it alarmed and let out a sigh of relief when you see him. “I am sorry i did not mean to disturb you.” “It is no issue my prince, Do you need something?”

You turn back to the mirror and fiddle around with your hair, eyeing the prince through the mirror. He just stares at you for a moment and takes a drink from his cup, you gulp and look away from him, pushing down your own desires attempting to stop your imagination from running wild. What if he just walked over to you and pushing you against the mirror, ripping off your dress and having his way with you, maybe he would drop to his knees and wrap his lips around your pearl, only letting go until you were withering and begging him to stop.

You shake your head and “Would it be selfish of me to admit i missed you? i feel as though we did not talk much today?” You smile lightly at his words and curse yourself for thinking such terrible things. Of course he simply just wished to see you, as he had been busy with his duties all day, only getting to see you all at the end of they day only for you to leave before getting to say a single word to him.

“You honor me my prince with your time.” He shakes his head with a laugh taking another sip, “i would give you anything in the world.” You flush and look down, fiddling with your dress too embarrassed to move from your place in front of the mirror. Hes just being dramatic you think, he does not mean what he says, especially since he seems to be drinking. “You are too kind my prince.” “Call me Jace i beg of you.” “Would you truly beg me?” “I would get on my knees at your feet and do whatever you asked.” Your knees shake as you press your thighs together, the heat between you legs almost unbearable, a part of you wants to shoo him away so you can put your hand between your legs and take care of yourself or find some poor soul in the camp to relieve yourself with. You don’t, you cannot simply ask him to leave for such selfish reasons, especially since you know deep deep down that if you sought out somebody else you would only be thinking about him.

He seems to realize you don’t plan on saying anything so he begins to speak. “You know they were all talking about something.” You give him an interested look in the mirror and he takes another sip, “About what they were planning on doing after this fight is over. Do you have any thoughts? About what you plan to do?” You look up in thought, “I haven't given it much thought if im being honest.” He hums but says nothing. “Maybe i go off to the reach, it sounds very lovely.” “You would not stay in the keep?” You laugh at his idea and shake your head, “Why would i stay there? What would you miss me?” He says nothing and you don't look at him, instead continue talking, lost in your own imagination. “I would probably travel around for a bit, then find some lord to marry he fuck some babies into me and then i live the rest of my life-” You gasp as your suddenly pushed against the mirror being completely trapped by him, you hadn’t even registered the cup being thrown to the ground.

“My prince?” He flips you around suddenly and your eye to eye with him. His hands grip your waist and pull you directly against him. “You will not leave.” “I don't understand-” “You are not going anywhere you will stay by my side.” He has an animalistic look about him, like he's about to eat you whole, completely bewildered by the idea of you leaving. “I have no place in the keep.” “Your place is by my side.” His words have such a finality and certainty about them as if he's giving you no reason to argue with him. “You are to be married, This is highly inappropriate.” Your words are pushed out like puffs of air as his hands have moved up to your chest, rubbing your nipples through the fabric, you can feel him hardening between your legs. “I shall take you as a my second wife, no one will argue i will be king.” “You are being absurd.” “Do you desire me?”

You pull him into a heated kiss. He quickly reciprocates, his hands moving from your waist to under your night gown and he lets out a delighted hum at the liquid on your thighs. ‘Are you bare?” “I was planning on sleeping.” He moans lightly before he pauses before actually touching, “Do you want this?” you nod feverishly, “Please touch me please.” wasting no more time he runs his fingers along your folds, “This is for me right? and no some stupid pompous lord in the reach.” “yes yes.” You answer him but he doesn't seem to be listening, mumbling to himself in anger. “I hate the lords in the reach, always with each other heads in their asses no way you will marry any of them, let them put a baby in you.” He sticks two fingers inside you, “I wouldn’t i wouldn’t only you.” The pit in your lower stomach grows as you watch in shock him drop to his knees in front of you, his body being lost to your gown as he begins to lick and suck at your clit, his fingers moving quicker to pump in and out of you.

You cannot speak so much of his name. Using one of your hands to cover your mouth to not draw attention to yourself, the other plays with one of your tits, sliding it under your dress. He does not let up, even has you orgasm once then twice, only releasing you after the third time and you fall back, leaning against the mirror with wobbly legs as he keeps a tight grip on you holding you up as he stands. You can see the shine of your own essence on his lips and jaw, you swear you can even see some of it dripping down his neck into his collarbone.

He simply stands there and watches you fiddle around with his pants to free him for a few moments as he licks his lips. “You do not know how often i have thought about this.” You look up at him and give him a smile, “You think of me?” “Every minute of everyday, my waking thoughts and my dreams are only filled with you.”

Before you know it he is pushing into you with a hiss and you chuckle with a delighted moan at his closed eyes and clenched teeth. “First time?” “I may not have been your first but i will be your last.” Giving himself a second to get used to your pulsing warm walls that seem to be sucking him in every second he begins to move. Hes a little sloppy, clearly unsure and if anything a little unconfident about what he’s supposed to do. You place your head on his neck, making sure your lips are right next to his ear and you begin to move your hips to meet his, moaning in his ear only for him to hear.

He gains confidence after a few moments and soon enough you have no longer and need to meet him as he begins to pound into you diligently. Your fingers dig into the fabric of his tunic as the pit in your stomach grows once more. “please tell me your close.” You’re shocked he’s even managed to last this long but nod and he groans in delight. “Please peak please together.”

The mirror behind you is completely covered with a foggy mist just as your eyes are when you finally release. You pray as you catch your breath that you two were quiet enough because you would rather be dead than me made fun of by your friends for finally fucking the prince. But as you feel his seed running out your lips and down your thigh you decide maybe it was worth it.

