Things to Do that Aren't Related to Growing Plants
This is my second post in a series I’ll be making on how to increase biodiversity on a budget! I’m not an expert--just an enthusiast--but I hope something you find here helps!
Some of us just don’t have much luck when it comes to growing plants. Some of us simply want to aim for other ways to help that don’t involve putting on gardening gloves. Maybe you've already got a garden, but you want to do more. No problem! There’s a couple of options you can look into that’ll help attract wildlife in your area without even having to bring out any shovels!
Provide a Water Source
Oftentimes when I see ‘add a water source’ in informational articles about improving your backyard for wildlife, it’s almost always followed by an image of a gorgeous backyard pond with a waterfall and rock lining that looks expensive to set up, difficult to maintain, and overall just… not feasible for me. Arguably, not feasible for a lot of people. And that’s okay! There’s still ways to add water in your garden for all kinds of creatures to enjoy!
There’s tons of ways to create watering stations for insects like bees and butterflies. A self refilling dog bowl can work wonders! Add some stones into the receiving tray for insects to land on or use to climb out, and you’ve got a wonderful drinking spot for all kinds of insects! You can also fill a saucer or other dish with small stones and fill it, though it’ll likely need refilling daily or even several times a day during hot times.
I've seen people online use all kinds of things to make water features. Some go with terra-cotta pots, pebbles, and a cheap pump to get a small and simple fountain. Others use old tires, clay, and a hole in the ground to create an in-ground mini pond system. If all else fails, even a bucket or watertight box with a few plants in it can do the trick--though do be wary of mosquitoes if the water isn’t moving. In situations like these, a solar-powered fountain pump or bubbler are great for keeping the water moving while still making it a drinking option for wildlife (it not even more appealing for some)--and these items can be obtained fairly cheap online!
Bird baths are an option as well--a classic way to provide for birds in your area, they can be easy to find online or in a gardening store! The only downside is that a good, quality bird bath can be pricey up-front. However, a nice stone bird bath should last a long time, be easy to clean and refill, and be enjoyed by many birds! I’ve also seen tutorials on how to make your own with quickcrete! Bird baths will be a welcome sight to birds, as they provide a space for them to drink and bathe to regulate the oils in their feathers for flight and insulation. Putting a stone in the middle will also help insects to escape if they fall in, and provide a place to perch so they can get their own drink. You’ll want to change the water and clean the baths regularly--as often as once a week, if you can manage it.
If possible, it’s highly encouraged to fill and refill water features with rainwater instead of tap water. Tap water is often treated, so instead of using hoses or indoor kitchen water, collecting some rainwater is a great alternative. Collecting rainwater can be as simple as leaving cups, bins, or pots outside for awhile.
Butterflies and other creatures will also drink from mud puddles. If you can maintain an area of damp soil mixed with a small amount of salt or wood ash, this can be fantastic for them! Some plants also excel at storing water within their leaves and flowers (bromeliads come to mind), making them an excellent habitat for amphibians as well as a drinking spot for insects and birds.
Bird Feeders and Bird Houses
Some of the fancy, decorated bird feeders are expensive, but others can be pretty low-cost--I got my bird feeder from Lowe’s for around 10 dollars, and a big bag of birdseed was around another 10 dollars and has lasted several refills! If you don’t mind occasionally buying more birdseed, a single birdfeeder can do a lot to attract and support local birds! If you’re handy, have some spare wood, and have or can borrow some tools, you may even be able to find instructions online to make your own feeder. You may not even need wood to do so! Even hummingbird feeders, I’ve found, are quick to attract them, as long as you keep them stocked up on fresh sugar water in the spring and summer!
An important note with bird feeders is that you have to make sure you can clean them regularly. Otherwise, they may become a vector for disease, and we want to avoid causing harm whenever possible. Also keep an ear out and track if there’s known outbreaks of bird diseases in your area. If local birding societies and scientists are advising you take your birdfeeders down for awhile, by all means, do it!
Bird houses are naturally paired with bird feeders as biodiversity promoters for backyard spaces, and it makes sense. Having bird houses suited to birds in your area promotes them to breed, raise their young, disperse seeds, and generally engage in your surrounding environment. Setting them up takes careful selection or construction, preparation, and some patience, but sooner or later you might get some little homemakers! Keep in mind, you will need to clean your birdhouses at least once a year (if not once per brood) to make sure they’re ready and safe for birds year after year--you wouldn’t want to promote disease and parasites, after all. But they could be a valuable option for your landscape, whether you purchase one or construct your own!
