#but this is something i won't search

[erabu-san]

What ships with Tighnari would you consider?

i won't tell anything because I am scared of being cooked

[kaeyachi]

Kaeya, despite being a sickly and gentle child, was his own kind of nightmare for Crepus and the other Dawn Winery staff.

See, Diluc is prone to mischief and chaos, dragging along his younger brother and a couple of other children into his plots and messes.

But Kaeya? Kaeya is the type to end up in the most random, and I do mean most random, of places. He would vanish for several hours, only to be found in an unexpected location such as, oh let's say that one time, he was found eating fruit with some friendly hilichurls...IN LIYUE.

He was such a curious soul that would easily get distracted by the wonders of Teyvat, but since he is so silent in both words and movements, whoever is watching over him would lose sight of him just as quickly.

He has caused several search parties in his youth, only for people to find out he was following a seelie to a treasure chest or napping with a young wolf cub in Wolvendom.

Crepus swears that Kaeya and Diluc are competing on who can give him gray hairs the fastest (so far, Diluc is winning, but Kaeya sure is catching up with every scream of panic from a designated babysitter and Diluc)

[kathaynesart]

What advice would you give to someone who really wants to get into writing/drawing comics, but doesn't know how or where to start? What would you recommend? Even if/ especially if they already have a decent history in writing and drawing

SHORT ANSWER: Don’t do what I’m doing with Replica haha! I’m breaking all my own rules with this comic but maybe we can use it as a good example of what not to do in my rant below…

LONG ANSWER: (below the cut)

Hoo boy… there are so many avenues this question could take. I assume you don’t necessarily mean entering the comic industry as a professional (there are far more experienced people you can ask about that). But simply drawing your own comics? I'll try my best to break down some of the basics I've picked up over the years. Note these are just my opinion and there is always room for other methods...

1. ASK YOURSELF WHAT KIND OF COMIC AM I DOING?

The first thing to consider is what is your intention with this comic? Do you want to tell a story centered around a preexisting fandom or tell a completely new story you came up with? What genre do you want to focus on? I'd recommend finding something that really sparks your interest, because you're going to be working on it for far longer than a regular art piece. Plus if you like it, someone else is bound to like it as well!

2. ASK YOURSELF DOES IT NEED TO BE A COMIC?

This may sound silly... but often times I find people fail to take into consideration whether or not the story they are telling works best with the medium they are considering. Had I done Replica as a fan fiction, I would be much farther along with it... but with comics there comes a wide range of subtle visual cues, parallels, and symbolism I can use that I wouldn't be able to show through writing. The written word also has many strengths that comics lack... it just comes down to what you want to be able to show in your story.

3. KEEP IT SHORT AND SIMPLE

If this is your first time doing a comic, I recommend not overextending yourself with some grand epic that is going to take you forever (like Replica haha.)

Example: Years ago a close friend and I did a webcomic called Perpetual Flux that we were unable to finish. It went for about 2-3 years, was over 110 pages long, and yet we had only managed to get about 3 chapters into what would have probably been a +30 chapter story. We came up with this huge epic we wanted to tell and while it was a story we still wanted to finish, it just became impossible to continue as our lives and availability changed.

So start small! And take that experience you gain into bigger, future projects. Obviously I have not learned my lesson with Replica, but at least with this project it's something I can do on my own time and is supported by a wonderful community who keep me inspired. Speaking of which...

4. FINDING AN AUDIENCE

If it’s a story based off something with an existing fandom then half the work is already done! You just need to start interacting more with people in that fandom, and I mean really interacting. Talk to other artists, join Zines, leave comments, and share other people’s work. It can foster a community and help you be a part of the fandom so that people will be interested in what you have to share.

If it’s a new story you’re going to have to create your own community. Nowadays it’s easier than ever to get your work out there, but the competition for eyes is much steeper. What I find that works is rather than starting the comic cold turkey, draw out some highlights from your future story. Moments that have yet to unfold that might wet a random viewer's appetite for more. Kind of like… a trailer for what’s to come. Keep dropping those little crumbs of interest as you prep your comic to garner some interest and that way when you do start you may already have some followers who might share your work around!

5. CONSISTENCY IS KEY

Get into the habit of drawing and writing regularly. I know it can be a hassle and the last thing you want to do is make it a chore, but like exercising I find that the more I do it, the easier it is and the better I feel about it. Nowadays I feel weird if I'm not at least writing some script or drawing a few sketches towards my comic/projects every day.