--

perm jacaerys taglist <3

@tyronesien @itsbookworm987 @cruelworldlana @smurfelle @ireneispunk @hxtd @venmondiese

[poorlittleyaoyao]

Hey, if anyone has good theories about what the hell is going on with Wen Qing's alleged ownership of a soul-sucking dagger PLEASE send me links. If true, HUH??? If not true... still HUH?? If you're doing improv about the provenance of a soul-sucking dagger, why would you attribute the dagger to Wen Qing and not, idk, Wen Zhuliu, or Xue Yang, or just stop at Wen Ruohan? Why mention Wen Qing at all?

[kanrix]

After getting back into Moral Orel recently, I stumbled onto your blog while going through the Clay tag and I have to say I love your art of him and the other characters so, so much! Imo I think you managed to capture the tone of the show (especially the vibes of the darker episodes) greatly through your shading and colouring, and it's always nice to see another Clay fan (regardless of how much of a dumpster fire he is, he's still my favorite and is cute so I'm at a crossroads)!

That said, after specifically coming across your househusband and single father drawings of his, I wanted to share an idea I've thought about for the past few days - the idea of Clay just being a single father to Orel alone without Shapey in the picture either bc Bloberta divorced him and left prior to the show started OR bc she died shortly after Orel was born and therefore didn't have Shapey with Stopframe to begin with - and how this would have affected the series overall.

I know this is kinda dark but after rewatching the series and seeing Clay's relationship with his own dad - I can't help but wonder if this would have screwed up Clay's own relationship with Orel even more so than it already is in canon - especially if Clay being the father of the year he is he blamed Orel for Bloberta's divorcing him/Bloberta's death. Additionally, I can't help but think about how Bloberta's not being there would have affected Clay's relationship with Stopframe early on too, you know?

Sorry for the long ask, I just wanted to see your thoughts on this after seeing how well you were able to capture Clay's character through your art; also, I hope you have a great day!

Oh anon, that's a bit hard to imagine. I don't exactly like the thought of killing bloberta off so she probably just got a divorce.

I don't think he's capable of going to "the next level" with Danielle, not yet at least.... But I think this allows for clay and Dan to see each other more often, even though he has to live with the dread that comes after he's more willing to "let go" around dan. The divorce hit him hard, obviously. He feels like it's shameful to also be "the woman" of the house, now that bloberta isn't there.

[cecilysass]

The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7

So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.

This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.

But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.

So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.

Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness

Season 3: Wetwired  (right before Talitha Cumi)

This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)

Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.

What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)   

I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)

Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.

Season 4: Demons (before Gethsemane)

From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was. 

Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.

In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.) 

There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully. 

I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.

Season 5: Folie a Deux (before The End)

This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.  

As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two. 

It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either. 

And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six. 

Season 6: Field Trip (before Biogenesis)

Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period. 

This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.

Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.

This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.

The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real. 

Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.  

Season 7: Je Souhaite (before Requiem)

Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important. 

Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.

So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.

Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.

Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8. 

The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)

However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes. 

So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).

[lesbianphan]

I know this is gonna be mushy and overly emotional and I'm sorry for oversharing a bit, but I feel like it's necessary to put into words what rewatching We're All Doomed means to me personally. I watched the kiswe premiere event live and it was one of the most fun nights I've had in a while, even though my life felt extremely hopeless at the time.

And, look, here's the thing: when the WAD premiere dropped, I had completely given up on improving things. In fact, I was very much in the 'doomed' mentality. I had long accepted that there was no way my life would get better. So Dan's message really resonated with me: it's easy to settle for being at rock bottom and thinking that's all there is for me. I was happy to see Dan doing better, but deep down I didn't truly believe his words either, not really. I did want to, but I wasn't quite there. And I don't believe them all the time, as he himself said he doesn't, and doing the show many times hammers the point home into his head.

After experiencing it, I thought maybe, just maybe, I could stop only embracing the void, but start having the courage to exist as well. Putting myself out there more, trying to make a world for myself in which I'm not the :/ emoji all the time. So I applied for the jobs, I wrote what I wanted, I unapologetically embraced the nerdy things and the fandoms I enjoyed. I decided I can choose happiness in the smallest of ways, even when it sounds silly and unimportant. Because it isn't unimportant really if it means something to me.

Rewatching the show last night showed me how much it changed my life and the big leaps it helped me take in life. I have so much more to learn, but I keep telling myself to be brave (lmao sorry had to sneak the Phil reference) and have the courage to exist. Really truly exist out in the world, not hidden inside my room. And sure, some days are harder than the others, some days I really don't like myself at all. Even in those days, though, I tell myself: all I have to do is have the courage to exist.

I went in to watch WAD with no expectations, and I feel like the message of appreciating the little moments was so monumental, it truly absolutely had a huge impact in my own life. I have a job now, and some financial stability. To be honest, I never thought I'd get this job, I might not even have applied if I wasn't in this mindset. In so many ways, Dan and Phil have profoundly changed my life, and I think WAD is just one of those big examples.

I doubt the real humans Dan and Phil will ever understand the impact they've had on this world, but I'll forever wish them the best. I'll always support them, because their creations have irrevocably changed me as a person, and as much as I like joking around and stuff, I'm just thankful that we share this existence, and we get to have fun and be forever changed by it.

Thanks @danielhowell, you'll never know how huge the impact of this show was, but I am truly crying writing this and I hope one day I get to tell you in person how much you inspired me to keep going when no one else would.

[youcouldmakealife]

KS Fill: Tonya/Vladimir Petrov, Thomas/Anton; castle in the clouds

Another of the Kickstarter fills, for the prompt: always happy for a Vinny/Tony update, especially if Tonya is involved

Even as a child, at her most idealistic, Tonya certainly never expected to live in a mansion like this. A castle, maybe. She liked castles, though she’s not sure where she expected to find one in Brooklyn. Though, it’s not like mansions were any more realistic, growing up in New York City.

And they wouldn’t live in one if they lived in New York, but in Hartford, it was barely even a splurge. And Vladimir had dreamed of castles too as a boy, wanted Antosha to live in one, or the nearest thing they could get for him. It’s massive, and impractical, and Tonya loves it.

