#but they sure are emotions

[ipatrichor]

uh oh it's nighttime which means i'm experiencing emotions. time to go to sleep and Not Do That

[aye-of-newt]

guillermo del toro’s pinocchio is a beautiful film but my god no one has adapted that story like neverafter. you can never look at it the same way again after listening to lou wilson, a black man, explaining that he chose to play as pinocchio because it’s a story about a little boy who isn’t allowed to make mistakes. that in pinocchio's story, he is fundamentally barred from childhood at once upon a time. he must earn something that everyone else is granted from birth. the other boys get to tell lies and play and get into trouble, but when pinocchio does the same thing there are grave and violent consequences. his pinocchio is trying to understand why the world is so unfair, why the rules are so different for him, why everyone else gets to be a real boy.

and I think about it every day.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[artemis-pendragon]

NEVER FORGOR 🫡

[lilowoof]

[ruporas]

it's time to go, my love (ID in alt)

[time-woods]

EMOTIONAL WIN ! ! the bug lets his emotions make decisions for once !

[scatterbrainedbot]

cass, a professional: order of badass donbot, extra dramatic entrance!

me, nodding, banned from most kitchens: leo drama and angst, heard chef!

(shoutout to @somerandomdudelmao for yet again making feel emotions i cannot fully explain)

[puppetmaster13u]

Prompt 112

Once again, you know who is underutilized in DCxDP crossovers? Battinson. Skrunkly shivering boi. Who we should definitely give children to care for. 

 Did you know that Jason canonically had a brother named Danny? Well you do now, and it should also be used more. 

 We all want to give Battinson a robin, so why not give him four for the price of two. He of course gets Dick from the circus- he’s never going to go into public again, this was the first time he’d gone to do something out of his comfort zone for a while and look how that turned out. 

 And on one of the nights that Dick has to stay home (Alfred insists he must finish his homework if he wants to go out on patrol) Bruce returns to the batmobile to find not one child, but two. Is Danny reincarnated? Just appeared one day? Who knows, but he’s here now and going to protect his little brother. 

 Bruce might have tears in his eyes when they both hit him in the kneecaps and bolt because even with the armor it still hurts. How he manages to grab both kids he’s not too sure, but he ends up getting them food after they put the tires back. He also doesn’t understand how he’s convinced them into the car but they’ve both conked out and maybe he’s panicking and needs Alfred- 

 D-Dick why is there another child here? He’s the neighbor, cool cool. W-what do you mean he’s home alone, he’s like, 4?? What do you mean he’s been alone for a week now???

…

Alfreeeeed-

[inkskinned]

today i love the red metal crane in her long neck arching her body over the boston skyline, which means i am okay for a moment. when i am unwell, everything is a little ugly. i always tell myself look for the beauty but when it is bad, i will look at birds and sunsets and little ducklings and feel absolutely nothing.

when my brother got his puppy, i was in a deep depression. what kind of monster isn't affected by a puppy. i was gentle and kind to her - i just didn't have an emotional reaction. she's five now and i feel like i spend all of our interactions apologizing to her - i don't know why. i just didn't feel anything. how embarrassing. i feel like if i admit that, i'll seem cruel and jaded. it comes in waves. like, two months ago when i went out into the world - it was like that. life behind a pane of stormglass. a firework could go off over your head - nothing. like dead skin, no reaction. not to ice cream or rainbows or baby chickens. life foggy and uninteresting.

i love goslings again. i love their little webbed feet splayed over grass. i love good food and live music and long walks. i like puppies. i feel like some kind of my soul has been starved - i keep staring at everything with wide eyes, trying to burrow the sensation into my stomach. it's real. beauty is real. when it's bad again, remember this. i stop and smell the flowers, feeling cliche in the moment. i like the white-to-red ombre of my neighbor's roses. i like colorcoding and yoga and cold drinks. i try to pass my hands over every moment, feeling like i'm squeezing joy out of every instant. remember this. for the love of god, it's real - just remember this.

[braxiatel]

Thinking about Grian from a shippy point of view, I think it’s really easy to misunderstand his character.

The thing is that when Grian likes someone he Likes them. Capital L.

Mumbo, Scar, BigB, etc. When he falls he falls hard and he becomes obsessed with the objects of his affection.

And here is where a lot of people get him wrong (and to be clear I’m thinking about this because I am trying to improve my characterisation of him and can see places where I’ve made this exact mistake in the past). The thing is, Grian is self aware and he is trying sooooooooooo so hard to appear Normal about the object(s) of his affection. At all times he is - if not physically then mentally - doodling his name next to his crush’s name surrounded by hearts, but he can’t have them knowing that. He would walk into hell for them but he Will complain about it the whole way. He will wither away without their attention, but will go no further than to coincidentally happen to do so in the place they are most likely to find him.

And that, I believe, is the crux of why getting his character right is difficult. He cares so deeply, leading some people to think that he is all lovey-dovey and not at all guarded with his emotions, but at the same time he is trying (albeit badly at times) to hide his affection, leading another camp of people to take him at face value and think he doesn’t care.

I don’t have much of a point other than how interesting it is, and perhaps a hope of seeing it featured more in fanon

[theseyellowdays]

One thing I genuinely think the fandom forgets or underestimates is just how weird Neil is. Like we paint him to be this carismatic, flashy, cocky bad boy, but in reality he's stingy, skittish, balks at anything more personal then his thoughts on Exy and Cannot for the life of him socialize. Like in the Raven King, right after Seth dies, he straight up goes:

"Neil had to patch things up with [Allison] somehow, but he didn't know where to start. He'd never been good at winning people over. Someone like Allison wasn't likely to be his first success. "

Neil's spent his life living on the outskirts of "average" life. Ergo, he's cagey and flighty and so far removed from normal that even among the Foxes he'll always be a little unpredictable and odd. And you know what, good for him; we all deserve an antisocial introverted asshole to raly behind.

[harlepinyo]

My universe.

[yashley]

It’s about this time, another voice pushes into your head, like a bat out of hell. 

[mobius-m-mobius]

Loki 2x01 // 2x02

[relaxtimestwo]

⋆｡˚ Stelle x Firefly ⋆｡˚

Started off as pose practice with the galactic baseballer but I wound up drawing a page with the two of them (featuring brother hanu).

I absolutely love Firefly's design! You really start to appreciate the details when you're forced to draw them;;; It's so cool how her firefly and hourglass theme works so well with her backstory and role in the story so far.

references for three of the poses