Also, if you can make sure to update fairly regularly (something I also fail at with Replica haha, but at least I try to post little things here and there when time allows). It's important to let your followers know that you are still there and you care! It also helps keep you at the front of their minds. My fellow Apocalypse AU creators Cass and Tapakah0 are GREAT at this as they post a ton! It helps garner a strong community and a lot of continuous excitement! I wish I had that same energy and time but you'll have to make do with my old-lady pace of things, bless you all haha.

6. GRAPHIC DESIGN

Obviously as a writer and artist you're used to doing both... but with comics there's another aspect that can come into play. Graphic design! Whether it's your title, your font choices, the word bubbles, or the way you break down the panels, these area all things you should take into consideration. For example, every webcomic has panels, but they can vary tremendously in style. Because of Tumblr and the nature of the scroll method I chose to forgo the typical "comic book style" for more of a... loose storyboard feel where I care more about the angle of the shot within each panel rather than how these separated images link up to one another. Where as with Perpetual Flux, it was laid out on actual comic pages so we had to take serious consideration into how they fit together within each page. IngunnSara is also a great example of this more traditional method of paneling and it's gorgeous and difficult and they have my utmost respect for pulling it off with Hamato Wanderers! So I recommend looking to some of your own favorite comics and see what jives with you.

7. FIND A STYLE THAT WORKS FOR YOU

Also failed this with Replica haha, but to be fair I went right into it with the intent on learning the style as I went. But I recommend having some grasp on the style you want to use and whether or not it's a viable to be drawing over and over again for your comic (for example, if you make it too detailed it will take you far longer to draw!)

8. FORGET ABOUT PERFECTION

Perfection is a lie. There is no place for it in art, especially if you're just doing this for your own pleasure. Don't strive for it. Don't worry about it. Don't compare yourself. Just keep doing what you're doing and keep learning from it. You'll get much farther!

Ok... hopefully that helps a bit. I'm sure there's plenty more to talk about but I feel like I've talked enough for now. Thanks for listening to my TED Talk and lemmed know if you manage to get your comic off the ground :)

[moonstruckdraws]

ah.. Ah.. AH- SNEEZE

sorry don't know what happened there, @hellishgayliath-

um- so- yeah I have no reason for this. I saw Clem's future design, my brain made this. so um.. if I have to envision it, so do y'all

I know you joked that Clem claimed Luci as her honorary sister, but they are also 'technically' cousins and would address her as such more than calling her a sister. If not for that reason, then because Luci wouldn't know how to deal with it (as her brain would trail to her then being Pico's sister & both of them would despise that lol) so it's probably done for Luci's sake (with exceptions ofc)

2nd thing; Sugar or Salt If this is an actually thing i don't know where its from because I made it up. But it's their version of saying 'good news or bad news'. I thought it was cute :] Sugar being to sugarcoat the situation & Salt being brutally honest/realistic. I think it'd be a thing Luci made up when Clem was really young & I think Clem would mainly ask for sugar instead of salt.

[zorilleerrant]

I asked @wolfsbanesparks to bind me some sharks and look at this!! The cover is super shiny (shiner than it looks in the picture) with Jeff right there on the cover smiling at you... and then the inside is lined with chompers too <333

[r7inyz]

this year i am really getting back into stuff I liked when I was 8-10 what is happening.

first fnaf and slowly it's roblox. what's next.. GACHA LIFE???? CREEPYPASTA???

[trahoalai]

never gonna experience the "gay kid finds safety and solace in their english class" bc all my teachers have been incredibly racist to me

[r0semultiverse]

WAIT- is this one of the alternate timelines created from the space-time sword ("Shintō Amenogozen")!? 👀

I'm an anime-only bsd enjoyer & ever since that damn sword popped up after Atsushi & Akutagawa killed him on the boat but he was able to erase/undo(?) that timeline, I've been thinking that technically means there's multiple timelines. This would be the one where Fukuchi won that conflict we just saw or something else entirely is going on given the way he's dressed (if that even is him)! 👀👀👀

[kyouka-supremacy]

Mmmhh...

[alexturner2005]

please for the love of god where's the photo from this last tour where you can see nick has some grey hairs

i know what photo you're talking about but i can't find it 😖 i found a few others where u can kinda tell tho

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[dribs-and-drabbles]

Death stairs found in the wild!! They exist outside of Thai QL!!!