They don’t take advantage of the benefits of it very often, however. Once, they let a production crew film the exterior while they were on vacation in Italy anyway — unfortunately, the film was terrible, so Tonya can’t rewatch it for the thrill of seeing it on screen. Or, she could, but she has to get through the melodrama and the bad acting first, and that’s a chore.

It’s the perfect place to host a party, specifically a party with gravitas — a gala, a ball. But with the exception of Vladimir’s induction in the Hall of Fame, they haven’t had any parties worth talking about, because Vladimir is…territorial, Tonya thinks the best word is. His house is his house — she’s still amazed he allowed the film crew, and is sure he wouldn’t have if he hadn’t been out of the country — and he’d prefer they didn’t have guests at all, with the exception of close friends, family. Even then, it’s only Anton who doesn’t get his hackles up after a few hours, and that might just be because he still considers it Antosha’s house too, even after all these years. Which, of course, it is.

But they’ve been married for thirty years now, and Tonya thinks that’s worth celebrating, and Vladimir agrees. He didn’t agree it merited a party on the scale of the one they’re throwing today, but he caved once Tonya assured him all he had to do was show up, and that the only guests staying overnight would be blood-related to them.

Well, and Thomas, but Vladimir’s fine with that. It seems like the exception for Anton applies to him as well. She doesn’t know if that’s because Vladimir considers him an extension of Anton, welcome wherever he is, or if he’s become family in his own right. She likes to think it’s a bit of both.

With an hour to go the place reminds her the castles she dreamt of, lit up and glittering, even if they're nothing alike. The catering staff have assured her they have everything they need, and after two minor wardrobe emergencies she’s finally finished getting ready. Or, she hasn’t, but the final touches must be done right before the guests arrive.

Vladimir’s ready, he’s assured her repeatedly, which she’s sure isn’t true, but he’s his own man. She hasn’t seen Anton since breakfast, which she finds ominous, though she doesn’t think he’d go far without Thomas, and he arrives in front of her almost as soon as she thinks of him. Such a good boy that she merely needs to think of him for him to arrive, offering help.

“Can I help with anything?” he asks, hands twisting fretfully, like it’s hurting him not to assist, and Tonya takes a moment to wonder if she's developed psychic abilities. Perhaps, but it's more likely that Thomas is just unfailingly helpful.

Tonya takes his hands between hers, stills them. They’re cold, and she wants to chafe them, warm him up. What was that saying, cold hands, warm heart? If anyone fits that it’s Thomas. “I’ve hired professionals to do everything,” she says. “We’ll just get in their way.”

She knows this because she has, at every other event with catering staff, gotten in the way. She’s finally learned her lesson — no meddling this time. So far she's stayed strong, but she's not sure she'll last the night.

“Right,” Thomas says, nodding, hands still between hers. “That makes sense. Our equipment managers say the same thing.”

She bets they do. Vladimir in particular was a menace about his equipment — she’s sure they popped a bottle of champagne the day he retired.

“I know what you can do for me,” she says, and Thomas brightens right up. He really is too good a boy for his own good. She imagines people take advantage of it all the time. Look at her, doing it right now.

“Can you find Anton for me?” she says. “I worry he’s hiding.”

She doesn’t worry he’s hiding, exactly — she knows he’s hiding — she only worries he’ll continue hiding after all the guests have arrived, leaving poor Thomas to muddle his way through a room of people he doesn’t know. Not that Antosha knows everyone, and many of the people he does know haven’t seen him since he was a little boy, so it’s really more them knowing him — she’s sure he’ll be delighted to hear ‘you were just this high when last I saw you’ over and over again.

Perhaps she shouldn’t be surprised he’s hiding. And she isn’t. But Thomas is a guest, though a particularly helpful, considerate one, and Anton may not be hosting the party, but he is hosting Thomas. And Tonya did not raise a bad host. Or, unfortunately she did, she thinks, but he certainly didn’t learn it from her. Thankfully Thomas is very easily pleased, and loyal enough that he’d likely tell her Anton was being an excellent host if she asked.

Thomas nods again, like a little bobblehead. She’s slightly disappointed the Canadiens haven’t done one for him, at least to her knowledge — she thinks Vladimir would be delighted to put it by the ones of him and Antosha in his show-off room. He loves them. Never tires of bobbing their heads. “Can I have my—“

“Your hands, of course,” Tonya says, letting them go. “Do you know the saying? About cold hands?”

“I do,” Thomas says, with a broad smile. She bets he does. Bets people quote it all the time. “Don’t worry, I’ll drag Anton out of wherever he’s hiding.”

“By the hair if you need to,” Tonya says, and smiles at the laugh that trails Thomas up the stairwell.

He doesn’t deserve that boy, Tonya thinks, then goes to bother Vladimir one last time. She hopes that, this time, he’ll actually get ready instead of just saying he already is. Perhaps that’s optimistic. But she thinks everyone needs a little optimism to make it to three decades.

“Tony,” she hears Thomas crooning as she walks down the hall, sounding a little like he’s trying to lure a feral cat, and she smiles wider. Perhaps he’s exactly what Antosha deserves after all.

[i-was-a-teenage-eldritch-horror]

I (unwisely) recently logged on to the website formerly known as Twitter, and was immediately greeted with more eva fandom misogynist apologia on the for you tab. Will this ever end?

Equating Shinji's misogynistic actions towards Asuka (and his more subtle misogyny towards Rei and Misato) to Asuka being rude and abrasive to Shinji is just absurd. Is Asuka rude? Yes. Does she have poor social skills? 100%. But Asuka is not a bully, period. Why? Bullying, like abuse, is about power structures. The only character more powerless than Asuka in this show is Rei. Asuka has no adults on her side. Misato favors Shinji because he reminds her of her father wound and neglects Asuka because she reminds her of the feminine parts of herself (read: her unhealthy interactions with men and boys, particularly Kaji and Shinji, which, ironically, stem from her father wound). Or have we forgotten about this scene? Similarly, once Kaji arrives in Japan, he also begins neglecting Asuka in favor of Shinji.