Again, do make sure you're putting up the right kind of boxes for the right kinds of birds. Bluebird boxes are some I see sold most commonly, but in my area I believe they're not even all that common--a nesting box for cardinals or chickadees would be far more likely to see success here! And some birds don't even nest in boxes--robins and some other birds are more likely to use a nesting shelf, instead! Research what birds live in your area, take note of any you see around already, and pick a few target species to make homes for!
Solitary Bee Houses
A bee house or bee hotel is a fantastic way to support the solitary bees in your area! For a few dollars and some annual cleaning, you can buy a solitary bee house from most big box nurseries. Alternatively, you can make one at home, with an array of materials you may already have lying around! You can even make them so that they’ll benefit all kinds of insects, and not necessarily just bees.
Though you don’t even necessarily have to break out the hammer and nails, buy a ton of bricks, or borrow a staple gun. Making homes for tunneling bees can be as simple as drilling holes in a log and erecting it, or drilling holes in stumps and dead trees on your property. You might even attract some woodpeckers by doing this!
Providing Nesting Area
There are tons of different kinds of bees, and they all make different kinds of homes for themselves. Not all of them make big cavity hives like honey bees, or will utilize a solitary bee house. Bumblebees live in social hives underground, particularly in abandoned holes made by rodents--some others nest in abandoned bird nests, or cavities like hollow logs, spaces between rocks, compost piles, or unoccupied birdhouses. Borer, Ground, and Miner bees dig into bare, dry soil to create their nests. Sparsely-vegetated patches of soil in well-drained areas are great places to find them making their nests, so providing a similar habitat somewhere in the garden can encourage them to come! I do talk later in this document about mulching bare soil in a garden--however, leaving soil in sunny areas and south-facing slopes bare provides optimal ground nesting habitat. Some species prefer to nest at the base of plants, or loose sandy soil, or smooth-packed and flat bare ground. They’ve also been known to take advantage of soil piles, knocked over tree roots, wheel ruts in farm roads, baseball diamonds and golf course sand traps. You can create nesting ground by digging ditches or creating nesting mounds in well-drained, open, sunny areas with sandy or silty soil. However, artificially constructed ground nests may only have limited success.
Providing Alternative Pollinator Foods
Nectar and pollen aren’t the only foods sought out by some pollinators! Some species of butterflies are known to flock to overripe fruit or honey water, so setting these out can be an excellent way to provide food to wildlife. You may want to be cautious about how you set these out, otherwise it can help other wildlife, like ants or raccoons. Butterflies may also drop by to visit a sponge in a dish of lightly salted water.
Bat Houses and Boxes
Big or small, whether they support five bats or five hundred, making bat boxes and supporting local bats is a great way to boost biodiversity! Not only will they eat mosquitoes and other pest species, but you may also be able to use the guano (bat droppings) as fertilizer! Do be careful if you choose to do that though--I’ve never had the opportunity to, so do some research into how strong it is and use it accordingly.
Provide Passageway Points
If you want your area to be more accessible for creatures that can’t fly or climb fences, allowing or creating access points can be an excellent way to give them a way in and out. Holes in the bottom of walls or fences can be sheltered with plants to allow animals through.
In a somewhat similar manner, if you’re adding a water fixture, it’s important to provide animals a way to get into and out of the pond--no way in, and they can’t use the water. No way out, and they may drown. Creating a naturalistic ramp out of wood beams or sticks, or stepped platforms out of bricks, stones, or logs can do the trick.
Get or Keep Logs and Brush Piles
I’ve already mentioned logs a good handful of times so far in this post. To be used as access ramps, or as nesting areas for solitary bees. But they have value as much more than that! Logs on the ground provide shelter for all kinds of animals, especially depending on size--anything from mice, reptiles, and amphibians to things like turkey vultures and bears will use fallen logs as shelter. Inside of a decaying log, there’s a lot of humidity, so amphibians are big fans of them--meanwhile, the upper sides of them can be used as sunning platforms by things like lizards. Other animals can also use the insides of logs as nest sites and hiding places from predators too big to fit inside. Fungi, spiders, beetles, termites, ants, grubs, worms, snails, slugs, and likely much more can be found inside rotting logs, using the rotting wood as food sources or nesting places. They can then provide food for mammals, amphibians, reptiles, and birds. They can also be regarded as a landmark or territory marker as wildlife get more familiar with your space.
So how do you get logs for cheap? Try Chip Drop! I talk about them more in a future post, but you can mark saying that you’d like logs in your drop, so they’ll give you any they have! In fact, you may even get a drop faster if you're willing to accept some logs. You may also be able to approach arborists you see working in your area and ask for logs. There may also be local online listings for people selling logs for cheap, or just trying to get rid of them. If there’s land development going on near you, you may be able to snag logs from trees they cut down to make space. Do keep in mind, you don’t need to have huge gigantic logs laying around your property to make an impact--even small logs can help a lot.