I saw this house for sale near where I live sometime in summer or autumn last year but 'lost' the listing before I could show y'all the pic. But now it's back on sale (no surprises why I guess) so I can finally share with you the horror that is this staircase. @respectthepetty @gillianthecat @absolutebl

[coquelicoq]

crying laughing @ this edition of le fantôme de l'opéra that my dad got me for christmas it's just. i don't know how to describe it. every page is a scan of a page of the 1926 edition, with like 1-2 inches of margin around it??? and the letters are so small and the scan is not of very great quality so it's kind of hard to see the words?? interspersed with scans of pictures but some of them are upside down??? there's one page where the scan didn't really work in the upper left corner so it's just totally black???

the back of the book says

Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces œuvres et HACHETTE LIVRE les imprimant à la demande.

(my rough translation: This publication is in line with a policy instituted in conjunction with the BNF (National Library of France) for the conservation of important works of French literature. In service of this goal, Hachette Livre and the BNF are offering a catalogue of unavailable titles digitized by the BNF which Hachette Livre will print upon request.)

so like this is on purpose but i have so many questions. first of all why the margins. okay i guess that is my most important question. why not just make the book correspond to the size of the pages in the original? or, if the size of the book is fixed, you could at least size up the images to use as much of that wasted space as possible, no?

i want to say how ridiculous this is and how there's no market for it but there clearly is one because i asked my dad to get it for me! i'm the market!! i told him to buy this edition because it was the only french-language print edition i could find to buy in the us for less than $50 (outside of amazon because fuck amazon). but like, why is that the case? the full text of this book, in plain text which could easily and legibly be printed, is available for free on the internet. why isn't there some publisher who's just printing that out and binding it? seems easier to do than printing scans. not to mention a lot easier to read!!

(to see what i'm talking about, go to the hachette BNF webpage for this book and click on feuilleter to download a sample of the pages in PDF)

[escapaldi]

I need someone with more knowledge of current Japanese fashion to tell me why a teen in japan is supposed to be wearing a shirt that for all i can tell belongs in an american high school not too far from me

morihito pls

[beastblade69]

do people actually research how problematic the band is? all I do is check the country of origin (have to know, I ain't listening to no russians). I don't have energy to research every damn band member like shut tf up. if the fuck-up-ness of the band ain't a known fact (like w burzum, still tho many people just ignore the awfulness of varg just because "uhm I'm not into politics, I just love the music". even some ukrainians (idiots) are like this while knowing damn well he's a nazi pro russian dick. some people are dumb by nature and we can't do a thing about it) or they don't sing about it in their songs I have no way of knowing (forgive me that I'm not gonna waste my time on a dumb research instead of listening to music)

[slug-demon]

look. proship vs anti-ship is another one of those debates that is treated too black and white for my tastes. i do not consider myself proship and a lot of people who choose to describe themselves as proship make content that makes me deeply uncomfortable and conflicts with my personal moral perception of the world. however i am STRONGLY anti-censorship and i feel like a lot of anti-ship people really do not understand the implications of the stuff they seem to want. like i hate to say it but i like ao3 because you can host just about anything there. you never have to worry about 'sensitive' topics being banned unjustly. and like, you can't really ban a topic all together in most situations because it blocks productive portrayal and discussion around real-life topics which is important. i would rather have uncomfortable and weird fanfic on the site i use than have to worry about the website being bought out or changing management or some shit and starting censoring any mention of 'distasteful' or 'inappropriate' topics. sometimes writing contains rape, incest and other uncomfortable topics in a non-glorifying or productive light and censoring those works would be unfair. also the idea of all art needing to have a purpose or a sort of productivity to it comes from capitalistic ideals about art as a product and not as expression, so i also don't think the gross underage incest rape fic should be censored either. if you start censoring, where will the line be drawn? how will you maintain the line? what will you do if societal and/or popular opinion of what should be allowed changes? it's all deeply rooted in capitalism and exclusion and othering/'i'm better than you' ways of thinking. so i'm not proship or anti ship i'm anti censorship and pro minding my damn business when something unrelated to me makes me uncomfortable. ao3 has tagging. block the tags from your searches. it is that easy.

[visdiefje]

It's so wild and refreshing to me to want to be HERE. In my country. In my general area. Where I am