In addition to Shinji's mistreatment of her, Asuka's also experiencing culture shock (compounded by the fact that she's functionally illiterate in Japanese, since she canonically can't read kanji) and the fact that Kensuke was literally manufacturing and distributing csam material of her (and other girls!). Asuka also lacks the protective Eva Unit that Shinji benefits from at almost every turn. The only ally Asuka has is Hikari, who is an ordinary girl with no power over any of the things that are harming or have harmed Asuka.

The smoking gun here is the fact that Shinji is fantastically unfazed by Asuka (who, it must be said, makes several attempts to be kind to Shinji -- which he typically shuts down). Until eoe, the most emotion that he shows around her is when he's understandably upset that she moved into his room while he was at school, and even then he's not upset with Asuka, he's moreso upset at the situation. When he does finally get angry at her in eoe, it's because she was honest with him about how he hurts her and how she does not want to help him (to be clear: she's not obligated to).

Besides that, he nonchalantly tells her not to speak to him that way, or confesses to another character that he finds her bothersome or annoying. There is no real evidence that Asuka has any significant, negative impact on Shinji's psyche the way an actual bully would have on their victim; no, the characters who have the most negative impact on Shinji are Gendo, Yui, and Misato.

What empowers bullies of any age in real life is a power structure (be it at a school, workplace, or in the home) that is negligent towards the victim. There is a reason why school bullies tend to be star athletes, high academic achievers, or exceptionally well-liked (by students, staff, or both) students -- it's because these students often come from privileged backgrounds and/or are aligned with the power structure of the school. Power empowers, go figure.

Misato's treatment of Shinji is definitely not admirable (let's not forget that by the end of the series, Misato has assaulted Shinji); but it's not neglectful. She's very concerned with and involved with his inner life, albeit for selfish reasons. Conversely, Misato knows every ounce of Asuka's pain (rewatch the end of episode 10) and still neglects her! Keeping both Asuka and Shinji in the same household after episode 9 was a mistake on Misato's part. A good, competent caretaker would've discussed the issue (the nonconsensual kiss) with them both separately with the end result being one or both of them moving out into the dorm-like housing that NERV has.

Point being is that the power structure exclusively benefits Shinji relative to Asuka. Despite also suffering as a child soldier and a victim of trauma and abuse, he is privileged relative to Asuka due to how the adults who have power over him and Asuka favor him through their interactions.

Finally, eoe beats us over the head with how uncompassionate Shinji is towards Asuka, Rei, and Misato. Characters who just to happen to be...women and girls. Huh. How about that? It's almost like there's a message there. Although there are a few moments in the show where it's suggested that Shinji ought to empathize more with boys and men like Toji, Kaji, and Gendo (suggestions to empathize with Gendo tend to come from Rei in particular, which I'm not a huge fan of, for the record, but I also recognize that this is Rei imparting her own perspective regarding her own internal journey of questioning onto Shinji), the fact that in eoe, the piece that marks the end of the series, much of the narrative focuses on Shinji's treatment of the women and girls in his life is absolutely significant and sends a message about misogyny.

Does being a misogynist make Shinji a horrible, irredeemable character? Well, that's up to each viewer to decide. My take is that he can still break the cycle and improve. Any story about childhood trauma and abuse would be incomplete without at least one of the characters going down the road of turning into an abuser and/or their traumatizer -- Shinji fits this bill in eva, same with Misato and Ritsuko. Despite everything, I like Shinji. I find him endearing and even identify with him to a certain degree.

When you ignore these facts about Shinji's character, you are erasing a large, very interesting part of his character. Reducing him down to any flavor of sensitive, soft boy is as boring as it is cliche after the more than a quarter of a century since the first episode aired in 1995.

The softness, the sensitivity -- this is Shinji's exterior. Beneath it lies someone who is selfish, callous, bitter, rude, and self-flagellating. As is the case with every eva character, the interior is more interesting than the exterior.

The thing is that everything I've discussed in this post isn't just some throwaway line or a piece of blink and you'll miss it symbolism. It's present in this show basically from episode 1 onward. Seriously, rewatch episodes 1-7. Shinji clearly has some misogynistic ideas about how women should be and this rubs off on how he thinks of Misato (and Rei!), especially regarding how women should dress, keep house, and interact with their sexuality. He not uncommonly makes jabs at Misato for being a slob and having poor dating prospects. After Asuka arrives, much of this is transferred to her.

If anything I've written here sounds like vilification to you, I'd encourage you to examine why. For better or worse, this is the reality of eva and Shinji as a character. Will you face this reality, or just keep on dreaming?

[afrognamedfizzarolli]

Holy. Fucking. Shit.

SEASON 2 TRAILER BITCHES

I'm absolutely loosing my mind! I actually woke up to my phone blowing up about it. And I've spent the last few hours rewatching it and trying to break it down. So I'm going to share my thoughts!

Ive organized all the clips into the separate episodes I believe they are from, so lets start with The Full Moon. Here's my theory about how I think these clips line up and what the episode will be about!

So to start, I'm confident these clips with Vassago and Andrealphus take place in this episode. Probably the first part asking where Stolas is being near the very beginning of the episode. The shot of Andrealphus I'm not sure of though. (I'd like to mention how much I love how his tail comes up and makes it clear he is in fact a peacock)

Next we have these clips of Blizø and Stolas. Stolas is evidently frustrated. While this could very likely be in the later half, I have a feeling this is early in the episode, probably when Blitzø shows up for their full moon meeting. I'm guessing this is where Stolas dumps on Blitzø that he wants to actually be loved. The shot of the flower would also make sense to be in this scene as they are in the garden.

I believe this form we see attack Stolas and Blitzø is Vassago. This is tricky as far as where it goes, but I'm going to place it here as Blitzø is in his signature outfit here like he was in the last scene. Stolas has changed though

Here's where we start to see Blitzø in his outfit specific outfit. I think this is later that day or the next day, him planning to go back to see Stolas and properly express that he indeed loves him. Here I think he is telling Moxxie that he is not going to be working that day and literally dumping the work load on Mox.