If possible, creating and leaving brush piles on the edge of your property can be a great boost to biodiversity--even if you may not see the wildlife using it. They’ll provide shelter from weather and predators, and lower portions are cool and shady for creatures to avoid the hot sun. The upper layers can be used as perch sites and nest sites for song birds, while lower layers are resting sites for amphibians and reptiles, and escape sites for many mammals. As the material decays, they also attract insects, and as such they’ll attract insect-eating animals too. As more small animals find refuse in your brush pile, their predators will be attracted to them as well. Owls, hawks, foxes, and coyotes are known to visit brush piles to hunt. Making a brush pile can be as simple as piling branches and leaves into a mound, as big or as small as you want. You can even use tree stumps or old fence posts near the base, and keep stacking on plant trimmings and fallen branches. Do note that you don’t want to do this near anything like a fire pit.
Don't forget, with all of these, your mileage may vary for any variation of reasons, so don't worry if you can't take all of even any of these actions! Even just talking about them with other people may inspire someone else to put out a bat box, or leave a few logs out for wildlife!
That's the end of this post! My next post is gonna be about ways to get seeds and plants as cheaply as possible. For now, I hope this advice helps! Feel free to reply with any questions, success stories, or anything you think I may have forgotten to add in!
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart
—-------
There are two things Daniel Fenton knows that his family knows as well:
He’s adopted.
He can’t remember anything else before that.
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents.
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill.
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.)
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one.
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself.
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.)
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.)
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe.
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal.
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking.
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter.
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind.
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous.
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own.
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t.
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward.
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”)
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell.
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his.
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it.
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now.
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own.
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother.
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten.
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands.
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely.
It is a fast dream.
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods.
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him.
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal.
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train.
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.)
—---
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again.
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person.
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.)
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird.
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is.
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off.
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom.
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.)
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
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how do you think the lis would respond if mc sheepishly asked if they could fondle their tiddies? (even mhin, even though i KNOW they'd shank a bitch.)
Here ya go, Anon!! :3 They pronouns & non-specific language/MC used. Suggestive, but no other warnings.
AIS:
Pretends he doesn’t hear them.
“Hmm?” He holds a hand to his ear, a toothy little smirk on his face, his scarred eyebrow raised. The way he’s making direct eye contact is an unmistakable challenge.
“You wanna what now, Sparrow?”
He knows exactly what MC said and they can tell. He just wants to see if they'll say it again. They didn’t sound so sure about whatever that request was just now…
His smirk grows when– (if?? But c’mon he’s so clearly saying yes, please) –
His smirk grows when they don’t back down. He spreads his arms out in invitation, haori splaying open.
He’s patient for as long as he can stand once they get their hands on him but it isn’t long before he finds himself grabbing them by the wrists, pulling them closer. Pressing his palms against the back of their hands to encourage them to make full, firm contact. Haven’t they been warned? He’s awfully greedy.
(And: if he purposely presses their touch against his heart for a moment, no one needs to know but him.)
VERE:
He gives them a blank look– a look unsettlingly similar to his hungry, flat eyed stare. Though, it’s gone in an instant–so quick they might even be able to convince themself that they imagined it. One blink and his entire expression is different, his tail swishing elegantly and with a flourish that can only be described as pleased.
“Well,” he purrs, “aren’t you just adorable? I did tell you to ask next time you wanted to touch… Very well then. I’ll reward your ability to follow simple instructions.” He relaxes luxuriously into the cushions of the divan that he’s resting on. “Come along, then. Fondle to your heart's content. Don’t leave me waiting.” He beckons to them with a crooked finger, tempting them closer, a haunting echo of their first meeting.
Survival instincts be damned…he did give them permission…
He breathes a chuckle out as they touch him, his mouth hot against their ear as he buries a grin into their neck.
In the space of another breath, he’s flipped the two of them, leaving them pinned against the divan.
“You didn't think you were getting a single thing for free from me anymore, did you? Tut tut. After you treated my generosity so callously before? From now on, I’ll be expecting payment in kind. Quid pro quo, darling.”
KURAS:
He looks at them, eyes crinkled with amusement. “Am I to take it that your interest is academic? Studying anatomy, perhaps? I do have a few select texts I could offer you which you might find quite beneficial.”
The embarrassed look on their face seems to amuse him further, the corners of his lips tugging up as he takes in their expression.