I looove these clips! My guess to whats happening here is that Blitzø goes to Fizz looking for help, one of them has the idea to bring a gift to Stolas, Fizz takes Blitzø into this part of the palace with a bunch of Ozzies creations. He pulls out the absurdity large toy as an idea. Eventually they end up deciding on the "Dankee" candle, which Blitzø brings to Stolas. I also love that it looks like he scaled the wall up to the balcony while dragging this comically large candle in a sack.

Here's the part we've all been dreading waiting for... The crystal. I think here is where Stolas gives it to him, and express' how much he hates the transactional deal they have going on. Blitzø completely takes it the wrong way, thinking Stolas is giving it to him as a way to tell him to fuck off.

Here Blitzø also says the "You fucks think you can do this every time" which is alluding to again that Blitzø has experience and possibility was involved with another royal at some point. I know this isnt a new theory, but I think Vassago is a very likely candidate as its very convenient to have this line and Vassago introduced in (presumably) the same episode. This could also just be referring to higher class demons in general, such as Verosika

These next few clips I believe all take place in The Full Moon as well, but I'm not confident on their placement. The shot of Octavia maybe not, but her line what was over it, saying how Stolas doesn't love her or Stella, only Blitzø, is most likely near in this episode though.

For these 3, I think they are during the Stolitz duet, either in the very beginning or ending of the episode (I seem to remember it being said the episode will open with it, but I might be imagining that)

In the part where the images of Blitzø shatter, it's the one closest to Stolas first and then makes its way out, it's also the one closest to him where Blitzø looks the happiest and as they get further he looks more upset/distressed.

The sequence of Blitzø and Stolas' silhouettes could also be almost anywhere but makes sense during the duet. I love the detail of Blitzø's tattoo showing as a heart as a child and as an adult its a broken heart (it's hard to see in these screen shots cause Tumblr decided to nuke the quality)

In the part where Stolas is singing with the celestial imagery he is again wearing a red turtle neck under his cape which bares a resemblance to the one hes wearing when Blitzø is protecting him. I'm not sure if this means anything, but fells worth pointing out.

Again I am sorry for the shit photo quality, and possible bad grammar and spelling. I currently have the posts for the rest of the episodes nearly done so expect those in the next few hours ♡ Id love to hear any other ideas or theories about the upcoming episodes, or anything I missed/got wrong!

Pt. 1: The Full Moon | Pt. 2 :Apology Tour | Pt. 3: Ghostfuckers | Pt. 4: Mastermind | Pt. 5: Sinsmas

[bananonbinary]

rewatching danny phantom and i think part of why i like this show is the complete lack of butch hartmanish family dynamics. the world is....basically kind to danny? i mean, yeah, he gets bullied by other kids, but his parents are well meaning, if clueless, and his sister is genuinely supportive, and even his teacher who is framed as an antagonist a lot of the time genuinely cares about him. hell, his evil arch nemesis wants to adopt him! its a lot easier to stomach as you get older than other kids shows because the adults are genuinely NOT just randomly evil child haters, they just...don't know what's going on.

[anangelcanonlygosofar]

Why Did So Many People Hate Aziraphale?

When the ending of Season 2 happened the majority of the fandom lost their collective shit. They went utterly bananas. A main theme that I kept coming across was the strange and insulting sentiment that Aziraphale "rejected Crowley" or that Aziraphale "chose heaven over Crowley" or that Aziraphale "Was an arse for leaving Cowley", etc.

When I finally got around to rewatching Season 1 of Good Omens and then watched Season 2 of Good Omens and finally saw some context for the ending, I was/am even more baffled as to why people were so cruel to Aziraphale.

Why had they failed to hear what Aziraphale said to Crowley? Why hadn't anyone taken a moment to realize that Aziraphale respected Crowley's choice to not return to Heaven with him? Why did the collective fandom just completely ignore the WORDS, ACTIONS, and EMOTIONAL RESPONSES that Aziraphale expressed in the heartbreaking finale?

Maybe it was the simple fact they just couldn't cope with what they saw. Maybe the fandom needed someone to blame other than Neil Gaiman himself. Or maybe, the fandom just failed to take a moment to carefully comb through and observe the small, tiny details that are far more important than the big, dramatic moments that fill up the runtime.

However, what I noticed most is the total disregard for Aziraphale's lines in the last scene between Crowley and Aziraphale in season 2 episode 6. So this is where I'll Start.

HE WORDS:

Some of his dialogue was/are as follows:

"He said I could appoint you to be an angel. You could come back to Heaven and... and everything, like the old times. Only, even nicer."

"But Heaven...well, it's the side of truth, of light, of good"

"Come with me...to heaven. I'll run it, you can be my second in command. We can make a difference"

"Crowley, come back, to heaven! Work with me! We can be together! Angels..doing good!"

"I...I need You!"

"I...I forgive you"

Do these lines of dialogue give any indication that he rejected Crowley, or chose Heaven over Crowley, or that Aziraphales was being an arse?

No, they do not. These lines of dialogue clearly show that Aziraphale WANTS to be with Crowley so they BOTH can be angels DOING GOOD and MAKING A DIFFERENCE. Aziraphale wanted Crowley to be redeemed so that he could join Aziraphale in Heaven and be on the side of TRUTH, LIGHT, and GOOD.

Aziraphale didn't want to leave Earth WITHOUT Crowley, however, he was forced to because Crowley rejected AZIRAPHALE'S offer to come back to heaven. So instead of forcing Crowley to come back to Heaven with him, even after the awkward kiss, Aziraphale decided to let him go and sacrificed his happiness to SAVE THE WORLD FROM HEAVEN!!!!

It was not easy for Aziraphale to leave Crowley or even Earth or even his bookshop. HE sacrificed EVERYTHING so he could fix heaven's broken system and stop God and the Angels and Metatron from repeatedly trying to destroy the Earth just to win a dick-measuring contest with hell.

Aziraphale doesn't like war. He despises war due to witnessing the rebellion in heaven AND watching the humans go to war and kill each other repeatedly for over 6,000 YEARS. What Aziraphale did was something nobody will ever be able to understand until they find themselves in Aziraphale's shoes.

It's not easy being an angel, who has been forced to "bear witness" and "not intervene in human affairs" because doing so will go against God's "Great Plan" which may or may not be a part of God's "Ineffable Plan".

Aziraphale cannot stand by and let Heaven destroy all life on Earth. Of course, he knows that Heaven isn't all truth, light, or good. He knows Heaven is broken and needs to be reformed. He knows that Crowley is right about Heaven being toxic. Just because he knows that Heaven is toxic and not as truthful, enlightened, or good doesn't mean he's not somewhat in denial.

It's not easy being trapped and suffocated by a cult-like institution whose sole purpose is to keep you from leaving the said institution. It's not easy watching humans committing atrocity after atrocity, and not being able to stop it. It's not easy watching God kill innocent people and children just because they can't get along.

Aziraphale has struggled to figure out what, "doing the right thing" is and how far he's willing to go along Heaven's/God's plans of destruction until he just can't anymore. All Aziraphale has had to keep him going along with Heaven's/God's plans is his faith that Heaven/God knows what they're doing and that complete destruction and devastation will never truly come to pass. Only to find out later that Heaven and God don't necessarily see eye to eye and that God themselves are super unreachable, even in a time of crisis.

Aziraphale has done EVERYTHING he was told and more and it still wasn't enough to keep another armageddon from happening. Since he can't completely stop it on earth, he HAS to return to heaven and find a way to stop it from happening from there, which may prove fruitful and pointless.

What most fans didn't register or realize is the fact that Aziraphale chose to return to heaven for very UNSELFISH reasons. A part of him knew Crowley might say no to returning to heaven with him, so he decided that if that was the case, then he would let Crowley go, so that he, Aziraphale, could fix heaven and permanently SAVE THE WORLD... something he CANNOT do if he stayed on Earth.

Why is this so hard for some fans to see and/or consider? Why is this something only a few fans actually talk about? Why was there so much Aziraphale hate when there shouldn't have been?

It's not Aziraphale's fault that he couldn't stay with Crowley. It's HEAVEN'S fault that Crowley and Aziraphale can't be together because they (Heaven) are too war-minded and emotionally stunted to realize how many innocent people will die just because they want to measure dicks with Hell.

HIS ACTIONS:

The second thing I noticed happened a lot was the initial total disregard for Azirphale's body language and/or actions during the last scene of Crowley and Aziraphale in the final episode of Good Omen Season 2.

Throughout the scene, we see Aziraphale exhibit the following nonverbal cues:

---initial happiness

---confusion

---Distress

---Anxiousness

---restless hand movements

---pacing back and forth

---sadly looking around the bookshop

--etc.

These nonverbal cues show us that Aziraphale went from being extremely happy to an emotional wreck, especially after the awkward kiss.

Aziraphale excitedly told Crowley about his promotion expecting Crowley to be happy for him (Aziraphale), only for Crowley to grow irritable and angry. Which confused Aziraphale and slightly angered him, yet he still somewhat understood Crowley's response.

As the scene goes on you can tell that Aziraphale is desperately trying to keep Crowley from leaving at first, but relents after the awkward kiss and fully accepts he lost Crowley for now.

Aziraphale really wanted Crowley to say "yes", however, it did not pan out that way. So Aziraphale just gradually quieted down, shorted his verbal communication, and tried his best NOT to have a complete emotional breakdown in front of Crowley.

Not once did Azirphale exhibit any controlling behaviors or actions. When Aziraphale and Crowley came to an impasse and Crowley ultimately left, Aziraphale didn't even go after Crowley. He let Crowley go because going back to heaven to fix it and stop the second Armageddon was more important than fixing his relationship with Crowley, and because Aziraphale knew that when everything calmed down, and the 2nd coming was adverted, and there were no more threats then maybe he would be able to have a proper long talk with Crowley and explain why he did what he did and said what he said.

HIS EMOTIONAL RESPONSES:

Some fans also didn't really register how many emotional responses Aziraphale had in the last scene with Crowley in the season 2 finale.

Aziraphale went from ecstatic and happy to confused and slightly angry, to confused, overwhelmed, and heartbroken.

He started the scene excited and ecstatic about his job promotion and he was nearly exploding with joy when he initially told Crowley the "good" news. Only to become confused and a little angry that Crowley didn't seem happy for him and flat-out yelled at him.

At first, Aziraphale is stubborn and confused at Crowley's response to the supposed good news, yet he still listens to Crowley who eventually can somewhat incoherently say that he loves Aziraphale and wants to be an us.

As the scene progresses Azirapale starts to restlessly fidget, heavily breath, and frantically look around as he realizes that the conversation is south faster than the sinking of the Titanic. You can see on his face that he's trying to understand what Crowley is trying to say however, he just can piece it together that well.

Aziraphale understands that Crowley does indeed truly love him. However, Aziraphale also realizes that he too loves Crowley in return and is now getting increasingly overwhelmed to the point that he can't form coherent words.

During the awkward kiss scene, you can see that Aziraphale slightly and very briefly goes to hold/caress Crowley's shoulder right before the rough parting between him and Crowley. At this point, Aziraphale is confused as to why the kiss happened, is overwhelmed by the fact he kind of liked and wanted another one but it simply wasn't the right time, and is heartbroken that he has to leave Crowley, but he doesn't know for how long.

CONCLUSION:

Throughout the entire scene, Azirphale actually struggles with Crowley's disappointment and anger in response to Aziraphale's job promotion, with the idea of leaving Crowley and returning to heaven alone, and with how the hell he is supposed to cope, let alone function without Crowley to talk to.