“Of course, the benefits of a more hands-on method of scholarship should not be overlooked.” He takes pity on them, beckoning them over as he takes a seat on the doctor’s stool, right next to the cot where they first met him. He neatly removes his coat, folding it and laying it to rest beside him. Despite their fears, he doesn’t start listing out the anatomical names for things as they lay their hands on him. His eyes slip shut as they rest their hands on his shoulders–he’s still so tall, even sitting on the low stool–sliding their hands down, admiring the sturdy form and shape of him.
His own hands come up, clutching around their waist with surprising strength. His eyes are bright and intense as he looks up at them. They expect him to say something but he merely squeezes them–Possessively?–
Like he might be able to trap them in this moment with him forever, through will alone.
He closes his eyes again; his grip loosens. His self-control back is back in its necessary place, and he finds himself repentant.
“Forgive me. You are quite endearing. I simply find you…difficult to resist.” He admits.
MHIN:
You are so correct anon. Shanked immediately. But MC bonks their head into Mhin’s chest on their way to the ground, so… Achievement Unlocked? Or, for MC’s sake, I’ll assume that they have earned a level of trust/intimacy with Mhin that makes Mhin a lil' less likely to get stabby.
Mhin’s eyebrows furrow as Mhin crosses their arms, physically creating distance between MC and their…
Mhin’s cheeks go a little red as they realize how obvious their body language is, their pale eyes darting to the side as they worry about what other things they’ve accidentally telegraphed to MC. How many of Mhin's true thoughts and feelings are they privy to...? Shaking themself mentally, they quickly snap out of it, pinning MC with a pointed glare.
“If you value your life at all, you’ll never ask me that again.” Mhin marches away. “Staying at the Wet Wick–around Leander–has ruined your brain. You need to get out of that place while you still have some grey matter left.”
. . .
Later, escorting MC back to said Wet Wick, ducking through the lesser known and narrower streets after a long day of following dead ends together, Mhin finds the thought ruining their own brain. It must be the heat of MC pressed against them in the alleyway, the comforting, all-consuming scent of them, the memory of MC’s flushed face while they were asking Mhin’s permission... MC’s much braver than them, Mhin thinks bitterly, so much more willing to let themself have what they want, despite their cursed hands. Mhin sighs, stopping abruptly. Turning. Pinching the bridge of their nose.
“Look–you can–”
Mhin feels themself blushing all the way down to their chest. They open their mouth and close it a couple of times, attempting to articulate what they want. They make a noise of aggravated frustration. Carefully–very carefully, and very slowly, so that MC knows exactly what they are doing, they reach for the bandaged hands at MC’s side. They rest MC’s hands lightly on their chest, shivering as they feel the brush of fingers against their clothed ribs, thumbs pressing into their sternum. They bite down a noise that would surely make them perish where they stand. Stars above, how long since–
“...Does your heart always beat this fast, Mhin?”
“Quiet.” They snap.
Wow Mhin. Right there in the alleyway huh? Well ok then. I see what ur about.
LEANDER:
The two of them are alone in the room at the Wet Wick, just sitting together innocently on the bed when MC asks.
Well–they try to ask.
He hears them start the question and his coat and shirt (and tiddie belt) are coming off before they can even finish. He gives them a quiet chuckle, blushing as his shirt(s) get caught at his shoulders.
Though the perfect way it frames his boobs might convince them he did it on purpose…
“You meant skin to skin, right?” He laughs again, leaning back on his hands and looking entirely too appetizing–is he arching his back a little more than necessary?
“I don’t mind at all! Though, if you could help me with…” His eyes crinkle as he smiles at them, head tilted like a puppy, waiting expectantly.
They get up from the bed to help him discard his remaining topmost layers of clothing, standing above him in order to better assist. His eyes are pinned to theirs the moment the fabric barrier is fully cast aside. “I…can’t say this is a bad view,” he admits, eyes roving along their form, tongue darting out to wet his lips. Then, more sincerely: “I’m glad that you asked me for this. Don’t be afraid to touch, all right? Nothing bad will happen to me, promise. Remember: whatever you want.”
They find themself feeling along the edges of his scar, tracing the line of it across his pectoral… His breath catching when they accidentally scratch him a little with their nails (MC is just a little clumsy–that was completely unintentionally, really) is dangerously addictive.
“Ah... Anywhere else you’d like to touch? It would be a shame to waste this opportunity…”
If they're feeling shy, he could offer a few suggestions. He really, really wants to help in any way he can. :)
BONUS!ELYON: “You can, but I will have to charge.”
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