Nowhere in the scene does it suggest that the decision to return to heaven was easy or simple for Aziraphale. He struggled like bitch and was still left for heaven heartbroken and without Crowley.

Yes, the ending was sad, but there shouldn't have been Aziraphale hate in the first place.

So I leave you with this:

So why the fuck was there so much Aziraphale hate?

[freudyou]

"Make it look like a freak lighting accident"

It’s been years since I’ve revisited Due South, but the @ds30below event sparked my interest again, and I decided to watch a few episodes with my bud @flownwrong  to celebrate. We watched three episodes that stuck in my mind the most over the years after being absent from the show for so long: Bird in the Hand, Eclipse, and The Ladies’ Man, and I found all three to be a very rewarding rewatch, even though my memory of the rest of the series is a bit hazy.

Bird in the Hand: 

When we started our mini marathon, I didn’t realize that this was the only ep of the three where Fraser’s dad plays a role, and I forgot how solid Pinsent was at pulling comic relief duty. The scene where he popped up demanding that Fraser murder Gerard immediately after Gerard was droning on about how Robert’s dogged nobility was his ultimate downfall had me rolling, as did the bit where he—probably correctly— asserted that Ray would shoot Gerard for him if Fraser really asked him to (aww). One thing in particular about his character  that struck me while watching this episode were the moments where he actually interacted with the environment around him in a way that impacted people other than Fraser by implanting the idea to retreat in McFadden’s mind and having Gerard attempt to grab his hand while dangling in the air. In my memory, it was a lot more ambiguous whether Robert was actually a spirit or a figment of Fraser’s imagination, so that ended up being kind of a fun twist for me. 

Since the other two episodes we watched were very Ray K centric, I’m glad we did one that had a focus on Fraser’s emotional state. The scene where he confronted Robert about stubbornly refusing help in life and  said “I never loved anyone as much as I love you” while Robert was still trying to find ways to derail the conversation is a fan favorite for a reason; it’s a rare, intensely vulnerable moment for Fraser and I really enjoyed the way that Paul Gross pulled back from it a little. In another show with another character, it’s easy to imagine a scene like this being a more blatant, emotional showstopper, with the neglected son saying this in a fit of tearful anger that’s meant to make his father rear back in surprise. Instead, Paul Gross delivers the line in an understated way that’s almost more like puzzled frustration, as if Fraser is trying to piece something together about himself instead, which I thought was a really nice touch to the scene that made it feel very Fraser. I also love the cunning way that Fraser brought it back around just a few minutes later by weaponizing male emotional repression in order to freak out everyone else in the room and gain the upper hand (as well as have an opportunity to annoy Ghost Dad by calling him short) while also delivering some genuine truths: Gerard really did break his heart. 

Last but certainly not least, I adore how Ray kept trying to take care of Fraser throughout the episode in his own grumpy, special way. Sure, trying to orchestrate some Fraser-on-Gerard police brutality didn’t end up being the most well received suggestion, but it’s sweet that he acted extra vengeful to make up for Fraser’s dutiful restraint. I also forgot that the “Mentally Deficient” sticker gag and the tape recorder conversation were both in this episode. The Bickering Married Couple vibes between them were always such a classic part of the show, so it was nice to see that on display. 

Bird in the Hand really held up strongly against my fond memories of it, and I was a little surprised at how easy it was to slide back into this world and be immersed in it after being away for so long. Sometimes I guess you actually can go back home again.  

[scoobydoodean]

just saw somebody saying that cas is a pushover for dean…. obviously that’s not true. but can i have some solid evidence just to make me feel more sane?

I mean Cas's baseline state is ignoring what anyone wants him to do imo. It's just when he ignores what most people want him to do, he makes this face: 🙄

And when he ignores what Dean wants him to do, he makes this this face. 🥺

But anyway:

"You should show me some respect. I dragged you out of Hell. I can throw you back in." (4.02)

ANNA: "Uhm, guys, the angels are talking again. / SAM: What are they saying? / ANNA: It's weird. Like a recording. A loop. It says: "Dean Winchester gives us Anna by midnight, or we hurl him back to damnation." (4.10)

"[I tricked you into coming into town] Because whatever I ask [for you to turn an innocent person over to me for execution], you seem to do the exact opposite [protect them from me]." (4.15)

After kidnapping Dean to make him torture for them: "This is too much to ask, I know. But we have to ask it." (4.16)

[Kidnaps Dean and locks him up] (4.22)

[Flies away abruptly because Dean asks a question he doesn't want to answer] (5.01)

"I killed two angels this week. My brothers. I'm hunted. I rebelled. And I did it, all of it, for you, and you failed. You and your brother destroyed the world—and I lost everything, for nothing. So keep your opinions to yourself." (5.02) (Note: Cas blaming Dean for everything going wrong here is also some major bullshit).

CASTIEL: May I borrow [your amulet]? / DEAN: No. / CASTIEL: Dean. Give it to me. / DEAN: All right, I guess. (5.02)

Cas flies off to kill Jesse when Dean and Sam are in direct moral opposition. (5.06)

ANNA: I'd say the Winchesters don't trust me. / CASTIEL: They do. I don't. I wouldn't let them come. (5.13)

You're not gonna finish that? [Takes Dean's burger without waiting for an answer] (5.14)

[Kidnaps Dean and locks him up] (5.18)

"Maybe they're desperate. Maybe they wrongly assumed Dean would be brave enough to withstand them." (5.18)

[Beats the shit out of Dean in an alley] "I rebelled for this?! So that you could surrender to them?" [kidnaps Dean and locks him up again] (5.18)

DEAN: Whoa, wait. You’re gonna take on five angels? / CASTIEL: Yes. / DEAN: Isn’t that suicide? / CASTIEL: Maybe it is. But then I won’t have to watch you fail. 

CASTIEL: You think I came because you called? I came because of this. [The Staff of Moses] / DEAN: Oh, well, it's nice to know what matters. / CASTIEL: It does help one to focus. (6.03)

CASTIEL: I need your help. / SAM: [ Scoffs. ] That's rich. Really. / CASTIEL: [ Grunts, tosses the jar of locusts at SAM. CASTIEL performs air quotes during this speech. ] Sam, Dean, my "people skills" are "rusty." Pardon me, but I have spent the last "year" as a multidimensional wavelength of celestial intent. But believe me, you do not want that weapon down here. Help me find it. Or more people will die.

[Flies away abruptly when Dean asks anything he doesn't want to answer] (6.03)

Cas tortures a child while Dean pleads with him not to do it (6.03).

[Yanks Dean's wrist over without asking and slices his palm open to use his blood for a spell] DEAN: Whoa, whoa! Hey! Ahh! Why don't you use your own? / CASTIEL: It wouldn't work. I'm not human.

[Flies away abruptly when Dean is mid-sentence] (6.06)

Cas ghosts Dean for days while Dean pleads for help in prayers (6.05-6.06)

Those are some moments of note up to my current rewatch episode.

Less organized but past current rewatch point some random momence:

The entire plot of season 6 where Cas is going behind their backs the whole time culminating in him refusing to let go of his plan while Dean pleads him to do just that.

Fun lil Deancas bitchy compilation set here

[Beats the shit out of Dean flies away with the angel tablet]

Refuses to come out of Purgatory

Ignores Dean's nightly prayers in Purgatory

Ignores Dean's prayers and calls all of the tiiiiiiiime sometimes for weeks

Locking Dean in the dungeon... again. (S9)

DEAN: I'm glad you're here / CAS: *Leaves* (10.03)

Keeping Demon Dean from doing demon things :(((( (10.03)

Works with Sam to decode the Book of the Damned behind Dean's back.

CAS: No fighting. / DEAN: Tell [Claire] that. / CAS: Both of you.

"YEAH you know what I like about him? It's that he's sarcastic, but he's THOUGHTFUL and APPRECIATIVE too."

"If I plan to do anything else stupid, I'll let you know."

CAS: So I should just sit here? / DEAN: Pretty much. / CAS: NO.

[Look of utter loathing] "Dean. You are NOT a talking dog." (13.16)

"At least I don't look like a lumberjack."

Steals The Colt to kill Kelly Kline when Sam and Dean want to save her -> Does a 180 into wanting to protect Kelly and still won't include Sam and Dean, instead knocking them unconscious (12.19)

Locks Sam and Dean out of the dungeon so he can torture Donatello for information (13.14)

Also: #hot girl cas. And anyway, if Cas decreases his bitchy basline tendencies to be bitchy around Dean and Dean only, and instead indulges him occasionally by doing things like dressing up like cowboys, we should be fond of this because the angel the size of a Chrysler building who has killed thousands lets Dean put him in little outfits to make him happy and there is something very cute about that.

[general-ida-raven]

With Bad Batch ending in just two days (😭), I’d like to share with you all why Crosshair is (and always will be) my favorite Batcher.

He’s hot (I’ll say it)

He’s obviously traumatized. I feel so seen by his character. (Especially by the fact that everyone completely overlooks him all of the time, except Omega of course)

He’s insanely cool. I’ve always had a thing for snipers and then Star Wars creates a clone who specializes in sniping? I didn’t stand a chance. (Not to mention all of the trick shots he’s made over the show)

His character arc was written insanely well. I’m rewatching the first season currently and just seeing his growth is crazy.

What about all of you? Who’s your favorite Batcher and why?

[takeme-totheworld]

Every time I rewatch this show I have this intense desire to try again to put into words what the final fifteen meant to me in the hopes that I will get it across more clearly.

Honestly, I don't know if I ever can. It's too deeply felt, too visceral. Watching Aziraphale fall prey to the manipulations of the institution that has abused him his whole life and get sucked back into their orbit, torpedoing his entire support system outside of said institution in the process, is so painful and so cathartic every time I watch it happen.

But also, every time I watch it the sharp edges are sanded down just a little. I feel more compassion for Aziraphale, and for myself as well. When you've been subjected to manipulative mind-fuckery for your entire life, it can be incredibly hard to see through, especially in your most stressed and vulnerable moments.

I'm 100% Team "Aziraphale was manipulated into going back, not coerced or threatened." I'm Team "Aziraphale's excitement when telling Crowley about the offer was genuine." I'm team "there was no kayfabe here, no breaking Crowley's heart to keep him safe, no invisible gun to Aziraphale's head."

He was manipulated and he fell for it and that doesn't make him a bad person, or stupid, it makes him a victim. And ironically, it makes him very, very human.

And in S3 he is finally going to break free for good from the pretzel they've twisted his mind into repeatedly, and it's going to be glorious.

[tearsinthewake]

during my first 'the untamed' watch and my first read of mdzs, i really disliked jiang cheng's character. back then, i didn't bother to think too much on why i didn't like him. just that his constant anger was annoying and seemed, to me, a sign that he gave no regard to other people's feelings.

a handful of years passed and now i have so much love for his character. it's easy to see why it took such a long time for jiang cheng to grow on me. angry people make me uncomfortable, because anger is an emotion i learned to associate with all things negative and i am still learning to have a healthier relationship with it.

that's why jiang cheng, nowadays, is so fascinating to me. he experiences and expresses his emotions through anger. he uses it as a filter, although it doesn't work as well as he probably wishes it did. it's the emotion he is most comfortable with as well as the emotion that he deems protects him from other people trying to perceive those soft parts of his insides that he's learned to see as weakness. jiang cheng's anger is a defence mechanism, which is really not uncommon at all. because of how he was raised and what he has been through, it's just always on the surface.

his anger is rarely, if ever, just anger. there's something more to it that needs patience and an understanding of his heart to analyze.

i'm hoping to reread mdzs this year and i'm also slowly rewatching the show. i'll definitely have more thoughts on him as i'm reminded of more of the cause and effect in the story. who knows, maybe i'll be inspired to write a full character analysis on him and that anger he uses like a guard dog on a loose leash.